Browse content similar to Smoke and Flames. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Did you take the recycling out? | 0:00:33 | 0:00:35 | |
-No. -If you don't do it, it'll be two weeks before they're back. | 0:00:35 | 0:00:38 | |
-I'll do it. -You said that two weeks ago. | 0:00:38 | 0:00:41 | |
Sorry, I will. | 0:00:41 | 0:00:43 | |
-You won't. I'll do it. -Carrie... | 0:00:43 | 0:00:47 | |
Just do something instead of watching the TV all day! | 0:00:47 | 0:00:49 | |
-I'm sorry. -Oh, stop saying you're sorry! | 0:00:49 | 0:00:52 | |
-I want you to come to the doctor's with me. -But I've seen him already. | 0:00:59 | 0:01:04 | |
You know what I'm asking you. We can't go on like this, Nick. | 0:01:04 | 0:01:08 | |
Hello, Gladys. | 0:01:21 | 0:01:23 | |
-Hey, nice bath? -Er...yeah, fine. | 0:01:52 | 0:01:54 | |
Have you packed my trousers? | 0:01:59 | 0:02:01 | |
-I've packed three pairs, and your jeans. -No, the slate-grey ones, the ones with the pleats. | 0:02:01 | 0:02:05 | |
-Oh, I took them to the dry cleaner's. -What are they doing there? | 0:02:05 | 0:02:09 | |
I thought you might wear them at the weekend, so I got them cleaned. | 0:02:09 | 0:02:12 | |
I was going to wear them today. They're my Friday trousers. | 0:02:12 | 0:02:15 | |
-I was supposed to pick them up yesterday. -You don't understand. -I do understand. | 0:02:15 | 0:02:20 | |
OK. | 0:02:21 | 0:02:22 | |
Oh! Gladys, back so soon. | 0:02:38 | 0:02:42 | |
Swifty Cabs? | 0:03:00 | 0:03:02 | |
Yes, I would like to request one of your taxis, please. | 0:03:02 | 0:03:07 | |
As soon as possible. | 0:03:07 | 0:03:08 | |
The address? | 0:03:10 | 0:03:12 | |
Brunswick Street. | 0:03:12 | 0:03:14 | |
51. | 0:03:14 | 0:03:16 | |
Oh, my name? Gladys. | 0:03:16 | 0:03:18 | |
Mrs Gladys Smith. Thank you. | 0:03:18 | 0:03:21 | |
That's the guy out the paper. Hey, you're that Nick Chalmers, aren't you? | 0:03:30 | 0:03:35 | |
Sorry. | 0:03:35 | 0:03:36 | |
Don't worry, love... | 0:03:41 | 0:03:43 | |
In you get. | 0:03:46 | 0:03:47 | |
ENGINE STARTS | 0:03:49 | 0:03:52 | |
Ah! | 0:04:25 | 0:04:28 | |
-PHONE RINGS -Hello? -How's Immie? | 0:04:30 | 0:04:33 | |
-Er, yeah, she's fine. I haven't seen her. -What kind of duvet has she got? | 0:04:33 | 0:04:37 | |
She can't have feather, she's got to have hypoallergenic, you know, a synthetic one. | 0:04:37 | 0:04:42 | |
-Right, OK. -'And those curtains, they're like paper. | 0:04:42 | 0:04:46 | |
-'You could read a magazine through them. She's got a blind at home.' -Fine, I'll... | 0:04:46 | 0:04:50 | |
Immie really needs to get a rest, you know, these exams are very important. | 0:04:50 | 0:04:56 | |
-Karen, I'll get double lining on the curtains. -'Yeah, but...' | 0:04:56 | 0:04:59 | |
And I'll get a hypoallergenic duvet. | 0:04:59 | 0:05:01 | |
-Really? -'Yes. We needed a new one, anyway.' | 0:05:01 | 0:05:04 | |
Um... | 0:05:04 | 0:05:06 | |
Erm... | 0:05:06 | 0:05:08 | |
This is a bit personal... | 0:05:08 | 0:05:10 | |
In the period leading up to Immie's exams, | 0:05:12 | 0:05:16 | |
-'if you and Jimmi could only...' -Could only what? | 0:05:16 | 0:05:20 | |
Well, you know, tone down the nocturnal gymnastics. | 0:05:20 | 0:05:23 | |
-Karen! -See, I've seen you two coming into work | 0:05:23 | 0:05:26 | |
-bleary-eyed, and those partition walls may as well not be there. -'Karen!' | 0:05:26 | 0:05:30 | |
Imogen will be fine. | 0:05:30 | 0:05:33 | |
-'Really?' -Really! Goodbye. | 0:05:33 | 0:05:34 | |
-Please tell me that wasn't my mum? -Who else? | 0:05:34 | 0:05:37 | |
I can't believe she's checking up on me! | 0:05:37 | 0:05:40 | |
-She's just trying... -Trying to wind me up, like everybody else! | 0:05:40 | 0:05:44 | |
Why can't people just stop interfering? | 0:05:44 | 0:05:47 | |
Mrs Smith, your chariot awaits. | 0:05:48 | 0:05:52 | |
Goodbye, Gladys. | 0:05:52 | 0:05:54 | |
I've got an appointment with Dr Granger, it's Carrie Chalmers. | 0:06:02 | 0:06:06 | |
One of our trainee general practitioners, Dr Tyler, | 0:06:06 | 0:06:10 | |
-will be also be in attendance. Is that acceptable to you? -Fine. | 0:06:10 | 0:06:13 | |
Can I also have an appointment for my husband, Nick Chalmers? | 0:06:13 | 0:06:17 | |
You are in luck. There is an appointment at 12 midday with the same doctor. | 0:06:17 | 0:06:21 | |
Thank you. | 0:06:21 | 0:06:23 | |
-You OK if I go for a walk? -Nick... | 0:06:25 | 0:06:28 | |
-I can't stay here all that time. -All right. | 0:06:28 | 0:06:31 | |
Just make sure you come back. | 0:06:31 | 0:06:33 | |
I will. | 0:06:33 | 0:06:34 | |
Promise. | 0:06:34 | 0:06:35 | |
See you at home. | 0:06:35 | 0:06:37 | |
Earl Grey? | 0:06:42 | 0:06:44 | |
Oh, thank you very much, Dr Carter. | 0:06:44 | 0:06:46 | |
Er...Kenyan. | 0:06:46 | 0:06:48 | |
Ah, solidarity between continental near-neighbours. | 0:06:48 | 0:06:51 | |
That is stretching the geographical definition of neighbours. | 0:06:51 | 0:06:55 | |
Talking of which, your next-door lady, Mrs Smith, how's she faring? | 0:06:55 | 0:06:59 | |
I would say she is doing very well. | 0:06:59 | 0:07:02 | |
Living on her own? | 0:07:02 | 0:07:04 | |
Her garden is always well-kept. | 0:07:04 | 0:07:06 | |
I had a report from the Social Services and they think she's getting some help. | 0:07:06 | 0:07:11 | |
No doubt from some well-meaning individual, | 0:07:11 | 0:07:13 | |
acting more out of perhaps compassion than judgment. | 0:07:13 | 0:07:17 | |
Have you spotted anything, Mrs Tembe? | 0:07:17 | 0:07:20 | |
No. | 0:07:21 | 0:07:23 | |
It's just this morning I noticed you were quite... | 0:07:23 | 0:07:26 | |
Excuse me, Dr Carter, I think I can hear the phone. | 0:07:26 | 0:07:30 | |
ECHOING CRIES OF A BABY | 0:07:39 | 0:07:42 | |
'Your scan is fine.' | 0:07:54 | 0:07:56 | |
I know that with your history you've been concerned, | 0:07:58 | 0:08:01 | |
-but it looks as if your baby's developing perfectly normally. -Good. | 0:08:01 | 0:08:06 | |
Great news to pass on to your husband. | 0:08:06 | 0:08:08 | |
-He doesn't know. -About the scan? -The pregnancy. | 0:08:08 | 0:08:11 | |
I haven't told him. | 0:08:13 | 0:08:15 | |
Well, you're 14 weeks. If you're waiting for the right moment... | 0:08:15 | 0:08:18 | |
I'm not sure there is a right moment. | 0:08:18 | 0:08:22 | |
We're barely talking and... | 0:08:22 | 0:08:25 | |
he sits in front of the TV all day, not even watching it. | 0:08:25 | 0:08:28 | |
Do you think he needs stronger anti-depressants? | 0:08:28 | 0:08:32 | |
-Well, we could... -While we can't discuss his treatment directly, | 0:08:32 | 0:08:35 | |
we'd be more than happy to see him. | 0:08:35 | 0:08:37 | |
He's got an appointment later. | 0:08:37 | 0:08:39 | |
He won't tell you anything, though. | 0:08:42 | 0:08:44 | |
He won't tell you that he doesn't sleep, | 0:08:44 | 0:08:48 | |
he won't tell you that he goes off driving alone at night. | 0:08:48 | 0:08:52 | |
He won't tell you he can hardly function. | 0:08:52 | 0:08:54 | |
-Dr Tyler and I will make sure that... -Ask him about the fire. | 0:08:54 | 0:08:58 | |
That's when our life stopped, when he went into that house. | 0:09:00 | 0:09:03 | |
DOOR SHUTS | 0:09:10 | 0:09:12 | |
Dr Wilson, how can you tell when an elderly patient | 0:09:13 | 0:09:17 | |
is finding independent living a struggle? | 0:09:17 | 0:09:20 | |
Am I being mentored during lunch now? | 0:09:20 | 0:09:22 | |
Well, there's nothing in Hippocrates about lunch or tea breaks. | 0:09:22 | 0:09:26 | |
-So come on, what are the indicators? -OK. | 0:09:26 | 0:09:28 | |
Evidence of growing incapacity, physical signs, | 0:09:28 | 0:09:32 | |
perhaps bruising or injuries as a result of falls or accidents. | 0:09:32 | 0:09:37 | |
Excellent. Go to the head of the class. | 0:09:37 | 0:09:39 | |
-Kevin will get jealous. -So he should be after your excellent summation. | 0:09:39 | 0:09:43 | |
Now, take a patient I had this morning, 83 years old, | 0:09:43 | 0:09:46 | |
seems sprightly, her house, especially her garden, in excellent condition. | 0:09:46 | 0:09:51 | |
But it seems she is being assisted in this by a well-meaning but ill-advised... | 0:09:51 | 0:09:55 | |
Oh, I confess. | 0:09:55 | 0:09:57 | |
Sorry? | 0:09:57 | 0:09:58 | |
I confess. | 0:09:58 | 0:10:02 | |
I have been helping Gladys. | 0:10:02 | 0:10:03 | |
-Good on you. -Dr Wilson! | 0:10:03 | 0:10:05 | |
No, surely if she's helping, that reduces the amount of hazards? | 0:10:05 | 0:10:09 | |
-Exactly. -Freya! -And that can only be a good thing. | 0:10:09 | 0:10:13 | |
No, it is not a good thing. | 0:10:13 | 0:10:15 | |
And I am going to explain why it is not a good thing. | 0:10:15 | 0:10:18 | |
-We will elucidate this as one of our case studies. -Oh, um... | 0:10:18 | 0:10:23 | |
-is that the time? -Do you have a pressing engagement? | 0:10:23 | 0:10:26 | |
Yes. I forgot that I have to go to...a lunchtime concert. | 0:10:26 | 0:10:31 | |
Who is the featured composer? | 0:10:31 | 0:10:34 | |
Schubert. His...mature period. | 0:10:34 | 0:10:37 | |
He died at 31. | 0:10:37 | 0:10:38 | |
But his Wanderer Fantasy is a wonderful piece. | 0:10:38 | 0:10:42 | |
It's my favourite. | 0:10:42 | 0:10:44 | |
When I say I confess to helping Gladys, | 0:10:47 | 0:10:51 | |
I do not mean it as an act of contrition. | 0:10:51 | 0:10:54 | |
I believe she has a right to independent living for as long as she should choose. | 0:10:54 | 0:10:59 | |
-And if in order for her to do that... -Mrs Tembe, | 0:10:59 | 0:11:02 | |
when I examined Gladys this morning, she had a severe scald mark on her arm. | 0:11:02 | 0:11:07 | |
Mr Chalmers suffered partial thickness burns to his back | 0:11:10 | 0:11:13 | |
after not applying his flash hood properly. | 0:11:13 | 0:11:16 | |
Seems to be healing well. | 0:11:16 | 0:11:17 | |
-Your wife said that... -What did she say? | 0:11:20 | 0:11:22 | |
-She's just concerned. -About what? | 0:11:22 | 0:11:25 | |
That you're not recovering as well mentally as physically. | 0:11:25 | 0:11:28 | |
-So you think I'm nuts? -No, I didn't say that. | 0:11:28 | 0:11:31 | |
What Dr Tyler means is that you may have PTSD, | 0:11:31 | 0:11:34 | |
-which is post-traumatic stress... -I know what it is. -I believe the Fire Service offer counselling. | 0:11:34 | 0:11:40 | |
-Or if you'd prefer... -I'd prefer to be left alone. -We can help. -No, you can't. | 0:11:40 | 0:11:45 | |
Yes, we can. It's not just medication or counselling, it's a combination. | 0:11:45 | 0:11:49 | |
The only way you can help is by changing what happened. And nobody can do that. | 0:11:49 | 0:11:54 | |
Nobody. | 0:11:54 | 0:11:56 | |
Well, well, well. Need I tell you that that could have gone better? | 0:12:02 | 0:12:06 | |
Oh, come on, that's classic PTSD - the fire being the trigger event. | 0:12:06 | 0:12:09 | |
I've read a case study on Acceptance and Commitment Therapy... | 0:12:09 | 0:12:13 | |
What does "diagnosis" mean? | 0:12:13 | 0:12:15 | |
It's the relation of cause and effect in... | 0:12:16 | 0:12:19 | |
In Greek, it means to discern or distinguish. | 0:12:19 | 0:12:23 | |
Which, to me, means using skill, experience... | 0:12:23 | 0:12:27 | |
and caution. | 0:12:27 | 0:12:30 | |
She thinks the accident occurred when she was boiling an egg. | 0:12:30 | 0:12:33 | |
She reached out to turn down the gas, and scalded her arm on the steam. | 0:12:33 | 0:12:37 | |
-I know I should... -What if she had used a tea towel to grab the pan? | 0:12:37 | 0:12:41 | |
What if the tea towel had caught fire? | 0:12:41 | 0:12:43 | |
What if she hadn't turned off the gas? | 0:12:43 | 0:12:45 | |
Please, I understand. | 0:12:45 | 0:12:47 | |
I don't enjoy reproving you. | 0:12:47 | 0:12:49 | |
But you are. And quite rightly. | 0:12:49 | 0:12:51 | |
"Rightly" implies an absolute, and you were acting with the best intentions. | 0:12:51 | 0:12:56 | |
We all need help at some stage. | 0:12:56 | 0:12:58 | |
But it has to be the right kind of help. | 0:12:58 | 0:13:00 | |
ECHOING CRIES OF A BABY | 0:13:05 | 0:13:08 | |
Mr Chalmers? | 0:13:12 | 0:13:13 | |
Hello? | 0:13:17 | 0:13:19 | |
Cherry? | 0:13:19 | 0:13:21 | |
Yeah, get real, she'll be listening to The Saturdays. | 0:13:21 | 0:13:25 | |
Hiya, love. | 0:13:27 | 0:13:29 | |
Hiya. | 0:13:29 | 0:13:31 | |
What are you doing? A car boot sale? | 0:13:35 | 0:13:36 | |
Oh, worse, town on a Friday. You on lunch? | 0:13:36 | 0:13:40 | |
No, right now, I am attending a Schubert recital. | 0:13:40 | 0:13:43 | |
Actually, I'm seeking refuge from Heston. | 0:13:43 | 0:13:47 | |
He was using me as a stick to prod Mrs Tembe. | 0:13:47 | 0:13:49 | |
Oh, that sounds painful. | 0:13:49 | 0:13:51 | |
Yeah, Heston's pinged her for being over-eager in the welfare department. | 0:13:51 | 0:13:56 | |
-She means well. -That's the problem. | 0:13:56 | 0:13:59 | |
-Let me give you a hand. -Thank you. | 0:13:59 | 0:14:01 | |
-New frock for the weekend? -No. | 0:14:02 | 0:14:05 | |
-Jimmi's trousers. -You're picking up his dry-cleaning now? -I was supposed to pick them up yesterday. | 0:14:05 | 0:14:11 | |
They're his Friday Trousers. | 0:14:11 | 0:14:12 | |
It had been a quiet night. | 0:14:15 | 0:14:17 | |
Always seems to happen that way, | 0:14:19 | 0:14:21 | |
just when you think the shift is going to pass without a shout and then... | 0:14:21 | 0:14:25 | |
..it was one of the worst fires my watch had ever been called to... | 0:14:26 | 0:14:30 | |
-You saved the baby, though, eh? -No. | 0:14:30 | 0:14:32 | |
No, I didn't. | 0:14:33 | 0:14:34 | |
Petrol. It had been poured through the letterbox as an accelerant. | 0:14:38 | 0:14:43 | |
The whole place had gone up like a candle. | 0:14:43 | 0:14:45 | |
Cheap furniture, curtains... | 0:14:45 | 0:14:49 | |
The smoke was... | 0:14:52 | 0:14:54 | |
I thought, | 0:14:56 | 0:14:57 | |
"No-one's alive in this." | 0:14:57 | 0:14:59 | |
Then I heard the baby. | 0:15:02 | 0:15:03 | |
It was coming from a room up ahead. | 0:15:06 | 0:15:08 | |
Crying. | 0:15:09 | 0:15:11 | |
And crying. | 0:15:11 | 0:15:13 | |
ECHOING CRIES OF A BABY | 0:15:13 | 0:15:15 | |
Don't see anything wrong with doing stuff for him. | 0:15:19 | 0:15:22 | |
It's not a fear of flying, it's a fear of creases! | 0:15:22 | 0:15:27 | |
Jimmi's just very particular. | 0:15:27 | 0:15:31 | |
So should you be... | 0:15:31 | 0:15:32 | |
particular that you're a woman with skills and a brain. | 0:15:32 | 0:15:36 | |
-Thank you. -Cherry, I mean it! | 0:15:37 | 0:15:40 | |
This isn't the 19th century, you're not some skivvy in Lark Rise To Cranford. | 0:15:40 | 0:15:45 | |
Candleford. | 0:15:45 | 0:15:47 | |
Whatever, it's suppression by bonnets! | 0:15:47 | 0:15:51 | |
You should learn to stand up for yourself. | 0:15:51 | 0:15:54 | |
What, like you did with Heston, saying you were going to a concert by Chopin? | 0:15:54 | 0:15:58 | |
Schubert. And that was different. He was being pompous. | 0:15:58 | 0:16:02 | |
Yeah, well, that's just Heston. | 0:16:02 | 0:16:04 | |
It's not the same as being a slave to his ticks, quirks and bugaboos. | 0:16:04 | 0:16:10 | |
I'm not a slave. He was at work and I had the day off. | 0:16:10 | 0:16:15 | |
He'd do the same for me. | 0:16:15 | 0:16:16 | |
OK, but just say, instead of doing his laundry and the washing | 0:16:16 | 0:16:22 | |
and all the general wifey duties on your day off, | 0:16:22 | 0:16:26 | |
you do some things for yourself, something fulfilling and thrilling, like... | 0:16:26 | 0:16:32 | |
A Schubert concert? | 0:16:32 | 0:16:34 | |
Any kind of concert! | 0:16:34 | 0:16:36 | |
Going to a gallery, the cinema, meeting up with mates, going shopping, doing something exciting! | 0:16:36 | 0:16:43 | |
Jimmi likes shopping. | 0:16:43 | 0:16:45 | |
I meant something for you. | 0:16:45 | 0:16:49 | |
I like helping. | 0:16:49 | 0:16:52 | |
What's the point of helping somebody if they don't notice? | 0:16:52 | 0:16:55 | |
-He does notice. -Yeah, when you don't do something. | 0:16:57 | 0:17:02 | |
If it was me, I would just be looking for more of a balance in things. | 0:17:03 | 0:17:08 | |
Gary was my best mate. | 0:17:13 | 0:17:15 | |
Joined the service with me. | 0:17:16 | 0:17:19 | |
We trained together, crewed the appliance together. | 0:17:19 | 0:17:22 | |
He always requested to be on my watch. | 0:17:24 | 0:17:26 | |
When I was made Commander of Red Watch, he kicked up a fuss until he was transferred as well. | 0:17:26 | 0:17:32 | |
We had some big shouts. | 0:17:35 | 0:17:37 | |
The Brelsford Flats. Brewer's Department Store. | 0:17:37 | 0:17:41 | |
He dragged me out of that one, when I was hit by a beam. | 0:17:43 | 0:17:47 | |
That night it was my turn. ECHOING CRIES OF A BABY | 0:17:47 | 0:17:52 | |
I could hear the baby. | 0:17:53 | 0:17:55 | |
I knew it was in there, but... | 0:17:56 | 0:17:58 | |
I couldn't move. | 0:17:58 | 0:18:00 | |
Don't know why. I just... | 0:18:01 | 0:18:03 | |
..couldn't move. | 0:18:04 | 0:18:05 | |
Then Gary came in. | 0:18:07 | 0:18:08 | |
He went forward, looking for the baby. | 0:18:10 | 0:18:13 | |
I wanted to go with him, but... | 0:18:14 | 0:18:16 | |
I took the baby from him. | 0:18:21 | 0:18:23 | |
I thought Gary would be right behind me, | 0:18:26 | 0:18:29 | |
that he would be on my shoulder as always, | 0:18:29 | 0:18:31 | |
so I just kept going. | 0:18:31 | 0:18:32 | |
It was in all the papers the next day, the photos of me with the baby in my arms... | 0:18:35 | 0:18:40 | |
the hero... | 0:18:40 | 0:18:43 | |
there was one line about him: | 0:18:43 | 0:18:46 | |
"Officer Gareth White lost his life in the blaze." | 0:18:46 | 0:18:49 | |
-But you brought the baby out... -I should have gone back for Gary. | 0:18:49 | 0:18:52 | |
The upper floor collapsed. They said he didn't stand a... | 0:18:52 | 0:18:56 | |
He would have come back in for me. | 0:18:56 | 0:18:57 | |
I see him every night, in the shop fire, | 0:18:57 | 0:19:01 | |
dragging that beam off me, pulling me out. I owed him the same. | 0:19:01 | 0:19:05 | |
You were ordered not to go back in. | 0:19:05 | 0:19:06 | |
Even then they had to hold you back. | 0:19:06 | 0:19:09 | |
Terry Mills held me back. | 0:19:09 | 0:19:10 | |
Because he was the senior officer. | 0:19:10 | 0:19:14 | |
I'm glad he did. | 0:19:14 | 0:19:16 | |
Do you think Georgia is? | 0:19:16 | 0:19:17 | |
Georgia? | 0:19:17 | 0:19:18 | |
It's Gary's widow. | 0:19:19 | 0:19:22 | |
I've always wanted to say sorry, sorry that I wasn't able to save him, | 0:19:22 | 0:19:28 | |
but I don't even have enough nerve to pick up the phone. | 0:19:28 | 0:19:31 | |
-Why don't you go and see her? -I don't think that's... | 0:19:31 | 0:19:35 | |
There's this thing called Acceptance and Commitment Therapy, for PTSD. | 0:19:35 | 0:19:39 | |
It's a way of reconciling your thoughts of the event | 0:19:39 | 0:19:42 | |
with the reality... | 0:19:42 | 0:19:43 | |
But I remember it. Every detail... | 0:19:43 | 0:19:45 | |
What if Georgia sees it in a whole different way? | 0:19:45 | 0:19:48 | |
But what if she does blame me? | 0:19:48 | 0:19:50 | |
You said you tried to go back in. | 0:19:50 | 0:19:53 | |
What if she doesn't know that? | 0:19:53 | 0:19:55 | |
Being clear about that might be good for both of you. | 0:19:55 | 0:19:58 | |
-Would you come with me? -Nick... | 0:20:02 | 0:20:05 | |
I've got afternoon surgery. | 0:20:05 | 0:20:06 | |
I can't do it on my own. You're a doctor, you can explain what's been happening to me. | 0:20:06 | 0:20:11 | |
Yeah. OK. | 0:20:12 | 0:20:13 | |
KNOCK ON DOOR | 0:20:17 | 0:20:19 | |
-Hi. Can I come in? -Yeah. | 0:20:22 | 0:20:24 | |
-Who was...? -It was Freya. | 0:20:24 | 0:20:27 | |
She was avoiding Heston by pretending to be at a Schubert concert. | 0:20:27 | 0:20:32 | |
Or did she say Sherbert? I don't know. | 0:20:32 | 0:20:35 | |
Is the revision not going very well? | 0:20:35 | 0:20:38 | |
It's not going at all. | 0:20:38 | 0:20:41 | |
Maybe I can help? | 0:20:41 | 0:20:43 | |
DOORBELL RINGS | 0:20:45 | 0:20:46 | |
-Nick... -Georgia. | 0:20:49 | 0:20:52 | |
OK, so, Cherry's Rule No.1 is don't get flustered. | 0:21:06 | 0:21:11 | |
Cherry's rule No.2 is don't get flustered. | 0:21:11 | 0:21:15 | |
That's all right for you, you've got a photographic memory. | 0:21:15 | 0:21:17 | |
Yeah, that's by association. | 0:21:17 | 0:21:20 | |
-Association? -Words, pictures, or sometimes I use songs, | 0:21:20 | 0:21:24 | |
like last week it was a combination of "kama" and "issues" | 0:21:24 | 0:21:28 | |
which reminded me of the faults in the dressings I had to sent back to Sutra Mediware. | 0:21:28 | 0:21:32 | |
Kama...Sutra...Issues. | 0:21:32 | 0:21:34 | |
And did it have to be songs by The Saturdays? | 0:21:34 | 0:21:36 | |
Maybe that's just me. | 0:21:36 | 0:21:39 | |
Listen, I'm good, visually. | 0:21:39 | 0:21:41 | |
So maybe picture association. | 0:21:41 | 0:21:44 | |
OK, what are you revising for at the moment? | 0:21:44 | 0:21:46 | |
I'm looking at issues of guilt. | 0:21:48 | 0:21:50 | |
Subject close to my heart. | 0:21:50 | 0:21:52 | |
What extracts are you using? | 0:21:52 | 0:21:54 | |
Hamlet's second soliloquy: "Oh, what a rogue and peasant slave am I..." | 0:21:54 | 0:21:58 | |
Slave, there's an image to remember... | 0:21:58 | 0:22:01 | |
Yeah, but there's loads of stuff to analyse, all about Hamlet's indecision | 0:22:01 | 0:22:05 | |
and his guilt about not acting on his instincts... | 0:22:05 | 0:22:07 | |
-Why don't I work on it with you? -You're going away with Jimmi. | 0:22:07 | 0:22:11 | |
Let's see how far we get. | 0:22:11 | 0:22:12 | |
-Look, there's no need to for you to come... -I was Group Commander. | 0:22:16 | 0:22:20 | |
-I should have made sure that Gary got out of that house... -He tried to go back in, | 0:22:20 | 0:22:24 | |
-but the senior officer stopped him. -Nick, let's... | 0:22:24 | 0:22:27 | |
Gary was everything to me... | 0:22:27 | 0:22:29 | |
..the closest friend I ever had. | 0:22:30 | 0:22:32 | |
That's nothing compared to... | 0:22:33 | 0:22:35 | |
This is Terry's jacket. | 0:22:40 | 0:22:42 | |
-He, er, stays here sometimes. -You're sleeping with Terry Mills? -We've... | 0:22:42 | 0:22:48 | |
Gary's been dead four months and you're already sleeping with his boss? | 0:22:48 | 0:22:52 | |
-We've been sleeping together for some time. -What, before Gary died? | 0:22:52 | 0:22:55 | |
About a year. But you don't understand... | 0:22:55 | 0:22:58 | |
Terry stopped me from going back in. | 0:23:03 | 0:23:05 | |
-He wanted Gary out of the way. He wanted Gary out of the way so that... -Gary knew. | 0:23:05 | 0:23:09 | |
-About Terry and Georgia. -He was moving out. | 0:23:09 | 0:23:13 | |
-We were splitting up. -He told you? | 0:23:13 | 0:23:16 | |
He told me the morning of the fire. | 0:23:16 | 0:23:19 | |
He was going to tell you that night. | 0:23:19 | 0:23:22 | |
Then you got called to the house, so... | 0:23:22 | 0:23:24 | |
I don't understand. | 0:23:26 | 0:23:27 | |
Why would Garry carry on working under Terry if... | 0:23:27 | 0:23:31 | |
He didn't want to leave my watch. | 0:23:37 | 0:23:39 | |
Nick, you mustn't... | 0:23:39 | 0:23:40 | |
He died because he wanted to stay on my watch. | 0:23:40 | 0:23:43 | |
Nick! | 0:23:46 | 0:23:47 | |
Looking forward to your weekend away? | 0:23:49 | 0:23:52 | |
Yeah. Showing Cherry the Gower. | 0:23:52 | 0:23:54 | |
-Bracing walks in the ozone? -Something like that. Yeah, what about you? | 0:23:54 | 0:23:58 | |
Going to dig out my Schubert. | 0:23:58 | 0:23:59 | |
Freya went to a recital, I want to reconsider his oeuvre. | 0:23:59 | 0:24:03 | |
-Freya went to a Schubert recital? -Amazing what you learn about people. -Yeah, amazing. | 0:24:03 | 0:24:08 | |
Enjoy the music. Throw some shapes for me. | 0:24:08 | 0:24:11 | |
-I hope I haven't put you off doing good works? -Oh, no. | 0:24:11 | 0:24:16 | |
-It's just reminds me that good deeds are not meant to benefit oneself. -Have a nice weekend. | 0:24:16 | 0:24:22 | |
I'm sorry. | 0:24:33 | 0:24:34 | |
I should have told you. | 0:24:36 | 0:24:38 | |
-I thought... -He could have made it out. | 0:24:38 | 0:24:42 | |
He was right behind me. | 0:24:42 | 0:24:43 | |
I don't think he wanted to make it. | 0:24:45 | 0:24:47 | |
-I think he... -Nothing you think is going to change what happened. | 0:24:47 | 0:24:53 | |
It's not your fault. | 0:24:53 | 0:24:55 | |
Gary died that night, because of an accident. | 0:24:55 | 0:24:59 | |
It was his decision to be in there... | 0:25:01 | 0:25:04 | |
..not yours, Nick. | 0:25:05 | 0:25:07 | |
Psychologically, we like to square things up, you know, create an ending. | 0:25:07 | 0:25:12 | |
But events don't always let us do that. | 0:25:12 | 0:25:14 | |
Acceptance will help you move on, clear the way for the future. | 0:25:14 | 0:25:19 | |
And what a great future, especially with the baby coming... | 0:25:19 | 0:25:24 | |
Baby? | 0:25:24 | 0:25:25 | |
Yeah, there's a baby. | 0:25:29 | 0:25:31 | |
MOBILE PHONE RINGS | 0:25:31 | 0:25:34 | |
Daniel, yeah. Look, yes... | 0:25:40 | 0:25:42 | |
I know I should be at... | 0:25:42 | 0:25:44 | |
I'll explain when I get there. | 0:25:44 | 0:25:46 | |
Here we go. It's not far. | 0:25:46 | 0:25:48 | |
# This is my decision Do0 I need permission? # | 0:26:07 | 0:26:12 | |
-Hey... -Oh, Jimmi, listen... -Before you say anything, I just want to say I'm sorry for this morning, | 0:26:12 | 0:26:18 | |
-I was bang out of order. -Jimmi, there's something that I... | 0:26:18 | 0:26:21 | |
Really, OK? | 0:26:21 | 0:26:22 | |
But I'm going to make sure this is the best weekend, OK? | 0:26:22 | 0:26:26 | |
We can't go away this weekend. | 0:26:26 | 0:26:29 | |
-Why not? -Because I'm helping Imogen revise for her exams next week. | 0:26:29 | 0:26:33 | |
-Since when have Imogen's A levels been our problem? -She's a friend. | 0:26:33 | 0:26:37 | |
-And she needs my help. -But... -I'll make it up to you. | 0:26:37 | 0:26:40 | |
How? We've had this planned for ages. | 0:26:40 | 0:26:42 | |
-It's important. -More important than going away with me? | 0:26:42 | 0:26:45 | |
Yes. Sorry. | 0:26:47 | 0:26:49 | |
I will tell him, but not just right now, if you don't mind. | 0:26:56 | 0:27:00 | |
-I don't want him to know. -Don't want him to know what? | 0:27:00 | 0:27:03 | |
-I can get you Viagra if you need it. -Speaking from experience, are we? | 0:27:03 | 0:27:07 | |
When we lost our son, we made a vow... | 0:27:07 | 0:27:09 | |
that life wasn't worth living without the other. | 0:27:09 | 0:27:12 | |
Lillian, I'm a doctor. | 0:27:12 | 0:27:13 | |
We just have to wait, OK? | 0:27:13 | 0:27:15 | |
So you're going to have to lump it like the rest of us! | 0:27:15 | 0:27:18 | |
Subtitles by Red Bee Media Ltd | 0:27:42 | 0:27:43 |