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Please, Immie. You know I don't want to call Catherine Mannings. | 0:52:51 | 0:52:54 | |
-Not my problem. -Please! | 0:52:54 | 0:52:55 | |
Jack, I've told you I'm busy. | 0:52:55 | 0:52:58 | |
Anyway, Catherine Mannings has been dying for an opportunity | 0:52:58 | 0:53:02 | |
to be your... | 0:53:02 | 0:53:03 | |
..right hand. | 0:53:03 | 0:53:04 | |
I won't forget this. | 0:53:04 | 0:53:05 | |
Oh, hi, Catherine. | 0:53:11 | 0:53:13 | |
How are you fixed for this afternoon? | 0:53:13 | 0:53:15 | |
No, for work. | 0:53:16 | 0:53:17 | |
I've got a new client. It's Patricia Montana. | 0:53:18 | 0:53:21 | |
SHE GASPS | 0:53:21 | 0:53:23 | |
OK, if you want to come through. | 0:53:23 | 0:53:25 | |
-Daniel, I've made you a... -Have to be later. | 0:53:27 | 0:53:29 | |
Cherry... | 0:53:29 | 0:53:31 | |
Not now, Karen. | 0:53:31 | 0:53:33 | |
"Thank you very much, Karen". | 0:53:33 | 0:53:36 | |
"Don't mention it". | 0:53:36 | 0:53:38 | |
-Give. -Give me the job then. -You've got plans? | 0:53:38 | 0:53:41 | |
Do you even know who Patricia Montana is? | 0:53:41 | 0:53:43 | |
She sells T-shirts and stuff on the internet. | 0:53:43 | 0:53:45 | |
That is like saying Lady Gaga sings a bit. | 0:53:45 | 0:53:49 | |
Whatever. | 0:53:49 | 0:53:50 | |
What's the job? | 0:53:50 | 0:53:51 | |
-NOW you're interested! -Jack! | 0:53:51 | 0:53:54 | |
Packing. Best bit is, she's paying on completion. | 0:53:54 | 0:53:57 | |
Here's the deal - I'm on it, on it, on it! | 0:53:57 | 0:53:59 | |
And you don't have to pay me till next month. | 0:53:59 | 0:54:01 | |
What's so good about Patricia Montana? | 0:54:01 | 0:54:03 | |
Hello? Iconic. | 0:54:03 | 0:54:06 | |
She's like this holistic, creative diva. | 0:54:06 | 0:54:09 | |
She's all eco, she does hand-blocking and.. | 0:54:09 | 0:54:11 | |
OK, she's some art guru phenomenon, | 0:54:11 | 0:54:14 | |
and you want the chance to be in her glittering presence. | 0:54:14 | 0:54:16 | |
PHONE RINGS | 0:54:16 | 0:54:19 | |
OK. But here's the deal - you keep it professional, | 0:54:24 | 0:54:27 | |
you're representing my company. | 0:54:27 | 0:54:29 | |
Your company? | 0:54:29 | 0:54:30 | |
You do the job and you don't be some sort of embarrassing suck-up. | 0:54:30 | 0:54:34 | |
Moi(?) | 0:54:34 | 0:54:35 | |
Yeah, but I bought what he normally has. | 0:54:37 | 0:54:40 | |
OK, but I didn't know that. | 0:54:40 | 0:54:43 | |
Yes, I should have. | 0:54:43 | 0:54:44 | |
If you'd said... | 0:54:44 | 0:54:46 | |
Either way, he's got enough nappies for now. | 0:54:46 | 0:54:50 | |
So it's not the end of the world? Zara? | 0:54:50 | 0:54:53 | |
Zara?! | 0:54:53 | 0:54:55 | |
-Sorry. -What? | 0:54:55 | 0:54:58 | |
Cherry's got an infected C-section scar. She's asking for a doctor. | 0:54:58 | 0:55:01 | |
"A doctor" or a particular doctor? | 0:55:01 | 0:55:02 | |
-She asked for Heston, but... -Sounds pretty straightforward to me. | 0:55:02 | 0:55:06 | |
No, Heston has to go at one, he's just had someone go in. | 0:55:06 | 0:55:09 | |
She asked for Heston. Get Heston. | 0:55:09 | 0:55:12 | |
I'll get Heston. | 0:55:14 | 0:55:16 | |
No. No, no, no - | 0:55:19 | 0:55:22 | |
you're going to have to deal with it. | 0:55:22 | 0:55:25 | |
Sorry about that. Stupid man. He'll still be talking. | 0:55:25 | 0:55:28 | |
"Patricia, I don't know what to do " | 0:55:28 | 0:55:32 | |
Take him a while to work out when I've actually hung up. | 0:55:32 | 0:55:34 | |
Plonker. Now, where were we? | 0:55:34 | 0:55:37 | |
-Wirelessly printing. -Yes, of course. | 0:55:37 | 0:55:40 | |
So, advice slip goes in with the merchandise, | 0:55:40 | 0:55:42 | |
and the address is printed on the bottom. | 0:55:42 | 0:55:45 | |
It is all captured by the production data software, | 0:55:45 | 0:55:47 | |
but I need you to write it in the book because I'm anally retentive. | 0:55:47 | 0:55:50 | |
Me, too. SO retentive. | 0:55:50 | 0:55:52 | |
-There's a lot to get through. -And I'll get through it. | 0:55:52 | 0:55:55 | |
I may Skype you later if I have time. | 0:55:55 | 0:55:57 | |
I won't let you down, Ms Montana. | 0:55:57 | 0:55:59 | |
-That is a cool shirt. -Is it? | 0:56:01 | 0:56:05 | |
I thought that whole tattoo thing was well and truly over. | 0:56:05 | 0:56:09 | |
-Shows what I know! -I designed and printed it myself. | 0:56:09 | 0:56:12 | |
Clever girl. | 0:56:12 | 0:56:15 | |
Like an espresso before I go? | 0:56:15 | 0:56:17 | |
You bet! | 0:56:17 | 0:56:19 | |
Take a seat. | 0:56:22 | 0:56:24 | |
My dentist isn't working from the beginning | 0:56:24 | 0:56:26 | |
of the opening ceremony to the end of the closing one. | 0:56:26 | 0:56:29 | |
-Not an Olympic gold filling, then? -He's going to squeeze me in. | 0:56:29 | 0:56:33 | |
-Go on, then. We'll manage. -You sure? | 0:56:33 | 0:56:35 | |
If I was to change my mind, would you cancel your appointment? | 0:56:35 | 0:56:38 | |
Hop it! | 0:56:38 | 0:56:40 | |
Emily Watson? | 0:56:41 | 0:56:43 | |
Mr Clarkson needs to see you again. | 0:56:45 | 0:56:47 | |
But Mr Sterling's next. | 0:56:47 | 0:56:50 | |
He left this. | 0:56:50 | 0:56:51 | |
He's in the gents doing another one | 0:56:51 | 0:56:53 | |
Lovely! | 0:56:53 | 0:56:54 | |
It's fine - tell him to bring it in when he's done. | 0:56:54 | 0:56:58 | |
I presume you have a portfolio. | 0:57:00 | 0:57:02 | |
I almost brought it. | 0:57:02 | 0:57:04 | |
Didn't want to be too pushy? | 0:57:04 | 0:57:06 | |
Be pushy! I like this...vintage vibe thing you've got going on. | 0:57:06 | 0:57:12 | |
It's cool. Not overdone. | 0:57:12 | 0:57:13 | |
Do you want me to be honest? | 0:57:13 | 0:57:15 | |
I only work with people I trust implicitly. | 0:57:15 | 0:57:17 | |
I designed and printed it myself, but my mother "distressed" it. | 0:57:17 | 0:57:20 | |
Not a hand washer? | 0:57:22 | 0:57:23 | |
Everything goes on a hot wash with double Daz. | 0:57:23 | 0:57:26 | |
Mothers, eh? They do like their kids to be clean. | 0:57:27 | 0:57:30 | |
I'd do it myself. | 0:57:30 | 0:57:31 | |
I wouldn't mind, but I'd start doing the ironing and she's all... | 0:57:31 | 0:57:35 | |
Mind you, she does wreck my clothes brilliantly sometimes. | 0:57:35 | 0:57:38 | |
I like you, Imogen Hollins, so you do a good job today, | 0:57:38 | 0:57:42 | |
no glitches, no hitches, no messing around, | 0:57:42 | 0:57:45 | |
and I'll look at your portfolio tomorrow. | 0:57:45 | 0:57:48 | |
You will? Really? | 0:57:48 | 0:57:49 | |
Yes, but you get the job done. | 0:57:49 | 0:57:52 | |
No fannying about - prove that I can rely on you. | 0:57:52 | 0:57:54 | |
-I will. -Good girl. | 0:57:54 | 0:57:57 | |
Phew. Is that it? All the Letherbridge Olympians match fit? | 0:58:05 | 0:58:09 | |
-Karen, about before... -It's fine. | 0:58:09 | 0:58:11 | |
No, I was rude, and I want to apologise. | 0:58:11 | 0:58:13 | |
Listen, it's nearly four o'clock. When you stare into holes | 0:58:13 | 0:58:18 | |
and down tubes for a living, | 0:58:18 | 0:58:19 | |
and you've got a little one keeping you awake all night, | 0:58:19 | 0:58:22 | |
you earn the right to be a little bit scratchy occasionally. | 0:58:22 | 0:58:26 | |
Just as long as you know I'm sorry. | 0:58:26 | 0:58:29 | |
Heston's finally got his choppers fixed and he'll be back soon. | 0:58:29 | 0:58:32 | |
Why don't you go and get something to eat? Go on. | 0:58:32 | 0:58:35 | |
Ah. | 0:58:35 | 0:58:36 | |
OK. | 0:58:39 | 0:58:40 | |
POSH VOICE: Hello, this is Imogen Hollins from Hollins Montana Top Drawer Schmatta. | 0:58:52 | 0:58:57 | |
I'm sending over some new designs. | 0:58:57 | 0:59:01 | |
Really? The new Giambattista Valli? | 0:59:02 | 0:59:05 | |
Is THAT what they're calling me? | 0:59:05 | 0:59:07 | |
Oh, stop it! No, you stop it. | 0:59:07 | 0:59:10 | |
No, you stop it. Oh, darling! | 0:59:10 | 0:59:14 | |
SHE CRIES | 0:59:16 | 0:59:19 | |
Here you go, take your time. | 0:59:22 | 0:59:25 | |
I'm all done. I'm fixed up and filled in. | 0:59:27 | 0:59:30 | |
Good for you. | 0:59:30 | 0:59:32 | |
-Very quiet? -Yeah. | 0:59:32 | 0:59:34 | |
Where is everyone? | 0:59:34 | 0:59:36 | |
Daniel left for his lunch about ten minutes ago... | 0:59:36 | 0:59:38 | |
Lunch? | 0:59:38 | 0:59:39 | |
Cherry hasn't even had her break yet. | 0:59:39 | 0:59:41 | |
She got stuck with a right blubber since before Daniel went. | 0:59:41 | 0:59:44 | |
"Blubber?" Do you mean a patient with obesity issues, Karen? | 0:59:44 | 0:59:47 | |
CRYING | 0:59:47 | 0:59:49 | |
No, a "blubber" - a patient who blubs. | 0:59:49 | 0:59:52 | |
Excuse me, are you still serving food? | 1:00:42 | 1:00:45 | |
Yeah. | 1:00:45 | 1:00:46 | |
What's going on in here? | 1:00:53 | 1:00:54 | |
Promotion party, apparently Malcolm's made it into marketing. | 1:00:54 | 1:00:58 | |
Good for Malcolm. | 1:00:58 | 1:01:00 | |
-Do you mind? -No, course not. | 1:01:00 | 1:01:03 | |
-What a day, eh? -Yeah, insane. | 1:01:06 | 1:01:09 | |
So, what looks good? | 1:01:11 | 1:01:13 | |
Have you ordered yet? | 1:01:14 | 1:01:16 | |
No, I haven't even managed to do that yet. | 1:01:16 | 1:01:19 | |
Oh, come on! You've got to be kidding. | 1:01:23 | 1:01:25 | |
Huh! Who are you? | 1:01:25 | 1:01:27 | |
Drake Montana, | 1:01:27 | 1:01:29 | |
and you are...? | 1:01:29 | 1:01:31 | |
I'm working for your...wife? She never said anybody'd be here. | 1:01:31 | 1:01:35 | |
That's be because I've just gotten back. And she's not my wife. | 1:01:35 | 1:01:38 | |
"Gotten back"? | 1:01:38 | 1:01:39 | |
I'm Patricia's brother. I work out of Hong Kong, usually. | 1:01:39 | 1:01:42 | |
Do you work for her? | 1:01:42 | 1:01:43 | |
-WITH Patricia. -She never said. | 1:01:43 | 1:01:46 | |
She's not expecting me. So, what is this? | 1:01:46 | 1:01:48 | |
Bit late for lunch, right? | 1:01:48 | 1:01:50 | |
I'm starved, but I've only got time for coffee, | 1:01:50 | 1:01:52 | |
and this thing is not playing ball. | 1:01:52 | 1:01:54 | |
-So you're...? -Imogen - Immie. | 1:02:02 | 1:02:06 | |
Patricia's not given you time to eat? | 1:02:06 | 1:02:08 | |
-It's not important... -No, it's outrageous. | 1:02:08 | 1:02:11 | |
No she's given me this opportunity to... | 1:02:11 | 1:02:12 | |
You need to at least have a sandwich, or something. | 1:02:12 | 1:02:16 | |
I can't. DOORBELL RINGS | 1:02:16 | 1:02:18 | |
Ooh - it's turning into a party! | 1:02:18 | 1:02:20 | |
Little sister - this is me checking up on you. | 1:02:22 | 1:02:25 | |
Hi, I'm Drake. | 1:02:25 | 1:02:28 | |
Course you are. | 1:02:28 | 1:02:30 | |
OK, awkward. I'll go and put some clothes on. | 1:02:32 | 1:02:35 | |
-Good idea. -Jack! -What? | 1:02:35 | 1:02:38 | |
You're supposed to be working, | 1:02:38 | 1:02:40 | |
but you're with some smarmy douche in a hand towel. What's going on? | 1:02:40 | 1:02:43 | |
This is the first time I've stopped all day. | 1:02:43 | 1:02:46 | |
I haven't even had coffee. That is Drake Montana, Patricia's brother. | 1:02:46 | 1:02:49 | |
He works for the company, which means nothing to you because - duh! - | 1:02:49 | 1:02:52 | |
-you have no idea how fabulous this is! -The dude's got no clothes on! | 1:02:52 | 1:02:55 | |
He didn't know I was in the house. He's put them on now. | 1:02:55 | 1:02:58 | |
"On it, on it, on it." | 1:02:58 | 1:02:59 | |
However distracted you get, you don't mess up. | 1:02:59 | 1:03:01 | |
Hello! You didn't even know who the client was. | 1:03:01 | 1:03:04 | |
-I won't mess this up. It's one huge step up the ladder! -What? | 1:03:04 | 1:03:08 | |
If I do a good job, I get to show her my portfolio tomorrow. | 1:03:08 | 1:03:12 | |
You sucked up! What did I tell you about sucking up?! | 1:03:12 | 1:03:14 | |
I didn't suck up, I didn't need to. Drink it in. | 1:03:14 | 1:03:18 | |
This is talent you're looking at, | 1:03:18 | 1:03:19 | |
and Patricia Montana knows talent when she sees it. | 1:03:19 | 1:03:22 | |
I don't have to suck up to make a good impression. | 1:03:22 | 1:03:24 | |
Yeah, well, you better be getting dressed. | 1:03:24 | 1:03:28 | |
Thank you. By the time she gets our order sorted, it'll be time | 1:03:33 | 1:03:36 | |
to go back to the campus. | 1:03:36 | 1:03:38 | |
No, Heston's holding the fort. He insisted. | 1:03:38 | 1:03:40 | |
Karen's only to call us | 1:03:40 | 1:03:42 | |
if his fillings fall out, or there's some other major emergency. | 1:03:42 | 1:03:46 | |
Can you believe how busy it was today? | 1:03:48 | 1:03:51 | |
I know. I hardly saw you all day. | 1:03:51 | 1:03:53 | |
Point is, we're owed a lunch, | 1:03:54 | 1:03:56 | |
and it was dead as a tombstone when I left. | 1:03:56 | 1:03:57 | |
We finally fixed everyone. | 1:03:57 | 1:04:00 | |
PHONE RINGS | 1:04:00 | 1:04:01 | |
Hello, Karen? | 1:04:02 | 1:04:04 | |
Listen, me and Heston have been thinking. | 1:04:04 | 1:04:06 | |
-Ooh, careful(!) -Tell her. | 1:04:06 | 1:04:08 | |
'Tell me what?' | 1:04:08 | 1:04:10 | |
Heston's made an executive decision - | 1:04:10 | 1:04:13 | |
-you can have the rest of the day off. -Really? | 1:04:13 | 1:04:15 | |
Yes, this is me being the good news fairy. I just need to tell Daniel. | 1:04:15 | 1:04:19 | |
Daniel's got the rest of the day off as well? | 1:04:19 | 1:04:22 | |
It has so been decreed. | 1:04:22 | 1:04:24 | |
OK, I'll tell him. Bye. | 1:04:24 | 1:04:26 | |
What? | 1:04:27 | 1:04:29 | |
It is officially Merlot o'clock! | 1:04:29 | 1:04:32 | |
Wow. Waiter! | 1:04:33 | 1:04:35 | |
I could only find cheese, but you have to have something. | 1:04:35 | 1:04:39 | |
I've got to finish. | 1:04:39 | 1:04:41 | |
I had a hellish journey home, I really need to chill and relax. | 1:04:41 | 1:04:45 | |
Why don't you sit and chillax with me, just for a bit? | 1:04:45 | 1:04:49 | |
Because Patricia hired me to do the job and I've got to get it done. | 1:04:49 | 1:04:52 | |
Work ethic? Worthy, but.. | 1:04:52 | 1:04:54 | |
Patricia also promised to look at my portfolio. | 1:04:54 | 1:04:57 | |
Oh, OK - I get it. | 1:04:57 | 1:05:00 | |
I'll stop distracting you, then. | 1:05:00 | 1:05:02 | |
But you know I'd be more than happy to take a look at your portfolio. | 1:05:03 | 1:05:07 | |
I've got exquisite taste, trust me. | 1:05:07 | 1:05:10 | |
OK! I get it. | 1:05:11 | 1:05:13 | |
Eat the sandwich! | 1:05:13 | 1:05:14 | |
So how's Jimmi? | 1:05:20 | 1:05:22 | |
He's fine. | 1:05:22 | 1:05:24 | |
Listen, sorry about... | 1:05:24 | 1:05:26 | |
..you know, the OCD thing, | 1:05:27 | 1:05:30 | |
-being in denial. I was completely out of order. -It's fine. | 1:05:30 | 1:05:33 | |
It's like you shined a big light on the whole thing. | 1:05:33 | 1:05:35 | |
Is he still mad at me? | 1:05:35 | 1:05:37 | |
He'll get over it. | 1:05:37 | 1:05:39 | |
Truth hurts. | 1:05:39 | 1:05:41 | |
-How's Joe? -I'm famished. | 1:05:41 | 1:05:44 | |
Joe's all right? | 1:05:46 | 1:05:49 | |
I don't really know. He seems fine. | 1:05:49 | 1:05:52 | |
I see him, obviously, I see him with his mother, | 1:05:52 | 1:05:56 | |
and they're doing great. They are thriving. | 1:05:56 | 1:05:59 | |
Good. Putting weight on? | 1:05:59 | 1:06:03 | |
Must be, because, of course, Zara's acing it. | 1:06:03 | 1:06:08 | |
Mary Poppins. | 1:06:08 | 1:06:10 | |
It's me that doesn't seem to fit. | 1:06:11 | 1:06:13 | |
I don't seem to be able to... | 1:06:16 | 1:06:18 | |
..whatever I do. | 1:06:20 | 1:06:23 | |
That's rubbish. | 1:06:23 | 1:06:25 | |
New dads get side-lined. | 1:06:25 | 1:06:27 | |
Do they get sent off, too? | 1:06:27 | 1:06:30 | |
Tough ref. Who'd've thought? | 1:06:30 | 1:06:33 | |
I'm a complete letdown. Ask Zara. | 1:06:35 | 1:06:39 | |
"Ask Zara"? | 1:06:40 | 1:06:41 | |
Mm-hm. | 1:06:41 | 1:06:43 | |
Right. | 1:06:43 | 1:06:46 | |
This is completely out-of-line, | 1:06:46 | 1:06:48 | |
but I'm just going to say it anyway. | 1:06:48 | 1:06:51 | |
Who cares what Zara thinks? | 1:06:51 | 1:06:54 | |
Mrs Nag-Nag-Nag-Nag-Nag, | 1:06:54 | 1:06:57 | |
-and in front of me and Jimmi? She's such a... -Hormones? | 1:06:57 | 1:06:59 | |
..cow. | 1:06:59 | 1:07:02 | |
And that isn't cooking, that is reheating. | 1:07:02 | 1:07:06 | |
And if she's Wonder Woman, it's only because you let her be. | 1:07:06 | 1:07:09 | |
"Ask Zara"? Zara doesn't even know what side her bread's buttered! | 1:07:09 | 1:07:15 | |
Sorry. | 1:07:17 | 1:07:19 | |
MUSIC: "My Humps" by The Black-Eyed Peas | 1:07:23 | 1:07:27 | |
# What you going to do with all that junk? | 1:07:29 | 1:07:31 | |
# All that junk inside your trunk? | 1:07:31 | 1:07:32 | |
# I'm going to get you drunk | 1:07:32 | 1:07:35 | |
# Get you love drunk off my hump | 1:07:35 | 1:07:37 | |
# My hump, my hump, my hump, my hump, my hump | 1:07:37 | 1:07:40 | |
# My hump, my hump, my hump My lovely little lumps | 1:07:40 | 1:07:43 | |
# Check it out... # | 1:07:43 | 1:07:44 | |
THEY LAUGH | 1:07:49 | 1:07:51 | |
Ah! Thank you. | 1:07:51 | 1:07:54 | |
Thank you. | 1:07:54 | 1:07:56 | |
There is more than one way to disrespect the jogging. | 1:07:56 | 1:08:00 | |
It's ridiculous. I could have grown a lettuce faster than that. | 1:08:01 | 1:08:05 | |
SHE LAUGHS | 1:08:05 | 1:08:06 | |
You know what this is? | 1:08:06 | 1:08:08 | |
This is...an afternoon version of brunch. | 1:08:08 | 1:08:12 | |
"Lupper!" | 1:08:13 | 1:08:14 | |
That's good! | 1:08:14 | 1:08:16 | |
THEY LAUGH | 1:08:16 | 1:08:18 | |
You know I said those things about Zara? | 1:08:18 | 1:08:20 | |
I'd feel so much better | 1:08:20 | 1:08:21 | |
-if you said something mean about Jimmi. -Like what? | 1:08:21 | 1:08:24 | |
Um... Off the top of my head, | 1:08:24 | 1:08:27 | |
how about, "You know his obsessive compulsions | 1:08:27 | 1:08:31 | |
"are a nightmare to live with?" | 1:08:31 | 1:08:34 | |
Or, "It was bad enough when they centred on ridiculous cleaning routines, | 1:08:34 | 1:08:39 | |
"and his precision table-laying?" | 1:08:39 | 1:08:42 | |
Well, I could say... | 1:08:42 | 1:08:43 | |
I was grateful about what you said about the running. | 1:08:43 | 1:08:46 | |
-Manic. -I should have seen it. | 1:08:46 | 1:08:48 | |
You're too close. | 1:08:48 | 1:08:49 | |
It was bad enough before, but at least we... | 1:08:49 | 1:08:52 | |
Now he's just knackered all the time. | 1:08:52 | 1:08:54 | |
He works, he runs, I clean, he runs some more. | 1:08:54 | 1:08:57 | |
Not so rosy? | 1:08:57 | 1:08:58 | |
We'd be all right if we were as close as we were before. | 1:08:58 | 1:09:01 | |
"Close"? | 1:09:01 | 1:09:03 | |
Yeah, I need closeness. | 1:09:04 | 1:09:07 | |
But every time I try, he's knackered. | 1:09:07 | 1:09:10 | |
Every time I... | 1:09:10 | 1:09:12 | |
There's worse addictions, I suppose. | 1:09:13 | 1:09:16 | |
Would you like the number for Joggers Anonymous? | 1:09:16 | 1:09:19 | |
This has gone straight to my head. | 1:09:22 | 1:09:26 | |
OK, we've got get-out-of-jail-free cards - we can get cabs. | 1:09:26 | 1:09:29 | |
Another? | 1:09:31 | 1:09:33 | |
Go on, as long as we don't have to jog anywhere, ever, even walk fast. | 1:09:33 | 1:09:38 | |
Excuse me. Another one, please. | 1:09:38 | 1:09:40 | |
-Cin cin. -Cin cin! | 1:09:40 | 1:09:42 | |
-I've got a plan. -I've got a job to do. | 1:09:46 | 1:09:48 | |
We'll get it done, together, and then we can kick back. | 1:09:48 | 1:09:51 | |
I'm the one who's here to work. | 1:09:51 | 1:09:52 | |
Absolutely. It'd be unfair of me to take your eye off the ball. | 1:09:52 | 1:09:55 | |
I can't let you. | 1:09:55 | 1:09:56 | |
So I'm suggesting I help you get done | 1:09:56 | 1:09:58 | |
everything you need to get done | 1:09:58 | 1:10:00 | |
-But... -But listen, you're an artist, aren't you? | 1:10:00 | 1:10:03 | |
So what's with all the prosaic pedestrianism? | 1:10:03 | 1:10:07 | |
I help. Then, and only then, I get the pleasure of your company, | 1:10:07 | 1:10:11 | |
somewhere that doesn't smell of packing tape. | 1:10:11 | 1:10:14 | |
That sounds very nice, but it wouldn't feel right. Sorry. | 1:10:14 | 1:10:17 | |
-I'm offering. Free will. Want to do it. -Even so... | 1:10:17 | 1:10:21 | |
Laps of the gods. Heads I win, tails you get to play martyr, | 1:10:21 | 1:10:27 | |
and we'll both be miserable for the rest of the day. | 1:10:27 | 1:10:31 | |
COMPUTER BLEEPS | 1:10:31 | 1:10:33 | |
Imogen? | 1:10:33 | 1:10:34 | |
Hi? Patricia, can you see me? | 1:10:34 | 1:10:36 | |
Yes, there's a camera. | 1:10:36 | 1:10:39 | |
I'm just checking to make sure everything's OK? | 1:10:39 | 1:10:41 | |
-Imogen, darling.... -Yes! Look - just a minute, OK? | 1:10:41 | 1:10:45 | |
Look, I can't see I'm going to be back for eight. | 1:10:45 | 1:10:47 | |
If you hang on in, I'll settle up then, all right? | 1:10:47 | 1:10:49 | |
OK! Take care. Bye. | 1:10:49 | 1:10:52 | |
Heads. | 1:10:52 | 1:10:53 | |
I mean, I'm not on the spectrum. | 1:10:54 | 1:10:56 | |
How is that a problem? | 1:10:58 | 1:11:01 | |
-It isn't. -You know what counts as being evil in my world? The wrong spray cleaner. | 1:11:01 | 1:11:05 | |
I mean, I ask you. | 1:11:05 | 1:11:08 | |
SHE LAUGHS | 1:11:08 | 1:11:10 | |
I bet you do way more wrong things than I do. | 1:11:10 | 1:11:13 | |
Ah, 24/7. You know, Zara doesn't mean to be so oppressive. | 1:11:13 | 1:11:18 | |
That's like saying she doesn't mean to be such a nag. | 1:11:18 | 1:11:21 | |
It isn't. I didn't say that. | 1:11:21 | 1:11:22 | |
-No, you didn't. But she is. -She totally is. | 1:11:22 | 1:11:25 | |
Do you want to know something else about Jimmi? | 1:11:25 | 1:11:28 | |
Kind of yes, kind of no. | 1:11:28 | 1:11:30 | |
Any time I do manage a bit of "closeness" | 1:11:30 | 1:11:33 | |
I have to be careful of the sore bits. | 1:11:33 | 1:11:35 | |
THEY LAUGH | 1:11:35 | 1:11:36 | |
He's rubbed raw in places. | 1:11:36 | 1:11:38 | |
I could give you a cream for that. | 1:11:38 | 1:11:40 | |
You're a very good doctor! | 1:11:40 | 1:11:41 | |
Hey, hey, who's this? | 1:11:41 | 1:11:44 | |
-AS HESTON: -Zinc and castor oil cream should be applied in an anti-clockwise motion. | 1:11:44 | 1:11:48 | |
Any moron knows that. | 1:11:48 | 1:11:51 | |
-SHE LAUGHS -Hey, hey, who's this? | 1:11:51 | 1:11:54 | |
-AS JIMMI: -"I've told you before, stir my coffee three times clockwise, | 1:11:54 | 1:11:57 | |
"two times anti-clockwise, take the spoon out the middle" | 1:11:57 | 1:12:00 | |
-AS JIMMI: -Don't touch me there, it's far too tender! | 1:12:00 | 1:12:04 | |
THEY LAUGH | 1:12:04 | 1:12:06 | |
Has that got booze in it? | 1:12:09 | 1:12:11 | |
You're off the clock, everything's done. | 1:12:11 | 1:12:13 | |
Yeah, but is it alcoholic? | 1:12:13 | 1:12:16 | |
It isn't, but what would it matter if it was? | 1:12:16 | 1:12:18 | |
I don't think getting smashed in my potential employer's home | 1:12:18 | 1:12:22 | |
is probably my best way to go. | 1:12:22 | 1:12:23 | |
Oh, that's nice - what is it? | 1:12:23 | 1:12:27 | |
Patricia's recipe - she mixes it for designated drivers. | 1:12:27 | 1:12:29 | |
It's delish. | 1:12:29 | 1:12:32 | |
See? Glad it was heads? I'm Mr Mixologist, me. | 1:12:32 | 1:12:36 | |
And also a top-notch host. Hand cut potato-based snack product? | 1:12:36 | 1:12:40 | |
SOUTHERN AMERICAN ACCENT: Why, Drake Montana, I do believe you're flirting with me, | 1:12:40 | 1:12:44 | |
with your high class beverages and your scrumptious nibbles. | 1:12:44 | 1:12:48 | |
-SOUTHERN AMERICAN ACCENT: -Why, Miss Imogen! I am a gentleman. -Yeah, I bet you are(!) | 1:12:48 | 1:12:52 | |
Coffee? Cos I can't go home like this. | 1:12:58 | 1:13:02 | |
I'll grab my stuff - you sort the beverages, | 1:13:02 | 1:13:05 | |
then I'll call another cab. | 1:13:05 | 1:13:06 | |
OK, but you can have the first drop-off, because you have way more to be afraid of than I have! | 1:13:06 | 1:13:10 | |
-AS JIMMI: -Spoon out from the middle! | 1:13:10 | 1:13:13 | |
SHE LAUGHS | 1:13:13 | 1:13:15 | |
Cheers! | 1:13:15 | 1:13:17 | |
When you said "non-alcoholic", | 1:13:25 | 1:13:29 | |
what did you mean? | 1:13:29 | 1:13:30 | |
-Not very. -You beast! | 1:13:30 | 1:13:33 | |
I know! | 1:13:33 | 1:13:34 | |
When you said "not very" - | 1:13:34 | 1:13:38 | |
what did you mean ? | 1:13:38 | 1:13:39 | |
It's got wallop. | 1:13:39 | 1:13:41 | |
So you've been telling me porky pies! | 1:13:41 | 1:13:44 | |
Just little white lies, and who could blame me? | 1:13:44 | 1:13:47 | |
Why, though? | 1:13:47 | 1:13:49 | |
I wanted you to relax. I want you to relax, with me. | 1:13:49 | 1:13:52 | |
Erm.. | 1:14:31 | 1:14:34 | |
Would you like to tell me what the hell you think you're doing? | 1:14:34 | 1:14:39 | |
Like to tell me what you'd have got up to if I hadn't got home early? | 1:14:55 | 1:14:58 | |
-Come on, Patricia. -Zip it. Don't you "Patricia" me. | 1:14:58 | 1:15:02 | |
-We weren't expecting you. -Clearly. | 1:15:02 | 1:15:04 | |
No, we weren't, and your brother... | 1:15:04 | 1:15:06 | |
Sorry, what? "My brother"? I don't have a brother. | 1:15:06 | 1:15:09 | |
Would you like to tell Miss Hollins quite how old you are, | 1:15:12 | 1:15:16 | |
my little sweetness? | 1:15:16 | 1:15:18 | |
Mum, don't call me that! | 1:15:18 | 1:15:20 | |
You little git. The only reason I am home early is because | 1:15:20 | 1:15:22 | |
your half-soaked father told me you'd been expelled again! | 1:15:22 | 1:15:26 | |
Look, just tell her how old you are, then get upstairs, | 1:15:26 | 1:15:29 | |
brush your teeth and get to bed! | 1:15:29 | 1:15:31 | |
How old?! | 1:15:33 | 1:15:36 | |
-15. Nearly 16. -Pardon? | 1:15:36 | 1:15:38 | |
15! | 1:15:38 | 1:15:41 | |
Oh, you dirty old perv! | 1:15:41 | 1:15:43 | |
You didn't do anything illegal, did you? | 1:15:43 | 1:15:45 | |
'Only with Dad on the force, and me at the CAB...' | 1:15:45 | 1:15:49 | |
HE LAUGHS It's not funny! | 1:15:49 | 1:15:51 | |
I know I told you not to creep around her, but did you have to take it so far the other way? | 1:15:51 | 1:15:56 | |
I might have blown my chances, but it's you will struggle getting paid. | 1:15:56 | 1:15:59 | |
Oh no, I'm not. I'm not the one who screwed up here, you did. | 1:15:59 | 1:16:03 | |
I'll tell you exactly what you're going to do about it, shall I? | 1:16:03 | 1:16:06 | |
I'm truly sorry about everything that happened today. | 1:16:10 | 1:16:14 | |
But I did do all of the work and you did promise to pay. | 1:16:14 | 1:16:17 | |
Well, it's really my own fault, | 1:16:18 | 1:16:22 | |
because I failed to add to your instructions, | 1:16:22 | 1:16:24 | |
"Please don't try and seduce my son, | 1:16:24 | 1:16:26 | |
"or use my home as a knocking shop(!)" | 1:16:26 | 1:16:28 | |
I'm sorry. I didn't know that he... | 1:16:30 | 1:16:33 | |
Wait here. I'll get my cheque book. | 1:16:33 | 1:16:35 | |
My portfolio? SHE LAUGHS | 1:16:35 | 1:16:38 | |
I know I said, "Be pushy" - but you are having a laugh! | 1:16:38 | 1:16:41 | |
-I thought you'd been sent to bed. -I thought I was going to get you into bed with me. | 1:16:44 | 1:16:49 | |
Yeah, you know you want me. | 1:16:49 | 1:16:51 | |
I made a mistake today. I was unprofessional and I behaved badly. | 1:16:51 | 1:16:55 | |
But I didn't have all the information. I was hoodwinked. | 1:16:55 | 1:16:58 | |
That's one word for it! | 1:16:58 | 1:17:00 | |
I screwed up a fantastic opportunity. | 1:17:00 | 1:17:03 | |
That might mean nothing to you, but I've learnt from it. | 1:17:03 | 1:17:05 | |
Now get lost before I call Mummy. | 1:17:06 | 1:17:08 | |
Tah-dah! | 1:17:15 | 1:17:17 | |
I'm afraid that it's black on...ooh! Account that we only had | 1:17:17 | 1:17:20 | |
that goaty stuff that smells like feet. | 1:17:20 | 1:17:24 | |
HE SIGHS | 1:17:24 | 1:17:26 | |
Hey! | 1:17:27 | 1:17:29 | |
What's wrong? | 1:17:30 | 1:17:31 | |
Nothing. | 1:17:31 | 1:17:32 | |
It must be something. | 1:17:34 | 1:17:35 | |
Please don't be nice - it's worse if you're nice. | 1:17:35 | 1:17:38 | |
I want to be nice. | 1:17:40 | 1:17:41 | |
Don't cry, Daniel... | 1:17:44 | 1:17:46 | |
You can sort this out. | 1:17:48 | 1:17:49 | |
I'm fine. | 1:17:49 | 1:17:51 | |
I'm absolutely fine. | 1:17:51 | 1:17:53 | |
HE SOBS | 1:17:54 | 1:17:56 | |
Don't cry, Daniel. | 1:17:56 | 1:17:58 | |
I can't take any more. | 1:18:02 | 1:18:03 | |
Don't be sad. | 1:18:09 | 1:18:10 | |
(Cherry). | 1:18:16 | 1:18:18 | |
Don't be sad. | 1:18:21 | 1:18:22 | |
"Cultural diversity". | 1:19:07 | 1:19:08 | |
I'll go, but I can't justify it, not with my in-tray. | 1:19:08 | 1:19:11 | |
Now, tell me. Is there going to be role play? | 1:19:11 | 1:19:14 | |
I have been told I'm very good at it. | 1:19:14 | 1:19:16 | |
"I'm pregnant, Mr Wilson". | 1:19:16 | 1:19:19 | |
"This is a surprise, Jenny". | 1:19:19 | 1:19:20 | |
"For me, too. A happy one, though". | 1:19:20 | 1:19:22 | |
Watch out! | 1:19:22 | 1:19:24 | |
-Elaine, I'm so sorry! -It's OK. | 1:19:24 | 1:19:26 | |
The donkey posse's in the house! | 1:19:26 | 1:19:29 | |
Subtitles by Red Bee Media Ltd | 1:19:50 | 1:19:53 |