Browse content similar to Silly Valentine. Check below for episodes and series from the same categories and more!
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# My funny valentine | 0:00:29 | 0:00:32 | |
# Sweet comic valentine | 0:00:34 | 0:00:37 | |
# You make me smile with my heart | 0:00:38 | 0:00:43 | |
# Your looks are laughable | 0:00:46 | 0:00:49 | |
# Unphotographable | 0:00:51 | 0:00:53 | |
# But you're my favourite work of art... # | 0:00:55 | 0:01:00 | |
VACUUM CLEANER WHIRS | 0:01:00 | 0:01:01 | |
Mrs Parkinson! | 0:01:01 | 0:01:02 | |
VACUUM CLEANER SWITCHED OFF | 0:01:15 | 0:01:16 | |
Did you call me, Doctor Carter? | 0:01:18 | 0:01:21 | |
Indeed. | 0:01:21 | 0:01:22 | |
Vis-a-vis our discussion, would 2.30 this afternoon be convenient? | 0:01:22 | 0:01:26 | |
Yes, that would be fine. | 0:01:26 | 0:01:28 | |
Excellent. | 0:01:28 | 0:01:30 | |
Valentine's Day! | 0:01:30 | 0:01:31 | |
That's one stinker of an anniversary if things don't work out. | 0:01:31 | 0:01:34 | |
Yeah. I'm going to take him out for lunch. | 0:01:34 | 0:01:36 | |
All-you-can-eat meze at the Greek at Sanderson Square. | 0:01:36 | 0:01:39 | |
Right, which one of you clowns has sent me a valentine's card? | 0:01:41 | 0:01:45 | |
-Don't look at me. -Nor me. Only losers send valentines. | 0:01:45 | 0:01:49 | |
Was it you? | 0:01:49 | 0:01:50 | |
No! You're not my type, sweetheart. | 0:01:50 | 0:01:52 | |
That's weird. | 0:01:52 | 0:01:55 | |
Hey, Heston, how about you? | 0:01:56 | 0:01:58 | |
I bet the postman was buckling under the weight? | 0:01:58 | 0:02:01 | |
I take it that's a no? | 0:02:01 | 0:02:02 | |
LAUGHTER | 0:02:02 | 0:02:04 | |
KNOCK ON DOOR Yes? | 0:02:14 | 0:02:17 | |
Any idea where Jimmi is? | 0:02:17 | 0:02:19 | |
-I received this in the post. -Congratulations. Only we're supposed to be meeting up for lunch. | 0:02:19 | 0:02:23 | |
I am obviously the victim of a mindless schoolboy prank. | 0:02:23 | 0:02:26 | |
He didn't mention anything to you? | 0:02:26 | 0:02:28 | |
Would you happen to know the identity of the guilty party? | 0:02:28 | 0:02:31 | |
Not a clue. He's not at the police station, is he? | 0:02:31 | 0:02:33 | |
-Who? -Jimmi! Oh, just forget it. | 0:02:33 | 0:02:36 | |
Why don't you just accept that that's genuine? | 0:02:36 | 0:02:38 | |
One in the eye for Al, eh? | 0:02:38 | 0:02:40 | |
Ah, Mrs Tembe... | 0:02:43 | 0:02:44 | |
I am very flexible regarding my receptionist duties. | 0:02:44 | 0:02:48 | |
But I draw the line at emptying the bin. | 0:02:48 | 0:02:49 | |
So don't do it, then. | 0:02:49 | 0:02:50 | |
Who else is going to volunteer? | 0:02:50 | 0:02:52 | |
Perhaps, I should make a wish, and the dustbin fairy will appear! | 0:02:52 | 0:02:56 | |
Listen, I'm looking for Jimmi. | 0:02:56 | 0:02:58 | |
Doctor Clay phoned in to say he would not be in today. | 0:02:58 | 0:03:00 | |
Is he ill? | 0:03:00 | 0:03:02 | |
Not exactly. | 0:03:02 | 0:03:03 | |
He said that he could not face the day ahead and he needed space. | 0:03:03 | 0:03:08 | |
He said that he was going to "retrace his steps". | 0:03:09 | 0:03:12 | |
That were his exact words. | 0:03:12 | 0:03:14 | |
BELCHING | 0:03:15 | 0:03:17 | |
Flowers delivery? | 0:03:20 | 0:03:22 | |
Oh, right. Just go through. I will sign in there. | 0:03:22 | 0:03:25 | |
-DRUNKENLY: -'Shanghai Gal.' | 0:03:42 | 0:03:44 | |
Shanghai Gal! | 0:03:48 | 0:03:49 | |
PHONE RINGS | 0:03:51 | 0:03:52 | |
-Jimmi? -Listen. Just to say, sorry about lunch. | 0:03:56 | 0:03:59 | |
You could have let me know. I shouldn't have to find out from Mrs Tembe. | 0:03:59 | 0:04:03 | |
-What's up with you, anyway? -Nothing. I'm fine. | 0:04:03 | 0:04:05 | |
You don't sound fine. | 0:04:05 | 0:04:07 | |
-OK. See you tomorrow. -Eh, hold on a minute! Where are you? | 0:04:07 | 0:04:11 | |
Kevin, I want to be on my own, mate. | 0:04:11 | 0:04:13 | |
-Don't be daft. I'll buy you a pint. -The prices they charge at this place? | 0:04:13 | 0:04:16 | |
Don't make promises you can't keep! | 0:04:16 | 0:04:18 | |
-KNOCK ON DOOR -Come in. | 0:04:26 | 0:04:28 | |
They're from Sam. | 0:04:33 | 0:04:35 | |
Lovely. | 0:04:35 | 0:04:38 | |
I found this on the doorstep outside. | 0:04:38 | 0:04:41 | |
Wonder who it's from, eh? | 0:04:41 | 0:04:43 | |
Oh, Howard. | 0:04:46 | 0:04:47 | |
I had it specially made... It looks like it's been specially made. | 0:04:48 | 0:04:52 | |
You know I can't. | 0:04:52 | 0:04:54 | |
It's only a card. | 0:04:54 | 0:04:55 | |
It isn't, though, is it? | 0:04:57 | 0:04:58 | |
And... | 0:05:01 | 0:05:03 | |
I don't want Chris to find it. | 0:05:03 | 0:05:04 | |
We look forward to seeing you then, Mr Peters. Goodbye. | 0:05:10 | 0:05:14 | |
-Can I help you? -You've already done that, babe. | 0:05:16 | 0:05:20 | |
It's karma. It's epiphany. | 0:05:20 | 0:05:22 | |
Yes, well, whatever it is, I cannot accept it. | 0:05:23 | 0:05:26 | |
This song is going to be the one. | 0:05:26 | 0:05:28 | |
Do you wish to see a doctor? | 0:05:28 | 0:05:29 | |
I walk out onto the stage. It's pitch black. | 0:05:29 | 0:05:33 | |
The amps are humming. | 0:05:33 | 0:05:35 | |
They're out there chanting, "Ro-o-ocky! Ro-o-ocky! Ro-o-ocky!" | 0:05:35 | 0:05:40 | |
And then the lamps come up with an almighty flash. | 0:05:41 | 0:05:45 | |
And I let rip... # SHANGHA-I-I-I! | 0:05:46 | 0:05:51 | |
# Doo-doo-doo-doo! # | 0:05:51 | 0:05:52 | |
This is unacceptable. You will have to leave. | 0:05:52 | 0:05:55 | |
# Strip off your courtelle and give me hell, Shanghai Gal! # | 0:05:55 | 0:06:01 | |
# Doo-doo-doo doo... | 0:06:01 | 0:06:04 | |
# Roll down those stockings and let's get rocking | 0:06:04 | 0:06:12 | |
# Let your superior posterior rock my roll! | 0:06:12 | 0:06:15 | |
# Doo-da-doo-da! # | 0:06:15 | 0:06:18 | |
I warn you, I am going to call the police! | 0:06:18 | 0:06:20 | |
How did you find me? | 0:06:31 | 0:06:33 | |
Retracing your steps? Expensive drinks? Doesn't take a genius. | 0:06:33 | 0:06:38 | |
This is morbid, mate - you know that, right? | 0:06:40 | 0:06:42 | |
Still got time to get to the Greek. | 0:06:47 | 0:06:49 | |
Dolmades, zucchini, cold beer. What do you say? | 0:06:49 | 0:06:53 | |
No, thanks. Don't let me stop you, though. | 0:06:54 | 0:06:57 | |
Love it! | 0:07:00 | 0:07:01 | |
# Strut your stuff... # | 0:07:01 | 0:07:03 | |
Please - I beg you, do not start singing again! | 0:07:03 | 0:07:05 | |
# Shanghai girl... # | 0:07:05 | 0:07:07 | |
OK, Rocky. Show's over. | 0:07:07 | 0:07:10 | |
-# Shanghai! # -Put him in the car. | 0:07:10 | 0:07:12 | |
# I could have set you free | 0:07:12 | 0:07:14 | |
# Shanghai, she's the one for me. # | 0:07:15 | 0:07:19 | |
Shanghai? | 0:07:19 | 0:07:20 | |
"From your very own Bag of Nuts"? | 0:07:24 | 0:07:26 | |
Not so fast, Doctor Haskey! | 0:07:26 | 0:07:28 | |
May I see that, please? | 0:07:30 | 0:07:31 | |
This is your handwriting! | 0:07:35 | 0:07:37 | |
Did you put him up to sending me this smutty valentine? | 0:07:37 | 0:07:41 | |
It's not smutty - it's about darts. | 0:07:41 | 0:07:43 | |
Shanghai is when you hit a single, treble and double | 0:07:43 | 0:07:46 | |
of the same number, and Bag of Nuts is... | 0:07:46 | 0:07:48 | |
So it was you all along! | 0:07:48 | 0:07:50 | |
You also sent one to Doctor Carter? | 0:07:50 | 0:07:52 | |
I didn't send anybody a valentine! I put that in the bin! | 0:07:52 | 0:07:55 | |
As a cruel prankster, you are an inveterate liar. | 0:07:55 | 0:07:59 | |
Whoa, Heston, hold your horses. | 0:07:59 | 0:08:01 | |
He sent this to my home. | 0:08:01 | 0:08:02 | |
An intolerable invasion of my privacy. | 0:08:02 | 0:08:05 | |
I've already told you I didn't! | 0:08:05 | 0:08:06 | |
Shall we talk about this in private? | 0:08:06 | 0:08:08 | |
The price of a pint has gone up by a pound since last year. | 0:08:30 | 0:08:33 | |
Daylight robbery! | 0:08:33 | 0:08:35 | |
Warned you. | 0:08:35 | 0:08:36 | |
I still don't know what good this is doing. | 0:08:38 | 0:08:41 | |
-I'm just trying to work things through. -What's there to work through? | 0:08:41 | 0:08:44 | |
She cheated on you with your best mate. | 0:08:44 | 0:08:47 | |
There's no going back from that. | 0:08:48 | 0:08:50 | |
You're the innocent party. With bells on. | 0:08:50 | 0:08:53 | |
I was sat in that chair over there. People were toasting us | 0:08:53 | 0:08:55 | |
and I remember thinking, "This is a huge mistake." | 0:08:55 | 0:08:58 | |
Wedding day nerves. | 0:08:58 | 0:09:01 | |
Am I telling you this or are you going to keep doling out platitudes? | 0:09:01 | 0:09:03 | |
-Just trying to cheer you up. -I don't need cheering up. -Matter of opinion. | 0:09:03 | 0:09:07 | |
When we got engaged, she turned into bridezilla. | 0:09:09 | 0:09:12 | |
Yeah, you can say that again! | 0:09:12 | 0:09:14 | |
Don't know how you stuck it, mate! | 0:09:14 | 0:09:16 | |
I wanted marriage. More than anything, I wanted kids. | 0:09:16 | 0:09:21 | |
But we were both on the rebound, looking for a flawlessly | 0:09:21 | 0:09:24 | |
happy life with somebody undemanding. That doesn't happen, does it? | 0:09:24 | 0:09:27 | |
You don't realise until you look back. | 0:09:27 | 0:09:29 | |
So are you going to be mooching for the rest of your life? | 0:09:29 | 0:09:31 | |
-What? -Is this going to be some annual pilgrimage? | 0:09:31 | 0:09:35 | |
"Ah, there he is, poor old Doctor Clay. | 0:09:35 | 0:09:37 | |
-"He likes to sit in the corner. Bless!" -Shut up. | 0:09:37 | 0:09:40 | |
All I'm trying to say is, you've got to take steps to turn your life around. | 0:09:40 | 0:09:44 | |
Otherwise, you're going to be stuck in the past. | 0:09:44 | 0:09:47 | |
And you'll never be free, Jimmi. Never. | 0:09:47 | 0:09:49 | |
You really need to grow up before you start dishing out | 0:09:52 | 0:09:55 | |
the wisdom, mate. | 0:09:55 | 0:09:56 | |
I think it looks perfectly sincere. Mrs Tembe? | 0:10:03 | 0:10:07 | |
No, she wouldn't do that. | 0:10:07 | 0:10:09 | |
What's on your mind, Heston? | 0:10:09 | 0:10:11 | |
This time a year ago, | 0:10:11 | 0:10:13 | |
Marina and I got back together at Jimmi's wedding. | 0:10:13 | 0:10:17 | |
-So? -She said her heart was racing. Look at the verse. | 0:10:17 | 0:10:21 | |
-It says, "My heart skips a beat." Is that really the same thing? -It's as near as dammit. | 0:10:21 | 0:10:26 | |
Does she honestly believe that I have romantic feelings, | 0:10:26 | 0:10:30 | |
and she's trying to torment me? | 0:10:30 | 0:10:31 | |
I really doubt that. | 0:10:31 | 0:10:32 | |
You don't know her like I do. | 0:10:32 | 0:10:34 | |
If I get back home and she's sitting on my doorstep! | 0:10:34 | 0:10:37 | |
Then you pick up the phone and call me. | 0:10:37 | 0:10:39 | |
OK, Heston - let's say she did send it. So what? | 0:10:39 | 0:10:42 | |
You're the one holding all the power here. | 0:10:42 | 0:10:45 | |
Because you are just going to ignore it and get on with your day. | 0:10:45 | 0:10:49 | |
Right? | 0:10:49 | 0:10:50 | |
I suppose so. | 0:10:52 | 0:10:53 | |
Me and Cherry did that one. | 0:10:56 | 0:10:58 | |
She looked into my eyes and said, "Don't smudge my lipstick." | 0:10:58 | 0:11:01 | |
-My heart bleeds. -What? | 0:11:01 | 0:11:03 | |
You'll be pleased to know I'm going. | 0:11:03 | 0:11:05 | |
Told you it was no good coming here. | 0:11:05 | 0:11:07 | |
You just don't get it, do you? | 0:11:07 | 0:11:09 | |
This is the last place I want to be today. | 0:11:10 | 0:11:13 | |
This time last year, we were all having a laugh. | 0:11:13 | 0:11:16 | |
I had Freya's name tattooed to my backside. | 0:11:16 | 0:11:19 | |
Since then, I've lost her - my best mate. | 0:11:19 | 0:11:23 | |
But, hey, what do I know about life? | 0:11:23 | 0:11:26 | |
-Kevin, I didn't mean... -Yes, you did. Every patronising word of it. | 0:11:26 | 0:11:30 | |
I'm sorry. I wasn't thinking. | 0:11:30 | 0:11:32 | |
Is this your ideal? Fluffy romance? | 0:11:36 | 0:11:39 | |
Now who's being patronising? | 0:11:39 | 0:11:41 | |
OK. So do you think things should slot into place, then? | 0:11:41 | 0:11:44 | |
I always thought there was some sort of pattern, | 0:11:44 | 0:11:47 | |
some kind of order. | 0:11:47 | 0:11:48 | |
But nothing makes sense, does it? Take me and my old man. | 0:11:48 | 0:11:52 | |
Essentially I saved his life. | 0:11:52 | 0:11:54 | |
If this was a movie, we'd be inseparable by now. | 0:11:54 | 0:11:57 | |
Long-lost father and son bonded by blood - not to mention stem cells. | 0:11:57 | 0:12:01 | |
But that's not how it is and it never will be. | 0:12:01 | 0:12:05 | |
So what do you do next? | 0:12:08 | 0:12:10 | |
Just keep on swimming. | 0:12:10 | 0:12:12 | |
-Let me buy you a pint first? -A pint? Mate, we are doing shots! | 0:12:13 | 0:12:18 | |
MUSIC: "My Funny Valentine" by Elvis Costello & the Attractions | 0:12:18 | 0:12:22 | |
Doctor Carter. It's only me. | 0:12:24 | 0:12:26 | |
Mrs Parkinson. | 0:12:27 | 0:12:29 | |
Anne. | 0:12:29 | 0:12:30 | |
Anne, darling! Isn't it time you started calling me Heston? | 0:12:33 | 0:12:36 | |
Or am I being too presumptuous? | 0:12:36 | 0:12:38 | |
Not at all, love. | 0:12:38 | 0:12:39 | |
I'd like you to wear these cotton mitts. | 0:12:45 | 0:12:47 | |
The antique silver is very delicate. | 0:12:51 | 0:12:53 | |
Oh! hadn't expected lunch! I thought you were here for the silver. | 0:12:56 | 0:12:59 | |
I suppose I could rustle something up. | 0:12:59 | 0:13:02 | |
No. Don't go to any trouble. This is for you. | 0:13:02 | 0:13:05 | |
For later. | 0:13:05 | 0:13:06 | |
Oh, how very kind. | 0:13:06 | 0:13:07 | |
Right. Ready for the masterclass! | 0:13:08 | 0:13:10 | |
Excellent. | 0:13:10 | 0:13:13 | |
Don't panic, I've sobered up. | 0:13:15 | 0:13:17 | |
Mr Rocky... | 0:13:17 | 0:13:18 | |
No, please, please, don't throw me out. | 0:13:18 | 0:13:21 | |
I've been beating myself up about the way I spoke to you. | 0:13:21 | 0:13:24 | |
It's the booze. | 0:13:25 | 0:13:26 | |
You're a lady and you deserve respect. I'm here to apologise. | 0:13:28 | 0:13:34 | |
Best bib and tucker and all that. | 0:13:34 | 0:13:37 | |
In that case, I accept. | 0:13:37 | 0:13:40 | |
So long as it does not happen again. | 0:13:40 | 0:13:42 | |
Deal. Listen, we're doing a gig tonight in the Eagle. | 0:13:42 | 0:13:46 | |
You don't have to pay. Just tell them you're with the band. We're called Lead Balloon. | 0:13:46 | 0:13:50 | |
It's a kind of play on Led Zeppelin. My idea. | 0:13:50 | 0:13:53 | |
That is very kind of you, but I must decline, but thank you. | 0:13:55 | 0:14:00 | |
Mr...Mr Rocky, | 0:14:00 | 0:14:02 | |
perhaps you'd care to take one of our leaflets on alcohol? | 0:14:02 | 0:14:08 | |
And perhaps once you have read it, | 0:14:08 | 0:14:11 | |
I can make you an appointment to see one of our doctors. | 0:14:11 | 0:14:13 | |
Cheers, I'll bear that in mind. | 0:14:13 | 0:14:16 | |
Trouble is, I write my best songs when I'm drunk. | 0:14:20 | 0:14:23 | |
See you. | 0:14:25 | 0:14:26 | |
You have to use a soft brush, | 0:14:30 | 0:14:33 | |
otherwise you risk damaging the hallmark. | 0:14:33 | 0:14:36 | |
Yes, I see. Is this all right? | 0:14:36 | 0:14:40 | |
Oh, yes. You're doing a sterling job, no pun intended. | 0:14:40 | 0:14:43 | |
It's good to learn new skills. | 0:14:45 | 0:14:47 | |
Yes, that's what I thought. | 0:14:47 | 0:14:48 | |
So, I think I'll leave you to it and get on with my paperwork. | 0:14:48 | 0:14:51 | |
You don't want me breathing down your neck. | 0:14:51 | 0:14:54 | |
Did you get any valentines? | 0:14:58 | 0:14:59 | |
Why would you ask me that? | 0:15:03 | 0:15:05 | |
No reason. I just thought I saw you with one this morning. | 0:15:05 | 0:15:09 | |
Oh, yes. Somebody's idea of a joke. | 0:15:09 | 0:15:11 | |
It wasn't a joke. | 0:15:12 | 0:15:13 | |
I sent it. | 0:15:15 | 0:15:17 | |
You! What on earth possessed YOU? | 0:15:17 | 0:15:20 | |
I didn't mean to cause any upset. | 0:15:22 | 0:15:24 | |
Upset? | 0:15:24 | 0:15:25 | |
Do you have any idea what sort of...? If I'd have known it was | 0:15:25 | 0:15:28 | |
only you, I would have saved myself a great deal of stress. | 0:15:28 | 0:15:31 | |
Did you get any valentines? | 0:15:38 | 0:15:39 | |
Yeah, I did actually. I got one. | 0:15:39 | 0:15:42 | |
Who is she? | 0:15:43 | 0:15:44 | |
I don't know, Father. It's anonymous. | 0:15:44 | 0:15:47 | |
Have you got the slightest inkling? | 0:15:47 | 0:15:48 | |
No. Probably just a patient or something. | 0:15:48 | 0:15:52 | |
Mrs Tembe, if I'm lucky! | 0:15:52 | 0:15:54 | |
If you had a girlfriend, you would bring her home, wouldn't you? I'd like to meet her. | 0:15:55 | 0:15:59 | |
Are you trying to marry me off? | 0:15:59 | 0:16:00 | |
No! It's just that sometimes it's nice to see a welcome new face. | 0:16:00 | 0:16:04 | |
There, what do you think? | 0:16:04 | 0:16:07 | |
Yeah, it's great. But now for the piece de resistance. | 0:16:09 | 0:16:13 | |
Rose petals? That is so over the top! | 0:16:16 | 0:16:20 | |
Yeah, all right, just get sprinkling! | 0:16:20 | 0:16:22 | |
-Everywhere? -Around, sprinkle. -All right. | 0:16:22 | 0:16:25 | |
Get sprinkling. Perfect. | 0:16:25 | 0:16:29 | |
I owe you an abject apology. | 0:16:29 | 0:16:30 | |
-As a matter of fact, yes, you do. -I misjudged you. The identity of the sender has been ascertained. | 0:16:32 | 0:16:36 | |
I hope we can put this matter behind us. | 0:16:36 | 0:16:39 | |
-Really, who was it, then? -My cleaning lady. | 0:16:39 | 0:16:42 | |
I thought it was from someone else - the last person in the world I wanted to hear from. | 0:16:42 | 0:16:46 | |
But it wasn't, so what's the big deal? | 0:16:46 | 0:16:48 | |
A mystery woman in my kitchen. | 0:16:56 | 0:16:58 | |
This is what you were planning. | 0:17:02 | 0:17:04 | |
Sam, the table looks gorgeous. | 0:17:05 | 0:17:09 | |
So do you. | 0:17:09 | 0:17:10 | |
Flatterer. | 0:17:13 | 0:17:15 | |
Don't you think she'll cramp our style a bit? | 0:17:20 | 0:17:23 | |
I'll get rid of her when she's served. | 0:17:24 | 0:17:27 | |
I can't remember her name! | 0:17:27 | 0:17:30 | |
Post. I don't know how you can leave it unopened. | 0:17:31 | 0:17:35 | |
Do you want to look at it now? | 0:17:35 | 0:17:36 | |
No! | 0:17:36 | 0:17:38 | |
Wine? | 0:17:38 | 0:17:40 | |
Lovely. | 0:17:40 | 0:17:41 | |
Thank you, Anne, for agreeing to come back. | 0:17:49 | 0:17:51 | |
I just came to give you this. | 0:17:53 | 0:17:55 | |
It's my notice and my key. | 0:17:55 | 0:17:58 | |
Actually, it's not notice in the accepted sense, | 0:17:58 | 0:18:01 | |
because I think I should leave straightaway. | 0:18:01 | 0:18:03 | |
It would be better all round. | 0:18:03 | 0:18:06 | |
If you feel you must, I won't stand in your way. | 0:18:06 | 0:18:09 | |
I was terribly rude, wasn't I? | 0:18:10 | 0:18:12 | |
It was my own fault. I overstepped the mark. | 0:18:14 | 0:18:16 | |
I'd hate us to part like this. | 0:18:18 | 0:18:20 | |
Could we at least share your lovely tiramisu? As friends? | 0:18:20 | 0:18:26 | |
I don't think I could manage it. | 0:18:27 | 0:18:29 | |
Please. | 0:18:29 | 0:18:30 | |
I'd feel so much better if you would. | 0:18:31 | 0:18:34 | |
MUSIC: "You're Just Too Good To Be True" by Andy Williams | 0:18:40 | 0:18:43 | |
Want some help? | 0:18:43 | 0:18:44 | |
No, I don't think so. | 0:18:46 | 0:18:48 | |
Go on, it would be romantic. | 0:18:48 | 0:18:51 | |
I feed you, you feed me. | 0:18:51 | 0:18:55 | |
Be like Lady And The Tramp. | 0:18:55 | 0:18:56 | |
Probably not a great idea, unless you want pasta down your cleavage. | 0:18:58 | 0:19:03 | |
I thought you might quite like that. | 0:19:03 | 0:19:05 | |
HE LAUGHS | 0:19:05 | 0:19:07 | |
I've kind of had enough now, anyway. | 0:19:07 | 0:19:10 | |
I know why you chose this dish. | 0:19:13 | 0:19:17 | |
Sicily. | 0:19:17 | 0:19:19 | |
Oh, yes. | 0:19:19 | 0:19:21 | |
Do you remember the old man in the cafe? | 0:19:24 | 0:19:27 | |
You thought he was Mafia so you were especially nice to him in case | 0:19:27 | 0:19:30 | |
he had you shot! | 0:19:30 | 0:19:31 | |
If I could have this life again, I'd be insulting as well. | 0:19:35 | 0:19:40 | |
Solve a lot of problems. | 0:19:40 | 0:19:42 | |
-Don't, Sam. -Joke. | 0:19:42 | 0:19:43 | |
Not funny. We've had a wonderful life together. | 0:19:43 | 0:19:47 | |
Yes, we have. | 0:19:49 | 0:19:51 | |
And I want to savour this last part of it. | 0:19:51 | 0:19:53 | |
What makes you think it's the last part? | 0:19:53 | 0:19:56 | |
We've got so much to look forward to. | 0:19:56 | 0:19:59 | |
It's not over till the fat lady sings. | 0:20:01 | 0:20:04 | |
OK! You can come in now. | 0:20:11 | 0:20:12 | |
-Who's there? -The fat lady singer I booked for tonight. | 0:20:14 | 0:20:17 | |
Good heavens. | 0:20:42 | 0:20:43 | |
Is it awful? | 0:20:43 | 0:20:45 | |
No, quite the reverse. | 0:20:45 | 0:20:46 | |
This is the best tiramisu I've had outside Tuscany. | 0:20:46 | 0:20:50 | |
You don't have to say that. | 0:20:50 | 0:20:51 | |
I wouldn't say it if it wasn't true. It's exquisite. | 0:20:51 | 0:20:54 | |
Doctor Carter, I'm sorry I sent you that valentine. | 0:20:56 | 0:20:59 | |
Please, let's say no more about it. | 0:20:59 | 0:21:01 | |
I only did it to cheer you up. | 0:21:01 | 0:21:03 | |
I'd hate you to think I was holding a torch, because I'm not. | 0:21:03 | 0:21:07 | |
Really. That's not to say you're unattractive. | 0:21:07 | 0:21:11 | |
I must apologise for over-reacting. We often do things we regret. | 0:21:11 | 0:21:16 | |
So what shall we talk about, other than food? | 0:21:21 | 0:21:26 | |
I'm sorry my conversation might be a bit limited. | 0:21:28 | 0:21:31 | |
It's just that all the days seem to roll into one at the moment. | 0:21:31 | 0:21:33 | |
Oh, I don't know. | 0:21:33 | 0:21:34 | |
You seem to have been pretty busy since you left hospital. | 0:21:34 | 0:21:38 | |
Do I? News to me. | 0:21:39 | 0:21:43 | |
Letters, | 0:21:43 | 0:21:45 | |
phone calls, visits. | 0:21:45 | 0:21:48 | |
Well, maybe I do have a secret girlfriend after all. | 0:21:48 | 0:21:51 | |
What's going on, Sam? | 0:21:53 | 0:21:54 | |
I so don't want to do this, this evening. | 0:21:57 | 0:21:59 | |
That sounds ominous. You'll have to tell me now. | 0:21:59 | 0:22:02 | |
OK. | 0:22:04 | 0:22:07 | |
I want us to go on holiday. | 0:22:07 | 0:22:08 | |
You, me, Chris. | 0:22:10 | 0:22:12 | |
Two perfect weeks away, just the three of us. | 0:22:12 | 0:22:15 | |
I don't know about perfection with Chris tagging along. | 0:22:15 | 0:22:17 | |
But it sounds lovely. | 0:22:17 | 0:22:19 | |
And then I want to go to Switzerland. | 0:22:19 | 0:22:21 | |
It's a... | 0:22:22 | 0:22:24 | |
euphemism. | 0:22:24 | 0:22:26 | |
You're joking. | 0:22:27 | 0:22:29 | |
I am serious, Em. | 0:22:29 | 0:22:31 | |
You're depressed. You said as much yourself in hospital. | 0:22:31 | 0:22:34 | |
I'm not, and nothing's changed. | 0:22:34 | 0:22:36 | |
It's obscene. | 0:22:36 | 0:22:38 | |
Obscene? No, what's obscene is me, | 0:22:38 | 0:22:41 | |
feeling this carcass falling apart, piece by piece. | 0:22:41 | 0:22:44 | |
But you are making fantastic process. | 0:22:46 | 0:22:48 | |
I almost died. | 0:22:48 | 0:22:50 | |
But you are not dying now. | 0:22:50 | 0:22:52 | |
I think I have the right to choose. | 0:22:56 | 0:22:59 | |
No! | 0:22:59 | 0:23:01 | |
Don't you dare! You have a family. | 0:23:02 | 0:23:06 | |
A son. | 0:23:07 | 0:23:09 | |
Don't you think what you're saying will destroy him? | 0:23:09 | 0:23:12 | |
OK, this...this... | 0:23:13 | 0:23:14 | |
..is a typical response. | 0:23:16 | 0:23:19 | |
What? | 0:23:19 | 0:23:21 | |
I've done some research. And first, | 0:23:21 | 0:23:25 | |
loved ones can feel angry. | 0:23:25 | 0:23:27 | |
But then, | 0:23:28 | 0:23:31 | |
eventually, when they get used to the idea... | 0:23:31 | 0:23:34 | |
Used to the idea? | 0:23:34 | 0:23:36 | |
Used to the idea of my husband taking his own life? | 0:23:37 | 0:23:42 | |
Used to the idea of abandoning every principle I've ever had? | 0:23:42 | 0:23:46 | |
No, I will never get used to the idea. | 0:23:46 | 0:23:50 | |
Are you sure you won't reconsider your resignation? | 0:23:58 | 0:24:02 | |
I'm not sure we can go back to the way we were. You'll easily find someone else, won't you? | 0:24:02 | 0:24:07 | |
Yes, but not someone I can trust so implicitly. | 0:24:07 | 0:24:11 | |
I'm afraid I am the victim of past events. | 0:24:11 | 0:24:14 | |
There are very few people I can invite over my threshold. You are one of them. | 0:24:14 | 0:24:18 | |
In fact, you're the only person | 0:24:18 | 0:24:20 | |
I can leave in my home | 0:24:20 | 0:24:21 | |
for any length of time. | 0:24:21 | 0:24:23 | |
I understand that, Doctor Carter. I always have. | 0:24:23 | 0:24:26 | |
Yes. Well, I won't keep you. | 0:24:28 | 0:24:29 | |
So when would you like me to finish the silver? | 0:24:32 | 0:24:35 | |
Whenever you like. | 0:24:35 | 0:24:36 | |
You're such a dab hand, you won't need any supervision. | 0:24:36 | 0:24:40 | |
Back to normal? | 0:24:40 | 0:24:41 | |
Absolutely. | 0:24:43 | 0:24:44 | |
I'll let myself out, then. Good night. | 0:24:46 | 0:24:49 | |
Good night, Mrs Parkinson. Thank you. | 0:24:49 | 0:24:51 | |
I've phoned Martha. She's coming over. | 0:25:05 | 0:25:08 | |
What shall I tell her? | 0:25:08 | 0:25:09 | |
Why not the truth? | 0:25:09 | 0:25:11 | |
Your silly wife got hysterical | 0:25:11 | 0:25:13 | |
when you told her you wanted to kill yourself. | 0:25:13 | 0:25:15 | |
At least try to understand. | 0:25:15 | 0:25:17 | |
Oh, I understand perfectly. | 0:25:25 | 0:25:26 | |
The meal... | 0:25:30 | 0:25:31 | |
..the flowers, the wine. | 0:25:32 | 0:25:34 | |
I thought this was our new beginning. | 0:25:36 | 0:25:39 | |
But you were saying goodbye in the most calculating way. | 0:25:40 | 0:25:45 | |
Please, Emma, let's just talk. | 0:25:46 | 0:25:50 | |
About what? How you choose death over life with us? | 0:25:50 | 0:25:54 | |
It's not even as if we're religious. | 0:25:56 | 0:25:58 | |
We can't pretend that you're up there somewhere waiting for us, | 0:25:58 | 0:26:02 | |
playing your sodding harp! | 0:26:02 | 0:26:03 | |
I can't do this, Sam. | 0:26:05 | 0:26:06 | |
Where are you going? | 0:26:08 | 0:26:09 | |
There's someone else. | 0:26:11 | 0:26:12 | |
Right, I see. | 0:26:13 | 0:26:15 | |
Someone who loves me, | 0:26:15 | 0:26:18 | |
respects my feelings, puts me first. | 0:26:18 | 0:26:23 | |
And if you think I'm a hard-hearted bitch... | 0:26:23 | 0:26:26 | |
..so be it. | 0:26:28 | 0:26:30 | |
I don't feel that way at all. I'm pleased. | 0:26:30 | 0:26:34 | |
Pleased? | 0:26:37 | 0:26:38 | |
You've found someone. It helps me to know you won't be left on your own. | 0:26:38 | 0:26:45 | |
What kind of man are you? | 0:26:45 | 0:26:46 | |
I can't be around you! | 0:26:49 | 0:26:50 | |
You do just what the man with the camera tells you do to, | 0:27:07 | 0:27:09 | |
because you can have everything you want. | 0:27:09 | 0:27:12 | |
What on earth does he think he's doing? | 0:27:12 | 0:27:14 | |
Up to no good, probably. | 0:27:14 | 0:27:16 | |
This is all about Amber and her career. | 0:27:16 | 0:27:19 | |
I'm not interested in her career. I'm worried about her health. | 0:27:19 | 0:27:22 | |
You are an addict? | 0:27:22 | 0:27:23 | |
Women. Drink. Smack. | 0:27:23 | 0:27:25 | |
You can see how heartbroken she is. | 0:27:25 | 0:27:27 | |
Is there no way you can give her one more chance...? | 0:27:27 | 0:27:29 | |
Subtitles by Red Bee Media Ltd | 0:27:51 | 0:27:54 |