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AMERICAN ACCENT: Are you ready, Walter? | 0:00:25 | 0:00:28 | |
MUSIC: "That Don't Impress Me Much" by Shania Twain | 0:00:29 | 0:00:32 | |
# I've known a few guys who thought they were pretty smart | 0:00:40 | 0:00:44 | |
# But you've got being right down to an art... # | 0:00:44 | 0:00:48 | |
Walter! | 0:00:48 | 0:00:49 | |
Walter? What have I done? | 0:00:51 | 0:00:54 | |
He fell off his chair. | 0:00:54 | 0:00:56 | |
Please, he hates hospitals. He won't go. | 0:00:56 | 0:01:00 | |
There's an 11.20 with Dr Cassidy... | 0:01:00 | 0:01:02 | |
'We'll take it. Walter, we've got an appointment.' | 0:01:02 | 0:01:04 | |
11.20, it is. | 0:01:04 | 0:01:06 | |
Thank you. | 0:01:06 | 0:01:07 | |
It'll be all right, love. | 0:01:09 | 0:01:10 | |
Sorry, was that Walter "Smithson"? | 0:01:11 | 0:01:15 | |
Hello? Gone! | 0:01:15 | 0:01:17 | |
What's this? | 0:01:17 | 0:01:19 | |
Short list for the GP appointment. We're interviewing this afternoon? | 0:01:19 | 0:01:22 | |
-I thought that was next week? -It got brought forward. | 0:01:22 | 0:01:25 | |
Great(!) Where are these interviews going to be held? | 0:01:25 | 0:01:28 | |
All organised - Zara's room. | 0:01:28 | 0:01:31 | |
This isn't a particularly short short list... | 0:01:31 | 0:01:33 | |
Standard's high. We're very popular... | 0:01:33 | 0:01:35 | |
Yeah, but where are they going to wait? | 0:01:35 | 0:01:37 | |
In reception. | 0:01:37 | 0:01:39 | |
Go home. We can manage without you. Mandy's in(!) | 0:01:39 | 0:01:41 | |
Please don't fuss. It's nothing. | 0:01:41 | 0:01:43 | |
Have it your way. Don't be a hero. | 0:01:43 | 0:01:46 | |
It's lack of communication that's where the system breaks down. | 0:01:46 | 0:01:49 | |
Walter - where are you? | 0:01:49 | 0:01:51 | |
-Are you OK? -Yeah, I'm fine. | 0:01:51 | 0:01:55 | |
Computer says, "Uh-er." "Walter Smithson"... | 0:01:55 | 0:01:59 | |
"Swinson"? | 0:01:59 | 0:02:01 | |
Blimey. Look at you. "Men beware." | 0:02:01 | 0:02:04 | |
Hardly. You look a bit peaky. Are you all right? | 0:02:04 | 0:02:08 | |
Yeah... | 0:02:08 | 0:02:09 | |
Look after yourself. | 0:02:09 | 0:02:11 | |
How does she do it? | 0:02:13 | 0:02:15 | |
You told her. | 0:02:31 | 0:02:33 | |
After everything we discussed. You went ahead and told her anyway. | 0:02:33 | 0:02:36 | |
She was mean and I was angry. | 0:02:36 | 0:02:38 | |
Cherry - this is not a game. This is people's lives. | 0:02:38 | 0:02:42 | |
People with children.... | 0:02:42 | 0:02:43 | |
I know, Mand. I feel awful about it, OK? | 0:02:43 | 0:02:46 | |
She isn't going to tell Daniel. | 0:02:46 | 0:02:47 | |
She doesn't even seem to react. She doesn't even care. | 0:02:47 | 0:02:50 | |
-Oh, come on... -She's stronger than I am. She doesn't care. | 0:02:50 | 0:02:54 | |
It won't come off..! | 0:02:54 | 0:02:56 | |
What have you done? | 0:02:56 | 0:02:58 | |
(SHE SIGHS) | 0:02:58 | 0:02:59 | |
-Those for me? -No. -Charming(!) I have something for you, though. | 0:03:00 | 0:03:05 | |
Swinson, Smithson, Simmon, whatever your name is... | 0:03:05 | 0:03:09 | |
Ah, Walter, you don't flipping exist! | 0:03:09 | 0:03:12 | |
Walter? Dorit's husband? | 0:03:12 | 0:03:14 | |
S-I-M-P-S-O-N. | 0:03:14 | 0:03:17 | |
No-one likes a smart aleck. | 0:03:17 | 0:03:19 | |
Now, Walter's notes exist, but he doesn't. | 0:03:19 | 0:03:22 | |
He died. Pancreatic cancer. I signed the death certificate. You see? | 0:03:22 | 0:03:27 | |
Why has he got an 11.20 with Elaine, then? | 0:03:27 | 0:03:29 | |
Sometimes these things slip past. | 0:03:29 | 0:03:32 | |
He's dead! That sort of thing shouldn't slip past. | 0:03:32 | 0:03:35 | |
"He hates hospitals!"... | 0:03:35 | 0:03:38 | |
What are you doing? | 0:03:38 | 0:03:40 | |
I'll cancel his 11.20, and then tell his wife what I think of her... | 0:03:40 | 0:03:43 | |
Don't, please. Something's obviously up. I'll see her. | 0:03:43 | 0:03:46 | |
Happy to. | 0:03:46 | 0:03:48 | |
-I'll dig out her notes. -Thank you. | 0:03:49 | 0:03:51 | |
This will cheer you up. I am being incredibly organised. | 0:03:51 | 0:03:53 | |
-What's this? -The list of interviewees for this afternoon. | 0:03:53 | 0:03:58 | |
Howard's already given it me. | 0:03:58 | 0:04:01 | |
I was doing the list. This is another list. | 0:04:01 | 0:04:03 | |
That's two lists. | 0:04:03 | 0:04:04 | |
-I'll talk to Howard. -Do that. | 0:04:06 | 0:04:08 | |
SHE SIGHS | 0:04:08 | 0:04:10 | |
Walter Simpson. 11.20. | 0:04:12 | 0:04:15 | |
-Walter Simpson? -Yes. | 0:04:17 | 0:04:20 | |
What's in the box? | 0:04:20 | 0:04:21 | |
Walter. | 0:04:21 | 0:04:23 | |
Your husband? | 0:04:23 | 0:04:24 | |
It's not ideal, I know, but he doesn't like the light. | 0:04:24 | 0:04:28 | |
-Dorit Simpson? -That's me. | 0:04:28 | 0:04:30 | |
Would you like to come through, please? | 0:04:30 | 0:04:33 | |
Thank you. | 0:04:33 | 0:04:34 | |
He's been out of sorts since Scarborough.... | 0:04:36 | 0:04:39 | |
I like Scarborough. | 0:04:39 | 0:04:41 | |
Me, too. The Grand's lovely.... | 0:04:41 | 0:04:44 | |
What were you doing there? | 0:04:44 | 0:04:46 | |
Line dancing. | 0:04:46 | 0:04:47 | |
It's all new to me, but I love it. And it keeps you fit. | 0:04:47 | 0:04:51 | |
But since I got back, Walter's different. | 0:04:51 | 0:04:55 | |
He's off his food, anti-social. | 0:04:55 | 0:04:59 | |
I try to keep him involved. | 0:04:59 | 0:05:01 | |
I was showing him a new dance, when he fell off his chair. | 0:05:01 | 0:05:03 | |
Could I take a look... ? | 0:05:05 | 0:05:06 | |
'Course. | 0:05:06 | 0:05:08 | |
He's a tortoise. You do realise that, don't you, Dorit? | 0:05:21 | 0:05:25 | |
Of course he's a tortoise. Do I look stupid? | 0:05:28 | 0:05:32 | |
No, you don't. Which is why I'm struggling slightly... | 0:05:32 | 0:05:36 | |
No, it's simple, love. | 0:05:36 | 0:05:38 | |
When Walter was... | 0:05:38 | 0:05:40 | |
..(dying), he got into Eastern mysticism, | 0:05:42 | 0:05:46 | |
which was not like him, he hated hippies. | 0:05:46 | 0:05:48 | |
Right... | 0:05:48 | 0:05:50 | |
Anyway, he blew me away when he got into this reincarnation lark, | 0:05:50 | 0:05:55 | |
and he promised me he'd come back. | 0:05:55 | 0:05:58 | |
When I said I'd wait for him, | 0:05:58 | 0:06:00 | |
I had no idea he was going to come back as a tortoise. | 0:06:00 | 0:06:04 | |
Nice flowers. | 0:06:11 | 0:06:12 | |
From Jimmi? | 0:06:13 | 0:06:14 | |
Yeah. | 0:06:14 | 0:06:16 | |
Lovely. | 0:06:16 | 0:06:17 | |
A word of advice. | 0:06:19 | 0:06:20 | |
I don't mind, really, but don't you think you should be | 0:06:20 | 0:06:25 | |
a bit more careful how you're spending your time? | 0:06:25 | 0:06:28 | |
What? | 0:06:28 | 0:06:30 | |
These flowers. They're beautiful. | 0:06:30 | 0:06:33 | |
But if the others saw, it could be misconstrued. | 0:06:33 | 0:06:37 | |
As if you had time to spend on personal matters...at work. | 0:06:37 | 0:06:41 | |
I said I was sorry. | 0:06:43 | 0:06:45 | |
I'm just pointing it out, that's all. | 0:06:45 | 0:06:47 | |
This is purely about your ability to do your job, | 0:06:47 | 0:06:50 | |
to fulfil your duties as specified by your contract | 0:06:50 | 0:06:54 | |
and to take responsibility for your actions. | 0:06:54 | 0:06:56 | |
Do you understand me? | 0:06:56 | 0:06:59 | |
-Yes. -Do you?! -How dare you. | 0:07:01 | 0:07:04 | |
Jimmi. It's fine... | 0:07:05 | 0:07:07 | |
-No, it's not fine. -Stop, please don't. | 0:07:07 | 0:07:09 | |
You shouldn't talk to anyone like that - it's disgusting. | 0:07:09 | 0:07:12 | |
Jimmi, you're right. It is disgusting. | 0:07:12 | 0:07:16 | |
Come on! Please. Please. | 0:07:19 | 0:07:22 | |
He seems fine, but like I said, I can't examine him. | 0:07:26 | 0:07:31 | |
He needs to go to a vet. | 0:07:31 | 0:07:33 | |
We've been coming to this surgery for 20 years, | 0:07:33 | 0:07:35 | |
I've no intention of taking my husband to see a vet. | 0:07:35 | 0:07:38 | |
Dorit, is there anything you'd like to talk to me about? | 0:07:38 | 0:07:41 | |
Me?! No, I'm fine. | 0:07:41 | 0:07:43 | |
He's the one who fell off the chair. | 0:07:43 | 0:07:45 | |
He's become all restless. | 0:07:45 | 0:07:48 | |
Something's up, I know it. He used to be "Mr Calm" - now look at him. | 0:07:48 | 0:07:51 | |
If we could get beyond the tortoise. | 0:07:51 | 0:07:54 | |
-Walter. -"Walter". To be honest, I'm more concerned about you. | 0:07:54 | 0:07:58 | |
When did...? | 0:07:59 | 0:08:01 | |
When did Walter, your husband, die? | 0:08:01 | 0:08:04 | |
Three years ago. | 0:08:06 | 0:08:07 | |
Have you heard of grief counselling? | 0:08:09 | 0:08:11 | |
I think it would be really useful to talk to somebody about how you feel, | 0:08:13 | 0:08:16 | |
about Walter. | 0:08:16 | 0:08:18 | |
What do you think? | 0:08:18 | 0:08:20 | |
If I go to this therapy... | 0:08:21 | 0:08:23 | |
..will you help me find out what's up with him? | 0:08:24 | 0:08:26 | |
I could look into it. | 0:08:28 | 0:08:29 | |
All right, then. | 0:08:31 | 0:08:33 | |
Good. Thank you. I'll get you some information. | 0:08:33 | 0:08:35 | |
This group meet near you. It's run by St Phil's, so... | 0:08:37 | 0:08:41 | |
SHE SIGHS | 0:08:43 | 0:08:44 | |
Mm. | 0:08:48 | 0:08:49 | |
Oh, come on! Argh! | 0:08:51 | 0:08:54 | |
SHE SIGHS | 0:08:54 | 0:08:55 | |
Hello, everybody. If you'd like to take a seat, | 0:08:55 | 0:08:58 | |
and we'll be with you shortly. | 0:08:58 | 0:09:00 | |
-Yep? -I'm here for the interview. For the GP position? | 0:09:06 | 0:09:10 | |
Take a seat. | 0:09:10 | 0:09:11 | |
Zara. | 0:09:21 | 0:09:23 | |
Are you stalking me as well now? | 0:09:24 | 0:09:26 | |
I don't know what you want, | 0:09:26 | 0:09:28 | |
but I'm begging you, please don't tell Jimmi. | 0:09:28 | 0:09:30 | |
Why on earth would I do anything that you ask? | 0:09:30 | 0:09:33 | |
Please... | 0:09:33 | 0:09:36 | |
I think he has every right to know what a sap he's being, don't you? | 0:09:36 | 0:09:39 | |
He's not like you, Zara. He won't be able to handle it. | 0:09:39 | 0:09:43 | |
I think he might surprise you. | 0:09:43 | 0:09:45 | |
You know, I didn't think anyone cherished monogamy more than | 0:09:45 | 0:09:50 | |
Princess Bubblegum, and now look at you. | 0:09:50 | 0:09:53 | |
All secrets and lies in the car park. | 0:09:53 | 0:09:56 | |
Jimmi's stronger than you give him credit for. | 0:09:56 | 0:09:59 | |
Tell you what, since we're all playing spin the bottle, | 0:09:59 | 0:10:04 | |
how about I take him for a quick spin? | 0:10:04 | 0:10:08 | |
Compare notes. | 0:10:08 | 0:10:10 | |
So, what've you got in there then? | 0:10:25 | 0:10:27 | |
Ah, yes. Oh, hello. It's a tortoise. I'm looking after him. | 0:10:27 | 0:10:31 | |
I don't think he's very well. | 0:10:31 | 0:10:33 | |
-Oh, dear. Best have a look then, hadn't we? -Thank you. | 0:10:33 | 0:10:36 | |
Allow me. | 0:10:36 | 0:10:38 | |
Come on, let's have a look. | 0:10:38 | 0:10:40 | |
Oh. This is Walter! | 0:10:42 | 0:10:44 | |
Yes. Do you know him? | 0:10:44 | 0:10:46 | |
Of course I do - he's my brother! | 0:10:46 | 0:10:49 | |
A first from Durham, medical conversion from Cambridge. Wow! | 0:10:49 | 0:10:53 | |
Voluntary work, head of debating society, swimming, caving, | 0:10:53 | 0:10:56 | |
sailing. You've been busy. | 0:10:56 | 0:10:59 | |
My mother's fault. She always insisted I said yes to everything. | 0:10:59 | 0:11:03 | |
Everything? Very liberal of her. | 0:11:03 | 0:11:05 | |
Sorry? | 0:11:05 | 0:11:06 | |
Nothing. | 0:11:06 | 0:11:08 | |
With a CV like yours, why do you want to come here? | 0:11:08 | 0:11:11 | |
To this tepid little backwater? | 0:11:11 | 0:11:13 | |
A number of reasons. But they do have links with St Phil's. | 0:11:13 | 0:11:16 | |
That's got a top notch cardiology department. | 0:11:16 | 0:11:19 | |
The long game. Like it! | 0:11:19 | 0:11:21 | |
Why do you want to work here? | 0:11:21 | 0:11:23 | |
I don't. I want to work in Birmingham. | 0:11:23 | 0:11:25 | |
12 interviews later, it's any port in a storm. | 0:11:25 | 0:11:29 | |
A word of advice. | 0:11:29 | 0:11:31 | |
If you showed a little passion, you might fare better. | 0:11:31 | 0:11:34 | |
-Oh, you're back. -I went shopping. | 0:11:34 | 0:11:36 | |
Dr Cassidy's taken Walter out. Won't be long. | 0:11:36 | 0:11:39 | |
-Take a seat - if you can find one. -What?! | 0:11:39 | 0:11:42 | |
Take a seat! | 0:11:42 | 0:11:44 | |
Here. | 0:11:51 | 0:11:53 | |
Thank you, love. Take a weight off. | 0:11:53 | 0:11:57 | |
I'm just waiting for my husband. | 0:12:01 | 0:12:03 | |
He's gone off with one of the doctors. | 0:12:03 | 0:12:06 | |
Hire him out, do you(?) | 0:12:06 | 0:12:07 | |
Cheeky. He's not very well, like. | 0:12:07 | 0:12:11 | |
He fell off a chair this morning. | 0:12:11 | 0:12:13 | |
Oh, dear. Is he OK? | 0:12:13 | 0:12:15 | |
I think so, he's quite robust. He's only five. | 0:12:15 | 0:12:20 | |
Sorry for the delay, everybody. Thank you for bearing with us. | 0:12:20 | 0:12:24 | |
Attention! | 0:12:25 | 0:12:27 | |
Welcome to the Mill, everybody. Thank you for your patience. | 0:12:28 | 0:12:31 | |
There's obviously been a bit of an admin mix up. | 0:12:31 | 0:12:34 | |
But we'll be rattling through you all in no time at all. | 0:12:34 | 0:12:37 | |
So, first up - Annie Fine! | 0:12:37 | 0:12:39 | |
Come on down. | 0:12:39 | 0:12:41 | |
Shell's intact, eyes bright. | 0:12:49 | 0:12:51 | |
I'd say he's in top shape. | 0:12:51 | 0:12:53 | |
What's wrong with him, then? | 0:12:53 | 0:12:55 | |
I've no idea. It's a mystery. | 0:12:55 | 0:12:59 | |
As Dorit's GP, I know she's very concerned about your brother. | 0:12:59 | 0:13:04 | |
Look. | 0:13:04 | 0:13:06 | |
I know it's odd - but I did it all for the right reasons. | 0:13:09 | 0:13:13 | |
It was your idea? | 0:13:13 | 0:13:15 | |
No! Dorit's. She was heartbroken. | 0:13:15 | 0:13:18 | |
She spotted this fella here, and was convinced he was Walter. | 0:13:18 | 0:13:22 | |
What could I do? | 0:13:22 | 0:13:24 | |
I thought it might help her get over his death. | 0:13:25 | 0:13:28 | |
I gave him to her and played along. | 0:13:28 | 0:13:30 | |
-Did it? -What? | 0:13:30 | 0:13:31 | |
Help her get over his death? | 0:13:31 | 0:13:33 | |
I don't know. Perhaps. | 0:13:33 | 0:13:35 | |
They were always close. | 0:13:37 | 0:13:38 | |
That's not changed. | 0:13:39 | 0:13:42 | |
Here. | 0:13:42 | 0:13:45 | |
-Thank you. -Let me open the door. | 0:13:45 | 0:13:47 | |
Nice boots. | 0:13:49 | 0:13:51 | |
-Thank you. -You into country and western, then? | 0:13:51 | 0:13:54 | |
AMERICAN ACCENT: Yes Ma'am. | 0:13:54 | 0:13:55 | |
You're looking at the five times Midlands Over-60s | 0:13:55 | 0:13:59 | |
Line Dancing Champion. | 0:13:59 | 0:14:01 | |
Am I now? | 0:14:01 | 0:14:02 | |
D'you find out what was up with him? | 0:14:05 | 0:14:07 | |
No. | 0:14:07 | 0:14:09 | |
I took him to the pet shop for an expert opinion. | 0:14:09 | 0:14:11 | |
They couldn't find anything either. | 0:14:11 | 0:14:12 | |
Pet shop? | 0:14:12 | 0:14:14 | |
Flintstone Pets, on the High Street. | 0:14:14 | 0:14:16 | |
I met Walter's brother, George. | 0:14:17 | 0:14:20 | |
He's a nice man. | 0:14:20 | 0:14:22 | |
Yes. He is. | 0:14:23 | 0:14:25 | |
Turns out he's into line dancing, too. | 0:14:25 | 0:14:27 | |
Walter doesn't need to hear this. | 0:14:29 | 0:14:31 | |
You wait out here, love. I'll be back in a bit. | 0:14:33 | 0:14:36 | |
Thank you very much. It was lovely to meet you. We'll be in touch. | 0:14:38 | 0:14:42 | |
This is impossible. They're all talented, they're all qualified. | 0:14:43 | 0:14:46 | |
All so passionate! | 0:14:46 | 0:14:48 | |
How do we pick one? | 0:14:48 | 0:14:49 | |
Make them do an assault course. | 0:14:49 | 0:14:51 | |
PHONE RINGS | 0:14:51 | 0:14:53 | |
'Will you get a move on, they're getting restless!' | 0:14:53 | 0:14:55 | |
It's proving tricky, Karen... | 0:14:55 | 0:14:57 | |
It's tougher than we thought... | 0:14:57 | 0:14:59 | |
'Do I care? | 0:14:59 | 0:15:00 | |
'We've had a walk out and I'm about to throw the rest of them out.' | 0:15:00 | 0:15:03 | |
-It was his fault. -You invited the world and his mum! -Me?! | 0:15:03 | 0:15:06 | |
'Stop it! Just come up with a question that sorts the wheat from the chaff.' | 0:15:06 | 0:15:10 | |
BOTH: Like what? | 0:15:10 | 0:15:12 | |
'I don't know, I'm just "admin". Be quick. | 0:15:12 | 0:15:15 | |
'Penny Burt, please!' | 0:15:15 | 0:15:16 | |
-What question? -I don't know. -I've got one! Quick sit down... | 0:15:16 | 0:15:19 | |
-KNOCKING ON DOOR -Come in. | 0:15:19 | 0:15:22 | |
Hello. | 0:15:22 | 0:15:25 | |
Pleasure to meet you. | 0:15:25 | 0:15:27 | |
-How d'you do? -Hi. | 0:15:27 | 0:15:29 | |
Please take a seat. | 0:15:29 | 0:15:30 | |
There's one question we're asking straight off the bat. | 0:15:32 | 0:15:36 | |
Right. | 0:15:36 | 0:15:38 | |
What would you bring to the Mill? | 0:15:40 | 0:15:42 | |
Passion. | 0:15:44 | 0:15:45 | |
MUSIC: "Absolutely Me" by Caro Emerald | 0:15:45 | 0:15:48 | |
I'm passionate about medicine. | 0:15:48 | 0:15:49 | |
I'm passionate about all the work I do. | 0:15:49 | 0:15:52 | |
Especially professionally, I'd say more so. | 0:15:52 | 0:15:55 | |
Passionate about the medicine. | 0:15:55 | 0:15:57 | |
I've got a particular passion... | 0:15:57 | 0:15:59 | |
-I'm really passionate about... -Passion. | 0:15:59 | 0:16:01 | |
-Passion. -Cardiology is something... | 0:16:01 | 0:16:03 | |
-Medicine is my... -My passion for medicine. | 0:16:03 | 0:16:05 | |
I should have you told you earlier. | 0:16:07 | 0:16:08 | |
I know exactly what's up with Walter. | 0:16:08 | 0:16:11 | |
I've not been honest. | 0:16:11 | 0:16:13 | |
SHE SIGHS | 0:16:14 | 0:16:16 | |
Walter was always a tremendous lover. | 0:16:16 | 0:16:21 | |
Always so passionate. | 0:16:21 | 0:16:24 | |
I loved it. | 0:16:24 | 0:16:26 | |
But he was also jealous. | 0:16:26 | 0:16:30 | |
Which I didn't like so much. | 0:16:30 | 0:16:32 | |
He knows I went to Scarborough with George... | 0:16:34 | 0:16:38 | |
and he's furious. | 0:16:38 | 0:16:40 | |
You can't blame yourself. | 0:16:40 | 0:16:42 | |
I mean, the Grand, the sea air. Things are bound to happen. | 0:16:42 | 0:16:45 | |
I've started having feelings for my husband's brother | 0:16:45 | 0:16:49 | |
but nothing happened. | 0:16:49 | 0:16:51 | |
Of course not. | 0:16:51 | 0:16:53 | |
So why do I feel so guilty? | 0:16:53 | 0:16:55 | |
You've got absolutely nothing to feel guilty about. You didn't do anything. | 0:16:55 | 0:16:59 | |
We won a trophy. | 0:16:59 | 0:17:01 | |
I never won a trophy with Walter. | 0:17:01 | 0:17:04 | |
Things change. | 0:17:06 | 0:17:08 | |
They have to. Nothing stays the same. | 0:17:08 | 0:17:11 | |
You have to move on. | 0:17:11 | 0:17:13 | |
We were each other's lives. How could I betray him? | 0:17:13 | 0:17:17 | |
I think you underestimate Walter. | 0:17:17 | 0:17:19 | |
I think if you explained to him that you found love again, | 0:17:19 | 0:17:22 | |
with a person, he'd understand. | 0:17:22 | 0:17:27 | |
He wouldn't want to deprive you of your chance of happiness. | 0:17:27 | 0:17:29 | |
Go on. Bring him in. Tell him. | 0:17:29 | 0:17:34 | |
Walter?! | 0:17:43 | 0:17:45 | |
What is it? | 0:17:47 | 0:17:48 | |
-He's gone. He overheard us. -Well, he can't have got far. | 0:17:48 | 0:17:52 | |
You don't know Walter at all, do you? I told you he was the jealous type! | 0:17:52 | 0:17:56 | |
Why did I listen to you? | 0:17:56 | 0:17:59 | |
Walter?! | 0:17:59 | 0:18:01 | |
-So, what can you bring to the Mill? -Packed lunch? | 0:18:01 | 0:18:05 | |
Joke. What do you mean, "What would I bring?" | 0:18:05 | 0:18:08 | |
-Personally. -Oh. | 0:18:08 | 0:18:10 | |
Well, take it as read I come with the prerequisite skills. | 0:18:10 | 0:18:13 | |
I'm good with people, got my own teeth. | 0:18:13 | 0:18:16 | |
What else? | 0:18:16 | 0:18:18 | |
You've got my CV, haven't you? | 0:18:18 | 0:18:20 | |
It's right here. | 0:18:20 | 0:18:21 | |
There you go, then. | 0:18:21 | 0:18:23 | |
You've had some great results. | 0:18:23 | 0:18:25 | |
I worked hard. | 0:18:25 | 0:18:26 | |
Yeah, but these references are glowing. | 0:18:26 | 0:18:29 | |
"I have no hesitation in recommending Jasmine Khellah to anyone." | 0:18:29 | 0:18:34 | |
"Her consistently accurate prognosis of patients is second-to-none. | 0:18:34 | 0:18:38 | |
"She is more than halfway to being a first-class GP." | 0:18:38 | 0:18:42 | |
Impressive stuff. | 0:18:42 | 0:18:44 | |
The second one's from my dad. | 0:18:44 | 0:18:47 | |
Do you actually want to work here? | 0:18:49 | 0:18:51 | |
It's just we've had a lot of applicants today expressing | 0:18:51 | 0:18:53 | |
their desire to work at the Mill. | 0:18:53 | 0:18:55 | |
"It's my life's desire to work at the Mill, blah, blah"? | 0:18:55 | 0:18:59 | |
I can give you that, but it's not me. | 0:18:59 | 0:19:01 | |
What is you, then? At the moment we're none the wiser. | 0:19:01 | 0:19:05 | |
OK. Let's be frank. | 0:19:05 | 0:19:08 | |
I am passionate about medicine. | 0:19:08 | 0:19:11 | |
Always have been. Always will be. | 0:19:11 | 0:19:12 | |
If I had the money, I would specialise further. | 0:19:12 | 0:19:14 | |
I'd specialise till I was the most qualified doctor ever. | 0:19:14 | 0:19:18 | |
I love it. But I haven't got the money. | 0:19:18 | 0:19:22 | |
It's run out. So I'm here, in Letherbridge. | 0:19:22 | 0:19:25 | |
That doesn't mean you're going to get second best Jas. | 0:19:25 | 0:19:29 | |
That means if I get the job, I'll do my very best. | 0:19:29 | 0:19:32 | |
Which I promise you, will be enough. | 0:19:32 | 0:19:35 | |
KNOCKING ON DOOR | 0:19:35 | 0:19:36 | |
Sorry. We've lost Walter. He's not here, is he? | 0:19:36 | 0:19:40 | |
Lost him?! | 0:19:40 | 0:19:41 | |
Don't ask. | 0:19:41 | 0:19:42 | |
Sorry about this. | 0:19:42 | 0:19:44 | |
-Who's Walter? -A tortoise. | 0:19:44 | 0:19:46 | |
He's not here! | 0:19:46 | 0:19:48 | |
Sorry. Thanks anyway. | 0:19:48 | 0:19:50 | |
-Please accept our apologies. That's not normal. -No worries. | 0:19:51 | 0:19:54 | |
Right, I think I've heard enough. Howard? | 0:19:54 | 0:19:58 | |
Erm, just one more question. | 0:19:58 | 0:20:00 | |
Do you have a boyfriend? Plans for a family? | 0:20:00 | 0:20:02 | |
You can't ask me that. | 0:20:02 | 0:20:04 | |
Can't I? | 0:20:04 | 0:20:05 | |
I think it's illegal? | 0:20:05 | 0:20:08 | |
I think she's right. | 0:20:08 | 0:20:09 | |
Julia sent us on a fair selection course last year... | 0:20:09 | 0:20:11 | |
I'm sorry... | 0:20:11 | 0:20:13 | |
No worries. I'm not bothered. | 0:20:13 | 0:20:15 | |
I'm actually single at the moment. | 0:20:15 | 0:20:18 | |
Far too busy looking for a job to be bothered with a man. | 0:20:18 | 0:20:22 | |
George. It's me. Walter's found out about us. | 0:20:25 | 0:20:29 | |
He's run away. | 0:20:29 | 0:20:31 | |
How did it go? | 0:20:31 | 0:20:32 | |
So-so. Won't be holding my breath. | 0:20:32 | 0:20:35 | |
Me, neither. I think today's been a complete waste of time. | 0:20:35 | 0:20:39 | |
This place is more interesting than my last 12 interviews put together. | 0:20:39 | 0:20:43 | |
Plus there's a runaway tortoise in the mix. | 0:20:43 | 0:20:46 | |
-What? -That's what they're looking for. A tortoise called Walter. | 0:20:46 | 0:20:50 | |
I hate tortoises. | 0:20:50 | 0:20:52 | |
Don't. | 0:20:59 | 0:21:00 | |
She wasn't desperate or gushing. I liked her. | 0:21:03 | 0:21:06 | |
-Her sense of humour was very trying. -That was nerves. | 0:21:06 | 0:21:08 | |
-She got on MY nerves. I couldn't work with her. -OK, what do you want? | 0:21:08 | 0:21:11 | |
-Penny. -Penny Burt, no thanks. | 0:21:11 | 0:21:13 | |
She knew what she wanted, she was keen. She was... | 0:21:13 | 0:21:16 | |
Dull. She had no edge. | 0:21:16 | 0:21:18 | |
We're looking for a doctor. What has "edge" got to do with anything? | 0:21:18 | 0:21:21 | |
This morning, with Cherry... | 0:21:21 | 0:21:24 | |
there's something I wanted to say to you. | 0:21:24 | 0:21:26 | |
Me, too. I'm glad you brought it up. | 0:21:26 | 0:21:29 | |
I'm sorry. | 0:21:29 | 0:21:30 | |
-What? -I was out of line. I didn't need to lay into you like that. | 0:21:31 | 0:21:35 | |
Cherry's vulnerable at the moment. Something to do with Freya, I think, | 0:21:35 | 0:21:38 | |
but I had no right to jump down your throat. | 0:21:38 | 0:21:40 | |
It was private between a member of the nursing staff and a partner. | 0:21:40 | 0:21:43 | |
I was out of line. | 0:21:43 | 0:21:45 | |
Right. | 0:21:47 | 0:21:48 | |
Apology accepted. | 0:21:49 | 0:21:50 | |
And Annie Fine. | 0:21:52 | 0:21:54 | |
Thank you so much for coming, and your patience. | 0:21:54 | 0:21:57 | |
I know it's been a bit of a wait. | 0:21:57 | 0:21:59 | |
What if he's getting his own back? | 0:22:02 | 0:22:04 | |
What do you mean? | 0:22:04 | 0:22:05 | |
He could be in one of their bags? | 0:22:05 | 0:22:07 | |
Heading off with one of these young ladies. | 0:22:07 | 0:22:09 | |
I don't think everyone sees Walter as you do. | 0:22:09 | 0:22:11 | |
Excuse me, our names haven't been called. What does that mean? | 0:22:11 | 0:22:14 | |
It means you've made the short list. Congratulations. | 0:22:14 | 0:22:17 | |
Really? Did you hear that? | 0:22:17 | 0:22:19 | |
CRUNCHING | 0:22:19 | 0:22:20 | |
Walter! | 0:22:20 | 0:22:21 | |
Oh no. | 0:22:21 | 0:22:23 | |
Eggs. Just eggs. | 0:22:26 | 0:22:28 | |
I can't work here... | 0:22:29 | 0:22:31 | |
It's not like this all the time, honest. | 0:22:31 | 0:22:33 | |
I can't. Sorry! | 0:22:33 | 0:22:36 | |
Dorit! What's going on, then? | 0:22:36 | 0:22:38 | |
Walter, he's gone. He's gone, George. | 0:22:38 | 0:22:42 | |
-AMERICAN ACCENT: -Hey, little lady, don't you worry. | 0:22:42 | 0:22:44 | |
I'll find him. | 0:22:44 | 0:22:46 | |
Promise. | 0:22:46 | 0:22:47 | |
I didn't tell him. | 0:22:56 | 0:22:57 | |
Thank you. | 0:23:01 | 0:23:02 | |
Walter! How did you get in there? | 0:23:15 | 0:23:18 | |
Come on. | 0:23:18 | 0:23:20 | |
-Here he is! -Ah! | 0:23:20 | 0:23:23 | |
He was in the boiler room. | 0:23:23 | 0:23:26 | |
Oh, you naughty thing, I've been so worried about you! | 0:23:26 | 0:23:29 | |
What were you doing in there? | 0:23:29 | 0:23:31 | |
I think I know. | 0:23:31 | 0:23:33 | |
What is it? | 0:23:33 | 0:23:35 | |
You know when we went to Scarborough? | 0:23:38 | 0:23:41 | |
It's all right, George, the doctor knows. | 0:23:41 | 0:23:44 | |
Oh, right. | 0:23:44 | 0:23:46 | |
We took Walter to the pet shop, didn't we? | 0:23:47 | 0:23:50 | |
My assistant put him in the display with the other male tortoises | 0:23:50 | 0:23:55 | |
and, erm... | 0:23:55 | 0:23:57 | |
that was a mistake. | 0:23:57 | 0:24:00 | |
You see... | 0:24:00 | 0:24:01 | |
Walter's not a Walter. | 0:24:01 | 0:24:04 | |
I mean, I thought he was when I gave him to you, but he's not. | 0:24:04 | 0:24:09 | |
I don't understand. | 0:24:09 | 0:24:11 | |
Dorit, love... | 0:24:11 | 0:24:14 | |
Walter's a girl. | 0:24:14 | 0:24:17 | |
During our weekend away, | 0:24:17 | 0:24:19 | |
I think Walter had a bit of a weekend with the boys. | 0:24:19 | 0:24:23 | |
That's why he's behaving oddly, having mood swings and the like. | 0:24:23 | 0:24:27 | |
He's nesting. | 0:24:27 | 0:24:28 | |
My Walter's having babies?! | 0:24:30 | 0:24:33 | |
The job's yours. | 0:24:34 | 0:24:36 | |
Really? That's brilliant! I can't believe it. | 0:24:37 | 0:24:43 | |
It was a close call but, erm, due to circumstances... | 0:24:43 | 0:24:46 | |
-Congratulations! -Thank you, so much. I won't let you down, I promise. | 0:24:46 | 0:24:50 | |
We're glad you're so keen. We'd like you to start as soon as possible. How does Thursday and Friday sound? | 0:24:50 | 0:24:54 | |
It sounds part-time? | 0:24:54 | 0:24:57 | |
It is. It's a part-time contract. | 0:24:57 | 0:24:59 | |
I thought it was a permanent contract... | 0:24:59 | 0:25:02 | |
It's a permanent part-time contract. As advertised. | 0:25:02 | 0:25:05 | |
Is that a problem? | 0:25:05 | 0:25:06 | |
I've made a mistake. I can't afford to work part-time. | 0:25:08 | 0:25:11 | |
I've worked my balls off for more than a decade. For what? | 0:25:11 | 0:25:14 | |
A stack load of debt and a part-time job? | 0:25:14 | 0:25:17 | |
I'm sorry for wasting your time. | 0:25:17 | 0:25:18 | |
Stop! You know it's a tough market out there, | 0:25:18 | 0:25:22 | |
and we'd really like you to work here. Think about it. | 0:25:22 | 0:25:25 | |
He's very handsome... | 0:25:30 | 0:25:32 | |
He's not Walter, though. | 0:25:32 | 0:25:34 | |
Nor's Walter. | 0:25:34 | 0:25:35 | |
You're right. | 0:25:37 | 0:25:38 | |
If Walter's moved on, then... | 0:25:38 | 0:25:40 | |
-AMERICAN ACCENT: -Little lady? | 0:25:43 | 0:25:45 | |
AMERICAN ACCENT: Why, thank you, sir. | 0:25:45 | 0:25:49 | |
Part-time?! How's anyone supposed to survive? | 0:25:59 | 0:26:02 | |
Talk about employer's market. What am I going to do for money? | 0:26:02 | 0:26:06 | |
Gina's going to chuck me out for... I owe so much money...! | 0:26:06 | 0:26:09 | |
HORN BEEPS | 0:26:09 | 0:26:12 | |
SHE SOBS | 0:26:12 | 0:26:14 | |
Are you OK? | 0:26:17 | 0:26:18 | |
Yes, thank you. | 0:26:18 | 0:26:19 | |
It's just you were... | 0:26:19 | 0:26:21 | |
I know, talking to myself. I do that. | 0:26:21 | 0:26:23 | |
Right, are you here for an appointment? | 0:26:23 | 0:26:26 | |
Ha! You think...? You think I'm some kind of... | 0:26:26 | 0:26:29 | |
SHE LAUGHS | 0:26:29 | 0:26:30 | |
..a patient? Because of... | 0:26:30 | 0:26:32 | |
The day just gets better, which is unusual for me(!) | 0:26:32 | 0:26:36 | |
I take it you work here? | 0:26:36 | 0:26:38 | |
Yes, I'm Jimmi Clay, one of the doctors. | 0:26:38 | 0:26:40 | |
Me, too. Jas. | 0:26:40 | 0:26:42 | |
Registrar. Joining you in a couple of days. | 0:26:42 | 0:26:46 | |
Part-time, it turns out. | 0:26:46 | 0:26:49 | |
Weren't expecting that, were you? | 0:26:49 | 0:26:52 | |
It's bad enough losing you both this afternoon. | 0:27:05 | 0:27:08 | |
You could some work while you're here. | 0:27:08 | 0:27:09 | |
On an ancient burial ground was it built, | 0:27:09 | 0:27:13 | |
the first Lord of Coulterdale was kicked to death by his own horses. | 0:27:13 | 0:27:16 | |
Can you reinvent the wheel on the sweet trolley... | 0:27:16 | 0:27:20 | |
..and bake your way to immortality? | 0:27:20 | 0:27:22 | |
How was that girl? You were with her a really long time. | 0:27:22 | 0:27:25 | |
Yeah. We managed to get to the bottom of it. | 0:27:25 | 0:27:27 | |
Now she can get the treatment she wants. | 0:27:27 | 0:27:29 | |
Subtitles by Red Bee Media Ltd | 0:27:49 | 0:27:52 |