Browse content similar to The Frighteners. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
BABY CRIES | 0:00:28 | 0:00:30 | |
Are you just going to let him keep crying? | 0:00:35 | 0:00:38 | |
Sorry, I thought you were... | 0:00:38 | 0:00:40 | |
Clearly. | 0:00:40 | 0:00:42 | |
BABY COUGHS | 0:00:43 | 0:00:45 | |
OK. | 0:00:47 | 0:00:49 | |
All right. Shhh. | 0:00:49 | 0:00:50 | |
Do you want some breakfast? | 0:00:50 | 0:00:52 | |
No, I'll pick up something later. | 0:00:53 | 0:00:55 | |
OK, OK. | 0:00:56 | 0:00:59 | |
Hello? This is your stop. | 0:01:06 | 0:01:08 | |
Anyway, good luck with the cooking competition this afternoon. | 0:01:10 | 0:01:14 | |
I'm not working this afternoon, I've got the competition. | 0:01:14 | 0:01:17 | |
-Don't you ever listen? -Oh, sorry. | 0:01:17 | 0:01:19 | |
How could I be so insensitive? | 0:01:19 | 0:01:21 | |
Whenever you're ready, Karen! | 0:01:22 | 0:01:24 | |
Oh! | 0:01:26 | 0:01:27 | |
What are you doing for lunch today? | 0:01:29 | 0:01:31 | |
Do you want to go somewhere? | 0:01:31 | 0:01:33 | |
No, I'm far too busy. | 0:01:33 | 0:01:34 | |
I just thought you might want to have lunch with Jimmi, or Kevin, | 0:01:34 | 0:01:37 | |
or...Cherry. | 0:01:37 | 0:01:39 | |
Cherry? | 0:01:39 | 0:01:40 | |
Isn't she your new best friend | 0:01:40 | 0:01:42 | |
after you had lunch together last week? | 0:01:42 | 0:01:44 | |
We had a quick bite. | 0:01:44 | 0:01:46 | |
After Heston gave you the afternoon off? | 0:01:46 | 0:01:48 | |
She needed to meet a friend. So did I. | 0:01:48 | 0:01:50 | |
How is Andy? | 0:01:51 | 0:01:53 | |
Yeah, he's fine. | 0:01:53 | 0:01:54 | |
And his wife, | 0:01:54 | 0:01:56 | |
what was her name? | 0:01:56 | 0:01:58 | |
Caroline. | 0:01:58 | 0:02:00 | |
We should have them over. | 0:02:02 | 0:02:04 | |
Actually, we had a bit of a falling out. | 0:02:04 | 0:02:07 | |
Nothing serious? | 0:02:08 | 0:02:10 | |
Oh, er... | 0:02:10 | 0:02:12 | |
You know what blokes are like. | 0:02:13 | 0:02:15 | |
It started off with football, moved onto politics | 0:02:15 | 0:02:18 | |
and before you know it, we're insulting each other's mothers. | 0:02:18 | 0:02:21 | |
Think we should probably steer clear for a while. | 0:02:21 | 0:02:23 | |
That's a shame. | 0:02:23 | 0:02:24 | |
Yeah. | 0:02:24 | 0:02:25 | |
You know what, this one needs a change, I reckon. | 0:02:25 | 0:02:28 | |
Come on, then. | 0:02:28 | 0:02:29 | |
We are the gatekeepers of Coulterdale Manor, | 0:02:36 | 0:02:39 | |
and we can tell you some tales... | 0:02:39 | 0:02:42 | |
On an ancient burial ground was it built. | 0:02:42 | 0:02:45 | |
The first Lord of Coulterdale was kicked to death by his own horses. | 0:02:45 | 0:02:48 | |
The cursed house was left to his sons, | 0:02:48 | 0:02:51 | |
who fought like cat and dog. | 0:02:51 | 0:02:52 | |
One beat his brother and buried him alive, | 0:02:52 | 0:02:55 | |
right under your feet. | 0:02:55 | 0:02:57 | |
RECORDED CLANKING | 0:02:57 | 0:02:58 | |
But no-one escapes the curse of Coulterdale. | 0:02:58 | 0:03:01 | |
The buried lad had already poisoned his brother's wine cellar, | 0:03:01 | 0:03:04 | |
and the greedy sibling died in apathy. | 0:03:04 | 0:03:07 | |
Agony. | 0:03:07 | 0:03:08 | |
What did I say? | 0:03:09 | 0:03:11 | |
That is your final warning. | 0:03:12 | 0:03:15 | |
-Thanks, Denver. -I don't know why you're bothered. | 0:03:19 | 0:03:21 | |
-Couple of weeks and we're gone. -I told you, I'm not coming. | 0:03:21 | 0:03:23 | |
I didn't think you were serious. | 0:03:23 | 0:03:25 | |
What's the point of following you to university | 0:03:25 | 0:03:27 | |
-if I didn't get the grades? -It's Manchester. | 0:03:27 | 0:03:29 | |
I'll go to lectures, you get a job. Then at night we hit the clubs. | 0:03:29 | 0:03:32 | |
I've already told Glory I'm staying. | 0:03:32 | 0:03:34 | |
Sean. This place is so sad. | 0:03:35 | 0:03:37 | |
They were enjoying it until you messed it up. | 0:03:37 | 0:03:39 | |
You're kidding yourself. | 0:03:39 | 0:03:40 | |
-You couldn't be scary if your life depended on it. -Yes, I could. | 0:03:40 | 0:03:43 | |
You're about as scary as a bunny and a kitten having a cuddle. | 0:03:43 | 0:03:46 | |
Sorry, mate. | 0:03:46 | 0:03:48 | |
That is my cookery book! | 0:03:58 | 0:04:03 | |
I think they would call that "industrial espionage". | 0:04:03 | 0:04:05 | |
I just want to see what the competition is up to. | 0:04:06 | 0:04:09 | |
There is no competition. | 0:04:09 | 0:04:11 | |
I have secured the perfect sous chef. | 0:04:11 | 0:04:14 | |
Someone who has forgotten more about food in his lifetime | 0:04:14 | 0:04:18 | |
-than you will ever learn in yours. -Oh, yeah. Who's that? | 0:04:18 | 0:04:21 | |
Doctor Carter. | 0:04:21 | 0:04:24 | |
-Not bad. -SHE INHALES | 0:04:26 | 0:04:28 | |
But I think for this sort of competition, | 0:04:28 | 0:04:30 | |
you need someone who's younger and faster. | 0:04:30 | 0:04:33 | |
You and Heston are not going to know what's hit you | 0:04:34 | 0:04:37 | |
with Imogen on my side. | 0:04:37 | 0:04:39 | |
Well, I hope Imogen's cookery skills are more impressive than her filing. | 0:04:39 | 0:04:44 | |
It's bad enough losing you both this afternoon. | 0:04:44 | 0:04:46 | |
If you could do some work while you're here. | 0:04:46 | 0:04:48 | |
Vicky Reynolds? | 0:04:48 | 0:04:49 | |
Ah. Why don't we go through to my office? | 0:04:52 | 0:04:54 | |
All this aggravation for a pointless cake competition. | 0:04:54 | 0:04:58 | |
Excuse me, but there's nothing pointless about cake. | 0:04:58 | 0:05:02 | |
It's just as valid a hobby as you have. | 0:05:02 | 0:05:05 | |
You do have hobbies, don't you? | 0:05:05 | 0:05:07 | |
-A -hobby..? | 0:05:07 | 0:05:08 | |
A soldier doesn't have much time for stamp collecting. | 0:05:08 | 0:05:11 | |
Neither does a practice manager. | 0:05:11 | 0:05:13 | |
Maybe if you did something pointless now and again, | 0:05:13 | 0:05:15 | |
you wouldn't be so stressed. | 0:05:15 | 0:05:17 | |
Come on. | 0:05:19 | 0:05:20 | |
I don't want to be late for my mum. | 0:05:22 | 0:05:24 | |
I'll just get an application form and that's it. | 0:05:24 | 0:05:26 | |
Do you really want to work here? | 0:05:26 | 0:05:28 | |
It actually looks really fun. We should do the tour. | 0:05:29 | 0:05:32 | |
-No. -Oh, go on, it's only an hour. | 0:05:32 | 0:05:34 | |
And it would really help me with my interview. | 0:05:34 | 0:05:38 | |
Is that Sean from college... and Denver? | 0:05:38 | 0:05:41 | |
Oh, look. We should go and say hi. | 0:05:41 | 0:05:42 | |
What about the hen party last week? They couldn't stop screaming. | 0:05:42 | 0:05:45 | |
They were screaming when they got here and when they left. | 0:05:45 | 0:05:48 | |
I'm pretty certain they're still screaming now. | 0:05:48 | 0:05:50 | |
Wow, Denver. Nice costume. | 0:05:50 | 0:05:52 | |
Hey, Kristy. It's retro. | 0:05:52 | 0:05:54 | |
Yeah, really retro! | 0:05:54 | 0:05:56 | |
You forgot your application form. | 0:05:56 | 0:05:58 | |
-Thanks. -Cheer up, Immie, it might never happen. | 0:05:58 | 0:06:00 | |
You knew they were here, didn't you? | 0:06:00 | 0:06:03 | |
-No... -Right, well, it's been wonderful seeing you both... | 0:06:03 | 0:06:06 | |
You're not leaving? | 0:06:06 | 0:06:07 | |
Come on, what about a personal tour? I'll even show you | 0:06:07 | 0:06:09 | |
around this place if you want. | 0:06:09 | 0:06:11 | |
If I wasn't going before... | 0:06:11 | 0:06:12 | |
-We've been working here all summer. It's actually pretty good. -Go on. | 0:06:12 | 0:06:15 | |
-I'll drop you home straight after. -SHE SIGHS | 0:06:15 | 0:06:18 | |
How much is it? | 0:06:18 | 0:06:20 | |
Mandy, I can't read that date. Which is that, a 1 or a 7? | 0:06:21 | 0:06:24 | |
Yeah. | 0:06:24 | 0:06:26 | |
Well, which is it? | 0:06:26 | 0:06:27 | |
Oh, OK... | 0:06:29 | 0:06:30 | |
You know what? It's a 2. | 0:06:30 | 0:06:33 | |
Doctor Carmichael? | 0:06:36 | 0:06:37 | |
So which is it? I can't hang around all day. | 0:06:39 | 0:06:41 | |
It's a 2. | 0:06:41 | 0:06:42 | |
Interested only in women and drink, | 0:06:45 | 0:06:47 | |
he was disowned by his father and became a highwayman. | 0:06:47 | 0:06:50 | |
They called him the Letherbridge Blade and he showed no mercy. | 0:06:50 | 0:06:54 | |
He would butcher the men and ravage the women. | 0:06:54 | 0:06:58 | |
Then one night in 1704, the King's men laid a trap. | 0:06:58 | 0:07:01 | |
But the Blade took shelter in the house of a blacksmith, | 0:07:01 | 0:07:04 | |
and as a result an innocent man went with him to the gallows. | 0:07:04 | 0:07:07 | |
Every night the highwayman returns to the family home. | 0:07:07 | 0:07:10 | |
You can hear horses' hooves on the gravel path, | 0:07:10 | 0:07:13 | |
-and a pounding at the front door. -RECORDED KNOCKING | 0:07:13 | 0:07:15 | |
And if you are foolish enough to open it... | 0:07:15 | 0:07:17 | |
-Yeah? -Aaaarrgghhh! | 0:07:17 | 0:07:20 | |
Denver! What the hell are you doing? | 0:07:20 | 0:07:22 | |
-Having a bit of fun. -That was great. | 0:07:22 | 0:07:23 | |
It's not funny, you know. We could get in trouble. | 0:07:23 | 0:07:25 | |
Oh, no, that would be terrible(!) | 0:07:25 | 0:07:27 | |
This job might not mean anything to you, but it does to me, OK? | 0:07:27 | 0:07:30 | |
Well, excuse me. | 0:07:30 | 0:07:31 | |
(Why do you hang out with that idiot?) | 0:07:35 | 0:07:37 | |
Hi. | 0:07:40 | 0:07:42 | |
Hi. | 0:07:42 | 0:07:43 | |
Was there anything in particular? | 0:07:48 | 0:07:50 | |
I wondered how you were. | 0:07:50 | 0:07:52 | |
I'm fine, why wouldn't I be? | 0:07:52 | 0:07:54 | |
Well, I just thought, this morning was... | 0:07:56 | 0:07:59 | |
Yeah? | 0:07:59 | 0:08:01 | |
Doesn't matter. | 0:08:02 | 0:08:04 | |
Daniel... | 0:08:04 | 0:08:06 | |
If you...if you did want to grab that sandwich later... | 0:08:08 | 0:08:11 | |
You know what, I'm going to drop in on a patient. Vicky Reynolds. | 0:08:11 | 0:08:15 | |
-Really? -Yeah. She's pretty upset. | 0:08:16 | 0:08:18 | |
She's got some problems with her pregnancy | 0:08:18 | 0:08:20 | |
and she's facing some tough decisions. | 0:08:20 | 0:08:22 | |
I just read a bit of interesting research that might help her. | 0:08:22 | 0:08:25 | |
I'm sure that Vicky will appreciate it. | 0:08:27 | 0:08:29 | |
Enter if you dare, | 0:08:35 | 0:08:37 | |
the bedroom of Nathaniel Pounder. | 0:08:37 | 0:08:40 | |
Eighth Duke of Coulterdale, he too couldn't escape the curse. | 0:08:41 | 0:08:44 | |
-(Sean's pretty good.) -(I wonder where Denver is.) | 0:08:44 | 0:08:47 | |
Returning from the war, | 0:08:47 | 0:08:49 | |
he found his wife in bed with his best friend, | 0:08:49 | 0:08:51 | |
and in a jealous rage he murdered them both. | 0:08:51 | 0:08:54 | |
RECORDED SCREAM | 0:08:54 | 0:08:55 | |
To this day, no-one stays in this room. | 0:08:55 | 0:08:57 | |
Those that do tell of terrible nightmares, a furious spectre | 0:08:57 | 0:09:01 | |
standing above the bed. | 0:09:01 | 0:09:02 | |
His cold hands reaching towards their throat. | 0:09:02 | 0:09:05 | |
If you listen, | 0:09:05 | 0:09:06 | |
you may hear his footsteps coming up the stairs... | 0:09:06 | 0:09:09 | |
If you listen really carefully... | 0:09:13 | 0:09:16 | |
I definitely don't hear anything. | 0:09:16 | 0:09:19 | |
Can you hear? Silent. | 0:09:19 | 0:09:21 | |
Silent as the grave... | 0:09:21 | 0:09:23 | |
Aaarghhhhh! | 0:09:23 | 0:09:24 | |
Give it up, Sean, you don't have what it takes. | 0:09:26 | 0:09:28 | |
Ah! My eye! | 0:09:28 | 0:09:30 | |
Come on, stop mucking about. | 0:09:30 | 0:09:32 | |
Give it a rest. Can't you see that he's hurt? | 0:09:32 | 0:09:34 | |
-I can't see. -Don't just stand there. | 0:09:34 | 0:09:37 | |
The first aid kit, where is it? | 0:09:37 | 0:09:39 | |
-Sean, let me have a look. -No... | 0:09:39 | 0:09:40 | |
Just move your hand. | 0:09:40 | 0:09:42 | |
-Ketchup. -What?! | 0:09:44 | 0:09:46 | |
Look, we're even now. Just leave it, yeah? | 0:09:47 | 0:09:51 | |
Right, come on. | 0:09:51 | 0:09:52 | |
I haven't filled in my application form. | 0:09:53 | 0:09:57 | |
-I'll buy you a stamp. -You're not going? | 0:09:57 | 0:09:59 | |
-Er, what do you think? -I liked it. | 0:09:59 | 0:10:01 | |
Oh, come on. You're both a pair of idiots. Grow up. | 0:10:01 | 0:10:03 | |
Sorry, Immie. We'll do you another tour if you want. No charge. | 0:10:03 | 0:10:06 | |
Even spending the afternoon getting bossed around by my mum | 0:10:06 | 0:10:09 | |
-is better than this. -All right. | 0:10:09 | 0:10:12 | |
We'll make it up to you another time. | 0:10:12 | 0:10:13 | |
I'll take you up on that. | 0:10:13 | 0:10:15 | |
-See you later. -Bye, Denver. | 0:10:15 | 0:10:16 | |
Blimey. Everybody looks like they mean business. | 0:10:20 | 0:10:23 | |
The judges are very auspicious. That's Sasha Von Seenus. | 0:10:23 | 0:10:26 | |
Her restaurant has one Michelin star. | 0:10:26 | 0:10:28 | |
One Michelin star doesn't sound that good. | 0:10:30 | 0:10:32 | |
Who's Posh Paws over there? | 0:10:32 | 0:10:34 | |
That gentleman is Vaughan Radcliffe. | 0:10:34 | 0:10:36 | |
-You must have seen his column. -Steady on! | 0:10:36 | 0:10:39 | |
-In the newspaper. -Oh. | 0:10:39 | 0:10:41 | |
I hope you're not trying to steal my sous chef, Mrs Hollins? | 0:10:41 | 0:10:45 | |
Immie will be here any minute. | 0:10:45 | 0:10:47 | |
Welcome to Supachef 2012. | 0:10:47 | 0:10:51 | |
I am Vaughan Radcliffe, and this is renowned chef Sasha Von Seenus. | 0:10:51 | 0:10:56 | |
You may know me from my spot on Letherbridge Today, | 0:10:56 | 0:11:00 | |
"If You Can't Stand The Heat". | 0:11:00 | 0:11:02 | |
Sasha spends more time with dessert than she does her own family. | 0:11:02 | 0:11:06 | |
So as far as the Midlands are concerned, we ARE food. | 0:11:06 | 0:11:10 | |
Today we start at the end. The summit, | 0:11:11 | 0:11:14 | |
the pinnacle, the Everest to which we all aspire. | 0:11:14 | 0:11:17 | |
Can you reinvent the wheel on the sweet trolley, | 0:11:17 | 0:11:22 | |
and bake your way into immortality? | 0:11:22 | 0:11:24 | |
We shall see... | 0:11:24 | 0:11:26 | |
Denver is such an idiot. | 0:11:32 | 0:11:33 | |
I can't believe we almost paid money for that. | 0:11:33 | 0:11:35 | |
Come on. It wasn't all his fault. | 0:11:35 | 0:11:37 | |
Yeah, well, he's going to Manchester in a few weeks. | 0:11:37 | 0:11:39 | |
-Maybe we should call someone and warn them. -Manchester? | 0:11:39 | 0:11:42 | |
Probably doing a joint honours - | 0:11:42 | 0:11:43 | |
English Literature and being a complete... | 0:11:43 | 0:11:45 | |
I left my sunglasses. | 0:11:45 | 0:11:47 | |
-They'll just be at the ticket desk. Two minutes. -You'd better be. | 0:11:47 | 0:11:50 | |
I'm going to get iced by my mum. | 0:11:50 | 0:11:52 | |
Aaaarrghhh! SHE SCREAMS | 0:12:03 | 0:12:05 | |
What the hell have you done? | 0:12:05 | 0:12:07 | |
-I thought she was you. -Kristy? | 0:12:07 | 0:12:09 | |
Kristy? | 0:12:09 | 0:12:11 | |
What happened?! | 0:12:11 | 0:12:13 | |
She must have bumped her head, or maybe something fell..? | 0:12:13 | 0:12:16 | |
-Yeah, we just found her like this. -Kristy, can you hear me? | 0:12:16 | 0:12:18 | |
See, she's fine. Nothing to worry about. | 0:12:21 | 0:12:24 | |
-Whisk. -Check. | 0:12:27 | 0:12:29 | |
-Zester. -Further check. | 0:12:29 | 0:12:30 | |
Mrs Tembe, I have a couple of suggestions | 0:12:30 | 0:12:32 | |
for further improvements. | 0:12:32 | 0:12:34 | |
My recipes cannot be improved. | 0:12:34 | 0:12:36 | |
They have been passed down through the generations. | 0:12:36 | 0:12:38 | |
Yes, but this is a forward thinking competition. | 0:12:38 | 0:12:40 | |
Thank you for your opinion, Doctor Carter. | 0:12:40 | 0:12:43 | |
But my recipes have got me so far, so I will stick with them. | 0:12:43 | 0:12:47 | |
-Thank you. -As you wish. | 0:12:47 | 0:12:49 | |
Immie, if you're not here in the next five minutes... | 0:12:49 | 0:12:52 | |
Oh. Yeah, that is the problem with young people. | 0:12:54 | 0:12:58 | |
They do not appreciate the importance of punctuality. | 0:12:58 | 0:13:01 | |
She'll be here. | 0:13:01 | 0:13:03 | |
Hiya. | 0:13:04 | 0:13:05 | |
What are you doing here? | 0:13:06 | 0:13:07 | |
Oh, nice to see you too! | 0:13:07 | 0:13:09 | |
This is the last thing I need. Where's Immie? | 0:13:09 | 0:13:11 | |
She's taken her friend to hospital. | 0:13:11 | 0:13:14 | |
You'll have to make do with me. | 0:13:14 | 0:13:15 | |
Hospital? I ask her to do one thing. | 0:13:15 | 0:13:18 | |
How selfish can you get? | 0:13:18 | 0:13:20 | |
-Have you been drinking? -I've had a pub lunch with the lads. | 0:13:23 | 0:13:26 | |
It's my day off. I'll be absolutely fine. | 0:13:26 | 0:13:28 | |
Good luck... | 0:13:28 | 0:13:30 | |
Ah, lemons. The most promiscuous of fruits. | 0:13:31 | 0:13:35 | |
They go with almost anything. | 0:13:36 | 0:13:37 | |
Where do you get your inspiration from, Mrs Tembe? | 0:13:37 | 0:13:40 | |
Well, my cake is a recipe | 0:13:40 | 0:13:43 | |
that's been passed down through the generations. | 0:13:43 | 0:13:45 | |
As mother used to make. | 0:13:45 | 0:13:47 | |
My own mother could burn soup. | 0:13:47 | 0:13:49 | |
If she didn't, she'd put it back on for five minutes. | 0:13:49 | 0:13:52 | |
So what would winning the competition mean to you, Karen? | 0:13:55 | 0:13:59 | |
It... Well, it would mean everything to me, | 0:13:59 | 0:14:02 | |
because cooking is my life, and I'm going to give it 110%. | 0:14:02 | 0:14:06 | |
Why are you talking like an idiot? | 0:14:10 | 0:14:12 | |
I don't know, I can't help it. | 0:14:12 | 0:14:14 | |
Contestants, it's time to bake like you've never baked before. | 0:14:14 | 0:14:18 | |
Shouldn't you bake like you've done it a couple of times? | 0:14:18 | 0:14:21 | |
You have 80 minutes... | 0:14:21 | 0:14:23 | |
starting from now. | 0:14:23 | 0:14:25 | |
-What if it's serious? -If we stick to our story, we'll be fine. | 0:14:31 | 0:14:33 | |
-Hey Immie, how's it going? -Don't you mean, how's Kristy? | 0:14:35 | 0:14:38 | |
Do you know something about what happened to her? | 0:14:38 | 0:14:40 | |
We just found her there. | 0:14:40 | 0:14:42 | |
-Didn't we, Sean? -Yeah. How is she? | 0:14:42 | 0:14:44 | |
She's with the doctor now. Looks like she's going to be OK. | 0:14:44 | 0:14:47 | |
-Great... -See? | 0:14:47 | 0:14:49 | |
-I told you. Let's all go out and celebrate. -You're not serious? | 0:14:49 | 0:14:52 | |
I'm going to get a coffee, do you want one? Come on. | 0:14:52 | 0:14:55 | |
You said whip the cream. | 0:14:59 | 0:15:00 | |
You've beaten it to death. Look, it's gone all stiff. | 0:15:00 | 0:15:03 | |
It's supposed to be like that! | 0:15:03 | 0:15:05 | |
(Doctor Carter, what have you just put into my recipe?) | 0:15:07 | 0:15:09 | |
It's just a little spice. | 0:15:09 | 0:15:11 | |
But that is not my recipe. | 0:15:11 | 0:15:13 | |
If we're going to impress Vaughan, we need to pull out all the stops. | 0:15:13 | 0:15:16 | |
Trust me, it will be a taste sensation. | 0:15:16 | 0:15:19 | |
You don't care about Kristy, you're just here to cover your own backs. | 0:15:21 | 0:15:25 | |
I'm surprised you're going along with this, Sean. | 0:15:25 | 0:15:27 | |
Going along with what? | 0:15:27 | 0:15:29 | |
I know what happened. You were playing your stupid game. She got caught in the middle. | 0:15:29 | 0:15:32 | |
-I don't know what you're talking about. -If you don't tell her, I will. | 0:15:32 | 0:15:35 | |
Imogen. I don't know where you've got this idea from, | 0:15:35 | 0:15:38 | |
-but you can't prove anything, not that there's anything to prove. -Say goodbye to your jobs then. | 0:15:38 | 0:15:42 | |
She will be all right, though, won't she? | 0:15:42 | 0:15:44 | |
Not black or white. | 0:15:45 | 0:15:46 | |
It has taken me a long time to perfect my recipe | 0:15:51 | 0:15:54 | |
-and you are changing it. -I thought you wanted my input, | 0:15:54 | 0:15:57 | |
not just obeying you like a mindless drone. | 0:15:57 | 0:16:00 | |
That is what a sous chef does! | 0:16:00 | 0:16:01 | |
Ah, a chef and her sous in perfect harmony(!) | 0:16:03 | 0:16:05 | |
So, tell us what it is you're doing here. | 0:16:05 | 0:16:08 | |
Well, I am preparing my lemon curd for my layer cake. | 0:16:08 | 0:16:12 | |
And I'm making brandy and ginger icing. | 0:16:12 | 0:16:15 | |
Hmmm. Two very different flavours. A bit like a chalk-and-cheeseboard. | 0:16:15 | 0:16:19 | |
I'll be interested to see how they come together. | 0:16:19 | 0:16:21 | |
As will I. | 0:16:22 | 0:16:24 | |
-Whoa, whoa, whoa! -Jamie Oliver doesn't measure. | 0:16:24 | 0:16:27 | |
-He just splashes it in. -You're not Jamie Oliver, love. | 0:16:27 | 0:16:30 | |
Thanks for being so supportive! | 0:16:30 | 0:16:32 | |
Ah, interesting. Though I can't see exactly what it is you're making. | 0:16:32 | 0:16:36 | |
It's...Black Forest Gateau. | 0:16:36 | 0:16:39 | |
Ah! Retro. Do you have enough time to pull it off? | 0:16:39 | 0:16:42 | |
Oh! Try and stop me. | 0:16:42 | 0:16:44 | |
Hello. I don't think I've been introduced to your sous chef...? | 0:16:44 | 0:16:48 | |
Oh... | 0:16:50 | 0:16:51 | |
-She's fine. She's just doing her make-up. -Right. | 0:16:59 | 0:17:03 | |
Sorry about your grades. | 0:17:04 | 0:17:05 | |
Could be worse. | 0:17:07 | 0:17:08 | |
You don't want to work in a haunted house for the rest of your life, though, do you? | 0:17:08 | 0:17:12 | |
I don't know. I'm actually pretty good at it, you know? | 0:17:12 | 0:17:15 | |
The make-up, putting on a show, telling stories. | 0:17:15 | 0:17:19 | |
Does Denver know how much it means to you? | 0:17:19 | 0:17:21 | |
I told him. | 0:17:21 | 0:17:23 | |
So then why does he keep trying to mess it up? | 0:17:23 | 0:17:25 | |
You could really do with getting away from him for a bit. | 0:17:25 | 0:17:27 | |
So where is she, then? | 0:17:30 | 0:17:31 | |
Where's Kristy? | 0:17:34 | 0:17:35 | |
It all happened so fast, mate... | 0:17:37 | 0:17:39 | |
She's gone. | 0:17:41 | 0:17:42 | |
-Oh, my God... -We killed her. | 0:17:43 | 0:17:47 | |
But she was... | 0:17:47 | 0:17:48 | |
We're going to go to prison. | 0:17:48 | 0:17:50 | |
What?! No, we can't... What about Manchester? | 0:17:50 | 0:17:52 | |
-It's always about you, isn't it?! -No, I wanted you to come with me. | 0:17:52 | 0:17:55 | |
I thought if you lost your job... | 0:17:55 | 0:17:57 | |
-What? I'd just follow you around? -Anyway, what does it matter now? | 0:17:57 | 0:18:00 | |
-What are we going to do? -What's going on? | 0:18:00 | 0:18:02 | |
You're alive? | 0:18:03 | 0:18:04 | |
Whoa! That is not funny. | 0:18:07 | 0:18:08 | |
It was pretty funny. | 0:18:08 | 0:18:10 | |
-I know it was my fault, but that is... -It was your fault? | 0:18:10 | 0:18:13 | |
Kristy, we were mucking about and it got out of hand. | 0:18:13 | 0:18:17 | |
I'm really sorry. | 0:18:17 | 0:18:19 | |
Yeah. But that doesn't mean we can't...you know... | 0:18:19 | 0:18:22 | |
you and me... | 0:18:22 | 0:18:23 | |
Yeah...I don't think so. | 0:18:26 | 0:18:28 | |
(Oh, no!) | 0:18:36 | 0:18:37 | |
30 minutes to go! | 0:18:38 | 0:18:40 | |
It's no good, I can't do it. | 0:18:42 | 0:18:44 | |
Of course you can. | 0:18:44 | 0:18:45 | |
It's burnt! | 0:18:45 | 0:18:46 | |
It's a disaster. | 0:18:46 | 0:18:48 | |
Hey. Hey. It's just a cake. | 0:18:48 | 0:18:51 | |
I just wanted something to do. | 0:18:52 | 0:18:56 | |
Jack and Immie are leaving. | 0:18:57 | 0:18:58 | |
I just wanted to prove that I could control something. | 0:18:58 | 0:19:01 | |
I can't even control a few ingredients. | 0:19:01 | 0:19:04 | |
Listen, love. It's not too late. | 0:19:04 | 0:19:05 | |
If we work together, we can whip something up. | 0:19:05 | 0:19:09 | |
That is, of course, unless you want Mrs Tembe to win. | 0:19:10 | 0:19:13 | |
Good girl. | 0:19:17 | 0:19:18 | |
Come on. | 0:19:18 | 0:19:19 | |
Right. | 0:19:24 | 0:19:25 | |
What we are going to do is... | 0:19:25 | 0:19:28 | |
a deconstructed Black Forest Gateau. | 0:19:28 | 0:19:31 | |
What...? | 0:19:31 | 0:19:32 | |
It just means we cobble it all together. Pass me that bowl. | 0:19:32 | 0:19:35 | |
Everyone stop working, time's up! | 0:20:28 | 0:20:30 | |
SHE EXHALES | 0:20:30 | 0:20:31 | |
What do you think? | 0:20:35 | 0:20:36 | |
We stand a chance. | 0:20:36 | 0:20:38 | |
Especially since there is only the Hollins concoction left to go. | 0:20:38 | 0:20:41 | |
-This is embarrassing. It doesn't even look like a cake. -Shhh. | 0:20:41 | 0:20:46 | |
Presentation...interesting. | 0:20:46 | 0:20:47 | |
Hey. | 0:21:02 | 0:21:03 | |
So earlier on, when my life was flashing before me, | 0:21:06 | 0:21:09 | |
I realised that not everything I'd said had been helpful or smart. | 0:21:09 | 0:21:14 | |
-Yeah. -I don't want that to put you off what is | 0:21:14 | 0:21:17 | |
clearly a great opportunity to come to Manchester, | 0:21:17 | 0:21:19 | |
and live a life that is action-packed and at least an 18 certificate. | 0:21:19 | 0:21:23 | |
I'm not coming, mate. | 0:21:25 | 0:21:26 | |
I told Glory it was all my fault. | 0:21:28 | 0:21:30 | |
So if you want to carry on working here... | 0:21:30 | 0:21:33 | |
Thanks. | 0:21:33 | 0:21:35 | |
You can still come and visit, though. | 0:21:35 | 0:21:37 | |
-Course. -Show them Mancs how it's done. -Definitely. | 0:21:37 | 0:21:40 | |
It won't be the same without you. | 0:21:41 | 0:21:43 | |
You'll do all right. | 0:21:45 | 0:21:46 | |
All right. You don't want to keep your audience waiting. | 0:21:48 | 0:21:51 | |
Thanks, Denver. | 0:21:53 | 0:21:54 | |
I am the gatekeeper of Coulterdale Manor, | 0:22:01 | 0:22:04 | |
and I can tell you some tales. | 0:22:04 | 0:22:07 | |
Follow me. | 0:22:07 | 0:22:08 | |
Fingers crossed, Doctor Carter. | 0:22:10 | 0:22:13 | |
With a team like us, how can we lose? | 0:22:13 | 0:22:15 | |
My culinary explorers, | 0:22:16 | 0:22:19 | |
this afternoon you have pushed your abilities to the absolute limit. | 0:22:19 | 0:22:24 | |
Have you discovered the New World or are you on the Isle of Man? | 0:22:24 | 0:22:28 | |
Here we go, brace yourself. | 0:22:28 | 0:22:31 | |
There can be only one winner, | 0:22:31 | 0:22:34 | |
and the creator of the best dessert is... | 0:22:34 | 0:22:36 | |
Karen Hollins. | 0:22:36 | 0:22:38 | |
-What? -What? | 0:22:38 | 0:22:40 | |
Looking at it, it's almost too good to eat. | 0:22:40 | 0:22:42 | |
But tasting it... | 0:22:42 | 0:22:43 | |
how can I stop? | 0:22:43 | 0:22:45 | |
Such complexity. | 0:22:45 | 0:22:46 | |
I get lost in its landscape, | 0:22:46 | 0:22:48 | |
to rest for a while on a brick of delicate sponge, | 0:22:48 | 0:22:53 | |
to paddle through the tangy compote... | 0:22:53 | 0:22:55 | |
But most impressive of all... oh, the ganache. | 0:22:55 | 0:22:58 | |
Karen, why don't you tell us about your secret ingredient? | 0:22:58 | 0:23:02 | |
Well, if I told you, it wouldn't be a secret any more. | 0:23:04 | 0:23:08 | |
Don't be shy. | 0:23:08 | 0:23:09 | |
Erm, it'll come to me in a minute... | 0:23:12 | 0:23:13 | |
How can she forget? It has only been half an hour. | 0:23:13 | 0:23:18 | |
It's an old...Navajo...recipe. | 0:23:18 | 0:23:20 | |
I smell a rat. | 0:23:22 | 0:23:24 | |
How does she not know her own secret ingredient? | 0:23:24 | 0:23:26 | |
Because Karen Hollins did not make this cake. | 0:23:26 | 0:23:29 | |
I think you'll find I did... | 0:23:31 | 0:23:33 | |
Really? Because I've been watching you. | 0:23:33 | 0:23:35 | |
Well, if you had, then you would... | 0:23:35 | 0:23:38 | |
I do. | 0:23:38 | 0:23:39 | |
I know exactly what's been going on. | 0:23:39 | 0:23:41 | |
All right. I didn't make it. | 0:23:43 | 0:23:44 | |
Then who did make it? | 0:23:44 | 0:23:46 | |
Mainly... | 0:23:46 | 0:23:47 | |
her magnificent sous chef. | 0:23:47 | 0:23:50 | |
I knew she couldn't cook. | 0:23:51 | 0:23:53 | |
Sasha, I think we need to have another talk... | 0:23:54 | 0:23:57 | |
Hi. | 0:23:59 | 0:24:00 | |
I wondered how you felt about stopping for a takeaway | 0:24:00 | 0:24:03 | |
on the way home. Cos I don't feel like cooking, | 0:24:03 | 0:24:06 | |
and I thought you wouldn't either. | 0:24:06 | 0:24:07 | |
-You thought right. -Great. What do you fancy? | 0:24:07 | 0:24:10 | |
I don't know, what do you want? | 0:24:10 | 0:24:11 | |
Thai? | 0:24:11 | 0:24:13 | |
I'd prefer Japanese. | 0:24:13 | 0:24:14 | |
Really? I didn't think either of us were that keen on... | 0:24:14 | 0:24:18 | |
No. Definitely Japanese. | 0:24:18 | 0:24:19 | |
OK. Japanese it is. | 0:24:20 | 0:24:21 | |
How was that girl? You were with her for a really long time. | 0:24:23 | 0:24:26 | |
Yeah. We managed to get to the bottom of it. | 0:24:27 | 0:24:29 | |
I think she just wanted to feel like she had options. | 0:24:29 | 0:24:31 | |
Now she can get the treatment that she wants. | 0:24:31 | 0:24:33 | |
Wonderful. I'm really glad. | 0:24:33 | 0:24:35 | |
Oh, and by the way, I know you slept with Cherry. | 0:24:35 | 0:24:37 | |
Contestants, we have reached a decision. | 0:24:44 | 0:24:46 | |
Obviously, Karen Hollins cannot be allowed to continue | 0:24:49 | 0:24:52 | |
-in this competition. -Very good. | 0:24:52 | 0:24:54 | |
However, this gateau showed real skill. | 0:24:54 | 0:24:58 | |
It's charismatic, complex, vivacious. | 0:24:58 | 0:25:00 | |
The sort of dessert that comes up to you at a party | 0:25:00 | 0:25:03 | |
and whispers, "Take me home." | 0:25:03 | 0:25:06 | |
So we have decided that Rob Hollins is the winner | 0:25:06 | 0:25:09 | |
-and will go through to the next round. -What? | 0:25:09 | 0:25:12 | |
-How did that happen? -Don't know, don't ask me. | 0:25:12 | 0:25:14 | |
Also going through to the next round, | 0:25:14 | 0:25:16 | |
and runner-up, is Mrs Tembe. | 0:25:16 | 0:25:18 | |
Oh. Now, that is the right decision! | 0:25:18 | 0:25:21 | |
A winning team. I told you. | 0:25:21 | 0:25:24 | |
Congratulations, Rob. | 0:25:26 | 0:25:27 | |
You have a raw talent. | 0:25:27 | 0:25:29 | |
Thank you. I shouldn't even really be here. | 0:25:29 | 0:25:33 | |
Nonsense. I couldn't let someone with your untapped potential | 0:25:33 | 0:25:36 | |
get away. | 0:25:36 | 0:25:38 | |
It's good to have another man in the competition. | 0:25:38 | 0:25:40 | |
Well? | 0:25:45 | 0:25:46 | |
I don't know where you... | 0:25:46 | 0:25:48 | |
I mean, that's a ridiculous idea... | 0:25:48 | 0:25:50 | |
Oh, come on, Daniel. | 0:25:50 | 0:25:51 | |
We both know that this doesn't change anything. | 0:25:52 | 0:25:56 | |
We both know that sex is just sex. | 0:25:56 | 0:25:59 | |
I've had sex with enough married men | 0:25:59 | 0:26:01 | |
-to know that it didn't mean anything to any of them. -Right... | 0:26:01 | 0:26:04 | |
I wish you hadn't shown such tawdry taste by doing it on your doorstep. | 0:26:04 | 0:26:07 | |
Zara... | 0:26:07 | 0:26:09 | |
The only other thing that bothers me | 0:26:09 | 0:26:11 | |
is that you didn't come clean about it like a man. | 0:26:11 | 0:26:14 | |
But now that you know that I know, you can stop skulking around, | 0:26:16 | 0:26:19 | |
because that is just demeaning, for both of us. | 0:26:19 | 0:26:22 | |
I'm so sorry, Zara. I've been racking my brains, | 0:26:24 | 0:26:26 | |
and I honestly can't tell you why I did it. | 0:26:26 | 0:26:29 | |
But you're absolutely right. It was just sex, | 0:26:29 | 0:26:31 | |
and it'll never happen again. | 0:26:31 | 0:26:33 | |
Of course not. | 0:26:33 | 0:26:35 | |
You're amazing...being so... | 0:26:36 | 0:26:39 | |
You are really special to me, | 0:26:40 | 0:26:43 | |
and it meant nothing. | 0:26:43 | 0:26:45 | |
Of course. | 0:26:45 | 0:26:46 | |
Now will you take me home? | 0:26:48 | 0:26:50 | |
(Because I am hungry.) | 0:26:50 | 0:26:51 | |
Mrs Hollins, would you mind looking after the reception desk? | 0:27:04 | 0:27:07 | |
Hang on, I'm not wearing this for a bet. | 0:27:07 | 0:27:08 | |
You've got a prescription. | 0:27:08 | 0:27:10 | |
And a referral! | 0:27:10 | 0:27:12 | |
The Head Cardiologist at St Phil's. | 0:27:12 | 0:27:14 | |
Let me see that. | 0:27:14 | 0:27:15 | |
So do you have the place to yourself or are you sharing with anyone? | 0:27:15 | 0:27:19 | |
Girlfriend, maybe? | 0:27:19 | 0:27:20 | |
Let's cut to the chase. You're after my body, right? | 0:27:20 | 0:27:23 | |
BABY CRIES | 0:27:23 | 0:27:25 | |
Subtitles by Red Bee Media Ltd | 0:27:42 | 0:27:45 |