Browse content similar to Blood is Thicker than Water. Check below for episodes and series from the same categories and more!
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-Disappear! Unless you want to stay and watch. -Get off me. | 0:00:02 | 0:00:05 | |
Leave her alone! | 0:00:05 | 0:00:06 | |
Ramin, isn't it? | 0:00:08 | 0:00:09 | |
-I move to Australia next week. -Well, I'm really happy for you. | 0:00:09 | 0:00:12 | |
-She nearly blinded me, Marc. -What you did, wasn't right. | 0:00:12 | 0:00:15 | |
Shut up, now, right! Shut up. | 0:00:15 | 0:00:17 | |
-Do you fancy a drink? -I'll be hours yet. | 0:00:17 | 0:00:20 | |
It's my last weekend in England... | 0:00:20 | 0:00:22 | |
who needs sleep? | 0:00:22 | 0:00:23 | |
That girl we saw in the alley, wasn't enjoying herself | 0:00:23 | 0:00:26 | |
-very much, was she? -How are we getting on? -Get away from me. | 0:00:26 | 0:00:28 | |
You're going to get what you deserve. | 0:00:28 | 0:00:30 | |
I'm arresting you on suspicion | 0:00:30 | 0:00:32 | |
of assault. You do not have to say anything but it may harm | 0:00:32 | 0:00:34 | |
your defence if you do not mention when questioned | 0:00:34 | 0:00:37 | |
something you later rely on in court. Anything you do say | 0:00:37 | 0:00:39 | |
may be given in evidence. | 0:00:39 | 0:00:41 | |
-There you go. I hope she enjoys them. -Lovely, thank you. | 0:01:25 | 0:01:28 | |
-Cheers, bye. -Thank you. | 0:01:32 | 0:01:34 | |
Right. That's the deliveries done. | 0:01:36 | 0:01:40 | |
Thanks, Mum. Have you printed that list yet? | 0:01:40 | 0:01:43 | |
There you go. | 0:01:43 | 0:01:45 | |
OK. Right... | 0:01:46 | 0:01:48 | |
The Holtwood Hotel? | 0:01:49 | 0:01:51 | |
I'm not going there. | 0:01:51 | 0:01:52 | |
-Why not? -Why do you think? | 0:01:52 | 0:01:54 | |
Come on, she's just a girl. | 0:01:54 | 0:01:57 | |
You get off your backside and deliver them yourself, then. | 0:01:57 | 0:01:59 | |
What are you two rowing about now? | 0:01:59 | 0:02:01 | |
Nothing, just Marc being Marc. | 0:02:01 | 0:02:04 | |
How are you feeling, darling? | 0:02:09 | 0:02:11 | |
All right, yeah, I've still got a bit of a headache. | 0:02:11 | 0:02:14 | |
Can't you see your brother's sick? | 0:02:14 | 0:02:16 | |
Yeah, he's sick all right. | 0:02:19 | 0:02:22 | |
MUSIC: "In The Air Tonight" by Phil Collins | 0:02:23 | 0:02:25 | |
# Oh Lord, oh Lord | 0:02:28 | 0:02:30 | |
# And I've been waiting for this moment | 0:02:32 | 0:02:35 | |
# All my life | 0:02:35 | 0:02:38 | |
KNOCK ON WINDOW | 0:02:38 | 0:02:39 | |
# Oh Lord, oh Lord... # | 0:02:39 | 0:02:41 | |
Look, come on. Dragon's looking for you. | 0:02:41 | 0:02:44 | |
Does she know I'm late? | 0:02:44 | 0:02:45 | |
Not yet. I covered for you. | 0:02:45 | 0:02:47 | |
Cheers, Chloe. | 0:02:47 | 0:02:48 | |
# ..I've been waiting for this moment... # | 0:02:52 | 0:02:54 | |
KEY TURNS, MUSIC STOPS | 0:02:54 | 0:02:56 | |
Heavy night? | 0:03:12 | 0:03:14 | |
No, I've just got a pile of paperwork on my desk. | 0:03:14 | 0:03:17 | |
It's my admin day. | 0:03:17 | 0:03:18 | |
I'd love a day where I could get on top of my paperwork without any interruptions. | 0:03:18 | 0:03:22 | |
You can't compare a bit of filing with the amount of admin | 0:03:22 | 0:03:24 | |
I've GOT to do, Louise. | 0:03:24 | 0:03:26 | |
Well, that's just a little bit insulting. We do a lot more than filing, Zoe. | 0:03:26 | 0:03:29 | |
She's right, Zoe. We're the first face the punters see. | 0:03:29 | 0:03:32 | |
And we have to deal with all kinds of situations. | 0:03:32 | 0:03:34 | |
-Noel, I do know how much you contribute to the team. -Well... | 0:03:34 | 0:03:37 | |
What's that supposed to mean? | 0:03:37 | 0:03:39 | |
I'm in touch with you lot. Right? | 0:03:39 | 0:03:42 | |
-Overtime sheets? -Noel? | 0:03:42 | 0:03:43 | |
Couple of things. One - what is Louise's surname? | 0:03:43 | 0:03:46 | |
And two, how long is it | 0:03:49 | 0:03:50 | |
since you spent any time actually seeing what we actually do? | 0:03:50 | 0:03:52 | |
-Er... -Never? -Never is correct. | 0:03:52 | 0:03:54 | |
What's that programme where the boss goes back to the shop floor to see how things really run? | 0:03:54 | 0:03:58 | |
-I can't work behind reception, it would confuse the patients. -Obviously, that would be ridiculous. | 0:03:58 | 0:04:03 | |
-Correct. That would be ridiculous. -But you could be a porter. | 0:04:03 | 0:04:05 | |
HE CLUCKS LIKE A CHICKEN | 0:04:11 | 0:04:13 | |
OK. Do you know what? I can do that, yeah. | 0:04:13 | 0:04:16 | |
And it will help me with an application I'm going to be | 0:04:16 | 0:04:19 | |
putting through for more support staff. | 0:04:19 | 0:04:21 | |
If you're going to play the part, you need to look the part. | 0:04:21 | 0:04:24 | |
THEY SNIGGER | 0:04:24 | 0:04:25 | |
Oh! | 0:04:27 | 0:04:28 | |
How long are you going to keep this up? | 0:04:42 | 0:04:43 | |
I haven't said anything. | 0:04:43 | 0:04:45 | |
Exactly. If anyone should be peeved, it's me. | 0:04:45 | 0:04:48 | |
I'm the one who's been suspended from duty. | 0:04:48 | 0:04:50 | |
It's Rita's mess, isn't it? It's not yours. | 0:04:50 | 0:04:52 | |
Don't be too hard on her. | 0:04:52 | 0:04:53 | |
I just don't understand. You could lose your job and you're still defending her. | 0:04:53 | 0:04:57 | |
-Yeah, well, I think she's had a rough time. -Sorry to hear about your troubles, Dixie. | 0:04:57 | 0:05:02 | |
Blimey, news travels fast. | 0:05:02 | 0:05:04 | |
Do you need me to ride with you today? | 0:05:04 | 0:05:06 | |
Yeah. Actually, no, shouldn't you be swotting up for your assessments? | 0:05:06 | 0:05:09 | |
Don't worry about it, I'm all over it. | 0:05:09 | 0:05:11 | |
You better be, son, I only mentor the very best. | 0:05:11 | 0:05:14 | |
-RADIO: -'Holby Control to 3006, over.' | 0:05:14 | 0:05:17 | |
3006, over. | 0:05:17 | 0:05:18 | |
'Patient with severe laceration at Corona's Brasserie, | 0:05:18 | 0:05:21 | |
'66 Billiard Street. Patient is conscious.' | 0:05:21 | 0:05:24 | |
OK, show us attending, over. | 0:05:24 | 0:05:25 | |
You going to be all right? | 0:05:26 | 0:05:28 | |
Yeah, yeah, I'll be fine, sit on the sofa, watch a bit of daytime telly. | 0:05:28 | 0:05:34 | |
Whoo-hoo! | 0:05:34 | 0:05:35 | |
ENGINE STARTS | 0:05:35 | 0:05:36 | |
MUSIC PLAYS IN CAR | 0:05:42 | 0:05:44 | |
All right, I should probably go in. Will I you see you later? | 0:05:52 | 0:05:55 | |
Of course. | 0:05:55 | 0:05:57 | |
I had a really good time. | 0:05:57 | 0:05:59 | |
Me too. I'll text you, OK? | 0:05:59 | 0:06:02 | |
-OK. See you. -See you. | 0:06:11 | 0:06:14 | |
Nice weekend? | 0:06:27 | 0:06:28 | |
Oh, yeah, it was, thanks. | 0:06:28 | 0:06:30 | |
Just did loads of dancing, drinking, laughing and... | 0:06:30 | 0:06:34 | |
OK, too much information. | 0:06:34 | 0:06:35 | |
What a shame you meet the man of your dreams and off he swans to Australia. | 0:06:35 | 0:06:39 | |
I'd be heartbroken. | 0:06:39 | 0:06:41 | |
This isn't one of your romantic films, Robyn. | 0:06:41 | 0:06:43 | |
Anyway, we've agreed it's just a bit of fun before he goes away. | 0:06:43 | 0:06:47 | |
OK, then. | 0:06:47 | 0:06:48 | |
Well, you can make me a cuppa for dumping me all weekend. | 0:06:48 | 0:06:51 | |
I didn't dump you. | 0:06:51 | 0:06:52 | |
You did - but I forgive you. | 0:06:52 | 0:06:53 | |
Thanks. | 0:07:01 | 0:07:02 | |
Thank you, dear, that was a lovely breakfast. | 0:07:05 | 0:07:09 | |
Could you put the "do not disturb" sign up, please, I'm going | 0:07:09 | 0:07:12 | |
to have a little nap for a couple of hours. | 0:07:12 | 0:07:14 | |
Yes, of course. | 0:07:14 | 0:07:16 | |
Ooh. | 0:07:31 | 0:07:32 | |
Could you send a taxi to the rear entrance | 0:08:16 | 0:08:20 | |
of the Rosemont Clinic, please? | 0:08:20 | 0:08:22 | |
Madeline Aires. | 0:08:22 | 0:08:23 | |
I'm going to Holby. | 0:08:24 | 0:08:26 | |
Have you seen Jacob Morgan's notes? | 0:08:33 | 0:08:35 | |
Typical. If it doesn't leap out and bash me over the head! Thank you. | 0:08:38 | 0:08:43 | |
OK, mate, nearly there. Shop! | 0:08:43 | 0:08:45 | |
-Yes. -Ah, this is Joseph Collis, he's 24 years old. | 0:08:46 | 0:08:50 | |
He's cut off part of his finger, it's packed in ice by a first aider. | 0:08:50 | 0:08:53 | |
It's been about half an hour so I've given him five of morphine so far. | 0:08:53 | 0:08:56 | |
OK, do you want to follow me? | 0:08:56 | 0:08:57 | |
I'll get you some more pain relief and get that x-rayed. | 0:08:57 | 0:08:59 | |
Jeff? Where's Dixie? She not working today? | 0:08:59 | 0:09:04 | |
-No, she's been suspended. -That's a bit harsh, isn't it? | 0:09:04 | 0:09:07 | |
What do you expect, she's on an assault charge. | 0:09:07 | 0:09:10 | |
Which is down to you. | 0:09:10 | 0:09:11 | |
-Come on, leave it alone. You look sexy. -Really? | 0:09:16 | 0:09:19 | |
Yeah, it gives you a certain elan, a joie de vivre. | 0:09:19 | 0:09:22 | |
-Do you speak French? -No. | 0:09:22 | 0:09:24 | |
So you just like to drop French words into sentences to impress people? | 0:09:24 | 0:09:27 | |
-Yeah. -Does that work? | 0:09:27 | 0:09:28 | |
Well, not right now. | 0:09:28 | 0:09:30 | |
Max? Do you really think I'm dismissive of you lot? | 0:09:30 | 0:09:32 | |
-Yeah. -Does it bother you? | 0:09:32 | 0:09:34 | |
-No. -Well, there you go. | 0:09:34 | 0:09:35 | |
It gives you a je ne sais quoi. | 0:09:35 | 0:09:37 | |
Still not working, that. | 0:09:37 | 0:09:39 | |
OK. So, we porters are the eyes and ears of the hospital. | 0:09:39 | 0:09:42 | |
You mean you're gossips. | 0:09:42 | 0:09:43 | |
Partly, yes, but what I also mean, | 0:09:43 | 0:09:45 | |
we treat patients like people, not cases. | 0:09:45 | 0:09:48 | |
So, the rules are no doc speak, no bossiness - just smiles | 0:09:48 | 0:09:51 | |
and people skills all the way. | 0:09:51 | 0:09:53 | |
-Zoe? -What? -Good start. | 0:09:53 | 0:09:55 | |
You're to keep this on at all times. And answer it immediately. | 0:09:55 | 0:09:58 | |
-Who's going to be on the other end? -Me. -Oh, joy. | 0:09:58 | 0:10:01 | |
-How are your feet? -What? Why are you asking? | 0:10:01 | 0:10:04 | |
Er...Well, you know, you love your heels and... | 0:10:04 | 0:10:10 | |
I'm fine. | 0:10:10 | 0:10:12 | |
MAN GROANS | 0:10:12 | 0:10:13 | |
All right, mate. | 0:10:14 | 0:10:15 | |
OK, how much have you had to drink? | 0:10:17 | 0:10:20 | |
Hey. Remember the rules. | 0:10:20 | 0:10:22 | |
Come on, mate, let's have you up. One, two, three... | 0:10:22 | 0:10:25 | |
-Look at that, he has our nose. -God help him. | 0:10:27 | 0:10:30 | |
Brucie said that was one of my best features. | 0:10:30 | 0:10:33 | |
Along with my long, sexy legs. Ouch. | 0:10:33 | 0:10:35 | |
Are you all right, Mum? | 0:10:37 | 0:10:38 | |
Old bones, love, that's all. | 0:10:38 | 0:10:41 | |
Oh, this is amazing. It's like I can actually touch him. | 0:10:41 | 0:10:45 | |
Thank you so much for letting me be part of this. | 0:10:46 | 0:10:50 | |
You have to stop thanking me, Mum. The past is the past. | 0:10:50 | 0:10:53 | |
What's important for him, is where we go from here. OK? | 0:10:53 | 0:10:57 | |
OK. | 0:10:57 | 0:10:59 | |
Hey, I thought we might go and choose a crib together. | 0:10:59 | 0:11:02 | |
If you'd like to? | 0:11:02 | 0:11:03 | |
-Oh, I would love that. -Good. | 0:11:03 | 0:11:05 | |
OK, Fred, nearly there. Thank you. | 0:11:08 | 0:11:13 | |
And there we go. | 0:11:15 | 0:11:16 | |
All right. | 0:11:17 | 0:11:18 | |
Oh, look, Fred, the porters are here to take you to the ward. | 0:11:18 | 0:11:23 | |
You're loving this, aren't you? | 0:11:23 | 0:11:25 | |
-Would you judge me if I said yes? -Yes. -No. | 0:11:25 | 0:11:27 | |
How are your feet, Zoe? | 0:11:27 | 0:11:29 | |
Why is everybody so obsessed with my feet today? | 0:11:29 | 0:11:31 | |
I thought it might make the day more interesting | 0:11:31 | 0:11:33 | |
-if I ran a book on how long you would last in your heels. -Yep, and I've got a tenner on it. | 0:11:33 | 0:11:38 | |
You've already got me in this porter's top, | 0:11:38 | 0:11:39 | |
the shoes are staying right where they are. | 0:11:39 | 0:11:42 | |
And the attitude. | 0:11:42 | 0:11:43 | |
Going nowhere. | 0:11:43 | 0:11:44 | |
-Bye, Fred. -Bye! | 0:11:44 | 0:11:46 | |
Robyn, do you have to shout? I've got a splitting headache. | 0:11:46 | 0:11:49 | |
-Well, it serves you right. -It was worth it, though. | 0:11:49 | 0:11:51 | |
Oh, stop bragging. It's been ages since I've even had a flipping snog. | 0:11:51 | 0:11:55 | |
Right, Fred, see you in a bit. | 0:11:55 | 0:11:56 | |
OK, so, tell me something I don't know. | 0:11:58 | 0:12:01 | |
Do you know how to do a tracheotomy? | 0:12:01 | 0:12:03 | |
Hilarious, I'll start. I always fancied... | 0:12:03 | 0:12:06 | |
-Blondes? -You've got me all wrong. | 0:12:06 | 0:12:07 | |
-Brunettes? -I've always fancied living in Spain. | 0:12:07 | 0:12:12 | |
I don't mean to brag but I can sing Hey Jude in Spanish. | 0:12:12 | 0:12:15 | |
I bet that reels in all the senoritas... | 0:12:15 | 0:12:17 | |
Your turn. | 0:12:17 | 0:12:19 | |
When I was 20, I went to a Duran Duran concert. | 0:12:19 | 0:12:22 | |
That's sharing? | 0:12:22 | 0:12:23 | |
And I kept a lock of Simon Le Bon's hair. | 0:12:23 | 0:12:25 | |
-That's weird. -You asked. | 0:12:25 | 0:12:27 | |
I did, and I regret it now. Ladies first. | 0:12:27 | 0:12:30 | |
Thank you. | 0:12:30 | 0:12:31 | |
Thank you very much. | 0:12:31 | 0:12:33 | |
You're absolutely welcome. | 0:12:33 | 0:12:35 | |
What a charmer. | 0:12:35 | 0:12:36 | |
Isn't he just? | 0:12:36 | 0:12:37 | |
Why don't we skip lunch and go straight for the... ahh! | 0:12:39 | 0:12:42 | |
Mum, Mum! | 0:12:42 | 0:12:44 | |
-Argh! -It's OK, it's OK. | 0:12:44 | 0:12:47 | |
What's her name? | 0:12:47 | 0:12:49 | |
-Madeline. -Madeline, try and take it easy. What's hurting? | 0:12:49 | 0:12:52 | |
-My pride. -It's all right, we've got a plaster for that. -Ahhh! | 0:12:52 | 0:12:55 | |
Seriously, where's the pain? | 0:12:55 | 0:12:57 | |
OK, have you had problems with your hip before? | 0:12:57 | 0:13:00 | |
I've had surgery. | 0:13:00 | 0:13:01 | |
-What? A hip replacement? -Argh! | 0:13:01 | 0:13:04 | |
I wish I could help you, Mum. | 0:13:04 | 0:13:05 | |
Don't worry, we'll get some pain relief. We need a trolley and a nurse from the ED. | 0:13:05 | 0:13:08 | |
-I'll get it. -Actually, I should do it. | 0:13:08 | 0:13:10 | |
She's not in any immediate danger. Can you keep her nice and still? | 0:13:10 | 0:13:13 | |
-Do you want to hold my hand? -Do I ever. | 0:13:13 | 0:13:16 | |
All right, easy! I said hold it, not pull it off. | 0:13:16 | 0:13:19 | |
Come on, shh. | 0:13:19 | 0:13:20 | |
OK, so that's a double room confirmed for the 21st and 22nd. | 0:13:22 | 0:13:27 | |
Thank you for calling the Holtwood Spa Hotel. Bye. | 0:13:27 | 0:13:30 | |
BELL RINGS | 0:13:35 | 0:13:36 | |
Just a moment. | 0:13:36 | 0:13:37 | |
Sorry, I'll be right with you. | 0:13:41 | 0:13:42 | |
Flowers for the hall and dining room. | 0:13:44 | 0:13:46 | |
Sorry about that. Hi, I'm Gina. | 0:13:56 | 0:13:58 | |
How can I help you? | 0:13:58 | 0:14:00 | |
Good morning, name's Perkins, we've a room booked for two nights. | 0:14:00 | 0:14:03 | |
Oh, this stuff is great. Here, have a whiff. | 0:14:05 | 0:14:07 | |
Not right now, Mum. | 0:14:07 | 0:14:09 | |
Right, Lilly? | 0:14:09 | 0:14:11 | |
-What do we have? -This is... | 0:14:11 | 0:14:12 | |
Actually, Jamie. | 0:14:12 | 0:14:13 | |
Er, OK. This is Madeline Aires. | 0:14:14 | 0:14:17 | |
She took a tumble in the corridor upstairs. | 0:14:17 | 0:14:20 | |
Right-sided THR and she's dislocated the prosth... | 0:14:20 | 0:14:23 | |
Prosthesis. | 0:14:23 | 0:14:24 | |
Prosthesis. | 0:14:24 | 0:14:25 | |
Statistically, one in 20 cases of hip joint replacements can | 0:14:25 | 0:14:30 | |
come out of their socket within the first six months. | 0:14:30 | 0:14:32 | |
When did you have your operation, Madeline? | 0:14:32 | 0:14:34 | |
Er, eight weeks ago. | 0:14:34 | 0:14:36 | |
Let's make ourselves invisible, Max. | 0:14:36 | 0:14:39 | |
Hang on a minute, wait. | 0:14:39 | 0:14:40 | |
She's going to need an X-ray eventually | 0:14:40 | 0:14:43 | |
and we can never find a porter when we need one. | 0:14:43 | 0:14:45 | |
Well, you'll just have to page us, like everyone else. Come on. | 0:14:45 | 0:14:49 | |
-If I'd said that you would have sacked me. -This is true. | 0:14:49 | 0:14:52 | |
OK. I'm going to give you more morphine for the pain. | 0:14:54 | 0:14:56 | |
-Can we also get an FBC, U&E, clotting and a group and save? -Sure. | 0:14:56 | 0:15:00 | |
-Thank you. -OK, I'm just going to pop this on your finger, Madeline, then | 0:15:00 | 0:15:03 | |
I'll get go and you a gown. | 0:15:03 | 0:15:05 | |
Bring me a tiara, as well, and I'll feel like a queen. | 0:15:05 | 0:15:09 | |
-You and me both. -Oh, you are a one! | 0:15:09 | 0:15:12 | |
Mum. Why didn't you tell me you'd had an operation? | 0:15:12 | 0:15:15 | |
I'm here to help you, not the other way around. Besides, | 0:15:15 | 0:15:20 | |
us dancers, we always need something replaced at one | 0:15:20 | 0:15:23 | |
time or another. | 0:15:23 | 0:15:24 | |
We're like that Biotic Man. | 0:15:24 | 0:15:26 | |
You mean Bionic Man. | 0:15:26 | 0:15:28 | |
Yes, that's it. | 0:15:28 | 0:15:29 | |
Made of steel and guaranteed to set the alarms off at the airport. | 0:15:29 | 0:15:33 | |
I'll be back. | 0:15:33 | 0:15:35 | |
Steven will show you to your room. But if there's anything else you need, | 0:15:38 | 0:15:41 | |
-don't hesitate to let me know. Enjoy your stay. -Thank you. | 0:15:41 | 0:15:43 | |
SHE GASPS | 0:15:45 | 0:15:47 | |
Hiya, you all right? | 0:15:49 | 0:15:51 | |
Can you, er, mind the desk for five minutes? | 0:15:51 | 0:15:55 | |
Sure. Word of warning, stay away from the macaroni cheese, it sucks. | 0:15:55 | 0:16:00 | |
SHE BREATHES HEAVILY | 0:16:00 | 0:16:01 | |
Are you all right? Are you OK? | 0:16:01 | 0:16:03 | |
PHONE RINGS | 0:16:03 | 0:16:04 | |
Yeah, I just need a fag. | 0:16:04 | 0:16:07 | |
Hello, Holtwood Spa Hotel. How can I help? | 0:16:09 | 0:16:11 | |
Oh! | 0:16:21 | 0:16:22 | |
ENGINE STARTS, MUSIC STARTS | 0:16:48 | 0:16:50 | |
SHE SOBS | 0:16:50 | 0:16:51 | |
ENGINE REVS | 0:16:55 | 0:16:56 | |
Argh! | 0:17:01 | 0:17:02 | |
HE GROANS | 0:17:04 | 0:17:05 | |
What happened? | 0:17:12 | 0:17:13 | |
Get an ambulance, quick! | 0:17:13 | 0:17:15 | |
Oh, my God! Gina...Gina! Are you OK? | 0:17:15 | 0:17:19 | |
Gina, are you hurt? | 0:17:21 | 0:17:23 | |
Yeah, ambulance, please. Talk to me, Gina! | 0:17:23 | 0:17:26 | |
I was 16 when I started as a Tiller Girl. | 0:17:26 | 0:17:28 | |
Did you ever meet anyone famous? | 0:17:28 | 0:17:30 | |
October 13th, 1965. | 0:17:30 | 0:17:33 | |
They came on at the beginning of the show and again at the end. | 0:17:33 | 0:17:36 | |
-Who? -No! The Beatles. | 0:17:36 | 0:17:39 | |
-Really! -Oh, Max has got a song he can sing you later, haven't you? | 0:17:39 | 0:17:43 | |
So, Madeline, had you had any other major medical problems | 0:17:43 | 0:17:46 | |
apart from this? | 0:17:46 | 0:17:47 | |
You're a nosey so-and-so for a porter. | 0:17:47 | 0:17:50 | |
Mum! | 0:17:50 | 0:17:51 | |
-Don't worry, it's just the drugs talking. -No, that's my mum. | 0:17:51 | 0:17:55 | |
There is only one Madeline Aires. | 0:17:55 | 0:17:57 | |
Actually, Zoe's a doctor, she's working with me for the day. | 0:17:57 | 0:18:01 | |
She's just having a bit of trouble remembering the rules. | 0:18:01 | 0:18:04 | |
Oh, I see. | 0:18:04 | 0:18:05 | |
-The radiographer will take you from here. But we'll be back for you later. -Ta-ta. | 0:18:05 | 0:18:09 | |
I'm so sorry. | 0:18:10 | 0:18:12 | |
Has your mum had any other major medical problems? | 0:18:12 | 0:18:14 | |
To be honest, I don't know. I was adopted. | 0:18:14 | 0:18:18 | |
She's my birth mother. We only met a year ago. | 0:18:18 | 0:18:20 | |
-Oh, I see. -She's going to stay and help me with the baby. | 0:18:20 | 0:18:23 | |
I'm sure that will be really lovely for you. | 0:18:23 | 0:18:26 | |
See, I can do small talk. | 0:18:28 | 0:18:31 | |
-Are you... -Don't be counting your winnings yet. | 0:18:31 | 0:18:33 | |
Who said I bet against you? | 0:18:33 | 0:18:35 | |
-Did you? -Yes. | 0:18:35 | 0:18:36 | |
SIREN WAILS | 0:18:39 | 0:18:41 | |
Right, you take the lad, I'll take the car, OK. | 0:19:01 | 0:19:03 | |
Hi, it's my friend. I don't know what's happened but she's not talking to me or anything. | 0:19:03 | 0:19:08 | |
Hello, mate. I'm Iain, I'm a paramedic. | 0:19:08 | 0:19:10 | |
-You weren't involved at all? -No, not at all. -Right, what's your name, sweetheart? -I'm Chloe. | 0:19:10 | 0:19:14 | |
-And her name? -Gina. -Gina. | 0:19:14 | 0:19:16 | |
Hello, Gina, I'm Jeff. I'm a paramedic. Can you hear me? | 0:19:17 | 0:19:24 | |
-Can you do me a favour and come round the back of the car for me and hold her head? -Yeah. | 0:19:26 | 0:19:30 | |
Lovely, thank you. What's happened to you, then, princess? | 0:19:30 | 0:19:34 | |
-Like this? -Yeah, that's good. Perfect. | 0:19:35 | 0:19:38 | |
Got it? Right, Gina, I'm just going to examine you, darling. | 0:19:38 | 0:19:41 | |
Can you feel that? | 0:19:44 | 0:19:45 | |
What about your legs? Can you feel this one? | 0:19:49 | 0:19:51 | |
And this side? | 0:19:53 | 0:19:54 | |
OK. I need a collar, all right. | 0:19:56 | 0:19:58 | |
I'll be right back. Just sit tight for me, that's great. | 0:19:58 | 0:20:01 | |
How is she? | 0:20:05 | 0:20:07 | |
I dunno, doesn't seem to want to talk to me. Yours? | 0:20:07 | 0:20:10 | |
Well, he's obviously dislocated his shoulder. But he's refusing pain relief. | 0:20:10 | 0:20:14 | |
OK, do me a favour. | 0:20:14 | 0:20:15 | |
Can you get me the collar, the head huggers and call for some back up? | 0:20:15 | 0:20:19 | |
Reckons it was an accident. | 0:20:19 | 0:20:20 | |
We can go for a break after this, if you like. I'll show you Big Mac's hide out. | 0:20:36 | 0:20:40 | |
-Is that a euphemism? -No, but it should be. | 0:20:40 | 0:20:43 | |
So, come on, honestly, how you finding it? | 0:20:43 | 0:20:45 | |
Five years in med school, ten years postgraduate training | 0:20:45 | 0:20:48 | |
and a fellowship of the College of Emergency Medicine. I'm hardly a porter, am I? | 0:20:48 | 0:20:52 | |
OK, Madeline. I have spoken to the surgeon, and he can fit you in theatre this evening. | 0:20:52 | 0:20:56 | |
We can also offer you a fascia iliaca block. | 0:20:56 | 0:20:59 | |
-A what? -It's a nerve block - it'll help with the pain, Madeline. | 0:20:59 | 0:21:02 | |
-Shouldn't you be somewhere else? -Oh, good, cos this is like being on the torture rack. | 0:21:02 | 0:21:06 | |
Excuse me. I've got Madeline's daughter here to see her. | 0:21:06 | 0:21:08 | |
-Oh, no. -Mum, what's happened? | 0:21:08 | 0:21:11 | |
I'm Dr Chao. She's had a complication from her hip. | 0:21:11 | 0:21:14 | |
How did you find me? | 0:21:14 | 0:21:15 | |
The taxi company told the clinic where they took you. | 0:21:15 | 0:21:18 | |
What are you doing here? | 0:21:18 | 0:21:19 | |
She came to visit me. You must be Carmen. | 0:21:19 | 0:21:21 | |
I've heard so much about you. | 0:21:21 | 0:21:23 | |
Then you've got one on me. Who are you, exactly? | 0:21:23 | 0:21:25 | |
-I'm... -Do you remember I told you about Daisy Fallen? | 0:21:28 | 0:21:31 | |
The contortionist who could tie herself up like a pretzel? | 0:21:31 | 0:21:35 | |
-Vaguely? -Well, this is her daughter. Renee. She's a friend. | 0:21:35 | 0:21:41 | |
Right, well, thank you very much for staying with her, but I can take it from here. | 0:21:41 | 0:21:45 | |
Shall I take you to the relatives' room? | 0:21:45 | 0:21:47 | |
-Yeah, maybe we can get you a glass of water or something. -Thank you. | 0:21:47 | 0:21:51 | |
Yeah, come on. | 0:21:51 | 0:21:52 | |
Don't worry, Mum, we'll get this sorted. | 0:21:53 | 0:21:56 | |
PHONE BUZZES Oh, hang on. | 0:21:56 | 0:21:57 | |
Hello. No, I've already sorted it. | 0:21:57 | 0:22:02 | |
Just the two coffees, please. | 0:22:02 | 0:22:04 | |
I wasn't expecting that. | 0:22:04 | 0:22:05 | |
What? | 0:22:05 | 0:22:06 | |
Ramin, he can't make it tonight. | 0:22:06 | 0:22:07 | |
He's got to fill out paperwork for his visa. | 0:22:07 | 0:22:10 | |
Oh. | 0:22:10 | 0:22:11 | |
Well, that's a brush off if ever I saw one. | 0:22:11 | 0:22:13 | |
-Change? -Thank you. Maybe it's for the best. | 0:22:13 | 0:22:16 | |
-What? -You'll only end up getting yourself hurt. | 0:22:16 | 0:22:20 | |
-Hurt? -Yeah, well, there's no future in it | 0:22:20 | 0:22:22 | |
if Ramin's over the other side of the world, is there? | 0:22:22 | 0:22:25 | |
-Do you want to do something tonight? -No. | 0:22:25 | 0:22:27 | |
-Come on - it'll cheer you up. -Robyn, just stop fussing, all right! I'm fine. | 0:22:27 | 0:22:31 | |
All right, boys? Who've we got? | 0:22:33 | 0:22:35 | |
Gina Timpson, no sign of a head injury | 0:22:35 | 0:22:37 | |
but I'm concerned about her levels of communication. | 0:22:37 | 0:22:40 | |
OK - let's get her into resus. | 0:22:40 | 0:22:41 | |
OK, thanks. Which one, please? | 0:22:49 | 0:22:51 | |
OK, guys, over here. Let's transfer her. | 0:22:51 | 0:22:53 | |
All right, when we're ready, thank you. OK, everybody got some? | 0:22:53 | 0:22:57 | |
One, two, three. OK, gently. Gina Timpson. | 0:22:57 | 0:23:04 | |
Driver of a car involved in an RTC, car versus van at about 30mph. | 0:23:04 | 0:23:07 | |
Wasn't KO'd. GCS 15 throughout, BP 120 systolic, sats 97%, pulse 80. | 0:23:07 | 0:23:13 | |
No sign of any outward injury. | 0:23:13 | 0:23:16 | |
Collared and boarded as a precaution but difficult to assess her as she hasn't spoken since it happened. | 0:23:16 | 0:23:21 | |
Thanks, Jeff. OK, Gina, I'm Dr Knight. | 0:23:21 | 0:23:24 | |
We're going to take a good look at you. OK? | 0:23:24 | 0:23:27 | |
You're going to need to cooperate with us, | 0:23:27 | 0:23:29 | |
so we can determine the extent of your injuries. | 0:23:29 | 0:23:31 | |
Can you move your toes? | 0:23:34 | 0:23:36 | |
OK, I know she's pretty shaken, but... | 0:23:36 | 0:23:38 | |
I think it's more than that. | 0:23:38 | 0:23:40 | |
Gina. It's fine if you don't want to talk to us. | 0:23:40 | 0:23:42 | |
But it's really important that we establish what you can | 0:23:42 | 0:23:45 | |
and can't feel, OK? | 0:23:45 | 0:23:47 | |
Now, don't nod your head, just blink if you can hear me. | 0:23:47 | 0:23:50 | |
Good girl. | 0:23:53 | 0:23:54 | |
Jeff. | 0:23:54 | 0:23:55 | |
The boy that came in after you - was he involved in the same accident? | 0:24:00 | 0:24:03 | |
-Yeah. -Did you recognise him? | 0:24:03 | 0:24:05 | |
-No, I didn't get a good look at him. -It's Marc Cunningham. The brother of John Cunningham, | 0:24:05 | 0:24:08 | |
the bloke who said Dixie attacked him at the club. | 0:24:08 | 0:24:11 | |
So? | 0:24:11 | 0:24:12 | |
So, I'm sure Gina's the girl that John assaulted. | 0:24:13 | 0:24:17 | |
-OK, well, don't do anything stupid. -Like what? | 0:24:17 | 0:24:19 | |
I don't know, stupid - that's your department, isn't it? | 0:24:19 | 0:24:22 | |
Bit of help over here, Rita. | 0:24:23 | 0:24:25 | |
Can you run a set of obs while I do a primary survey | 0:24:27 | 0:24:29 | |
and then we'll log roll her off the board. | 0:24:29 | 0:24:32 | |
She told me Carmen knew all about me. | 0:24:43 | 0:24:45 | |
Maybe she never found the right time. | 0:24:47 | 0:24:50 | |
I wasn't exactly expecting her to win grandma of the year. | 0:24:50 | 0:24:53 | |
Yeah, but listen, what's one of them? | 0:24:53 | 0:24:55 | |
My gran swore like a sailor, and drank like a witch but I wouldn't have been without her. | 0:24:55 | 0:24:59 | |
And my granny was always on my case because I never got married. | 0:24:59 | 0:25:03 | |
I appreciate what you're saying. | 0:25:03 | 0:25:05 | |
But it was a big risk me letting her into my life. | 0:25:05 | 0:25:08 | |
What's a life without risks? | 0:25:08 | 0:25:10 | |
Dull, like a Saturday night at Dr Hanna's. | 0:25:10 | 0:25:13 | |
Your C spine X-ray is normal. | 0:25:17 | 0:25:19 | |
You're a very lucky girl. | 0:25:19 | 0:25:21 | |
I need to see you with your collar off. | 0:25:21 | 0:25:23 | |
Nice and slowly. Good. | 0:25:26 | 0:25:29 | |
OK, can you look to your left for me? | 0:25:31 | 0:25:34 | |
And your right? Any pain? | 0:25:35 | 0:25:39 | |
Bit stiff? | 0:25:40 | 0:25:41 | |
OK, just, look at your toes. | 0:25:41 | 0:25:43 | |
Good. | 0:25:45 | 0:25:47 | |
Apart from some bruising and one cracked rib everything seems fine. | 0:25:47 | 0:25:51 | |
Let's just lift you up nice and slowly. | 0:25:51 | 0:25:53 | |
We'll get you some pain killers for that, OK? | 0:25:54 | 0:25:57 | |
Gina, did I see you at the JuJu Bar the other night? | 0:25:59 | 0:26:04 | |
-No. -Really? | 0:26:04 | 0:26:05 | |
I've never been. | 0:26:05 | 0:26:07 | |
You must have a double out there - I could have sworn it was you. | 0:26:07 | 0:26:10 | |
-Is that the place on the high street? -Yeah. | 0:26:10 | 0:26:13 | |
I don't know, I might have gone in there with Chloe from work. | 0:26:13 | 0:26:16 | |
I was in there with my mate, too. We had a disastrous night? You? | 0:26:16 | 0:26:23 | |
-Can I go home now, please? -Sure. | 0:26:24 | 0:26:26 | |
I'll write up a script for the painkillers and then you're free to go. | 0:26:26 | 0:26:30 | |
I won't be a moment. | 0:26:30 | 0:26:31 | |
Are you going to discharge her? | 0:26:38 | 0:26:40 | |
Yeah. Her X-rays are clear. There's no reason to admit her. | 0:26:40 | 0:26:42 | |
-She's clearly withdrawn and very distressed. -What do you want me to do? | 0:26:42 | 0:26:45 | |
-Just keep her here a bit longer. -Why? She's taking a bed. | 0:26:45 | 0:26:48 | |
OK, I am pretty certain that girl was raped two nights ago | 0:26:48 | 0:26:52 | |
-and I would like the opportunity to help her. -Rita. | 0:26:52 | 0:26:55 | |
Yes? | 0:26:55 | 0:26:57 | |
Marc Cunningham has got a dislocated shoulder. | 0:26:57 | 0:26:59 | |
-Ethan needs a more experienced nurse to help put it back. -OK. | 0:26:59 | 0:27:03 | |
Well, will you at least keep her here until I get back? | 0:27:03 | 0:27:06 | |
-OK, I won't send the script off yet. -Great. | 0:27:06 | 0:27:09 | |
-But if we need the bed, she's out. -You're all heart. | 0:27:09 | 0:27:12 | |
You needed me? | 0:27:13 | 0:27:15 | |
Yes, please, we're going to do this procedure with Entonox. | 0:27:15 | 0:27:18 | |
Marc here doesn't like needles. | 0:27:18 | 0:27:19 | |
Great. | 0:27:19 | 0:27:21 | |
OK, you need to take some breaths of this. | 0:27:21 | 0:27:23 | |
Is it going to hurt? | 0:27:23 | 0:27:24 | |
A lot. | 0:27:24 | 0:27:25 | |
Don't worry, Marc, the Entonox will take the edge off the pain. | 0:27:26 | 0:27:30 | |
Ready. | 0:27:30 | 0:27:31 | |
Long, deep breaths please, Marc. | 0:27:31 | 0:27:33 | |
In and out. That's it. | 0:27:33 | 0:27:37 | |
HE WHIMPERS | 0:27:39 | 0:27:41 | |
There, there. | 0:27:42 | 0:27:43 | |
CRUNCH | 0:27:45 | 0:27:46 | |
That's that. That's all done, you should feel some relief. | 0:27:49 | 0:27:54 | |
You'll need another X-ray to make sure it's back in the right position and a follow-up appointment. | 0:27:54 | 0:27:58 | |
-Thanks, Doc. -If you keep that steady. | 0:27:58 | 0:28:00 | |
I'll have a sling organised for you. Rita, do you have a minute? | 0:28:00 | 0:28:03 | |
Call me super intuitive | 0:28:08 | 0:28:10 | |
but did I pick up that this was bit of a reunion for you two? | 0:28:10 | 0:28:13 | |
I don't think so. | 0:28:13 | 0:28:15 | |
He doesn't strike me as the sort of person I'd like to know. | 0:28:15 | 0:28:17 | |
You're on the move again, Madeline. | 0:28:21 | 0:28:23 | |
Before you go, we have your records from your consultant | 0:28:23 | 0:28:26 | |
and it seems you were diagnosed with APS. Sticky blood? | 0:28:26 | 0:28:28 | |
That's right. They gave her tablets for it. | 0:28:28 | 0:28:30 | |
I hate taking pills. | 0:28:30 | 0:28:32 | |
That's why I booked her in for convalescent care. Which she walked out on. | 0:28:32 | 0:28:36 | |
APS can be passed on from mother to daughter. | 0:28:36 | 0:28:38 | |
I've been tested, I'm absolutely fine. | 0:28:38 | 0:28:40 | |
We'll inform the haematologist and also let the surgical care team know. | 0:28:40 | 0:28:43 | |
APS can result in miscarriages, especially in the first trimester. | 0:28:45 | 0:28:48 | |
But also later on in pregnancy it can be dangerous. | 0:28:48 | 0:28:51 | |
Well, trust me, dear, that part of my anatomy's not seen any action since '99. | 0:28:51 | 0:28:56 | |
Mum! | 0:28:56 | 0:28:57 | |
Brakes. | 0:29:00 | 0:29:02 | |
You're a natural. | 0:29:05 | 0:29:06 | |
You can take one of those four times a day. | 0:29:10 | 0:29:12 | |
But no more. OK? | 0:29:12 | 0:29:14 | |
Ta. | 0:29:14 | 0:29:15 | |
Gina. Can we talk? | 0:29:15 | 0:29:17 | |
Is my husband here yet? | 0:29:17 | 0:29:18 | |
Yeah, I'll check for you in a minute. | 0:29:18 | 0:29:21 | |
I just want you to know if something did happen at the club | 0:29:21 | 0:29:24 | |
the other night, we can help you. | 0:29:24 | 0:29:27 | |
I got lashed with my mate, that's all. | 0:29:27 | 0:29:30 | |
No, you were distressed. I saw you in the alley. | 0:29:30 | 0:29:32 | |
I saw you, too. | 0:29:34 | 0:29:35 | |
I knew it. | 0:29:35 | 0:29:36 | |
I just went outside for a fag, that's all. | 0:29:37 | 0:29:40 | |
You were running away - you looked scared to me. | 0:29:40 | 0:29:44 | |
I can't handle this. | 0:29:44 | 0:29:46 | |
Gina, we can help you. | 0:29:46 | 0:29:48 | |
You can't! You can't help me | 0:29:48 | 0:29:51 | |
because my head is in bits. | 0:29:51 | 0:29:53 | |
Oh, sweetheart. Don't do that, no, don't do that. | 0:29:53 | 0:29:56 | |
This is all my fault. | 0:29:56 | 0:29:58 | |
Why? | 0:29:58 | 0:29:59 | |
Because I shouldn't have gone outside. | 0:29:59 | 0:30:02 | |
No, none of this is your fault. | 0:30:02 | 0:30:04 | |
Don't you dare blame yourself. You hear me? | 0:30:04 | 0:30:06 | |
What happened, Gina? | 0:30:06 | 0:30:07 | |
He. John. | 0:30:07 | 0:30:10 | |
He raped me. | 0:30:12 | 0:30:13 | |
All right. | 0:30:17 | 0:30:19 | |
Sweetheart, this is the first step. | 0:30:21 | 0:30:25 | |
Just let it all out. | 0:30:25 | 0:30:27 | |
Did you see a spark just then? | 0:30:31 | 0:30:33 | |
No. | 0:30:33 | 0:30:34 | |
-Must be the heat between these two. -Oh, Mum! | 0:30:34 | 0:30:37 | |
-I think they're a couple. -BOTH: We're not a couple. | 0:30:37 | 0:30:40 | |
I'm...I'm going to go home, Madeline. | 0:30:42 | 0:30:45 | |
OK, dear. Shall I call you? | 0:30:45 | 0:30:47 | |
I don't think so. Do you? | 0:30:47 | 0:30:49 | |
Good luck. | 0:30:51 | 0:30:52 | |
Renee, wait. | 0:30:52 | 0:30:54 | |
Are you sure you want her to go? | 0:30:54 | 0:30:55 | |
Carmen. There's something I have to tell you. | 0:30:58 | 0:31:03 | |
When I was 32, I was still in my prime. | 0:31:03 | 0:31:06 | |
I could do double flicks better and higher than anyone else. | 0:31:06 | 0:31:09 | |
I haven't time for one of your shaggy dog stories, Mum. | 0:31:09 | 0:31:12 | |
Let her finish. | 0:31:12 | 0:31:13 | |
I was stepping out with this young singer. | 0:31:13 | 0:31:16 | |
I had high heels and a mink coat and everything. | 0:31:16 | 0:31:19 | |
I was quite the looker. Frankie Vaughan was headlining. | 0:31:19 | 0:31:22 | |
-Oh, I'm going. -No, please don't. | 0:31:22 | 0:31:24 | |
Then tell Carmen the truth! | 0:31:24 | 0:31:26 | |
What's going on? | 0:31:26 | 0:31:27 | |
Goodbye. | 0:31:33 | 0:31:34 | |
Hang on, Renee, before you leave, | 0:31:36 | 0:31:38 | |
I suggest you get tested for a blood clotting disorder called APS. | 0:31:38 | 0:31:41 | |
-Why? -Because Madeline has it and it can be hereditary. | 0:31:41 | 0:31:44 | |
MADELINE GASPS | 0:31:44 | 0:31:45 | |
-Zoe! -Yeah. Madeline, what's wrong. | 0:31:45 | 0:31:48 | |
Ugh. This pain in my chest. I can't... | 0:31:48 | 0:31:52 | |
Let me have a look at you. | 0:31:52 | 0:31:55 | |
She's starting to get cyanosed. How's her pulse? | 0:31:55 | 0:31:57 | |
-What's the matter? -Let's get her straight to resus. Let's go. | 0:31:57 | 0:32:01 | |
Carmen. | 0:32:01 | 0:32:02 | |
I'm right here, Mum. What is it? | 0:32:02 | 0:32:04 | |
Renee is your s-sister. | 0:32:04 | 0:32:07 | |
Right, we have to get her to resus. Are you both coming? | 0:32:10 | 0:32:13 | |
-Yes. -Yes. | 0:32:13 | 0:32:14 | |
Let's go. | 0:32:14 | 0:32:16 | |
OK, can we clear a bed, please? Lilly, she's cyanosed and tachypneic. | 0:32:18 | 0:32:21 | |
We need to get some oxygen on, fluids up, bloods off, | 0:32:21 | 0:32:24 | |
and an ECG please, Tash? | 0:32:24 | 0:32:26 | |
Right, Max, could you get a stand, please? | 0:32:26 | 0:32:29 | |
Becky, I need blood and gas now. | 0:32:29 | 0:32:31 | |
-We could be looking at a pulmonary embolism. -Is that serious? | 0:32:31 | 0:32:33 | |
It can be. | 0:32:33 | 0:32:34 | |
She'll be fine, she's a fighter. | 0:32:34 | 0:32:36 | |
How would you know? This is all your fault. | 0:32:36 | 0:32:38 | |
I didn't ask for this to happen. | 0:32:38 | 0:32:40 | |
-It wouldn't have happened if she'd stayed in the care home! -Don't be ridiculous. | 0:32:40 | 0:32:43 | |
-Max, could you get these two out, please? -Yeah, come on. | 0:32:43 | 0:32:46 | |
-I'm not leaving my mother. -Nor am I. -The last thing your mum needs is you two arguing. | 0:32:46 | 0:32:49 | |
Yeah, he's right. If you want to stay, you have to be quiet | 0:32:49 | 0:32:51 | |
-and let me get on with my job. What's it to be? -Ladies? | 0:32:51 | 0:32:54 | |
OK. | 0:32:54 | 0:32:56 | |
Fine. | 0:32:56 | 0:32:57 | |
Right, we need to do a CTPA - so, Lilly, can you contact CT to arrange that, please? | 0:32:57 | 0:33:01 | |
I'm so angry with myself. | 0:33:03 | 0:33:06 | |
Why? You didn't do anything. | 0:33:06 | 0:33:09 | |
That's the point. I just froze. | 0:33:09 | 0:33:12 | |
I couldn't move. | 0:33:12 | 0:33:13 | |
Sweetheart, that is a natural reaction, | 0:33:13 | 0:33:17 | |
it's how your body deals with fear. | 0:33:17 | 0:33:19 | |
What happens now? | 0:33:20 | 0:33:22 | |
Well, a lady from the Sexual Assault Referral Centre will come | 0:33:22 | 0:33:27 | |
and have a chat with you. | 0:33:27 | 0:33:28 | |
They'll want to gather evidence, stuff like that. | 0:33:28 | 0:33:32 | |
Evidence? | 0:33:32 | 0:33:33 | |
Of your attacker. | 0:33:34 | 0:33:35 | |
I scrubbed myself clean of him. | 0:33:35 | 0:33:37 | |
There still could be some DNA, under your nails or in your hair. | 0:33:37 | 0:33:42 | |
He's right. | 0:33:42 | 0:33:44 | |
That evidence can be used to back up your statement | 0:33:44 | 0:33:46 | |
whenever you decide to come forward. | 0:33:46 | 0:33:49 | |
Could be in a week, could be in a year. | 0:33:49 | 0:33:51 | |
It's totally up to you. You're in control now. | 0:33:51 | 0:33:55 | |
Excuse, me there is someone here to see you. | 0:33:55 | 0:33:57 | |
Are you all right, babe? | 0:34:00 | 0:34:01 | |
I'm so sorry, I've wrecked the car. | 0:34:01 | 0:34:03 | |
Don't worry about that. What happened? | 0:34:06 | 0:34:08 | |
-Where's Frankie? -I left him next door with Maggie. | 0:34:08 | 0:34:11 | |
He's all right for a couple of hours. | 0:34:11 | 0:34:13 | |
Gina, would you like us to leave you so you can talk to your husband? | 0:34:13 | 0:34:19 | |
Could you both stay, please? | 0:34:19 | 0:34:20 | |
Sure. | 0:34:22 | 0:34:24 | |
What's up, babe? | 0:34:24 | 0:34:26 | |
Here you go, Louise. | 0:34:32 | 0:34:33 | |
Thank you. | 0:34:33 | 0:34:35 | |
I think Zoe must be wearing some special insoles or something. | 0:34:35 | 0:34:38 | |
I'm out of the race, guys. | 0:34:38 | 0:34:39 | |
I've still got time. | 0:34:39 | 0:34:41 | |
Hi, can I help you? | 0:34:41 | 0:34:43 | |
-I'm here to see my son. -What's his name? -Marc Cunningham. | 0:34:43 | 0:34:45 | |
-Oh, I know where he is, Louise. I can take you through. -OK. | 0:34:45 | 0:34:49 | |
The police said he was involved in a car accident at the Holtwood Hotel? | 0:34:49 | 0:34:52 | |
-Yeah, he was. -How bad is he? | 0:34:52 | 0:34:54 | |
-Luckily, it's only a minor injury. -They said a girl ran into his van? | 0:34:54 | 0:34:57 | |
Yeah, she did, but it's OK, she's going to be fine. | 0:34:57 | 0:35:00 | |
Who is she? | 0:35:01 | 0:35:02 | |
Er, I'm sorry, we can't give out names, I'm afraid. | 0:35:03 | 0:35:06 | |
-Here we go. -Oh, thank you. | 0:35:07 | 0:35:09 | |
There it is, there. In the left artery. | 0:35:15 | 0:35:18 | |
Anticoagulant therapy should sort it out, right? | 0:35:18 | 0:35:20 | |
Unless she has a cardiac arrest. | 0:35:20 | 0:35:22 | |
We'll take her back to resus - I'll call the medical registrar. | 0:35:22 | 0:35:26 | |
Can I just point out something? | 0:35:26 | 0:35:28 | |
-Mm-hmm. -Aren't you supposed to be a porter for the day? | 0:35:28 | 0:35:31 | |
Be my guest. Don't! | 0:35:31 | 0:35:33 | |
Look. I'm sorry the truth came out this way. | 0:35:47 | 0:35:51 | |
It makes sense. | 0:35:52 | 0:35:54 | |
Makes sense of what? | 0:35:54 | 0:35:56 | |
Why Mum and I never connected. | 0:35:56 | 0:35:58 | |
She said you were your father's daughter. | 0:35:58 | 0:36:00 | |
What? Boring and straight? | 0:36:00 | 0:36:02 | |
No. Strong and dependable. | 0:36:02 | 0:36:04 | |
You look like her. | 0:36:09 | 0:36:11 | |
I take after her, as well. | 0:36:12 | 0:36:13 | |
Oh, no. They broke the mould, or, as Mum would say... | 0:36:13 | 0:36:17 | |
-There's only one Madeline Aires. -There's only one Madeline Aires. | 0:36:17 | 0:36:21 | |
SHE GASPS | 0:36:23 | 0:36:24 | |
Oh. | 0:36:24 | 0:36:25 | |
Are you all right? | 0:36:25 | 0:36:26 | |
It's like David Beckham is in there. | 0:36:27 | 0:36:30 | |
Do you want to feel? | 0:36:33 | 0:36:34 | |
-Say hello. -What, like Lionel Richie? | 0:36:43 | 0:36:46 | |
Hey, look at that, you made a little joke. | 0:36:46 | 0:36:49 | |
Well, don't get too carried away. | 0:36:49 | 0:36:51 | |
DOOR OPENS | 0:36:51 | 0:36:52 | |
How is she? | 0:36:52 | 0:36:54 | |
She's stable. We're going to transfer her back to resus for the medical team. | 0:36:54 | 0:36:58 | |
I can't stand the thought of losing her. | 0:36:59 | 0:37:01 | |
Don't put the nails in the coffin yet - | 0:37:01 | 0:37:03 | |
there's plenty of bounce in my step. | 0:37:03 | 0:37:06 | |
Are you going to stay? | 0:37:08 | 0:37:09 | |
Of course. What are big sisters for? | 0:37:09 | 0:37:13 | |
Good news. The X-ray shows the shoulder is back in place. | 0:37:17 | 0:37:20 | |
Great. | 0:37:20 | 0:37:21 | |
You've got your painkillers. I need to sort your out-patient appointment and then you're good to go. | 0:37:21 | 0:37:26 | |
Thanks, Doctor. | 0:37:26 | 0:37:27 | |
You're welcome. | 0:37:27 | 0:37:28 | |
I don't believe you. | 0:37:28 | 0:37:30 | |
I send you to do a simple job and we end up here, again. | 0:37:30 | 0:37:33 | |
You know Marc - he cocks everything up. | 0:37:36 | 0:37:39 | |
I'll be suing that girl - you did get her details, didn't you? | 0:37:39 | 0:37:43 | |
It's wasn't her fault. | 0:37:43 | 0:37:45 | |
Whose fault is it then, hey? | 0:37:45 | 0:37:46 | |
Why didn't you tell me when it happened? | 0:37:55 | 0:37:57 | |
I don't know. I was ashamed. I just wanted to forget it. | 0:37:57 | 0:38:01 | |
But I can't. | 0:38:01 | 0:38:03 | |
It's all right, babe. Come on. | 0:38:03 | 0:38:06 | |
What do we do now? | 0:38:09 | 0:38:10 | |
Well, if Gina agrees, then we contact the SARC unit | 0:38:11 | 0:38:16 | |
and we start the process. | 0:38:16 | 0:38:18 | |
You're going to do it, right? | 0:38:18 | 0:38:21 | |
I don't know. | 0:38:21 | 0:38:22 | |
You must, babe. | 0:38:22 | 0:38:24 | |
Forensic evidence would hold up better in court. | 0:38:24 | 0:38:27 | |
See. And they'll be able to find out who did it from his DNA. | 0:38:27 | 0:38:32 | |
That's right, too, isn't it, Doc? | 0:38:32 | 0:38:33 | |
Can I give them a ring, Gina? | 0:38:33 | 0:38:35 | |
I just don't know whether I should... | 0:38:35 | 0:38:38 | |
Of course you should. So we can nail the bastard. | 0:38:38 | 0:38:42 | |
Can I give them a call? | 0:38:43 | 0:38:44 | |
Result. I knew it was the truth. | 0:39:02 | 0:39:05 | |
I think she's hiding something. | 0:39:05 | 0:39:07 | |
Are you always this sceptical? | 0:39:07 | 0:39:09 | |
My comment is not based on scepticism, it's founded in realism. | 0:39:09 | 0:39:14 | |
Do you know, statistically, how many of these cases actually make it to court? | 0:39:14 | 0:39:18 | |
She's a person, not a statistic. | 0:39:18 | 0:39:21 | |
Of course she is. | 0:39:22 | 0:39:23 | |
OK, I'll call SARC. But you can do the leg work. | 0:39:25 | 0:39:29 | |
I will. Brilliant. | 0:39:29 | 0:39:31 | |
I've got to get it on record. | 0:39:31 | 0:39:34 | |
-Excuse me. -Yes. | 0:39:36 | 0:39:38 | |
Can I help you? | 0:39:43 | 0:39:44 | |
I'd like to speak to Gina Timpson. | 0:39:44 | 0:39:46 | |
I'm afraid that's not possible. | 0:39:46 | 0:39:47 | |
-Make it possible. That girl nearly killed my son. -Unfortunately, she didn't. | 0:39:47 | 0:39:50 | |
And what's that supposed to mean? | 0:39:50 | 0:39:52 | |
Look, Mum, come on, leave it. Let's go. | 0:39:52 | 0:39:55 | |
I'll find her myself. | 0:39:56 | 0:39:58 | |
A serious allegation has been made against John. | 0:39:58 | 0:40:01 | |
I'm sure your sons can enlighten you. | 0:40:01 | 0:40:03 | |
What have you done? | 0:40:07 | 0:40:09 | |
Nothing. | 0:40:09 | 0:40:10 | |
Come on, don't believe her, she's lying. | 0:40:10 | 0:40:13 | |
I am? | 0:40:13 | 0:40:14 | |
Mum! | 0:40:21 | 0:40:22 | |
Mum. Mum! Mum, come on. | 0:40:28 | 0:40:32 | |
You know what it's like. | 0:40:32 | 0:40:33 | |
No, why don't you tell me? | 0:40:33 | 0:40:35 | |
We were on a night out, too many shots. | 0:40:35 | 0:40:37 | |
We both wanted it. | 0:40:37 | 0:40:39 | |
Then why would that nurse say there's been a serious allegation? | 0:40:39 | 0:40:41 | |
I don't know. Gina's probably crying rape or something! | 0:40:41 | 0:40:44 | |
Rape? She's accusing you of rape? | 0:40:46 | 0:40:49 | |
She's got it wrong. Look, OK, all right. | 0:40:49 | 0:40:51 | |
We did it in the alley, but Marc had a shot at her first. | 0:40:51 | 0:40:54 | |
Didn't you, Marc? | 0:40:54 | 0:40:55 | |
Is that true? | 0:40:56 | 0:40:57 | |
I won't be angry, Marc, but this is your brother's future at stake here. | 0:40:57 | 0:41:01 | |
Mud sticks. | 0:41:01 | 0:41:02 | |
Yeah, all right, I went outside with her, we kissed, but nothing more. | 0:41:03 | 0:41:07 | |
See! See, he got her going and I finished the job. | 0:41:07 | 0:41:10 | |
You need to watch your mouth. | 0:41:10 | 0:41:12 | |
Mum! Mum! Mum, come on. | 0:41:17 | 0:41:21 | |
I'm not sure. | 0:41:27 | 0:41:29 | |
I know it's hard, babe. | 0:41:29 | 0:41:31 | |
-But I think you'll regret it if you don't. -I love you. | 0:41:31 | 0:41:33 | |
I love you too. Come on. | 0:41:33 | 0:41:35 | |
-Hey, I want a word with you. -Mum, come on, just leave it! | 0:41:36 | 0:41:39 | |
What you're saying about my son is sick! | 0:41:39 | 0:41:42 | |
I told you to stay away. | 0:41:42 | 0:41:44 | |
Is he here? Is that him? | 0:41:44 | 0:41:47 | |
-No... -Come here you! | 0:41:47 | 0:41:48 | |
It wasn't him. Stop it! | 0:41:48 | 0:41:50 | |
SHOUTING | 0:41:50 | 0:41:51 | |
Me and you, come on, then! | 0:41:52 | 0:41:53 | |
Rory, listen to me. If you hit him it's all over. | 0:41:55 | 0:41:59 | |
What sort of a married woman goes into an alley with one brother | 0:41:59 | 0:42:02 | |
-and then has sex with the other one, hey? -What! | 0:42:02 | 0:42:05 | |
It wasn't like that. It wasn't... | 0:42:05 | 0:42:07 | |
OK, get back to cubicle. | 0:42:07 | 0:42:09 | |
Come on! Come on! | 0:42:09 | 0:42:11 | |
This is NOT over! | 0:42:13 | 0:42:15 | |
Rory, listen, please. | 0:42:16 | 0:42:19 | |
I'm so sorry about that. | 0:42:19 | 0:42:21 | |
What was she going on about? | 0:42:21 | 0:42:23 | |
She thinks I asked for it. | 0:42:23 | 0:42:25 | |
Why would she think that? | 0:42:25 | 0:42:27 | |
Because I...I did go outside with one of them - Marc. | 0:42:27 | 0:42:30 | |
-What for? -I don't know. | 0:42:30 | 0:42:32 | |
A laugh - wanting some attention, a snog. | 0:42:32 | 0:42:36 | |
It didn't mean anything. | 0:42:36 | 0:42:38 | |
It does now! | 0:42:38 | 0:42:40 | |
No, Rory, it wasn't her fault. I saw what happened... | 0:42:40 | 0:42:43 | |
I need some air. | 0:42:43 | 0:42:44 | |
Rory! Please! | 0:42:44 | 0:42:46 | |
What have I done? | 0:42:48 | 0:42:50 | |
You have done the right thing. Trust me. | 0:42:50 | 0:42:53 | |
Can you look after her for me? | 0:42:53 | 0:42:54 | |
-Rory. -Did you know she went outside with both of them? | 0:43:00 | 0:43:03 | |
No. No, I didn't. But... | 0:43:03 | 0:43:05 | |
But, what? | 0:43:05 | 0:43:06 | |
How can I ever trust her again? | 0:43:06 | 0:43:08 | |
You have to understand that Gina is the victim here, OK? | 0:43:08 | 0:43:10 | |
John forced himself onto her. | 0:43:10 | 0:43:12 | |
It was a busy club and I'm asking myself why didn't she kick | 0:43:13 | 0:43:17 | |
and scream? | 0:43:17 | 0:43:19 | |
That's what you do, right? | 0:43:19 | 0:43:20 | |
Not always, no - Gina froze, Rory. | 0:43:20 | 0:43:24 | |
Which is why she's worried people won't believe her. | 0:43:26 | 0:43:29 | |
She's right. Gina didn't have a chance. | 0:43:29 | 0:43:32 | |
I could smash your face in. | 0:43:32 | 0:43:34 | |
I wouldn't blame you, mate. | 0:43:34 | 0:43:35 | |
Don't know what else to say. | 0:43:36 | 0:43:38 | |
You're doing the right thing. | 0:43:38 | 0:43:40 | |
I don't know what to do. | 0:43:42 | 0:43:44 | |
I think you should go back to your wife - she needs you. | 0:43:46 | 0:43:50 | |
There you are. I have to say I'm so glad today is over. | 0:43:59 | 0:44:02 | |
Too boring for you, was it? | 0:44:02 | 0:44:03 | |
-It was interesting. -Nice and vague. | 0:44:03 | 0:44:05 | |
-No, just reminded me how much I like being a doctor. -As long as it's all about you. | 0:44:05 | 0:44:09 | |
And if you'd let me finish. | 0:44:09 | 0:44:10 | |
It also highlighted that although you're very good at disarming | 0:44:10 | 0:44:13 | |
and charming patients, you're rubbish in a medical crisis. | 0:44:13 | 0:44:16 | |
Well, I haven't had five years at med school, ten years postgraduate training and a fellowship from | 0:44:16 | 0:44:20 | |
-the College of Emergency Medicine - hardly a doctor, am I? -Touche. | 0:44:20 | 0:44:23 | |
-That's French. -I know. | 0:44:23 | 0:44:24 | |
So, I'd like to recommend you go on a basic life support course. | 0:44:24 | 0:44:27 | |
-In case you're ever alone with a patient when they go off, like today. -Yeah, great. | 0:44:27 | 0:44:31 | |
-I get paid extra for that, right? -No. | 0:44:31 | 0:44:32 | |
APPLAUSE AND CHEERING | 0:44:38 | 0:44:39 | |
You lasted all day in your heels. | 0:44:41 | 0:44:43 | |
I'm so that sorry none of you won your bet. | 0:44:43 | 0:44:45 | |
-Don't know what you're talking about. I had every faith you'd do it. -Thank you, Robyn. | 0:44:45 | 0:44:49 | |
No, thank you, I had a tenner on it. | 0:44:49 | 0:44:51 | |
Well played. | 0:44:51 | 0:44:53 | |
Can I buy you a celebratory drink? | 0:44:53 | 0:44:55 | |
Er, yeah, OK, why not? | 0:44:56 | 0:44:58 | |
Anybody fancy a drink? | 0:44:58 | 0:44:59 | |
-Yes, I'm up for it. -Me too. -Count me in. | 0:44:59 | 0:45:02 | |
What a team. | 0:45:04 | 0:45:05 | |
I'm not paying for everyone, by the way. | 0:45:05 | 0:45:07 | |
Come on, let's go home. | 0:45:15 | 0:45:17 | |
Did he do it? | 0:45:18 | 0:45:19 | |
God, I'm starving. Come on, I'll treat you to a curry. | 0:45:26 | 0:45:29 | |
Marc? | 0:45:42 | 0:45:44 | |
I'm sorry. | 0:46:03 | 0:46:05 | |
So am I. | 0:46:05 | 0:46:06 | |
But not as sorry as John Cunningham is going to be. | 0:46:08 | 0:46:11 | |
So, we're going to do it, then. | 0:46:19 | 0:46:22 | |
Yeah. I'm not going to let him ruin both our lives. | 0:46:22 | 0:46:25 | |
Yeah, yeah. OK, I appreciate the call. I will do, thank you. | 0:46:34 | 0:46:41 | |
Thank you very much. | 0:46:41 | 0:46:42 | |
-All right? -That was the police. | 0:46:44 | 0:46:46 | |
Oh, yeah. And? | 0:46:46 | 0:46:48 | |
There's not enough evidence. | 0:46:48 | 0:46:50 | |
-What, you're free and clear? -Yeah! | 0:46:50 | 0:46:52 | |
Get in! | 0:46:52 | 0:46:54 | |
-What's going on? -The police have dropped the assault charges. | 0:46:55 | 0:46:59 | |
That is brilliant news. | 0:46:59 | 0:47:00 | |
And the girl that bloke attacked is going to SARC, | 0:47:00 | 0:47:03 | |
and I think she's going to press charges. | 0:47:03 | 0:47:05 | |
Come on, then, let's go to the pub, celebrate. | 0:47:05 | 0:47:07 | |
Er, you know what, | 0:47:07 | 0:47:09 | |
I just fancy a quiet night in with a DVD, you know, low key. | 0:47:09 | 0:47:12 | |
OK. yeah, yeah. All right, I'll see you later. | 0:47:12 | 0:47:15 | |
Yeah, see you. | 0:47:15 | 0:47:17 | |
Right, I'll boil the bread. | 0:47:18 | 0:47:20 | |
And I'll grill the beans. | 0:47:20 | 0:47:21 | |
Great news, great news. | 0:47:23 | 0:47:25 | |
You, get in the back, now! | 0:47:32 | 0:47:34 |