Browse content similar to Little Miss Letherbridge. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
And you're sure you don't want a bowl of Rice Munchies? | 0:00:31 | 0:00:35 | |
No! I don't like Rice Munchies. | 0:00:35 | 0:00:37 | |
OK. Today, we have to pretend to like Rice Munchies. | 0:00:37 | 0:00:41 | |
And smile a lot and do everything the grown-ups tell you to do. | 0:00:41 | 0:00:47 | |
So the man with the camera can take lots of pictures of Amber | 0:00:47 | 0:00:52 | |
and the whole world can see how pretty she is. | 0:00:52 | 0:00:56 | |
And then Mummy will have enough to pay for tap lessons. | 0:00:56 | 0:00:59 | |
Morning. You sleep well? | 0:01:04 | 0:01:07 | |
Mm-hm. | 0:01:07 | 0:01:08 | |
Sorry, that room can be a little cold. | 0:01:08 | 0:01:11 | |
Help yourself to juice and breakfast. | 0:01:11 | 0:01:13 | |
Do you some eggs, if you like? | 0:01:13 | 0:01:15 | |
No, thanks. I'll grab a coffee later. | 0:01:15 | 0:01:18 | |
Well, if you hang on I'll give you a lift if you like. | 0:01:18 | 0:01:21 | |
Hello, Mrs Tembe. | 0:01:26 | 0:01:28 | |
Mrs Land. | 0:01:28 | 0:01:30 | |
You look nice. Is that a new scarf? | 0:01:30 | 0:01:33 | |
This? No, I have had it for some time. | 0:01:33 | 0:01:36 | |
Well, I think you look very smart. | 0:01:36 | 0:01:39 | |
Well, thank you. | 0:01:39 | 0:01:40 | |
Mummy, stop! | 0:01:43 | 0:01:45 | |
Don't you want to look pretty when you have your picture taken? | 0:01:45 | 0:01:48 | |
I want to play with Bella. | 0:01:48 | 0:01:49 | |
Mummy just needs a few more minutes. | 0:01:49 | 0:01:53 | |
There we are. Perfect. | 0:01:53 | 0:01:56 | |
Now, Mummy wants you to be a good girl today | 0:01:56 | 0:02:02 | |
and listen to what people say. | 0:02:02 | 0:02:05 | |
Do just what the man with the camera tells you to do, | 0:02:05 | 0:02:07 | |
because then you're going to be famous! | 0:02:07 | 0:02:11 | |
And everyone will see how special Amber is. And... | 0:02:11 | 0:02:16 | |
you can have everything you want. | 0:02:16 | 0:02:18 | |
How does that sound? | 0:02:18 | 0:02:21 | |
Can Bella come, too? | 0:02:21 | 0:02:23 | |
If you insist. Come on. | 0:02:23 | 0:02:25 | |
Coat on. | 0:02:25 | 0:02:27 | |
Ooh! What have you got on your... | 0:02:27 | 0:02:30 | |
-Stay still, there's a good girl. Let Mummy take a look. -Don't! | 0:02:30 | 0:02:34 | |
Oh, for goodness sake! What have you been doing to yourself? | 0:02:34 | 0:02:37 | |
It's itchy. | 0:02:37 | 0:02:38 | |
All right, all right. | 0:02:38 | 0:02:42 | |
Try not to scratch it. | 0:02:42 | 0:02:45 | |
Arm. | 0:02:45 | 0:02:46 | |
Why it has to happen today, of all days, I don't know. | 0:02:48 | 0:02:50 | |
Other arm, come on. | 0:02:50 | 0:02:52 | |
Mrs Harris. Nice to see you again. And you, Mrs Cooper. | 0:02:54 | 0:02:59 | |
I have brought sustenance for the troops. | 0:02:59 | 0:03:03 | |
My legendary peanut and banana muffins. | 0:03:03 | 0:03:07 | |
Oh, well, that's very generous of you. | 0:03:07 | 0:03:10 | |
You can put them there, next to my famous flapjacks. | 0:03:10 | 0:03:16 | |
Well, the new vicar should be very impressed. | 0:03:16 | 0:03:18 | |
Is there any news on his arrival? | 0:03:18 | 0:03:21 | |
I have it on very good authority that today is the day. | 0:03:21 | 0:03:25 | |
Really?! Well, I hope he's hungry when he arrives. | 0:03:25 | 0:03:31 | |
Your flapjacks can be very filling. | 0:03:31 | 0:03:33 | |
-So who's this? -Bella. | 0:03:38 | 0:03:40 | |
Well, isn't Bella a pretty thing? Almost as pretty as you! | 0:03:41 | 0:03:44 | |
Shall we have a look? | 0:03:44 | 0:03:45 | |
Any change in the type of soap you use recently? | 0:03:48 | 0:03:51 | |
Soap? We only use cleanser. | 0:03:51 | 0:03:54 | |
OK. You might want to take a break from that. | 0:03:54 | 0:03:56 | |
It's good stuff. All the stars use it. | 0:03:56 | 0:03:59 | |
And it's not cheap. | 0:03:59 | 0:04:00 | |
All the same, it might not be suitable for delicate complexions. | 0:04:00 | 0:04:03 | |
-Any change in diet? -All organic. Everything fresh. | 0:04:03 | 0:04:07 | |
No refined sugars. | 0:04:07 | 0:04:09 | |
OK. We'll give you something to make you feel better. | 0:04:09 | 0:04:11 | |
Something's not agreeing with her. | 0:04:11 | 0:04:13 | |
I can't think what it could be. | 0:04:13 | 0:04:15 | |
It could be some kind of allergy. Possibly eczema. | 0:04:15 | 0:04:17 | |
Fortunately, it's not too bad. Worth keeping an eye on, though. | 0:04:17 | 0:04:20 | |
I'd get some aqueous cream from the chemist and... | 0:04:20 | 0:04:23 | |
Chemist?! Can't you give her something to cover it up? | 0:04:23 | 0:04:26 | |
(It's so ugly!) | 0:04:26 | 0:04:28 | |
You can barely see it. | 0:04:29 | 0:04:30 | |
But she needs to be glowing and confident. Especially today. | 0:04:30 | 0:04:33 | |
What's so special about today? | 0:04:33 | 0:04:35 | |
It's probably easier if I show you. | 0:04:35 | 0:04:38 | |
Have you got five minutes? | 0:04:38 | 0:04:40 | |
So. Tell me, what is on the agenda? | 0:04:40 | 0:04:44 | |
Well, Mrs Harris and Mrs Cooper have already offered to give | 0:04:44 | 0:04:47 | |
the woodwork and brassware a final polish. | 0:04:47 | 0:04:49 | |
And I thought you might like to work alongside me. | 0:04:49 | 0:04:52 | |
Oh, I thought that maybe... | 0:04:54 | 0:04:57 | |
-Arranging the flowers. -Really? | 0:04:57 | 0:04:59 | |
It's a very important job. | 0:04:59 | 0:05:01 | |
Especially when we're expecting such an important guest. | 0:05:01 | 0:05:04 | |
And you do have such a flair for that kind of thing. | 0:05:04 | 0:05:08 | |
Well, in that case... | 0:05:08 | 0:05:10 | |
Actually, floral art is one my specialities. | 0:05:12 | 0:05:16 | |
I would be honoured to work with you! | 0:05:16 | 0:05:19 | |
Here she is winning Little Miss Letherbridge. | 0:05:21 | 0:05:25 | |
And...oh! This is her modelling | 0:05:25 | 0:05:27 | |
the pre-school range for Mini Modes catalogue. | 0:05:27 | 0:05:31 | |
Amber's the one at the back. | 0:05:31 | 0:05:32 | |
There. | 0:05:34 | 0:05:35 | |
Behind that funny-looking ginger boy. | 0:05:35 | 0:05:38 | |
She certainly has been a busy girl. | 0:05:38 | 0:05:40 | |
Oh, well. This is just the start. | 0:05:40 | 0:05:43 | |
When she's the face of Rice Munchies, things will really take off. | 0:05:43 | 0:05:45 | |
-Sorry? -She's down to the last two. | 0:05:45 | 0:05:48 | |
They're taking test shots today, so she needs to look her best. | 0:05:48 | 0:05:51 | |
I doubt that'll show in photos. | 0:05:51 | 0:05:53 | |
Anyway, surely they retouch everything these days? | 0:05:53 | 0:05:57 | |
So... Now, if there's nothing else...? | 0:05:57 | 0:06:01 | |
Hurry up, Amber. We haven't got all day. | 0:06:01 | 0:06:04 | |
Amber! | 0:06:05 | 0:06:06 | |
Roses! How lovely. | 0:06:10 | 0:06:13 | |
Red roses. | 0:06:13 | 0:06:14 | |
Left over from Valentine's Day. Someone over-ordered I expect. | 0:06:15 | 0:06:19 | |
Do you mind if I...? | 0:06:19 | 0:06:21 | |
Not at all. | 0:06:21 | 0:06:22 | |
I would much prefer to work with the white blossom. | 0:06:22 | 0:06:25 | |
That's agreed, then. These will look lovely next to the pulpit. | 0:06:25 | 0:06:29 | |
Nice and welcoming for the new vicar. | 0:06:29 | 0:06:31 | |
Do you not think they are a bit...showy? | 0:06:31 | 0:06:36 | |
Showy? I thought they would stand out beautifully. | 0:06:36 | 0:06:40 | |
A mistake, I think. | 0:06:40 | 0:06:43 | |
To associate them with a man of such piety. | 0:06:43 | 0:06:46 | |
Given their...connotations. | 0:06:46 | 0:06:49 | |
I'm not sure I know what you mean. | 0:06:49 | 0:06:50 | |
Longing. Lust. | 0:06:57 | 0:06:59 | |
Desire. | 0:06:59 | 0:07:01 | |
A little inappropriate, when we hardly know the man. | 0:07:01 | 0:07:05 | |
Well, what do white roses signify? | 0:07:05 | 0:07:08 | |
Reverence. | 0:07:10 | 0:07:13 | |
Innocence. | 0:07:13 | 0:07:15 | |
And most of all humility. | 0:07:15 | 0:07:18 | |
A most important virtue, do you not think? | 0:07:18 | 0:07:20 | |
Oh, one of the best. | 0:07:20 | 0:07:23 | |
On the other hand, all these hidden meanings, | 0:07:23 | 0:07:26 | |
they'd probably be lost on most people. | 0:07:26 | 0:07:29 | |
On an educated man like the vicar? No! | 0:07:29 | 0:07:32 | |
No. He will appreciate the reference. | 0:07:32 | 0:07:35 | |
Oh, well. | 0:07:35 | 0:07:36 | |
Looks like I'll have to find somewhere else for my arrangement. | 0:07:36 | 0:07:40 | |
Maybe they could go here at the back? | 0:07:40 | 0:07:44 | |
Or right over there by the organ? | 0:07:44 | 0:07:48 | |
Hi there! You must be the Trowbridges and...Amber! | 0:07:57 | 0:08:00 | |
I'm Mitzy and I'll be looking after you today. | 0:08:00 | 0:08:03 | |
If there's anything you need, feel free to ask. | 0:08:03 | 0:08:05 | |
Actually, there is something. | 0:08:05 | 0:08:07 | |
Am I right in thinking that after today, | 0:08:07 | 0:08:09 | |
there'll be no more call-backs? | 0:08:09 | 0:08:11 | |
Officially, the client is looking at a couple of options. | 0:08:11 | 0:08:14 | |
But between you and me, they want a decision today. | 0:08:14 | 0:08:17 | |
It's been a long journey, but, yes, this is it! | 0:08:17 | 0:08:19 | |
And any more tips on what exactly they're looking for? | 0:08:19 | 0:08:22 | |
The brief's quite vague. Peaches and cream, | 0:08:22 | 0:08:24 | |
healthy, regular little girl seems to be what they're after. | 0:08:24 | 0:08:27 | |
We can do that. Stop it, Amber! Sit still! | 0:08:27 | 0:08:31 | |
And that's the other option? | 0:08:31 | 0:08:34 | |
Let's just focus on getting Amber settled for now, shall we? | 0:08:34 | 0:08:37 | |
Would you like a drink, sweetheart? | 0:08:37 | 0:08:38 | |
Oh! She's fine. We'll grab something afterwards. Amber? | 0:08:38 | 0:08:42 | |
Usually helps settle them down. | 0:08:42 | 0:08:44 | |
She doesn't need to settle. She's a professional. | 0:08:44 | 0:08:46 | |
Take your hand away from your face, sweetheart. She's fine. | 0:08:46 | 0:08:50 | |
She does look a little rosy. Are you feeling OK, Amber? | 0:08:50 | 0:08:54 | |
My head hurts. | 0:08:54 | 0:08:56 | |
Are you sure you shouldn't...? | 0:08:56 | 0:08:57 | |
It was just a rush to get here. We were a bit waylaid. | 0:08:57 | 0:09:00 | |
She'll be right as rain in a second. | 0:09:00 | 0:09:02 | |
Amber. | 0:09:07 | 0:09:08 | |
Got any plans for lunch? | 0:09:13 | 0:09:15 | |
I was hoping to see Heston. | 0:09:15 | 0:09:16 | |
That's a shame. I think you've just missed him. | 0:09:16 | 0:09:19 | |
Is there anything I can do to help? | 0:09:19 | 0:09:21 | |
No, it's all right, I'll call him on his mobile. | 0:09:21 | 0:09:24 | |
I think he's on one of his fancy lunches. | 0:09:24 | 0:09:25 | |
-It'll probably be switched off. -I'll text him. | 0:09:25 | 0:09:28 | |
Don't expect a speedy reply if... | 0:09:28 | 0:09:30 | |
Amber! Over here, please. | 0:09:40 | 0:09:42 | |
I want to go home. Bella wants to go home. | 0:09:47 | 0:09:50 | |
Why can't we go home? | 0:09:50 | 0:09:52 | |
You've got tap dancing later! You wouldn't want to miss that. | 0:09:52 | 0:09:55 | |
Sorry about the hold-up. We're setting up the lights. | 0:09:56 | 0:09:59 | |
Is there anything I can get you? Tea? Coffee? | 0:09:59 | 0:10:02 | |
Would you like a muffin, Amber? | 0:10:02 | 0:10:03 | |
Not while she's working. | 0:10:03 | 0:10:06 | |
You were asking about the look? | 0:10:07 | 0:10:09 | |
I've just heard, creative are after something more urban | 0:10:09 | 0:10:12 | |
and edgy rather than cutesy pie. | 0:10:12 | 0:10:14 | |
I'm not sure the curls are quite right. | 0:10:14 | 0:10:17 | |
Amber can do urban and edgy, can't you, sweetheart? | 0:10:17 | 0:10:20 | |
I must say, you've excelled yourself. | 0:10:29 | 0:10:33 | |
Oh...although... | 0:10:33 | 0:10:34 | |
There now. Perfect. | 0:10:40 | 0:10:43 | |
And with those red roses you have made a blessing out of a false friend. | 0:10:43 | 0:10:47 | |
I cannot deny it. Positioned beautifully. | 0:10:48 | 0:10:51 | |
There for everyone to see, but not shouting too loudly. | 0:10:51 | 0:10:55 | |
A job well done, even if we do say so ourselves. | 0:10:55 | 0:10:59 | |
I cannot deny it, we make a crack team. | 0:10:59 | 0:11:03 | |
The new vicar will be very impressed. | 0:11:03 | 0:11:07 | |
Hello, it looks like we've got a visitor. | 0:11:07 | 0:11:09 | |
Oh, no! | 0:11:10 | 0:11:12 | |
No, no, no! What on earth does he think he's doing? | 0:11:12 | 0:11:16 | |
Up to no good, probably. | 0:11:16 | 0:11:18 | |
Well, he's not doing it here. | 0:11:18 | 0:11:19 | |
You'll have to get rid of him before the vicar gets here. | 0:11:19 | 0:11:22 | |
Me? | 0:11:22 | 0:11:23 | |
I'm sure you can persuade him. | 0:11:23 | 0:11:26 | |
Go on, you're so much better at this kind of thing than I am. | 0:11:26 | 0:11:31 | |
Mummy, you're hurting me! | 0:11:31 | 0:11:32 | |
-Then stand still! -I'm thirsty! | 0:11:32 | 0:11:35 | |
Well, you'll have to wait. | 0:11:35 | 0:11:38 | |
OK. That'll have to do. | 0:11:38 | 0:11:39 | |
Have you been scratching this? Because I told you, you can't do that. | 0:11:42 | 0:11:45 | |
Five minutes, guys. | 0:11:45 | 0:11:46 | |
Um... | 0:11:48 | 0:11:49 | |
Can I help you? | 0:12:04 | 0:12:06 | |
Been wandering around all morning. It's freezing out there. | 0:12:10 | 0:12:12 | |
Thought I'd come in for a bit. | 0:12:12 | 0:12:14 | |
This is not a refuge. | 0:12:14 | 0:12:16 | |
This is a place of reflection and contemplation. | 0:12:16 | 0:12:21 | |
And unfortunately... | 0:12:21 | 0:12:22 | |
You're too busy for lost souls. | 0:12:22 | 0:12:24 | |
No, we are expecting someone else. Someone rather important. | 0:12:24 | 0:12:29 | |
So now is probably not the best time. | 0:12:29 | 0:12:31 | |
I'm just trying to find some peace. | 0:12:35 | 0:12:38 | |
Wait! | 0:12:38 | 0:12:40 | |
It is very cold outside. | 0:12:42 | 0:12:44 | |
Sit down, please. A few more minutes will not do any harm. | 0:12:44 | 0:12:49 | |
Perfect! Look at you! would you like to follow me? | 0:12:58 | 0:13:02 | |
Go with the lady. I'll be right here. | 0:13:02 | 0:13:05 | |
And remember - smile. | 0:13:05 | 0:13:09 | |
And don't scratch! | 0:13:09 | 0:13:10 | |
I have never been a fan of The Old Ragged Cross. | 0:13:18 | 0:13:21 | |
A little too righteous for my liking. | 0:13:21 | 0:13:25 | |
What about Abide With Me? | 0:13:25 | 0:13:27 | |
Ah, now that is a hymn! | 0:13:27 | 0:13:29 | |
MRS LAND CLEARS HER THROAT | 0:13:29 | 0:13:32 | |
Mrs Land! | 0:13:32 | 0:13:34 | |
I was just informing our visitor of our hours of worship. | 0:13:34 | 0:13:38 | |
He is hoping to join us for morning service. | 0:13:38 | 0:13:40 | |
I'm so sorry to interrupt. | 0:13:40 | 0:13:43 | |
Might I have a quick word, Mrs Tembe? | 0:13:43 | 0:13:46 | |
Yes, of course. Excuse me. | 0:13:46 | 0:13:49 | |
I thought you were going to get rid of him. | 0:13:51 | 0:13:53 | |
He is cold and lonely and looking for a place to worship. | 0:13:53 | 0:13:56 | |
Tell him to try that multi-faith drop-in centre in East Letherbridge. | 0:13:56 | 0:14:00 | |
They take all sorts there. | 0:14:00 | 0:14:01 | |
But it is so far away! | 0:14:01 | 0:14:04 | |
Nevertheless, you-know-who will be here in a minute. | 0:14:04 | 0:14:08 | |
And this just creates completely the wrong impression. | 0:14:08 | 0:14:11 | |
Maybe this isn't the place for me. | 0:14:11 | 0:14:14 | |
HE COUGHS | 0:14:14 | 0:14:15 | |
Please, wait, stay. At least until you are feeling better. | 0:14:15 | 0:14:22 | |
I will make you a nice cup of tea. | 0:14:22 | 0:14:23 | |
Look up, please. | 0:14:31 | 0:14:33 | |
CAMERA CLICKS | 0:14:33 | 0:14:34 | |
Yes, and look down. Towards the bowl of Rice Munchies. | 0:14:34 | 0:14:40 | |
Can you take your hand away from the face, please? | 0:14:40 | 0:14:43 | |
Somebody get the mother! The talent's bleeding! | 0:14:46 | 0:14:48 | |
Young people are at the very heart of our congregation. | 0:14:53 | 0:14:57 | |
We have a very strong youth group. | 0:14:57 | 0:15:00 | |
You should have seen our Nativity! | 0:15:00 | 0:15:02 | |
Sounds great. You're lucky to be part of all this. | 0:15:04 | 0:15:08 | |
Oh. Yes, I feel very lucky. | 0:15:08 | 0:15:11 | |
I've probably strayed too far from the path of righteousness for your lot. | 0:15:13 | 0:15:17 | |
Well, you strike me as a man of great faith. | 0:15:17 | 0:15:20 | |
Can't say it hasn't been tested. | 0:15:21 | 0:15:23 | |
Which, in my experience, only makes it stronger. | 0:15:23 | 0:15:27 | |
Maybe. | 0:15:29 | 0:15:31 | |
I used to have a nice house, decent job, but... | 0:15:31 | 0:15:34 | |
I let it all slip away. | 0:15:34 | 0:15:37 | |
Now what have I got to show for my life, eh? | 0:15:38 | 0:15:41 | |
Nothing. | 0:15:42 | 0:15:43 | |
You should not be ashamed. Poverty is not a sin. | 0:15:43 | 0:15:49 | |
No, but the stuff I was hooked on is. | 0:15:51 | 0:15:53 | |
You are an addict? | 0:15:53 | 0:15:55 | |
You name it. | 0:15:56 | 0:15:58 | |
Women, drink, smack. | 0:15:58 | 0:16:00 | |
I've had my share of them all. | 0:16:01 | 0:16:03 | |
You could not find the strength to stop? | 0:16:03 | 0:16:05 | |
That's temptation for you. | 0:16:08 | 0:16:10 | |
Once it gets you in its grip... | 0:16:10 | 0:16:12 | |
Surely there are places for people like yourself. A clinic, maybe. | 0:16:12 | 0:16:16 | |
I've tried. | 0:16:18 | 0:16:20 | |
Just get sucked back into my old ways. | 0:16:21 | 0:16:24 | |
So here I am. | 0:16:26 | 0:16:28 | |
Still hoping. | 0:16:30 | 0:16:31 | |
I'm sorry. I know how much this meant to you. | 0:16:37 | 0:16:39 | |
You can see how devastated she is. Is there no way...? | 0:16:39 | 0:16:42 | |
We could work on the images on the computer, but she's so fidgety. | 0:16:42 | 0:16:46 | |
We can't work with her like that. | 0:16:46 | 0:16:48 | |
But she is so right for this. I know she is. | 0:16:48 | 0:16:50 | |
What if I were to bring her back later, when she's calmed down? | 0:16:50 | 0:16:53 | |
-The thing is... -Please. | 0:16:53 | 0:16:55 | |
It's costing me a fortune to give Amber everything it takes. | 0:16:55 | 0:16:59 | |
We could really do with this break. | 0:16:59 | 0:17:01 | |
-I'm not sure that... -You can see how heartbroken she is. | 0:17:01 | 0:17:05 | |
Is there no way you can give her one more chance? Please? | 0:17:05 | 0:17:09 | |
We have the studio booked till 5.30. | 0:17:09 | 0:17:11 | |
If you think she can rally, I'll have a word with the photographer. | 0:17:11 | 0:17:14 | |
-No promises, mind. -Thank you. We'll be back shortly. | 0:17:14 | 0:17:19 | |
OK. Come on. | 0:17:19 | 0:17:20 | |
It's all right. Just hold still. | 0:17:23 | 0:17:25 | |
I was hoping you could give her something for her nerves. | 0:17:27 | 0:17:30 | |
She's been in such a state with it. | 0:17:30 | 0:17:31 | |
-Mum! -It's all right, darling. | 0:17:31 | 0:17:33 | |
Perhaps you'd like to explain? | 0:17:33 | 0:17:36 | |
It's only concealer. It's brilliant. | 0:17:36 | 0:17:41 | |
Covers a multitude of sins. | 0:17:41 | 0:17:43 | |
Yeah. It says for adult complexions. | 0:17:43 | 0:17:45 | |
I know. But it was only a light coating. | 0:17:47 | 0:17:50 | |
You should see some of the tricks the other mothers pull. | 0:17:50 | 0:17:54 | |
It's all right. | 0:17:54 | 0:17:55 | |
You might want to put some of that cake aside. | 0:17:58 | 0:18:01 | |
If we're not careful, there'll be none left for the vicar. | 0:18:01 | 0:18:03 | |
You should not be sleeping rough tonight. | 0:18:03 | 0:18:06 | |
I will telephone one of the local refuges, | 0:18:06 | 0:18:09 | |
see if they have a proper bed. | 0:18:09 | 0:18:11 | |
You're joking, aren't you? It's on a first-come-first-served basis. | 0:18:11 | 0:18:14 | |
I never get there in time. | 0:18:14 | 0:18:15 | |
They will not refuse me. | 0:18:15 | 0:18:18 | |
No, thanks. You've done enough already. | 0:18:18 | 0:18:20 | |
Nonsense! Turn away a stranger coming in from the cold? | 0:18:20 | 0:18:26 | |
Now, what would Jesus say? | 0:18:26 | 0:18:28 | |
Would you seriously risk Amber's health for some advertising job? | 0:18:32 | 0:18:36 | |
You make it sound like she's labouring in a sweatshop. | 0:18:36 | 0:18:39 | |
She gets to wear pretty clothes, work with creative people, | 0:18:39 | 0:18:42 | |
be adored. | 0:18:42 | 0:18:44 | |
Hopefully there'll be some travel if she lands this job. | 0:18:44 | 0:18:46 | |
And a few perks for Mum, too? | 0:18:46 | 0:18:48 | |
Hey, this is all about Amber and her career. | 0:18:48 | 0:18:51 | |
I'm not interested in Amber's career. | 0:18:51 | 0:18:52 | |
I'm worried about her health. | 0:18:52 | 0:18:54 | |
Well, thank you, Doctor, for your thoughts. | 0:18:54 | 0:18:56 | |
But I think I know what my own daughter needs. | 0:18:56 | 0:18:59 | |
Come on, Amber. The man with the camera's waiting for us. | 0:18:59 | 0:19:03 | |
Hurry up, or we're going to be late. | 0:19:03 | 0:19:05 | |
I feel funny. | 0:19:05 | 0:19:07 | |
-Amber! -Whoa! OK, OK, have a seat. | 0:19:09 | 0:19:12 | |
You got up a bit too quickly, that's all. | 0:19:14 | 0:19:16 | |
I'm sorry, Mummy. | 0:19:16 | 0:19:18 | |
Don't worry, sweetheart. Nobody's angry with you. | 0:19:18 | 0:19:21 | |
She's been out of sorts all day. I thought she was just playing up. | 0:19:23 | 0:19:27 | |
Have a sip of that. I don't suppose she's eaten much either. | 0:19:27 | 0:19:30 | |
No time. The day we've had. | 0:19:30 | 0:19:33 | |
-There we go. -Oh! No, no. She doesn't have sweets. | 0:19:33 | 0:19:36 | |
-We need to get her blood sugars up. -Why? What's wrong with her? | 0:19:36 | 0:19:39 | |
I'd have thought that's obvious. The poor girl's exhausted. | 0:19:39 | 0:19:43 | |
There we go. | 0:19:43 | 0:19:44 | |
Right, I'm going to head home, make a start on dinner. | 0:19:52 | 0:19:55 | |
Lasagne all right? | 0:19:55 | 0:19:56 | |
Yeah. | 0:19:56 | 0:19:58 | |
I'll leave it in the oven. | 0:19:58 | 0:19:59 | |
Why? | 0:19:59 | 0:20:01 | |
I'm going to go and see a mate, | 0:20:01 | 0:20:03 | |
give you some space. | 0:20:03 | 0:20:04 | |
Howard, don't. | 0:20:04 | 0:20:07 | |
I could do with some company. | 0:20:07 | 0:20:08 | |
I haven't been much use so far, have I? | 0:20:08 | 0:20:11 | |
You're here. | 0:20:11 | 0:20:14 | |
That's enough. | 0:20:14 | 0:20:17 | |
So, what's happening with you and Sam? | 0:20:17 | 0:20:20 | |
He wants to go to Switzerland. | 0:20:23 | 0:20:24 | |
-Thank you. -You're welcome. | 0:20:29 | 0:20:32 | |
The best thing I can suggest is a decent meal and a good night's sleep. | 0:20:33 | 0:20:37 | |
I hope you're not suggesting I don't know how to look after my own daughter. | 0:20:37 | 0:20:41 | |
Not at all. I'm just concerned with the pressure you're putting on her. | 0:20:41 | 0:20:44 | |
That's just something she has to deal with. | 0:20:44 | 0:20:46 | |
She's seven! She shouldn't have to deal with anything apart from playing with her dolls. | 0:20:46 | 0:20:50 | |
Playing? There is more to Amber's life than that. | 0:20:50 | 0:20:54 | |
There's ballet on Tuesdays. Music And Movement on Wednesdays. | 0:20:54 | 0:20:59 | |
Singing on Thursdays. | 0:20:59 | 0:21:01 | |
Is it any wonder she's come out in a rash? | 0:21:01 | 0:21:03 | |
She'll thank me for it one day. | 0:21:03 | 0:21:06 | |
Do you think I had singing and dance classes at her age? | 0:21:06 | 0:21:09 | |
I was seventh out of eight. | 0:21:09 | 0:21:11 | |
Opportunity didn't come served on a plate in our house. | 0:21:11 | 0:21:14 | |
Look, I'm not saying you don't want the best for your daughter, | 0:21:14 | 0:21:17 | |
but before you throw Amber into modelling, | 0:21:17 | 0:21:18 | |
make sure you're not denying her a proper childhood. | 0:21:18 | 0:21:21 | |
-I certainly don't want her to have the childhood I had. -That's understandable. | 0:21:21 | 0:21:25 | |
But have you ever thought to ask Amber what she wants? | 0:21:25 | 0:21:27 | |
To be treated like a princess. What little girl doesn't? | 0:21:27 | 0:21:29 | |
At what cost? | 0:21:29 | 0:21:31 | |
She loves it. Doesn't she? | 0:21:31 | 0:21:33 | |
I think you should ask Amber, not me. | 0:21:33 | 0:21:36 | |
She won't say. Not in front of you. | 0:21:39 | 0:21:41 | |
You could try. | 0:21:41 | 0:21:43 | |
Amber? | 0:21:47 | 0:21:48 | |
Would you like to go to your dance lesson later? | 0:21:50 | 0:21:53 | |
No! | 0:21:53 | 0:21:54 | |
Maybe you'd like to go with Mummy to have your picture taken | 0:21:55 | 0:21:59 | |
with the nice man? | 0:21:59 | 0:22:01 | |
No! | 0:22:01 | 0:22:02 | |
Why don't you tell the doctor what you would like this afternoon? | 0:22:05 | 0:22:09 | |
Ice cream. | 0:22:11 | 0:22:12 | |
-Are you feeling better? -Yes. -Great. | 0:22:23 | 0:22:26 | |
Keep an eye on the rash and if it hasn't cleared up in a few days, come back. | 0:22:26 | 0:22:29 | |
But I think a few days at being a normal little girl will do the trick. | 0:22:29 | 0:22:33 | |
Don't worry. She's not going anywhere near a studio. | 0:22:33 | 0:22:35 | |
Not until she asks to, anyway. | 0:22:35 | 0:22:37 | |
You must think I'm such a fool. | 0:22:39 | 0:22:41 | |
Pushy mother, hawking her child round town like a performing seal. | 0:22:41 | 0:22:45 | |
What was I thinking? | 0:22:45 | 0:22:47 | |
Even with the best intentions, we can all make mistakes. | 0:22:47 | 0:22:50 | |
I'd never do anything to hurt her. | 0:22:50 | 0:22:52 | |
What parent would? | 0:22:52 | 0:22:54 | |
-Come on. Thank you. -OK. | 0:22:54 | 0:22:57 | |
Better? | 0:23:01 | 0:23:02 | |
Much. | 0:23:04 | 0:23:05 | |
It's all right here, you know. | 0:23:09 | 0:23:10 | |
Though I can see it's perhaps getting a little too hot in here. | 0:23:15 | 0:23:19 | |
Perhaps we'd all feel a little more comfortable | 0:23:20 | 0:23:23 | |
if I slipped out of this old thing. | 0:23:23 | 0:23:26 | |
I'm sorry, I don't mean to appear rude, | 0:23:26 | 0:23:29 | |
but it really is time you were going now. | 0:23:29 | 0:23:31 | |
We're expecting a very important visitor any moment. | 0:23:31 | 0:23:35 | |
So if you would kindly just take your things and leave... | 0:23:35 | 0:23:38 | |
-So selfish. -I agree. | 0:23:54 | 0:23:56 | |
He can't be in his right mind even to consider it. | 0:23:56 | 0:24:02 | |
Where's Heston when I need him? | 0:24:02 | 0:24:05 | |
We could do it together. | 0:24:05 | 0:24:08 | |
He's Sam's GP. How do you work that out? | 0:24:08 | 0:24:11 | |
-Have him sectioned, of course. -What?! | 0:24:11 | 0:24:14 | |
We're both medical professionals. | 0:24:14 | 0:24:16 | |
We just declare that Sam is of an unfit state of mind. | 0:24:16 | 0:24:20 | |
We'd have to find a friendly social worker, though, | 0:24:20 | 0:24:22 | |
but that's a minor detail. | 0:24:22 | 0:24:24 | |
Mmm. Tastes great! | 0:24:28 | 0:24:30 | |
Would Bella like some ice cream? Open wide... | 0:24:30 | 0:24:33 | |
Yes, hello, I was wondering about your modelling advert. | 0:24:40 | 0:24:43 | |
What sort of age do they have to be? | 0:24:46 | 0:24:48 | |
Great. | 0:24:49 | 0:24:50 | |
Because it's completely unethical, that's why! | 0:24:53 | 0:24:55 | |
It would be fine. Anyway, needs must. | 0:24:55 | 0:24:58 | |
It's a ridiculous idea. | 0:24:58 | 0:24:59 | |
You and Heston are far too close to Sam. | 0:24:59 | 0:25:02 | |
So would you rather that I consulted a stranger? | 0:25:02 | 0:25:04 | |
Someone less emotionally involved might be able to | 0:25:04 | 0:25:06 | |
look at the facts before offering a balanced view. | 0:25:06 | 0:25:09 | |
You're suggesting I get a stranger in who's just going to write Sam off, just like that? | 0:25:09 | 0:25:12 | |
No! I'm just saying an assessment should be made by someone impartial. | 0:25:12 | 0:25:16 | |
Impartial? You're a fine one to talk. | 0:25:16 | 0:25:18 | |
What do you mean by that? | 0:25:18 | 0:25:20 | |
You're hardly in a position to give an impartial view, are you? | 0:25:20 | 0:25:23 | |
Oh, hang on a minute! | 0:25:23 | 0:25:26 | |
-I'm looking out for your best interests here. -Best interests? | 0:25:26 | 0:25:29 | |
I think it's best if we don't discuss | 0:25:29 | 0:25:30 | |
who's doing what in whose best interests, don't you? | 0:25:30 | 0:25:33 | |
We all know how convenient it would be if Sam was dead. | 0:25:33 | 0:25:36 | |
Especially for you! | 0:25:36 | 0:25:37 | |
And a pleasure to meet you too, Mrs Harris. | 0:25:41 | 0:25:45 | |
Oh, yes! Thank you. | 0:25:45 | 0:25:47 | |
Well, what can I say? | 0:25:48 | 0:25:50 | |
A rather unconventional arrival. | 0:25:52 | 0:25:55 | |
I hope it didn't distract you too much from your duties. | 0:25:55 | 0:25:58 | |
Not at all! | 0:25:58 | 0:25:59 | |
I only hope we came up to your exacting standards. | 0:25:59 | 0:26:02 | |
Oh, no, it wasn't a test. | 0:26:02 | 0:26:04 | |
Just a little trick of mine. I always like to get an impression of a parish | 0:26:05 | 0:26:09 | |
from the other side of the fence, as it were. | 0:26:09 | 0:26:11 | |
Best way to see what work needs doing. | 0:26:11 | 0:26:14 | |
I hope you've found everything to your satisfaction, Reverend Clement. | 0:26:14 | 0:26:17 | |
Please, call me Gordon. | 0:26:17 | 0:26:19 | |
And you can rest assured I can't fault a thing. | 0:26:19 | 0:26:22 | |
The flowers are beautiful. Roses have always been a favourite. | 0:26:22 | 0:26:26 | |
The vestry immaculate. And splendid cake. | 0:26:26 | 0:26:32 | |
But most of all, I'm delighted to say, | 0:26:34 | 0:26:36 | |
I've witnessed a very fine example of Christian charity in action. | 0:26:36 | 0:26:40 | |
If all my new parishioners are as kind and welcoming, | 0:26:40 | 0:26:44 | |
I am going to have a very enjoyable time at St Bernadette's. | 0:26:44 | 0:26:49 | |
Well... | 0:26:49 | 0:26:51 | |
I look forward to worshipping together. | 0:26:51 | 0:26:54 | |
Ladies... | 0:26:54 | 0:26:55 | |
This isn't my jam. | 0:27:05 | 0:27:06 | |
Yeah, I know. We've run out of strawberry. | 0:27:06 | 0:27:09 | |
We never run out. | 0:27:09 | 0:27:10 | |
She's my Good Samaritan. | 0:27:10 | 0:27:12 | |
-No, no. -Tell them what you did. | 0:27:12 | 0:27:15 | |
The blood in the toilet, where's it come from? | 0:27:15 | 0:27:18 | |
Have you hurt yourself? | 0:27:18 | 0:27:20 | |
Hurts, yeah. | 0:27:20 | 0:27:22 | |
And there was I thinking I was a fine figure of a man. | 0:27:22 | 0:27:24 | |
Subtitles by Red Bee Media Ltd | 0:27:48 | 0:27:51 |