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# Let me know when we get there, if we get there | 0:00:32 | 0:00:36 | |
# Let me know when we get there, if we get there | 0:00:43 | 0:00:51 | |
# In the dark it feels so real | 0:00:58 | 0:01:06 | |
# And all this time, we've been sleeping on it | 0:01:11 | 0:01:16 | |
# And who we are, and what we're going through... # | 0:01:23 | 0:01:31 | |
TELEVISION CHATTER | 0:01:31 | 0:01:38 | |
# All this time, spent saving for it | 0:01:38 | 0:01:44 | |
# Umh, come so far | 0:01:49 | 0:01:57 | |
# Umh, come so far, yeah | 0:02:03 | 0:02:10 | |
# So let me know when we get there, if we get there... # | 0:02:14 | 0:02:21 | |
I'll see you later. | 0:02:27 | 0:02:29 | |
# Let me know when we get there, if we get there | 0:02:29 | 0:02:36 | |
# Come so far, there's no going back. # | 0:02:43 | 0:02:52 | |
You can't watch him 24/7 you know. | 0:02:55 | 0:02:59 | |
He's hardly going to hang himself from the wardrobe. | 0:02:59 | 0:03:02 | |
-Has he taken his pills? -We're fine. Go to work. | 0:03:02 | 0:03:06 | |
-I can stay. -I don't want you anywhere near him. | 0:03:07 | 0:03:11 | |
Fine. He's all yours. You see if you can make him see sense. | 0:03:11 | 0:03:16 | |
You think he's weak. That's always been your problem. | 0:03:16 | 0:03:20 | |
You're late, Cassidy. | 0:03:37 | 0:03:40 | |
All right, that's you on a warning then. | 0:03:43 | 0:03:45 | |
Hello? | 0:03:54 | 0:03:56 | |
-It's Karen Hollins from the Mill Surgery. -I know who you are. | 0:03:56 | 0:04:00 | |
Dr Carter asked me to drop by. You missed your last appointment. | 0:04:01 | 0:04:06 | |
-I've been busy. -He wants me to give you this. | 0:04:06 | 0:04:09 | |
More diazepam. To keep me calm? To keep me quiet? | 0:04:11 | 0:04:16 | |
Simone, he's concerned about you. We all are. We just want to help. | 0:04:16 | 0:04:21 | |
I asked your practice manager | 0:04:21 | 0:04:22 | |
could I leave one of these on his notice board? | 0:04:22 | 0:04:25 | |
He told me it wouldn't be appropriate. | 0:04:26 | 0:04:28 | |
You want to help? | 0:04:30 | 0:04:32 | |
Door to door mail drop. We keep up the pressure. | 0:04:33 | 0:04:37 | |
We keep Mickey alive. | 0:04:39 | 0:04:40 | |
-I know how you must feel. -My son is dead. | 0:04:40 | 0:04:43 | |
How could you possibly know how I feel? | 0:04:44 | 0:04:46 | |
This is going to destroy you. | 0:04:48 | 0:04:50 | |
The people at that factory. | 0:04:50 | 0:04:53 | |
They carry on as if nothing ever happened. | 0:04:53 | 0:04:56 | |
The people who killed my Mickey. | 0:04:56 | 0:04:59 | |
Just go. Please. | 0:04:59 | 0:05:01 | |
-I didn't mean to upset you. -Just go! | 0:05:03 | 0:05:05 | |
Take your pills, and your good intentions, and leave me alone. | 0:05:06 | 0:05:10 | |
Oih! Careful! | 0:05:20 | 0:05:22 | |
BROKEN GLASS AND SCREAMING | 0:05:23 | 0:05:26 | |
I'm fine. | 0:05:29 | 0:05:31 | |
KNOCK ON THE DOOR | 0:05:50 | 0:05:52 | |
Come in. | 0:05:52 | 0:05:54 | |
Kevin, what can I do for you? | 0:05:54 | 0:05:57 | |
I wanted to ask your advice. | 0:05:57 | 0:05:59 | |
-Fire away. -OK, well, I've been doing some thinking. | 0:05:59 | 0:06:02 | |
Don't wear yourself out. | 0:06:02 | 0:06:03 | |
I'd like to develop a special interest. | 0:06:04 | 0:06:07 | |
Right. Well, it's nice to see some ambition. | 0:06:07 | 0:06:10 | |
I think it would benefit the practice. | 0:06:10 | 0:06:13 | |
We'd be offering an enhanced GP service, | 0:06:13 | 0:06:15 | |
a better standard of patient care... | 0:06:15 | 0:06:17 | |
KNOCK AT DOOR | 0:06:17 | 0:06:18 | |
I'm sorry to interrupt. | 0:06:18 | 0:06:21 | |
-I wanted to bring you the morning post. -Ah. | 0:06:21 | 0:06:24 | |
I've looked into various frameworks. Priority areas... | 0:06:24 | 0:06:28 | |
There is one of particular interest. | 0:06:28 | 0:06:31 | |
It has a postmark from North Wales. | 0:06:31 | 0:06:34 | |
I thought it might be from Mrs Parsons. | 0:06:34 | 0:06:37 | |
We send each other the occasional email. | 0:06:37 | 0:06:40 | |
But it is always nice to get a handwritten letter, | 0:06:40 | 0:06:43 | |
much more personal. | 0:06:43 | 0:06:44 | |
SHE MUMBLES HER GOODBYES | 0:06:48 | 0:06:49 | |
If I apply for accreditation, I'll need the Mill to pay for it. | 0:06:53 | 0:06:56 | |
Well, what area were you thinking of specialising in? | 0:06:56 | 0:06:59 | |
-Cardiology. -OK, well, it's a lot longer hours? Visiting clinics. | 0:06:59 | 0:07:04 | |
More than happy to put in the work. | 0:07:04 | 0:07:07 | |
I'll give it some thought. Talk to the partners. | 0:07:07 | 0:07:10 | |
Great. | 0:07:12 | 0:07:14 | |
You've been threatened before? | 0:07:21 | 0:07:23 | |
Verbal abuse. Anonymous emails. Nothing like this. | 0:07:23 | 0:07:27 | |
-You should have called us. -And what would you have done? | 0:07:27 | 0:07:30 | |
-Not one arrest. -There was a thorough investigation. | 0:07:30 | 0:07:34 | |
-There was a cover up. -No evidence to support that. | 0:07:34 | 0:07:37 | |
Maybe you didn't look hard enough. | 0:07:37 | 0:07:39 | |
Have you got an idea who might have done this? | 0:07:39 | 0:07:42 | |
Could be anyone on the Churchill Estate. | 0:07:42 | 0:07:45 | |
Factory pays their wages. | 0:07:45 | 0:07:46 | |
We've got a description. We'll follow it up. | 0:07:46 | 0:07:49 | |
You know I won't stop, | 0:07:49 | 0:07:51 | |
not until they strike that verdict down. | 0:07:51 | 0:07:53 | |
I'm not worth the paperwork. | 0:07:55 | 0:07:57 | |
He's a good copper. I should know, I married him. | 0:07:57 | 0:08:00 | |
Eh, she could have been seriously hurt. | 0:08:05 | 0:08:09 | |
Luckily she wasn't. | 0:08:09 | 0:08:10 | |
Clearly someone wants to keep her quiet. | 0:08:10 | 0:08:12 | |
-You don't know the facts, Karen. -Well, so enlighten me. | 0:08:12 | 0:08:15 | |
The inquest recorded death by misadventure. | 0:08:15 | 0:08:18 | |
It's driven her half mad, losing her son. | 0:08:18 | 0:08:21 | |
-Deluded hysterical woman? -Mickey Garvey had been drinking. | 0:08:21 | 0:08:25 | |
Turned up for his shift half cut. | 0:08:25 | 0:08:27 | |
If you must get involved, why don't you take her home? | 0:08:27 | 0:08:32 | |
-Shouldn't you be at work? -I'm not in until this afternoon. | 0:08:39 | 0:08:42 | |
You know, Martha ought to be doing this. | 0:08:42 | 0:08:45 | |
-You're my son, not my nurse. -Well, she'll be here later. | 0:08:46 | 0:08:50 | |
Anyway I thought we could spend a bit of time together. | 0:08:52 | 0:08:56 | |
We might not have much left. | 0:08:57 | 0:08:59 | |
Your mother's told you, | 0:09:02 | 0:09:04 | |
I asked her to wait. | 0:09:10 | 0:09:12 | |
Sorry, I wanted you to hear it from me. | 0:09:12 | 0:09:17 | |
I'm all ears, Dad. | 0:09:18 | 0:09:20 | |
Why don't you give it your best shot? | 0:09:20 | 0:09:22 | |
You didn't have to drive me. You've had a nasty shock. | 0:09:29 | 0:09:33 | |
-What happened? -Nothing. | 0:09:33 | 0:09:37 | |
Some thugs threw a brick through her window. | 0:09:37 | 0:09:40 | |
I warned you. I told you this would happen. | 0:09:40 | 0:09:42 | |
So, from now on in, I'm on suicide watch, is that it? | 0:09:45 | 0:09:49 | |
If that's what it takes. | 0:09:49 | 0:09:51 | |
Your mother wouldn't contemplate the idea. | 0:09:51 | 0:09:53 | |
It was mum who put this sick idea into your head in the first place. | 0:09:53 | 0:09:56 | |
I do have a mind of my own, you know. | 0:09:56 | 0:09:59 | |
Your mother thought it would destroy you. | 0:10:01 | 0:10:05 | |
I think you're stronger than that. | 0:10:05 | 0:10:07 | |
-She wants you out of the way, Dad. -No. | 0:10:07 | 0:10:10 | |
She sits in this house. | 0:10:10 | 0:10:12 | |
She discusses the options with a "facilitator" from Clemence. | 0:10:12 | 0:10:15 | |
I didn't give her much of a choice. | 0:10:15 | 0:10:16 | |
She heads off to work. Not a care in the world. | 0:10:16 | 0:10:19 | |
Just watch your mouth. | 0:10:19 | 0:10:20 | |
She walks all over you, Dad, and she always has done. | 0:10:20 | 0:10:24 | |
You have absolutely no idea what goes on inside our marriage. | 0:10:24 | 0:10:27 | |
Your marriage is a sham, Dad. All right, it's a joke. | 0:10:27 | 0:10:30 | |
The only person Mum cares about is herself. | 0:10:34 | 0:10:37 | |
Don't you ever talk about your mother like that again! | 0:10:39 | 0:10:44 | |
Now this is my decision, Chris. You may not respect it. | 0:10:47 | 0:10:51 | |
But YOU won't change my mind. | 0:10:52 | 0:10:54 | |
If it happened to me, my son, | 0:10:57 | 0:11:01 | |
I don't know how I would cope. | 0:11:01 | 0:11:03 | |
That's my card. | 0:11:03 | 0:11:04 | |
You don't have to deal with this on your own. | 0:11:04 | 0:11:06 | |
I'm not on my own. I've got Mickey. | 0:11:06 | 0:11:10 | |
He's up there looking down on me. | 0:11:10 | 0:11:11 | |
That copper husband of yours... | 0:11:15 | 0:11:17 | |
..you tell him to talk to Karl. Karl knows the truth. | 0:11:18 | 0:11:22 | |
When's it going to end, Sim? | 0:11:22 | 0:11:24 | |
At least I'm out there, doing something. | 0:11:26 | 0:11:28 | |
You're making a fool of yourself. | 0:11:28 | 0:11:30 | |
I'm fighting for Mickey, for justice. Someone has to. | 0:11:30 | 0:11:35 | |
This vendetta is not going to bring him back. | 0:11:35 | 0:11:37 | |
And sat in this house will? Full of beer and self-pity! | 0:11:37 | 0:11:41 | |
Ray, I need you. | 0:11:41 | 0:11:43 | |
I feel like I've lost you both. Ray! | 0:11:44 | 0:11:47 | |
You never give up, do you? | 0:12:02 | 0:12:04 | |
That's not a very nice welcome, is it? | 0:12:04 | 0:12:06 | |
From a man who's got nothing to hide. | 0:12:06 | 0:12:08 | |
In case you'd forgotten, they dropped the case. | 0:12:08 | 0:12:10 | |
No, I hadn't forgotten. I'm here about a different incident. | 0:12:10 | 0:12:14 | |
Apparently there was a fight in your factory canteen. | 0:12:14 | 0:12:18 | |
-News to me. -Yesterday afternoon. | 0:12:18 | 0:12:20 | |
I'm the foreman. I'd have heard. | 0:12:20 | 0:12:22 | |
Course you would. Nothing gets past you, does it, Tony? | 0:12:22 | 0:12:26 | |
But I would like to speak to Karl Cassidy, please. | 0:12:26 | 0:12:28 | |
Won't take a long. | 0:12:28 | 0:12:30 | |
Cassidy, get in here! | 0:12:33 | 0:12:36 | |
Yeah, the factory's in the running for a major new contract. | 0:12:37 | 0:12:40 | |
Good, I'm glad to hear it. | 0:12:40 | 0:12:42 | |
Safeguarding Letherbridge jobs, after months of uncertainty. | 0:12:42 | 0:12:46 | |
We wouldn't want that threatened by a woman with a grudge, would we? | 0:12:46 | 0:12:50 | |
Is that the official line? | 0:12:50 | 0:12:52 | |
I'll try not to keep him. | 0:12:52 | 0:12:54 | |
Close the door, Karl. | 0:13:00 | 0:13:01 | |
Apparently, you were involved in an altercation yesterday. | 0:13:06 | 0:13:10 | |
-No, I don't know what you're talking about. -Really? | 0:13:10 | 0:13:13 | |
How did you get those injuries then? | 0:13:13 | 0:13:14 | |
Tripped. Happens a lot in this place. | 0:13:14 | 0:13:17 | |
-What's that supposed to mean? -Nothing. | 0:13:17 | 0:13:19 | |
Come on Karl, you're wasting my time here. | 0:13:21 | 0:13:24 | |
Well, no-one's keeping you. | 0:13:24 | 0:13:25 | |
We can always do it down the station. | 0:13:25 | 0:13:28 | |
Look... | 0:13:30 | 0:13:31 | |
..some guy said some things about Mickey. | 0:13:32 | 0:13:35 | |
I lost my temper. I lashed out. | 0:13:35 | 0:13:39 | |
It looks like you came off second best. | 0:13:39 | 0:13:41 | |
Yeah, well, he was bigger than me. | 0:13:41 | 0:13:43 | |
Simone Garvey's campaign office got vandalised this morning. | 0:13:45 | 0:13:49 | |
-Any idea who did it? -What you asking me for? | 0:13:49 | 0:13:52 | |
Anything that might have slipped your mind at the inquest. | 0:13:52 | 0:13:56 | |
It was all in my statement. | 0:13:56 | 0:13:58 | |
OK, Karl. | 0:13:58 | 0:14:00 | |
What did he ask you? | 0:14:11 | 0:14:13 | |
-Scared I'll drop you in it? -Don't get smart with me, son. | 0:14:13 | 0:14:16 | |
I didn't say anything. | 0:14:16 | 0:14:18 | |
I'm up for early retirement, you know? Golf, garden, | 0:14:18 | 0:14:22 | |
bit more time with the family. | 0:14:22 | 0:14:24 | |
And what about Mickey? Huh? What about his family? | 0:14:24 | 0:14:28 | |
Unblemished safety record. You'd better make sure it stays that way, | 0:14:29 | 0:14:33 | |
or you'll have more to contend with than a fat lip. | 0:14:33 | 0:14:36 | |
-They've offered you a bonus, the suits upstairs. -What? | 0:14:39 | 0:14:42 | |
Yeah, loyalty bonus, I think that's what they called it. | 0:14:42 | 0:14:45 | |
-What? A bribe? -Ooh, that's not very charitable, Karl. | 0:14:45 | 0:14:48 | |
You think I'd touch their dirty money? | 0:14:48 | 0:14:50 | |
Yeah, you'll take it. | 0:14:50 | 0:14:52 | |
Cos you're a spineless coward who needs a job. | 0:14:52 | 0:14:54 | |
You should go on holiday, son. | 0:14:55 | 0:14:58 | |
You could do with a holiday. | 0:14:58 | 0:14:59 | |
You've been signed off for three months. | 0:15:02 | 0:15:05 | |
I just need another doctor's letter. | 0:15:05 | 0:15:08 | |
It's a lengthy absence for compassionate leave. | 0:15:08 | 0:15:10 | |
I get anxious. Palpitations. | 0:15:10 | 0:15:14 | |
Unless I can see that you're incapacitated... | 0:15:14 | 0:15:17 | |
Headaches, blinding headaches. | 0:15:17 | 0:15:19 | |
I can't sign you off indefinitely. | 0:15:19 | 0:15:21 | |
How can I go back there? | 0:15:21 | 0:15:22 | |
Surely it's better than sitting at home dwelling on things. | 0:15:24 | 0:15:27 | |
He was chock-full of grand ideas. Football. | 0:15:27 | 0:15:32 | |
Bigger things. | 0:15:33 | 0:15:35 | |
I told him to get over himself. | 0:15:36 | 0:15:39 | |
If that factory was good enough for me... | 0:15:39 | 0:15:41 | |
Guilt is a common reaction with family bereavement. | 0:15:42 | 0:15:45 | |
You were at Hanshaws, day Mickey died. | 0:15:45 | 0:15:49 | |
I saw you at the inquest. | 0:15:49 | 0:15:52 | |
-I registered the death. -How did he look? | 0:15:52 | 0:15:56 | |
-This isn't appropriate... -Did he bleed when he bashed his head? Was there blood? | 0:15:56 | 0:15:59 | |
-Mr Garvey... -Were his eyes open? Did he speak? | 0:15:59 | 0:16:02 | |
Cry out? | 0:16:02 | 0:16:03 | |
Michael died from his injuries sustained from the fall. | 0:16:03 | 0:16:08 | |
I don't think he suffered. | 0:16:08 | 0:16:10 | |
Have you thought about bereavement counselling? | 0:16:16 | 0:16:19 | |
I wouldn't share this pain with anyone | 0:16:19 | 0:16:22 | |
-I'm so sorry. -I don't want your sympathy. I just need a sick note. | 0:16:25 | 0:16:29 | |
You know, my missus, she's out there fighting... | 0:16:31 | 0:16:34 | |
..while I sit at home, dwelling on things. | 0:16:35 | 0:16:38 | |
If I start to shout for justice, I wouldn't be able to stop. | 0:16:40 | 0:16:44 | |
Cardiology consultants. | 0:16:53 | 0:16:55 | |
I've marked the ones I think you should try first. | 0:16:55 | 0:16:57 | |
-Are you saying you'll fund my application? -You were right. | 0:16:57 | 0:17:00 | |
A GP with special interests will be good for the practice. | 0:17:00 | 0:17:03 | |
I'm sure we'll see a return. | 0:17:03 | 0:17:05 | |
Carpe diem, Kevin. Life is too short for regrets. | 0:17:05 | 0:17:08 | |
You should talk to Heston. Take advantage of his contacts. | 0:17:08 | 0:17:11 | |
-I'll make some calls. -You do that. | 0:17:11 | 0:17:14 | |
I'm not hungry. | 0:17:24 | 0:17:25 | |
-We could always starve you to death. -It might be an option. | 0:17:27 | 0:17:31 | |
-If you cared about this family... -Of course I care. | 0:17:31 | 0:17:34 | |
What it would do to us? | 0:17:34 | 0:17:37 | |
You really think I haven't thought this through? | 0:17:37 | 0:17:40 | |
Then why, Dad? | 0:17:41 | 0:17:43 | |
Why are we even having this conversation? | 0:17:44 | 0:17:46 | |
I just can't get it into my head | 0:17:46 | 0:17:48 | |
why you would even think about doing this. | 0:17:48 | 0:17:51 | |
Listen, I want you to promise me something. | 0:17:51 | 0:17:53 | |
You promise me you'll be there for your mother. | 0:17:55 | 0:17:58 | |
I don't have to listen to this. | 0:17:58 | 0:18:00 | |
Oh, grow up, Chris. You're not a child any more. | 0:18:00 | 0:18:03 | |
-Oh, that's rich. After what you've been contemplating. -Euthanasia. | 0:18:03 | 0:18:07 | |
It's never going to happen! Not while I'm around. | 0:18:13 | 0:18:16 | |
-So what was the fight about? -Nothing. | 0:18:20 | 0:18:23 | |
A fight about nothing. That's a new one on me. Hold that. | 0:18:23 | 0:18:26 | |
So, how long have you worked at Hanshaws? | 0:18:28 | 0:18:31 | |
-Long enough. -Plenty of people with a grievance at that factory. | 0:18:31 | 0:18:36 | |
-Meaning? -I spent the morning with Mickey Garvey's mum. | 0:18:36 | 0:18:40 | |
-She's barely holding it together. -Look, are we done yet? | 0:18:40 | 0:18:44 | |
-I've got to go. -That eye might need a couple of stitches. | 0:18:44 | 0:18:47 | |
I'll take my chances. | 0:18:47 | 0:18:50 | |
Karl, your best friend died. | 0:18:50 | 0:18:54 | |
-And what's it got to do with you? -If it was down to negligence. | 0:18:54 | 0:18:57 | |
If you know something... | 0:18:57 | 0:18:59 | |
Look, if I talk, I'm done for. | 0:18:59 | 0:19:01 | |
-Have they been threatening you? -Mickey's dead. Dead and buried. | 0:19:01 | 0:19:07 | |
You need to tell the truth, Karl. | 0:19:08 | 0:19:11 | |
There you are, Mrs Tembe. | 0:19:17 | 0:19:18 | |
Prescriptions, signed, sealed and delivered. | 0:19:18 | 0:19:21 | |
Thank you, Dr Carter. | 0:19:21 | 0:19:23 | |
-How's Mrs Garvey? -She was angry. | 0:19:23 | 0:19:26 | |
Well, she has every right to be. | 0:19:26 | 0:19:27 | |
-I've had a letter from Julia. -Right. | 0:19:29 | 0:19:32 | |
-How's Pontypridd? -Betws-y-Coed. | 0:19:32 | 0:19:36 | |
-She's withdrawing her money from the practice. -What? | 0:19:36 | 0:19:40 | |
Investing in retirement. A woman of Julia's age. | 0:19:40 | 0:19:42 | |
Probably likes going on cruises, that sort of thing. | 0:19:42 | 0:19:45 | |
That's all well and good. But where does it leave us? | 0:19:45 | 0:19:47 | |
Well, I'll work out our shortfall and we'll reassess. | 0:19:47 | 0:19:50 | |
Best kept between us for now. | 0:19:53 | 0:19:54 | |
Well, well, well. The broken machine setter. | 0:20:17 | 0:20:20 | |
You're ain't due back...ooh! | 0:20:20 | 0:20:23 | |
They said he was drunk. I mean, yeah, we'd been celebrating. | 0:20:24 | 0:20:28 | |
Mickey had this job interview. Other end of Birmingham. | 0:20:28 | 0:20:32 | |
From the way he was talking - you'd have thought he'd had it in the bag. | 0:20:33 | 0:20:36 | |
He was going to tell Hanshaws where to stick it. | 0:20:36 | 0:20:39 | |
I tried to be happy for him, but truth be told, | 0:20:39 | 0:20:44 | |
I didn't want him to go. Didn't want to lose him. | 0:20:44 | 0:20:49 | |
You told the police, in your original statement, | 0:20:49 | 0:20:53 | |
that Mickey Garvey tripped and fell. | 0:20:53 | 0:20:57 | |
The rail was loose. A couple of bolts were missing. | 0:20:57 | 0:21:00 | |
I mean, it would have taken ten minutes to fix. | 0:21:00 | 0:21:03 | |
I brought it up with the foreman. He said he'd get it sorted. | 0:21:03 | 0:21:07 | |
-And that was Tony Melling? -Too busy planning his retirement. | 0:21:07 | 0:21:11 | |
Did you see him fall, Karl? | 0:21:11 | 0:21:13 | |
No, I wanted to get on. We was behind with an order. | 0:21:13 | 0:21:18 | |
And he was gassing. You know, yap, yap, yap. | 0:21:18 | 0:21:20 | |
I turned around, and he was gone. | 0:21:20 | 0:21:22 | |
Lying on his back on the factory floor. | 0:21:22 | 0:21:26 | |
People crowded in. | 0:21:26 | 0:21:28 | |
Should have seen the look of shock on his face. | 0:21:29 | 0:21:32 | |
Are you saying the rail gave way? | 0:21:32 | 0:21:35 | |
It was twisted, hanging. | 0:21:35 | 0:21:38 | |
You're sure about that? | 0:21:38 | 0:21:40 | |
Yeah. | 0:21:40 | 0:21:42 | |
They cleared the floor. Got us to assemble by the gates. | 0:21:42 | 0:21:46 | |
Management fixed the rail. Called the police. | 0:21:46 | 0:21:50 | |
Lied to health and safety. | 0:21:50 | 0:21:53 | |
A few bolts is all it needed. | 0:21:53 | 0:21:56 | |
It was their fault Mickey died. Everyone knows it. | 0:21:56 | 0:21:59 | |
I will be very glad to get home today. | 0:22:02 | 0:22:05 | |
Back to an empty house. | 0:22:05 | 0:22:06 | |
Are you all right, Mrs Hollins? You seem very distracted. | 0:22:08 | 0:22:11 | |
Karl came to see you. | 0:22:11 | 0:22:13 | |
Yeah, he'd been involved in a fight. | 0:22:13 | 0:22:15 | |
-I've had the police on the phone. -What's he done now? | 0:22:15 | 0:22:18 | |
He changed his statement. The factory was negligent. Come on. | 0:22:18 | 0:22:23 | |
RINGING TONE | 0:22:34 | 0:22:36 | |
RINGING TONE | 0:22:40 | 0:22:42 | |
Leave that. | 0:22:47 | 0:22:48 | |
Chris, please... | 0:22:50 | 0:22:52 | |
Please try and understand. | 0:22:58 | 0:23:01 | |
This chair. This is me. | 0:23:01 | 0:23:04 | |
-Rest of my life. -Deal with it, dad. People do. | 0:23:05 | 0:23:09 | |
Well, maybe they're a lot stronger than I am. | 0:23:09 | 0:23:12 | |
OK. Today you want to die. Tomorrow might be different. | 0:23:13 | 0:23:20 | |
It won't be. | 0:23:20 | 0:23:22 | |
Just promise me that we're going to keep talking about this. | 0:23:22 | 0:23:25 | |
It won't make any difference. | 0:23:25 | 0:23:27 | |
Just promise me that you will listen to me and Mum, | 0:23:27 | 0:23:32 | |
and everything we have to say. | 0:23:32 | 0:23:33 | |
DOORBELL | 0:23:35 | 0:23:37 | |
That will be Martha. | 0:23:37 | 0:23:38 | |
You owe me that much. | 0:23:39 | 0:23:41 | |
-She should have keys. -Dad. | 0:23:41 | 0:23:43 | |
Yeah, OK, I promise. | 0:23:48 | 0:23:51 | |
All right. I got to go to work. See you later. | 0:23:53 | 0:23:58 | |
-That foreman was lying. -Please don't get your hopes up. | 0:24:01 | 0:24:04 | |
We don't know what Karl's told the police yet. | 0:24:04 | 0:24:06 | |
I can't get hold of Ray. He's probably in the pub. | 0:24:06 | 0:24:09 | |
There's been another incident. At the factory. | 0:24:09 | 0:24:11 | |
-What's happened? -Karl? | 0:24:11 | 0:24:12 | |
I'll fill you in on the way. Not you, Karen. | 0:24:12 | 0:24:15 | |
Oh, good luck. | 0:24:15 | 0:24:17 | |
Is this where he fell? Tell me! | 0:24:21 | 0:24:23 | |
He was drunk. Waste of space. | 0:24:23 | 0:24:26 | |
My son was twice the man you are. | 0:24:26 | 0:24:28 | |
He was just like his dad - a useless Garvey. | 0:24:28 | 0:24:30 | |
Can't even control that wife of yours. | 0:24:30 | 0:24:33 | |
All right. All right. All right. OK. You win. You win. | 0:24:33 | 0:24:37 | |
Let's just go to the office, and let's just talk about it. | 0:24:37 | 0:24:41 | |
You all stood by at his funeral, | 0:24:41 | 0:24:43 | |
worried about your jobs, too frightened to speak up. | 0:24:43 | 0:24:46 | |
Now, you tell me what happened - the truth - | 0:24:47 | 0:24:50 | |
or I swear to God that you'll be the next man to fall. | 0:24:50 | 0:24:53 | |
All right. All right, I was acting for Hanshaws. For the workers. | 0:24:53 | 0:24:59 | |
This isn't the answer, Ray. | 0:24:59 | 0:25:01 | |
-You keep back. -Let me talk to him. -Yeah, go on. | 0:25:01 | 0:25:04 | |
Ask the management. They'll tell you. | 0:25:04 | 0:25:06 | |
-They just wanted it tidied up. -And you were just the man to do it. | 0:25:06 | 0:25:10 | |
-Let him go, love. -Isn't this what you wanted? | 0:25:10 | 0:25:13 | |
For your pathetic excuse for a husband to grow some balls. | 0:25:13 | 0:25:15 | |
Karl's changed his statement. You don't have to do this. | 0:25:15 | 0:25:18 | |
Ray, let go of the man. | 0:25:18 | 0:25:20 | |
They'll reopen the inquest. They'll all know the truth. | 0:25:20 | 0:25:23 | |
It's over, Ray. It's finished. | 0:25:25 | 0:25:28 | |
I miss him, Sim. | 0:25:38 | 0:25:40 | |
I miss him too, love. | 0:25:40 | 0:25:42 | |
I've been ringing you. | 0:25:52 | 0:25:55 | |
I've been busy discussing my father's suicide. | 0:25:55 | 0:25:58 | |
Don't be facetious, Chris. | 0:25:58 | 0:26:00 | |
He hasn't changed his mind, then. | 0:26:02 | 0:26:05 | |
I've bought us some time. | 0:26:05 | 0:26:07 | |
-If you really want dad to see sense... -Of course I do. | 0:26:08 | 0:26:11 | |
..then you're the only one who can talk him out of this. | 0:26:11 | 0:26:14 | |
And if I can't? | 0:26:14 | 0:26:16 | |
Well, then you're dead to me too. | 0:26:17 | 0:26:19 | |
Are you absolutely sure the bag we're looking for is in this room? | 0:26:36 | 0:26:39 | |
Don't worry I know exactly where it is. | 0:26:39 | 0:26:42 | |
Have you tried turning it off and on again? | 0:26:42 | 0:26:44 | |
I can't understand that. I like clean and tidy and organised. | 0:26:44 | 0:26:47 | |
That's just dust and grime and dirt. | 0:26:47 | 0:26:49 | |
If you were terminally ill, then we could cope with that. | 0:26:50 | 0:26:53 | |
But you're not. You are choosing to leave us. | 0:26:53 | 0:26:57 | |
Subtitles by Red Bee Media Ltd | 0:27:24 | 0:27:26 |