Browse content similar to Sweet Child of Mine. Check below for episodes and series from the same categories and more!
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-Shoplifting. -Ola Banic. She's got a baby. | 0:00:25 | 0:00:28 | |
They're being held in a house on Bracknell Street. | 0:00:28 | 0:00:31 | |
-Mention any names? -Someone called Andrei. | 0:00:31 | 0:00:33 | |
Just help me, is all I ask. | 0:00:33 | 0:00:35 | |
Anything you want is no problem, we don't have to say anything. | 0:00:35 | 0:00:38 | |
Please, I need you to help me. | 0:00:38 | 0:00:40 | |
Let them kill me, if you want, but you have to help my baby! | 0:00:40 | 0:00:42 | |
-Is this your child? -Sofia. -Are you her mother? -How do you know her? | 0:00:42 | 0:00:46 | |
-Do you recognise any of these men? -This is Andrei. | 0:00:46 | 0:00:49 | |
What about that man? | 0:00:49 | 0:00:51 | |
This one, I know. He came to the house one time. | 0:00:51 | 0:00:53 | |
One time he brought Sofia back. | 0:00:53 | 0:00:56 | |
Mr Graham. They called him Graham. | 0:00:56 | 0:00:58 | |
I've checked the records for every adoption meeting | 0:00:58 | 0:01:01 | |
in the last two months. | 0:01:01 | 0:01:03 | |
Graham Lindsay was at every meeting, bar one. | 0:01:03 | 0:01:05 | |
-No. -He's Andrei's inside man, he has to be. | 0:01:05 | 0:01:08 | |
Graham Lindsay... Detective Chief Inspector Driver. | 0:01:16 | 0:01:21 | |
Sergeant Hollins. | 0:01:21 | 0:01:22 | |
-Can I help? -You are under arrest for baby trafficking. -Baby trafficking? | 0:01:22 | 0:01:26 | |
Get his computer and the rest of his stuff bagged up and taken back to the station. | 0:01:26 | 0:01:29 | |
You do not have to say anything, but it may harm your defence | 0:01:29 | 0:01:32 | |
if you do not mention when questioned something you later rely on in court. | 0:01:32 | 0:01:35 | |
Anything you do say may be given in evidence. | 0:01:35 | 0:01:37 | |
You're getting too attached. | 0:01:45 | 0:01:46 | |
She's my baby. | 0:01:46 | 0:01:48 | |
Hannah, Jenica. | 0:01:56 | 0:01:58 | |
You want her? | 0:02:07 | 0:02:08 | |
She's yours. | 0:02:09 | 0:02:10 | |
Make him happy, Hannah. | 0:02:11 | 0:02:13 | |
Got some more girls coming in the next couple of days. | 0:02:21 | 0:02:25 | |
They'll need some discipline, so make sure you're around. | 0:02:25 | 0:02:27 | |
SHE GRUNTS | 0:02:44 | 0:02:46 | |
Do you want a hand, Mrs Tembe? | 0:02:51 | 0:02:53 | |
It is nearly lunchtime and the decorators have failed to arrive. | 0:02:53 | 0:02:56 | |
Maybe they got held up. | 0:02:56 | 0:02:57 | |
It is most unprofessional. If I could only get... | 0:02:57 | 0:03:01 | |
Mr Goswell! | 0:03:03 | 0:03:05 | |
Never fear, the cavalry's here. | 0:03:05 | 0:03:08 | |
Darrell, get that shifted. | 0:03:08 | 0:03:09 | |
You are over two hours late. | 0:03:09 | 0:03:12 | |
I had to hang around. | 0:03:12 | 0:03:14 | |
For the paint. | 0:03:14 | 0:03:16 | |
They had to do it special. | 0:03:16 | 0:03:18 | |
And it is definitely the right colour? | 0:03:18 | 0:03:20 | |
No worry on that, Mrs Tembe, it's as per your instructions, I can assure you of that. | 0:03:20 | 0:03:24 | |
Good... Good. Excellent. | 0:03:24 | 0:03:28 | |
All the furniture needs to be covered. | 0:03:28 | 0:03:30 | |
Mrs Tembe, maybe we should leave them to it? | 0:03:30 | 0:03:32 | |
I'll go and make us a nice coffee. | 0:03:32 | 0:03:34 | |
White with, white without, and a couple of dunkers would be nice. | 0:03:34 | 0:03:38 | |
You're letting her walk all over you? | 0:03:43 | 0:03:44 | |
I couldn't bring myself to say no to her. | 0:03:44 | 0:03:47 | |
Tell me you didn't give in and take her to your craft group? | 0:03:47 | 0:03:49 | |
She's such a pushover. | 0:03:49 | 0:03:52 | |
The decorators are here. | 0:03:52 | 0:03:53 | |
They've not even opened a tin and already they want a coffee. | 0:03:53 | 0:03:56 | |
Mrs Tembe's having a sit down. | 0:03:56 | 0:03:58 | |
-I've had a eureka moment. -Here we go. | 0:03:59 | 0:04:02 | |
It came to me last night while I was in bed. | 0:04:02 | 0:04:04 | |
What did? | 0:04:04 | 0:04:06 | |
Well, if you're working at the Campus and I'm here, | 0:04:06 | 0:04:09 | |
we don't always get to see each other, so I thought - what if we sync our diaries electronically, | 0:04:09 | 0:04:14 | |
then we'll always know what the other one's doing. | 0:04:14 | 0:04:17 | |
What do you think? | 0:04:17 | 0:04:18 | |
I don't know if I really like that idea. | 0:04:18 | 0:04:20 | |
I need my own space. | 0:04:20 | 0:04:22 | |
What if we left Sundays off? | 0:04:22 | 0:04:24 | |
Day of rest. | 0:04:24 | 0:04:25 | |
You can put a tracking device on Mandy's mobile phone, | 0:04:25 | 0:04:28 | |
then you'd know where she is all the time. | 0:04:28 | 0:04:30 | |
Valerie, you're becoming too clingy. | 0:04:30 | 0:04:32 | |
Clingy? | 0:04:32 | 0:04:33 | |
But you invited me to lunch and your craft group, | 0:04:34 | 0:04:37 | |
-so I thought you liked me. -Yeah, I do, but you invited yourself. | 0:04:37 | 0:04:41 | |
I better get these to the decorators before they get cold. | 0:04:44 | 0:04:47 | |
Right then, Mr Lindsay, you are an administrator at Letherbridge Adoption Action, | 0:04:50 | 0:04:55 | |
-is that correct? -Yes. | 0:04:55 | 0:04:56 | |
And you have access to the names and addresses of couples wishing to adopt? | 0:04:56 | 0:05:00 | |
For the benefit of the tape, please. | 0:05:02 | 0:05:04 | |
Yes. OK? | 0:05:04 | 0:05:06 | |
Have you ever passed that information on to someone outside the organisation? | 0:05:06 | 0:05:10 | |
Of course not, it's confidential information. | 0:05:10 | 0:05:12 | |
We have reason to believe you've been passing information about childless couples to a third party. | 0:05:12 | 0:05:17 | |
Rubbish. No way. Why would I do that? | 0:05:17 | 0:05:20 | |
Money. | 0:05:20 | 0:05:22 | |
What do you know about Andrei Mitkov? | 0:05:22 | 0:05:24 | |
-Who? -You heard. Mitkov. | 0:05:24 | 0:05:26 | |
He sells babies to childless couples. | 0:05:26 | 0:05:29 | |
You think I'm involved with someone like that? | 0:05:29 | 0:05:31 | |
-This is ridiculous. -You live in a nice area, Mr Lindsay. Big house. | 0:05:31 | 0:05:36 | |
Nice car. Nice watch. | 0:05:36 | 0:05:38 | |
You've obviously got expensive tastes. | 0:05:38 | 0:05:41 | |
What I do with my money is nothing to do with you. | 0:05:41 | 0:05:44 | |
No, but how you get it is. | 0:05:44 | 0:05:46 | |
And you don't earn enough for a fortnight in Llandudno. | 0:05:46 | 0:05:49 | |
So where does it come from? | 0:05:49 | 0:05:50 | |
Look, somewhere along the line you've got me mixed up with someone else. | 0:05:53 | 0:05:56 | |
I just do my job and push paper around all day. | 0:05:56 | 0:05:59 | |
If I could help, I would, but I don't know this Mr Mitkov, | 0:05:59 | 0:06:03 | |
I've never met him, or even spoken to him. | 0:06:03 | 0:06:06 | |
Calls made from your mobile tell a different story. | 0:06:06 | 0:06:10 | |
Stop wasting my time. | 0:06:12 | 0:06:14 | |
All yours, mate. | 0:06:22 | 0:06:23 | |
I won't let him have my baby. He cannot make me. | 0:06:50 | 0:06:53 | |
Jenica. If he hears you it will make him angry. | 0:06:53 | 0:06:55 | |
How can you let him take Sofia? How? | 0:06:55 | 0:06:58 | |
-What is this? -No! -You are going? | 0:06:59 | 0:07:01 | |
You must promise me not to say anything. | 0:07:03 | 0:07:04 | |
What are you going to do? | 0:07:04 | 0:07:07 | |
Ola, if you are, please, please, take me with you. | 0:07:07 | 0:07:10 | |
Don't be so stupid, where would I go? | 0:07:10 | 0:07:12 | |
You will be all right. You and your baby... | 0:07:19 | 0:07:21 | |
You two got nothing better to do? | 0:07:23 | 0:07:25 | |
What's this? | 0:07:33 | 0:07:35 | |
It's Sofia's old baby clothes, she is too big for them now. | 0:07:36 | 0:07:40 | |
You spoke to Mitkov this morning. What did you talk about? | 0:07:58 | 0:08:04 | |
No comment. | 0:08:04 | 0:08:05 | |
He's preying on childless couples. | 0:08:05 | 0:08:07 | |
He makes money out of their misery, and he can only do that | 0:08:07 | 0:08:12 | |
because parasites like you provide him with the names. | 0:08:12 | 0:08:15 | |
He sells babies like bags of sugar. | 0:08:15 | 0:08:19 | |
Colin and Laura Mowbray, remember them? | 0:08:19 | 0:08:23 | |
-No comment. -Course you do. You passed their names to Mitkov, | 0:08:25 | 0:08:28 | |
who then built up their hopes of having a baby, | 0:08:28 | 0:08:30 | |
then did a runner with their money. | 0:08:30 | 0:08:32 | |
How many more names did you give him? | 0:08:32 | 0:08:34 | |
No comment. | 0:08:34 | 0:08:36 | |
No comment? | 0:08:36 | 0:08:37 | |
Do you think by saying that it's going to get you off the hook? | 0:08:37 | 0:08:40 | |
We have a witness statement that places you firmly in the frame. | 0:08:41 | 0:08:46 | |
Who from? | 0:08:46 | 0:08:48 | |
It's lies. | 0:08:49 | 0:08:51 | |
We have enough evidence to see you slopping out | 0:08:51 | 0:08:54 | |
in prison for a good few years to come. | 0:08:54 | 0:08:56 | |
It's not my fault. | 0:09:02 | 0:09:03 | |
He threatened me. | 0:09:05 | 0:09:06 | |
I was scared. | 0:09:06 | 0:09:08 | |
Go on. | 0:09:08 | 0:09:09 | |
He followed me home. | 0:09:09 | 0:09:11 | |
He told me we would be helping childless couples, that it was a good thing we were doing. | 0:09:13 | 0:09:17 | |
The babies were going to loving parents, | 0:09:18 | 0:09:21 | |
people who really wanted them. | 0:09:21 | 0:09:23 | |
What was your cut? | 0:09:23 | 0:09:25 | |
20%. | 0:09:26 | 0:09:28 | |
You weren't helping anyone but yourself. | 0:09:28 | 0:09:31 | |
But the birth mothers were tarts who didn't want them. | 0:09:31 | 0:09:34 | |
You sell their babies, | 0:09:36 | 0:09:39 | |
how dare you moralise? | 0:09:39 | 0:09:42 | |
MUSIC BLARES | 0:09:44 | 0:09:46 | |
What have you done? | 0:09:50 | 0:09:51 | |
TURNS MUSIC OFF | 0:09:52 | 0:09:53 | |
What have you done? | 0:09:55 | 0:09:57 | |
What? Problem? | 0:09:57 | 0:09:59 | |
Problem? Look what you have done to Mr Bellamy's office. | 0:09:59 | 0:10:03 | |
It is supposed to be cabbage drab. | 0:10:03 | 0:10:07 | |
You colour blind or something? You opened the wrong paint. | 0:10:09 | 0:10:12 | |
I can't apologise enough for this, Mrs Tembe. | 0:10:12 | 0:10:16 | |
You turn your back for five minutes... | 0:10:16 | 0:10:17 | |
Never you mind. I'll soon put it straight. | 0:10:17 | 0:10:20 | |
You promised me that this would be finished by the end of the day. | 0:10:20 | 0:10:24 | |
And it will be, Mrs Tembe. It will. | 0:10:24 | 0:10:26 | |
MUSIC BLARES | 0:10:33 | 0:10:35 | |
I will keep these safe until your next tea-break. | 0:10:41 | 0:10:45 | |
'Mrs Farrell, it's Andrei. I need to bring our appointment for Sofia forward. | 0:10:49 | 0:10:53 | |
'I'm looking at later today. Please call me.' | 0:10:53 | 0:10:57 | |
He left that message when we were interviewing Graham Lindsay. | 0:10:57 | 0:11:00 | |
The handover's meant to be tomorrow. | 0:11:00 | 0:11:03 | |
-Do we know why he's brought it forward? -Could've have had a tip-off about us picking up Lindsay. | 0:11:03 | 0:11:07 | |
I don't like it. | 0:11:07 | 0:11:09 | |
If he wants the money early, it could mean he's planning to do a runner. | 0:11:09 | 0:11:12 | |
Or Ola's said something. | 0:11:12 | 0:11:14 | |
-Did you get anything out of Lindsay? -He put his hands up, but didn't give us anything we didn't know. | 0:11:14 | 0:11:18 | |
What about the stuff in his office? | 0:11:18 | 0:11:21 | |
Working on it. | 0:11:21 | 0:11:22 | |
So we know Mitkov makes his money from setting up girls | 0:11:22 | 0:11:25 | |
for prostitution, and turning some of them into baby-making machines. | 0:11:25 | 0:11:28 | |
Any idea how many babies we're talking about? | 0:11:28 | 0:11:31 | |
-No. But we do know that Sofia is next on the list. -Maybe we should go ahead with the handover. | 0:11:31 | 0:11:35 | |
We're not set up for it, | 0:11:35 | 0:11:37 | |
and we can't chance it when he's got a baby in tow. | 0:11:37 | 0:11:39 | |
And if he is onto us, there's no knowing what he might do. | 0:11:39 | 0:11:43 | |
We're going in, now. | 0:11:46 | 0:11:47 | |
-Have we got the go-ahead? -I'm giving you the go-ahead. So get moving. | 0:11:47 | 0:11:50 | |
KNOCKING | 0:11:54 | 0:11:56 | |
-Mrs Tembe asked me to give you these. -Thank you. | 0:11:56 | 0:11:59 | |
Valerie? | 0:11:59 | 0:12:00 | |
I am sorry if I upset you earlier. | 0:12:00 | 0:12:04 | |
Don't be, I know I get on people's nerves. | 0:12:04 | 0:12:08 | |
You can be a bit... a bit full on sometimes. | 0:12:08 | 0:12:13 | |
But I'm still your friend. | 0:12:13 | 0:12:15 | |
What's the matter with her now? | 0:12:21 | 0:12:23 | |
I don't know, I just can't seem to get it right with her. | 0:12:23 | 0:12:25 | |
Don't talk rubbish, you couldn't be nicer. | 0:12:25 | 0:12:28 | |
She just doesn't know when to back off. | 0:12:28 | 0:12:30 | |
She's lonely, and I don't want her feeling like she's being picked on. | 0:12:30 | 0:12:34 | |
You're too soft. | 0:12:34 | 0:12:35 | |
She just needs to get out a bit, I think, broaden her social circle. | 0:12:35 | 0:12:39 | |
Then tell her. | 0:12:39 | 0:12:41 | |
I don't think it would go down well. | 0:12:41 | 0:12:43 | |
So what? It will do her good. | 0:12:44 | 0:12:47 | |
You could tell her. But nicely. | 0:12:47 | 0:12:49 | |
Yes, sir, I'm aware of that. | 0:13:02 | 0:13:07 | |
Yeah. I'm onto that. Yeah. Thank you. | 0:13:07 | 0:13:11 | |
'We're at the suspect's house. Where are you, boss? Over.' | 0:13:11 | 0:13:13 | |
We're on our way. ETA ten minutes. | 0:13:13 | 0:13:16 | |
PHONE RINGS | 0:13:16 | 0:13:17 | |
It's him again. | 0:13:23 | 0:13:25 | |
-Andrei, hello. How's Sofia? -I've been trying to get hold of you all morning. | 0:13:29 | 0:13:34 | |
Think there must be something wrong with my phone, | 0:13:34 | 0:13:36 | |
dodgy signal or something. | 0:13:36 | 0:13:37 | |
I've got some good news for you, Mrs Farrell. You can have Sofia today. | 0:13:37 | 0:13:42 | |
Today? That's... That's wonderful. | 0:13:42 | 0:13:45 | |
-I trust you have the money? -I'll have to go to the bank. | 0:13:45 | 0:13:48 | |
And my husband's still at work. | 0:13:48 | 0:13:50 | |
Can we make it later? | 0:13:50 | 0:13:51 | |
-How much later? -a few hours? | 0:13:54 | 0:13:57 | |
Mrs Farrell, there are plenty of others that would have little Sofia... | 0:13:57 | 0:14:00 | |
No, no, please! I'll get your money! | 0:14:00 | 0:14:03 | |
Just give me a few hours. | 0:14:03 | 0:14:05 | |
You all right? | 0:14:10 | 0:14:11 | |
No, not really. | 0:14:11 | 0:14:14 | |
We've got to eat, Mrs Tembe. | 0:14:46 | 0:14:48 | |
A man can't work on an empty stomach. | 0:14:48 | 0:14:50 | |
-You will never have it finished in time. -Oh, ye of little faith. | 0:14:52 | 0:14:55 | |
I have plenty of faith, but not in you. | 0:14:55 | 0:14:58 | |
Look at the state of these walls. | 0:14:58 | 0:15:01 | |
Now, now, there's no point getting your knickers in a twist. | 0:15:01 | 0:15:04 | |
I said it would be done by the end of the day | 0:15:04 | 0:15:07 | |
and it will be. So if you don't mind, Mrs Tembe, | 0:15:07 | 0:15:10 | |
I'd now like to finish my lunch. | 0:15:10 | 0:15:12 | |
I might go away for Christmas. | 0:15:21 | 0:15:24 | |
I might tag along - and change my name to Valerie. | 0:15:24 | 0:15:27 | |
Mandy said she might go away for Christmas. | 0:15:30 | 0:15:33 | |
Don't worry, I won't invite myself to anything you're planning. | 0:15:33 | 0:15:36 | |
-Ouch! -Val, don't be like that. | 0:15:36 | 0:15:38 | |
Sometimes I think I must have BO or bad breath. | 0:15:38 | 0:15:40 | |
-You haven't. -And I'd tell you if you did. | 0:15:40 | 0:15:42 | |
I've made myself look like a right Billy No-Mates, it's embarrassing. | 0:15:42 | 0:15:46 | |
When I worked at the PCT there was always something going on, | 0:15:46 | 0:15:49 | |
someone to chat to, but with the redundancies, | 0:15:49 | 0:15:52 | |
we sort of drifted apart. | 0:15:52 | 0:15:54 | |
Weekends are the worst. | 0:15:54 | 0:15:56 | |
Everyone always seems to have somewhere to go, or someone to see. | 0:15:56 | 0:16:00 | |
You need new friends. | 0:16:00 | 0:16:01 | |
That's what I thought I had here. | 0:16:01 | 0:16:02 | |
You do, but you're too full on, you frighten people away. | 0:16:02 | 0:16:06 | |
Why do I? | 0:16:06 | 0:16:08 | |
You're a bit suffocating. | 0:16:08 | 0:16:09 | |
There's no point moping about it, you've got to do something. | 0:16:09 | 0:16:14 | |
-Like what? -Evening classes. Book clubs. | 0:16:14 | 0:16:16 | |
Hobby groups. | 0:16:16 | 0:16:19 | |
And another thing - talk less and listen more. | 0:16:19 | 0:16:21 | |
Carry on, don't stop on my account. | 0:16:21 | 0:16:23 | |
Just think of me as another one of the girls. | 0:16:23 | 0:16:25 | |
Get the local newspapers. | 0:16:27 | 0:16:30 | |
See... See what's going on. | 0:16:30 | 0:16:32 | |
HE WHISTLES | 0:16:32 | 0:16:35 | |
That is Doctor Carter's best china teacup. | 0:16:38 | 0:16:41 | |
Mrs Tembe... | 0:16:41 | 0:16:43 | |
It's only a bit of emulsion, it'll soon rinse out. | 0:16:43 | 0:16:46 | |
I can put up with most things, but this... | 0:16:46 | 0:16:49 | |
Why don't you make us a nice cup of tea and calm yourself down. | 0:16:49 | 0:16:53 | |
Calm myself? I do not think so. | 0:16:53 | 0:16:57 | |
Not only were you two hours late, | 0:16:57 | 0:17:00 | |
but your conduct has been most unprofessional. | 0:17:00 | 0:17:04 | |
Now if you do not get back to work right away... | 0:17:04 | 0:17:06 | |
Darrell! | 0:17:06 | 0:17:07 | |
Darrell, pack up your things, we're out of here. | 0:17:07 | 0:17:11 | |
You have the office to finish. | 0:17:11 | 0:17:13 | |
Not any more. You want it done, you do it. | 0:17:13 | 0:17:17 | |
You said it would be done today. | 0:17:19 | 0:17:22 | |
I am scandalised by your behaviour, | 0:17:22 | 0:17:26 | |
and will you stop looking at my chest area! | 0:17:26 | 0:17:28 | |
THEY LAUGH | 0:17:35 | 0:17:37 | |
Doru! | 0:17:45 | 0:17:47 | |
Get Ola in here - now. | 0:17:49 | 0:17:51 | |
Ah... Look at the wonderful job you are doing. | 0:18:05 | 0:18:08 | |
I hope you don't mind, I thought I'd just get started. | 0:18:08 | 0:18:11 | |
I know how much you wanted to get it done for Howard. | 0:18:11 | 0:18:13 | |
I do... I hate letting people down. | 0:18:13 | 0:18:17 | |
Unlike me. | 0:18:18 | 0:18:19 | |
There's you very kindly inviting me to church last Sunday | 0:18:19 | 0:18:22 | |
and I didn't turn up. | 0:18:22 | 0:18:24 | |
It was very rude of me, Mrs Tembe, and I'm very sorry. | 0:18:24 | 0:18:26 | |
Apology accepted. | 0:18:26 | 0:18:29 | |
We will have to stop once surgery starts. | 0:18:31 | 0:18:34 | |
Maybe we can come back this evening and finish off? | 0:18:34 | 0:18:37 | |
There is rather a lot of work to be done here. | 0:18:37 | 0:18:40 | |
And I am going to see the local amateur dramatic society's new production tonight. | 0:18:40 | 0:18:46 | |
I love the theatre. I haven't been for ages. | 0:18:46 | 0:18:49 | |
What are you going to see? | 0:18:49 | 0:18:51 | |
Lady, Don't Fall Backwards. | 0:18:51 | 0:18:53 | |
Really? | 0:18:53 | 0:18:54 | |
I'd love to see that. If only I'd known. Never mind. | 0:18:54 | 0:19:00 | |
All right? We thought you might want all hands on deck. | 0:19:00 | 0:19:03 | |
The more, the merrier. | 0:19:03 | 0:19:04 | |
-If you would like to come and see the production tonight, I could try and get you a ticket. -Would you? | 0:19:09 | 0:19:15 | |
They will be very hard to obtain, | 0:19:15 | 0:19:17 | |
they're like gold dust. | 0:19:17 | 0:19:20 | |
But I have my connections. | 0:19:20 | 0:19:22 | |
It'll be brilliant if you can, thank you, Mrs Tembe. | 0:19:22 | 0:19:25 | |
Looks like you're off the hook. | 0:19:25 | 0:19:28 | |
No, no. no. No, no, no. | 0:19:29 | 0:19:32 | |
It is all in the wrist action. | 0:19:35 | 0:19:37 | |
Up, down, up, down. | 0:19:37 | 0:19:43 | |
Not this sideways, that is no good. All right? | 0:19:43 | 0:19:46 | |
-Andrei, please let me go, I have done nothing. -Where were you yesterday? | 0:19:46 | 0:19:49 | |
I couldn't get out of a car. | 0:19:49 | 0:19:50 | |
-You talked to the police, didn't you? -No. | 0:19:50 | 0:19:53 | |
Ola, Ola, Ola. I can smell your betrayal. | 0:19:53 | 0:19:56 | |
-I would never say anything... Aargh! -Get Sofia. -No, please. | 0:19:56 | 0:19:59 | |
Andrei, please, not Sofia. | 0:19:59 | 0:20:02 | |
Boss, | 0:20:06 | 0:20:08 | |
all units in place, at the rear of the house. | 0:20:08 | 0:20:11 | |
No sign of the suspect. | 0:20:11 | 0:20:12 | |
-Move! -Do what you want to me, Andrei, but please leave my baby, | 0:20:12 | 0:20:16 | |
not Sofia, please. | 0:20:16 | 0:20:17 | |
Out of my way. | 0:20:17 | 0:20:19 | |
-Where is she? -I won't tell you! | 0:20:19 | 0:20:20 | |
-Tell me! Where is she? -I'll never tell you! I'd rather die! -You'll pay for this. | 0:20:20 | 0:20:24 | |
I'll come back one day and find you both and I'll kill you. | 0:20:24 | 0:20:28 | |
Make Sofia an orphan. | 0:20:28 | 0:20:29 | |
And when she grows up, I'll turn her into a whore, just like her mother! | 0:20:29 | 0:20:33 | |
-Move! -No, no, no! -Out! | 0:20:35 | 0:20:38 | |
Suspect leaving the premises with baby. I want him stopped. | 0:20:43 | 0:20:47 | |
DI Wood, Letherbridge Police Station. | 0:20:52 | 0:20:55 | |
Pass the baby to the officer beside you, please sir. | 0:20:55 | 0:20:58 | |
Hand over the baby. | 0:21:00 | 0:21:01 | |
Slowly, carefully, hand the baby to the officer. | 0:21:03 | 0:21:08 | |
-Move! -No! Please, Andrei. | 0:21:10 | 0:21:11 | |
-Let me go! -Suspect sighted at the back of the premises. | 0:21:11 | 0:21:15 | |
I don't want to go, please. | 0:21:17 | 0:21:19 | |
I've got sight of Mitkov. | 0:21:19 | 0:21:21 | |
He's going through the rear garden towards Brandhill Road. | 0:21:21 | 0:21:24 | |
Got a young woman with him. Possible hostage. | 0:21:24 | 0:21:27 | |
-Are you sure it's Andrei? -Positive sighting. Repeat. Positive sighting. | 0:21:27 | 0:21:32 | |
We've been set up. Have him. | 0:21:32 | 0:21:33 | |
-What if... -I said have him. -Move in. | 0:21:33 | 0:21:36 | |
Stop! | 0:21:36 | 0:21:39 | |
-Back off! -What are you doing? | 0:21:44 | 0:21:45 | |
The suspect is heading north on Brandhill Road, | 0:21:55 | 0:21:58 | |
he's hijacked a car. | 0:21:58 | 0:21:59 | |
I'm in pursuit! Requesting back up. | 0:21:59 | 0:22:02 | |
Go, go, go. | 0:22:08 | 0:22:10 | |
No. | 0:22:10 | 0:22:11 | |
He knows I told you. | 0:22:11 | 0:22:12 | |
He knows I went to the police. | 0:22:12 | 0:22:15 | |
Ola, please, take it steady. Go back inside the house. | 0:22:15 | 0:22:19 | |
You used me and I trusted you. | 0:22:19 | 0:22:22 | |
Ola, please, let's talk about it inside. | 0:22:22 | 0:22:23 | |
Why, so you can tell me more lies? | 0:22:23 | 0:22:26 | |
You promised you would keep my baby safe. | 0:22:26 | 0:22:30 | |
I will. I promise. We'll get him, we'll lock him away. You can start again. | 0:22:30 | 0:22:33 | |
It doesn't matter what you do to him, | 0:22:33 | 0:22:35 | |
he will never leave me in peace. | 0:22:35 | 0:22:37 | |
He will punish us both for what I have done. | 0:22:37 | 0:22:39 | |
I'll never let that happen. Never. | 0:22:39 | 0:22:41 | |
That's lies! | 0:22:41 | 0:22:42 | |
BABY CRIES No. | 0:22:42 | 0:22:45 | |
Suspect heading your way. Get into position now! | 0:22:45 | 0:22:48 | |
Stay back. | 0:22:58 | 0:22:59 | |
-Let her go. -Back off! | 0:23:00 | 0:23:03 | |
Mr Farrell. | 0:23:03 | 0:23:04 | |
How very nice to see you again. | 0:23:04 | 0:23:06 | |
Just let the girl go. | 0:23:06 | 0:23:08 | |
One step closer, she'll feel how sharp it is. | 0:23:08 | 0:23:09 | |
-Let's just all calm down. -Back off! | 0:23:09 | 0:23:13 | |
This isn't going to work, Andrei. | 0:23:13 | 0:23:14 | |
Where's the scraggy little bitch who played your barren wife? | 0:23:14 | 0:23:17 | |
THEY GRUNT | 0:23:20 | 0:23:21 | |
Andrei Mitkov, I'm arresting you for trafficking children. | 0:23:26 | 0:23:28 | |
You do not have to say anything, but it may harm your defence | 0:23:28 | 0:23:31 | |
if you do not mention when questioned something you later rely on in court. | 0:23:31 | 0:23:34 | |
Anything you do say may be given in evidence. | 0:23:34 | 0:23:37 | |
Ola... | 0:23:37 | 0:23:40 | |
Stop! If you come any nearer, I will jump. | 0:23:40 | 0:23:42 | |
OK, if that's what you want, I'll stay here, I promise. | 0:23:42 | 0:23:45 | |
Boss, we've got him! | 0:23:45 | 0:23:49 | |
Ola, please come in. | 0:23:49 | 0:23:50 | |
Our lives are over. We will never be safe from Andrei. | 0:23:50 | 0:23:53 | |
No, no. We've got him. He's been arrested. | 0:23:53 | 0:23:56 | |
He will get off. He will go to prison for one year or two, | 0:23:56 | 0:24:02 | |
but then he'll get out he will find us. | 0:24:02 | 0:24:03 | |
He'll stay in prison for a very long time and when he comes out | 0:24:03 | 0:24:07 | |
there is no way he'll ever find you and Sofia, I'll promise that. | 0:24:07 | 0:24:12 | |
You say that now, but you will forget. | 0:24:12 | 0:24:14 | |
No. I keep my word. | 0:24:14 | 0:24:16 | |
I don't want Sofia to know what kind of mother she has. | 0:24:21 | 0:24:24 | |
She has a mother who is brave enough to speak out. | 0:24:24 | 0:24:27 | |
When she's older, she'll understand, and be very proud. | 0:24:27 | 0:24:31 | |
-I wanted to be such a good mother. -You are. | 0:24:33 | 0:24:36 | |
Look at her. | 0:24:36 | 0:24:38 | |
She's beautiful. | 0:24:38 | 0:24:39 | |
You have her. You would make a better mother than me. | 0:24:42 | 0:24:46 | |
I wouldn't. | 0:24:46 | 0:24:47 | |
I put my career before children. | 0:24:47 | 0:24:50 | |
You were prepared to risk your life for your daughter. | 0:24:53 | 0:24:56 | |
Ola, if you do this, it's what Andrei wants you to do. | 0:24:57 | 0:25:01 | |
Please, Sofia needs you to be strong. | 0:25:01 | 0:25:04 | |
Please, don't let him win. | 0:25:05 | 0:25:08 | |
You're free. | 0:25:09 | 0:25:10 | |
You and your baby are free. | 0:25:10 | 0:25:13 | |
Boss. | 0:25:34 | 0:25:36 | |
Come here you...gorgeous thing! | 0:25:44 | 0:25:47 | |
You'd better not be doing you know what! | 0:25:47 | 0:25:50 | |
If I'm not ready, I can't go. | 0:25:50 | 0:25:53 | |
Call yourselves medical professionals? | 0:25:53 | 0:25:56 | |
If she misses this slot, it'll be months before she gets another one. | 0:25:56 | 0:25:59 | |
But we can't even get her to open the door, let alone into the car. | 0:25:59 | 0:26:03 | |
I don't know why she's so upset. I never said she was ugly or anything. | 0:26:03 | 0:26:06 | |
Subtitles by Red Bee Media Ltd | 0:26:22 | 0:26:25 |