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-Champagne, Duchess? -Your Grace. | 0:00:25 | 0:00:29 | |
A thousand apologies, Your Grace. Champagne? | 0:00:29 | 0:00:32 | |
Young man, I hardly know you. | 0:00:32 | 0:00:33 | |
No better way to cultivate an acquaintance | 0:00:33 | 0:00:35 | |
than over a glass or two of French fizz. | 0:00:35 | 0:00:37 | |
Maybe a small one. | 0:00:37 | 0:00:39 | |
Forgive me, Your Grace. My hand slipped. | 0:00:43 | 0:00:45 | |
Still, might as well drink it now. | 0:00:45 | 0:00:48 | |
If I didn't know better, | 0:00:48 | 0:00:49 | |
I might suspect you were trying to get me drunk. | 0:00:49 | 0:00:53 | |
It'll end in tears. It always does. | 0:00:56 | 0:00:59 | |
PHONE RINGS | 0:01:02 | 0:01:05 | |
Isn't it your day off? | 0:01:09 | 0:01:10 | |
Got fed up mooching around the house. | 0:01:10 | 0:01:12 | |
-Thought I'd come in and so some paperwork. -There's dedication. | 0:01:12 | 0:01:15 | |
Is Mandy about? | 0:01:15 | 0:01:17 | |
It's her day off too. | 0:01:17 | 0:01:18 | |
She wants us go back to Michaela's. Reckons we need closure. | 0:01:18 | 0:01:22 | |
-And you don't? -What's the point? | 0:01:22 | 0:01:24 | |
It's not like it's going to bring Freya back, is it? | 0:01:24 | 0:01:27 | |
Still quiet? | 0:01:58 | 0:02:00 | |
On the contrary. | 0:02:00 | 0:02:01 | |
That reality show bimbo has had a boob job, | 0:02:01 | 0:02:04 | |
those talentless twins have brought out another record | 0:02:04 | 0:02:06 | |
and there's a woman in Tajikistan who's given birth to octuplets. | 0:02:06 | 0:02:10 | |
Fascinating. Any real patients? | 0:02:10 | 0:02:12 | |
Actually, Marjorie Page just called for you. I said you'd be here. | 0:02:12 | 0:02:15 | |
-I can see her if you like. -Sadly not possible. | 0:02:15 | 0:02:17 | |
Heston's her favourite. No substitutes allowed. | 0:02:17 | 0:02:20 | |
Lovely old dear. | 0:02:20 | 0:02:21 | |
Mid-onset Alzheimers with a very active imagination. | 0:02:21 | 0:02:24 | |
-Interesting combination. -What was it last time? | 0:02:24 | 0:02:27 | |
Alien abduction. | 0:02:27 | 0:02:28 | |
Whisked her off to a distant planet? | 0:02:28 | 0:02:30 | |
Coventry. Friend there, apparently. | 0:02:30 | 0:02:32 | |
The alien joined them for a cup of tea then drove her home. | 0:02:32 | 0:02:35 | |
Like a kind of taxi-driving alien? | 0:02:35 | 0:02:38 | |
Precisely. I'd better put the kettle on. | 0:02:38 | 0:02:41 | |
Good idea. Camomile and mint, please. | 0:02:41 | 0:02:43 | |
For Marjorie. | 0:02:43 | 0:02:45 | |
KNOCK ON DOOR | 0:02:47 | 0:02:49 | |
I've been trying to call you. | 0:02:49 | 0:02:51 | |
Yeah, my phone's been playing up. | 0:02:52 | 0:02:54 | |
I'm not sure it's a good idea. | 0:02:56 | 0:02:59 | |
Why not? | 0:02:59 | 0:03:01 | |
-It's too soon. -It's time. | 0:03:01 | 0:03:04 | |
Who do you think you are, getting in my face all the time? | 0:03:04 | 0:03:07 | |
"You've got to go back. Time to confront your fears." | 0:03:07 | 0:03:10 | |
Look, I just don't think it's the right time just now. | 0:03:13 | 0:03:17 | |
Maybe later. | 0:03:18 | 0:03:20 | |
And what if it doesn't feel right then? | 0:03:21 | 0:03:23 | |
What are you going to do, pull another sickie? | 0:03:25 | 0:03:28 | |
Do you make tea for all your patients? | 0:03:29 | 0:03:32 | |
Only the special ones. | 0:03:32 | 0:03:34 | |
SHE LAUGHS | 0:03:34 | 0:03:35 | |
Mm! You make a lovely cup of tea. Almost as good as Delia's. | 0:03:35 | 0:03:39 | |
She hasn't made me one for a while. | 0:03:40 | 0:03:43 | |
Why's that, do you think? | 0:03:43 | 0:03:44 | |
She died, Marjorie. | 0:03:44 | 0:03:46 | |
Of course she did. No need to tell me that. | 0:03:46 | 0:03:49 | |
When did it happen, exactly? | 0:03:50 | 0:03:52 | |
Just over a year ago. | 0:03:52 | 0:03:54 | |
I don't know, head just a bit troublesome up there sometimes. | 0:03:55 | 0:03:59 | |
Do you have any biscuits? | 0:03:59 | 0:04:00 | |
Now, I had a call from the Social Services. | 0:04:06 | 0:04:10 | |
I'm so sorry. Is there anything I can do? | 0:04:10 | 0:04:13 | |
Well, they sent somebody to see you. | 0:04:13 | 0:04:17 | |
I must have been out. | 0:04:17 | 0:04:19 | |
They could hear the TV. | 0:04:19 | 0:04:21 | |
I was probably watching one of my films. | 0:04:21 | 0:04:24 | |
I don't always hear the bell. | 0:04:24 | 0:04:25 | |
And they've been writing to you. | 0:04:25 | 0:04:27 | |
Letters? I don't think so. I would have remembered. | 0:04:27 | 0:04:31 | |
We have to make sure you can manage. | 0:04:31 | 0:04:33 | |
Of course I can. | 0:04:33 | 0:04:36 | |
I have my films. My visitors. | 0:04:36 | 0:04:38 | |
Do you have many callers? | 0:04:38 | 0:04:40 | |
Delia doesn't encourage it. She's always liked to keep apart. | 0:04:40 | 0:04:45 | |
But she's not there anymore, is she? | 0:04:45 | 0:04:47 | |
That's why I can have visitors now. | 0:04:47 | 0:04:50 | |
Last time you came, you said you'd seen an alien. | 0:04:50 | 0:04:54 | |
Did I? | 0:04:54 | 0:04:56 | |
Yes, and he took you to Coventry. | 0:04:56 | 0:04:58 | |
Coventry? | 0:04:59 | 0:05:00 | |
Why on earth would anyone in their right mind want to go to Coventry? | 0:05:02 | 0:05:07 | |
SHE LAUGHS | 0:05:07 | 0:05:08 | |
-Oh, I did have a very special visitor. -Yes? | 0:05:08 | 0:05:11 | |
I have found myself a secret millionaire! | 0:05:11 | 0:05:16 | |
Look, I know it's not easy. For either of us. | 0:05:19 | 0:05:24 | |
You seem to be coping well. | 0:05:24 | 0:05:26 | |
You should see me at 3 o'clock in the morning. | 0:05:27 | 0:05:30 | |
You're not the only one with things going on in their head, you know. | 0:05:30 | 0:05:33 | |
Yeah, I know, at least I'm looking for answers. | 0:05:33 | 0:05:35 | |
For what? Answers to what? | 0:05:35 | 0:05:37 | |
Why did you not go and work that day? | 0:05:37 | 0:05:39 | |
Because I bottled it. | 0:05:39 | 0:05:41 | |
Why did Michaela take the batteries out the smoke alarm? | 0:05:41 | 0:05:43 | |
It runs out, you don't get round to replacing it. | 0:05:43 | 0:05:46 | |
Or you burn some toast and the alarm keeps beeping at you, | 0:05:46 | 0:05:49 | |
so you take the batteries out, | 0:05:49 | 0:05:50 | |
because you never know it's going to happen to you, do you? | 0:05:50 | 0:05:54 | |
Why did she have to die? | 0:05:54 | 0:05:57 | |
(I don't know.) | 0:05:57 | 0:05:59 | |
Come with me. Please. | 0:06:02 | 0:06:06 | |
Are you going to keep banging me over the head with this until I say yes? | 0:06:06 | 0:06:10 | |
Yep. | 0:06:10 | 0:06:11 | |
He's younger than I am. Well spoken, like you. | 0:06:14 | 0:06:18 | |
-I like that in a man. -How did you meet him? | 0:06:18 | 0:06:20 | |
He came to the house. He brought me champagne. | 0:06:20 | 0:06:25 | |
-Do you know what he said? -What? | 0:06:25 | 0:06:27 | |
"There's no better way of cultivating an acquaintance | 0:06:27 | 0:06:32 | |
"than over a glass or two of French fizz." | 0:06:32 | 0:06:35 | |
Isn't that romantic? | 0:06:35 | 0:06:36 | |
SHE GASPS AND STUTTERS | 0:06:38 | 0:06:40 | |
What is it Marjorie? | 0:06:40 | 0:06:42 | |
I'm not sure. I forget things. | 0:06:42 | 0:06:45 | |
That's why you come and see me, for your dementia. | 0:06:45 | 0:06:48 | |
Yes. Yes. | 0:06:48 | 0:06:50 | |
I'm not going to leave my house. | 0:06:52 | 0:06:54 | |
Nobody wants you to. | 0:06:54 | 0:06:55 | |
Just have someone popping over every now and then to make sure you're OK. | 0:06:55 | 0:06:59 | |
I don't need anyone now. I have my millionaire. | 0:06:59 | 0:07:02 | |
What's his name? | 0:07:03 | 0:07:04 | |
Douglas Lincoln. | 0:07:04 | 0:07:06 | |
Oh... | 0:07:06 | 0:07:07 | |
What? | 0:07:07 | 0:07:09 | |
Turns out he's not what he seems. | 0:07:09 | 0:07:12 | |
He plied me with champagne and brought me flowers | 0:07:12 | 0:07:16 | |
and then I found him rifling through my handbag. | 0:07:16 | 0:07:20 | |
Oh, Dr Carter, I've done a terrible thing. | 0:07:20 | 0:07:23 | |
It's all right Marjorie. | 0:07:23 | 0:07:24 | |
But it isn't. It really isn't. | 0:07:24 | 0:07:27 | |
I thought of going to the police, but I knew they'd lock me away. | 0:07:27 | 0:07:30 | |
No one's going to lock you away for reporting a burglary? | 0:07:30 | 0:07:33 | |
Burglary? I'm talking about murder! | 0:07:33 | 0:07:36 | |
Right, you've lost me now. Who killed who exactly? | 0:07:38 | 0:07:42 | |
Nobody killed anybody. What gave you that idea? | 0:07:42 | 0:07:46 | |
So there's no murder? | 0:07:46 | 0:07:47 | |
Of course not. What do you take me for? | 0:07:47 | 0:07:50 | |
SHE GIGGLES | 0:07:50 | 0:07:51 | |
There's no severed leg in the freezer either. | 0:07:51 | 0:07:55 | |
Of course there isn't. | 0:07:55 | 0:07:56 | |
Good. I'm glad we've cleared that up. | 0:07:56 | 0:07:59 | |
Perhaps I should come and have a look around. | 0:07:59 | 0:08:02 | |
What for? | 0:08:02 | 0:08:03 | |
Severed legs, perhaps. | 0:08:03 | 0:08:05 | |
Are you sure you're quite right in the head Dr Carter? | 0:08:06 | 0:08:10 | |
I must be getting back. | 0:08:10 | 0:08:12 | |
Delia will be wondering where I am. | 0:08:12 | 0:08:14 | |
Let me give you a lift? | 0:08:14 | 0:08:15 | |
But what about your other patients? | 0:08:15 | 0:08:17 | |
I'm sure Dr Cassidy can cope. | 0:08:17 | 0:08:19 | |
That's really very kind of you. | 0:08:19 | 0:08:21 | |
No, this isn't a trick, is it? To get me out of my home? | 0:08:21 | 0:08:24 | |
I want to make sure you can manage. | 0:08:24 | 0:08:26 | |
Of course I can. I'm not mad, you know! | 0:08:26 | 0:08:30 | |
Yes, Mrs Jenkins, I have booked you in for this evening. | 0:08:30 | 0:08:34 | |
Goodbye. | 0:08:34 | 0:08:37 | |
-Dr Tyler. You are indeed a sight for sore eyes. -What's up? | 0:08:37 | 0:08:40 | |
Dr Carmichael has had to go to St Philomena's with one of her patients. | 0:08:40 | 0:08:43 | |
I need someone to cover. | 0:08:43 | 0:08:45 | |
-It's his day off. -I'm here now. | 0:08:45 | 0:08:47 | |
It will only be for a few hours. | 0:08:47 | 0:08:49 | |
Sure thing. | 0:08:49 | 0:08:50 | |
I could hardly say no, could I? | 0:08:53 | 0:08:56 | |
And when clinic's finished? | 0:08:56 | 0:08:57 | |
Yeah, OK. | 0:08:57 | 0:08:59 | |
I'll come back and pick you up. | 0:08:59 | 0:09:01 | |
You must excuse the mess. | 0:09:02 | 0:09:05 | |
Looks fairly tidy to me. | 0:09:05 | 0:09:07 | |
I have very high standards. She was the same. | 0:09:07 | 0:09:09 | |
Delia? | 0:09:09 | 0:09:11 | |
My dear, dear sister. | 0:09:11 | 0:09:13 | |
She died. | 0:09:14 | 0:09:16 | |
Just over a year ago. | 0:09:16 | 0:09:18 | |
You couldn't remember that earlier. | 0:09:18 | 0:09:19 | |
That's because sometimes I choose not to remember. It seems easier. | 0:09:21 | 0:09:27 | |
Your letters from the Social Services. | 0:09:27 | 0:09:30 | |
Is that something you also choose not to remember? | 0:09:30 | 0:09:33 | |
I'm afraid you know me all too well, Dr Carter. | 0:09:33 | 0:09:35 | |
-Would you like a cup of tea? -No, thanks. | 0:09:35 | 0:09:37 | |
I hope you don't mind if I do. | 0:09:37 | 0:09:39 | |
And I must get my dinner out of the freezer. | 0:09:39 | 0:09:42 | |
Would you like a hand? | 0:09:42 | 0:09:43 | |
I'm having Lancashire hot pot. | 0:09:45 | 0:09:47 | |
I make a big one, then I divide it into individual portions. | 0:09:47 | 0:09:51 | |
Means nothing goes to waste. | 0:09:51 | 0:09:53 | |
Very organised. | 0:09:53 | 0:09:55 | |
You won't find it in there. | 0:09:56 | 0:09:58 | |
-Find what? -The leg. | 0:09:58 | 0:10:00 | |
I thought it was a rather obvious place so I took it out | 0:10:00 | 0:10:03 | |
and buried it in the garden. | 0:10:03 | 0:10:05 | |
SHE LAUGHS | 0:10:06 | 0:10:07 | |
The look on your face! | 0:10:07 | 0:10:09 | |
SHE CONTINUES LAUGHING | 0:10:09 | 0:10:11 | |
Marjorie! You are a rogue. | 0:10:16 | 0:10:19 | |
I'm not as green as I'm cabbage looking. | 0:10:19 | 0:10:22 | |
That's what Delia used to say. | 0:10:22 | 0:10:25 | |
The Bespectacled Bounder. | 0:10:25 | 0:10:27 | |
It's about a handsome young man who pretends to be a millionaire | 0:10:27 | 0:10:33 | |
to woo a Duchess. | 0:10:33 | 0:10:34 | |
She's smitten at first, then it turns out he's a fraudster. | 0:10:34 | 0:10:38 | |
Only after her for her money. | 0:10:38 | 0:10:40 | |
He gets his comeuppance in the end though. | 0:10:42 | 0:10:44 | |
Sounds familiar. | 0:10:44 | 0:10:46 | |
It was Delia's favourite. | 0:10:46 | 0:10:49 | |
We used to spend many a happy hour sitting together watching our films. | 0:10:49 | 0:10:53 | |
Oh, Dr Carter, I do miss her so. | 0:10:54 | 0:10:58 | |
I know you do. | 0:10:58 | 0:11:00 | |
SHE SOBS | 0:11:00 | 0:11:01 | |
I know I forget things, and not always by choice, | 0:11:01 | 0:11:05 | |
but this is my world. I'm happy here. | 0:11:05 | 0:11:08 | |
I know how everything works. Please don't make me go away. | 0:11:08 | 0:11:12 | |
Nobody wants to make you do anything. | 0:11:12 | 0:11:14 | |
But I want the social workers to come and see if they can help you. | 0:11:14 | 0:11:17 | |
I don't need any help. | 0:11:17 | 0:11:18 | |
I know what this house means | 0:11:18 | 0:11:20 | |
and it probably IS the best place for you. | 0:11:20 | 0:11:23 | |
There you are then! | 0:11:23 | 0:11:24 | |
But I'd like you to meet me halfway. | 0:11:24 | 0:11:26 | |
-Talk to a social worker? -Indeed. | 0:11:28 | 0:11:30 | |
Very well. | 0:11:30 | 0:11:32 | |
I'll give them a ring and see if they can pop over. | 0:11:32 | 0:11:34 | |
Will you come too? | 0:11:35 | 0:11:36 | |
If you promise not to pretend you're watching TV and ignore us. | 0:11:36 | 0:11:40 | |
If I do, there's a key under a flowerpot by the front door. | 0:11:40 | 0:11:45 | |
We'll find a safer place for that too. | 0:11:45 | 0:11:48 | |
My dear Dr Carter, | 0:11:48 | 0:11:49 | |
as long as you're around, I'll always feel safe. | 0:11:49 | 0:11:53 | |
Thank you again, Dr Tyler. | 0:12:02 | 0:12:03 | |
You're welcome. Is Mandy about? | 0:12:03 | 0:12:05 | |
I have not seen her, no. | 0:12:05 | 0:12:07 | |
I trust you have something nice planned for this evening? | 0:12:07 | 0:12:11 | |
Thought I'd catch a movie. | 0:12:11 | 0:12:12 | |
On your own? | 0:12:12 | 0:12:13 | |
Sometimes, being on your own's the best company you can have. | 0:12:13 | 0:12:17 | |
If you see Mandy, tell her I'll call her. | 0:12:18 | 0:12:21 | |
-Ready? -Yeah. I was just about to call you. | 0:12:21 | 0:12:23 | |
Great. | 0:12:23 | 0:12:25 | |
-Let's go. -Sure. | 0:12:25 | 0:12:28 | |
Yeah, yeah. OK. | 0:12:34 | 0:12:36 | |
I'll see you later. Right, 3 o'clock. | 0:12:36 | 0:12:39 | |
Any more aliens? | 0:12:39 | 0:12:40 | |
No. But she did confess to a murder. | 0:12:40 | 0:12:43 | |
A millionaire no less, Douglas Lincoln. | 0:12:43 | 0:12:45 | |
That name rings a bell. | 0:12:45 | 0:12:46 | |
A character in one of her films, The Bespectacled Bounder. | 0:12:46 | 0:12:49 | |
Never heard of it. | 0:12:49 | 0:12:51 | |
I'm going to see her later, with a social worker. | 0:12:51 | 0:12:53 | |
-Can you get her number? I better give her a ring. -Yeah. | 0:12:53 | 0:12:57 | |
Douglas Lincoln? | 0:12:59 | 0:13:01 | |
DULL THUD | 0:13:01 | 0:13:04 | |
Delia? | 0:13:04 | 0:13:06 | |
Delia? Is that you? | 0:13:08 | 0:13:10 | |
DOOR SLAMS SHUT | 0:13:21 | 0:13:22 | |
Oh! | 0:13:22 | 0:13:24 | |
Oh! | 0:13:24 | 0:13:26 | |
SHE CRIES HYSTERICALLY | 0:13:26 | 0:13:28 | |
What ho, old thing. | 0:13:35 | 0:13:37 | |
Champagne? | 0:13:37 | 0:13:38 | |
No better way to cultivate an acquaintance | 0:13:38 | 0:13:40 | |
than over a glass or two of French fizz. | 0:13:40 | 0:13:43 | |
SHE SOBS | 0:13:43 | 0:13:45 | |
PHONE RINGS | 0:13:50 | 0:13:53 | |
Delia? Is that you Delia? | 0:13:55 | 0:13:58 | |
'Marjorie? It's Dr Carter. Are you all right? | 0:13:58 | 0:14:00 | |
Oh, Dr Carter. Thank heavens. | 0:14:00 | 0:14:04 | |
Please help me! | 0:14:04 | 0:14:06 | |
Please, please help me! | 0:14:06 | 0:14:11 | |
-Are you OK? -Can we go now? | 0:14:17 | 0:14:19 | |
No. We've only just got here. | 0:14:19 | 0:14:21 | |
Look, I said I'd come, and I have. | 0:14:21 | 0:14:23 | |
Kevin, let's just go inside. | 0:14:25 | 0:14:27 | |
It's all locked up. | 0:14:27 | 0:14:29 | |
I went to the agent. | 0:14:34 | 0:14:35 | |
Told them I was Michaela's sister, | 0:14:35 | 0:14:38 | |
and I needed to get a few bits she'd left inside. | 0:14:38 | 0:14:40 | |
I said I'd come. Surely that's enough? | 0:14:40 | 0:14:43 | |
Come on, if you walked away now, could you just draw a line under it? | 0:14:43 | 0:14:48 | |
You coming? | 0:14:51 | 0:14:53 | |
SHE SOBS VIOLENTLY | 0:15:05 | 0:15:08 | |
Marjorie? | 0:15:10 | 0:15:11 | |
It's all right, Marjorie. It's all right. | 0:15:12 | 0:15:14 | |
Can you tell me what happened? | 0:15:14 | 0:15:17 | |
I can't remember. | 0:15:17 | 0:15:20 | |
I can't remember. | 0:15:20 | 0:15:23 | |
EXPLOSION | 0:15:38 | 0:15:39 | |
FREYA SHOUTS | 0:15:39 | 0:15:41 | |
SHE COUGHS | 0:15:41 | 0:15:42 | |
Where's the bedroom? | 0:16:00 | 0:16:01 | |
This way. | 0:16:02 | 0:16:04 | |
You've got a temperature. | 0:16:18 | 0:16:21 | |
-No, I haven't. -They don't know that. | 0:16:21 | 0:16:23 | |
No, I couldn't. | 0:16:23 | 0:16:25 | |
What do you want to do? | 0:16:25 | 0:16:26 | |
Have a mare of a day at work | 0:16:26 | 0:16:27 | |
or spend the rest of the morning in bed with me? | 0:16:27 | 0:16:29 | |
Kevin! | 0:16:34 | 0:16:35 | |
COUGHING | 0:16:35 | 0:16:36 | |
Where are you? | 0:16:36 | 0:16:38 | |
Kevin! | 0:16:39 | 0:16:41 | |
My friend's in there. | 0:16:41 | 0:16:43 | |
So what happened? | 0:16:55 | 0:16:56 | |
I don't know. | 0:16:56 | 0:16:59 | |
Was somebody here? | 0:16:59 | 0:17:00 | |
I don't think so. | 0:17:00 | 0:17:01 | |
The wind might have blown the door shut. | 0:17:02 | 0:17:05 | |
This can't go on, can it? | 0:17:07 | 0:17:09 | |
What can't? | 0:17:09 | 0:17:11 | |
I'll phone the Social Services, they'll have a chat. | 0:17:11 | 0:17:13 | |
and we'll work out what's best. | 0:17:13 | 0:17:15 | |
I'm not going in a home. | 0:17:15 | 0:17:16 | |
Let's see what the experts say. | 0:17:16 | 0:17:20 | |
Agreed? | 0:17:20 | 0:17:21 | |
Right. I'll phone them now, you wait here. | 0:17:23 | 0:17:26 | |
-Can I put the television on? -Of course. | 0:17:26 | 0:17:29 | |
You were lucky to get out of here alive. | 0:17:51 | 0:17:54 | |
If I'd got out of bed and gone into work and confronted her, | 0:17:55 | 0:18:00 | |
she'd be alive too. | 0:18:00 | 0:18:01 | |
Tell me what you remember. | 0:18:04 | 0:18:06 | |
Not much, really. | 0:18:12 | 0:18:14 | |
I was going to go in. | 0:18:15 | 0:18:17 | |
I just wanted the day over and done with. | 0:18:17 | 0:18:20 | |
I was going to tell her exactly what I thought of her. | 0:18:20 | 0:18:23 | |
What stopped you? Michaela? | 0:18:24 | 0:18:27 | |
She's the one who suggested the sickie, | 0:18:27 | 0:18:30 | |
but I'm the one who went for it. | 0:18:30 | 0:18:32 | |
Then what? | 0:18:32 | 0:18:35 | |
We'd had a wild night. I was tired. | 0:18:36 | 0:18:40 | |
She went off to run a bath, I drifted off. | 0:18:40 | 0:18:43 | |
When I woke up the room was full of smoke. | 0:18:47 | 0:18:49 | |
I tried to get out but I couldn't. | 0:18:49 | 0:18:53 | |
Then I woke up in hospital. | 0:18:53 | 0:18:55 | |
Do you remember Freya coming in? | 0:18:59 | 0:19:02 | |
Not until just now. | 0:19:08 | 0:19:10 | |
The firemen? | 0:19:12 | 0:19:13 | |
Being put in the ambulance? | 0:19:16 | 0:19:18 | |
No. None of that. | 0:19:18 | 0:19:20 | |
One minute I was in bed, | 0:19:22 | 0:19:24 | |
the next I was in hospital. | 0:19:24 | 0:19:27 | |
She was there though. | 0:19:30 | 0:19:31 | |
Come on, people. | 0:19:31 | 0:19:34 | |
She held my hand. | 0:19:34 | 0:19:36 | |
Then when I woke up again, she was... | 0:19:38 | 0:19:41 | |
HE SOBS | 0:19:45 | 0:19:47 | |
'This is Heston Carter. Please leave a message and I'll call you back.' | 0:20:02 | 0:20:06 | |
Heston, it's Karen. You know that name I knew from somewhere... | 0:20:06 | 0:20:11 | |
I don't know how I got out of the bedroom. | 0:20:11 | 0:20:13 | |
She took Michaela out then she came back for you. | 0:20:15 | 0:20:18 | |
She was brave enough coming in the first time, never mind the second. | 0:20:20 | 0:20:23 | |
And reckless. | 0:20:24 | 0:20:27 | |
It was because of me. If it had been somebody else... | 0:20:29 | 0:20:32 | |
She still would have come back. | 0:20:32 | 0:20:34 | |
Yeah. | 0:20:34 | 0:20:36 | |
Because that's who she was. | 0:20:36 | 0:20:39 | |
Do you know what, Kevin? | 0:20:40 | 0:20:43 | |
Coming back here... | 0:20:43 | 0:20:46 | |
Seeing all this... | 0:20:47 | 0:20:49 | |
It's made me realise. | 0:20:50 | 0:20:52 | |
There's nothing you could have done about it. | 0:20:54 | 0:20:57 | |
Apart from not being here in the first place. | 0:20:57 | 0:21:01 | |
But you were. | 0:21:01 | 0:21:02 | |
Bad stuff happens, | 0:21:04 | 0:21:07 | |
and we don't know why, it just does. | 0:21:07 | 0:21:11 | |
You were here. | 0:21:12 | 0:21:14 | |
Freya came. | 0:21:15 | 0:21:17 | |
She died. | 0:21:19 | 0:21:20 | |
You didn't. | 0:21:23 | 0:21:24 | |
But it's not your fault. | 0:21:26 | 0:21:28 | |
'No better way to cultivate an acquaintance | 0:21:42 | 0:21:44 | |
'than over a glass or two of French fizz.' | 0:21:44 | 0:21:46 | |
'Maybe a small one.' | 0:21:46 | 0:21:49 | |
'Forgive me, Your Grace. My hand slipped. | 0:21:51 | 0:21:54 | |
'Still, might as well drink it now.' | 0:21:54 | 0:21:57 | |
'f I didn't know better, | 0:21:57 | 0:21:59 | |
' might suspect you were trying to get me drunk.' | 0:21:59 | 0:22:01 | |
'That was the intention... | 0:22:01 | 0:22:04 | |
'until SHE killed me.' | 0:22:04 | 0:22:05 | |
I didn't! | 0:22:05 | 0:22:07 | |
'Of course you did. Caught me red handed, going through your handbag.' | 0:22:07 | 0:22:10 | |
You had it coming. | 0:22:10 | 0:22:12 | |
'You pack a hefty whack with that poker, I have to say. | 0:22:12 | 0:22:15 | |
'Wouldn't think so to look at you.' | 0:22:15 | 0:22:17 | |
-'She played a lot of tennis when we were younger.' -Delia? | 0:22:17 | 0:22:20 | |
'We were women's county doubles champions. | 0:22:20 | 0:22:22 | |
'I carried her, though. Always did.' | 0:22:22 | 0:22:24 | |
That's not true. | 0:22:24 | 0:22:26 | |
'Isn't it? | 0:22:26 | 0:22:28 | |
'Face it, my dear, you don't know what's true any more, do you?' | 0:22:28 | 0:22:31 | |
I do! | 0:22:31 | 0:22:32 | |
'I always knew you'd fall to pieces without me here to look after you. | 0:22:32 | 0:22:35 | |
'And now you're going to let them come in and take our house.' | 0:22:35 | 0:22:38 | |
Dr Carter won't let that happen. | 0:22:38 | 0:22:40 | |
'You'll be in the old folk's home by the end of the week | 0:22:40 | 0:22:43 | |
'with all the other mad old biddies.' | 0:22:43 | 0:22:45 | |
No! | 0:22:45 | 0:22:46 | |
'Or worse. When they find out what you did to me. | 0:22:46 | 0:22:49 | |
'Prison. They'll throw away the key.' | 0:22:49 | 0:22:52 | |
Delia. Help me. | 0:22:52 | 0:22:54 | |
'I can't help you now. I'm like you. | 0:22:54 | 0:22:57 | |
'All over the place.' | 0:22:58 | 0:22:59 | |
Oh, Delia! | 0:22:59 | 0:23:01 | |
'She's gone, Marjorie. Looks like you're on your own now.' | 0:23:01 | 0:23:05 | |
As soon as you can. Thank you. | 0:23:08 | 0:23:11 | |
'Uh-oh. Looks like he's on to you.' | 0:23:24 | 0:23:28 | |
How does he know where to look? | 0:23:30 | 0:23:31 | |
'You told him! Remember?' | 0:23:31 | 0:23:33 | |
Go away! | 0:23:33 | 0:23:35 | |
Peek-a-boo. | 0:23:37 | 0:23:38 | |
SHE GASPS | 0:23:38 | 0:23:40 | |
Don't be so silly. I'm not in there anymore. | 0:23:40 | 0:23:42 | |
You're not real. Go away! | 0:23:42 | 0:23:44 | |
Of course I'm not real. I'm dead. | 0:23:44 | 0:23:46 | |
You killed me. And now the nice doctor's going to lock you away, | 0:23:46 | 0:23:50 | |
like the crazy old woman you are. | 0:23:50 | 0:23:52 | |
Unless YOU do something about it. | 0:23:52 | 0:23:56 | |
-I couldn't. -Why not? You've killed once. You can do it again. | 0:23:56 | 0:24:00 | |
He's my favourite doctor. He's never done me any harm. | 0:24:00 | 0:24:03 | |
Pilfering your purse is hardly a capital offence. | 0:24:03 | 0:24:05 | |
Didn't stop you giving me a whack, did it? | 0:24:05 | 0:24:07 | |
I'll leave you with that thought. Toodle-oo. | 0:24:07 | 0:24:11 | |
PHONE RINGS | 0:24:27 | 0:24:29 | |
'Heston, it's Karen. | 0:24:34 | 0:24:36 | |
'You know that name I knew from somewhere, Douglas Lincoln? | 0:24:36 | 0:24:40 | |
'He may well be in that film you mentioned, | 0:24:40 | 0:24:42 | |
'but somebody with that name has gone missing. | 0:24:42 | 0:24:44 | |
'It's in the Gazette. | 0:24:44 | 0:24:46 | |
'He was staying at his mum's, but she hasn't seen him for a week. | 0:24:46 | 0:24:51 | |
'Not like him at all, apparently, and she's really worried. | 0:24:51 | 0:24:55 | |
'You don't suppose it's got something to do with Marjorie Page, do you?' | 0:24:55 | 0:24:58 | |
I'm afraid it's got everything to do with me, Dr Carter. | 0:24:58 | 0:25:01 | |
Marjorie? You don't have to do this, do you? | 0:25:01 | 0:25:03 | |
Who is your favourite doctor? | 0:25:03 | 0:25:06 | |
You are. | 0:25:06 | 0:25:07 | |
You're safe with me, remember? | 0:25:07 | 0:25:11 | |
You were right all along, Dr Carter. | 0:25:21 | 0:25:23 | |
I think you'd better lock me away. | 0:25:25 | 0:25:28 | |
I bet she didn't have a second thought going in there, you know. | 0:25:34 | 0:25:38 | |
Either time. | 0:25:38 | 0:25:39 | |
Fancy a drink? | 0:25:39 | 0:25:42 | |
No. Fancy several. | 0:25:42 | 0:25:45 | |
Need to drop these off first though. | 0:25:45 | 0:25:48 | |
Come on then. My shout. | 0:25:48 | 0:25:50 | |
So she really HAD killed him? | 0:25:57 | 0:25:59 | |
Yeah, looks like it. | 0:25:59 | 0:26:00 | |
Dougie Lincoln. Well known to the police, apparently. | 0:26:00 | 0:26:03 | |
Just out of prison, three years for mugging a pensioner. | 0:26:03 | 0:26:06 | |
Maybe some justice was done after all. | 0:26:06 | 0:26:09 | |
Tell that to his mum. Or Marjorie. | 0:26:09 | 0:26:11 | |
What's going to happen to her? | 0:26:11 | 0:26:13 | |
Sectioned, under the Mental Health Act. Then, who knows? It's very sad. | 0:26:13 | 0:26:18 | |
You all right? | 0:26:21 | 0:26:23 | |
Yeah, I'm OK. How was your day? | 0:26:23 | 0:26:25 | |
Yeah, it was good. | 0:26:27 | 0:26:28 | |
We went back to the house, Michaela's house. | 0:26:28 | 0:26:32 | |
Lay any ghosts to rest? | 0:26:33 | 0:26:34 | |
Yeah. I think we did. | 0:26:34 | 0:26:37 | |
I don't believe in ghosts. They're all up in here. | 0:26:37 | 0:26:41 | |
Do you think a little bit of Freya is still there? | 0:26:41 | 0:26:45 | |
You know, back at the house? | 0:26:45 | 0:26:47 | |
Who knows? To Freya. | 0:26:49 | 0:26:52 | |
ALL: To Freya. | 0:26:52 | 0:26:54 | |
Do you even know who Patricia Montana is? | 0:27:01 | 0:27:03 | |
I like you, Imogen Hollins, I'll look at your portfolio tomorrow. | 0:27:03 | 0:27:07 | |
She asked for Heston. Get Heston. | 0:27:07 | 0:27:08 | |
Who are you? | 0:27:09 | 0:27:11 | |
That is Patricia's brother. You have no idea how fabulous this is. | 0:27:11 | 0:27:15 | |
Heads I win, tails you get to play the martyr | 0:27:15 | 0:27:17 | |
and we'll both be miserable for the rest of the day. | 0:27:17 | 0:27:20 | |
It is officially Merlot o'clock! | 0:27:20 | 0:27:22 | |
Subtitles by Red Bee Media Ltd | 0:27:32 | 0:27:35 |