Chop Shop Cagney and Lacey


Chop Shop

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Transcript


LineFromTo

Excuse me, sir. I thought there was going to be four of you.

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Isn't one of me enough?

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Come on, Isbecki. That's the worst line I've ever heard.

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'Would you like to order? I was thinking of a little takeout.' This'll be worse!

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TOGETHER: After work, if you're free.

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I'm sorry. I'm not on the menu.

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Very nice. Way to tell him, lady!

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'I don't really care, but to tell you the truth, Christine Cagney,'

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I long only for you.

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'I pine for you.

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'I yearn for you. I burn for you.'

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Wake me when he says something interesting. 'I got some company.'

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Are you from Tony Brown?

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Yo.

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Yo? Undercover Sylvester Stallone?!

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Tony said you might have some chauffeur work. Maybe.

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No ham in the egg foo yung!

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I've been stealing cars all my life.

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Why don't you cool it with the...?

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I can't eat this spicy garbage. I'll get heartburn.

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Give me your shopping list and I'll get it.

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My problem's selling 'em. Where do you guys unload...?

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It's none of your business! Don't be nervous.

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Selling 'em is stupid. A new Porsche is worth 25 thou.

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Chop that same car into parts and sell 'em separate

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and you get 60 grand and no registration problems.

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How much do I get? A hundred and a half per.

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Two. What kind of Chinese is this? They don't even have chop suey!

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Get off my case! Can't we go to Fung Ling, Joe?

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All right, Fung Ling.

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'Do you mind? Fung Ling?'

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Where's that? This way.

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Aren't we going to follow? I know Fung Ling.

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We'll get there first, be less conspicuous.

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I just had a taste for Italian. You know that new place?

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Yeah, that sounds good.

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Chinese, damn it! Go to Fung Ling!

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'What about you guys? That's OK with me.'

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Isbecki, find out where it is!

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What's the name of the restaurant again? Why? Are you writing a book?

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'I want to know where I'm eating. I only remember it's Italian.'

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We've got to go back. Turn here.

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Oh, my Lord!

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Back it up, back it up! I can't!

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HORNS BLARE Back it up! Move it, damn it!

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Will you guys move out of the way?

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Hey, wait, Joe.

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You say you know Tony Brown from school, right?

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Yeah, right. Where did you go to school, man? Harlem?

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Yeah. You know what? You're a liar, man!

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What do you guys think you're doing?

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Wait, Joe, look. This guy's a cop!

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'What are we going to do with a cop?

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'Let me get the wires.'

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Damn it, damn it! We've got an emergency here.

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We got a 10-50... Come on! We got a kidnap in progress.

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SIREN WAILS

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We've got to assume his life's in danger.

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These guys are small-time car thieves, not cop killers.

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You back an animal into a corner, he becomes a killer.

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I've got to figure they'll kill Isbecki.

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Petrie, you know Tony Brown? Yeah, from my days in Harlem.

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You find him cos he's the key.

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LaGuardia, Davidson, hit the files.

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We're looking for felons recently released or on parole.

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Cagney, Lacey, check out salvage operators.

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We're staying on this until we get Isbecki!

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'We're looking for a front end on a '76 Stingray.'

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Let me call you back. Can we stick to the subject? Did he say a front end? Yeah. Can we get back to...?

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I've got a rear end '75, but you wouldn't want that.

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PHONE RINGS Hello? He hung up. He'll call back.

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We're talking about chop shops in the area.

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They got 'em everywhere. I know. Very big operation in Chicago.

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PHONE RINGS They'll call back.

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You've got a bad attitude, bright eyes.

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I'm just trying here. I don't run a chop shop here.

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I would if I had the Mediterranean back-up. So you'd be a felon if you could get away with it?

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They're making out a lot better than I am! Cos they underbid? Bingo!

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A call comes over that speaker for a part, Joe Blow offers bottom-line price.

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Then the chop shop guys drop the price by 100.

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They might not even have the part, but they get one of their boppers to go and steal that part.

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PHONE RINGS That's my telephone!

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Do you know anybody in the area doing heavy underbidding? Everyone. No-one. Cut the tap dance.

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A cop's life is in danger. So the world stops turning?

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'Anybody got a five-speed transmission for an old Fox?' Mr Boston, if you hear anything

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over the loudspeaker... I'll call.

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After I call them to see if they'll sell ME a franchise!

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PHONE RINGS Hello?

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Another three inches.

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Keep going, that's it.

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Thanks.

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My cousin's been looking for a door for his Maserati for six months.

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Yeah? We get 'em in here all the time.

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How much? I don't know, but you won't find a better deal.

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Hey, Dave! Come in here a second!

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We gotta snuff him.

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I ain't gonna murder nobody.

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Just check yourself. It could come down to you or him.

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Our benefactors are in no mood to play. Billy?

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Wait, Joe. Your good friend, Tony Brown.

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Yeah? Did he burn us?

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Huh?

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Mr Fisher? What's the word now?

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Officer Petrie, long time no see.

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Detective. You know I copped a gold shield, brother.

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I heard. Congratulations.

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I'm looking for Tony B.

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You been over to his place? Yeah.

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Well, I haven't seen him.

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Well, if you do, give me a holler, man.

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I'm over at 14th.

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Mm-hm.

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Help! Help!

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Help this woman.

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Police!

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Halt! Halt!

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Police!

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Excuse me, Officer. Excuse me, Officer.

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Excuse me, Officer.

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Police!

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Halt! Don't do it!

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Don't do it! GUNSHOT

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Try salvage yards, repair shops, see who underbids.

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Did you find anything? No luck. Anything here?

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Petrie shot an 18-year-old purse snatcher up in Harlem. Kid's dead.

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Oh, Lord! How's Marcus? OK. Can you help me out?

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I've got a thousand of these things. You got Manhattan?

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Yeah. I'll take Queens.

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Yeah, hello, I'm looking for a transmission for an '81 380 SL.

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What's your lowest bid?

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Did you find anything? No. Are you OK?

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He drew, I fired. What did the Duty Captain say? Justifiable.

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I've got to find Tony Brown. They're making me wait for the review board interview!

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You want to do the Bronx? Sure. We're looking for the lowest bidder.

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Detective Petrie, can I have a word with you? Daniels, can I help you?

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We need Detective Petrie's photo.

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Press release. Towards what end?

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Community relations, image enhancement.

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Black child killed by a cop, but show my face, everyone'll stay cool.

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We don't want incidents like that in Miami.

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I'm the poster boy in a racist publicity game? I need this

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for this afternoon's paper. No, you don't!

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Hold it. I need Petrie in Harlem. His partner is missing.

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Print his photo and you take his shield away!

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We're dealing with a case of greater evil.

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You wouldn't want my picture if I were white!

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Maybe you wouldn't have shot so fast if the kid was.

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I'm not going to debate. This order comes from the top.

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Either Detective Petrie complies or I bring him up on charges.

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Detective Petrie? What?

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Give me that!

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Easy, easy.

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Right, get out of here!

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Sorry. I lost my temper.

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Al Burnley. The last address we had was 39...

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Don't give me that, Wilson. I'll do it myself!

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PHONE RINGS 14th Squad, Detective Lacey, may I help you...?

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Just a moment, sir.

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Christine, pick up on three. Petrie, trace on three.

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Yes, sir? My partner's on the line. This is Cagney.

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I know where your cop is. Where?

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Slow down. I'm a cutter in a chop shop. You know what that is?

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Yes. I'm greedy, but no killer.

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Is he going to be killed? Unless you can give me immunity. We can try.

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You better do it! We can do it.

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The DA's office will want you to testify. No way.

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You want to play?

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I want it on the immunity paper that I don't turn state's evidence!

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I'm gonna call you back at three o'clock.

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I want you to bring the papers over and I'm going to read 'em.

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If they're OK, you get your cop.

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LINE GOES DEAD Nothing.

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Three.

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Do you think he'll deliver? It's the only lead we've got.

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We need it by three. I'll get it.

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He wants no state's evidence on the papers. You agreed to that?

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He gave us no choice.

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Sorry, sir. The DA's going to want a pound of flesh?

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That I wouldn't mind. He'll want my soul!

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I'll go check the back-up.

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Marcus! Well? The Duty Captain says you can't go on back-up until you've finished the FRB interview.

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What the hell do I do? If Samuels isn't back in 12 minutes,

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it won't make a difference.

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Hey, Marcus, can I talk?

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I know we're in an emergency situation, so you haven't had time to sort out your stuff. What stuff?

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About the shoot. What stuff about the shoot? The perp had a gun.

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Don't play me off, Petrie. I know. I killed a kid last year, remember?

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I know all about that Superman on the job business. You do? Yes.

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Once we find Isbecki, you must go over your feelings about shooting that boy. It's my job.

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Punch in, have a coffee, take a life, punch out?

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You better get back in there. You'll miss the call.

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We'll find him, Chris.

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I should have waited at the restaurant. I blew it.

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A simple tail and I blew it.

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It was a judgement call. And I blew it.

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Isbecki could die cos I screwed up. We will find him!

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PHONE RINGS

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He's five minutes early. Where is Samuels? I don't know. Stall.

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This is Detective Cagney.

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Yes, I have the papers right here.

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I'm here.

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Yes, I have them right in my hand.

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Exactly as you asked. No testimony.

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All right, give me the address.

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I know where it is.

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All right, 20 minutes. We'll be there.

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Where? Soho. Here's the address. Warn the back-up.

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I got it, but it's contingent on him being a material witness.

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The DA wasn't interested in my flesh.

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The pick-up is in Soho. He won't go for it. Convince him.

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Follow him if you have to. Just get Isbecki back.

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'Testing, testing. Can you hear me?' I read you loud and clear.

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What's the plan?

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I don't know.

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We'll figure it out when we get there.

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If we get there!

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HORN BLARES

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If he knows we're looking for him and I'm sure he does...

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Did you try Silky's? What about Dee Hawkins. She should know... What?

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You're a detective. Use your imagination. Tony Brown is no fool!

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Taubman... Yeah, yeah.

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Yeah, yeah! What's going on around here? This place is like a morgue.

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I saw your photograph on the City desk. What happened out there?

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Read the press. Marcus, I need a story.

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I can't discuss the circumstances of the shooting.

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Let's talk about your reaction to the incident. Let's not.

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It's bad enough having my picture in the papers.

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That was done without your consent? I can't talk to you.

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Off the record, then. Why?

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I'm curious. No. I've got work.

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They're running your photo to cool off tempers uptown.

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You're a political pawn.

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It wasn't my idea. What about allegations that cops enter a black area with a hand on their revolvers

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and the other hand over their eyes?

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That wouldn't apply in my case.

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Had dinner in Harlem recently? Three Sundays ago. Why?

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A thoroughly assimilated black man like yourself

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could be diseased with the same fears as a white man.

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You're reaching. Am I? I don't go uptown without a whistle and mace in my tennis shoes.

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I admit it. Why can't you? Miss Sutter, you have to leave.

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The cavalry.

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Take care, Detective Petrie.

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The Lieutenant from the Firearms Review Board is here for your interview now.

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Don't worry about it. Looks good.

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Any word on Tony Brown? No, not yet.

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That kid thinks we're being silly.

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We look silly. I didn't think they had these things. He's watching us.

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He wants us both in the same booth. PHONE RINGS

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I wish I knew where he was calling from. Your guess is as bad as mine. Back-up, stand by.

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You take it. You've got the wire.

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'Hello?' OK. So far, so good. This is how we're going to do this thing. 'Hold it.'

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You're probably watching us, so you can see I have the papers.

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We'll start doing things differently.

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Forget it. You could be charged

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with conspiracy to murder a police officer. You want a dead detective?

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Not to mention prosecution for transporting stolen goods

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across state lines. At least 30 years.

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The deal's off! Wait a minute. Let's not blow this!

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I'm just saying you can't get total immunity without some concessions.

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We're going to do this thing my way or we ain't going to do it at all.

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What's your way?

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OK, listen. You have your partner open the door.

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Open the door. He says open the door.

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'OK, good. There's a little girl with a ball. She's gonna come over.

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'I want you to give her the papers.

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'OK, she's gonna bring the papers over to me. Sit tight. You and your friend wait there in the booth.'

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LINE GOES DEAD

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He'll never accept those papers.

0:22:030:22:06

The kid went round the corner.

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Next move? I don't know. We can't wait here. We'd better take the kid while we can.

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Back-up, we're moving. Get her!

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SIRENS WAIL

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Hey! Hey, come here!

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Watch the car! Watch the car!

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He told me if you followed me to run round the corner and give this back to you!

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Where is he? He was in a coffee shop.

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All right. Easy.

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Damn it!

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Hey, Joe!

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How about some water?

0:23:170:23:20

OK.

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Aagh!

0:23:490:23:52

Hey, come here!

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Yeah, do it!

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PHONE RINGS

0:24:150:24:18

Detective Cagney?

0:24:180:24:20

'Which one are you?' Excuse me?

0:24:200:24:23

This is Mel Boston, Advance and Boston Salvage.

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You have something for us? 'Is this the one with the blue eyes?' What is this garbage?

0:24:270:24:34

That's you! Cagney, Lacey, Lacey, Cagney.

0:24:340:24:38

'It's all the frick and frack to me.' Mr Boston, do you have anything for me or not?

0:24:380:24:44

You have eyes like a Siberian husky. I'm hanging up. Wait!

0:24:440:24:49

The guy's name is Stobbart. He runs an operation called Stallion Salvage.

0:24:490:24:56

Is he an underbidder? Yeah, one of them. You didn't get that from me.

0:24:560:25:01

Thank you. 'Hey, wait. You know, you've got a very cute nose too.'

0:25:010:25:07

Hello. What can I do for you? We'd like to look around.

0:25:120:25:16

You have a warrant? Do we need one?

0:25:160:25:19

No, I'm a little tired. What are you looking for?

0:25:190:25:24

Stolen vehicles. If you find any, it'll be news to me, but be my guest.

0:25:240:25:29

Thank you. If I can help you in any way, I'll be inside.

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Where do we start? Do I know?

0:25:400:25:43

If Stobbart is involved in this, he sure is cool about it.

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What are we doing here?

0:25:520:25:54

Wasting our time. He wouldn't be hiding Isbecki here.

0:25:540:25:58

So we're back to square one. Let's see what the computer turns up on Stobbart. That's gruesome!

0:25:580:26:05

I don't think the cars feel it.

0:26:050:26:09

Hey, Joe.

0:26:310:26:34

If it was for me, I hope you told her I was all tied up tonight.

0:26:340:26:39

Hey, you could at least laugh.

0:26:400:26:43

When you're finished with the Porsche, we go.

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You go.

0:26:570:27:00

WE go. All of us.

0:27:000:27:02

Hey, Joe. How come we all have to go?

0:27:020:27:06

That's how the order came down. I don't like it.

0:27:060:27:10

Who gives a damn? Hurry up with that car!

0:27:100:27:14

They haven't found a thing! Lieutenant! They won't!

0:27:390:27:43

They're not making any progress. Juvenile care. They've got a suspect - grand larceny auto.

0:27:430:27:50

Worked in a chop shop. Isbecki's mother called. Thanks.

0:27:500:27:54

I can find Tony Brown. Taubman's got your list.

0:27:540:27:59

Brown won't surface without some first-hand information. I'll get it.

0:27:590:28:04

Have you reached Morgan? Not yet. Stay on it.

0:28:040:28:08

What do you say? No. You're on modified assignment until the FRB completes that report.

0:28:080:28:14

That's a technicality. Look at this and tell me how much good you'll do in Harlem!

0:28:140:28:21

Anything? No, sir. We're waiting on the Feds. Chop shop, got out a month ago.

0:28:210:28:28

It's a long shot, but... I want you to go over and see Isbecki's mother.

0:28:280:28:33

What are we looking for? He left some case notes there. Petrie, interrogate this kid. What kid?

0:28:330:28:40

GLA suspect, stealing cars for a chop shop. Thank you, sir.

0:28:400:28:45

Wait. Cagney, you see Mrs Isbecki alone. Lacey, you go with Petrie.

0:28:450:28:51

Why does she have to go with me? Because I said so.

0:28:510:28:55

I don't need a baby-sitter. Don't be the great white father. I have my own father!

0:28:550:29:02

Why won't you people let me do my job? Enough! Lacey, watch out for him.

0:29:020:29:08

He's gonna hate it. I gave you an order. Watch out for him! Yes, sir.

0:29:080:29:13

My boy isn't talking, so truck on back to the Precinct. Pardon?

0:29:250:29:30

I'm the court-appointed counsel for Alfred Perdiz

0:29:300:29:34

who is exercising his constitutional right to remain silent.

0:29:340:29:39

There's a detective out there whose life is in danger!

0:29:390:29:44

The only life I'm concerned with is Alfred's. We're not gonna hurt him.

0:29:440:29:49

And you got some nice story about the tooth fairy? See you in the courthouse.

0:29:490:29:55

You enjoy this! Petrie!

0:29:550:29:57

You're lucky I got a bad memory. I'm gonna forget you ever laid a hand on me.

0:29:570:30:03

I'm gonna find Tony Brown. You can't go to Harlem. It's dangerous.

0:30:030:30:08

Isbecki will die. Go back to the Precinct. I'll grab a cab uptown.

0:30:080:30:13

No. Come back to work with me or I'm going up there with you. You and me, fella.

0:30:130:30:19

Hey, baby.

0:30:390:30:41

Yo, Jimmy, what it be like?

0:30:430:30:45

Don't shoot! Back off that stuff! You know me.

0:30:450:30:50

Yeah.

0:30:500:30:52

I'm looking for Tony B. Tony B, Tony B... Who?

0:30:520:30:58

Who?

0:31:000:31:03

Do you always use black as a second language when you come uptown?

0:31:060:31:11

Yes.

0:31:110:31:13

I suppose we make an attractive couple - killer cop and his white broad.

0:31:130:31:19

I bet.

0:31:190:31:22

I hope you don't hate me for saying this, Marcus. I'm scared.

0:31:280:31:33

So am I.

0:31:330:31:35

What did Mrs Isbecki say? She hopes Victor will settle down with a nice girl. Come on! I'm telling you!

0:31:420:31:49

Victor wanted to be a Wild West gunfighter, not a policeman. If you live in Brooklyn, what can you do?

0:31:490:31:57

Did she have anything on his case notes? Yeah.

0:31:570:32:01

Here.

0:32:010:32:03

"Warriors, plus 5?, Clippers, Jazz plus 10, Celtics plus 6..." What the hell is this?

0:32:040:32:11

His basketball points spread. That's terrific(!)

0:32:110:32:15

GENTLE JAZZ MUSIC

0:32:230:32:26

WHISPERING

0:32:280:32:30

It's quarter to four.

0:32:450:32:47

I'll give him three more minutes. If he doesn't deliver an address, we move on.

0:32:470:32:54

I don't know where. We've hit all the spots I know.

0:32:540:32:58

Tony knows we're looking for him unless the chop shop boys found him.

0:32:580:33:03

How's Lauren?

0:33:030:33:06

Well...

0:33:060:33:08

Yeah, Lauren... She already has a twinkle in her eye, just like Claudia.

0:33:080:33:14

She sees everything.

0:33:150:33:18

I think she senses when I'm not all together. She gives me this look.

0:33:190:33:24

Somehow I know that she knows

0:33:250:33:28

and I feel like I've... I feel like I've already got a new best friend.

0:33:280:33:34

He has to be around here somewhere. Harlem's not that big.

0:33:350:33:40

It's big enough to get lost in. That's true.

0:33:400:33:44

This place seems so different now.

0:33:480:33:51

I used to think Harlem was the only place in the city that didn't smell like old tar.

0:33:540:34:01

When I walked the beat up here, it was like preserving a shrine, you know?

0:34:060:34:12

I knew there was a lot wrong here. There's too many people.

0:34:120:34:16

Too few jobs, no money,

0:34:160:34:19

bad housing, but I'd walk past the Schomburg Library

0:34:190:34:23

or the Apollo and...

0:34:230:34:26

magic.

0:34:260:34:28

Now it just seems like a slum to me.

0:34:300:34:33

A slum? Not the place, the people.

0:34:340:34:37

Where is this man?

0:34:370:34:39

Maybe we oughta try Silky's again.

0:34:390:34:42

Can I have the check, babe? Be right there, honey. Patience is a virtue, Marcus. Give him a few minutes.

0:34:420:34:49

You're right. Slow down, Marcus.

0:34:490:34:52

I'm really messing up. You're the best detective in the squad. Everybody knows it. Not today.

0:34:520:34:59

When that boy attacked that old woman...

0:34:590:35:03

I almost wanted to walk away from it.

0:35:030:35:07

I didn't care.

0:35:070:35:09

Not about the old woman or the boy. I just did my job.

0:35:090:35:14

Maybe I could have talked the kid down.

0:35:160:35:21

But I didn't try.

0:35:210:35:23

I wanted to make sure I didn't die at the hands of someone I had no respect for.

0:35:230:35:30

I shot quickly because I...

0:35:300:35:32

No, I sh...

0:35:340:35:37

No.

0:35:370:35:39

I killed a boy because he was black.

0:35:410:35:45

Harlem hasn't changed. I've changed.

0:35:470:35:50

I've become like everybody else on the outside - prejudiced, afraid, even repulsed.

0:35:500:35:57

Claudia and I have accomplished a lot. Yes. We've tried so hard to make it.

0:35:570:36:04

Now I can't see the magic.

0:36:040:36:06

You want my two cents? You didn't shoot that kid because he was black, but because he had a gun.

0:36:090:36:17

I don't know that.

0:36:210:36:24

He had a gun and he would have killed Lauren's best friend. Here you go.

0:36:240:36:31

Thank you.

0:36:310:36:33

We've got it.

0:36:390:36:42

BANG ON DOOR

0:37:170:37:19

Who is it? Marcus Petrie.

0:37:190:37:22

Go to hell, John Wayne! Hi, Tony.

0:37:240:37:27

Back up two steps.

0:37:270:37:30

Brother Petrie, what seems to be the problem?

0:37:330:37:38

We've been looking for you. You have? You know we have. Are you hiding from us, Tony?

0:37:380:37:45

No, man. This is my lady's place. I'm here.

0:37:450:37:50

The set-up with Isbecki fell apart. You're kidding?

0:37:500:37:54

They're gonna kill him now.

0:37:540:37:56

We need to know where.

0:37:560:37:59

What makes you think I...? Who did you make contact with? I don't know these people. This was set up

0:37:590:38:06

by a friend of a friend. I don't even know who owns that chop shop.

0:38:060:38:11

There is very little time.

0:38:140:38:17

I'm sure you have some idea, at least a guess, of who's on top.

0:38:170:38:22

And you're gonna tell us because if Isbecki dies,

0:38:220:38:27

man, we ain't gonna care who we expose to find out who did it.

0:38:270:38:32

Now, Tony!

0:38:320:38:35

A guy named Stobbart.

0:38:390:38:42

Stallion Salvage? Yeah.

0:38:420:38:45

Hey!

0:38:590:39:01

Someone get me outta here!

0:39:130:39:15

SIRENS WAIL

0:39:170:39:20

Stop it!

0:39:240:39:27

Get me out!

0:39:450:39:48

Freeze, buddy!

0:39:570:39:59

You're under arrest! Right, cuff him!

0:39:590:40:03

Against the car!

0:40:130:40:16

Hey!

0:40:200:40:23

Freeze! Hold it!

0:40:230:40:26

Get your hands over your head! Over your head! He's in the crusher! He's in the crusher!

0:40:260:40:33

Take him.

0:40:330:40:36

Hey! Stop this thing, hey!

0:40:360:40:39

Don't shoot! Please don't shoot!

0:40:440:40:47

Somebody get me out of here!

0:40:530:40:56

Help! Somebody help me!

0:40:560:40:59

Stop! Stop it! Does anybody know how to work this thing?

0:41:000:41:05

Stop!

0:41:060:41:10

Damn it!

0:41:100:41:12

Stop!

0:41:130:41:15

Victor! Victor!

0:41:220:41:24

Ohh! Oh, God, you're all right! Watch your head. Be careful.

0:41:240:41:29

How are you? He may have broken bones. Where are the paramedics?

0:41:290:41:35

Get him out as fast as you can. This thing isn't gonna hold. Easy. Watch his legs! Careful.

0:41:350:41:42

I got his legs.

0:41:420:41:44

Set him down. I think I can walk. Let me untie his hands. I've got him, I've got him.

0:41:440:41:51

Put your hand... I got it, I got it. Get some help, somebody!

0:41:510:41:56

How's your back? Huh?

0:41:560:41:58

It's OK. Look...I'm all right.

0:41:580:42:02

Are you sure you can walk? Let's just wait for the paramedics.

0:42:020:42:06

I can walk if you help me. OK.

0:42:060:42:09

Lean on me. We'll take it slow, OK?

0:42:090:42:12

Yeah.

0:42:120:42:14

Victor, I'm sorry. I'm the one who blew the tail.

0:42:140:42:18

It wasn't your fault. Yes, it was my fault and I'm sorry.

0:42:180:42:22

Forget it. What did they do to you?

0:42:220:42:25

Everything.

0:42:250:42:27

I can't believe how close we came to losing you.

0:42:270:42:31

Hey, it's over. Wait a minute, wait a minute. I'm glad you're OK.

0:42:310:42:36

Then tuck me in tonight.

0:42:380:42:40

Ugh! I cannot stand that man!

0:42:430:42:46

Cagney, it's unbelievable. You wouldn't believe what they did to me.

0:42:460:42:52

They had me in this room tied up, face down. Then they chained me to this barbed wire post.

0:42:520:42:59

Then they ran the soles of my feet over this bamboo. You wouldn't believe it.

0:42:590:43:05

They did this Japanese war torture across my neck. Don't let him in!

0:43:050:43:10

Cagney is so ticked off at Isbecki, SHE wants to kill him!

0:43:100:43:15

LAUGHTER

0:43:150:43:17

Hey, Petrie, wait.

0:43:180:43:21

The woman... The mother of the boy you shot is here.

0:43:210:43:27

She came in a couple of hours ago. She wants to talk to you.

0:43:270:43:32

She didn't seem too crazy, so I told her to wait in Samuels' office.

0:43:320:43:38

Listen, Petrie, if you want to, go on home. I'll talk to her.

0:43:420:43:47

No. You weren't there.

0:43:470:43:50

I'm Detective Petrie.

0:44:320:44:34

I understand you wish to speak with me.

0:44:340:44:38

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