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Come on. Connie Beauchamp's ED is the talk of the town. | 0:00:02 | 0:00:04 | |
Who have you been talking to? Or need I ask? | 0:00:04 | 0:00:06 | |
I know you've got friends in high places. | 0:00:06 | 0:00:07 | |
-You moving out? -I haven't been able to settle since, um... | 0:00:07 | 0:00:10 | |
All right, look, you can stay with me for a few nights. | 0:00:10 | 0:00:13 | |
She's lost her painkillers. I don't suppose somebody's handed them in? | 0:00:13 | 0:00:16 | |
Lost or taken? | 0:00:16 | 0:00:18 | |
This place does have form. | 0:00:18 | 0:00:20 | |
-SOBBING: -Please, Charlie, help me. | 0:00:24 | 0:00:26 | |
This stops now. | 0:00:26 | 0:00:28 | |
This has to stop now. | 0:00:28 | 0:00:30 | |
SIREN WAILS | 0:01:05 | 0:01:07 | |
We can just drop these off, | 0:01:16 | 0:01:17 | |
then we can start spreading the word. | 0:01:17 | 0:01:19 | |
-Ah! -Sorry! | 0:01:19 | 0:01:20 | |
-Robbie! -Wow! | 0:01:20 | 0:01:21 | |
Er...maybe you should go and see a doctor. | 0:01:21 | 0:01:23 | |
There you go, Dave. Yeah, assuming I can still see! | 0:01:23 | 0:01:26 | |
Ah! It hurts ten times worse than it did before now. | 0:01:26 | 0:01:29 | |
Come here, you big baby. How many fingers am I holding up? | 0:01:29 | 0:01:32 | |
-12. -HE LAUGHS | 0:01:32 | 0:01:33 | |
There you go. Done. | 0:01:33 | 0:01:34 | |
I hope it's not serious. | 0:01:34 | 0:01:36 | |
Right, what have we got? | 0:01:36 | 0:01:37 | |
Debra Wilson, 39. | 0:01:37 | 0:01:39 | |
At 7.30 this morning, her car was involved in an RTC | 0:01:39 | 0:01:42 | |
with another vehicle, travelling at approximately 45mph. | 0:01:42 | 0:01:45 | |
She was trapped in the car and had to be cut free at the scene. | 0:01:45 | 0:01:48 | |
HANSSEN: Mrs Beauchamp? A word, if I may. | 0:01:48 | 0:01:50 | |
Er...my office, 30 minutes? | 0:01:50 | 0:01:52 | |
While the location suits, the timing is off. | 0:01:52 | 0:01:54 | |
Dr Gardner, would you take the patient, please? | 0:01:54 | 0:01:56 | |
Happy to oblige, Mr Hanssen. | 0:01:56 | 0:01:57 | |
Staff Nurse Masters, you appear to be lingering. | 0:01:57 | 0:02:00 | |
Walk with me, please. | 0:02:00 | 0:02:02 | |
KEYS CLANK | 0:02:04 | 0:02:06 | |
Sean? | 0:02:23 | 0:02:24 | |
Where's Sean Bell? | 0:02:27 | 0:02:28 | |
He's been released. | 0:02:28 | 0:02:29 | |
HANSSEN: Now, look here. | 0:03:14 | 0:03:15 | |
Tell me. What do you see? | 0:03:15 | 0:03:17 | |
20% off if you buy before the end of the month. | 0:03:17 | 0:03:20 | |
Tomorrow, there will be an article in its place. | 0:03:20 | 0:03:22 | |
Alarmist, probably in bold lettering, | 0:03:22 | 0:03:24 | |
screaming the catastrophe that is our Emergency Department. | 0:03:24 | 0:03:27 | |
Morning. Blooming traffic! | 0:03:27 | 0:03:29 | |
Not now. | 0:03:29 | 0:03:30 | |
-I was just saying... -Wheel along, there's a good fellow. | 0:03:30 | 0:03:33 | |
The patient whose drugs were stolen | 0:03:37 | 0:03:39 | |
has rather unkindly gone to the press. | 0:03:39 | 0:03:41 | |
I can only imagine their headline. | 0:03:41 | 0:03:43 | |
Well, offer them free double glazing. | 0:03:43 | 0:03:45 | |
I sense mirth. | 0:03:45 | 0:03:46 | |
This could be a police matter, you know. | 0:03:46 | 0:03:48 | |
Mislaid drugs are not uncommon. You can say as much. | 0:03:48 | 0:03:51 | |
I'll have to make a statement. In public, no less. | 0:03:51 | 0:03:54 | |
Well, you've done it before. | 0:03:54 | 0:03:55 | |
Yes, but the camera is not my friend - | 0:03:55 | 0:03:57 | |
it tends to give me the look of an undertaker. | 0:03:57 | 0:03:59 | |
Hardly a vote of confidence for prospective patients, is it? | 0:03:59 | 0:04:01 | |
Well, I'm really sorry, Henrik. I'm very busy. | 0:04:01 | 0:04:03 | |
Get to the point. | 0:04:03 | 0:04:05 | |
There is a thief among you. | 0:04:06 | 0:04:08 | |
Right, well, what if it's me? What are you going to do? | 0:04:09 | 0:04:11 | |
Please try to address this with at least a scintilla of concern. | 0:04:11 | 0:04:14 | |
I really do have to get on. I've more important things. | 0:04:14 | 0:04:17 | |
This isn't going to go away. | 0:04:17 | 0:04:19 | |
FRONT DOOR OPENS | 0:04:54 | 0:04:56 | |
Have I got this right? | 0:05:02 | 0:05:04 | |
Completely unconnected people come together to talk about death? | 0:05:04 | 0:05:07 | |
-Party time! -Yeah, it's really popular in America. | 0:05:07 | 0:05:10 | |
Well, inevitably - there are six times as many people in America. | 0:05:10 | 0:05:12 | |
I mean the meetings. Not the deaths. | 0:05:12 | 0:05:14 | |
Mortality cafes are the next big thing. | 0:05:14 | 0:05:16 | |
Shouldn't it be called fatality cafe? | 0:05:16 | 0:05:18 | |
Where is this cafe? | 0:05:18 | 0:05:19 | |
-Um...it's in the pub, actually. Are you coming? -Talk about death? | 0:05:19 | 0:05:22 | |
And to eat cake. Show them, David. | 0:05:22 | 0:05:24 | |
Er... Oh, er... | 0:05:25 | 0:05:27 | |
My version of lemon drizzle. | 0:05:30 | 0:05:32 | |
-Lemon misery. -Someone really loves Bake Off. | 0:05:34 | 0:05:36 | |
Man with a 12-inch... | 0:05:36 | 0:05:38 | |
Guilty! | 0:05:38 | 0:05:39 | |
..laceration, and a child with infected eczema. | 0:05:39 | 0:05:42 | |
And what on earth is that? | 0:05:42 | 0:05:44 | |
Apparently, it's the cake of death. | 0:05:44 | 0:05:46 | |
Would you like a slice? | 0:05:46 | 0:05:47 | |
I'd rather see people doing their jobs. | 0:05:47 | 0:05:49 | |
There's a film where Death plays chess. | 0:05:53 | 0:05:57 | |
I've seen it innumerable times. | 0:05:57 | 0:05:58 | |
Big chess fan, eh? | 0:05:58 | 0:06:00 | |
No, big Bergman fan. I hate chess. | 0:06:00 | 0:06:02 | |
I can't think of a more elitist game - | 0:06:02 | 0:06:04 | |
all the pawns die to save the king. | 0:06:04 | 0:06:06 | |
Well, someone here plays, cos these pieces aren't moving themselves. | 0:06:06 | 0:06:10 | |
Involved in a match, are you? | 0:06:10 | 0:06:12 | |
And losing. | 0:06:12 | 0:06:13 | |
KNOCK AT DOOR | 0:06:22 | 0:06:24 | |
Sean! | 0:06:24 | 0:06:25 | |
KNOCKING CONTINUES | 0:06:25 | 0:06:26 | |
Jay. | 0:06:28 | 0:06:29 | |
He's not here. | 0:06:29 | 0:06:31 | |
You went to get him. I saw your car was gone. | 0:06:32 | 0:06:34 | |
Yeah...they let him out early. | 0:06:34 | 0:06:36 | |
-Where'd he go? -I don't know. | 0:06:43 | 0:06:44 | |
If I knew, I'd already be there. | 0:06:44 | 0:06:46 | |
That's a joke. | 0:06:49 | 0:06:50 | |
Like he knows what love is. | 0:06:50 | 0:06:52 | |
-Any last message for him? -Jay... | 0:06:52 | 0:06:54 | |
Please! | 0:06:54 | 0:06:55 | |
Jay! | 0:06:55 | 0:06:56 | |
Hiya. What can I get you? | 0:07:06 | 0:07:08 | |
Erm... | 0:07:09 | 0:07:11 | |
I'll have a knickerbocker glory, please. | 0:07:11 | 0:07:13 | |
Sure. | 0:07:13 | 0:07:14 | |
SIREN WAILS | 0:07:22 | 0:07:25 | |
You'll get clamped if you hang around here much longer. | 0:07:29 | 0:07:32 | |
-Ooh... -Yes? | 0:07:33 | 0:07:35 | |
You've got your undertaker face on. | 0:07:35 | 0:07:37 | |
Sorry. | 0:07:39 | 0:07:40 | |
I'm afraid this is not a day for levity. | 0:07:40 | 0:07:42 | |
The much-heralded ED is about to be plunged into a crisis, | 0:07:42 | 0:07:45 | |
and not one, I'm afraid, I can influence the outcome of. | 0:07:45 | 0:07:48 | |
Say again? | 0:07:48 | 0:07:50 | |
Well, you'll read about it soon enough. | 0:07:50 | 0:07:52 | |
There's been a theft of drugs from a patient. | 0:07:53 | 0:07:55 | |
Said patient has complained, and it's about to go very public. | 0:07:55 | 0:07:59 | |
Now I understand the undertaker face. | 0:07:59 | 0:08:01 | |
And that's only the tip, I'm afraid. | 0:08:01 | 0:08:03 | |
An unfortunate sequence of alarming events has got the Trust twitching. | 0:08:03 | 0:08:08 | |
A staff nurse being shot, a nurse killing another nurse, | 0:08:09 | 0:08:12 | |
a triage tent being erected on this very spot because we couldn't cope. | 0:08:12 | 0:08:15 | |
The Trust, as is their wont, | 0:08:16 | 0:08:19 | |
will ask for someone's head to appease the masses. | 0:08:19 | 0:08:22 | |
Not literally, obviously, but... | 0:08:22 | 0:08:24 | |
..they'll want a big fish. And the biggest fish... | 0:08:25 | 0:08:27 | |
Connie. | 0:08:27 | 0:08:28 | |
With great responsibility comes a great fall. | 0:08:29 | 0:08:33 | |
I wish there was something I could do. | 0:08:33 | 0:08:34 | |
Answers on the proverbial postcard, please. | 0:08:34 | 0:08:36 | |
And hand-delivered, bearing in mind the timeframe. | 0:08:37 | 0:08:40 | |
Sorry, um... | 0:08:40 | 0:08:42 | |
Cubicles are getting busy. | 0:08:42 | 0:08:43 | |
I'm on it. | 0:08:43 | 0:08:45 | |
If I can help, I will. | 0:08:46 | 0:08:48 | |
Does he fancy you? | 0:08:50 | 0:08:52 | |
Really? | 0:08:53 | 0:08:54 | |
I know you two have got history. | 0:08:54 | 0:08:56 | |
I just didn't know it was that type of history. | 0:08:56 | 0:08:58 | |
If we had, he'd be smiling a lot more. | 0:08:59 | 0:09:02 | |
HE CHUCKLES | 0:09:02 | 0:09:05 | |
-Breathe into it. -Are you serious? It's half-nine in the morning. -For me, Gary. -Mum! | 0:09:05 | 0:09:08 | |
You want to spend time with your daughter, don't you? | 0:09:08 | 0:09:11 | |
She has to be back by four. No later than that. | 0:09:21 | 0:09:24 | |
I can do that. | 0:09:24 | 0:09:25 | |
4pm, Gary. | 0:09:25 | 0:09:26 | |
Really? I was thinking 4am(!) | 0:09:26 | 0:09:28 | |
Only there's this great nightclub... | 0:09:28 | 0:09:31 | |
Enjoy the day. | 0:09:36 | 0:09:37 | |
And remember, everything's for the best. | 0:09:38 | 0:09:41 | |
You all right, love? | 0:09:56 | 0:09:57 | |
Right. | 0:09:58 | 0:09:59 | |
Off on our adventures. | 0:10:00 | 0:10:02 | |
HE CHUCKLES | 0:10:02 | 0:10:03 | |
Mmm! | 0:10:03 | 0:10:04 | |
Compliments to the chef. | 0:10:05 | 0:10:07 | |
Take a fag break. | 0:10:09 | 0:10:10 | |
Go! | 0:10:11 | 0:10:12 | |
Get up. I'm taking you to see my dad. | 0:10:14 | 0:10:16 | |
-But he's... -But what? | 0:10:16 | 0:10:18 | |
Say it, Sean. | 0:10:18 | 0:10:19 | |
Say it! | 0:10:20 | 0:10:22 | |
You're going to get down on your knees, | 0:10:22 | 0:10:23 | |
and read the words I had written on his headstone. | 0:10:23 | 0:10:26 | |
-And then when you're done... -That was an accident. | 0:10:26 | 0:10:28 | |
My fault, but an accident all the same. | 0:10:28 | 0:10:30 | |
Tell my dad that. | 0:10:30 | 0:10:31 | |
Agh! | 0:10:31 | 0:10:33 | |
I've done my time! I've paid! | 0:10:33 | 0:10:35 | |
GLASS SHATTERS | 0:10:46 | 0:10:48 | |
HE SCREAMS | 0:10:48 | 0:10:49 | |
Ugh! | 0:11:07 | 0:11:08 | |
Argh! | 0:11:08 | 0:11:09 | |
Ahh... | 0:11:12 | 0:11:13 | |
I paid in full. | 0:11:18 | 0:11:20 | |
I did five years! | 0:11:21 | 0:11:23 | |
Wait! | 0:11:25 | 0:11:26 | |
You can't just leave! | 0:11:26 | 0:11:28 | |
GRUNTS AND GROANS | 0:11:28 | 0:11:31 | |
Charlie... | 0:11:32 | 0:11:33 | |
I saw Mrs Beauchamp and Hanssen having a powwow in the car park. | 0:11:33 | 0:11:36 | |
They're colleagues, Mac. | 0:11:37 | 0:11:38 | |
But you didn't see the way they looked at me. | 0:11:38 | 0:11:40 | |
It was like they could tell. | 0:11:40 | 0:11:41 | |
Do you think they can sense something's wrong? | 0:11:41 | 0:11:43 | |
Well, they're good, but they're not that good. | 0:11:43 | 0:11:46 | |
Look, I've got the stuff locked away safely. | 0:11:46 | 0:11:49 | |
So no-one can possibly trace it back to you. All right? | 0:11:49 | 0:11:52 | |
-You promise? -Cross my heart. | 0:11:52 | 0:11:54 | |
Charlie, look, I've never said this, mate, but... | 0:11:54 | 0:11:56 | |
No need. | 0:11:56 | 0:11:58 | |
INDISTINCT RADIO CHATTER | 0:12:00 | 0:12:01 | |
3-0-0-6 received. | 0:12:01 | 0:12:03 | |
Right, you can forget that. We've got a shout. | 0:12:03 | 0:12:06 | |
That's not funny, man. I'm starving. | 0:12:06 | 0:12:08 | |
Max keeps eating my food. | 0:12:08 | 0:12:09 | |
Eat Max, then. | 0:12:09 | 0:12:10 | |
Ah, Rita. | 0:12:11 | 0:12:13 | |
Ah! You remembered my name. | 0:12:13 | 0:12:14 | |
Yeah, listen... | 0:12:14 | 0:12:17 | |
If you get a minute later, I'd... | 0:12:17 | 0:12:18 | |
-I'd really like to... -I wouldn't. | 0:12:18 | 0:12:21 | |
You've got to turn that frown upside down. | 0:12:25 | 0:12:26 | |
I hate that saying, Jacob. In fact, I hate that saying so much, | 0:12:26 | 0:12:29 | |
I am prepared to kill the next person who says it. | 0:12:29 | 0:12:31 | |
So what's allowed, then? | 0:12:31 | 0:12:33 | |
SHE SIGHS | 0:12:33 | 0:12:34 | |
Not today. | 0:12:35 | 0:12:36 | |
I wouldn't be a mate if I didn't ask. | 0:12:36 | 0:12:38 | |
It's just people, Jacob. | 0:12:38 | 0:12:40 | |
People of the northern git variety. | 0:12:40 | 0:12:42 | |
'So, we've got seven hours.' | 0:12:57 | 0:12:59 | |
That's a tenpin bowling trip, a movie, maybe two movies, | 0:12:59 | 0:13:03 | |
lunch, sweets... | 0:13:03 | 0:13:05 | |
What else? Clothes shopping? | 0:13:05 | 0:13:07 | |
I sold a few things on eBay, I did pretty well. | 0:13:08 | 0:13:11 | |
So how about that? | 0:13:11 | 0:13:12 | |
Sweetheart? | 0:13:14 | 0:13:16 | |
-TEARFULLY: -We can do whatever you want. It's your day as well. | 0:13:16 | 0:13:18 | |
Or we can sit here and play name the song on the radio. | 0:13:18 | 0:13:21 | |
First one to ten gets, erm... | 0:13:22 | 0:13:24 | |
an air freshener. | 0:13:24 | 0:13:25 | |
THEY CHUCKLE | 0:13:25 | 0:13:27 | |
That's better. | 0:13:27 | 0:13:29 | |
Dad... | 0:13:29 | 0:13:30 | |
Mum said not to say, but we're moving away. | 0:13:31 | 0:13:33 | |
HE SIGHS | 0:13:38 | 0:13:39 | |
CAR HORN BLARES, TYRES SCREECH | 0:13:52 | 0:13:55 | |
'You know that guy that Mum's with?' | 0:13:58 | 0:14:00 | |
He's got a name, love. | 0:14:00 | 0:14:02 | |
Well... | 0:14:02 | 0:14:03 | |
He's also got a job abroad. | 0:14:03 | 0:14:05 | |
Lot of money. Near the sea. | 0:14:05 | 0:14:08 | |
That'll, erm... | 0:14:08 | 0:14:10 | |
SHE SIGHS | 0:14:10 | 0:14:11 | |
That'll be nice. When do you go? | 0:14:11 | 0:14:13 | |
This is the last time that we get to do this. | 0:14:13 | 0:14:15 | |
Oh, sweetheart. | 0:14:15 | 0:14:17 | |
It was supposed to be the best day ever! | 0:14:17 | 0:14:18 | |
Hey... | 0:14:18 | 0:14:19 | |
-SHE SNIFFS -Do you have a tissue? | 0:14:19 | 0:14:21 | |
-SHE SOBS -Oh, Dad! | 0:14:24 | 0:14:25 | |
-That's not... -I swore Mum was wrong! -Chloe! | 0:14:25 | 0:14:28 | |
HE SIGHS Chloe... | 0:14:28 | 0:14:30 | |
SHE SCREAMS, TYRES SCREECH | 0:14:30 | 0:14:32 | |
Chloe! | 0:14:35 | 0:14:36 | |
Help me! | 0:14:41 | 0:14:42 | |
At least you tried to talk to Rita. | 0:14:45 | 0:14:46 | |
Just leave it, will you? | 0:14:46 | 0:14:48 | |
Thanks, love. Can you give us some room, please? | 0:14:48 | 0:14:50 | |
Hello, mate. | 0:14:53 | 0:14:54 | |
-My name's Iain. I'm a paramedic. Can you tell me your name? -Jay. | 0:14:55 | 0:14:58 | |
All right, Jay. | 0:14:58 | 0:15:00 | |
You got any pain in your neck? | 0:15:00 | 0:15:02 | |
-No. -Can you tell us what happened? | 0:15:03 | 0:15:05 | |
-What's it look like? -All right, mate. | 0:15:05 | 0:15:07 | |
Stay nice and still for me. We're going to get you moved | 0:15:07 | 0:15:09 | |
and off to hospital, all right? | 0:15:09 | 0:15:10 | |
His neck's clear, and I'll give him some pain relief, all right? | 0:15:10 | 0:15:13 | |
Where'd he go? Where'd he go?! | 0:15:13 | 0:15:15 | |
HE WHIMPERS | 0:15:17 | 0:15:19 | |
HE GROANS | 0:15:24 | 0:15:27 | |
HE SOBS | 0:15:30 | 0:15:33 | |
Hi. | 0:15:40 | 0:15:42 | |
Can I help you? | 0:15:42 | 0:15:43 | |
Erm...do you mind if I...? | 0:15:43 | 0:15:45 | |
It's hardly a great read. | 0:15:46 | 0:15:48 | |
I know. Just wondering what the protocol is | 0:15:48 | 0:15:50 | |
for signing out drugs. | 0:15:50 | 0:15:51 | |
You'd have to talk to Charlie about that. | 0:15:51 | 0:15:53 | |
He brought in this new system. | 0:15:53 | 0:15:55 | |
Really? When was this? | 0:15:55 | 0:15:57 | |
When those drugs went missing, Charlie added Tramadol | 0:15:57 | 0:15:59 | |
to the controlled drugs record. | 0:15:59 | 0:16:01 | |
But you'd have to ask him why. | 0:16:01 | 0:16:03 | |
I will. | 0:16:05 | 0:16:06 | |
Let's hope they find them. | 0:16:07 | 0:16:09 | |
Doubt it. I took 'em all. | 0:16:09 | 0:16:11 | |
Joke. | 0:16:13 | 0:16:14 | |
-IAIN: -This is Jay Cove, 21. | 0:16:18 | 0:16:19 | |
All right. Bed two. | 0:16:19 | 0:16:21 | |
He's fallen through a plate glass window, | 0:16:21 | 0:16:22 | |
sustaining a puncture wound to his back. | 0:16:22 | 0:16:24 | |
GCS 15, pulse 100, BP 110/60, sats 97, BM of 6. | 0:16:24 | 0:16:30 | |
Given him 10 of morphine, and he's had half a bag of saline. | 0:16:30 | 0:16:34 | |
Jay, we're going to keep you on your front, for obvious reasons. | 0:16:34 | 0:16:36 | |
Let's get him over very carefully, please. | 0:16:36 | 0:16:38 | |
OK, up on three - one, two, three... | 0:16:38 | 0:16:41 | |
..and down. | 0:16:41 | 0:16:43 | |
And across when we're ready, please. | 0:16:43 | 0:16:45 | |
One, two, three... | 0:16:45 | 0:16:46 | |
-Very good. -All right, let's have bloods, | 0:16:47 | 0:16:49 | |
FBC, U&Es, VBG and Group and Save, please. | 0:16:49 | 0:16:52 | |
All right, Jay, once I've done the primary survey, | 0:16:52 | 0:16:54 | |
we'll get some more pain relief into you. | 0:16:54 | 0:16:57 | |
It's all right. You're in good hands. | 0:16:57 | 0:16:58 | |
He ran. | 0:16:58 | 0:17:00 | |
Who's that, then? | 0:17:00 | 0:17:01 | |
He always runs. | 0:17:01 | 0:17:02 | |
Always. | 0:17:03 | 0:17:04 | |
Don't they all, my darling? | 0:17:04 | 0:17:06 | |
HE SOBS AND WHIMPERS | 0:17:09 | 0:17:12 | |
HE SCREAMS | 0:17:20 | 0:17:21 | |
HE SOBS AND WHIMPERS | 0:17:21 | 0:17:23 | |
Oh! | 0:17:28 | 0:17:29 | |
OK...OK, you're going to be OK. | 0:17:31 | 0:17:33 | |
SHE DIALS | 0:17:33 | 0:17:36 | |
Charlie? | 0:17:37 | 0:17:38 | |
Yeah? | 0:17:39 | 0:17:40 | |
Your, um...missing drugs investigation - | 0:17:40 | 0:17:43 | |
is that still active? | 0:17:43 | 0:17:45 | |
Er...no. Why? | 0:17:45 | 0:17:47 | |
Oh, I'm just playing catch-up for the past ten years. | 0:17:47 | 0:17:51 | |
Keen to know if there are any new procedures I don't know about. | 0:17:51 | 0:17:54 | |
Too late. | 0:17:54 | 0:17:55 | |
It's all been resolved. | 0:17:55 | 0:17:57 | |
Damn, you're good! | 0:17:57 | 0:17:58 | |
So...no further action, then? | 0:18:00 | 0:18:02 | |
Done and dusted. | 0:18:03 | 0:18:05 | |
I've set up a social media page for the cafe, | 0:18:11 | 0:18:13 | |
so we just need to distribute these leaflets, | 0:18:13 | 0:18:15 | |
make sure nobody misses what's happening. | 0:18:15 | 0:18:17 | |
Shouldn't we be working? | 0:18:17 | 0:18:18 | |
No. This is the tea break we never get. | 0:18:18 | 0:18:19 | |
You're coming, right, Max? | 0:18:19 | 0:18:22 | |
Max! | 0:18:22 | 0:18:23 | |
Is that chocolate? | 0:18:23 | 0:18:24 | |
-ROBYN SIGHS -He's given up smoking, | 0:18:24 | 0:18:26 | |
so he's trying to keep his mouth occupied by eating. | 0:18:26 | 0:18:28 | |
I've got nothing in my fridge at home... | 0:18:28 | 0:18:30 | |
Oh! | 0:18:30 | 0:18:31 | |
Steady! | 0:18:31 | 0:18:32 | |
-Me? You're the one that's rushing. -Ohh... | 0:18:32 | 0:18:35 | |
Well, maybe I just don't like being in lifts. | 0:18:35 | 0:18:37 | |
Well, don't get in them, then. | 0:18:37 | 0:18:39 | |
-Look, I don't need this right now, all right? -Ditto. | 0:18:39 | 0:18:41 | |
It's our tea break. We don't have much time. | 0:18:41 | 0:18:43 | |
Well, that's not grim, is it? | 0:18:43 | 0:18:45 | |
Er, anything but, actually. | 0:18:45 | 0:18:46 | |
I haven't finished reading it yet. | 0:18:46 | 0:18:48 | |
It's for a certain type of person in a certain situation. | 0:18:48 | 0:18:51 | |
If you don't mind... | 0:18:51 | 0:18:52 | |
I thought we were PROMOTING the mortality cafe...? | 0:18:53 | 0:18:56 | |
Anyone? Please! | 0:18:58 | 0:18:59 | |
-DYLAN: -OK, are you all right carrying? Follow me. | 0:19:00 | 0:19:02 | |
Tell me what happened as we go. | 0:19:02 | 0:19:04 | |
-It was me. I knocked her down. She was in the road. -OK. | 0:19:04 | 0:19:07 | |
She's my daughter. Her name's Chloe. | 0:19:07 | 0:19:09 | |
-CAL SIGHS -I am so due a hair of the dog. | 0:19:11 | 0:19:18 | |
Oh, no. I was kind of hoping we could have a quiet one, | 0:19:18 | 0:19:21 | |
just get a takeaway or something. | 0:19:21 | 0:19:22 | |
What? No. Where's your stamina, Ethan? | 0:19:22 | 0:19:25 | |
-ETHAN SIGHS -OK, look, if you're lucky, | 0:19:25 | 0:19:27 | |
I'll let you buy me a kebab on the way home. | 0:19:27 | 0:19:29 | |
-How about that? -SCOFFING: Yeah(!) | 0:19:29 | 0:19:31 | |
Well, it looks like your day's going a little bit better than mine. | 0:19:38 | 0:19:41 | |
-No, it's not like that. -Hmm? -You know her. | 0:19:41 | 0:19:44 | |
She works in the delicatessen. | 0:19:44 | 0:19:45 | |
-Oh, you should ask her out, then. -Cal, she's here as a patient. | 0:19:46 | 0:19:49 | |
Well, that's never stopped me. | 0:19:49 | 0:19:50 | |
No. | 0:19:50 | 0:19:51 | |
Come on. | 0:19:52 | 0:19:54 | |
What's that new mantra of yours - "Be more Cal." | 0:19:54 | 0:19:57 | |
Well, you're a very lucky guy, Jay. | 0:19:57 | 0:19:59 | |
The glass is only embedded in the soft tissue - | 0:19:59 | 0:20:01 | |
there's no damage to the lung. | 0:20:01 | 0:20:02 | |
So we can, er...remove it, OK? | 0:20:02 | 0:20:05 | |
Just get me out of here. | 0:20:05 | 0:20:06 | |
Well, it may be some time yet. | 0:20:06 | 0:20:07 | |
How about I tell YOU when I'm leaving? | 0:20:07 | 0:20:09 | |
Look at me, sweetheart. | 0:20:13 | 0:20:14 | |
OK, I think we're dealing with a concussion only, | 0:20:15 | 0:20:17 | |
but we'll send her for a CT as soon as we can get a slot. | 0:20:17 | 0:20:20 | |
In the meantime, can we have a line in and some bloods off, please? | 0:20:20 | 0:20:23 | |
She's, er...going abroad to live. | 0:20:26 | 0:20:28 | |
Lucky girl. | 0:20:28 | 0:20:29 | |
Very lucky. Anywhere nice? | 0:20:29 | 0:20:32 | |
Oh, there's the thing. | 0:20:32 | 0:20:34 | |
No-one's actually told me. | 0:20:34 | 0:20:35 | |
I can't just ask her out on a date, can I? | 0:20:40 | 0:20:42 | |
-She might be married. -Well, did you check the finger? | 0:20:43 | 0:20:46 | |
What? | 0:20:46 | 0:20:48 | |
Lesson number one, Ethan - always check the ring finger! | 0:20:48 | 0:20:51 | |
Look...just, er... | 0:20:53 | 0:20:56 | |
..go over there, | 0:20:57 | 0:20:58 | |
have a flirt, have some fun, and... | 0:20:58 | 0:21:00 | |
..who knows what might happen? | 0:21:01 | 0:21:03 | |
Mmm. | 0:21:04 | 0:21:06 | |
Fine, well, if you're not interested, then... | 0:21:06 | 0:21:08 | |
Whoa, just...hang on. | 0:21:08 | 0:21:10 | |
Just give me a minute. | 0:21:12 | 0:21:13 | |
All right, try and keep nice and still for me, please. | 0:21:14 | 0:21:17 | |
You can hold my hand if you like. | 0:21:17 | 0:21:18 | |
Nice and still, there we go, all right? | 0:21:20 | 0:21:22 | |
On one, Jay. | 0:21:22 | 0:21:24 | |
One. | 0:21:24 | 0:21:26 | |
You're doing great. | 0:21:26 | 0:21:27 | |
JAY WINCES | 0:21:27 | 0:21:29 | |
Nearly there. | 0:21:29 | 0:21:31 | |
-All done. -Well done. | 0:21:31 | 0:21:33 | |
Right, Sister Freeman? | 0:21:33 | 0:21:35 | |
JAY SIGHS | 0:21:35 | 0:21:37 | |
My dad was brought in here. | 0:21:37 | 0:21:38 | |
He didn't come out again. | 0:21:38 | 0:21:40 | |
Was too late by then. | 0:21:40 | 0:21:42 | |
Way too late. | 0:21:43 | 0:21:44 | |
I remember standing right outside that door. | 0:21:45 | 0:21:47 | |
Just watching. | 0:21:47 | 0:21:49 | |
It might be an idea to call Chloe's mum, don't you think? | 0:21:51 | 0:21:54 | |
Great. | 0:22:02 | 0:22:03 | |
You can do this, Champ. | 0:22:03 | 0:22:05 | |
Repeat after me... | 0:22:05 | 0:22:06 | |
"I am Caleb..." | 0:22:07 | 0:22:08 | |
I am Caleb... | 0:22:10 | 0:22:11 | |
"..and I am a catch." | 0:22:11 | 0:22:13 | |
No! | 0:22:13 | 0:22:14 | |
-ETHAN SIGHS -Fine. But just... | 0:22:14 | 0:22:18 | |
Try not to be yourself. | 0:22:18 | 0:22:19 | |
Channel the... | 0:22:19 | 0:22:20 | |
..Knight magic. | 0:22:21 | 0:22:22 | |
And don't do anything I wouldn't do. | 0:22:23 | 0:22:26 | |
So anything. | 0:22:27 | 0:22:29 | |
CALEB WHISTLES | 0:22:30 | 0:22:31 | |
Hey! | 0:22:33 | 0:22:35 | |
Where's the Knight magic? | 0:22:35 | 0:22:36 | |
(Knight magic.) | 0:22:37 | 0:22:38 | |
(Yes, come on, boy.) | 0:22:44 | 0:22:46 | |
Hi. | 0:22:47 | 0:22:48 | |
IN COD AMERICAN ACCENT: How you doin'? | 0:22:48 | 0:22:50 | |
CAL SIGHS | 0:22:50 | 0:22:51 | |
This is Sean Bell, 23, found in an alleyway. | 0:22:53 | 0:22:56 | |
He's got a deep laceration to his right thigh. | 0:22:56 | 0:22:58 | |
He pulled this out himself. | 0:22:58 | 0:23:00 | |
Whoa! | 0:23:00 | 0:23:01 | |
GCS 15 throughout, pulse 100, BP 95 systolic, Sats 97, BM is 6. | 0:23:01 | 0:23:08 | |
Given him 10 of morphine and 500ml of saline. | 0:23:08 | 0:23:10 | |
I'm all right. | 0:23:10 | 0:23:11 | |
If that had nicked an artery, you would have been in big trouble. | 0:23:11 | 0:23:14 | |
Will this take long? | 0:23:14 | 0:23:15 | |
Why - have you got to be somewhere? | 0:23:15 | 0:23:17 | |
Bay 1. | 0:23:17 | 0:23:18 | |
Not sure I know where "where" is, but, yeah, I'd like to get going. | 0:23:18 | 0:23:22 | |
Right, Sean, when you're ready, | 0:23:22 | 0:23:24 | |
can you wiggle yourself across onto this bed for me? | 0:23:24 | 0:23:26 | |
If you don't mind, we'd like to take a look | 0:23:26 | 0:23:28 | |
at the wound first, though, Sean. | 0:23:28 | 0:23:30 | |
Make there isn't anything lurking. | 0:23:30 | 0:23:31 | |
Hmm...he's a little tachycardic. | 0:23:31 | 0:23:34 | |
His breathing's laboured. Does it hurt anywhere else? | 0:23:34 | 0:23:37 | |
It's my leg. Just my leg. | 0:23:37 | 0:23:39 | |
Let's take the dressing down, check the wound, | 0:23:40 | 0:23:42 | |
and then get an X-ray to exclude FBs. | 0:23:42 | 0:23:44 | |
Shopping list. | 0:23:44 | 0:23:45 | |
Well, we like to be thorough. | 0:23:45 | 0:23:47 | |
Is there anyone we can call for you? Family or friends? | 0:23:47 | 0:23:50 | |
No. There's no-one. | 0:23:50 | 0:23:52 | |
Take a breath. | 0:23:52 | 0:23:53 | |
-No-one at all? -Orphan. | 0:23:53 | 0:23:56 | |
Another breath. | 0:23:56 | 0:23:57 | |
I feel so stupid. | 0:23:59 | 0:24:01 | |
I only popped to the chemist. | 0:24:01 | 0:24:02 | |
The next thing, I know I'm flat on my back in an ambulance. | 0:24:02 | 0:24:05 | |
Um... Is there anyone I can call for you? | 0:24:09 | 0:24:11 | |
Husband? | 0:24:11 | 0:24:12 | |
Boyfriend? | 0:24:12 | 0:24:13 | |
Not any more. | 0:24:13 | 0:24:14 | |
Good. | 0:24:14 | 0:24:15 | |
No, um... | 0:24:17 | 0:24:18 | |
I'm...sorry. | 0:24:18 | 0:24:21 | |
Why? It's not your fault. | 0:24:21 | 0:24:22 | |
ETHAN SIGHS | 0:24:22 | 0:24:24 | |
I'm so sorry. | 0:24:35 | 0:24:36 | |
I was out looking for my son. | 0:24:37 | 0:24:39 | |
Do you have a name? | 0:24:40 | 0:24:41 | |
Kim. Kimberly. | 0:24:41 | 0:24:42 | |
Well, Kim... | 0:24:42 | 0:24:43 | |
Can you go and sit somewhere else? | 0:24:43 | 0:24:46 | |
Thank you for your help in bringing Chloe here, | 0:24:46 | 0:24:48 | |
but if you don't mind... | 0:24:48 | 0:24:49 | |
Chloe's had her scan. | 0:24:57 | 0:24:58 | |
HE SIGHS | 0:24:58 | 0:24:59 | |
When can she leave? | 0:24:59 | 0:25:01 | |
We need to wait for the CT report first. | 0:25:01 | 0:25:03 | |
This really wasn't how I saw our day. | 0:25:03 | 0:25:05 | |
Do you want to come through? | 0:25:06 | 0:25:08 | |
Sure. | 0:25:08 | 0:25:09 | |
It was meant to be amazing. | 0:25:10 | 0:25:12 | |
Did anyone ever tell you you look like the Milkybar Kid? | 0:25:13 | 0:25:15 | |
Er...my brother used to make me wear a neckerchief to school. | 0:25:17 | 0:25:21 | |
Oh... | 0:25:21 | 0:25:22 | |
Which probably explains why I got beaten up so often. | 0:25:22 | 0:25:25 | |
SHE CHUCKLES | 0:25:25 | 0:25:26 | |
He had lovely blond hair. | 0:25:26 | 0:25:28 | |
Blond hair and brown eyes. You don't see that very often. | 0:25:28 | 0:25:32 | |
CAL MOUTHS | 0:25:34 | 0:25:35 | |
I know we don't know each other very well, but... | 0:25:38 | 0:25:41 | |
I don't suppose you'd want to go out some time? | 0:25:41 | 0:25:43 | |
Get a coffee? | 0:25:43 | 0:25:45 | |
-SHE SIGHS -I'm trying to avoid caffeine. | 0:25:45 | 0:25:48 | |
A tea, then? | 0:25:49 | 0:25:50 | |
Oh...that's got caffeine in it as well, hasn't it? | 0:25:50 | 0:25:53 | |
He is useless at this. | 0:25:54 | 0:25:56 | |
Um... | 0:25:57 | 0:25:59 | |
Er...peppermint tea? | 0:25:59 | 0:26:01 | |
Or hot chocolate? | 0:26:01 | 0:26:03 | |
Or wine? We...we could go to a bar. | 0:26:03 | 0:26:05 | |
Or not? We could skip the drink entirely. | 0:26:05 | 0:26:08 | |
Oh! | 0:26:08 | 0:26:10 | |
No, that... | 0:26:10 | 0:26:11 | |
I didn't mean... HE SIGHS | 0:26:11 | 0:26:13 | |
I...I'm not that kind of guy. | 0:26:13 | 0:26:15 | |
I could be, if you wanted. | 0:26:16 | 0:26:17 | |
No, because you're obviously not that kind of woman. | 0:26:19 | 0:26:22 | |
Sorry. | 0:26:22 | 0:26:23 | |
I'm Caleb, and I'm a catch. | 0:26:30 | 0:26:32 | |
Then what are we waiting for? | 0:26:33 | 0:26:35 | |
Er... | 0:26:37 | 0:26:39 | |
-ELLE: -X-ray was fine, so no need for theatre. | 0:26:39 | 0:26:41 | |
We'll move you to cubicles and get you stitched up. | 0:26:41 | 0:26:43 | |
And then I can go? | 0:26:43 | 0:26:44 | |
Are we such bad hosts? | 0:26:44 | 0:26:46 | |
Don't answer that. | 0:26:46 | 0:26:47 | |
-You make me go hungry, Charlie. -Well, I hope so. | 0:26:50 | 0:26:52 | |
-RITA: -There you go, my darling. You should feel a bit better now. | 0:26:54 | 0:26:56 | |
-KIM: -Sean?! -Mum! | 0:27:03 | 0:27:05 | |
You said you were an orphan. | 0:27:05 | 0:27:06 | |
What happened? Where did you go? | 0:27:06 | 0:27:08 | |
-I waited for you. -I left you a message. | 0:27:08 | 0:27:10 | |
Was it Jay? What did he do? | 0:27:10 | 0:27:12 | |
No. | 0:27:12 | 0:27:13 | |
Will my son be all right? | 0:27:14 | 0:27:15 | |
He's got a pretty nasty wound. | 0:27:15 | 0:27:17 | |
He'll have trouble walking for a while. | 0:27:17 | 0:27:18 | |
Let it go - you don't need to be here. | 0:27:18 | 0:27:21 | |
I've waited five years for you. Ticked off every day. | 0:27:21 | 0:27:24 | |
You can't do this to me - I won't let you. | 0:27:24 | 0:27:26 | |
Sorry...what are we doing? | 0:27:33 | 0:27:35 | |
-What do you think? -Oh! Er... | 0:27:35 | 0:27:37 | |
-Kiss me. -Erm... | 0:27:38 | 0:27:40 | |
OK, I was sort of hoping we'd get to know each other first. | 0:27:40 | 0:27:42 | |
-Go to the pictures... -No-one goes to the pictures any more. | 0:27:42 | 0:27:45 | |
-It's all online. -Right. Dinner, then? | 0:27:45 | 0:27:47 | |
-I'm on a diet. -Er...OK... | 0:27:47 | 0:27:49 | |
No! No, no, no, no! Really, I don't think we should be doing this. | 0:27:49 | 0:27:52 | |
Somebody could... | 0:27:52 | 0:27:53 | |
No, no, no, no! No, no! No, no! Stop, stop, stop, stop, stop! | 0:27:53 | 0:27:56 | |
Please. I'm sorry. It's not you, it's me, but... | 0:27:56 | 0:27:58 | |
-What? -We can't. We... | 0:27:58 | 0:28:00 | |
-I... -Jorgie? | 0:28:01 | 0:28:03 | |
OK. Oh! Oh, no, no, no. | 0:28:03 | 0:28:05 | |
Oh, no, no. Oh, gosh. | 0:28:05 | 0:28:07 | |
And the wrist I think is just a simple fracture. | 0:28:07 | 0:28:09 | |
What we're going to do is just let the painkillers do their job, | 0:28:09 | 0:28:12 | |
and then we'll take you along to the Plaster Room, OK, which is fun, | 0:28:12 | 0:28:15 | |
and I am sure we can find something for you to play with in there. | 0:28:15 | 0:28:19 | |
Er, Dr Keogh, she's 12, not four. | 0:28:19 | 0:28:21 | |
Right, thank you, Mac. | 0:28:21 | 0:28:22 | |
But nice try. | 0:28:22 | 0:28:24 | |
Fractured wrist, eh? | 0:28:24 | 0:28:25 | |
That's me winning the tenpin bowling, then. | 0:28:25 | 0:28:27 | |
Right hand, Dad. Still got my left. | 0:28:27 | 0:28:29 | |
Just so you know... | 0:28:32 | 0:28:33 | |
I'll find the money to come and visit you abroad. | 0:28:33 | 0:28:35 | |
So text me where you are. | 0:28:35 | 0:28:37 | |
Chloe! | 0:28:37 | 0:28:39 | |
She called your daughter's phone - one of our nurses answered. | 0:28:39 | 0:28:42 | |
What did I ask you? | 0:28:42 | 0:28:44 | |
To take care of her - that's all you had to do. | 0:28:44 | 0:28:46 | |
A day with her dad. A simple, easy day. | 0:28:46 | 0:28:49 | |
-It wasn't my fault. -Mum, it was me. | 0:28:49 | 0:28:51 | |
I know you're trying to protect him. | 0:28:51 | 0:28:53 | |
This car came out of nowhere. | 0:28:53 | 0:28:54 | |
Same old story. | 0:28:54 | 0:28:55 | |
-You should say goodbye now. -Mum! | 0:28:57 | 0:28:59 | |
You checked, remember? | 0:29:00 | 0:29:01 | |
Earlier - you tested me. | 0:29:01 | 0:29:03 | |
-Mum, please. -I'm sober. -Prove it. | 0:29:03 | 0:29:06 | |
DYLAN: If I might interject, | 0:29:06 | 0:29:07 | |
I think domestic disputes should probably take place elsewhere. | 0:29:07 | 0:29:10 | |
-MAC: -Sorry - the lady that knocked over your daughter | 0:29:10 | 0:29:12 | |
is still in the ED. | 0:29:12 | 0:29:14 | |
I'm sure she would explain what happened. | 0:29:14 | 0:29:17 | |
You know, to stop you doing this. | 0:29:17 | 0:29:18 | |
I was with him the whole time, Mum. | 0:29:18 | 0:29:20 | |
Show me I'm wrong. | 0:29:20 | 0:29:21 | |
Show us all what a truly great and trustworthy father you are. | 0:29:21 | 0:29:24 | |
This is not the appropriate place for this conversation. | 0:29:24 | 0:29:26 | |
Show your daughter that you're not a drunk, | 0:29:26 | 0:29:28 | |
that you didn't lose us our house, that you CAN hold down a job, | 0:29:28 | 0:29:31 | |
that all of that horror no longer applies to you. | 0:29:31 | 0:29:33 | |
As I was saying... | 0:29:33 | 0:29:34 | |
Show Chloe. | 0:29:34 | 0:29:35 | |
Show her what a fantastic father you've been to her. | 0:29:35 | 0:29:38 | |
Go on. | 0:29:38 | 0:29:40 | |
Give her one good reason to miss you. | 0:29:40 | 0:29:42 | |
I'm sorry. | 0:29:48 | 0:29:49 | |
It's all he's ever been. | 0:29:56 | 0:29:57 | |
RINGING TONE "Channel the Knight magic," he says. | 0:30:06 | 0:30:09 | |
"Be more Cal." Just answer the damn call! | 0:30:09 | 0:30:11 | |
-PHONE RINGS -Thanks. | 0:30:11 | 0:30:13 | |
Er...I'm going to have to get this. | 0:30:15 | 0:30:17 | |
-Don't tell me - you've run out of chat-up lines already. -Hey. | 0:30:21 | 0:30:25 | |
Can you come and help me? | 0:30:25 | 0:30:27 | |
I'm sorry, what was that? | 0:30:27 | 0:30:28 | |
I'm... | 0:30:28 | 0:30:30 | |
I'm in the store cupboard off Admin. | 0:30:30 | 0:30:32 | |
With the patient. | 0:30:32 | 0:30:33 | |
HE GASPS | 0:30:34 | 0:30:35 | |
Way to go, Ethan! | 0:30:35 | 0:30:36 | |
Although if this is you asking me to join in, | 0:30:37 | 0:30:39 | |
that's really not what I'm into. | 0:30:39 | 0:30:41 | |
No, she's fainted. | 0:30:41 | 0:30:43 | |
OK, I need you here right now. | 0:30:43 | 0:30:44 | |
Hmm... | 0:30:46 | 0:30:48 | |
What's it worth? | 0:30:48 | 0:30:49 | |
Cal! | 0:30:49 | 0:30:50 | |
-Say "please." -For Pete's sake, Caleb, | 0:30:51 | 0:30:53 | |
how many times have I helped you? | 0:30:53 | 0:30:54 | |
Seriously, you owe me. | 0:30:54 | 0:30:56 | |
Just...get here right now before Mrs Beauchamp walks in on us! | 0:30:56 | 0:30:58 | |
Cal! | 0:30:59 | 0:31:01 | |
HE HANGS UP | 0:31:02 | 0:31:03 | |
So what do you reckon the story is? | 0:31:09 | 0:31:11 | |
Story? | 0:31:11 | 0:31:13 | |
Sean and his mum. | 0:31:13 | 0:31:14 | |
Hmm...well... | 0:31:15 | 0:31:17 | |
Tracksuit's too big for him, wiry, haunted eyes, | 0:31:17 | 0:31:20 | |
she's waited five years for him... | 0:31:20 | 0:31:22 | |
I'm thinking prison. | 0:31:22 | 0:31:24 | |
I'm impressed. | 0:31:29 | 0:31:30 | |
You'd already worked that out. | 0:31:30 | 0:31:32 | |
I wonder what he did. | 0:31:33 | 0:31:34 | |
Well, it doesn't really matter. | 0:31:36 | 0:31:37 | |
If he's done the time, he's paid for the crime. | 0:31:37 | 0:31:39 | |
Yeah, until the next time. | 0:31:39 | 0:31:42 | |
-Cynic. -Realist. | 0:31:42 | 0:31:43 | |
Sadly. | 0:31:44 | 0:31:46 | |
Charlie? | 0:31:47 | 0:31:49 | |
Oh, sorry, I'll be right there. | 0:31:49 | 0:31:51 | |
-Charlie...! -DOOR CLOSES | 0:31:53 | 0:31:54 | |
SHE SIGHS | 0:31:54 | 0:31:56 | |
SHE SIGHS | 0:32:04 | 0:32:05 | |
Kill me now. | 0:32:05 | 0:32:06 | |
SIREN WAILS | 0:32:35 | 0:32:38 | |
MUFFLED SHOUTING AND SCREAMING | 0:32:38 | 0:32:40 | |
HE GASPS | 0:32:42 | 0:32:44 | |
-CAL: -Lesson number two, Ethan. | 0:33:06 | 0:33:09 | |
Always lock the door behind you. | 0:33:09 | 0:33:10 | |
Jorgie, this is Caleb. My big brother. | 0:33:10 | 0:33:13 | |
Ah - neckerchief man. | 0:33:13 | 0:33:15 | |
Neckerchief? | 0:33:15 | 0:33:16 | |
Um...nothing. | 0:33:17 | 0:33:18 | |
Right. | 0:33:19 | 0:33:21 | |
How is she? | 0:33:21 | 0:33:22 | |
Um...well, she's tachycardic. | 0:33:22 | 0:33:25 | |
Um...Jorgie, is there anything that you haven't told us? | 0:33:25 | 0:33:28 | |
Hm. | 0:33:28 | 0:33:29 | |
It's just something must be causing you to faint like this. | 0:33:29 | 0:33:33 | |
-Drugs? -No. | 0:33:33 | 0:33:34 | |
I would never... | 0:33:34 | 0:33:36 | |
This morning you said you went to the chemist. | 0:33:36 | 0:33:38 | |
What did you buy? | 0:33:38 | 0:33:39 | |
Just herbal stuff. | 0:33:39 | 0:33:41 | |
What kind of stuff? | 0:33:41 | 0:33:42 | |
Er... | 0:33:42 | 0:33:43 | |
Just vitamin D, and...folic acid. | 0:33:44 | 0:33:48 | |
Folic acid? | 0:33:49 | 0:33:50 | |
Right... Ha... | 0:33:50 | 0:33:52 | |
Don't tell me you, er...lured my brother in here to be a sperm donor? | 0:33:52 | 0:33:56 | |
Cal! | 0:33:56 | 0:33:57 | |
Er... | 0:33:58 | 0:34:00 | |
You didn't, did you? | 0:34:01 | 0:34:02 | |
You...were trying to get pregnant? | 0:34:04 | 0:34:06 | |
I'm sorry. I... | 0:34:06 | 0:34:08 | |
I wasn't planning it. I just...I... | 0:34:08 | 0:34:11 | |
I just... I want to be a mum so much. | 0:34:11 | 0:34:14 | |
This is not the way to go about it. | 0:34:14 | 0:34:15 | |
You don't know anything about me. | 0:34:15 | 0:34:17 | |
I thought I knew Luke. Turns out I was completely wrong. | 0:34:17 | 0:34:21 | |
Sorry, who's Luke? | 0:34:21 | 0:34:22 | |
My husband. | 0:34:24 | 0:34:26 | |
Your husband? | 0:34:26 | 0:34:27 | |
KNOCKS AT WINDOW | 0:34:33 | 0:34:35 | |
Sorry for the intrusion. | 0:34:42 | 0:34:43 | |
Well, they've said your daughter can go. | 0:34:46 | 0:34:49 | |
Once the doctors have signed her off. | 0:34:49 | 0:34:51 | |
Your wife's called a cab. | 0:34:54 | 0:34:55 | |
Just passing on the information. | 0:34:59 | 0:35:01 | |
Shall we have a toast? | 0:35:05 | 0:35:06 | |
Er...I'm on duty. | 0:35:06 | 0:35:08 | |
HE UNSCREWS BOTTLE | 0:35:09 | 0:35:10 | |
It's not going to help, you know. | 0:35:10 | 0:35:12 | |
Have one with me. | 0:35:17 | 0:35:18 | |
It's not really my thing. | 0:35:18 | 0:35:21 | |
Please. | 0:35:22 | 0:35:23 | |
-I can't. -Just the one. | 0:35:23 | 0:35:25 | |
A nip at best. | 0:35:26 | 0:35:27 | |
If you promise to go and see your daughter. | 0:35:31 | 0:35:34 | |
That's, er... | 0:35:45 | 0:35:46 | |
Water. | 0:35:46 | 0:35:47 | |
Hmm. | 0:35:47 | 0:35:49 | |
I'm hardly going to win at bowling if I'm pie-eyed. | 0:35:49 | 0:35:51 | |
Mrs Bell. | 0:35:55 | 0:35:56 | |
I need to suture Sean's leg now. | 0:35:56 | 0:35:58 | |
-I'm not going anywhere. -Mum! | 0:35:58 | 0:36:00 | |
Now I'm back, everything's going to get very ugly, very quickly. | 0:36:00 | 0:36:04 | |
-Look at Jay. -So you did see him. | 0:36:04 | 0:36:05 | |
His dad was loved by everyone, and I left him to die in a fire. | 0:36:05 | 0:36:09 | |
One I'd started for fun. | 0:36:09 | 0:36:11 | |
That's not any son a mum wants. | 0:36:11 | 0:36:13 | |
Hey, that's up to me, not you. | 0:36:13 | 0:36:15 | |
Oh...let's put it this way. | 0:36:15 | 0:36:18 | |
I feel nothing. | 0:36:18 | 0:36:20 | |
Not for Jay or his dad. | 0:36:20 | 0:36:21 | |
Or you. | 0:36:23 | 0:36:24 | |
But the message you left? | 0:36:25 | 0:36:27 | |
Just words. For your sake. | 0:36:27 | 0:36:29 | |
Five years I've waited. | 0:36:34 | 0:36:35 | |
SEAN SIGHS | 0:36:42 | 0:36:45 | |
-MAC: -So, um... | 0:36:45 | 0:36:46 | |
You've got water in a vodka bottle? | 0:36:46 | 0:36:48 | |
A bloke in an AA meeting told me about it. | 0:36:48 | 0:36:51 | |
Said it tricked the mind or some such. | 0:36:51 | 0:36:53 | |
Did you know vodka is Russian for water? | 0:36:53 | 0:36:56 | |
Well, almost. | 0:36:56 | 0:36:58 | |
But you wouldn't do the breathalyser. | 0:36:58 | 0:37:00 | |
You could've shown your wife, proved to her. | 0:37:00 | 0:37:02 | |
You heard her. | 0:37:02 | 0:37:03 | |
What use am I to Chloe? | 0:37:04 | 0:37:05 | |
How can I possibly add anything to her life? | 0:37:06 | 0:37:09 | |
You're her dad. | 0:37:09 | 0:37:10 | |
She's getting an upgrade. A better model. | 0:37:10 | 0:37:12 | |
He won't get her run over. | 0:37:14 | 0:37:16 | |
Right, OK, um... | 0:37:17 | 0:37:19 | |
You don't know me, so you don't have to listen. | 0:37:20 | 0:37:23 | |
But hiding in here won't make a blind bit of difference. | 0:37:25 | 0:37:28 | |
Believe me. | 0:37:28 | 0:37:29 | |
I've been there - I know. | 0:37:29 | 0:37:31 | |
You want to curl up and die. | 0:37:31 | 0:37:32 | |
But while there's breath, there's life. | 0:37:32 | 0:37:35 | |
And besides... | 0:37:36 | 0:37:37 | |
..you've got bowling to win! | 0:37:38 | 0:37:40 | |
OK. Right... | 0:37:47 | 0:37:50 | |
There, you see. I bet they never even knew you were gone. | 0:37:50 | 0:37:52 | |
Nice and slowly. | 0:37:54 | 0:37:55 | |
(Thanks.) | 0:37:57 | 0:37:58 | |
If you have been overdoing the folic acid, | 0:37:58 | 0:38:01 | |
it would explain the symptoms. | 0:38:01 | 0:38:03 | |
Yeah. | 0:38:03 | 0:38:04 | |
I'm going to get a nurse to give you regular obs, | 0:38:07 | 0:38:10 | |
but...you should be fine. | 0:38:10 | 0:38:12 | |
Thank you. | 0:38:12 | 0:38:14 | |
I'm sorry about earlier. | 0:38:14 | 0:38:16 | |
I shouldn't have put you in that position. | 0:38:16 | 0:38:19 | |
CAL CHUCKLES | 0:38:19 | 0:38:20 | |
You sure that you don't want us to call your husband? | 0:38:22 | 0:38:25 | |
I told him this morning that I wanted to try for a baby. | 0:38:25 | 0:38:28 | |
He made it very clear that he doesn't want kids. | 0:38:29 | 0:38:32 | |
Shouldn't you have had that conversation a little bit sooner? | 0:38:33 | 0:38:36 | |
I knew he was a dad when I married him. | 0:38:36 | 0:38:38 | |
I just assumed he'd want to have more with me. | 0:38:38 | 0:38:41 | |
And I know exactly what they would look like. | 0:38:41 | 0:38:44 | |
Blond hair, brown eyes. | 0:38:44 | 0:38:46 | |
I can hear them laughing. | 0:38:47 | 0:38:48 | |
I sound like a mad woman, don't I? | 0:38:49 | 0:38:52 | |
No. | 0:38:52 | 0:38:53 | |
No, no. You're not mad. Of course, but... | 0:38:53 | 0:38:56 | |
You need to talk to your husband. Properly. | 0:38:56 | 0:39:00 | |
If he knows how much this means to you, | 0:39:00 | 0:39:02 | |
then...maybe he will change his mind. | 0:39:02 | 0:39:04 | |
You're a good man, Dr Hardy. | 0:39:07 | 0:39:09 | |
Never change. | 0:39:09 | 0:39:10 | |
Thanks. | 0:39:11 | 0:39:13 | |
OK. | 0:39:13 | 0:39:15 | |
Oh, can I have obs? | 0:39:16 | 0:39:18 | |
Thanks. | 0:39:18 | 0:39:19 | |
She is a little bit mad, though, right? | 0:39:19 | 0:39:21 | |
Well, I'm never going to go to that delicatessen again. | 0:39:21 | 0:39:24 | |
CAL CHUCKLES | 0:39:24 | 0:39:25 | |
Cheer up, Nibbles. I... | 0:39:25 | 0:39:27 | |
I saved your bacon today. | 0:39:28 | 0:39:29 | |
OK, then I will pay you back by doing a whole month's washing up. | 0:39:29 | 0:39:32 | |
You already do the washing up. | 0:39:34 | 0:39:35 | |
Yes. | 0:39:35 | 0:39:36 | |
CAL SIGHS | 0:39:39 | 0:39:40 | |
I remember, by the way. The, er...neckerchief. | 0:39:40 | 0:39:44 | |
Er...do you know how hard it is to make friends | 0:39:45 | 0:39:48 | |
when you're made to gallop into school pretending to be a cowboy? | 0:39:48 | 0:39:51 | |
What? I so could have pulled off that look! | 0:39:51 | 0:39:54 | |
Go on, then. | 0:39:54 | 0:39:55 | |
All right. | 0:39:55 | 0:39:56 | |
Yee-ha! | 0:39:58 | 0:39:59 | |
ETHAN CHUCKLES | 0:39:59 | 0:40:01 | |
Hey! Is the staffroom locked? | 0:40:20 | 0:40:23 | |
Not doing very well with my girl chat today. | 0:40:24 | 0:40:26 | |
-Pop quiz. -Mmm? | 0:40:26 | 0:40:28 | |
There's a ship. | 0:40:28 | 0:40:30 | |
A ship? | 0:40:30 | 0:40:32 | |
Lost at sea. Storm's raging. | 0:40:32 | 0:40:34 | |
The captain believes that the ship will sink | 0:40:34 | 0:40:36 | |
if they don't jettison some baggage. | 0:40:36 | 0:40:38 | |
What's the cargo? | 0:40:38 | 0:40:39 | |
No cargo. Just people. | 0:40:39 | 0:40:41 | |
-Well, chuck the evil ones first. -But the people are like you and me. | 0:40:41 | 0:40:44 | |
Good people, honest people - | 0:40:44 | 0:40:46 | |
people just trying to make their way across an ocean. | 0:40:46 | 0:40:50 | |
But someone needs to be sacrificed if the ship's to stay afloat. | 0:40:50 | 0:40:54 | |
Is the answer 42? | 0:40:54 | 0:40:55 | |
THEY CHUCKLE | 0:40:55 | 0:40:58 | |
It would be perfectly lovely if it was. | 0:40:58 | 0:41:00 | |
Hey... | 0:41:01 | 0:41:02 | |
What's wrong? | 0:41:03 | 0:41:04 | |
Talk to me. | 0:41:06 | 0:41:08 | |
Staffroom locked? | 0:41:09 | 0:41:10 | |
Done that joke already, boss. | 0:41:12 | 0:41:13 | |
OK. | 0:41:13 | 0:41:14 | |
Let me know when you've worked it out. | 0:41:22 | 0:41:24 | |
HE WHIMPERS | 0:41:32 | 0:41:34 | |
Where's Sean Bell? | 0:41:51 | 0:41:53 | |
That's a good question. I just popped out for a sec... | 0:41:53 | 0:41:55 | |
Always glad to help. | 0:41:58 | 0:42:00 | |
KNOCKS AT DOOR | 0:42:03 | 0:42:04 | |
Charlie's locker. | 0:42:16 | 0:42:17 | |
No...! | 0:42:17 | 0:42:18 | |
It was open. I... | 0:42:18 | 0:42:20 | |
So? | 0:42:20 | 0:42:21 | |
-Who else have you told? -Only you. | 0:42:23 | 0:42:25 | |
Good. Come with me. | 0:42:25 | 0:42:27 | |
RITA SIGHS | 0:42:32 | 0:42:33 | |
KNOCKS AT DOOR | 0:42:34 | 0:42:35 | |
Come in. | 0:42:35 | 0:42:37 | |
HE WINCES | 0:42:55 | 0:42:56 | |
Running again? | 0:42:58 | 0:42:59 | |
Let me tell you something. | 0:43:02 | 0:43:04 | |
Your dad's dead. | 0:43:07 | 0:43:08 | |
Oh... | 0:43:10 | 0:43:12 | |
Oi! I need some help! | 0:43:12 | 0:43:13 | |
Get a trolley, please. | 0:43:13 | 0:43:15 | |
He's not getting away. | 0:43:15 | 0:43:16 | |
Don't you let him die. | 0:43:16 | 0:43:18 | |
He's not escaping that way. | 0:43:18 | 0:43:20 | |
Well? | 0:43:22 | 0:43:23 | |
What? | 0:43:25 | 0:43:26 | |
Do we tell Hanssen? | 0:43:26 | 0:43:27 | |
Why don't you leave it with me? | 0:43:28 | 0:43:29 | |
I didn't want to be right about this. | 0:43:29 | 0:43:31 | |
There's got to be more than one reason | 0:43:31 | 0:43:33 | |
why those drugs are in Charlie's locker. | 0:43:33 | 0:43:35 | |
Really? Cos I can only think of one. | 0:43:35 | 0:43:36 | |
If he was using them, he'd have used them. | 0:43:36 | 0:43:39 | |
I think Hanssen would thank you for keeping it quiet for now. | 0:43:39 | 0:43:43 | |
And some advice... | 0:43:43 | 0:43:45 | |
Stay out of people's lockers. | 0:43:45 | 0:43:46 | |
I know how this looks, but it had to be done. | 0:43:46 | 0:43:49 | |
It's, er... | 0:43:49 | 0:43:50 | |
..still pretty busy out there. | 0:43:52 | 0:43:54 | |
There is a price to pay for this, Mrs Beauchamp. | 0:43:59 | 0:44:01 | |
If word gets out, then who knows what will happen to the ED | 0:44:01 | 0:44:04 | |
and the people who work here. | 0:44:04 | 0:44:06 | |
You need to sort this, and... | 0:44:06 | 0:44:08 | |
Point taken! Thank you. | 0:44:08 | 0:44:09 | |
DOOR SLAMS | 0:44:12 | 0:44:13 | |
SHE SIGHS | 0:44:15 | 0:44:16 | |
He'll have his reasons. | 0:44:21 | 0:44:22 | |
Yeah, he will. | 0:44:22 | 0:44:23 | |
DOOR SLAMS | 0:44:30 | 0:44:32 | |
-ROBYN: -I can't believe hardly anybody's interested | 0:44:32 | 0:44:34 | |
in our first mortality cafe. | 0:44:34 | 0:44:35 | |
Yes, I can't think why. Look, why don't we just call it off? | 0:44:35 | 0:44:38 | |
-Not happening! Get thinking. -DAVID SIGHS | 0:44:38 | 0:44:41 | |
I can feel some crepitus. Looks like fractured ribs. Possible contusion. | 0:44:44 | 0:44:47 | |
Obs, please, Robyn? | 0:44:47 | 0:44:48 | |
Resps 30, Sats 85 and dropping. | 0:44:48 | 0:44:51 | |
-HE MOANS -I want 10ml of morphine, please, | 0:44:51 | 0:44:53 | |
arterial blood gases for a Pa02 reading... | 0:44:53 | 0:44:55 | |
83. | 0:44:55 | 0:44:57 | |
OK, we're going to give you some pain relief, | 0:44:57 | 0:44:59 | |
but you have to work with us here. | 0:44:59 | 0:45:00 | |
Right, what have we got? | 0:45:00 | 0:45:02 | |
Possible pulmonary contusion, we're giving him high flow O2, | 0:45:02 | 0:45:05 | |
pain relief, we're going to go for a CT. | 0:45:05 | 0:45:07 | |
Right. Risk of Type 1 Resp Failure. | 0:45:07 | 0:45:10 | |
Let's increase the O2 flow and do an arterial blood gas, please. | 0:45:10 | 0:45:14 | |
84. | 0:45:14 | 0:45:15 | |
Come on, Sean. | 0:45:15 | 0:45:16 | |
Let's call ITU and have the anaesthetist review him. | 0:45:16 | 0:45:20 | |
Come on. You can do it. | 0:45:20 | 0:45:21 | |
Yes! 86 and rising. | 0:45:24 | 0:45:27 | |
Good boy. | 0:45:27 | 0:45:28 | |
87... | 0:45:29 | 0:45:30 | |
..88. | 0:45:32 | 0:45:33 | |
OK, let's get a chest CT, maintain O2 flow, and pain relief. | 0:45:33 | 0:45:37 | |
-We'll look at chest physio if we need to. -Close. | 0:45:37 | 0:45:41 | |
Yeah, too close. Whose patient was this? | 0:45:41 | 0:45:43 | |
I believe he's Elle's patient. | 0:45:43 | 0:45:45 | |
So you're off, then? | 0:45:47 | 0:45:49 | |
-Where did my Dad go? -You didn't see the pub opposite? | 0:45:49 | 0:45:52 | |
-Mum? -Where else? -You'd be surprised. | 0:45:52 | 0:45:55 | |
He had his chance. This could have been the best day ever. | 0:45:55 | 0:45:58 | |
Yeah, and... | 0:45:58 | 0:45:59 | |
This is my precious little girl. | 0:45:59 | 0:46:01 | |
I can see that. | 0:46:01 | 0:46:03 | |
But she's also his, and even more so now that you're emigrating. | 0:46:03 | 0:46:07 | |
Latte, please. Sorry, cappuccino. | 0:46:16 | 0:46:20 | |
Uh...or a flat white. | 0:46:21 | 0:46:24 | |
Actually, I'll have a tea. | 0:46:24 | 0:46:26 | |
-ROBYN, OVER TANNOY: -That's right, folks, | 0:46:26 | 0:46:28 | |
tonight at the Hope and Anchor, 6.30pm. | 0:46:28 | 0:46:31 | |
Holby's first-ever Death, I mean, Mortality Cafe. | 0:46:31 | 0:46:34 | |
Be there or be...uh, anyway, see you there. | 0:46:34 | 0:46:38 | |
Oh, and bring cakes. | 0:46:38 | 0:46:40 | |
MUSIC: Don't Worry, Be Happy by Bobby McFerrin | 0:46:40 | 0:46:42 | |
Max's idea. My song. | 0:46:42 | 0:46:44 | |
He wanted Highway to Hell. | 0:46:45 | 0:46:46 | |
No, thank you. | 0:46:48 | 0:46:50 | |
Don't mind if I do! | 0:46:55 | 0:46:57 | |
One thing that hasn't changed | 0:46:59 | 0:47:01 | |
in the ten years you've been out of the loop. | 0:47:01 | 0:47:02 | |
Sean did not mention his symptoms. | 0:47:02 | 0:47:04 | |
-Do your job. -I did! I'm on your side. | 0:47:04 | 0:47:07 | |
-Meaning what? -I know what's best for this department. | 0:47:07 | 0:47:10 | |
You've been here five minutes, and you know what's best? | 0:47:10 | 0:47:12 | |
-Connie! -No, life and death. | 0:47:12 | 0:47:14 | |
They are the ONLY two things we're concerned about. | 0:47:14 | 0:47:17 | |
Where are we going? | 0:47:23 | 0:47:25 | |
You'll find out when we get there. | 0:47:25 | 0:47:27 | |
Still think you can beat me? | 0:47:30 | 0:47:31 | |
This makes a difference? | 0:47:33 | 0:47:35 | |
Would you mind blowing into that for me, please, sir? | 0:47:35 | 0:47:38 | |
Those things you said. | 0:47:45 | 0:47:47 | |
All of them were spot-on. | 0:47:47 | 0:47:49 | |
But I've had a think, and guess what? | 0:47:49 | 0:47:51 | |
It's not four o'clock yet, and there's still time. | 0:47:51 | 0:47:54 | |
Time for the best day of my life. | 0:47:54 | 0:47:56 | |
I'm so going to beat you! | 0:47:58 | 0:48:00 | |
So not! Come on, you. | 0:48:00 | 0:48:03 | |
We're still going abroad. | 0:48:05 | 0:48:07 | |
Perhaps. | 0:48:07 | 0:48:08 | |
But that's for another day, yeah? | 0:48:08 | 0:48:10 | |
I bet I could beat you both. | 0:48:15 | 0:48:17 | |
Sounds like fighting talk! | 0:48:17 | 0:48:18 | |
THEY CHEER | 0:48:24 | 0:48:27 | |
David! David! | 0:48:30 | 0:48:33 | |
My brother is a genius! | 0:48:33 | 0:48:34 | |
-What do you mean? -Well, that radio broadcast set my phone buzzing. | 0:48:34 | 0:48:38 | |
People actually want to come. | 0:48:38 | 0:48:39 | |
So, we're going to raffle that cake of yours | 0:48:39 | 0:48:42 | |
and make some pennies for the next one. | 0:48:42 | 0:48:44 | |
Got ya! | 0:48:52 | 0:48:53 | |
No, I was, um, I was just... | 0:48:56 | 0:48:59 | |
Playing, what was it? "The world's most elitist game?" | 0:48:59 | 0:49:02 | |
Yeah, I still loathe it. | 0:49:03 | 0:49:05 | |
But you want to play. | 0:49:05 | 0:49:06 | |
No. It's a distraction. | 0:49:06 | 0:49:09 | |
For who? Me or you? | 0:49:09 | 0:49:10 | |
Well, for you, of course. | 0:49:11 | 0:49:12 | |
This is because of Zoe. | 0:49:14 | 0:49:15 | |
Wh-why are you telling me things that I know I'm already doing? | 0:49:19 | 0:49:22 | |
Where's the benefit in that? | 0:49:22 | 0:49:24 | |
Whatever. It's a nice thought. | 0:49:24 | 0:49:26 | |
Oh, and by the way... | 0:49:26 | 0:49:27 | |
..it's checkmate. | 0:49:29 | 0:49:30 | |
Oh, yeah. Well done. | 0:49:32 | 0:49:34 | |
Ooh, Mr H! They obviously told you, then? | 0:49:37 | 0:49:39 | |
"They"? | 0:49:39 | 0:49:40 | |
Yeah, who'd have thought Charlie, of all people? | 0:49:40 | 0:49:43 | |
Charlie Fairhead? | 0:49:44 | 0:49:45 | |
You got your wish. | 0:49:56 | 0:49:58 | |
I'm still breathing. | 0:49:58 | 0:49:59 | |
My dad could - and should - still be here. | 0:49:59 | 0:50:02 | |
But you're here instead. | 0:50:02 | 0:50:03 | |
Soon as I can move, I'm going and I'm not coming back. | 0:50:03 | 0:50:06 | |
-Your mum means that little to you? -I'm trying to spare her. | 0:50:06 | 0:50:09 | |
Before you go, I want to hear one word. | 0:50:09 | 0:50:11 | |
-Your apology. -I did five years! | 0:50:11 | 0:50:13 | |
Say the word, Sean. | 0:50:13 | 0:50:14 | |
Paid in ways you can't imagine! | 0:50:14 | 0:50:17 | |
Say it. Say you're sorry. | 0:50:17 | 0:50:19 | |
One stupid word? Seriously?! | 0:50:19 | 0:50:22 | |
I want my dad to hear it. I dunno what he'll make of it, | 0:50:22 | 0:50:25 | |
but maybe he'll be proud that I care this much. | 0:50:25 | 0:50:28 | |
So stop hiding. | 0:50:28 | 0:50:30 | |
Stop being a coward, pretending you don't care, | 0:50:30 | 0:50:33 | |
pretending it means nothing. | 0:50:33 | 0:50:34 | |
You can't run from it, Sean. It'll always be there. | 0:50:34 | 0:50:37 | |
So say it. | 0:50:38 | 0:50:40 | |
And I'll pass it on. | 0:50:40 | 0:50:42 | |
Mum? | 0:50:42 | 0:50:43 | |
Well? | 0:50:48 | 0:50:49 | |
I am so sorry. | 0:50:52 | 0:50:55 | |
HE SOBS | 0:50:55 | 0:50:57 | |
I am so, so sorry! | 0:50:57 | 0:51:00 | |
SOBBING CONTINUES | 0:51:05 | 0:51:07 | |
Maybe they're not just words on a blackboard. | 0:51:07 | 0:51:10 | |
Mum? | 0:51:13 | 0:51:14 | |
There's a bigger story here. | 0:51:27 | 0:51:29 | |
Yeah. | 0:51:29 | 0:51:31 | |
We need to hear it. | 0:51:31 | 0:51:32 | |
-Can't do that. -Please, Charlie. Don't make me take this any further. | 0:51:34 | 0:51:37 | |
The thing is... | 0:51:40 | 0:51:41 | |
..I made a promise. | 0:51:42 | 0:51:44 | |
Now, to anyone else, that might not seem like much | 0:51:44 | 0:51:47 | |
but, for me, that's one of the most important things in my life, | 0:51:47 | 0:51:51 | |
and I can't compromise that. | 0:51:51 | 0:51:52 | |
Charlie, please. For goodness' sake! | 0:51:52 | 0:51:55 | |
Then I'm going to have to ask you to go off-duty with immediate effect. | 0:52:04 | 0:52:08 | |
We did it, David! | 0:52:15 | 0:52:17 | |
Yes, yes. There's a lot of people here. | 0:52:17 | 0:52:19 | |
All thanks to DJ Miller. Did I sound all right? | 0:52:19 | 0:52:21 | |
Lovely. | 0:52:21 | 0:52:23 | |
I think I've got a voice for it. | 0:52:23 | 0:52:25 | |
No, no, no - that one's for the raffle. | 0:52:25 | 0:52:28 | |
More incoming. | 0:52:29 | 0:52:31 | |
Hi, come on in. Come on in. | 0:52:33 | 0:52:35 | |
Hello, again. | 0:52:37 | 0:52:38 | |
Charlie, want to hear a happy ending? | 0:52:45 | 0:52:47 | |
-Not now, Mac. -I built a bowling... | 0:52:47 | 0:52:49 | |
-Mac, just leave it! -What's this? -I have no idea. | 0:52:49 | 0:52:51 | |
Charlie? | 0:52:51 | 0:52:52 | |
Nothing to worry about. Just get back to work. | 0:52:52 | 0:52:55 | |
Why are you going? | 0:52:55 | 0:52:57 | |
I'm not the one you should be asking. | 0:52:57 | 0:52:59 | |
-Rita? -We will explain, Louise. | 0:52:59 | 0:53:01 | |
-Charlie, what's going on? -Mrs Beauchamp? | 0:53:01 | 0:53:03 | |
Connie, what's the problem? | 0:53:03 | 0:53:05 | |
I didn't want to say this, | 0:53:05 | 0:53:07 | |
but Sister Freeman has been given no option | 0:53:07 | 0:53:10 | |
but to put Senior Charge Nurse Fairhead on immediate Special Leave. | 0:53:10 | 0:53:13 | |
-Why? -What do you mean, Special Leave? | 0:53:13 | 0:53:15 | |
- I can't go into details. - Sorry. | 0:53:15 | 0:53:17 | |
I don't want to make a fuss about this. | 0:53:17 | 0:53:19 | |
I just want to get out of here as fast as I can. | 0:53:19 | 0:53:21 | |
Excuse me. | 0:53:21 | 0:53:22 | |
Connie, I'm going to need more than this. What's going on? | 0:53:24 | 0:53:26 | |
You want more? | 0:53:26 | 0:53:28 | |
Your little friend decided to have a witch-hunt against Charlie. | 0:53:28 | 0:53:32 | |
That's why we're in this situation. | 0:53:32 | 0:53:35 | |
Now back to work, everyone. Now! | 0:53:35 | 0:53:37 | |
That includes you. | 0:53:37 | 0:53:39 | |
Come on. | 0:53:40 | 0:53:42 | |
Lovely to meet you. Hello. Hello. | 0:53:51 | 0:53:53 | |
Hello. | 0:53:56 | 0:53:57 | |
Hello. | 0:53:58 | 0:53:59 | |
SHE CHORTLES | 0:54:12 | 0:54:13 | |
You've got to be joking! | 0:54:27 | 0:54:28 | |
Hey, Rita? What's happened? | 0:54:47 | 0:54:49 | |
Someone's just slashed my tyres! | 0:54:49 | 0:54:52 | |
All right. Jez, finish up there, mate. | 0:54:52 | 0:54:54 | |
-I'm fine. -Yeah, you look it(!) | 0:54:54 | 0:54:56 | |
No prizes for guessing who's done that. | 0:54:56 | 0:54:58 | |
Have you, um, have you got a number for a cab? | 0:54:58 | 0:55:00 | |
-Don't be daft. I'll get you home. -I said I'm fine. | 0:55:00 | 0:55:03 | |
Rita, I said I'll get you home, all right? OK? | 0:55:03 | 0:55:07 | |
Sleep well. | 0:55:18 | 0:55:19 | |
Oh, I could use a drink. | 0:55:32 | 0:55:34 | |
Are you serious? | 0:55:34 | 0:55:36 | |
Not you too, Jacob? | 0:55:36 | 0:55:37 | |
That ship quiz. | 0:55:37 | 0:55:39 | |
You chucked the wrong person off. I thought I knew you. | 0:55:39 | 0:55:41 | |
You have... | 0:55:41 | 0:55:42 | |
You have no idea what I've done for this department. | 0:55:48 | 0:55:50 | |
It could've been a lot worse. | 0:55:50 | 0:55:52 | |
That's terrible. | 0:55:57 | 0:55:58 | |
Listen, about earlier. I didn't even ask why you were in the hospital. | 0:55:59 | 0:56:04 | |
Just finalising a few things. | 0:56:05 | 0:56:07 | |
My wife. She... | 0:56:10 | 0:56:12 | |
Well, six months ago she, erm... | 0:56:13 | 0:56:15 | |
Anyway, I was so taken by the care she received | 0:56:15 | 0:56:19 | |
I saved up and I made a donation. | 0:56:19 | 0:56:23 | |
That's what I was doing there today. | 0:56:23 | 0:56:26 | |
And you just don't like lifts? | 0:56:26 | 0:56:28 | |
I hate them. | 0:56:30 | 0:56:31 | |
I'm sorry I charged into you. | 0:56:32 | 0:56:34 | |
Nah, most men just sidle up. | 0:56:34 | 0:56:35 | |
I'm sure they do. | 0:56:37 | 0:56:38 | |
Anyway, is this helping? | 0:56:40 | 0:56:42 | |
This? | 0:56:42 | 0:56:43 | |
You know, I dunno. | 0:56:43 | 0:56:46 | |
I think so, but I'm not sure | 0:56:46 | 0:56:49 | |
if spending a couple of hours in the pub is going to... | 0:56:49 | 0:56:53 | |
Oh, there'll be more. | 0:56:53 | 0:56:55 | |
Oh, really? | 0:56:55 | 0:56:56 | |
Yeah, this is just the start. | 0:56:56 | 0:56:58 | |
-This is the first one. -Oh. | 0:56:58 | 0:56:59 | |
I tell you what, why don't you give me your number | 0:57:00 | 0:57:03 | |
and...then I can text you and tell you when the next one is? | 0:57:03 | 0:57:07 | |
Yeah. | 0:57:08 | 0:57:09 | |
There you go. | 0:57:11 | 0:57:12 |