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Whoa. Fletch! Get a trolley. Push through a litre of saline, quickly. He's quite dry. | 0:00:01 | 0:00:05 | |
I'll do it. He can't breathe. | 0:00:05 | 0:00:09 | |
Oh, no. What are you doing? | 0:00:09 | 0:00:11 | |
That's a potassium infusion. Should be saline. | 0:00:11 | 0:00:13 | |
Who put the potassium up? He could have died. | 0:00:13 | 0:00:16 | |
I'll sort out the paperwork. | 0:00:16 | 0:00:17 | |
He's hyperpyrexial! Temperature's hitting 41 and still rising, Ash. | 0:00:57 | 0:01:01 | |
Was there any response to the paracetamol? | 0:01:01 | 0:01:04 | |
The fan isn't helping, either. We're losing him. | 0:01:04 | 0:01:06 | |
Right, this could be some form of sepsis. | 0:01:06 | 0:01:09 | |
Let's try him with 1.2g IV co-amoxiclav. | 0:01:09 | 0:01:13 | |
And can someone check on the ITU's bed state, please? | 0:01:13 | 0:01:15 | |
Right, it's now at 42. | 0:01:17 | 0:01:19 | |
I can't feel an output. He's in VF, OK, I'm going to shock him. | 0:01:19 | 0:01:23 | |
Charging. Everyone clear. Shocking. | 0:01:24 | 0:01:27 | |
Still in VF. OK, two minutes of CPR, we'll tube him and go again. | 0:01:30 | 0:01:36 | |
Come on, Joel! | 0:01:37 | 0:01:38 | |
You know him? | 0:01:38 | 0:01:40 | |
Yeah, I met him at Robyn's step-brother's gig last night. | 0:01:40 | 0:01:43 | |
GUITAR BEING TUNED | 0:01:45 | 0:01:50 | |
What's happened to my guitarist? | 0:01:58 | 0:02:02 | |
I'm surrounded by lightweights. | 0:02:04 | 0:02:05 | |
Looks like it's just you and me, mate. | 0:02:05 | 0:02:07 | |
Always has been, always will be. | 0:02:07 | 0:02:09 | |
All right, don't get emotional. | 0:02:09 | 0:02:12 | |
Right, I'm going to bed. | 0:02:12 | 0:02:14 | |
Me too. | 0:02:15 | 0:02:17 | |
Do you want to crash in my room? | 0:02:17 | 0:02:19 | |
Um... | 0:02:19 | 0:02:20 | |
I'd rather crash in yours. | 0:02:21 | 0:02:23 | |
That sounds like something I'd like to happen, yeah. | 0:02:23 | 0:02:26 | |
First landing, second room on the left. | 0:02:26 | 0:02:28 | |
There's a spare bed going begging here, girls. | 0:02:33 | 0:02:36 | |
She actually laughed at you. No. In my face. | 0:02:36 | 0:02:39 | |
She laughed at you. Is that your usual opener? | 0:02:39 | 0:02:42 | |
Teach me, man. Teach me, man. It can't be taught. | 0:02:42 | 0:02:46 | |
Hey, I've got bacon butties. What have you said now? | 0:02:46 | 0:02:49 | |
I didn't say anything. | 0:02:49 | 0:02:51 | |
It was something HE said. | 0:02:51 | 0:02:52 | |
Here you are. | 0:02:54 | 0:02:55 | |
No, thanks. I'm going to bed. | 0:02:55 | 0:02:57 | |
You've hurt his feelings now. | 0:02:57 | 0:02:59 | |
He knows I love him really. Don't you, darling? | 0:02:59 | 0:03:01 | |
Of course, sweetheart. | 0:03:01 | 0:03:03 | |
Don't do anything with that Jade that I wouldn't do. | 0:03:03 | 0:03:07 | |
Life on the road, what can I say? | 0:03:07 | 0:03:09 | |
That's MY room. | 0:03:12 | 0:03:14 | |
Oh, I thought it was Max's. | 0:03:15 | 0:03:17 | |
You're sure about that? | 0:03:19 | 0:03:20 | |
So which one is his, again? Where he said it was. | 0:03:21 | 0:03:25 | |
You know...my bed's a lot more comfortable. | 0:03:26 | 0:03:30 | |
Nice try. | 0:03:30 | 0:03:31 | |
He's cute, Chas. | 0:03:33 | 0:03:35 | |
You fancy him? I do not. | 0:03:35 | 0:03:38 | |
Fair enough. | 0:03:38 | 0:03:39 | |
But just so you know, his room is upstairs on the left. I'm sure if you ask him... | 0:03:39 | 0:03:43 | |
Ahhh, shut up. I best get to bed, really. | 0:03:43 | 0:03:46 | |
It's a good job I'm on lates. | 0:03:46 | 0:03:48 | |
Great gig, by the way. | 0:03:48 | 0:03:49 | |
Thanks, sis. | 0:03:49 | 0:03:50 | |
Very impressed. | 0:03:51 | 0:03:53 | |
Sorry, are we talking about Chas again or... | 0:03:53 | 0:03:55 | |
Haha(!) You are really funny. | 0:03:55 | 0:03:57 | |
MACHINE PINGS | 0:04:00 | 0:04:02 | |
How's he doing? | 0:04:02 | 0:04:04 | |
He went back into VF. OK, I'll shock him again. | 0:04:04 | 0:04:08 | |
Can we get some adrenaline, please? Hopefully third time lucky. | 0:04:10 | 0:04:15 | |
Charging. Everyone clear. Shocking. | 0:04:18 | 0:04:23 | |
Nothing. I'm sorry, Jamie... | 0:04:26 | 0:04:30 | |
Happy to call it? | 0:04:32 | 0:04:34 | |
OK - time of death, 07.22. | 0:04:37 | 0:04:41 | |
Just so you know, I don't do this after every gig. | 0:04:53 | 0:04:56 | |
Just so you know, I'm not that kind of a guy. | 0:04:56 | 0:04:58 | |
If you weren't so ridiculous attractive... | 0:04:58 | 0:05:01 | |
I'd be showing you into a taxi right now. Jade? | 0:05:01 | 0:05:04 | |
Seriously, it's too late to be coy, you're already on the bed. | 0:05:06 | 0:05:09 | |
Jade. SHE WHIMPERS | 0:05:09 | 0:05:11 | |
Really? | 0:05:13 | 0:05:14 | |
Come on. | 0:05:17 | 0:05:18 | |
Up you get. | 0:05:18 | 0:05:20 | |
Argh. | 0:05:20 | 0:05:23 | |
SHE GROANS | 0:05:23 | 0:05:24 | |
Ah! | 0:05:24 | 0:05:25 | |
Robyn! | 0:05:28 | 0:05:29 | |
Sylvie? | 0:05:33 | 0:05:34 | |
Sylvie?! | 0:05:38 | 0:05:39 | |
Sylvie. | 0:05:50 | 0:05:53 | |
Go away. | 0:05:53 | 0:05:54 | |
Sorry, there could have been something wrong. | 0:05:54 | 0:05:56 | |
What are you doing here? You've got a clinic appointment at eight and you're still in bed. | 0:05:56 | 0:06:00 | |
I'll be ready. | 0:06:00 | 0:06:02 | |
What's this? You're still eating this for your dinner? | 0:06:02 | 0:06:04 | |
Don't start. I wasn't clear. You need to have a balanced and nutritional diet. | 0:06:04 | 0:06:08 | |
Blah, blah, blah... | 0:06:08 | 0:06:09 | |
You may not care about your health or this baby's, but I do. | 0:06:09 | 0:06:12 | |
OK? So stop behaving like a spoilt brat and get up. | 0:06:12 | 0:06:14 | |
I'll meet you downstairs in ten minutes. | 0:06:14 | 0:06:17 | |
What do you mean, you can't wake her? | 0:06:19 | 0:06:22 | |
I can't wake her. One minute, she's all sexy come-ons, the next, she's flaked out on my bed | 0:06:22 | 0:06:25 | |
babbling like an idiot, I think I've busted my fingers. | 0:06:25 | 0:06:28 | |
Jade? Jade. Can you hear me, Jade? | 0:06:28 | 0:06:33 | |
Has she taken something? | 0:06:33 | 0:06:35 | |
No. Just alcohol. | 0:06:35 | 0:06:37 | |
Come on, Max. I wasn't born yesterday. | 0:06:37 | 0:06:39 | |
Honestly, if she has, I don't know about it. | 0:06:39 | 0:06:41 | |
Jade. What's wrong with her? No idea, | 0:06:41 | 0:06:43 | |
but luckily I know some people who might. Chuck us your phone. | 0:06:43 | 0:06:46 | |
Yeah. Ambulance, please. | 0:06:48 | 0:06:52 | |
SOBBING | 0:06:52 | 0:06:56 | |
What did they say? Like every parent in this position, they're finding it hard to | 0:06:56 | 0:07:00 | |
equate the lad they knew with the one heading for the morgue. | 0:07:00 | 0:07:02 | |
Do you need a break? | 0:07:02 | 0:07:03 | |
No. Good. | 0:07:03 | 0:07:05 | |
Charlie. How many young people have we had in with similar symptoms this morning? | 0:07:05 | 0:07:09 | |
We've got two in cubicles and one's gone upstairs to ITU. | 0:07:09 | 0:07:13 | |
And Joel was the first we've lost. | 0:07:13 | 0:07:15 | |
Right, Jamie, you were there last night. Do you want to go | 0:07:15 | 0:07:17 | |
and talk to the other patients, see if there's a connection? | 0:07:17 | 0:07:20 | |
Do you think they were all on something? | 0:07:20 | 0:07:22 | |
In my experience, when we get a load of kids start hitting | 0:07:22 | 0:07:25 | |
the deck like that, drugs are involved somewhere along the line. | 0:07:25 | 0:07:28 | |
Tess? You can't let me get through the door? | 0:07:32 | 0:07:35 | |
It's really important. I need to talk to you. | 0:07:35 | 0:07:37 | |
My office? Tess? What it is to be popular(!) | 0:07:37 | 0:07:40 | |
I need to speak to you. | 0:07:40 | 0:07:42 | |
I'll be over in five minutes. | 0:07:42 | 0:07:44 | |
Five minutes too late. | 0:07:46 | 0:07:48 | |
Four minutes and 35 seconds. | 0:07:48 | 0:07:52 | |
And that included dealing with two patients. | 0:07:52 | 0:07:54 | |
True. I can beat that. | 0:07:54 | 0:07:56 | |
You haven't done it once, yet. | 0:07:56 | 0:07:58 | |
All right, how much? 20 quid? Yeah, done. | 0:07:58 | 0:08:01 | |
I've just lost 20 quid, haven't I? | 0:08:02 | 0:08:04 | |
Course it was life-threatening. | 0:08:04 | 0:08:06 | |
If it wasn't for Lily and Martin, Mr Trenton could have died. | 0:08:06 | 0:08:10 | |
I put up an IV before I left. | 0:08:10 | 0:08:11 | |
No, this one was Fletch. He did have a lot on his mind that day. | 0:08:11 | 0:08:15 | |
He said he wasn't thinking. | 0:08:15 | 0:08:17 | |
What did Mr Trenton's family say? | 0:08:17 | 0:08:19 | |
I haven't spoken to them yet, but if it were me, | 0:08:19 | 0:08:21 | |
I'd be demanding answers, wouldn't you? So we have to get official. | 0:08:21 | 0:08:25 | |
I want you to collect the facts, interview the main players. | 0:08:25 | 0:08:27 | |
Sorry to have to put you in this position, Tess, but... | 0:08:27 | 0:08:31 | |
It's my job. | 0:08:31 | 0:08:32 | |
I was hoping you'd say that. | 0:08:32 | 0:08:34 | |
SIRENS WAIL | 0:08:39 | 0:08:41 | |
When was the last time you went to an all-night house party? | 0:08:53 | 0:08:56 | |
What day is it? | 0:08:56 | 0:08:58 | |
Saturday. | 0:08:58 | 0:08:59 | |
In that case, it's got to be, er... Yeah, 25 years. | 0:08:59 | 0:09:02 | |
She'll be all right, won't she? | 0:09:05 | 0:09:06 | |
Depends what we're dealing with. How are your fingers? | 0:09:06 | 0:09:09 | |
I won't be playing the guitar for a while, so bang goes the tour. | 0:09:09 | 0:09:13 | |
Come in. | 0:09:13 | 0:09:14 | |
Righto, thanks, mate. | 0:09:14 | 0:09:17 | |
Hey, princess. What are you doing here? | 0:09:17 | 0:09:19 | |
That's my step-brother. | 0:09:19 | 0:09:21 | |
Looks like you had a good night. | 0:09:23 | 0:09:24 | |
Yeah, but a nightmare morning. This is Jade. | 0:09:24 | 0:09:27 | |
Her pupils are dilated and she's tachycardic. | 0:09:27 | 0:09:30 | |
Jade. Hey, sweetheart, I'm Jeff. I'm a paramedic. Can you hear me? | 0:09:30 | 0:09:36 | |
What's she taken? Do you know? No. | 0:09:38 | 0:09:40 | |
What about you, son? What's happened there? | 0:09:40 | 0:09:42 | |
What happened? Landed on my fingers when I fell. | 0:09:42 | 0:09:45 | |
We'll get the hand in a sling and get you to hospital. | 0:09:45 | 0:09:48 | |
Hold that there. | 0:09:48 | 0:09:50 | |
We've been scooping cases like this all morning, as it goes. | 0:09:50 | 0:09:53 | |
We lost one young lad earlier in the ED. | 0:09:53 | 0:09:56 | |
Let's have a look. One, two, three. Good girl. | 0:09:56 | 0:10:00 | |
My bag... | 0:10:00 | 0:10:03 | |
It's all right. I've got it. | 0:10:03 | 0:10:05 | |
I left Terry and Pav finishing off and I'm heading over to | 0:10:05 | 0:10:08 | |
Seaton Park to price up the job there. | 0:10:08 | 0:10:09 | |
Course, I'll call you after, yep. Cheers, ta-ra. | 0:10:09 | 0:10:13 | |
You're going to be late. | 0:10:13 | 0:10:14 | |
You could have at least brought the car. | 0:10:14 | 0:10:16 | |
I need to drop this lot to the dump and then shoot over to another job. | 0:10:16 | 0:10:19 | |
Watch out, Alan Sugar(!) | 0:10:19 | 0:10:21 | |
At least I'm working | 0:10:21 | 0:10:23 | |
and in the current climate, it's actually all right. | 0:10:23 | 0:10:28 | |
Here... Just drive! | 0:10:28 | 0:10:29 | |
Tess... | 0:10:39 | 0:10:40 | |
Zoe told you what happened, didn't she? | 0:10:47 | 0:10:49 | |
She told me what everyone THINKS happened. | 0:10:49 | 0:10:51 | |
What does that mean? | 0:10:51 | 0:10:53 | |
I changed Peter Trenton's IV just before I left. | 0:10:53 | 0:10:57 | |
If you did, then I changed it after, without checking it properly. | 0:10:57 | 0:11:01 | |
Why would you replace a full litre of saline? | 0:11:01 | 0:11:04 | |
I don't know! I was worrying. | 0:11:04 | 0:11:05 | |
I was worried about you, worrying about Nat. | 0:11:05 | 0:11:07 | |
To be honest, I could have put anything up. | 0:11:07 | 0:11:10 | |
Look, it wasn't you, Tess. It was me, all right? | 0:11:12 | 0:11:15 | |
Are you putting that in your statement? | 0:11:15 | 0:11:17 | |
Statement? | 0:11:17 | 0:11:19 | |
I will have to conduct formal interviews. | 0:11:19 | 0:11:22 | |
Well, that's the truth, so, yeah. | 0:11:26 | 0:11:29 | |
The last thing we want is to lose you, Fletch. | 0:11:29 | 0:11:31 | |
CAR HORNS BLARE | 0:11:46 | 0:11:50 | |
Will you slow down? | 0:11:50 | 0:11:52 | |
I don't like being late. | 0:11:52 | 0:11:53 | |
And I don't like being on time. | 0:11:53 | 0:11:55 | |
You're 24, Sylvie, not eight. | 0:11:55 | 0:11:57 | |
I was hoping this experience might make you grow up a bit. Come on! | 0:11:57 | 0:12:01 | |
So, we're doing this for me now?! | 0:12:01 | 0:12:02 | |
If I'd known it was for my own good, I'd have tried to enjoy it a bit more. | 0:12:02 | 0:12:05 | |
All right, Sylvie. Lugging this around 24/7 is no joke. | 0:12:05 | 0:12:07 | |
It's a pain in the backside, in more ways than one. | 0:12:07 | 0:12:09 | |
You're scared, I get it. Of course I'm scared! Don't shout. | 0:12:09 | 0:12:12 | |
You sit there with nothing happening to you! No massive belly, no headaches, no backache. | 0:12:12 | 0:12:16 | |
OK... And then you tell me this is for my own good?! | 0:12:16 | 0:12:19 | |
OK! | 0:12:19 | 0:12:20 | |
Gav! | 0:12:20 | 0:12:22 | |
SIRENS | 0:12:32 | 0:12:34 | |
Not long now, Jade. | 0:12:34 | 0:12:36 | |
I like you. | 0:12:38 | 0:12:40 | |
I like you too. | 0:12:40 | 0:12:43 | |
Your taste in men, however, a little bit dodgy. | 0:12:43 | 0:12:45 | |
I didn't have anyone till I found the band. | 0:12:45 | 0:12:48 | |
She seems to be getting better. Yeah. | 0:12:51 | 0:12:54 | |
This isn't my fault. I didn't say it was. | 0:12:56 | 0:12:58 | |
You didn't have to. Max... | 0:12:58 | 0:13:00 | |
I told you, I've always said no pills, no powder. | 0:13:00 | 0:13:02 | |
I'm old school when it comes to drugs. Organic, only. | 0:13:02 | 0:13:06 | |
Well, that's just groovy, man(!) | 0:13:06 | 0:13:07 | |
You really don't like me, do you? | 0:13:07 | 0:13:09 | |
Uh...no. | 0:13:09 | 0:13:12 | |
Fair enough. But I warn you, everyone does eventually. | 0:13:12 | 0:13:15 | |
Did you see Fletch take the fluids from the storeroom? | 0:13:18 | 0:13:22 | |
No. | 0:13:22 | 0:13:23 | |
Did you see him attach it to the patient? | 0:13:23 | 0:13:25 | |
No. But if he's saying he did... | 0:13:25 | 0:13:29 | |
This is about your recollection of what happened, | 0:13:29 | 0:13:32 | |
not what someone else said happened. | 0:13:32 | 0:13:34 | |
I didn't see about the IV. | 0:13:34 | 0:13:35 | |
Before the incident, you came in with | 0:13:35 | 0:13:39 | |
Mr Trenton and Fletch, after Mr Trenton had collapsed outside. | 0:13:39 | 0:13:42 | |
Yes. | 0:13:42 | 0:13:43 | |
You say in your statement you arrived to find Fletch | 0:13:43 | 0:13:47 | |
already with the collapsed patient. | 0:13:47 | 0:13:48 | |
Is there anything you want to add at this stage? Like what? | 0:13:48 | 0:13:51 | |
You didn't you see anything else before the collapse? Nothing that's relevant to this investigation, | 0:13:51 | 0:13:55 | |
which in my opinion's a joke. | 0:13:55 | 0:13:57 | |
We all know Fletch. We know how good he is and we trust him, don't we? | 0:13:57 | 0:14:02 | |
This has nothing to do with past records or how we | 0:14:02 | 0:14:05 | |
feel about individuals. I'm simply gathering the facts. | 0:14:05 | 0:14:08 | |
Next I want to ask you about timings. | 0:14:09 | 0:14:11 | |
Iain, can you get us some collars please, love? | 0:14:18 | 0:14:21 | |
(All right, darling. I'll take over, thank you.) | 0:14:21 | 0:14:25 | |
Hello there, my name's Dixie, I'm a paramedic. | 0:14:25 | 0:14:29 | |
What's your name? Sylvie Townshead. | 0:14:29 | 0:14:31 | |
OK, Sylvie, you got any pain anywhere? | 0:14:31 | 0:14:33 | |
My belly's a bit uncomfortable. | 0:14:33 | 0:14:35 | |
Any pain in your neck? No. | 0:14:35 | 0:14:37 | |
Your legs? And how many weeks gone are you, Sylvie? | 0:14:37 | 0:14:40 | |
36. Hello, mate, my name's Iain. Just need you to keep still | 0:14:40 | 0:14:43 | |
while I check you over, OK? I'm OK. You need a collar on. | 0:14:43 | 0:14:45 | |
I said I'm OK. Just make sure she's all right. | 0:14:45 | 0:14:47 | |
Sylvie's doing all right. Don't worry. | 0:14:47 | 0:14:50 | |
MOBILE RINGS | 0:14:50 | 0:14:52 | |
I'd rather you didn't, until we've got you both clear. | 0:14:52 | 0:14:55 | |
It's my wife, she'll worry. When we're happy with your condition, | 0:14:55 | 0:14:58 | |
you can call from the hospital. | 0:14:58 | 0:15:00 | |
Ooh! | 0:15:00 | 0:15:02 | |
All right, darling, when did the pains start? | 0:15:02 | 0:15:05 | |
About now. | 0:15:05 | 0:15:06 | |
Right, there's a little bit of a bleed down there, | 0:15:10 | 0:15:13 | |
but I don't want you to worry. | 0:15:13 | 0:15:14 | |
We're going to get you into hospital and look after you. | 0:15:14 | 0:15:18 | |
All right. | 0:15:18 | 0:15:19 | |
See, told you they had instructive videos online. | 0:15:19 | 0:15:22 | |
Turn the blue column one turn to the right. | 0:15:22 | 0:15:24 | |
My right, or the guy on the screen's right? | 0:15:24 | 0:15:27 | |
Ooh, Tess! | 0:15:27 | 0:15:29 | |
I'm going to have to interview everyone involved, | 0:15:29 | 0:15:32 | |
so knowing when they're free would be a help. | 0:15:32 | 0:15:34 | |
Oh, just giving the old grey matter a bit of a workout. | 0:15:36 | 0:15:38 | |
And it's already feeling the burn. | 0:15:38 | 0:15:40 | |
I've spoken to Rita and the timings just don't make sense. | 0:15:42 | 0:15:46 | |
Course they do. She's just got confused, that's all. | 0:15:46 | 0:15:49 | |
Louise, can you get hold of Peter Trenton's records, please? | 0:15:49 | 0:15:53 | |
I'm going to have to speak to you formally. | 0:15:53 | 0:15:55 | |
You know where I am. | 0:15:55 | 0:15:57 | |
Hi, Ash. This is Jade Murray, she's 22 years old. | 0:15:57 | 0:16:00 | |
Possible OD, but her friends can't confirm it. | 0:16:00 | 0:16:03 | |
GCS 13, BP 100, pulse 120. | 0:16:03 | 0:16:05 | |
You all right, Max? What happened to him? | 0:16:05 | 0:16:09 | |
He fell. Possible fractured middle and ring fingers. | 0:16:09 | 0:16:12 | |
Let's get you into a cubicle. | 0:16:12 | 0:16:13 | |
Jamie, explain to me, | 0:16:13 | 0:16:15 | |
how can such a brilliant night turn into such a rubbish day? | 0:16:15 | 0:16:19 | |
It's called a hangover, Max. | 0:16:19 | 0:16:20 | |
Jeff told me about Joel. Must have been horrible. | 0:16:20 | 0:16:23 | |
I keep having flashbacks to last night, seeing him | 0:16:23 | 0:16:26 | |
dancing, having a laugh with his mates. I know. | 0:16:26 | 0:16:29 | |
Listen, I'm going to stay with Jade. Catch you later, yeah? Yeah. | 0:16:29 | 0:16:32 | |
Hey, princess. You all right? | 0:16:32 | 0:16:35 | |
Right, this is Sylvie Townshead, 24. 36 weeks pregnant, | 0:16:35 | 0:16:39 | |
she was a restrained front seat passenger involved in an RTC. | 0:16:39 | 0:16:42 | |
She's not been KOd and she's developed a lower abdo pain | 0:16:42 | 0:16:46 | |
and a PV bleed. | 0:16:46 | 0:16:48 | |
GCS has been 15 throughout, pulse 95, BP is 125 systolic, | 0:16:48 | 0:16:55 | |
sats 96%. Sylvie, I need you to wiggle your bum over there for me, | 0:16:55 | 0:16:58 | |
please. Why am I bleeding? | 0:16:58 | 0:17:00 | |
Hi, Sylvie. I'm Doctor Hanna. Let's get you over. | 0:17:00 | 0:17:03 | |
You must be Gavin. Right, Gavin. I've been asked to take a look at that head wound. | 0:17:03 | 0:17:08 | |
Yeah, look, I want to be with my baby, OK? | 0:17:08 | 0:17:10 | |
Well, let's get you checked out first. | 0:17:10 | 0:17:11 | |
I don't need checking out! I'm fine! | 0:17:11 | 0:17:13 | |
I've told you, anyone involved in an RTC is assessed then discharged. | 0:17:13 | 0:17:16 | |
He declined spinal care at the scene. | 0:17:17 | 0:17:19 | |
GCS 15, pulse 90, BP 130 systolic, sats 98%. | 0:17:19 | 0:17:23 | |
He also needs to call his wife. | 0:17:23 | 0:17:25 | |
She phoned just after the accident, but we were treating him. | 0:17:25 | 0:17:29 | |
Apparently he wants to tell her where he is. | 0:17:29 | 0:17:31 | |
If you give me her number, I'll let her know you're here. | 0:17:31 | 0:17:35 | |
Thank you, but obviously she'll be more worried about her sister. | 0:17:35 | 0:17:38 | |
Sylvie's her sister. | 0:17:38 | 0:17:40 | |
Sorry, I thought you said you were... What? | 0:17:40 | 0:17:42 | |
That you were the dad? | 0:17:42 | 0:17:44 | |
Ever feel like you shouldn't have got up this morning? | 0:17:46 | 0:17:49 | |
I bet you didn't even get to bed. | 0:17:49 | 0:17:51 | |
True. What's the verdict? | 0:17:51 | 0:17:52 | |
I think I'll send you to X-ray. | 0:17:52 | 0:17:54 | |
There are so many small bones in the fingers and hands | 0:17:54 | 0:17:57 | |
that I need to be sure of any possible damage. | 0:17:57 | 0:18:00 | |
OK. So, you and Robyn are step brother and sister? | 0:18:00 | 0:18:02 | |
Her dad married my mum and he was... | 0:18:02 | 0:18:06 | |
equally useless to both of us. | 0:18:06 | 0:18:08 | |
Right... So you're touring. | 0:18:08 | 0:18:10 | |
I was, but with this... | 0:18:10 | 0:18:13 | |
I think it's literally the end of the road. | 0:18:13 | 0:18:16 | |
Don't give up yet, you haven't got your X-ray back. | 0:18:16 | 0:18:19 | |
Fingers crossed. Or not. | 0:18:19 | 0:18:21 | |
Is there any chance of seeing how Jade is? | 0:18:21 | 0:18:23 | |
Well, all the bloods including an OD screen, | 0:18:23 | 0:18:26 | |
BM, ECG and gases are all NAD. | 0:18:26 | 0:18:30 | |
Can you tell us what you took, Jade? | 0:18:30 | 0:18:33 | |
Pills... | 0:18:35 | 0:18:36 | |
So, this is due to drugs? Does Max know? | 0:18:36 | 0:18:40 | |
No, he didn't even know I had them. | 0:18:40 | 0:18:42 | |
Where did you get them from, then? Some guy. | 0:18:42 | 0:18:46 | |
We need more than that, Jade. We need to find out what we're dealing with. | 0:18:46 | 0:18:49 | |
Sorry, Ash. This is Chas, Max's housemate and Jade's friend. | 0:18:49 | 0:18:53 | |
Hey, Robyn. Hi. How's she doing? | 0:18:53 | 0:18:56 | |
Yeah, not too bad. | 0:18:56 | 0:18:57 | |
She was about to tell us who gave her the pills, weren't you, Jade? | 0:18:57 | 0:19:01 | |
Pills? We think it's a bad stash going around. | 0:19:01 | 0:19:04 | |
And we need to find the source. Yeah, course. | 0:19:04 | 0:19:06 | |
Where did you get them from? | 0:19:06 | 0:19:08 | |
Just some guy in the club. | 0:19:08 | 0:19:10 | |
Can you describe him? | 0:19:10 | 0:19:11 | |
Um... I don't remember. | 0:19:13 | 0:19:17 | |
OK, just sit back for me, Jade. She's still pretty weak. | 0:19:17 | 0:19:21 | |
I think she is a bit intimidated by her surroundings. | 0:19:25 | 0:19:28 | |
Let me talk to her, see what I can get out of her. | 0:19:28 | 0:19:32 | |
She ain't going to talk to you, she might talk to me | 0:19:32 | 0:19:35 | |
and I really want to help. | 0:19:35 | 0:19:36 | |
OK. I'll come and get you when she's ready to talk. | 0:19:36 | 0:19:40 | |
Wicked. Where's Max? | 0:19:40 | 0:19:42 | |
I'll go and find out. | 0:19:42 | 0:19:44 | |
She's a surrogate? For her sister and him, according to | 0:19:49 | 0:19:53 | |
Mr Nicholson. It was the old turkey baster method, apparently. | 0:19:53 | 0:19:56 | |
Really! | 0:19:56 | 0:19:58 | |
What? | 0:19:58 | 0:20:00 | |
No, just saying - the things you do for your family, eh? | 0:20:00 | 0:20:03 | |
Am I missing something? | 0:20:03 | 0:20:05 | |
This. It's my sister's baby. Oh! | 0:20:05 | 0:20:07 | |
Oh, you're a surrogate? | 0:20:07 | 0:20:09 | |
Yeah. And I want my body back. | 0:20:09 | 0:20:11 | |
Your pulse rate's increased, Sylvie. | 0:20:11 | 0:20:14 | |
Did you have any complications prior to the crash? | 0:20:14 | 0:20:16 | |
My blood pressure was a bit high. | 0:20:16 | 0:20:18 | |
They've been fussing over it at the clinic, | 0:20:18 | 0:20:20 | |
I was on my way to an appointment there this morning. | 0:20:20 | 0:20:23 | |
She's a touch tachycardic as well as having high BP. | 0:20:23 | 0:20:26 | |
Can we get Obs and Gynae to come down and see her and get some bloods | 0:20:26 | 0:20:30 | |
off group and save and then can you hang up a litre of saline? | 0:20:30 | 0:20:33 | |
Yeah. Got it. | 0:20:33 | 0:20:35 | |
So you think I'm having this baby soon? | 0:20:37 | 0:20:39 | |
Don't worry - if it's coming, we're ready for it. | 0:20:39 | 0:20:42 | |
Do you remember when you last had a tetanus shot? | 0:20:42 | 0:20:45 | |
God knows. | 0:20:45 | 0:20:46 | |
We'll give you one, just to be on the safe side. | 0:20:46 | 0:20:49 | |
I'm sure X-rays will confirm there's no fracture. | 0:20:49 | 0:20:52 | |
Mr Nicholson? I've spoken to your wife. | 0:20:52 | 0:20:55 | |
She's on her way here now. Great. And Sylvie? | 0:20:55 | 0:20:58 | |
As soon as we've finished here, you can pop in and see her. | 0:20:58 | 0:21:00 | |
Listen, she's not capable of going through this on her own. | 0:21:00 | 0:21:03 | |
Her sister's the one that usually keeps her focused. | 0:21:03 | 0:21:05 | |
Keeps us all focused. | 0:21:05 | 0:21:06 | |
When she gets here, I'll make sure she's taken straight to Sylvie. | 0:21:06 | 0:21:09 | |
Charlie. Can I borrow Lily for ten minutes, please? | 0:21:09 | 0:21:12 | |
Yeah, sure. We know where to find her if we need her. | 0:21:12 | 0:21:16 | |
Keep your elbow close to your chest until I get back. All right. Thank you. | 0:21:16 | 0:21:19 | |
Well, can you tell me when you're clear? | 0:21:21 | 0:21:23 | |
Problem? Obs and Gynae are caught in theatre with a tricky twin birth. | 0:21:23 | 0:21:26 | |
It never rains... | 0:21:26 | 0:21:28 | |
I'm putting her in HDC for now. Mr Nicholson, is he free to join us? | 0:21:28 | 0:21:31 | |
I don't want him there. Not without my sister. | 0:21:31 | 0:21:33 | |
He is the dad... I want my sister. | 0:21:33 | 0:21:35 | |
There you go, Sir. Home sweet home. | 0:21:39 | 0:21:41 | |
Thanks. | 0:21:41 | 0:21:42 | |
And remember, next gig, two tickets on the door for you | 0:21:42 | 0:21:46 | |
and your good lady. | 0:21:46 | 0:21:48 | |
Right. Sadly, there is no good lady, but... | 0:21:48 | 0:21:51 | |
Well, then you've got until this heals to find one. | 0:21:51 | 0:21:56 | |
You all right, mate? What you doing here? I was worried about you. | 0:21:56 | 0:22:00 | |
You've never been worried about me. Some stuff went missing from my room and I saw Jade | 0:22:00 | 0:22:03 | |
coming out of there earlier, so... | 0:22:03 | 0:22:04 | |
Right, so she's lying in there, really ill, | 0:22:04 | 0:22:07 | |
and you want to ask her if she stole some STUFF from your room? | 0:22:07 | 0:22:11 | |
Yes, I want it back. | 0:22:11 | 0:22:12 | |
Hey, good gig last night. Cheers, man. | 0:22:12 | 0:22:15 | |
Look, if you see Robyn, tell her I'm waiting in the caff? | 0:22:15 | 0:22:18 | |
You didn't ask about my hand! | 0:22:21 | 0:22:23 | |
And your timings around the incident are accurate, to your knowledge? | 0:22:24 | 0:22:28 | |
I make a point of checking the time roughly every 15 minutes, | 0:22:28 | 0:22:32 | |
so I know exactly where I am at any given moment. | 0:22:32 | 0:22:35 | |
Do you know when Mr Trenton was brought back into cubicles by Rita and Fletch? | 0:22:35 | 0:22:38 | |
No. I wasn't there, but I believe you were. | 0:22:38 | 0:22:41 | |
I'm sorry, this is your recollection, not mine. | 0:22:41 | 0:22:44 | |
And the secondary collapse you say happened at 2.46 | 0:22:44 | 0:22:49 | |
after you and Fletch raced him into to Resus? | 0:22:49 | 0:22:51 | |
Are you sure that was the time? I glanced at the clock between cubicles and Resus. | 0:22:51 | 0:22:55 | |
And in Resus, you saw Fletch stop the infusion going into the patient? | 0:22:55 | 0:22:59 | |
Yes. He obviously spotted the mistake. | 0:22:59 | 0:23:02 | |
And afterwards, who took charge of the paperwork? | 0:23:04 | 0:23:07 | |
Fletch. | 0:23:07 | 0:23:09 | |
Sorry to interrupt, Tess. You wanted to know when Mrs Nicholson arrived? | 0:23:10 | 0:23:14 | |
Tell her I'll be straight out. | 0:23:14 | 0:23:15 | |
I really need Peter Trenton's notes. Can you work your magic? | 0:23:15 | 0:23:19 | |
If by "magic" you mean knock some heads together, I'd be happy to. | 0:23:19 | 0:23:23 | |
Thank you, Lily. Thank you. | 0:23:25 | 0:23:27 | |
Oh, no... What's happening? | 0:23:33 | 0:23:36 | |
Your waters have broken. Did you take ante-natal classes? | 0:23:36 | 0:23:40 | |
I missed quite a few. Most, in fact. | 0:23:40 | 0:23:43 | |
It's not my baby, is it? | 0:23:43 | 0:23:46 | |
It's important when you get a proper contraction, you let us know, OK? | 0:23:46 | 0:23:49 | |
How will I know what a contraction feels like? | 0:23:49 | 0:23:51 | |
You'll know. | 0:23:51 | 0:23:53 | |
Ooh! | 0:23:54 | 0:23:56 | |
There you go. | 0:23:56 | 0:23:57 | |
Oh. Breathe into it. | 0:23:57 | 0:23:59 | |
Take this. Listen, hold that for me. Take some deep breathes. | 0:23:59 | 0:24:03 | |
That's it - nice deep breaths. Try and breathe through it. | 0:24:03 | 0:24:06 | |
There you go. | 0:24:06 | 0:24:07 | |
She's almost fully dilated already. | 0:24:07 | 0:24:09 | |
Should we try and get her to the delivery suite? | 0:24:09 | 0:24:11 | |
I don't think we've got time. She's still bleeding quite heavily. Can I have the ultrasound, please? | 0:24:11 | 0:24:15 | |
And find Tess, tell her it's a precipitous birth. | 0:24:15 | 0:24:17 | |
(This baby is coming now.) Right. | 0:24:17 | 0:24:20 | |
Mrs Nicholson? | 0:24:21 | 0:24:22 | |
Yes. I'm Tess Bateman, Clinical Nurse Manager. I called you earlier. | 0:24:22 | 0:24:25 | |
Oh, great. Where's Sylvie? Is she OK? What happened? | 0:24:25 | 0:24:28 | |
She's fine. OK, and the baby? | 0:24:28 | 0:24:30 | |
The baby looks like it's coming soon. | 0:24:30 | 0:24:32 | |
And Gavin? A few bumps and bruises, nothing more. | 0:24:32 | 0:24:34 | |
Tess, Zoe needs you in HDC. | 0:24:34 | 0:24:36 | |
Baby Townshead's on the way right now! | 0:24:36 | 0:24:38 | |
Right now?! | 0:24:38 | 0:24:40 | |
This is Sylvie's sister, Alana. Where's Gavin? | 0:24:40 | 0:24:42 | |
He's in cubicles, being patched up. | 0:24:42 | 0:24:44 | |
He has to be there for the birth as well. Right, I'll go and find him. | 0:24:44 | 0:24:47 | |
Sylvie... | 0:24:47 | 0:24:48 | |
You're here. | 0:24:48 | 0:24:50 | |
I was always going to be here. Nine centimetres. | 0:24:50 | 0:24:53 | |
Can someone bring me up to date? How long have we got? | 0:24:53 | 0:24:56 | |
The rate things are moving, we haven't got a lot of time at all. | 0:24:56 | 0:24:58 | |
How're we getting on? Can you concentrate on the placental area? | 0:24:58 | 0:25:01 | |
Pulse is rising. OK, Sylvie. Try and breathe through the contractions like we said, OK? | 0:25:01 | 0:25:06 | |
I'm sorry for putting you through this. | 0:25:06 | 0:25:09 | |
It's OK, as long as this baby's coming, it's all good. | 0:25:09 | 0:25:12 | |
Sweetheart, you OK? | 0:25:12 | 0:25:14 | |
Don't worry, it's not as bad as it looks. | 0:25:14 | 0:25:16 | |
The day's finally come, yeah? You'll have your life back soon. | 0:25:16 | 0:25:19 | |
Hallelujah. OK, Fletch, can you chase up the Obs team? | 0:25:19 | 0:25:22 | |
I need them here now. Is something wrong? Just planning ahead in case the baby's compromised. | 0:25:22 | 0:25:26 | |
Compromised how? It's just a precaution. We need to focus on Sylvie now, OK? Aagh! | 0:25:26 | 0:25:32 | |
With the fractured metacarpal | 0:25:32 | 0:25:34 | |
and the splintering to the right centre proximal phalanx, you should be | 0:25:34 | 0:25:38 | |
back strumming rudimentary chords in about 18 months. | 0:25:38 | 0:25:41 | |
Anything further up the fret-board | 0:25:41 | 0:25:43 | |
and you're looking at 22-28 months minimum. | 0:25:43 | 0:25:45 | |
You're joking. | 0:25:45 | 0:25:46 | |
I am, actually. Careful, you don't want to damage the other hand! | 0:25:46 | 0:25:50 | |
So basically, there are no visible fractures, | 0:25:50 | 0:25:53 | |
so three to four weeks of strapping | 0:25:53 | 0:25:55 | |
and then you should start flexing gently and easing out the stiffness. | 0:25:55 | 0:25:58 | |
You'll be back playing again within two months. No long-term damage? | 0:25:58 | 0:26:01 | |
The future of British music is secure. | 0:26:01 | 0:26:03 | |
Well, that's a relief. So you liked the gig? | 0:26:03 | 0:26:06 | |
Not really my style, but it was all right. | 0:26:06 | 0:26:08 | |
What's your style? | 0:26:08 | 0:26:09 | |
Beats and bassline. | 0:26:09 | 0:26:12 | |
I can do beats and basslines. | 0:26:12 | 0:26:13 | |
The next album, yeah? | 0:26:13 | 0:26:15 | |
You should come on board, advise me? | 0:26:15 | 0:26:17 | |
Help me with the basslines? | 0:26:17 | 0:26:19 | |
That's not a bad name for an act - Max Bassline. | 0:26:19 | 0:26:21 | |
Bit wannabe. | 0:26:21 | 0:26:23 | |
See, you're advising me already! My man! | 0:26:23 | 0:26:25 | |
Let's get these fingers strapped up. | 0:26:28 | 0:26:30 | |
Need to work on the high fives, by the way. | 0:26:30 | 0:26:32 | |
This isn't how I pictured this. | 0:26:34 | 0:26:36 | |
It was supposed to be easy. | 0:26:36 | 0:26:38 | |
Zoe... Aagh! | 0:26:38 | 0:26:40 | |
SHE GROANS | 0:26:40 | 0:26:42 | |
Do you see what I see? | 0:26:42 | 0:26:44 | |
We need to get that baby out now. | 0:26:44 | 0:26:46 | |
What's wrong? | 0:26:46 | 0:26:48 | |
Fletch, we need a Resuscitaire. | 0:26:48 | 0:26:50 | |
She's suffered a placental abruption, that's what's caused the excessive bleeding. | 0:26:50 | 0:26:53 | |
That sounds bad, is it? | 0:26:53 | 0:26:55 | |
The placenta supplies the baby with oxygen while it's in the womb. | 0:26:55 | 0:26:59 | |
If it's damaged, it could cause problems. | 0:26:59 | 0:27:02 | |
Heartbeat's low. | 0:27:02 | 0:27:03 | |
Aagh! | 0:27:03 | 0:27:07 | |
Why does it hurt so much?! | 0:27:07 | 0:27:09 | |
OK, Sylvie, I'm just going to check again. | 0:27:09 | 0:27:12 | |
Yes, the head is visible. That's a good sign, Sylvie. | 0:27:12 | 0:27:16 | |
We have to be prepared for a nuchal cord birth. | 0:27:18 | 0:27:21 | |
OK, Sylvie. We need you to push, now. | 0:27:21 | 0:27:23 | |
Alana, can you hold your sister's hand and don't let go. | 0:27:23 | 0:27:25 | |
OK, come on, you can do this. I know you can. | 0:27:25 | 0:27:28 | |
Tess, are you going to be OK with this? | 0:27:28 | 0:27:31 | |
I will be, as soon as this baby's safely delivered. | 0:27:31 | 0:27:34 | |
OK, Sylvie. | 0:27:34 | 0:27:35 | |
Try and stay relaxed and breathe as deeply as you can. | 0:27:35 | 0:27:38 | |
OK, you're doing really well, nice big push. | 0:27:38 | 0:27:42 | |
That's good, well done. You're doing really well. | 0:27:42 | 0:27:45 | |
Good girl. | 0:27:47 | 0:27:49 | |
It's coming! | 0:27:49 | 0:27:50 | |
Any time you need tickets for a gig in town, just give me a call. | 0:27:50 | 0:27:54 | |
What, for anyone? | 0:27:54 | 0:27:56 | |
Yeah, pretty much. I know all the managers and promoters. | 0:27:56 | 0:27:58 | |
Max is a great guitarist, but when it comes to the business, | 0:27:58 | 0:28:01 | |
he's useless. That's where I step in. | 0:28:01 | 0:28:03 | |
Drummer and entrepreneur. | 0:28:03 | 0:28:05 | |
Part-time drummer, full-time entrepreneur. | 0:28:05 | 0:28:08 | |
Here's my card. Give me a call any time you want. | 0:28:08 | 0:28:12 | |
Very impressive. | 0:28:12 | 0:28:14 | |
Anything you want. | 0:28:14 | 0:28:16 | |
Whatever you can find out about what she might have taken will help, | 0:28:16 | 0:28:20 | |
but you've only got a couple of minutes. She's still pretty weak. | 0:28:20 | 0:28:23 | |
Won't take long. Call me. I will. | 0:28:23 | 0:28:26 | |
Chas, I'm sorry. Where are they? | 0:28:37 | 0:28:41 | |
Where are they? | 0:28:41 | 0:28:43 | |
In my bag. | 0:28:43 | 0:28:44 | |
You stupid, thieving little cow. What're you doing, going in my room and taking my stuff?! | 0:28:47 | 0:28:52 | |
I'm sorry! If you think Max has any interest in you beyond a | 0:28:52 | 0:28:56 | |
quickie when he's drunk, then you groupies are dumber than I thought. | 0:28:56 | 0:28:59 | |
I'm not a groupie. | 0:28:59 | 0:29:00 | |
What else do you call girls who hang around with bands, | 0:29:00 | 0:29:03 | |
desperate for attention? | 0:29:03 | 0:29:05 | |
You want to know what you are? | 0:29:05 | 0:29:07 | |
You're pathetic. | 0:29:07 | 0:29:08 | |
Hey?! What happened? | 0:29:15 | 0:29:17 | |
Nothing... | 0:29:17 | 0:29:19 | |
Didn't look like nothing to me. What did he say? | 0:29:19 | 0:29:21 | |
I need the toilet. Can you...? | 0:29:21 | 0:29:24 | |
Yeah... Jade, what did he say? | 0:29:24 | 0:29:26 | |
That I deserved it... | 0:29:26 | 0:29:28 | |
I thought he was all right. | 0:29:28 | 0:29:30 | |
None of that lot are. Well, I'll come with you. | 0:29:30 | 0:29:33 | |
I'll just be a minute. | 0:29:33 | 0:29:35 | |
No, Jade. I'll come with you. | 0:29:35 | 0:29:36 | |
No, just leave me alone. | 0:29:36 | 0:29:38 | |
What's happening?! | 0:29:40 | 0:29:41 | |
The cord is just wrapped around the neck. | 0:29:41 | 0:29:44 | |
Hang on, we're almost there. | 0:29:44 | 0:29:47 | |
One last push. Come on, Sylvie. | 0:29:47 | 0:29:51 | |
Aaghh! | 0:29:51 | 0:29:52 | |
It's a boy. | 0:29:54 | 0:29:56 | |
BABY CRIES | 0:29:56 | 0:29:57 | |
Oh, my... It's a boy. He's perfect... | 0:29:57 | 0:30:01 | |
It's a boy. I love you. | 0:30:04 | 0:30:07 | |
Heartbeat? | 0:30:12 | 0:30:15 | |
He's working hard to breathe. | 0:30:23 | 0:30:25 | |
What's happening? | 0:30:25 | 0:30:27 | |
He just needs a little bit of help, that's all. | 0:30:27 | 0:30:31 | |
Come on, sweetheart. | 0:30:40 | 0:30:42 | |
How does that feel? | 0:30:45 | 0:30:46 | |
I won't be playing any fancy chords for a while. | 0:30:46 | 0:30:49 | |
Are all you blokes complete and utter idiots?! | 0:30:49 | 0:30:51 | |
What are you talking about? | 0:30:51 | 0:30:53 | |
Your best mate Chas has just had a right go at Jade. | 0:30:53 | 0:30:55 | |
What about? I don't know, you tell me. | 0:30:55 | 0:30:57 | |
Was it about some stuff she stole? Whatever, it made her run off to the toilets crying. Where's Chas now? | 0:30:57 | 0:31:02 | |
He's left. Next time you want help, ask somebody else. | 0:31:02 | 0:31:04 | |
Which way is the ladies'? | 0:31:06 | 0:31:08 | |
This way. | 0:31:08 | 0:31:10 | |
You can do it... | 0:31:12 | 0:31:14 | |
Come on... | 0:31:15 | 0:31:17 | |
BABY CRIES | 0:31:19 | 0:31:22 | |
That's a good lad. | 0:31:22 | 0:31:23 | |
Strong pulse. | 0:31:27 | 0:31:29 | |
Are you all right? | 0:31:29 | 0:31:30 | |
Tess. | 0:31:33 | 0:31:35 | |
I'm so sorry, this must have been so difficult for you. | 0:31:35 | 0:31:38 | |
Onwards and upwards. | 0:31:38 | 0:31:40 | |
Aagh.... | 0:31:57 | 0:31:59 | |
How are you feeling? | 0:32:01 | 0:32:03 | |
Sore. | 0:32:03 | 0:32:06 | |
How is the little guy? | 0:32:06 | 0:32:08 | |
They're still checking him over. | 0:32:08 | 0:32:10 | |
Is he OK? | 0:32:10 | 0:32:11 | |
He's due to go upstairs. | 0:32:11 | 0:32:12 | |
Is he all right? | 0:32:12 | 0:32:14 | |
We're just going to send him upstairs because of the complications, to make sure he's OK. | 0:32:14 | 0:32:18 | |
Are you saying he could have problems? No. | 0:32:18 | 0:32:21 | |
I'm saying we just want to make sure he's OK. | 0:32:21 | 0:32:23 | |
Sorry, what's the worst case scenario? | 0:32:23 | 0:32:26 | |
Because the cord was wrapped around his neck, we know | 0:32:26 | 0:32:29 | |
he was without oxygen for a period of time during the delivery. | 0:32:29 | 0:32:32 | |
Because of the placental damage as well, it could have been longer. | 0:32:32 | 0:32:36 | |
So it's just a risk he could have suffered what | 0:32:36 | 0:32:39 | |
we call cerebral hypoxia. | 0:32:39 | 0:32:41 | |
What's that? | 0:32:41 | 0:32:42 | |
Tell us! Lack of oxygen could cause brain injury. | 0:32:43 | 0:32:48 | |
He may have brain damage? | 0:32:48 | 0:32:50 | |
No. Like I said, there are no certainties until we've tested for... | 0:32:50 | 0:32:53 | |
I knew something like this would happen... What do you mean? | 0:32:53 | 0:32:56 | |
Her. She was never fully committed to this baby. | 0:32:56 | 0:32:59 | |
You can't blame Sylvie. | 0:32:59 | 0:33:01 | |
Why? Did she look after herself? Eat well? Exercise? | 0:33:01 | 0:33:04 | |
Go to classes? Anything? No! She slobbed around, | 0:33:04 | 0:33:06 | |
eating crap, pretending it was happening to someone else! | 0:33:06 | 0:33:08 | |
Stop this. You haven't had to deal with her attitude. | 0:33:08 | 0:33:10 | |
Putting me down at every opportunity. For years, | 0:33:10 | 0:33:13 | |
she's been saying I'm not good enough for you. | 0:33:13 | 0:33:14 | |
You are good enough. More than good enough. | 0:33:14 | 0:33:16 | |
And now she's messed it all up! | 0:33:16 | 0:33:18 | |
Hang on. Sylvie's not to blame. | 0:33:18 | 0:33:20 | |
The placental damage only happened because of the crash. | 0:33:20 | 0:33:23 | |
The crash happened because she was having a go at me! | 0:33:23 | 0:33:27 | |
Again! | 0:33:27 | 0:33:28 | |
This is not the time or the place... | 0:33:28 | 0:33:30 | |
I can't believe we've come so far to end up with a... | 0:33:30 | 0:33:33 | |
With a...what? | 0:33:33 | 0:33:36 | |
Say it. | 0:33:40 | 0:33:42 | |
I've got to get out. | 0:33:46 | 0:33:48 | |
Go on, go after him. | 0:33:55 | 0:33:57 | |
You always do. | 0:33:57 | 0:33:59 | |
I'll go. | 0:34:02 | 0:34:04 | |
OK, everyone just take a deep breath. | 0:34:04 | 0:34:07 | |
Why don't we go and get you a drink or something? | 0:34:07 | 0:34:09 | |
You two are going to get thrown out by security, lurking around here. | 0:34:12 | 0:34:15 | |
We think Jade's still in there. | 0:34:15 | 0:34:19 | |
You're joking? | 0:34:19 | 0:34:20 | |
No, we just like standing here for no reason(!) | 0:34:20 | 0:34:23 | |
I wouldn't put anything past you. Shift. | 0:34:23 | 0:34:25 | |
Get a doctor in here, now. | 0:34:26 | 0:34:28 | |
I'll go! What's happened? | 0:34:28 | 0:34:30 | |
Help me get her on her side. Me? | 0:34:30 | 0:34:31 | |
Yeah, now would be good, Max! We need to get her arms | 0:34:31 | 0:34:34 | |
and her upper leg at right angles to support her. | 0:34:34 | 0:34:36 | |
All right, sweetheart. | 0:34:36 | 0:34:39 | |
She's breathing. | 0:34:41 | 0:34:43 | |
Her pulse is racing. | 0:34:43 | 0:34:44 | |
Did she bang her head? I don't think so. | 0:34:44 | 0:34:46 | |
Pupils are dilated. Let's get her onto a trolley. | 0:34:48 | 0:34:51 | |
OK. | 0:34:51 | 0:34:52 | |
Bet you think I'm a terrible person, don't you? | 0:34:55 | 0:34:58 | |
Listen, people do things against their better nature in extreme situations. | 0:34:58 | 0:35:02 | |
I've let them down. So far, you've only run as far as the front door. | 0:35:05 | 0:35:08 | |
I knew Sylvie wasn't that keen on Gav, I thought he was a good man. | 0:35:15 | 0:35:19 | |
But... | 0:35:19 | 0:35:20 | |
he just walked out. | 0:35:20 | 0:35:22 | |
What kind of a man just walks out on his newborn baby? | 0:35:24 | 0:35:28 | |
It's been a shock, for all of you. | 0:35:28 | 0:35:30 | |
Maybe it was a bad idea. Wanting a baby? | 0:35:30 | 0:35:33 | |
No. Not that, but the surrogate thing. | 0:35:33 | 0:35:37 | |
Gav always said it was a bad idea, but I just thought it was | 0:35:37 | 0:35:40 | |
cos him and Sylvie don't get on. | 0:35:40 | 0:35:43 | |
I was so desperate, I just...forced the idea on them. | 0:35:45 | 0:35:48 | |
I'm sure they wouldn't have done anything they didn't want to do... | 0:35:48 | 0:35:52 | |
Maybe. | 0:35:52 | 0:35:53 | |
Anyway, regardless of how or why you got here, | 0:35:55 | 0:36:00 | |
there's still a little baby out there that just wants to be loved. | 0:36:00 | 0:36:04 | |
But I need Gav. | 0:36:05 | 0:36:07 | |
I just can't do this on my own. | 0:36:09 | 0:36:11 | |
He just needs time. | 0:36:13 | 0:36:14 | |
Could you clear the far bed? Thank you, guys. | 0:36:19 | 0:36:21 | |
Right, we'll need an ECG, check her BM and she'll need a CT. | 0:36:24 | 0:36:27 | |
On your side. | 0:36:27 | 0:36:28 | |
She feels pyrexial. | 0:36:30 | 0:36:32 | |
What's going on with these kids? What are they taking? | 0:36:32 | 0:36:34 | |
We didn't take anything. | 0:36:34 | 0:36:36 | |
She admitted to having pills last night, Max. What pills? | 0:36:36 | 0:36:39 | |
She wouldn't tell us who she got them off. | 0:36:39 | 0:36:40 | |
OK, all right, Jade. All right, Jade. | 0:36:40 | 0:36:45 | |
When the going gets tough, he runs. | 0:36:47 | 0:36:49 | |
Jamie? Jamie, we need some help here, please. | 0:36:49 | 0:36:53 | |
That's it, keep her stable. It's OK, sweetheart. | 0:36:55 | 0:36:58 | |
We're not losing her. | 0:36:58 | 0:36:59 | |
Keep her airway clear. All right. All right, Jade, all right. | 0:36:59 | 0:37:03 | |
He's gone into respiratory arrest. His pulse is dropping. | 0:37:05 | 0:37:08 | |
If it gets any lower, we'll have to start compressions. We really need NICU here now. | 0:37:08 | 0:37:11 | |
Could somebody find out where they are? What's happening? | 0:37:11 | 0:37:15 | |
Pulse rate's still dropping, it's getting too low. We're going to have to start compressions. | 0:37:15 | 0:37:20 | |
What are you doing to him? | 0:37:20 | 0:37:22 | |
We're doing everything we can to help him, OK? | 0:37:22 | 0:37:24 | |
Keep going! Come on. | 0:37:28 | 0:37:29 | |
Come on, little man. | 0:37:33 | 0:37:35 | |
Heart rate is going back up. OK, Sylvie, he's fine. | 0:37:51 | 0:37:54 | |
I'm sorry if that distressed you, | 0:37:54 | 0:37:56 | |
but just had to stabilise him as quickly as we could there. OK. | 0:37:56 | 0:38:00 | |
Will someone please get my sister for me? | 0:38:03 | 0:38:06 | |
I'll go. | 0:38:06 | 0:38:09 | |
Sylvie, he's stabilised and is going up. | 0:38:18 | 0:38:21 | |
We'll move you up to the maternity ward shortly. | 0:38:21 | 0:38:23 | |
Sure. Come here, you. | 0:38:23 | 0:38:27 | |
I'm a cow. | 0:38:34 | 0:38:35 | |
True. | 0:38:37 | 0:38:38 | |
Gavin and I are like chalk and cheese, we both know it. | 0:38:42 | 0:38:46 | |
It's just that since I got pregnant, | 0:38:47 | 0:38:50 | |
it's got worse with his fussing... | 0:38:50 | 0:38:54 | |
I don't want... Let me finish. | 0:38:54 | 0:38:56 | |
I thought he was having a go, so I gave as good as I got. | 0:38:57 | 0:39:01 | |
But I know now it's...because he cares. | 0:39:02 | 0:39:07 | |
He ran away. Yeah, I know. | 0:39:07 | 0:39:09 | |
This baby needs a mum and a dad who will love him, no matter what. | 0:39:13 | 0:39:18 | |
He needs you AND he needs Gav. | 0:39:19 | 0:39:22 | |
Can I come in? | 0:39:25 | 0:39:27 | |
Chas?! | 0:39:30 | 0:39:32 | |
Chas! Chas! | 0:39:35 | 0:39:38 | |
Oh, you're back? | 0:39:38 | 0:39:41 | |
Jade's in hospital cos of you. No, she's in hospital | 0:39:41 | 0:39:43 | |
because she's a sad cow who went into my room and stole a load of pills. | 0:39:43 | 0:39:46 | |
I knew it. You're dealing again. Get off it, mate. | 0:39:46 | 0:39:48 | |
You might have Robyn fooled, but you're as bad as anyone when it comes to getting off your head. | 0:39:48 | 0:39:52 | |
Give me those pills. Not a chance. | 0:39:52 | 0:39:54 | |
The hospital need to know what she's taken! | 0:39:54 | 0:39:56 | |
She could actually die. | 0:39:56 | 0:39:57 | |
Yeah, so could I! Mate, if those dealers find out... | 0:39:57 | 0:40:00 | |
Max, no. | 0:40:01 | 0:40:03 | |
Did you know these were dodgy? | 0:40:06 | 0:40:08 | |
Someone died, Chas. | 0:40:10 | 0:40:11 | |
He definitely has your nose, Gav. | 0:40:29 | 0:40:31 | |
I want you to promise me something. | 0:40:37 | 0:40:39 | |
I want you to make sure he always knows how much | 0:40:42 | 0:40:45 | |
his Auntie Sylvie loves him. | 0:40:45 | 0:40:46 | |
So, how did the investigation go? | 0:40:58 | 0:41:00 | |
I need you to come with me. | 0:41:00 | 0:41:02 | |
Pulse is sky-high and her temperature's topping 40. | 0:41:05 | 0:41:09 | |
Can we put another line in, please? | 0:41:09 | 0:41:10 | |
Thought you'd done a runner. | 0:41:10 | 0:41:11 | |
She's taken pyramids. | 0:41:11 | 0:41:13 | |
Toxbase listed them as double the strength of normal Es. | 0:41:13 | 0:41:16 | |
A girl died from them last year. This makes all the difference. Temperature's 42, Ash. | 0:41:16 | 0:41:20 | |
Let's try her with dantrolene, 1mg per kilo over five minutes IV. | 0:41:20 | 0:41:25 | |
And can someone call the medical reg and check the ITU bed state, please... | 0:41:25 | 0:41:30 | |
Let's go, folks! All right, Jade. | 0:41:30 | 0:41:32 | |
You got her? All right, Jade. | 0:41:32 | 0:41:36 | |
OK. | 0:41:36 | 0:41:37 | |
I've interviewed Rita and Lily so far, they agree that Peter Trenton | 0:41:39 | 0:41:43 | |
first showed signs of distress at around 2.45. | 0:41:43 | 0:41:46 | |
OK. | 0:41:47 | 0:41:48 | |
I went home at 2.40, | 0:41:48 | 0:41:51 | |
so the mistake must have happened before I left. | 0:41:51 | 0:41:53 | |
And if the last thing I remember was changing the IV, | 0:41:53 | 0:41:56 | |
there was no time for you to replace | 0:41:56 | 0:41:58 | |
the bag before the symptoms kicked in. | 0:41:58 | 0:42:00 | |
Lily saw you stopping the infusion | 0:42:03 | 0:42:05 | |
and thought you were covering your mistake. | 0:42:05 | 0:42:08 | |
But you were actually covering mine. | 0:42:10 | 0:42:12 | |
If that's the truth, I have to tell Zoe. | 0:42:17 | 0:42:19 | |
Sorry to interrupt, but I've finally got Peter Trenton's notes. | 0:42:21 | 0:42:24 | |
Thank you. | 0:42:24 | 0:42:25 | |
So what now? | 0:42:38 | 0:42:39 | |
We wait. | 0:42:41 | 0:42:42 | |
Temperature's 41 and dropping. | 0:42:47 | 0:42:49 | |
Let's give her another litre of saline and get her ready for ITU. | 0:42:49 | 0:42:52 | |
Is she OK? | 0:42:54 | 0:42:55 | |
She will be. | 0:42:55 | 0:42:57 | |
Jade? Can you hear me? | 0:42:57 | 0:42:59 | |
Hey, how are you feeling? | 0:43:00 | 0:43:03 | |
Listen, no more pills. You're better than that. | 0:43:05 | 0:43:08 | |
Good job finding the drugs. | 0:43:13 | 0:43:15 | |
Sadly, I didn't have to look too far. | 0:43:15 | 0:43:17 | |
As well as getting the rest of the stash off the streets, | 0:43:17 | 0:43:20 | |
you've probably saved quite a few lives today. | 0:43:20 | 0:43:22 | |
Maybe I underestimated you. | 0:43:27 | 0:43:29 | |
It's easily done. | 0:43:29 | 0:43:31 | |
Looks like the drinks are going to be on you tonight, then. | 0:43:33 | 0:43:37 | |
Excuse me, mate, is there a notice board or something here? | 0:43:37 | 0:43:40 | |
I need a place to crash. Sorry, no. | 0:43:40 | 0:43:43 | |
You're the guy who gave that girl in there a load of dodgy drugs, ain't you? | 0:43:43 | 0:43:47 | |
No. | 0:43:47 | 0:43:48 | |
Yeah, you are, you're the guy. | 0:43:48 | 0:43:50 | |
Jamie, just the man. | 0:43:50 | 0:43:52 | |
Everyone seems to think I'm some kind of drug-dealing scum-bag. | 0:43:52 | 0:43:55 | |
What, him? No this, guy single-handedly saved Jade's life | 0:43:55 | 0:43:59 | |
and he got some dodgy pills off the streets. | 0:43:59 | 0:44:01 | |
The hero of the hour, then? | 0:44:01 | 0:44:03 | |
I don't like to brag, but, yeah... | 0:44:03 | 0:44:05 | |
All I need is a cape. | 0:44:05 | 0:44:06 | |
And a place to live. | 0:44:06 | 0:44:08 | |
Robyn, your step-brother needs a place to crash. | 0:44:08 | 0:44:12 | |
All right, we've got a spare room, | 0:44:16 | 0:44:18 | |
but it's just until you're back on your feet, right? | 0:44:18 | 0:44:20 | |
You, a word. | 0:44:20 | 0:44:21 | |
Hey, how did you do that? | 0:44:25 | 0:44:28 | |
It's just a question of using mathematical group theories, | 0:44:28 | 0:44:31 | |
you know, employing algorithms. | 0:44:31 | 0:44:33 | |
It's fine. | 0:44:35 | 0:44:36 | |
A man of hidden talents. | 0:44:36 | 0:44:38 | |
Ta-da! I'd worked out how to do it ages ago. | 0:44:41 | 0:44:45 | |
It's all a matter of rhythms. | 0:44:45 | 0:44:47 | |
So looks like the drinks are on you tonight, Lou-Lou. | 0:44:47 | 0:44:50 | |
I saw him do it. | 0:44:50 | 0:44:53 | |
You take euros. There you go. | 0:44:53 | 0:44:56 | |
Just calm down... | 0:44:57 | 0:44:59 | |
How can I? You've crossed out my initials and added your own. | 0:44:59 | 0:45:01 | |
It was all I could think of doing. | 0:45:01 | 0:45:03 | |
What were you going to say in your statement? That I wrote my initials, the pen ran out, | 0:45:03 | 0:45:07 | |
so I got a new pen, crossed them out and wrote them again. | 0:45:07 | 0:45:10 | |
You thought that'd wash with an investigator? If I'd already owned up to the mistake, then yeah. | 0:45:10 | 0:45:13 | |
Fletch, this is fraud. Not only would you lose your job, | 0:45:13 | 0:45:16 | |
the whole department would be investigated. | 0:45:16 | 0:45:18 | |
What possessed you to do that? | 0:45:18 | 0:45:21 | |
You know why. I really don't. | 0:45:21 | 0:45:23 | |
It was my fault you were distracted. | 0:45:23 | 0:45:26 | |
I mean, my wife shows up and then you have to deal with her. | 0:45:26 | 0:45:29 | |
This is such a mess. | 0:45:32 | 0:45:34 | |
No, it's not. It's quite clear. | 0:45:34 | 0:45:36 | |
You're going to be a dad again. | 0:45:36 | 0:45:38 | |
Yes, but I don't know if I want to be. | 0:45:38 | 0:45:42 | |
That's not how it looked to me. | 0:45:42 | 0:45:43 | |
The smiles when you were looking at the ultrasound. | 0:45:44 | 0:45:46 | |
It's a baby, Tess, who doesn't smile at a baby?! | 0:45:46 | 0:45:50 | |
It doesn't mean... | 0:45:50 | 0:45:52 | |
Look, me and Nat haven't been right for a long time, even before you | 0:45:54 | 0:45:58 | |
and me got together. All of a sudden, she's pregnant | 0:45:58 | 0:46:02 | |
and acting like that's going to fix everything. | 0:46:02 | 0:46:04 | |
You saying she got pregnant on purpose? I don't know. | 0:46:04 | 0:46:07 | |
I don't know anything any more. | 0:46:09 | 0:46:11 | |
But the sleepless nights, dirty nappies... | 0:46:13 | 0:46:15 | |
I can't face that again. | 0:46:16 | 0:46:18 | |
If this is how I'm feeling, | 0:46:21 | 0:46:24 | |
I can't imagine how you must be feeling, | 0:46:24 | 0:46:26 | |
what must be going through your head. | 0:46:26 | 0:46:29 | |
It might have been your mistake, but this is all my fault. | 0:46:32 | 0:46:35 | |
What are we going to do? | 0:46:40 | 0:46:41 | |
I don't know. | 0:46:45 | 0:46:47 | |
Subtitles by Red Bee Media Ltd | 0:46:50 | 0:46:53 |