Browse content similar to Back Inside. Check below for episodes and series from the same categories and more!
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SIRENS IN BACKGROUND | 0:00:29 | 0:00:31 | |
THUMPING MUSIC FROM FLAT | 0:00:36 | 0:00:39 | |
Hey. | 0:00:44 | 0:00:45 | |
You might not mind the place looking a mess, | 0:00:47 | 0:00:49 | |
but those of us that live here do. | 0:00:49 | 0:00:51 | |
I live here. | 0:00:51 | 0:00:52 | |
Yeah, for how long? | 0:00:52 | 0:00:53 | |
I know you. You've been here before. Prison works, then(!) | 0:00:53 | 0:00:57 | |
What's your problem? | 0:00:57 | 0:00:58 | |
Lads like you - you're my problem. | 0:00:58 | 0:01:00 | |
Stevie! | 0:01:03 | 0:01:04 | |
They're not mine! | 0:01:14 | 0:01:16 | |
THUMPING MUSIC THROUGH WALL | 0:01:16 | 0:01:18 | |
I'm hardly the only one with a criminal past, am I? | 0:01:20 | 0:01:24 | |
Well? | 0:01:25 | 0:01:27 | |
I think there's a gap in the market. | 0:01:27 | 0:01:30 | |
Do you think millionaires will want to use a guy who that makes his own posters? | 0:01:30 | 0:01:34 | |
There're hardly my target customer base. | 0:01:34 | 0:01:36 | |
Customer base? Who are, then? Old ladies? | 0:01:36 | 0:01:39 | |
Yeah, and new mums who need help with the shopping. | 0:01:39 | 0:01:42 | |
-Oh, high-end stuff. -Imogen! | 0:01:42 | 0:01:44 | |
I think it's good. You're showing initiative. | 0:01:44 | 0:01:46 | |
So you won't mind putting some posters up at The Mill, then? | 0:01:46 | 0:01:50 | |
-Why not? -I don't think Howard's going to want me having posters around advertising you. | 0:01:50 | 0:01:54 | |
Aw, Mum, I just need a bit of a kick-start. Once I get word of mouth, it'll be fine. | 0:01:54 | 0:01:58 | |
Yeah, once old ladies start spreading the word about his lawn-mowing skills... | 0:01:58 | 0:02:01 | |
So we should let old ladies have overgrown lawns? | 0:02:01 | 0:02:05 | |
Not give a tired new mum help with the shopping? | 0:02:05 | 0:02:07 | |
No, just the one. | 0:02:10 | 0:02:11 | |
Come on in, Miss Sylvester. | 0:02:19 | 0:02:23 | |
Thank you, Dr Wilson. | 0:02:23 | 0:02:24 | |
So... | 0:02:27 | 0:02:29 | |
how are you? | 0:02:29 | 0:02:31 | |
Awful! | 0:02:33 | 0:02:34 | |
That's OK, it's probably a reaction to the new drugs. | 0:02:35 | 0:02:39 | |
Not that. What I'm doing. | 0:02:39 | 0:02:41 | |
There was never so much as a white lie when I was growing up. | 0:02:43 | 0:02:47 | |
Your granddad was a stickler for the truth. | 0:02:47 | 0:02:51 | |
You haven't lost those values. | 0:02:51 | 0:02:53 | |
If they come for me, I... | 0:02:55 | 0:02:57 | |
..I won't be able to lie. | 0:02:58 | 0:03:01 | |
Who? Who is going to come for you? | 0:03:01 | 0:03:04 | |
People will see the change. They'll know something is going on. | 0:03:06 | 0:03:11 | |
So what? It is a fib, OK, not a crime. | 0:03:11 | 0:03:16 | |
You can't think like that. | 0:03:17 | 0:03:18 | |
It's not going to happen. | 0:03:18 | 0:03:20 | |
Your priority needs to be the drugs trial. | 0:03:20 | 0:03:24 | |
It's not going to help if you make yourself ill with worry, is it? | 0:03:24 | 0:03:28 | |
Now, I need you to tell me how you're feeling health-wise | 0:03:29 | 0:03:34 | |
since you started the trial. | 0:03:34 | 0:03:35 | |
Have you noticed any improvement? | 0:03:37 | 0:03:39 | |
I haven't felt this good in a long time. | 0:03:42 | 0:03:45 | |
Have you been keeping up with the exercises? It helps the circulation. | 0:03:55 | 0:03:58 | |
I haven't really got a new routine yet. | 0:03:58 | 0:04:02 | |
How's retirement? | 0:04:02 | 0:04:04 | |
Too early. | 0:04:04 | 0:04:06 | |
Yeah, it can't be easy. I know it wasn't by choice. | 0:04:06 | 0:04:10 | |
No. The firm wanted to let people go, the attack made it easier. | 0:04:10 | 0:04:14 | |
You didn't go to the Victim Support group? | 0:04:14 | 0:04:16 | |
Why would I? | 0:04:16 | 0:04:18 | |
Might help you move on. | 0:04:19 | 0:04:21 | |
To what? | 0:04:21 | 0:04:22 | |
I don't know. Maybe it'd help you to figure out the next step. | 0:04:22 | 0:04:26 | |
With the aid of a stick? | 0:04:26 | 0:04:28 | |
The boy got locked away, didn't he? | 0:04:28 | 0:04:31 | |
Yes, but he'll get another chance. I won't. | 0:04:31 | 0:04:35 | |
I see boys like him every day. That hostel round the corner. | 0:04:35 | 0:04:39 | |
We keep hoping it'll get closed down, but it never does. | 0:04:39 | 0:04:43 | |
Don't they all need somewhere to go? | 0:04:43 | 0:04:45 | |
They don't want to change. | 0:04:45 | 0:04:47 | |
You really think that lad who did this to me gives a damn? | 0:04:47 | 0:04:52 | |
Some people wouldn't know the meaning of the word guilt. | 0:04:52 | 0:04:56 | |
Thank you. | 0:04:56 | 0:04:58 | |
I feel almost new again. | 0:05:00 | 0:05:02 | |
I don't know how to begin to thank you enough. | 0:05:04 | 0:05:07 | |
Just to be able to get out of bed in the morning without the aches and pains... | 0:05:07 | 0:05:11 | |
That's really great. | 0:05:11 | 0:05:13 | |
If this carries on, I'll be a new woman by Christmas. | 0:05:13 | 0:05:17 | |
Yeah, it's still early days, though. | 0:05:17 | 0:05:21 | |
There's no guarantee that things will stay like this | 0:05:21 | 0:05:25 | |
so it's just important not to... not to presume anything. | 0:05:25 | 0:05:29 | |
It's OK, I'm not trying to spoil things. | 0:05:31 | 0:05:35 | |
I just know how these trials can go. | 0:05:35 | 0:05:38 | |
You can't predict what's ahead. | 0:05:38 | 0:05:40 | |
I know what I'm guilty of. That's a fact. | 0:05:43 | 0:05:46 | |
I don't deserve it to work. | 0:05:48 | 0:05:50 | |
Hey, come on, of course you do! | 0:05:50 | 0:05:54 | |
All of this new energy is just giving you too much time to think. | 0:05:54 | 0:05:59 | |
So you need to use it. There must be things you want to get done. | 0:05:59 | 0:06:04 | |
I haven't felt well enough for a long time to do anything. | 0:06:04 | 0:06:08 | |
So it seems a waste to worry, doesn't it? | 0:06:08 | 0:06:13 | |
You use this time to be productive, please. | 0:06:14 | 0:06:17 | |
-Where is she? -You can't... -Move out my way. I want to see her! I want to see her now! | 0:06:21 | 0:06:24 | |
It's OK, Harry. | 0:06:26 | 0:06:27 | |
Have they rung you? | 0:06:27 | 0:06:28 | |
Stevie, you can't just barge in like this. | 0:06:28 | 0:06:30 | |
-But have they? The hostel? -No-one has phoned me. -Well, they will. | 0:06:30 | 0:06:34 | |
-What happened? -Saying I stole. Drugs! | 0:06:34 | 0:06:36 | |
Do you think I did? | 0:06:36 | 0:06:37 | |
-Tell me exactly what happened. -I didn't do it! I haven't stolen anything. Do you believe me? | 0:06:37 | 0:06:41 | |
If you tell me properly then I can help you. | 0:06:41 | 0:06:44 | |
You don't believe me, do you? | 0:06:44 | 0:06:47 | |
Why would you? It won't be your problem soon. | 0:06:47 | 0:06:50 | |
-Stevie, if you have a problem then we can solve it. Don't just assume the outcome. -What's the point? | 0:06:50 | 0:06:54 | |
-You go have your baby. I'm on me own, so I'll deal with it on me own. -Stevie! | 0:06:54 | 0:06:58 | |
SHE SIGHS | 0:07:01 | 0:07:04 | |
You'll come for your tea soon? | 0:07:05 | 0:07:07 | |
Of course I will. | 0:07:07 | 0:07:09 | |
You know, I'm so proud of you. I really am. | 0:07:09 | 0:07:12 | |
Stop it. | 0:07:12 | 0:07:14 | |
I'm going to take your advice. I'm going to crack on while I can. | 0:07:14 | 0:07:17 | |
Thank you for that, Miss Sylvester. | 0:07:17 | 0:07:20 | |
Sorry, after you. | 0:07:20 | 0:07:21 | |
Thank you, Dr Wilson. | 0:07:23 | 0:07:24 | |
Bye. | 0:07:24 | 0:07:25 | |
Patients. Hazards of the job. | 0:07:27 | 0:07:31 | |
Isn't she one of the trial patients? | 0:07:31 | 0:07:33 | |
Yeah, she is. | 0:07:33 | 0:07:34 | |
Has she seen any benefits? | 0:07:36 | 0:07:38 | |
Yeah. I've warned her that it's early stages | 0:07:38 | 0:07:41 | |
but she has seen some improvement. | 0:07:41 | 0:07:43 | |
Good. I'm glad. | 0:07:45 | 0:07:46 | |
Anyway, how are your date plans going with Michaela? | 0:07:48 | 0:07:54 | |
Yeah, great. I'm taking her to the art gallery. Got the afternoon off. | 0:07:54 | 0:07:57 | |
The art gallery? | 0:07:57 | 0:07:59 | |
Yeah, going to show her my more cultural side. | 0:07:59 | 0:08:02 | |
OK. | 0:08:02 | 0:08:03 | |
No, it's good. She really likes it there. | 0:08:03 | 0:08:06 | |
-She's been there before? -Yeah. Haven't you? | 0:08:06 | 0:08:11 | |
Yeah. Yeah, been there loads. | 0:08:11 | 0:08:13 | |
Good. Cos Michaela, she's really up on art, especially the modern stuff. | 0:08:13 | 0:08:19 | |
VOICEMAIL: 'I'm sorry but the person you called is not available. | 0:09:09 | 0:09:12 | |
'Please leave your message after the tone.' | 0:09:12 | 0:09:14 | |
BEEP | 0:09:14 | 0:09:15 | |
Come on, Stevie, you can't ignore me all day. | 0:09:15 | 0:09:18 | |
I've got an appointment soon but I'll have my phone on me. | 0:09:18 | 0:09:20 | |
You must call me. Please. | 0:09:20 | 0:09:22 | |
SHE SIGHS | 0:09:24 | 0:09:25 | |
CLOCK CHIMES | 0:09:28 | 0:09:30 | |
MOBILE VIBRATES | 0:09:30 | 0:09:33 | |
-Hello? -'Hello. I'm phoning about the concierge service.' | 0:09:35 | 0:09:39 | |
-Is that you? -'It certainly is.' | 0:09:39 | 0:09:41 | |
-How can I help? -Is it really help with anything? -Of course. | 0:09:41 | 0:09:45 | |
-I will consider any job. -Well, I need to get things in order. | 0:09:45 | 0:09:49 | |
Apparently having too much rubbish about the place is bad for the soul. | 0:09:49 | 0:09:52 | |
Well, I can help you get organised. | 0:09:52 | 0:09:55 | |
'What day works for you?' | 0:09:55 | 0:09:56 | |
Is today too short notice? | 0:09:56 | 0:09:58 | |
No. I can fit you in today, Mrs...? | 0:09:58 | 0:10:02 | |
'Patti.' | 0:10:02 | 0:10:04 | |
Oh, today would be lovely. | 0:10:04 | 0:10:06 | |
Have you got a pen and paper to write down my address? | 0:10:06 | 0:10:09 | |
Yep, if you just give me a moment. | 0:10:09 | 0:10:12 | |
-Hey! -Hi. | 0:10:21 | 0:10:23 | |
Great idea meeting here. | 0:10:23 | 0:10:24 | |
Thank you. I'm so excited, the exhibition is amazing. | 0:10:24 | 0:10:29 | |
The vision is so contemporary. | 0:10:29 | 0:10:31 | |
It's about looking at the void between us and the artwork, | 0:10:31 | 0:10:36 | |
and how the void is really where the art is. | 0:10:36 | 0:10:39 | |
You know? | 0:10:39 | 0:10:41 | |
Tip of the iceberg. | 0:10:43 | 0:10:45 | |
The rest is in the attic. I was hoping you might go up there. | 0:10:45 | 0:10:48 | |
No problem. | 0:10:48 | 0:10:49 | |
Some of it can go to charity. | 0:10:51 | 0:10:54 | |
That's good, you're not just trying to sell it. | 0:10:54 | 0:10:56 | |
I'm not sure anyone would want to buy it! | 0:10:56 | 0:10:59 | |
Not that I'm trying to dump it on a charity. | 0:10:59 | 0:11:02 | |
I know. Books will always find a home. | 0:11:02 | 0:11:05 | |
I'll go and get us some bags. Maybe you can start making piles? | 0:11:05 | 0:11:08 | |
Most of it is fit for the bin, anyway. | 0:11:08 | 0:11:11 | |
How are you finding being back? Has Dan got the maps out already? | 0:11:21 | 0:11:24 | |
You know what he's like. | 0:11:24 | 0:11:26 | |
He's having to make do with a conference in Leeds at the moment. | 0:11:26 | 0:11:29 | |
I'm glad you decided not to stay. | 0:11:29 | 0:11:31 | |
-Melbourne's a long way for mini-breaks. -No. | 0:11:31 | 0:11:33 | |
I wish I'd been there for your wedding, though. | 0:11:33 | 0:11:35 | |
I didn't even realise I was pregnant then. | 0:11:35 | 0:11:37 | |
-I thought it was my body getting used to coming off the Pill. -When do you go on maternity? | 0:11:37 | 0:11:41 | |
August. There's never a good time to leave my job, though. | 0:11:41 | 0:11:46 | |
Your blood pressure is up a bit. | 0:11:46 | 0:11:48 | |
Oh. | 0:11:48 | 0:11:49 | |
If you're worried about something, the baby, you know you can talk to me. | 0:11:49 | 0:11:53 | |
It's just work. | 0:11:53 | 0:11:55 | |
Oh, you're not dropping litter, are you? Need any help? | 0:12:05 | 0:12:09 | |
Get lost! | 0:12:09 | 0:12:11 | |
-I don't normally let things get to me. -I understand that. -I know. | 0:12:14 | 0:12:18 | |
-Maybe it's hormones. -What's my excuse, then? | 0:12:18 | 0:12:21 | |
I suppose I feel a bit guilty. Dan thinks I'm mad. | 0:12:21 | 0:12:26 | |
But I've not been back long and now I'm going away again. | 0:12:26 | 0:12:29 | |
Just when you're starting to form relationships. | 0:12:29 | 0:12:31 | |
When someone gives up, it's worrying. | 0:12:31 | 0:12:33 | |
How dare you? I'll call the police! | 0:12:35 | 0:12:38 | |
See how you like being locked up again. I mean it! | 0:12:38 | 0:12:41 | |
You can call them on that. You think I'm a criminal, | 0:12:42 | 0:12:45 | |
I may as well be one. Go on! | 0:12:45 | 0:12:48 | |
You can call them - get me recalled. | 0:12:48 | 0:12:50 | |
-To prison? -No, the school of ballet. Of course, prison! | 0:12:50 | 0:12:53 | |
You were one of our lads, weren't you? At Skinners? | 0:12:58 | 0:13:02 | |
I showed you the fork lift truck. What happened? | 0:13:02 | 0:13:07 | |
Life. | 0:13:07 | 0:13:08 | |
Tell them what's happened. | 0:13:15 | 0:13:17 | |
'Thanks, Jimmi.' | 0:13:19 | 0:13:20 | |
-Listen, if Dan's away this week, come round for dinner. Cherry would love to see you. -I'd like that. | 0:13:20 | 0:13:25 | |
Let us know when suits you. Make an appointment for next week... MOBILE RINGS | 0:13:25 | 0:13:29 | |
-Sorry. -..we'll see how your blood pressure is. | 0:13:29 | 0:13:32 | |
Stevie? Who is this? | 0:13:36 | 0:13:38 | |
Where's Stevie? | 0:13:38 | 0:13:40 | |
Who are you? | 0:13:40 | 0:13:42 | |
Right, tell me where I can find you. | 0:13:42 | 0:13:45 | |
Right, I'm coming now. What has he done? | 0:13:45 | 0:13:47 | |
-What's happened? -I've got to go. | 0:13:47 | 0:13:50 | |
-Can't you let someone else deal with it? -I can't. It's my responsibility. | 0:13:50 | 0:13:53 | |
Picasso said that art is a lie in which we see the truth. | 0:13:56 | 0:14:00 | |
I've always loved that idea. | 0:14:00 | 0:14:01 | |
Yeah. Art's like a mirror, isn't it? | 0:14:01 | 0:14:05 | |
It can be lots of things. | 0:14:05 | 0:14:07 | |
I came here once and it was an exhibition of children's illustrations from books. | 0:14:07 | 0:14:11 | |
The kids loved it. | 0:14:11 | 0:14:13 | |
Did they understand it? | 0:14:13 | 0:14:14 | |
It's not meant to be a test, is it? | 0:14:14 | 0:14:16 | |
People try and devalue art by saying it's pretentious, but it's not. | 0:14:17 | 0:14:22 | |
It's for everyone. | 0:14:22 | 0:14:23 | |
Yeah, but if they don't understand what they're looking at... | 0:14:23 | 0:14:26 | |
Like this exhibition, it's seeing what isn't there. You know? | 0:14:26 | 0:14:31 | |
Or that a lie is the truth, like Picasso said. | 0:14:31 | 0:14:36 | |
How would they know whether he was a liar or not? | 0:14:36 | 0:14:39 | |
Mmm. | 0:14:39 | 0:14:40 | |
I always think lies in themselves can be quite...revealing. | 0:14:42 | 0:14:46 | |
Oh, great. | 0:14:51 | 0:14:53 | |
Keep the workers happy. | 0:14:54 | 0:14:56 | |
Oh, I feel so much better for getting started. | 0:14:58 | 0:15:01 | |
What made you decide to today? | 0:15:01 | 0:15:04 | |
I had some sensible advice. | 0:15:04 | 0:15:06 | |
Normally my health isn't so good. | 0:15:06 | 0:15:10 | |
I've taken a turn for the better recently, | 0:15:10 | 0:15:13 | |
haven't even had to use my stick, | 0:15:13 | 0:15:16 | |
so I thought I'd put my stroke of luck to good use. | 0:15:16 | 0:15:20 | |
Well, I'm glad you have. | 0:15:20 | 0:15:22 | |
So how do you know Freya? | 0:15:22 | 0:15:24 | |
Get into trouble, did you, at Skinners? | 0:15:32 | 0:15:34 | |
No! They couldn't afford to take people on. | 0:15:34 | 0:15:37 | |
Cost cutting and... | 0:15:37 | 0:15:38 | |
They told me the same thing. Not that I ever wanted a desk job. | 0:15:40 | 0:15:43 | |
Lad who did this is in prison. Maybe you'll meet him. | 0:15:45 | 0:15:50 | |
Enjoy it, did you? | 0:15:50 | 0:15:51 | |
-What? -Well, you're trying to get back in. Miss your TV? Free meals? | 0:15:51 | 0:15:56 | |
I didn't just sit around, you know. I did workshops. | 0:15:56 | 0:15:59 | |
-Didn't really help very much, did it? -If kids with degrees can't get a job, | 0:15:59 | 0:16:03 | |
what makes you think they want me? | 0:16:03 | 0:16:05 | |
I did joinery. | 0:16:06 | 0:16:07 | |
-My dad was a joiner. -CAR APPROACHES | 0:16:09 | 0:16:11 | |
He could turn wood into anything. | 0:16:11 | 0:16:13 | |
Made me nana a coffee table. | 0:16:13 | 0:16:15 | |
-What would she think if...? -She died, OK? | 0:16:15 | 0:16:19 | |
Before I got out. | 0:16:19 | 0:16:20 | |
-Dennis, are you all right? -It's not me you should be worried about. | 0:16:20 | 0:16:23 | |
-Are we going to the police station? -No, the hostel. They want to know what's happened. | 0:16:23 | 0:16:27 | |
It's a waste of time. You can tell them everything. | 0:16:27 | 0:16:30 | |
-You have to report me. -I don't know what he's talking about. Nothing happened. | 0:16:30 | 0:16:33 | |
Is this a joke? | 0:16:33 | 0:16:36 | |
-What? So you can hide again in a cell? -You're just playing with me. | 0:16:36 | 0:16:39 | |
-I would do what Claire says - go to the hostel. I'll give you a lift. -With him? | 0:16:39 | 0:16:43 | |
-It's up to you. We have to go now. -I didn't ask him to do this, you know. | 0:16:43 | 0:16:47 | |
I don't want you to aggravate your leg. Come on. | 0:16:47 | 0:16:49 | |
So do you get to see her a lot? Freya? | 0:16:56 | 0:16:58 | |
When she's not too busy, she's a good niece. | 0:16:58 | 0:17:02 | |
So tell me about your family, Jack. | 0:17:03 | 0:17:07 | |
Well, my mum works with Freya at the surgery. | 0:17:07 | 0:17:09 | |
Oh. He'll be older than me! | 0:17:09 | 0:17:12 | |
I think you should keep him. | 0:17:12 | 0:17:14 | |
Aren't you kind? Well brought up. | 0:17:14 | 0:17:18 | |
So what does your father do? | 0:17:19 | 0:17:20 | |
He's in the police. | 0:17:20 | 0:17:22 | |
-Do you have any plans to join the profession? -No. | 0:17:24 | 0:17:28 | |
But I did study law, so I suppose you can see the influence. | 0:17:28 | 0:17:31 | |
-The pursuit of truth? -That's the hope, isn't it? | 0:17:31 | 0:17:35 | |
I'm a criminal! | 0:17:35 | 0:17:37 | |
You may as well get your father to come over and arrest me now! | 0:17:38 | 0:17:42 | |
SIREN WAILS | 0:17:46 | 0:17:48 | |
-Home sweet home. -I'm sure you'd be very welcome in there. | 0:17:48 | 0:17:51 | |
Enough, both of you! Now I know how the school bus driver felt. | 0:17:51 | 0:17:54 | |
Right, let me go inside first and see what's happening. | 0:18:01 | 0:18:05 | |
You wait outside. | 0:18:05 | 0:18:07 | |
I can walk from here, Dr Clay. | 0:18:07 | 0:18:09 | |
If you're sure? Might be best if I stay here. | 0:18:09 | 0:18:12 | |
What's he playing at? If he goes back to prison... | 0:18:14 | 0:18:17 | |
He's very troubled. | 0:18:17 | 0:18:18 | |
Look how frustrating you've found being at home. | 0:18:18 | 0:18:21 | |
It's not the same, is it? | 0:18:21 | 0:18:23 | |
The reasons aren't, no. But the feeling of boredom, not being in control... | 0:18:23 | 0:18:27 | |
When I was his age, I had a job, responsibilities. | 0:18:27 | 0:18:30 | |
You can imagine being Stevie's age and not having a purpose. | 0:18:30 | 0:18:33 | |
Yeah, but who'd want to be thought a criminal? | 0:18:33 | 0:18:35 | |
-It's drugs! -How do you mean? | 0:18:37 | 0:18:39 | |
It's illegal! | 0:18:39 | 0:18:40 | |
You're not dealing them, are you? | 0:18:40 | 0:18:43 | |
It's stealing, Jack! I know Freya's trying to help me, | 0:18:43 | 0:18:48 | |
-but... -What's Freya got to do with it? | 0:18:48 | 0:18:50 | |
The drugs trial at The Mill... | 0:18:50 | 0:18:53 | |
Freya got me onto it. | 0:18:54 | 0:18:56 | |
She said I hadn't smoked for over ten years, but I have! | 0:18:56 | 0:18:59 | |
We lied. We said that we weren't related. | 0:19:01 | 0:19:05 | |
That doesn't sound like stealing. | 0:19:05 | 0:19:08 | |
Patti, listen. | 0:19:08 | 0:19:09 | |
There's no police van about to pull up outside. You're not a thief. | 0:19:09 | 0:19:13 | |
-How do you know? -Honestly, | 0:19:13 | 0:19:15 | |
no-one is going to arrest you. Just take a deep breath. | 0:19:15 | 0:19:19 | |
OK? I'll go and make us another pot of tea. | 0:19:21 | 0:19:24 | |
A strong one. | 0:19:25 | 0:19:26 | |
We should come here again. | 0:19:31 | 0:19:32 | |
I'm so glad that you like art like I like art. | 0:19:32 | 0:19:35 | |
Yeah. Although I can't claim to really understand it. | 0:19:35 | 0:19:39 | |
It doesn't matter if you don't understand it. | 0:19:39 | 0:19:41 | |
I believe Picasso's paintings are the most expensive in the world. | 0:19:42 | 0:19:46 | |
Do you think that's what art is about? Money? | 0:19:46 | 0:19:50 | |
Do you think that's why Picasso painted Guernica? | 0:19:50 | 0:19:52 | |
Was that the blue ones? | 0:19:53 | 0:19:56 | |
Guernica is a town in Spain that was heavily bombed. | 0:19:56 | 0:19:59 | |
There's a story about a Gestapo officer who saw the painting | 0:19:59 | 0:20:01 | |
and asked Picasso if he was responsible for it. | 0:20:01 | 0:20:04 | |
Picasso said, "No, you are." | 0:20:04 | 0:20:07 | |
Right. Yeah. | 0:20:07 | 0:20:10 | |
Kevin. It's all right not to know. | 0:20:10 | 0:20:12 | |
-I don't know what you're on about. -I just wanted us to have a good time. | 0:20:13 | 0:20:17 | |
Unless that was an incredible piece of performance art? | 0:20:17 | 0:20:21 | |
The art expert who doesn't know about art? | 0:20:21 | 0:20:23 | |
-You'll wear the pavement out. -It's bad. | 0:20:30 | 0:20:33 | |
I knew they had it in for me. | 0:20:33 | 0:20:35 | |
-You can't presume what's being said. -You can't want this - | 0:20:35 | 0:20:38 | |
your life on repeat. | 0:20:38 | 0:20:39 | |
Just give them a chance, Stevie, OK? | 0:20:39 | 0:20:41 | |
We've had a talk. Seems like you've been having some problems. | 0:20:41 | 0:20:44 | |
Just want someone who nods their head? | 0:20:44 | 0:20:46 | |
They're the ones with something to hide. I'm talking to you! | 0:20:46 | 0:20:49 | |
-Stevie... -I'd rather be in prison, anyway! -Stevie! | 0:20:49 | 0:20:52 | |
Just take it easy. | 0:20:53 | 0:20:55 | |
They know you were set up. The workers were trying to sort it out. | 0:20:58 | 0:21:01 | |
That's why they called the police. | 0:21:03 | 0:21:05 | |
I suppose I thought that... | 0:21:09 | 0:21:10 | |
I thought that if we talked about work, it'd be boring. | 0:21:12 | 0:21:15 | |
Even though it isn't? | 0:21:15 | 0:21:17 | |
You made this drugs trial sound so exciting. | 0:21:17 | 0:21:20 | |
What it might mean for people. | 0:21:20 | 0:21:22 | |
Exactly! I mean, that's what medicine should be about. | 0:21:22 | 0:21:25 | |
Howard gets that. | 0:21:25 | 0:21:27 | |
For the first time, I go to work and someone understands me. | 0:21:27 | 0:21:30 | |
It's nice when someone gets you. | 0:21:33 | 0:21:35 | |
Haven't you felt that before? | 0:21:35 | 0:21:37 | |
Not really. | 0:21:39 | 0:21:40 | |
You know, with this drugs trial, | 0:21:41 | 0:21:44 | |
I'm not on the outside of something. | 0:21:44 | 0:21:47 | |
I'm actually part of it. | 0:21:47 | 0:21:48 | |
That's more like it. | 0:21:54 | 0:21:56 | |
-How are you feeling? -I'm fine. | 0:22:01 | 0:22:03 | |
If I don't press charges, you can't recall him. | 0:22:03 | 0:22:07 | |
-Nothing happened, then. -Well, it did just happen. | 0:22:07 | 0:22:10 | |
What's the point? It's what he wants, to go back. | 0:22:10 | 0:22:14 | |
You can't pretend it didn't happen. | 0:22:14 | 0:22:17 | |
Look, he's just not facing up to it, is he? | 0:22:17 | 0:22:20 | |
And you can't undo the damage of a life in a day. | 0:22:20 | 0:22:22 | |
You must be able to do something. | 0:22:22 | 0:22:24 | |
He's broken the terms of his probation. I can't lie about what's happened. | 0:22:24 | 0:22:28 | |
You'll need to make a statement. Someone will come to the house, OK? | 0:22:28 | 0:22:32 | |
Thanks for trying to give him a chance. | 0:22:32 | 0:22:35 | |
-Oh, how did it go? -Yeah, it was OK. | 0:22:54 | 0:22:56 | |
No outrageous requests? | 0:22:56 | 0:22:58 | |
-No. Did you know it was Freya's aunt? -Who? | 0:22:58 | 0:23:02 | |
-My first customer, Patti. -Really? | 0:23:02 | 0:23:06 | |
-She started telling me she was a criminal! -Why? | 0:23:06 | 0:23:09 | |
She was on about drugs. I had to calm her down. | 0:23:09 | 0:23:12 | |
Saying they'd lied about some drugs trial at The Mill. | 0:23:12 | 0:23:16 | |
In what way? | 0:23:16 | 0:23:17 | |
Just saying that she hadn't smoked in years when she had. | 0:23:17 | 0:23:20 | |
She was acting like the riot police were about to turn up. | 0:23:20 | 0:23:23 | |
Well, why did she lie? | 0:23:23 | 0:23:24 | |
The drugs trial didn't want anyone who'd smoked in the past ten years. | 0:23:24 | 0:23:28 | |
Mmm. And this is Freya's aunt? | 0:23:29 | 0:23:31 | |
Yeah. I said she shouldn't worry. | 0:23:31 | 0:23:33 | |
I'm sure you're right. | 0:23:33 | 0:23:35 | |
I don't think it can be a legal issue. She'd hardly go to court. | 0:23:35 | 0:23:38 | |
No, but it's weird. | 0:23:38 | 0:23:40 | |
Cos these drugs trials will have certain requirements for a reason. | 0:23:40 | 0:23:44 | |
-It might be a sackable offence. -Do you think we should tell someone? | 0:23:44 | 0:23:47 | |
Well, Howard won't be as easy as Julia for a quiet word. | 0:23:48 | 0:23:51 | |
He...he won't be as understanding. | 0:23:51 | 0:23:54 | |
PHONE RINGS | 0:24:07 | 0:24:09 | |
-Hello? -'Hi. Freya.' | 0:24:09 | 0:24:11 | |
Oh, hiya. Have I forgotten my repeats again? | 0:24:11 | 0:24:14 | |
No, listen, erm... | 0:24:14 | 0:24:17 | |
Jack did some work for your aunt today, Patti. | 0:24:17 | 0:24:19 | |
OK. | 0:24:20 | 0:24:22 | |
'And erm... Ever such a nice lady, he said.' | 0:24:22 | 0:24:25 | |
But she mentioned something about the drugs trial, | 0:24:25 | 0:24:28 | |
and she was really upset about it. | 0:24:28 | 0:24:30 | |
Oh, I see. Well, I don't know why she... | 0:24:30 | 0:24:33 | |
'I'm sure it was a misunderstanding.' | 0:24:33 | 0:24:35 | |
But she was worried that she was a criminal. | 0:24:36 | 0:24:38 | |
Jack reassured her that she wasn't. | 0:24:38 | 0:24:42 | |
But she did say something about lying on the form about her medical history. | 0:24:42 | 0:24:47 | |
I see. | 0:24:49 | 0:24:50 | |
I know I would want to help family if I could, | 0:24:50 | 0:24:52 | |
but if people find out about this... | 0:24:52 | 0:24:55 | |
'it might be better coming from you.' | 0:24:55 | 0:24:57 | |
Right. | 0:24:57 | 0:24:58 | |
I'm sorry, Freya, but I think you should mention it to Kevin. | 0:24:58 | 0:25:02 | |
Yeah... Yeah, I'll talk to him tomorrow. | 0:25:02 | 0:25:05 | |
I'm sure he'll be ever so understanding. | 0:25:05 | 0:25:07 | |
Yeah. | 0:25:07 | 0:25:08 | |
'OK, well, erm...' | 0:25:08 | 0:25:11 | |
I'll leave you be and I'll see you tomorrow, OK? | 0:25:11 | 0:25:13 | |
OK. Er... Bye. | 0:25:13 | 0:25:17 | |
You look like the cat that got the cream. | 0:25:32 | 0:25:34 | |
Cream. Charisma. Cute. I think I've got it all. | 0:25:34 | 0:25:37 | |
Who are you? What do you want? | 0:25:37 | 0:25:40 | |
You've done this on purpose - sabotaging the drugs trial, | 0:25:40 | 0:25:43 | |
trying to wreck my career. | 0:25:43 | 0:25:44 | |
Trust me. | 0:25:44 | 0:25:46 | |
That man is not your father. | 0:25:46 | 0:25:49 | |
Subtitles by Red Bee Media Ltd | 0:26:13 | 0:26:16 |