Browse content similar to Difficulty. Check below for episodes and series from the same categories and more!
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# Everybody's gonna love today Gonna love today, gonna love today | 0:00:26 | 0:00:30 | |
# Everybody's gonna love today Gonna love today... # | 0:00:30 | 0:00:33 | |
CAR HORN BLARES | 0:00:35 | 0:00:37 | |
Yes, I know, he will be here in a moment. Please! | 0:00:43 | 0:00:46 | |
Oh, sorry, everyone. Two ticks. | 0:00:49 | 0:00:51 | |
-Are you all right? -I'm fine. It's my bike that's knackered. | 0:00:51 | 0:00:54 | |
We should get someone to have a look at you. | 0:00:54 | 0:00:56 | |
No, it's fine, honestly. | 0:00:56 | 0:00:58 | |
Will you put my bloods back half an hour, please? | 0:00:58 | 0:01:00 | |
-Yes, of course. -I just don't want to keep them hanging around. | 0:01:00 | 0:01:03 | |
-Should I tell Dr Reid? -No! No. | 0:01:03 | 0:01:05 | |
-Morning. -Hi. | 0:01:05 | 0:01:07 | |
-All right? -Uh-huh. -Listen, you know we talked about that training day? -Sorry? | 0:01:07 | 0:01:12 | |
You said you might be interested. It was a few weeks ago. | 0:01:12 | 0:01:16 | |
-Well, I'm not. -Well, I've booked you in. | 0:01:16 | 0:01:18 | |
Well, booked us both in, actually. For today. | 0:01:18 | 0:01:22 | |
Howard, I'm up to my eyes in patients all day. | 0:01:22 | 0:01:25 | |
-Precisely. It'll give you a break. -Doing what? | 0:01:25 | 0:01:28 | |
Learning the art of difficult conversation. | 0:01:31 | 0:01:34 | |
I don't think so, do you? | 0:01:34 | 0:01:36 | |
I don't know, you might like it. | 0:01:36 | 0:01:37 | |
What, all that soul searching and role play? | 0:01:37 | 0:01:39 | |
-It isn't like that. -And team bonding. | 0:01:39 | 0:01:42 | |
It is rather a nice hotel. | 0:01:42 | 0:01:44 | |
Oh, well! Why didn't you say? | 0:01:44 | 0:01:46 | |
I mean, if you just wanted to get me into a hotel... | 0:01:46 | 0:01:52 | |
I'm sorry? | 0:01:52 | 0:01:54 | |
You needn't have gone to the bother of booking a training day, I mean... | 0:01:54 | 0:01:57 | |
Emma! | 0:01:57 | 0:01:58 | |
Sorry. | 0:01:59 | 0:02:00 | |
Oh, forget it. I'll ask someone else. I'll ask Heston. | 0:02:00 | 0:02:04 | |
-No, I'll go. -Not on my account. | 0:02:04 | 0:02:06 | |
Look, as long as there is no prancing about or dressing up, | 0:02:06 | 0:02:10 | |
or one group hug! | 0:02:10 | 0:02:11 | |
I am very sorry, Mr Treadwell. | 0:02:12 | 0:02:15 | |
I should think you are. | 0:02:15 | 0:02:16 | |
But it really could not be helped. | 0:02:16 | 0:02:19 | |
This is very inconvenient. | 0:02:19 | 0:02:21 | |
We will see you at 11.30. | 0:02:21 | 0:02:24 | |
Goodbye. | 0:02:24 | 0:02:25 | |
Typical! | 0:02:28 | 0:02:30 | |
What now? | 0:02:30 | 0:02:32 | |
People messing me about. | 0:02:32 | 0:02:33 | |
Who is it? | 0:02:33 | 0:02:34 | |
Oh, Kayley at the salon. | 0:02:34 | 0:02:37 | |
Not another late night? | 0:02:37 | 0:02:39 | |
Do you know, there are some mornings when she can hardly hold the scissors. | 0:02:39 | 0:02:43 | |
Er... Where's my new shirt? | 0:02:44 | 0:02:48 | |
In the wardrobe. | 0:02:48 | 0:02:49 | |
-Where? -You need some new glasses, you do. | 0:02:49 | 0:02:53 | |
Hi, Angie. | 0:02:58 | 0:02:59 | |
'Morning.' | 0:02:59 | 0:03:01 | |
-Is this a bad time? -No, that's all right. You just caught me. | 0:03:01 | 0:03:04 | |
Are we still on for this morning? | 0:03:04 | 0:03:06 | |
-Of course. -Good. Do you mind if we make it one instead? | 0:03:06 | 0:03:10 | |
-At the flat? -Perfect. | 0:03:10 | 0:03:12 | |
Thanks, Brian. | 0:03:12 | 0:03:14 | |
-It was right in front of you. -Ta. | 0:03:16 | 0:03:18 | |
Well...? | 0:03:29 | 0:03:31 | |
Hi! | 0:03:32 | 0:03:34 | |
-Rowena? -And you must be Howard. | 0:03:34 | 0:03:36 | |
Nice to meet you. | 0:03:36 | 0:03:38 | |
And Dr Reid? | 0:03:38 | 0:03:40 | |
Rowena Cork. | 0:03:40 | 0:03:42 | |
Emma's fine. | 0:03:42 | 0:03:44 | |
Would you mind just...? | 0:03:44 | 0:03:46 | |
-Thank you. -Right, now, let me get this right, and don't help me. | 0:03:46 | 0:03:51 | |
-This is Nigel and he's in finance. -How do you do? | 0:03:51 | 0:03:55 | |
Sanjeev, local government. | 0:03:55 | 0:03:57 | |
-Ow! -And Colin does...recycling! | 0:03:57 | 0:04:01 | |
He opens the door, and bam! | 0:04:03 | 0:04:05 | |
-Yeah, well, people do, don't they? -Then he's off like a shot. -Typical, eh? | 0:04:05 | 0:04:10 | |
Everyone blames the cyclists but it's the drivers half the time. | 0:04:10 | 0:04:14 | |
-Sorry, mate. Could you hurry it up a bit? I'm late. -Yeah. | 0:04:14 | 0:04:19 | |
Roll up your sleeve for me, please. | 0:04:19 | 0:04:21 | |
I'm surprised you didn't come in last week. | 0:04:26 | 0:04:29 | |
-Dr Carter was asking for you. -Yeah, well, I had to sort things out. | 0:04:29 | 0:04:33 | |
Surely this is a bit more important? | 0:04:34 | 0:04:36 | |
I've got a business to run, what can I say? | 0:04:37 | 0:04:41 | |
How long before you get the results? | 0:04:42 | 0:04:45 | |
About four to five days. We'll ring you straightaway. | 0:04:45 | 0:04:49 | |
On the mobile, yeah? Not at home. | 0:04:49 | 0:04:52 | |
Yeah, no problem. | 0:04:52 | 0:04:54 | |
Difficult conversations. We have them all the time... | 0:04:54 | 0:04:59 | |
with clients and colleagues and families and friends, | 0:04:59 | 0:05:02 | |
because everything we say is in some way a negotiation, bargaining. | 0:05:02 | 0:05:07 | |
Stating our position. | 0:05:07 | 0:05:09 | |
Stating the obvious, more like. | 0:05:09 | 0:05:11 | |
But, of course, some are more difficult than others. | 0:05:11 | 0:05:14 | |
So here's what I call the six degrees. | 0:05:14 | 0:05:18 | |
From "easy" to "traumatic", but not, you'll notice, "impossible", | 0:05:18 | 0:05:24 | |
because I don't believe that anything is. OK, guys? | 0:05:24 | 0:05:28 | |
Now let's start with work. | 0:05:29 | 0:05:31 | |
What would you call a difficult conversation? Emma? | 0:05:31 | 0:05:35 | |
Oh, I don't know, let me see. | 0:05:38 | 0:05:41 | |
Telling somebody they have cancer? Or that their mother has died? | 0:05:42 | 0:05:47 | |
Or that their child has leukaemia? | 0:05:48 | 0:05:50 | |
Traumatic, then. Howard? | 0:05:50 | 0:05:51 | |
Well, I'm only a manager, of course. | 0:05:51 | 0:05:54 | |
Oh, but I'm sure there's something. | 0:05:54 | 0:05:56 | |
Asking someone to come on a training day? | 0:05:56 | 0:05:59 | |
-Easy, then. -Oh, I don't know. | 0:06:01 | 0:06:04 | |
Oh! | 0:06:26 | 0:06:28 | |
HE SIGHS | 0:06:33 | 0:06:34 | |
HE SNIFFS | 0:06:34 | 0:06:36 | |
KEYPAD BEEPS | 0:06:45 | 0:06:47 | |
But it's not just degree. | 0:06:54 | 0:06:56 | |
There are different types of difficulty we need to overcome, | 0:06:56 | 0:06:59 | |
perhaps the most common being anger which arises from conflict. | 0:06:59 | 0:07:04 | |
So, who is feeling angry today? | 0:07:04 | 0:07:07 | |
-Emma? -Sorry? | 0:07:09 | 0:07:11 | |
Would you mind stepping up, please? Thanks a lot. | 0:07:11 | 0:07:14 | |
So, I will be the traffic warden, and you will be the driver. | 0:07:16 | 0:07:22 | |
Now, she has parked on a double-yellow line. | 0:07:23 | 0:07:27 | |
-But for a very good reason. What would that be? -A patient's had a heart attack? | 0:07:27 | 0:07:31 | |
Perfect. Lovely. Now, you stand over there... Excellent, OK. So... | 0:07:31 | 0:07:36 | |
Oh... | 0:07:46 | 0:07:48 | |
Oh! | 0:07:51 | 0:07:53 | |
There! You can stick it. | 0:07:58 | 0:08:01 | |
Mm, perhaps a little too angry. That was borderline violence. Emma, OK! | 0:08:01 | 0:08:05 | |
Now I think we can all agree that that was a complete disaster. | 0:08:09 | 0:08:13 | |
And we don't want those to happen, do we? | 0:08:13 | 0:08:15 | |
So, let's take one of the biggest disasters of all time. | 0:08:15 | 0:08:20 | |
The Titanic. Where did it all go wrong? | 0:08:21 | 0:08:25 | |
Well, first of all, it didn't break the ice, did it? | 0:08:27 | 0:08:31 | |
And why? Because it was going too fast. OK, guys? | 0:08:31 | 0:08:36 | |
Right, so you're about to start. | 0:08:36 | 0:08:38 | |
And this could get nasty, even dangerous. | 0:08:38 | 0:08:41 | |
It's like being on the deck in the cold, about to jump. | 0:08:41 | 0:08:45 | |
And what do you need? Firstly... | 0:08:45 | 0:08:48 | |
..one of these. | 0:08:49 | 0:08:50 | |
What I like to call the lifejacket of hope. | 0:08:50 | 0:08:54 | |
Hope floats, and we're going to get there... OK, guys? | 0:08:57 | 0:09:02 | |
..whatever happens. | 0:09:02 | 0:09:04 | |
I'm sure I would have seen it. | 0:09:08 | 0:09:09 | |
It's red, it's about this size. | 0:09:09 | 0:09:13 | |
Why don't we try ringing it? | 0:09:13 | 0:09:14 | |
-No. Don't do that. -Why not? | 0:09:14 | 0:09:16 | |
It's switched off. | 0:09:16 | 0:09:19 | |
Well, maybe you've just left it at home. | 0:09:19 | 0:09:23 | |
-This is all your fault. -I'm sorry? | 0:09:23 | 0:09:26 | |
-Mucking me about. Changing the time. -What?! | 0:09:26 | 0:09:29 | |
It's always the same. You're useless! | 0:09:29 | 0:09:31 | |
-Can I help you? -Er, yeah. Can I have a dry white wine, please? -Yep. | 0:09:36 | 0:09:40 | |
KEYPAD BEEPS | 0:09:42 | 0:09:44 | |
PHONE RINGS | 0:09:48 | 0:09:50 | |
Thank you. | 0:09:50 | 0:09:51 | |
-Well, that was... -Painful? | 0:10:06 | 0:10:09 | |
Sorry. | 0:10:09 | 0:10:11 | |
-Ah, it could've been worse. -Could it? I thought you were going to lamp her at one point. | 0:10:12 | 0:10:16 | |
SHE LAUGHS | 0:10:16 | 0:10:17 | |
I was, but... Oh, that looks nice. | 0:10:17 | 0:10:20 | |
So, how are you and Sam? | 0:10:23 | 0:10:26 | |
-How are you coping? -You know me. | 0:10:26 | 0:10:29 | |
-To tell you the truth, I don't think it's really sunk in yet. -What? | 0:10:30 | 0:10:34 | |
How close he came to dying. How bad he still is. | 0:10:36 | 0:10:39 | |
In what way? | 0:10:40 | 0:10:42 | |
He's devastated. | 0:10:42 | 0:10:45 | |
Totally depressed. And I'm the one who has to get him out of it. | 0:10:45 | 0:10:49 | |
Well, if anyone can, you can. | 0:10:49 | 0:10:51 | |
You say that. It's not that easy being Mrs Positive all day | 0:10:51 | 0:10:55 | |
with someone who just wishes they were dead. | 0:10:55 | 0:10:57 | |
You know, I have to say, I can never understand anyone who can just... throw the towel in. | 0:10:57 | 0:11:04 | |
Well, not everybody has your military backbone, Howard. | 0:11:04 | 0:11:07 | |
No, I've seen soldiers who've been devastated, too, | 0:11:07 | 0:11:10 | |
in one way or another, and some give up, and some don't. | 0:11:10 | 0:11:14 | |
-Why is that? -Support. And in that respect, Sam's a very lucky man, | 0:11:15 | 0:11:21 | |
whether he knows it or not. Very lucky. | 0:11:21 | 0:11:25 | |
Hi! Ohh! | 0:11:25 | 0:11:27 | |
I'm sorry, I'm waiting for someone. | 0:11:39 | 0:11:42 | |
Yeah. My husband. | 0:11:42 | 0:11:45 | |
-Leo Treadwell. -Oh, hello! I'm Angela Brackley. | 0:11:45 | 0:11:50 | |
Oh, don't give me all that "Angie"! | 0:11:50 | 0:11:52 | |
-Sorry? -I should knock your bloody block off right here and now! | 0:11:52 | 0:11:55 | |
-What? -Look at you, you tart! Man of his age? | 0:11:55 | 0:11:59 | |
I beg your pardon! | 0:11:59 | 0:12:01 | |
So, what, does your hair for you, does he? Yeah! | 0:12:01 | 0:12:04 | |
Hasn't made much of a job of it. | 0:12:04 | 0:12:06 | |
-That's quite enough, thank you! -You wait while I get hold of him. I'll wring his bloody neck! | 0:12:06 | 0:12:10 | |
Look, I've got nothing to do with your husband | 0:12:10 | 0:12:12 | |
outside of a business relationship. | 0:12:12 | 0:12:14 | |
Ah! | 0:12:14 | 0:12:16 | |
Ah, it's like that, is it? Yeah. | 0:12:16 | 0:12:19 | |
-I should have known, you look the type. -I'm an estate agent! | 0:12:19 | 0:12:23 | |
Yeah, well, they're just as bad. | 0:12:23 | 0:12:25 | |
-What? -So what, is he setting you up somewhere? All nice and cosy? | 0:12:25 | 0:12:31 | |
-Of course not. -Or says he is. You must be stupid! | 0:12:31 | 0:12:34 | |
I'm married with three children. | 0:12:34 | 0:12:37 | |
That's disgusting! | 0:12:37 | 0:12:38 | |
Look, will you please understand? I am not having an affair with your husband. | 0:12:38 | 0:12:43 | |
So why is he ringing you all the time on the sly? | 0:12:43 | 0:12:46 | |
-About the flat. -What flat? -In Mersham Street. | 0:12:46 | 0:12:49 | |
What does he want a flat for? You tell me! | 0:12:51 | 0:12:54 | |
He's not buying. He's selling it. | 0:12:54 | 0:12:57 | |
-You must be exhausted. I don't know how you do it. -I don't have any choice. | 0:13:00 | 0:13:04 | |
-You're doing a fantastic job. -Am I? | 0:13:04 | 0:13:06 | |
Of course you are. You must be proud. | 0:13:06 | 0:13:09 | |
-Quite the opposite. -Why's that? | 0:13:09 | 0:13:12 | |
Hi, guys. | 0:13:12 | 0:13:13 | |
Oops! | 0:13:13 | 0:13:15 | |
Hmm. | 0:13:15 | 0:13:17 | |
So, how do you think it's going? | 0:13:17 | 0:13:19 | |
Well, I would usually get to "assumptions" by now and then "blockage" after lunch. | 0:13:19 | 0:13:23 | |
Could be a long afternoon, then. | 0:13:23 | 0:13:25 | |
-CUTLERY CLATTERS -Oh... I do this every time. | 0:13:25 | 0:13:28 | |
-Can I get you anything? -Every time! | 0:13:28 | 0:13:30 | |
So what have you got to be so ashamed about? | 0:13:33 | 0:13:36 | |
-I'm a fraud. -And how's that? | 0:13:36 | 0:13:39 | |
I have a husband who nearly died. | 0:13:39 | 0:13:41 | |
Who's paralysed. | 0:13:41 | 0:13:43 | |
But most of the time... all I can think about is you. | 0:13:44 | 0:13:48 | |
For two pins, I would go out into reception and book us a room. | 0:13:50 | 0:13:54 | |
Right now. | 0:13:54 | 0:13:56 | |
Ahh! | 0:13:56 | 0:13:58 | |
Sauce? | 0:13:58 | 0:14:00 | |
Janette? | 0:14:05 | 0:14:06 | |
Where are you, love? | 0:14:09 | 0:14:11 | |
I'm sorry. I shouldn't have said anything. | 0:14:19 | 0:14:22 | |
No, you just took me by surprise, that's all. | 0:14:22 | 0:14:25 | |
He wants me to have a life. | 0:14:25 | 0:14:27 | |
I don't follow you. | 0:14:28 | 0:14:30 | |
Well, not everybody is as... traditional as you, Howard. | 0:14:31 | 0:14:36 | |
But there are solutions. | 0:14:36 | 0:14:38 | |
Come on, then, guys. Time for "blockages". | 0:14:38 | 0:14:41 | |
I knew there was something, | 0:14:55 | 0:14:57 | |
the way he's been creeping about, shifty all the time. | 0:14:57 | 0:15:00 | |
I had no idea. | 0:15:00 | 0:15:02 | |
No, I apologise. I'm sorry. | 0:15:02 | 0:15:05 | |
Yeah. Ten years we've been married. Never a word about this. | 0:15:06 | 0:15:10 | |
But it's not to say there was anything...going on. | 0:15:10 | 0:15:14 | |
I find that hard to believe, don't you? | 0:15:14 | 0:15:16 | |
Look at the place. Talk about tacky. | 0:15:16 | 0:15:19 | |
Well, the area's come up quite a lot. | 0:15:19 | 0:15:23 | |
Oh, it's horrible! | 0:15:23 | 0:15:26 | |
He did say it hadn't been used in a long time. | 0:15:26 | 0:15:28 | |
Perhaps we should go. | 0:15:38 | 0:15:39 | |
So - that's "embarrassment". | 0:15:40 | 0:15:43 | |
Right! Now, what about the trickiest of them all - "dilemma"? | 0:15:45 | 0:15:50 | |
Now, I know that you're just going to love this one. It's always everybody's favourite. | 0:15:52 | 0:15:57 | |
Ta-da! | 0:15:57 | 0:15:58 | |
Casablanca. That famous final scene. | 0:15:58 | 0:16:02 | |
Now... | 0:16:02 | 0:16:04 | |
Emma, I know you want to play Ilsa, our glamorous love-torn heroine. | 0:16:04 | 0:16:08 | |
Thank you. | 0:16:08 | 0:16:10 | |
And Victor Laszlo, the hero of the Resistance. | 0:16:10 | 0:16:13 | |
Nigel, would you... ? | 0:16:13 | 0:16:16 | |
Now, who looks good in a trench coat? | 0:16:17 | 0:16:21 | |
-Colin, would you mind? -Actually, I think that should be me. | 0:16:21 | 0:16:25 | |
-Excuse me? -I haven't had a go yet. | 0:16:25 | 0:16:27 | |
-It's your turn next. -He's had two goes already! -Sorry, Colin. | 0:16:27 | 0:16:32 | |
Actually, I do quite a good Bogey. | 0:16:32 | 0:16:35 | |
How long have you been here? | 0:16:35 | 0:16:37 | |
I've been meaning to tell you for a long time. | 0:16:38 | 0:16:40 | |
Oh, don't give me that. | 0:16:40 | 0:16:42 | |
For years, to be honest. | 0:16:42 | 0:16:44 | |
You're pathetic. | 0:16:44 | 0:16:46 | |
Please, Janette. Just hear me out, will you? | 0:16:46 | 0:16:50 | |
It's not what you think. | 0:16:52 | 0:16:54 | |
Love, I haven't been here for ages. Come inside. | 0:16:54 | 0:16:58 | |
I cleaned all this up this morning. | 0:17:12 | 0:17:14 | |
-You should've seen the muck. -Yes, muck's the word. | 0:17:16 | 0:17:19 | |
It took me hours. | 0:17:19 | 0:17:21 | |
Filthy. Because that's what you are. You make me sick! | 0:17:21 | 0:17:25 | |
Look, I am trying to tell you, aren't I? | 0:17:25 | 0:17:29 | |
Oh, no, you're not going to worm your way out of this one. | 0:17:29 | 0:17:32 | |
Please give me a chance, Janette! | 0:17:32 | 0:17:35 | |
We used to have this salon downstairs, when me and Margaret married. | 0:17:40 | 0:17:43 | |
And we lived up here for a bit. | 0:17:43 | 0:17:46 | |
And then I suppose I just kept it on. | 0:17:46 | 0:17:49 | |
Oh, why's that? | 0:17:49 | 0:17:52 | |
Sentimental value? | 0:17:52 | 0:17:53 | |
You know what happened to Margaret. | 0:17:53 | 0:17:55 | |
Yeah - she found you with one of the customers. | 0:17:55 | 0:17:59 | |
Up here, was it? Drinking champagne in your lovely black sheets? | 0:17:59 | 0:18:04 | |
-You know all that's in the past. -Oh, was it? | 0:18:07 | 0:18:10 | |
Yeah. I was in my 30s, 40s. | 0:18:10 | 0:18:14 | |
All right, 50s, but... | 0:18:16 | 0:18:18 | |
..you know I love you now. You KNOW that! | 0:18:20 | 0:18:25 | |
So why's this still here, then? | 0:18:25 | 0:18:27 | |
It's probably turned to vinegar by now. | 0:18:28 | 0:18:31 | |
Anyway, you know it gives me heartburn. | 0:18:31 | 0:18:34 | |
-And where have you been all day? -Here mostly. -And...? | 0:18:34 | 0:18:39 | |
Work. | 0:18:39 | 0:18:40 | |
No. | 0:18:40 | 0:18:42 | |
Because Kayley's been ringing you on this. | 0:18:42 | 0:18:45 | |
She hasn't seen you all morning. | 0:18:45 | 0:18:47 | |
-You really are the most... -Janette! -..disgusting, despicable liar. | 0:18:47 | 0:18:51 | |
All right, I'll tell you what happened! | 0:18:51 | 0:18:53 | |
The fog is swirling, those propellers start up | 0:18:53 | 0:18:56 | |
and that last flight to freedom is about to leave. | 0:18:56 | 0:19:00 | |
-But who is going to be on that plane? -I should have a gun. | 0:19:00 | 0:19:04 | |
Yep. | 0:19:04 | 0:19:05 | |
Emma's feelings for...Nigel... | 0:19:05 | 0:19:08 | |
are noble and true, | 0:19:08 | 0:19:10 | |
but platonic, whereas in Paris with Howard, | 0:19:10 | 0:19:14 | |
it was all laughter and passion. | 0:19:14 | 0:19:16 | |
So which should she choose? Her duty? Or her heart? | 0:19:16 | 0:19:20 | |
OK? | 0:19:20 | 0:19:22 | |
So, perhaps, Emma, you could start by telling Nigel how you feel. | 0:19:22 | 0:19:25 | |
Pretty silly is actually how I feel. | 0:19:25 | 0:19:27 | |
-AS HUMPHREY BOGART: -OK, sweetheart, stop fooling around. -Sorry? | 0:19:27 | 0:19:31 | |
The plane's on its way, | 0:19:31 | 0:19:33 | |
the Germans are coming, and I made a deal with Louis. | 0:19:33 | 0:19:38 | |
-OK, actually, I think we don't need to take it quite that far. -You think you got problems? | 0:19:38 | 0:19:43 | |
The whole world's got problems! | 0:19:43 | 0:19:45 | |
Thank you, Humphrey! | 0:19:45 | 0:19:46 | |
-NORMAL VOICE: -I thought I was doing quite well. | 0:19:46 | 0:19:49 | |
OK. Perhaps you should tell Nigel how you feel. | 0:19:49 | 0:19:52 | |
Nigel... | 0:19:54 | 0:19:56 | |
..I love you so much. | 0:19:57 | 0:19:59 | |
Why? | 0:19:59 | 0:20:01 | |
Because you are a fine... | 0:20:01 | 0:20:06 | |
..strong, courageous man. | 0:20:07 | 0:20:10 | |
But? | 0:20:10 | 0:20:11 | |
I'm in love with someone else. | 0:20:11 | 0:20:14 | |
And I have been for some time now. | 0:20:15 | 0:20:17 | |
I feel for them in a way I never felt for you. | 0:20:17 | 0:20:21 | |
But you have to make a choice. | 0:20:21 | 0:20:23 | |
-Do I? -Yes, it's in the film. | 0:20:23 | 0:20:25 | |
Oh, erm... | 0:20:27 | 0:20:29 | |
Yes, but surely if Nigel is such a kind, caring, | 0:20:29 | 0:20:34 | |
compassionate man, wouldn't he let me be with who I'd want to be with? | 0:20:34 | 0:20:39 | |
Yes, but there are only two letters of transit. | 0:20:39 | 0:20:42 | |
So, is that a problem? | 0:20:42 | 0:20:44 | |
Sam has said that he would be fine about me being with other men. | 0:20:44 | 0:20:50 | |
You're kidding? | 0:20:50 | 0:20:52 | |
Sorry, who? | 0:20:52 | 0:20:54 | |
Sam actually lets you sleep with other men? | 0:20:54 | 0:20:56 | |
No, no, no, no. Sam's the piano player. | 0:20:56 | 0:20:59 | |
Yes, he does. | 0:20:59 | 0:21:02 | |
What...? Really? | 0:21:02 | 0:21:05 | |
Yes, really. | 0:21:06 | 0:21:08 | |
OK, I think we should all sit down. | 0:21:08 | 0:21:10 | |
Are you sure about this? What with me being so useless? | 0:21:13 | 0:21:16 | |
I'm sorry about that. It was the stress talking. | 0:21:17 | 0:21:20 | |
So, what can I do for you? | 0:21:20 | 0:21:22 | |
-I want you to speak to my wife. -Sorry? | 0:21:24 | 0:21:27 | |
Give her a quick ring, yeah? | 0:21:27 | 0:21:29 | |
About what? | 0:21:29 | 0:21:31 | |
-What d'you think? -Why can't you talk to her? | 0:21:31 | 0:21:34 | |
-Cos she probably wouldn't believe me if I did. -Why not? | 0:21:34 | 0:21:38 | |
I've been trying to keep this quiet, haven't I? | 0:21:38 | 0:21:40 | |
And now she thinks I'm up to all sorts. | 0:21:41 | 0:21:45 | |
Why would she think that? | 0:21:46 | 0:21:48 | |
You probably don't know the hairdressing game, | 0:21:48 | 0:21:51 | |
but in the old days, it used to offer certain opportunities. | 0:21:51 | 0:21:56 | |
There was something about it, you know... | 0:21:56 | 0:21:59 | |
-A sort of glamour, I suppose. -Yeah, I get the picture. | 0:21:59 | 0:22:03 | |
And what with me having a flat above the salon... | 0:22:03 | 0:22:07 | |
let's say it came in handy now and then. | 0:22:07 | 0:22:10 | |
-And she just found out about it? -No, she just found the flat. | 0:22:10 | 0:22:15 | |
I did try and sell it, but it was so terrible round here then. | 0:22:17 | 0:22:21 | |
Buttons they were offering, so I just put it to the back of my mind. | 0:22:21 | 0:22:25 | |
For how long? | 0:22:25 | 0:22:27 | |
Ten years. That's not saying I did anything in... | 0:22:27 | 0:22:31 | |
you know? | 0:22:31 | 0:22:32 | |
Not THAT, not since I met HER. | 0:22:32 | 0:22:35 | |
I swear. | 0:22:35 | 0:22:37 | |
-Well, then it's her you need to be swearing to, not me. -Don't you think I haven't tried? | 0:22:38 | 0:22:43 | |
-And tell her about the blood test while you're at it. -Look, mate, I love her to bits. | 0:22:43 | 0:22:47 | |
It's going to break her heart. | 0:22:50 | 0:22:52 | |
What kind of weird arrangement is that? | 0:22:53 | 0:22:56 | |
He just lets you sleep with anybody who you want? | 0:22:56 | 0:22:58 | |
I'm sorry. I knew you wouldn't be able to handle it, Howard. | 0:22:58 | 0:23:02 | |
No... Just confused, that's all. | 0:23:02 | 0:23:06 | |
If it is some kind of open relationship, then what's stopping us? | 0:23:06 | 0:23:11 | |
I don't know. It was fine when it was just sex. | 0:23:11 | 0:23:15 | |
But with you it's different. | 0:23:15 | 0:23:17 | |
How are you doing? | 0:23:21 | 0:23:22 | |
Look, love, I know I've been stupid. | 0:23:27 | 0:23:29 | |
-I tried to keep something from you which I should've just told you about from the start. -Hmph! | 0:23:29 | 0:23:35 | |
But believe me when I say I did it for your sake. | 0:23:35 | 0:23:39 | |
Oh, well, I've heard it all now! | 0:23:39 | 0:23:42 | |
I'm not talking about the rotten flat. | 0:23:42 | 0:23:44 | |
-I'm talking about where I was today. -Well, go on, then. | 0:23:44 | 0:23:48 | |
Well, you know that we haven't been together in bed lately? | 0:23:48 | 0:23:54 | |
No. Well, I expect you're very busy | 0:23:54 | 0:23:58 | |
in that bachelor pad of yours. | 0:23:58 | 0:24:00 | |
No. It's because I've been getting bad signs. | 0:24:00 | 0:24:04 | |
Blood, and what have you. | 0:24:05 | 0:24:07 | |
And I keep on running in and out of the loo all night. | 0:24:07 | 0:24:11 | |
Yes, I've noticed. | 0:24:11 | 0:24:13 | |
Well, they're checking me for...prostate. | 0:24:13 | 0:24:18 | |
Cancer? | 0:24:18 | 0:24:20 | |
I think my dad had trouble with his, but they didn't talk about it in those days. | 0:24:20 | 0:24:25 | |
They probably didn't know what a prostate was. | 0:24:27 | 0:24:30 | |
But why didn't you tell me in the first place? | 0:24:30 | 0:24:33 | |
I was going to tell you when I got the results, | 0:24:33 | 0:24:35 | |
but I kept on putting it off. | 0:24:35 | 0:24:38 | |
-I'm warning you, Leo... -Because I wanted to get it all sorted out. | 0:24:38 | 0:24:42 | |
A will and whatever. | 0:24:44 | 0:24:46 | |
If this is another one of your stories... | 0:24:46 | 0:24:48 | |
Including that flat. | 0:24:48 | 0:24:50 | |
That's what that place is for. | 0:24:52 | 0:24:54 | |
So you wouldn't go short if anything happened to me. | 0:24:54 | 0:24:58 | |
Anyway, you know what I'm like, | 0:24:59 | 0:25:03 | |
-we'd have spent it all by now. -Are you really that worried? | 0:25:03 | 0:25:07 | |
I'm worried sick. | 0:25:11 | 0:25:13 | |
Terrified, to tell you the truth. | 0:25:15 | 0:25:17 | |
You stupid, stupid man! | 0:25:20 | 0:25:23 | |
Well, that was enlightening. | 0:25:24 | 0:25:27 | |
Thank you, Rowena, you've been great. | 0:25:27 | 0:25:30 | |
Yes, you really have. | 0:25:30 | 0:25:31 | |
Well, I'm not sure you two were really concentrating! | 0:25:31 | 0:25:34 | |
-No, you've helped us both a lot. Really. Thank you. -Good. Bye. | 0:25:34 | 0:25:37 | |
So... | 0:25:40 | 0:25:41 | |
-So, what? -So why don't we go straight upstairs? If that's what we all want? | 0:25:41 | 0:25:46 | |
Emma, you're the only person I want to be with, | 0:25:46 | 0:25:49 | |
and if it means that I have to share you for now, then so be it. | 0:25:49 | 0:25:53 | |
-I'm sorry if that sounded a little cold. -No, it doesn't. | 0:25:55 | 0:25:58 | |
Howard, it would be absolutely wonderful. | 0:26:00 | 0:26:03 | |
And I'm so tired of fighting it, it's almost painful. | 0:26:06 | 0:26:09 | |
-But...? -I'm all that Sam has now. | 0:26:10 | 0:26:13 | |
I owe him that much at least. | 0:26:16 | 0:26:18 | |
The lifejacket of hope. | 0:26:18 | 0:26:20 | |
-Something like that. -Hmm. | 0:26:20 | 0:26:23 | |
Just for the record... | 0:26:25 | 0:26:28 | |
there hasn't been anyone for a year. | 0:26:28 | 0:26:30 | |
Not since the accident. | 0:26:31 | 0:26:33 | |
Not since you. | 0:26:35 | 0:26:37 | |
-Where would you like to sit? -I can manage, thank you. | 0:26:51 | 0:26:54 | |
What do you know about art? Or typing, for that matter? | 0:26:54 | 0:26:57 | |
Dead ten years and the old goat still wouldn't leave me alone. | 0:26:57 | 0:27:01 | |
My life - it's yours now... | 0:27:01 | 0:27:04 | |
I made my prison when I broke a promise a long time ago... | 0:27:04 | 0:27:08 | |
I'm not sick. | 0:27:08 | 0:27:10 | |
I'm in love. | 0:27:10 | 0:27:12 | |
Subtitles by Red Bee Media Ltd | 0:27:33 | 0:27:36 |