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# Say goodbye on a night like this | 0:00:29 | 0:00:32 | |
# If it's the last thing we ever do | 0:00:32 | 0:00:36 | |
# You've never looked as lost as this | 0:00:36 | 0:00:40 | |
# Sometimes it doesn't even look like you | 0:00:40 | 0:00:44 | |
# It goes dark... # | 0:00:44 | 0:00:46 | |
Oi, what's happened? | 0:00:46 | 0:00:48 | |
I'm talking to you! Come here! | 0:00:48 | 0:00:50 | |
Oi! | 0:00:50 | 0:00:52 | |
Come here! | 0:00:52 | 0:00:54 | |
-You just wait there! -Leave me, get off. | 0:00:54 | 0:00:56 | |
-Stay right where you are! -Please...! | 0:00:56 | 0:00:59 | |
MAN PANTS AND GASPS | 0:00:59 | 0:01:01 | |
Yeah, get me the police. | 0:01:03 | 0:01:05 | |
Yeah, and an ambulance as well. | 0:01:07 | 0:01:08 | |
-Just to say, I'm going out, so I'll see you later. -Not so fast. | 0:01:10 | 0:01:14 | |
-Firstly, where are you going? And secondly, can I come? -Nowhere special. And no, you can't. | 0:01:14 | 0:01:18 | |
You know I'm not going to hit on your mates. Again. | 0:01:18 | 0:01:21 | |
There's no mates. Just me. | 0:01:21 | 0:01:23 | |
You know what this sounds like, don't you? A date. | 0:01:23 | 0:01:26 | |
-It's not a date. -Who is he then? -Are you even listening? | 0:01:26 | 0:01:29 | |
It's not the repair guy that got his tie stuck in the copier | 0:01:29 | 0:01:32 | |
cos he was giving you the eye? | 0:01:32 | 0:01:34 | |
He was looking at you. And no, it's not. | 0:01:34 | 0:01:36 | |
All right. No. If you must know, it's not a date. | 0:01:38 | 0:01:41 | |
It's just me going to the pub on my own. | 0:01:41 | 0:01:43 | |
Slightly weird. So, why can't I come? | 0:01:43 | 0:01:46 | |
The "on my own" thing wouldn't really work then, would it? | 0:01:46 | 0:01:49 | |
It's something I want to do. | 0:01:49 | 0:01:50 | |
Don't worry, I won't talk to any strange men. | 0:01:50 | 0:01:52 | |
-And I'll be back in time for cocoa. -It sounds weird... | 0:01:52 | 0:01:55 | |
-Night, you two. -Night. -See you. | 0:01:59 | 0:02:02 | |
And I suppose you're doing another speaking thingamajig tonight? | 0:02:02 | 0:02:05 | |
Not unless some coppers need entertaining. I'm at the station. | 0:02:05 | 0:02:08 | |
Coppers always need entertaining. | 0:02:08 | 0:02:10 | |
-Night. -See you. -What? Weren't you supposed to be getting the chops? | 0:02:10 | 0:02:15 | |
We're not having chops. I'm taking you out. | 0:02:15 | 0:02:18 | |
Is that your way of saying you've forgotten the chops? | 0:02:18 | 0:02:21 | |
Honestly, I give you one job...! | 0:02:21 | 0:02:22 | |
What did we say we'd always want to do as soon as the kids left home? | 0:02:22 | 0:02:27 | |
Rent their rooms out? | 0:02:27 | 0:02:29 | |
"I wish we could just take off for a dirty weekend". | 0:02:29 | 0:02:32 | |
Who's that? Kenneth Williams? | 0:02:32 | 0:02:35 | |
-How many times did you say that to me? -Not in that voice! -Well, your wish has come true. | 0:02:35 | 0:02:40 | |
-We're going away? -And I've even packed your case. | 0:02:40 | 0:02:43 | |
Oh, Rob, I bet it's full of lacy underwear and no proper clothes. | 0:02:43 | 0:02:47 | |
And I've reserved the hotel. | 0:02:47 | 0:02:49 | |
-Another "internet beauty" with no roof? -Not this time. | 0:02:49 | 0:02:52 | |
And I've even booked you a day off work. | 0:02:52 | 0:02:55 | |
-He phoned Howard this afternoon. -All you have to do is relax. | 0:02:55 | 0:02:58 | |
And then you'll be on top form for your HCA training on Monday. | 0:02:58 | 0:03:01 | |
-Well? -Don't think this guarantees you any action... | 0:03:01 | 0:03:04 | |
Don't be such a grump! I'd love it if someone did that for me. | 0:03:04 | 0:03:08 | |
Thank you. | 0:03:08 | 0:03:10 | |
Well, I'll just have to TRY and enjoy myself. | 0:03:10 | 0:03:13 | |
That's the closest we'll get to Karen admitting it's a good idea. | 0:03:13 | 0:03:18 | |
Enjoy! | 0:03:18 | 0:03:20 | |
His name is Riley Cowan. He's fairly well known to us, | 0:03:20 | 0:03:22 | |
but it's all been minor stuff shoplifting, affray, joyriding. | 0:03:22 | 0:03:27 | |
I know him. | 0:03:27 | 0:03:28 | |
Not surprised, he's been in here that many times | 0:03:28 | 0:03:30 | |
we thought of erecting a blue plaque. | 0:03:30 | 0:03:32 | |
-No, he's one of my patients at the Mill. -Then you'll know what's wrong with him. | 0:03:32 | 0:03:36 | |
When Uniform picked him up, he had breathing problems, but they seem to have settled. | 0:03:36 | 0:03:40 | |
I need to get this sorted pronto. Tonnes of stuff to get through. | 0:03:41 | 0:03:45 | |
Oh, and if he mentions his car, can you let me know? | 0:03:45 | 0:03:49 | |
-His car? -It's a hit-and-run with a victim, | 0:03:49 | 0:03:52 | |
possible driver and car keys, but no car. | 0:03:52 | 0:03:55 | |
-I thought you was all right. Didn't know you worked for the dark side. -I'm not a policeman. | 0:04:03 | 0:04:08 | |
This is all rubbish. They've got the wrong guy, Dr Clay. You got to tell them, yeah? | 0:04:08 | 0:04:13 | |
I was running along the lane and I found her. | 0:04:13 | 0:04:15 | |
-End of. -Holding your car keys? -There's no law against it. | 0:04:15 | 0:04:19 | |
You taken your inhaler? | 0:04:20 | 0:04:22 | |
You're just like them. | 0:04:23 | 0:04:25 | |
You think I stashed the motor and then ran back to check on her. | 0:04:25 | 0:04:28 | |
I think it's best if you tell them everything you know. | 0:04:28 | 0:04:30 | |
I can't believe you, of all people, think... | 0:04:30 | 0:04:34 | |
How is she? The woman. She all right? | 0:04:36 | 0:04:39 | |
She's in intensive care. | 0:04:39 | 0:04:42 | |
And, as far as Cooper's concerned, he's got his man, hasn't he? | 0:04:42 | 0:04:45 | |
This must have cost a fortune. | 0:04:51 | 0:04:52 | |
Nothing but the best. But we may have to hold back on the food front. | 0:04:52 | 0:04:56 | |
I'd have made sandwiches for this! | 0:04:56 | 0:04:58 | |
Hello. Is it true you've got one of those infinity pools? | 0:04:59 | 0:05:04 | |
What business is it of yours? | 0:05:04 | 0:05:05 | |
What a lovely warm welcome(!) | 0:05:05 | 0:05:08 | |
I don't think she works here. You don't work here, do you, love? | 0:05:08 | 0:05:11 | |
I don't think the staff here | 0:05:11 | 0:05:12 | |
could afford a suit like this, do you? Love? | 0:05:12 | 0:05:15 | |
-It's all going very well. -Let's not get involved. | 0:05:16 | 0:05:19 | |
I'm not involved. If I was involved, her name tag would be somewhere | 0:05:19 | 0:05:23 | |
the sun don't shine. | 0:05:23 | 0:05:25 | |
Calm thoughts. I hope you've packed me something nice to wear. | 0:05:26 | 0:05:29 | |
Relax, you'll be wearing underwear and a smile most of the time. | 0:05:29 | 0:05:33 | |
Not you. | 0:05:37 | 0:05:39 | |
Right. | 0:05:39 | 0:05:40 | |
Reservation for Hollins, please. | 0:05:40 | 0:05:43 | |
Is it true that you've got one of those infinity pools? | 0:05:43 | 0:05:46 | |
White wine spritzer, please. | 0:05:55 | 0:05:58 | |
MUSIC: "You're Beautiful" by James Blunt | 0:05:58 | 0:06:01 | |
Thanks. | 0:06:15 | 0:06:16 | |
SHE SIGHS | 0:06:21 | 0:06:23 | |
It was just a shock to be honest. | 0:06:26 | 0:06:28 | |
I was on my way home, thinking about invoicing clients... | 0:06:28 | 0:06:31 | |
I'm a carpet fitter. I came round the bend | 0:06:31 | 0:06:34 | |
and there's this lad standing over a girl in the middle of the road. | 0:06:34 | 0:06:39 | |
-So you got out? -Yeah. And I ran over to him, and he bolted. | 0:06:39 | 0:06:43 | |
I just knew I had to stop him from scarpering. | 0:06:43 | 0:06:46 | |
Did you see any sign of another car, Mr Morris? | 0:06:46 | 0:06:48 | |
No, there was nothing in the lane. | 0:06:48 | 0:06:51 | |
He was out of breath, like he'd run from somewhere. | 0:06:51 | 0:06:54 | |
Maybe he'd parked it somewhere else? | 0:06:54 | 0:06:55 | |
-Did he say anything about where he'd been? -No. | 0:06:55 | 0:06:58 | |
-And he was holding the keys in his hand? -That's right. | 0:06:58 | 0:07:02 | |
Was there anyone with the suspect? | 0:07:02 | 0:07:05 | |
Not that I saw, no. | 0:07:05 | 0:07:07 | |
Did I do the right thing? | 0:07:07 | 0:07:09 | |
She probably thought you were being nosey, I don't know. | 0:07:12 | 0:07:15 | |
Don't take her side! | 0:07:15 | 0:07:17 | |
Why would I ask her if she's got a swimming pool at home? | 0:07:17 | 0:07:20 | |
OK, maybe she just took a dislike to us. Can't we let it go? | 0:07:20 | 0:07:25 | |
You're right. I'm not going to let her spoil this evening. | 0:07:25 | 0:07:30 | |
Let's check your packing. | 0:07:30 | 0:07:31 | |
You're doing the worried face. Don't do the worried face! | 0:07:33 | 0:07:36 | |
Actually, it's not that bad. Only one pair of sexy underwear. | 0:07:38 | 0:07:42 | |
My book. Toilet bag. | 0:07:42 | 0:07:43 | |
Ohh! My favourite dress. | 0:07:45 | 0:07:47 | |
Eye mask. | 0:07:47 | 0:07:49 | |
In case the room's not dark enough. | 0:07:49 | 0:07:52 | |
-Ear plugs. -In case the air con's too loud. | 0:07:52 | 0:07:55 | |
-Or in case there's some snoring... -Cheeky! | 0:07:55 | 0:07:58 | |
Not that you'll get much of a chance of sleep, Hollins. | 0:08:00 | 0:08:04 | |
I'll be back in two minutes to check you're up to the job. | 0:08:04 | 0:08:08 | |
Karen, that's the corridor! | 0:08:08 | 0:08:10 | |
SHE LAUGHS | 0:08:10 | 0:08:13 | |
The effect you have on me! | 0:08:13 | 0:08:15 | |
I'll be back in two minutes. Don't fall asleep. | 0:08:15 | 0:08:18 | |
-IN DEEP VOICE: -"You know what? I'm sick of selling advertising. | 0:08:35 | 0:08:38 | |
"I think I'll join a monastery." | 0:08:38 | 0:08:40 | |
"Oh, good call. Can I have your sports car. And your wife? | 0:08:40 | 0:08:43 | |
"Well, I won't be needing them at the monastery. | 0:08:43 | 0:08:46 | |
"Take the mistress too if you like." | 0:08:46 | 0:08:48 | |
SHE GIGGLES | 0:08:48 | 0:08:50 | |
"A flagon of your finest!" | 0:08:52 | 0:08:55 | |
"Thank you." | 0:08:55 | 0:08:57 | |
Al? | 0:08:57 | 0:08:59 | |
Al! Over here! | 0:08:59 | 0:09:01 | |
What are you doing here? | 0:09:06 | 0:09:08 | |
Four new guest ales on. I'm not interrupting, am I? | 0:09:08 | 0:09:13 | |
Nope. I've just finished with the cast of TOWIE. | 0:09:13 | 0:09:15 | |
SHE PATS THE SEAT | 0:09:15 | 0:09:17 | |
Yeah. | 0:09:17 | 0:09:18 | |
-KNOCK AT DOOR -Come in! | 0:09:22 | 0:09:25 | |
Well? Riley Cowan. Is he ready for interview? | 0:09:25 | 0:09:29 | |
-Yeah. He's in his cell. -Thanks for telling me(!) | 0:09:29 | 0:09:32 | |
I did leave a message with the Custody Sergeant. | 0:09:32 | 0:09:35 | |
I could have got this finished ages ago. | 0:09:35 | 0:09:37 | |
You still think he did it? | 0:09:37 | 0:09:39 | |
He doesn't have a licence or insurance. | 0:09:39 | 0:09:42 | |
So that could be the reason why he's hiding the fact he was driving a car. | 0:09:42 | 0:09:46 | |
Or it could be because he mowed down Janine Kennedy. | 0:09:46 | 0:09:50 | |
There is one other thing. Might have a bearing. | 0:09:50 | 0:09:53 | |
12 years ago, Riley Cowan's mum was knocked over, | 0:09:53 | 0:09:56 | |
killed in a hit-and-run. They never found the driver. | 0:09:56 | 0:10:01 | |
The thing is, you are never alone with one of these. | 0:10:01 | 0:10:04 | |
Order something with a name like Fenton's Straight Finger | 0:10:05 | 0:10:09 | |
and other real-ale aficionados will congregate around you | 0:10:09 | 0:10:14 | |
-like antibodies around a flu virus. -What a lovely image. | 0:10:14 | 0:10:17 | |
Don't knock it. I have met some incredible people thanks to beer. | 0:10:17 | 0:10:21 | |
There was David who used to work in the car park at NASA. | 0:10:21 | 0:10:25 | |
Parking the Luna landers? | 0:10:25 | 0:10:28 | |
Then there was Carl who could identify | 0:10:28 | 0:10:30 | |
80 different types of tractor just by listening to the engine sounds. | 0:10:30 | 0:10:33 | |
-Ooh. -And then there was Sam who was allergic to his wife. | 0:10:33 | 0:10:38 | |
I'll remember the tip next time I want to meet some strange men. | 0:10:38 | 0:10:41 | |
Hmm. Unfortunately, | 0:10:41 | 0:10:45 | |
the way of the ale does tends to attract the Y-chromosome. | 0:10:45 | 0:10:48 | |
It's not often I get to hang out with a glamorous young lady. | 0:10:48 | 0:10:52 | |
Why, thank you, sir. | 0:10:52 | 0:10:55 | |
I suppose I could've talk to THEM, | 0:10:55 | 0:10:58 | |
but who wants to speak to a couple of complete... | 0:10:58 | 0:11:00 | |
Oh, Tony and Ike? They're awesome! | 0:11:00 | 0:11:02 | |
Chaps, skal! | 0:11:02 | 0:11:04 | |
Right. Hemingway's Draft Dodger or Old Moxington Splunge? | 0:11:08 | 0:11:12 | |
-Subtitles? -I'm getting the beers. | 0:11:12 | 0:11:15 | |
-Were you driving? -Who said I was driving? | 0:11:20 | 0:11:23 | |
For the benefit of the tape, | 0:11:24 | 0:11:25 | |
I am showing Mr Cowan a set of car keys, exhibit TC-10. | 0:11:25 | 0:11:29 | |
Are these your keys? | 0:11:29 | 0:11:31 | |
Found 'em. Was going to bring them to the police station. | 0:11:31 | 0:11:35 | |
Of course you were. They're keys for a Volkswagen. | 0:11:35 | 0:11:39 | |
-You tell me. -Now, according to the DVLA, you don't own a Volkswagen. | 0:11:39 | 0:11:44 | |
Like I said. Found 'em. Can I go now? | 0:11:44 | 0:11:48 | |
According to your uncle, Frank Beddows, he's got a Golf, hasn't he? | 0:11:48 | 0:11:53 | |
Now, I wonder whether the officers I've sent round are going to find | 0:11:53 | 0:11:56 | |
Mr Beddows missing his car and its keys? | 0:11:56 | 0:12:00 | |
-What do you think? -No comment. | 0:12:00 | 0:12:03 | |
-Did he let you borrow it? -I didn't do no borrowing. | 0:12:03 | 0:12:05 | |
You've got no driving licence and no insurance. | 0:12:05 | 0:12:08 | |
If that's why you're not telling us where the car is, we already know. | 0:12:08 | 0:12:12 | |
-Don't know what you mean. -What happened? Were you driving too fast? | 0:12:12 | 0:12:16 | |
Did you come round the bend and didn't see her? | 0:12:16 | 0:12:18 | |
Did the guilt kick in and you had to go back and check? | 0:12:18 | 0:12:20 | |
This is rubbish. | 0:12:20 | 0:12:22 | |
Well, right now I've got officers searching for Mr Beddows' car. | 0:12:22 | 0:12:26 | |
A hit-and-run is a serious crime, Mr Cowan. | 0:12:26 | 0:12:29 | |
-RILEY GASPS -Given your family history, | 0:12:29 | 0:12:31 | |
you'd know that, wouldn't you? | 0:12:31 | 0:12:34 | |
HE GASPS | 0:12:34 | 0:12:36 | |
Tell us where the car is. | 0:12:36 | 0:12:38 | |
No! | 0:12:38 | 0:12:40 | |
Interview suspended at 21.27, for medical intervention. | 0:12:41 | 0:12:44 | |
-Where shall we sit? -Oh, sorry... | 0:12:51 | 0:12:55 | |
Sorry we're late, we didn't realise the time. | 0:12:55 | 0:12:58 | |
-Don't know where it went. -I do! | 0:12:58 | 0:13:01 | |
Thanks a lot! Lovely. | 0:13:01 | 0:13:03 | |
Great, thanks. | 0:13:03 | 0:13:05 | |
Remember what we said. | 0:13:09 | 0:13:11 | |
You won't hear a peep out of me. | 0:13:11 | 0:13:13 | |
You can tell it's dead classy cos there's no pictures on the menu. | 0:13:14 | 0:13:19 | |
It's not a kebab van. I know what you're doing. | 0:13:19 | 0:13:22 | |
What? I'm just enjoying myself. | 0:13:22 | 0:13:25 | |
In that case then, we should start with a bottle of white wine. | 0:13:25 | 0:13:29 | |
-Are you sure? -And you can order whatever you want as long as it's from the set menu. | 0:13:29 | 0:13:33 | |
THEY LAUGH | 0:13:33 | 0:13:35 | |
What is it with you? Can't you just leave it? | 0:13:38 | 0:13:41 | |
What is it with her? | 0:13:41 | 0:13:42 | |
-You'd think I'd just sat on her plate and done a big... -Karen! | 0:13:42 | 0:13:46 | |
Well... | 0:13:46 | 0:13:48 | |
Sorry. Full attention. | 0:13:48 | 0:13:51 | |
Good. | 0:13:51 | 0:13:53 | |
We should do this more often. | 0:13:56 | 0:13:58 | |
-Oh... -Whoa, hold your horses! | 0:14:06 | 0:14:09 | |
What do I have to put on a chunky-knit jumper first? | 0:14:09 | 0:14:11 | |
First step is to look at the beer. | 0:14:11 | 0:14:15 | |
Yes. It's definitely beer. | 0:14:18 | 0:14:21 | |
Now, it's not a wheat ale, so it shouldn't be cloudy. | 0:14:21 | 0:14:24 | |
Which this isn't. Check. | 0:14:24 | 0:14:26 | |
And it's got a nice small head. Check again. | 0:14:26 | 0:14:29 | |
Now, the next step is to sniff the beer. | 0:14:29 | 0:14:32 | |
Come on. Really get your nose in there. | 0:14:32 | 0:14:35 | |
THEY INHALE | 0:14:35 | 0:14:37 | |
Mmm. Now... | 0:14:37 | 0:14:39 | |
We bring it to our lips. | 0:14:40 | 0:14:42 | |
Just let it roll over your tongue. | 0:14:42 | 0:14:45 | |
-Hmm? -Swallow. | 0:14:45 | 0:14:48 | |
Let it roll over the tongue. | 0:14:48 | 0:14:51 | |
Really savour that aftertaste. | 0:14:51 | 0:14:54 | |
Mmm... Beery. | 0:14:55 | 0:14:58 | |
Malty. | 0:14:58 | 0:15:00 | |
SHE LAUGHS | 0:15:00 | 0:15:02 | |
Now, I'll be able to join in when Heston's banging on about his wine-tasting. | 0:15:02 | 0:15:06 | |
Heston knows a thing or two about ale. He's got an excellent palate. | 0:15:06 | 0:15:09 | |
Remember I took him on that festive ale trail? | 0:15:09 | 0:15:12 | |
Here's one. If Heston was a cocktail, what would he be? | 0:15:12 | 0:15:16 | |
No, no, Howard. | 0:15:16 | 0:15:19 | |
Um, Howard...a Stuff Shirt served chilled over ice? | 0:15:19 | 0:15:24 | |
Your turn. Karen? | 0:15:24 | 0:15:26 | |
A dart board! | 0:15:28 | 0:15:30 | |
That's a bit mean. Oh! Say what you see, Jas! | 0:15:30 | 0:15:33 | |
No, I used to play. Come on! | 0:15:33 | 0:15:35 | |
Better. How you feeling? | 0:15:47 | 0:15:49 | |
Have you heard how the girl is? | 0:15:57 | 0:16:00 | |
Yeah. She's still in intensive care. | 0:16:00 | 0:16:04 | |
I didn't knock her down. | 0:16:04 | 0:16:06 | |
The problem is, you're not telling the police anything, | 0:16:09 | 0:16:12 | |
which isn't helping them find out who did it. | 0:16:12 | 0:16:15 | |
Which in turn means that they are focussing on you, | 0:16:15 | 0:16:19 | |
and if this turns into a murder investigation, then... | 0:16:19 | 0:16:23 | |
It's not my job to interview you, but if they're already searching | 0:16:23 | 0:16:27 | |
for your uncle's car, then you might as well speak to the police. | 0:16:27 | 0:16:31 | |
-My uncle's going to kill me. -Because when they find the car, | 0:16:31 | 0:16:34 | |
Forensics will be able to tell if it was involved. | 0:16:34 | 0:16:37 | |
-It's not that easy. -They won't let you go until they find the car. | 0:16:37 | 0:16:42 | |
This is such a mess. Why did she have to be there? Why was it tonight? And me? Oh, man... | 0:16:42 | 0:16:48 | |
The longer you stonewall the police, the more her family have to go through, wondering... | 0:16:48 | 0:16:55 | |
And you know exactly what that feels like, don't you? | 0:16:55 | 0:16:58 | |
I bet you're glad I didn't turn up with some chops. | 0:17:03 | 0:17:06 | |
Wa-hey! | 0:17:06 | 0:17:07 | |
-Did you see that? -No. -You did. She shook her head. | 0:17:13 | 0:17:17 | |
What did we say about letting things go? Another bottle of wine, please! | 0:17:17 | 0:17:22 | |
Good distraction work, Hollins! | 0:17:22 | 0:17:24 | |
Come here. Do you know what I'd like to do? | 0:17:26 | 0:17:30 | |
Has someone put something in your tea? | 0:17:30 | 0:17:32 | |
Not that. That as well. | 0:17:32 | 0:17:35 | |
I'd like to go on a mini-break to Prague. | 0:17:35 | 0:17:38 | |
Prague? You don't know where that is. | 0:17:41 | 0:17:45 | |
Or Madrid? Anywhere, it doesn't matter. Just me and you. | 0:17:45 | 0:17:48 | |
We can go somewhere on a Friday night, | 0:17:48 | 0:17:52 | |
come back on a Monday morning. | 0:17:52 | 0:17:55 | |
You'll be buying a camper van next. | 0:17:55 | 0:17:58 | |
The truth is, we've got a new beginning. | 0:17:58 | 0:18:02 | |
-You rang? -I said I'd talk to Dr Clay, not you. | 0:18:15 | 0:18:18 | |
-No. It doesn't work like that. -Then I'm not saying nothing. | 0:18:18 | 0:18:22 | |
I can arrange with Dr Clay, | 0:18:22 | 0:18:24 | |
if he agrees to sit in on the interview. | 0:18:24 | 0:18:26 | |
Take Mr Cowan to the interview room and get his brief. | 0:18:28 | 0:18:31 | |
Tell him we'll be along in a minute. Can I have a word? | 0:18:31 | 0:18:34 | |
I want your opinion. | 0:18:38 | 0:18:40 | |
Psychologically, if he's been through this as a child, | 0:18:40 | 0:18:42 | |
-wouldn't he want to help us? Tell us he did it? -Maybe. | 0:18:42 | 0:18:46 | |
But if he knocked her over, he could be in shock, | 0:18:46 | 0:18:49 | |
-refusing to believe what's happened. -Let's see what he's got to say. | 0:18:49 | 0:18:52 | |
No, we're DINKYs. | 0:18:54 | 0:18:56 | |
DINKYs? What's a DINKY? | 0:18:56 | 0:18:58 | |
Double Income No Kids Yet. We haven't got any kids. | 0:19:00 | 0:19:04 | |
-I thought we had two. -Not anymore. We've got two incomes. | 0:19:04 | 0:19:09 | |
Hooray, We're DINKYs! | 0:19:09 | 0:19:13 | |
And you are a DINKY with a winky! | 0:19:13 | 0:19:15 | |
Could you please just keep it down? | 0:19:15 | 0:19:19 | |
This is a private conversation. | 0:19:20 | 0:19:22 | |
-There's nothing private at that volume. -It's not a flaming library! | 0:19:22 | 0:19:27 | |
Whoa! Everybody calm down? | 0:19:27 | 0:19:29 | |
I appreciate that some people will be making noise, | 0:19:29 | 0:19:32 | |
but when you use cutlery it's like a sword fight! | 0:19:32 | 0:19:35 | |
And when you had soup it was like a vacuum cleaner in a swamp. | 0:19:35 | 0:19:39 | |
-That's it! -Sit down, love. -There's no need to come over. Your voice carries. | 0:19:39 | 0:19:44 | |
I didn't come here for a vow of silence and non-enjoyment. | 0:19:44 | 0:19:48 | |
I came here to have a good time. You should try it. | 0:19:48 | 0:19:53 | |
-You should call the police. -Funny you should say that. | 0:19:53 | 0:19:56 | |
Time to go. We'll finish this in our room. | 0:19:56 | 0:20:01 | |
I really hope you're not messing me about, Mr Cowan. | 0:20:04 | 0:20:07 | |
That's where you'll find the car, man. | 0:20:07 | 0:20:10 | |
So, are you going to tell me what happened? | 0:20:10 | 0:20:13 | |
I was running down the lane and I found her lying there. | 0:20:13 | 0:20:16 | |
I didn't knock no-one down. | 0:20:16 | 0:20:18 | |
And we've been down this road before, haven't we? | 0:20:18 | 0:20:22 | |
It's true. The car will back it up. There's no damage to it. | 0:20:22 | 0:20:26 | |
I was running cos I was late for a meeting. | 0:20:27 | 0:20:29 | |
The plan was to take this guy back to the car and do a deal. | 0:20:29 | 0:20:33 | |
Why not drive to the meeting? | 0:20:33 | 0:20:36 | |
I wasn't selling teddy bears! I've got to check the guy out first. | 0:20:36 | 0:20:39 | |
So what was in the car? | 0:20:40 | 0:20:43 | |
Just stolen gear. | 0:20:43 | 0:20:44 | |
Portrait of a lady. | 0:20:54 | 0:20:56 | |
Dr Jas Khella who took the fork in the road marked medicine, | 0:20:56 | 0:21:02 | |
ignoring the bright lights of professional darts. | 0:21:02 | 0:21:06 | |
She has kept her passion for throwing sharp things | 0:21:06 | 0:21:10 | |
at a numbered cork board a secret. | 0:21:10 | 0:21:12 | |
Until tonight. | 0:21:14 | 0:21:17 | |
Because tonight, Dr Jas Khella's secret will be revealed | 0:21:17 | 0:21:22 | |
in a small corner of the Arbury Arms. | 0:21:22 | 0:21:26 | |
If you're trying to put me off... | 0:21:27 | 0:21:31 | |
It hasn't worked. | 0:21:31 | 0:21:32 | |
Incredible. | 0:21:35 | 0:21:36 | |
That was a lovely evening. | 0:21:38 | 0:21:41 | |
Don't tell me you're going to call it a night already? | 0:21:41 | 0:21:43 | |
Sorry, love, I think I wore meself out earlier. | 0:21:43 | 0:21:47 | |
Should have seen her face when you stood up... | 0:21:47 | 0:21:52 | |
When you were standing up there... | 0:21:52 | 0:21:54 | |
What have I done here? | 0:21:54 | 0:21:56 | |
You never see George Clooney doing this... | 0:21:56 | 0:21:59 | |
Oh! | 0:21:59 | 0:22:00 | |
Karen? | 0:22:04 | 0:22:06 | |
Karen, are you asleep? SHE SNORES | 0:22:06 | 0:22:09 | |
Forensics have examined Cowan's car. | 0:22:15 | 0:22:18 | |
There's no indication it was involved in hitting Janine Kennedy. | 0:22:18 | 0:22:21 | |
He's out of the frame and I'm widening the search. | 0:22:21 | 0:22:23 | |
Well, I've just spoken to the doctors at St Phil's. | 0:22:23 | 0:22:26 | |
They've noticed that she has injuries on her wrists. Possibly from being grabbed. | 0:22:26 | 0:22:30 | |
-Right. -They wonder whether she was running away from an assault | 0:22:30 | 0:22:33 | |
when she was hit by a vehicle. | 0:22:33 | 0:22:35 | |
-We're back to square one trying to find which car did it. -You might not be looking for a car. | 0:22:35 | 0:22:39 | |
There was no real sign of any impact and it seems she was hit | 0:22:39 | 0:22:43 | |
by something that was rather large maybe a lorry, or a van. | 0:22:43 | 0:22:47 | |
I'll update the officers on the ground. | 0:22:47 | 0:22:49 | |
What about the guy who found Riley Cowan? | 0:22:49 | 0:22:53 | |
Just cos he's got a van? | 0:22:53 | 0:22:55 | |
It might be nothing, but he finds Riley standing over a woman | 0:22:55 | 0:22:57 | |
in the middle of the road no car in sight and yet he assumes it's a hit-and-run. | 0:22:57 | 0:23:02 | |
I'm just saying. | 0:23:02 | 0:23:03 | |
He's the one who put the idea out there in the first place, isn't he? | 0:23:03 | 0:23:06 | |
-Yes! -HE CLAPS | 0:23:11 | 0:23:13 | |
Phwoar... | 0:23:13 | 0:23:15 | |
If we were playing for real, I'd owe you £800. | 0:23:15 | 0:23:18 | |
-What's your secret? -Darts team at uni. | 0:23:18 | 0:23:21 | |
When I wasn't examining weird case studies | 0:23:21 | 0:23:24 | |
like fir tree seeds growing in lungs, I was on the oche. | 0:23:24 | 0:23:27 | |
Wait a minute, you had the fir-tree-in-the-lung case study? | 0:23:27 | 0:23:31 | |
We did that. Did you do sirenomelia? | 0:23:31 | 0:23:33 | |
Two legs fused together? Yes! | 0:23:33 | 0:23:37 | |
You know what this means? All colleges use the same case studies? | 0:23:37 | 0:23:41 | |
Yeah. And all those exotic cases really prepare you for the reality of being a GP. | 0:23:41 | 0:23:47 | |
Having to tell cold sufferers they can't have antibiotics. | 0:23:47 | 0:23:50 | |
Day in day out. I'd kill for a fir tree in the lung. | 0:23:50 | 0:23:53 | |
MOBILE RINGS | 0:23:53 | 0:23:56 | |
Emergency case of phonophobia? | 0:23:56 | 0:23:59 | |
Emergency case of Kevin doing his mother hen act. | 0:23:59 | 0:24:01 | |
-I'll just send him one back. -And miss the opportunity of a wind-up? | 0:24:01 | 0:24:05 | |
Oh, yes. | 0:24:05 | 0:24:08 | |
Jacuzzi... | 0:24:08 | 0:24:10 | |
Russell Brand... | 0:24:10 | 0:24:14 | |
I'll get us a couple of Splunges for the road. | 0:24:14 | 0:24:16 | |
KEYPAD TONES | 0:24:16 | 0:24:20 | |
SHE LAUGHS | 0:24:20 | 0:24:21 | |
KAREN SNORES | 0:24:22 | 0:24:24 | |
Oh! Ka... | 0:24:34 | 0:24:35 | |
Shh... | 0:24:35 | 0:24:37 | |
DOOR CLOSES | 0:24:48 | 0:24:50 | |
URGENT KNOCKING Karen, wake up! Karen! | 0:24:54 | 0:24:56 | |
SHE SNORES | 0:24:56 | 0:24:58 | |
Hello, again! | 0:25:11 | 0:25:13 | |
Thanks for a surprisingly good evening. | 0:25:18 | 0:25:20 | |
It wasn't that good! I've lost 800 imaginary pounds. | 0:25:20 | 0:25:24 | |
You have a safe journey home, yeah? | 0:25:24 | 0:25:26 | |
And you stay here until you can get a double top. | 0:25:26 | 0:25:29 | |
HE SIGHS | 0:25:35 | 0:25:36 | |
Paul Morris picked up Janine Kennedy. She was hitching. | 0:25:42 | 0:25:45 | |
She wasn't won over by his charms and that's when he threw her out of his van. | 0:25:45 | 0:25:48 | |
-Before reversing over her. -Nice guy(!) | 0:25:48 | 0:25:52 | |
Guilt got the better of him and he returned to the scene. | 0:25:52 | 0:25:54 | |
And that's when he found the perfect scapegoat. | 0:25:54 | 0:25:57 | |
Just got to deal with Riley Cowan, and then I can call it a night. | 0:25:57 | 0:26:01 | |
-Thanks for your help. -No problem. | 0:26:01 | 0:26:04 | |
Riley Cowan, me old mate. | 0:26:04 | 0:26:06 | |
I am arresting you on suspicion of burglary, | 0:26:06 | 0:26:08 | |
driving without a valid licence and insurance, and attempting to sell stolen goods. | 0:26:08 | 0:26:13 | |
I would imagine the toughest part of your particular job | 0:26:13 | 0:26:17 | |
would be the long hours? | 0:26:17 | 0:26:19 | |
He's the sort of man who craves attention. | 0:26:19 | 0:26:22 | |
I do not crave attention. | 0:26:22 | 0:26:23 | |
Which one of us was parading around naked? Craves it. | 0:26:23 | 0:26:27 | |
Don't tell me I have to go through this all again with you? | 0:26:27 | 0:26:30 | |
Don't worry, madam, we've had dealings with this gentlemen before. | 0:26:30 | 0:26:34 | |
Hello, fellas! I suppose this is going to get all round the station. | 0:26:34 | 0:26:40 | |
MOBILE RINGS | 0:26:40 | 0:26:41 | |
KEYPAD TONE | 0:26:41 | 0:26:43 | |
Kevin! | 0:26:43 | 0:26:46 | |
Don't worry, I had a great time, mother. | 0:26:46 | 0:26:49 | |
Russell Brand was a perfect gentleman. | 0:26:49 | 0:26:51 | |
I'm on my way home. | 0:26:51 | 0:26:53 | |
Bye-bye! | 0:26:53 | 0:26:55 | |
KEYPAD TONE | 0:26:55 | 0:26:56 | |
SHE GIGGLES | 0:26:56 | 0:26:58 | |
# ..Say goodbye on a night like this | 0:26:58 | 0:27:00 | |
# If it's the last thing we ever do... # | 0:27:00 | 0:27:03 | |
-Sorry, everyone. -Are you all right? | 0:27:04 | 0:27:06 | |
I'm fine. It's my bike that's knackered. | 0:27:06 | 0:27:09 | |
-I'm not. -I booked you in. Booked us both in actually. For today. | 0:27:09 | 0:27:15 | |
-I am very sorry, Mr Treadwell. -I should think you are. | 0:27:15 | 0:27:19 | |
But it really could not be helped. | 0:27:19 | 0:27:21 | |
Oh, I'm sorry, I'm waiting for someone. | 0:27:21 | 0:27:24 | |
Yes. My husband. | 0:27:24 | 0:27:26 | |
Subtitles by Red Bee Media Ltd | 0:27:47 | 0:27:50 |