Browse content similar to Virtuous Reality. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
You're unbelievable! | 0:00:32 | 0:00:34 | |
Yeah, well, you're the one who slept with my best mate! | 0:00:34 | 0:00:36 | |
Rico was consoling me! | 0:00:36 | 0:00:38 | |
What, by getting jiggy? | 0:00:38 | 0:00:39 | |
He was consoling me after I found them photos on your phone, | 0:00:39 | 0:00:42 | |
with that girl. | 0:00:42 | 0:00:43 | |
-Doesn't mean we had sex. -Well, you weren't giving her a pedicure! | 0:00:43 | 0:00:45 | |
-She threw herself at me! -In a hot tub?! | 0:00:45 | 0:00:48 | |
Yeah, there was a lot of soap. She must have slipped. | 0:00:48 | 0:00:51 | |
You're the one that slipped! You can't help yourself with girls. | 0:00:51 | 0:00:54 | |
Whoa, cut, cut, cut. | 0:00:54 | 0:00:55 | |
OK, Vicki, Diana would like you to say | 0:00:55 | 0:01:00 | |
"You're a tart...you're a male tart... | 0:01:00 | 0:01:04 | |
"You're the biggest male slapper in Letherbridge...that's what you are." | 0:01:04 | 0:01:09 | |
-OK? -That's a bit harsh. | 0:01:09 | 0:01:11 | |
Well, you are a slapper. | 0:01:11 | 0:01:12 | |
Well, the public don't think so. | 0:01:12 | 0:01:14 | |
No, they know you're a slapper, love you for it | 0:01:14 | 0:01:16 | |
and will delight in seeing you get your comeuppance. | 0:01:16 | 0:01:18 | |
Right, first positions and we'll take it from Vicki's line, | 0:01:18 | 0:01:22 | |
"You can't help yourself." | 0:01:22 | 0:01:24 | |
But I'm not meant to be doing home visits today. | 0:01:27 | 0:01:31 | |
No-one else is free. It is only a flu jab. | 0:01:31 | 0:01:35 | |
Sorry for stressing the financial, but we do get paid for those. | 0:01:35 | 0:01:38 | |
OK. Who's the patient? | 0:01:38 | 0:01:41 | |
Victoria Masterson. | 0:01:41 | 0:01:43 | |
THE Vicki Masterson? Let me see! | 0:01:44 | 0:01:47 | |
Oh, no way. It is her! | 0:01:48 | 0:01:50 | |
Should her name be of note? | 0:01:50 | 0:01:52 | |
Yeah! Oh, come on! | 0:01:52 | 0:01:53 | |
-SHE SINGS: -Been around, seen a bit. Lost in Letherbridge! | 0:01:53 | 0:01:59 | |
At this moment, I am indeed Lost in Letherbridge. | 0:01:59 | 0:02:02 | |
It's essential TV viewing. | 0:02:02 | 0:02:04 | |
It's like a documentary, only with real people acting out stories. | 0:02:04 | 0:02:08 | |
It's their real lives. | 0:02:08 | 0:02:09 | |
Well, I prefer my dramas to be done by real actors and writers, | 0:02:09 | 0:02:13 | |
who have spent years honing their craft. | 0:02:13 | 0:02:16 | |
Well, say what you like but it's bold and it's brash, | 0:02:16 | 0:02:19 | |
and I've got a ringside seat! | 0:02:19 | 0:02:20 | |
Watch out for that Troy. He's one for the ladies. | 0:02:20 | 0:02:24 | |
-Ah, so am I. -Good point. | 0:02:24 | 0:02:27 | |
Harrison, he's changed his plea. | 0:02:27 | 0:02:29 | |
What do you mean, changed? | 0:02:29 | 0:02:31 | |
He's pleading not guilty for Lauren and attempted manslaughter for Jack. | 0:02:31 | 0:02:34 | |
# I found your hairband on my bedroom floor | 0:02:39 | 0:02:42 | |
# The only evidence that you've been here before | 0:02:42 | 0:02:46 | |
# And I don't get waves of missing you any more | 0:02:46 | 0:02:48 | |
# They're more like tsunami tides in my eyes | 0:02:48 | 0:02:51 | |
# Never getting dry, so I get high | 0:02:51 | 0:02:52 | |
# Smoke away the days then I sleep with the light on | 0:02:52 | 0:02:55 | |
# Weeks pass in the blink of an eye | 0:02:55 | 0:02:56 | |
# And I'm still drunk at the end of the night | 0:02:56 | 0:02:58 | |
# I don't drink like everybody else | 0:02:58 | 0:02:59 | |
# I do it to forget things about myself, stumble and fall... # | 0:02:59 | 0:03:03 | |
His legal team must feel they're on strong ground. | 0:03:03 | 0:03:05 | |
But Rob caught him trying to suffocate Jack. | 0:03:05 | 0:03:07 | |
And I'm sure he did kill Miss Porter. | 0:03:07 | 0:03:10 | |
There's no evidence. | 0:03:10 | 0:03:11 | |
No evidence? | 0:03:11 | 0:03:12 | |
They couldn't find any forensics, | 0:03:12 | 0:03:14 | |
and Harrison is saying he was bullied into a confession. | 0:03:14 | 0:03:17 | |
I don't believe it! | 0:03:17 | 0:03:18 | |
With DCI Driver? They'll drill me on that, when we're called. | 0:03:18 | 0:03:22 | |
What do you mean, "called?" | 0:03:22 | 0:03:23 | |
His lawyers will be calling us as witnesses, mostly to discredit us. | 0:03:23 | 0:03:26 | |
If the jury believe him and not you...he could be released? | 0:03:27 | 0:03:32 | |
Guilt or innocence. Just a matter of opinion. | 0:03:32 | 0:03:36 | |
Oh, my... | 0:03:49 | 0:03:51 | |
It really is you! | 0:03:51 | 0:03:52 | |
Sorry? | 0:03:52 | 0:03:54 | |
Oh, sorry...I watch the show. | 0:03:54 | 0:03:58 | |
-OK. -But obviously I'm here as your nurse. | 0:03:58 | 0:04:01 | |
So, erm...you want a flu jab? | 0:04:01 | 0:04:05 | |
Oh, yeah. | 0:04:05 | 0:04:06 | |
Erm...you want to come in? | 0:04:06 | 0:04:09 | |
Yeah, course. | 0:04:09 | 0:04:12 | |
Imogen! I'm so sorry. | 0:04:20 | 0:04:23 | |
Interview with an American arts programme, | 0:04:23 | 0:04:25 | |
would not get off the idea that I was Stuckist, | 0:04:25 | 0:04:27 | |
said, "Could've been a Stuckist, but stuck to what he was brilliant at." | 0:04:27 | 0:04:31 | |
-You've had tea? -No. | 0:04:31 | 0:04:32 | |
Coffee? Champagne? | 0:04:32 | 0:04:34 | |
People, come on, what you playing at? | 0:04:34 | 0:04:37 | |
The lady must be dying of thirst! | 0:04:37 | 0:04:39 | |
It's good to see you. | 0:04:39 | 0:04:41 | |
You too. | 0:04:41 | 0:04:42 | |
I must show you everything, introduce you to all. | 0:04:42 | 0:04:44 | |
Stuckist! | 0:04:46 | 0:04:47 | |
That's like asking Corbusier if he did half-timbered. | 0:04:47 | 0:04:50 | |
Right. | 0:04:50 | 0:04:51 | |
Now, this piece is beyond conception, | 0:04:51 | 0:04:54 | |
it's a corporate commission. | 0:04:54 | 0:04:57 | |
We're giving them refracted light, shades of Platonism, | 0:04:57 | 0:05:00 | |
a comment on deviation from purity. | 0:05:00 | 0:05:02 | |
It's a critique of capitalism, natch, | 0:05:02 | 0:05:04 | |
but they'll never get the irony. | 0:05:04 | 0:05:08 | |
Like a little art bomb under the establishment. | 0:05:08 | 0:05:11 | |
Come on, lots to see. | 0:05:11 | 0:05:13 | |
Chop chop. | 0:05:13 | 0:05:14 | |
You want to film me? | 0:05:18 | 0:05:20 | |
You are our Deus ex Machina. | 0:05:20 | 0:05:22 | |
-Eh? -You've come to give me a message. | 0:05:22 | 0:05:25 | |
I've come to give you your flu jab. | 0:05:25 | 0:05:27 | |
That's the motivation, but the message is other. | 0:05:27 | 0:05:30 | |
Here. | 0:05:30 | 0:05:32 | |
-What's this? -A disclaimer. | 0:05:32 | 0:05:34 | |
It gives them permission to film you and put it on the telly. | 0:05:34 | 0:05:37 | |
Oh, you know, I really don't think my surgery would... | 0:05:37 | 0:05:39 | |
Yeah, it's the nurse, she's quibbling. | 0:05:39 | 0:05:41 | |
-No, no, no, I'm not, I just... -It's just one scene. | 0:05:41 | 0:05:43 | |
If not fifteen minutes of fame, certainly five. | 0:05:43 | 0:05:47 | |
Your chance to be part of Lost in Letherbridge. | 0:05:47 | 0:05:50 | |
OK. | 0:05:53 | 0:05:54 | |
No fee, unfortunately. | 0:05:54 | 0:05:56 | |
Right, let's crack on. | 0:05:56 | 0:05:58 | |
So, it's Vicki's revelation scene, with Nurse X. | 0:05:58 | 0:06:01 | |
Oh...it's, erm, erm...it's Mandy. | 0:06:01 | 0:06:02 | |
Sorry? | 0:06:02 | 0:06:03 | |
My name, it's Mandy. | 0:06:03 | 0:06:05 | |
Sure. OK, it's Vicki's revelation scene, with the lovely Nurse Mandy. | 0:06:05 | 0:06:10 | |
KNOCK ON DOOR | 0:06:15 | 0:06:16 | |
Just a moment. | 0:06:16 | 0:06:17 | |
I'm pregnant. | 0:06:24 | 0:06:25 | |
No, really? Oh, congratulations! | 0:06:25 | 0:06:29 | |
Too effusive! | 0:06:29 | 0:06:31 | |
What? | 0:06:31 | 0:06:32 | |
You're not a fan, girl, you're a nurse. | 0:06:32 | 0:06:35 | |
Yeah, but, I'd still say "congratulations." | 0:06:35 | 0:06:37 | |
More professional. Something like, "Well done. | 0:06:37 | 0:06:40 | |
"I'll take your blood pressure." | 0:06:40 | 0:06:42 | |
OK, but I've not got my sphygmomanometer. | 0:06:42 | 0:06:44 | |
A what? | 0:06:44 | 0:06:45 | |
It's what we use to take blood pressure. | 0:06:45 | 0:06:47 | |
Improvise. | 0:06:49 | 0:06:51 | |
Ready, here we go. | 0:06:51 | 0:06:53 | |
And...action! | 0:06:53 | 0:06:57 | |
I'm pregnant. | 0:06:57 | 0:06:59 | |
Aww, well done. I'll, erm... | 0:07:00 | 0:07:02 | |
..listen to your heart! | 0:07:05 | 0:07:07 | |
Actually, I was wondering how to get a DNA test. | 0:07:07 | 0:07:10 | |
DNA? | 0:07:10 | 0:07:12 | |
You see, I don't know if the baby's Troy's or... | 0:07:12 | 0:07:15 | |
if it's his best friend's. | 0:07:15 | 0:07:17 | |
-SHE GASPS -Rico! You slept with Rico?! | 0:07:17 | 0:07:20 | |
Cut! | 0:07:20 | 0:07:22 | |
Too much? | 0:07:23 | 0:07:24 | |
So, you'd say in general you enjoy a good standard of health? | 0:07:27 | 0:07:31 | |
Pretty much. | 0:07:31 | 0:07:33 | |
Get a bit down, now and then. | 0:07:33 | 0:07:36 | |
Had a serious relationship that broke up. | 0:07:36 | 0:07:39 | |
Break-ups are difficult. | 0:07:39 | 0:07:42 | |
As you know. | 0:07:42 | 0:07:44 | |
Sorry? | 0:07:44 | 0:07:45 | |
Like your relationship with Harrison Keller. | 0:07:45 | 0:07:48 | |
How did you...? | 0:07:48 | 0:07:49 | |
Recent developments slant things in his favour. | 0:07:49 | 0:07:52 | |
How do you feel about the possibility he may be released? | 0:07:52 | 0:07:54 | |
I don't... | 0:07:54 | 0:07:55 | |
Does the prospect alarm you? | 0:07:55 | 0:07:57 | |
-Look, I don't... -Or are you still in love with him? | 0:07:57 | 0:08:00 | |
You're a journalist! | 0:08:00 | 0:08:02 | |
Elaine, you have a story. | 0:08:02 | 0:08:05 | |
Unless there's a medical reason for you being here, I have to ask you to leave. | 0:08:05 | 0:08:08 | |
But this is a chance for you to get your side across. | 0:08:08 | 0:08:11 | |
I don't want to get my side across. Look, please... | 0:08:11 | 0:08:14 | |
I can see the strain you're under. | 0:08:14 | 0:08:17 | |
Sharing will help. | 0:08:17 | 0:08:18 | |
So, sleeping with Rico was revenge for what Troy did? | 0:08:20 | 0:08:23 | |
Well, sort of. | 0:08:23 | 0:08:25 | |
Troy's always played away, hasn't he? | 0:08:25 | 0:08:27 | |
It must be even worse now he's famous. | 0:08:27 | 0:08:29 | |
I do not know why you even take him back. | 0:08:29 | 0:08:31 | |
We've been together a long time. | 0:08:31 | 0:08:33 | |
You still love him? | 0:08:33 | 0:08:36 | |
He's the person I know best. But the thing is... | 0:08:36 | 0:08:38 | |
Yeah, but there's a baby now. | 0:08:38 | 0:08:40 | |
So, even if it isn't his, he's going to have to grow up. | 0:08:40 | 0:08:43 | |
Right. First positions, please. | 0:08:43 | 0:08:46 | |
So, Vicki has told Minxy Mandy about the sprog. | 0:08:46 | 0:08:51 | |
Rico's away in Faliraki, spinning the wheels of steel | 0:08:51 | 0:08:54 | |
and Troy Division returns to find out he may have passed his DNA down to the next generation. | 0:08:54 | 0:09:00 | |
A scary thought for us all, unless it's Rico's, which is even scarier. | 0:09:00 | 0:09:05 | |
Not too much slap, she's far more beautiful au naturel. | 0:09:05 | 0:09:11 | |
In my opinion. | 0:09:11 | 0:09:12 | |
Right, let's go for one. | 0:09:14 | 0:09:16 | |
Just a moment. I...I just need a moment. | 0:09:16 | 0:09:18 | |
Troy Boy's on his way. | 0:09:18 | 0:09:20 | |
I just feel a bit... | 0:09:20 | 0:09:22 | |
I won't be long. | 0:09:22 | 0:09:23 | |
You were involved with a man who's accused of murder. | 0:09:27 | 0:09:30 | |
That must be a burden. By talking about it... | 0:09:30 | 0:09:33 | |
I don't want to talk about it. Now, please leave! | 0:09:33 | 0:09:35 | |
What's going on? | 0:09:35 | 0:09:36 | |
This is a reporter, who registered as a patient. | 0:09:36 | 0:09:40 | |
Feeling better? | 0:09:40 | 0:09:41 | |
I'm just asking some questions. | 0:09:41 | 0:09:42 | |
If one of them's "Where's the door?" | 0:09:42 | 0:09:44 | |
-SHE KNOCKS -I'm not leaving until I've got my story. | 0:09:44 | 0:09:48 | |
Here's a story. My husband, a policeman, is on the other end of this. | 0:09:48 | 0:09:54 | |
You could report on how fast he gets here. | 0:09:54 | 0:09:56 | |
I'm calling my editor. | 0:09:56 | 0:09:57 | |
Oh, has he got a car with blue flashing lights? | 0:09:57 | 0:10:00 | |
OK. | 0:10:00 | 0:10:02 | |
-But just for the record... -PHONE CAMERA CLICKS | 0:10:02 | 0:10:04 | |
-Hey! -Right, come on. | 0:10:04 | 0:10:06 | |
There is such a thing as assault. | 0:10:06 | 0:10:08 | |
Oh, don't tempt me! | 0:10:08 | 0:10:09 | |
So, this whole pregnancy thing...it's made up? | 0:10:14 | 0:10:19 | |
Diana thought it would add controversy. | 0:10:19 | 0:10:22 | |
Is it Troy's or is it Rico's? | 0:10:22 | 0:10:24 | |
Get loads of publicity for the next series. | 0:10:24 | 0:10:27 | |
But Troy knows it isn't for real? | 0:10:27 | 0:10:30 | |
He's supposed to think it's real. | 0:10:31 | 0:10:33 | |
He finds out that I never really slept with Rico, | 0:10:34 | 0:10:36 | |
and that I just said that to wind him up and the baby's really his. | 0:10:36 | 0:10:40 | |
But there is no baby. | 0:10:40 | 0:10:41 | |
The story is that I lose it. | 0:10:42 | 0:10:45 | |
Tell Troy that I've had a miscarriage. | 0:10:45 | 0:10:49 | |
They want his reactions to be real. | 0:10:49 | 0:10:52 | |
That is cruel. | 0:10:52 | 0:10:53 | |
I know. I've been dreading today. | 0:10:53 | 0:10:55 | |
Then why are you going along with it? | 0:10:55 | 0:10:57 | |
I have to do it. It's in my contract. | 0:10:57 | 0:10:59 | |
Oh, tear it up! | 0:10:59 | 0:11:01 | |
Before this, I was running a salon that was going out of business, | 0:11:01 | 0:11:03 | |
the bank refused a loan, Troy was a promoter, | 0:11:03 | 0:11:06 | |
in debt up to his eyeballs. | 0:11:06 | 0:11:07 | |
So, this is about money? | 0:11:07 | 0:11:09 | |
It's about being someone. | 0:11:09 | 0:11:11 | |
You ARE someone. | 0:11:11 | 0:11:13 | |
It's about being somebody people notice. | 0:11:13 | 0:11:15 | |
Not just some stupid hairdresser. | 0:11:15 | 0:11:17 | |
You are far from stupid. | 0:11:17 | 0:11:19 | |
Then how come I really am pregnant? | 0:11:19 | 0:11:21 | |
What, if you didn't sleep with Rico, then the baby's... | 0:11:23 | 0:11:27 | |
Tim's. | 0:11:27 | 0:11:28 | |
The director's?! | 0:11:28 | 0:11:30 | |
Have you told him? | 0:11:34 | 0:11:36 | |
I don't know what he's going to say. | 0:11:36 | 0:11:38 | |
Well, he'll be pleased, hopefully. | 0:11:38 | 0:11:42 | |
Could you stay? Just till I've told him? | 0:11:42 | 0:11:46 | |
Yeah, course. | 0:11:48 | 0:11:50 | |
Behold the All-Seeing Eye. | 0:11:53 | 0:11:56 | |
Inspired by the Eye of Providence. | 0:11:56 | 0:11:58 | |
Sometimes interpreted as the Eye of God, all-watchful, | 0:11:58 | 0:12:04 | |
missing nothing, looking down on us. | 0:12:04 | 0:12:07 | |
It has its origins in the Egyptian Eye of Horus. | 0:12:07 | 0:12:10 | |
And in Hinduism, Lord Shiva has the all-seeing third eye in his forehead. | 0:12:10 | 0:12:15 | |
It's on the front cover of The Declaration of Human Rights | 0:12:15 | 0:12:18 | |
and on the Great Seal of the United States of America. | 0:12:18 | 0:12:22 | |
All-seeing, all-powerful, a statement of global reach, | 0:12:22 | 0:12:26 | |
or so they would like us to think. | 0:12:26 | 0:12:28 | |
So, it's political? | 0:12:28 | 0:12:30 | |
It's our existence. Do we exist if we aren't being observed? | 0:12:30 | 0:12:33 | |
Stand closer. | 0:12:35 | 0:12:36 | |
We are the observers and the observed. | 0:12:40 | 0:12:43 | |
In being observed, we are made real. | 0:12:45 | 0:12:47 | |
And we make others real by observing them. | 0:12:49 | 0:12:52 | |
Thus the All-Seeing Eye. | 0:12:52 | 0:12:54 | |
I'd like you to finish it. | 0:12:55 | 0:12:57 | |
-Me? -Mm-hm. | 0:12:58 | 0:13:01 | |
I'd like you to imbue it with your own spirit. | 0:13:01 | 0:13:04 | |
I don't think that I can. | 0:13:04 | 0:13:06 | |
But I say you will. | 0:13:06 | 0:13:08 | |
It can't be mine. | 0:13:11 | 0:13:12 | |
Tim! | 0:13:12 | 0:13:13 | |
We were using protection. | 0:13:13 | 0:13:14 | |
Well, condoms aren't always 100% safe. | 0:13:14 | 0:13:16 | |
It's got to be Troy's. | 0:13:16 | 0:13:18 | |
I haven't slept with Troy in five months. | 0:13:18 | 0:13:20 | |
And she's three months pregnant. | 0:13:20 | 0:13:22 | |
OK. If you want to go private, I'll pay. | 0:13:22 | 0:13:25 | |
I haven't thought about where I'm going to have it. | 0:13:25 | 0:13:27 | |
I mean an abortion. | 0:13:27 | 0:13:29 | |
You said you loved me. | 0:13:30 | 0:13:31 | |
You knew I was married. | 0:13:31 | 0:13:32 | |
You said you were going to leave her. | 0:13:32 | 0:13:34 | |
Vicki, this makes things very difficult. | 0:13:34 | 0:13:36 | |
For who? | 0:13:36 | 0:13:38 | |
If you insist on having this baby, you'll lose everything you've gained from the series. | 0:13:38 | 0:13:41 | |
The profile, the money. | 0:13:41 | 0:13:43 | |
What, and that's more important than a child? | 0:13:43 | 0:13:45 | |
-Are you her spokeswoman? -No, but... | 0:13:45 | 0:13:47 | |
I can speak for myself. | 0:13:47 | 0:13:49 | |
And what are you going to tell Troy? | 0:13:49 | 0:13:51 | |
That you were sleeping with me? | 0:13:51 | 0:13:53 | |
There's a way forward. | 0:13:55 | 0:13:57 | |
If you're so determined to have this baby, you can say it's Troy's. | 0:13:57 | 0:14:00 | |
-But I can't... -We'll just have to tell Diana and the broadcaster | 0:14:00 | 0:14:03 | |
that the pregnancy is for real. | 0:14:03 | 0:14:06 | |
I don't think they'll be very happy about it | 0:14:06 | 0:14:08 | |
but I'm sure they'll see the mileage. | 0:14:08 | 0:14:09 | |
A baby is the new accessory. You'll be right up there with Jordan | 0:14:09 | 0:14:13 | |
and that Beckham woman. The serious big time. | 0:14:13 | 0:14:16 | |
Are you going to buy that? | 0:14:16 | 0:14:18 | |
Nothing has ever given me chances like the show. | 0:14:20 | 0:14:22 | |
Oh, come on, but lying to Troy? To your baby? | 0:14:22 | 0:14:25 | |
What do you want me to do, walk away? | 0:14:25 | 0:14:27 | |
Yes! | 0:14:27 | 0:14:29 | |
This is about maximising my situation. | 0:14:29 | 0:14:32 | |
No, it's about exploiting it. | 0:14:32 | 0:14:35 | |
Mind you, that's what all this is about. | 0:14:36 | 0:14:38 | |
The eye is the bloodshot sentinel... | 0:14:43 | 0:14:46 | |
..and the red is the pain | 0:14:47 | 0:14:50 | |
and the stain of ceaseless observation. | 0:14:50 | 0:14:54 | |
And now...you continue. | 0:14:58 | 0:15:02 | |
Are you leaving? | 0:15:04 | 0:15:06 | |
Meetings. The bane of success. | 0:15:06 | 0:15:09 | |
But as someone once said... | 0:15:09 | 0:15:11 | |
I'll be back. | 0:15:11 | 0:15:12 | |
You're pregnant?! | 0:15:20 | 0:15:21 | |
Yeah. | 0:15:21 | 0:15:22 | |
Oh, woah! So, I'm going to be a dad?! | 0:15:22 | 0:15:26 | |
Is it a boy? | 0:15:26 | 0:15:28 | |
I haven't had a scan. | 0:15:28 | 0:15:29 | |
I'm sure it'll be a boy. | 0:15:29 | 0:15:30 | |
We can name him after my favourite DJ. | 0:15:30 | 0:15:33 | |
What? Fatboy Slim? | 0:15:33 | 0:15:34 | |
Nah! Armand Van Helden. | 0:15:34 | 0:15:36 | |
Armand's a nice name. | 0:15:36 | 0:15:38 | |
Van Helden. Van Helden Parker. | 0:15:38 | 0:15:41 | |
You don't mess with a name like that. | 0:15:41 | 0:15:43 | |
Hold on a minute, what about Rico? You said... | 0:15:43 | 0:15:45 | |
I only said I'd slept with Rico to wind you up. | 0:15:45 | 0:15:48 | |
Oh, yes! So, I get a son and my best mate back! | 0:15:48 | 0:15:52 | |
Oh! You're fantastic. | 0:15:52 | 0:15:54 | |
Look, I know I haven't been Mr Perfect, but that's all over. | 0:15:55 | 0:15:59 | |
From now on, it's about you and the baby. | 0:15:59 | 0:16:01 | |
-Troy... -I'm going to give him everything. | 0:16:01 | 0:16:03 | |
All the trips, all the treats, | 0:16:03 | 0:16:05 | |
-everything my old man didn't give to me. -Troy! | 0:16:05 | 0:16:09 | |
It's not your baby. | 0:16:09 | 0:16:10 | |
But I thought you said you didn't with Rico. | 0:16:12 | 0:16:15 | |
I didn't. | 0:16:15 | 0:16:18 | |
What, so there's someone else? | 0:16:18 | 0:16:20 | |
Elaine! | 0:16:32 | 0:16:34 | |
Troy! | 0:16:35 | 0:16:36 | |
I really do not think that is going to help! | 0:16:36 | 0:16:39 | |
-Yeah, well, made me feel better. -I know Krav Maga. | 0:16:39 | 0:16:41 | |
Oh, yeah, and who's that then? Some other bird you got up the duff? | 0:16:41 | 0:16:44 | |
It's a lethal martial art. | 0:16:44 | 0:16:45 | |
Well, I've done jujitsu, so come on then, bring it on, posh boy! | 0:16:45 | 0:16:49 | |
Come on then! Ow! | 0:16:49 | 0:16:51 | |
Stop it! Both of you! | 0:16:51 | 0:16:53 | |
Stop it! | 0:16:53 | 0:16:54 | |
Why? | 0:16:57 | 0:16:58 | |
I'm sorry. | 0:16:59 | 0:17:00 | |
Well, that was emotional. | 0:17:08 | 0:17:11 | |
At least, in the story, we can say that Troy denies the sprog is his. | 0:17:11 | 0:17:14 | |
Don't you have any feelings? | 0:17:14 | 0:17:16 | |
-Where do feelings come into it? -It's your baby! | 0:17:16 | 0:17:18 | |
I already have children. | 0:17:18 | 0:17:20 | |
And they're more important than this one? | 0:17:20 | 0:17:22 | |
-You don't think I'm going to compare... -OUT! | 0:17:22 | 0:17:24 | |
Vicki... | 0:17:24 | 0:17:25 | |
I'm sick of you, I'm sick of this camera, I'm sick of everything! | 0:17:25 | 0:17:29 | |
And what would your life will be like without it? | 0:17:29 | 0:17:32 | |
Better. Now get out! | 0:17:32 | 0:17:34 | |
Oh... | 0:17:41 | 0:17:43 | |
I'm ringing the editor. | 0:17:46 | 0:17:47 | |
I'm also contacting the police about trespass. | 0:17:47 | 0:17:50 | |
Dr Cassidy, I fully understand if you need to take some time off. | 0:17:50 | 0:17:53 | |
It's fine, we're overstretched as it is. | 0:17:53 | 0:17:55 | |
Well, that's very kind. I appreciate it. | 0:17:55 | 0:17:57 | |
I should have grabbed her phone, the scheming... | 0:17:57 | 0:17:59 | |
We are under siege from reporters! | 0:17:59 | 0:18:01 | |
I have locked the door and the windows. | 0:18:01 | 0:18:04 | |
This is not what is meant by freedom of the press! | 0:18:04 | 0:18:07 | |
I'll shift them. But we have to be vigilant. | 0:18:07 | 0:18:10 | |
This case is still sub judice so the press will have to be reminded of that. | 0:18:10 | 0:18:13 | |
Let's not be intimidated. | 0:18:13 | 0:18:15 | |
This is about force protection. We look after our own. | 0:18:15 | 0:18:18 | |
PHONE RINGS | 0:18:18 | 0:18:20 | |
Hello? | 0:18:23 | 0:18:24 | |
-How did you get my number? -Give it to me. | 0:18:25 | 0:18:28 | |
No, no, I don't have anything to say! | 0:18:28 | 0:18:30 | |
There you are. | 0:18:37 | 0:18:38 | |
You've done the right thing. | 0:18:40 | 0:18:42 | |
What, getting pregnant by the director? | 0:18:42 | 0:18:44 | |
Telling Troy. | 0:18:44 | 0:18:46 | |
It might have been better if I'd pretended it was his. | 0:18:46 | 0:18:48 | |
No, it's not you. | 0:18:49 | 0:18:51 | |
KNOCK ON DOOR | 0:18:51 | 0:18:53 | |
I'll get it. | 0:18:53 | 0:18:54 | |
If it isn't Jackie Chan. | 0:19:08 | 0:19:10 | |
Yeah, I guess I wasn't quite on the money about the jujitsu thing. | 0:19:10 | 0:19:13 | |
More like a black belt in origami. | 0:19:13 | 0:19:15 | |
I meant what I said, about being sorry. I... | 0:19:15 | 0:19:17 | |
It's OK, I deserved it. | 0:19:17 | 0:19:19 | |
I didn't do it to get back at you. | 0:19:19 | 0:19:20 | |
Not even if I am the biggest slapper in Letherbridge? | 0:19:20 | 0:19:23 | |
I'd better get back. | 0:19:25 | 0:19:27 | |
You never did give me that flu jab. | 0:19:27 | 0:19:29 | |
-Well, you can... -You'd better have it, now the baby's coming. | 0:19:29 | 0:19:33 | |
OK. | 0:19:37 | 0:19:38 | |
# It's OK to say you've got a weak spot | 0:19:39 | 0:19:43 | |
# You don't always have to be on top | 0:19:43 | 0:19:46 | |
# Better to be hated... # | 0:19:46 | 0:19:49 | |
Aye, aye, what's going on here? | 0:19:49 | 0:19:52 | |
This is Kingsley's most personal piece. | 0:19:52 | 0:19:54 | |
It's a critique of perception. | 0:19:54 | 0:19:56 | |
We only perceive ourselves to be real when we're being observed. | 0:19:56 | 0:20:00 | |
I perceive that Kingsley is nowhere to be seen. | 0:20:00 | 0:20:03 | |
He's got meetings. | 0:20:03 | 0:20:05 | |
So, even though it's his most personal piece, | 0:20:05 | 0:20:07 | |
he's not working on it himself? | 0:20:07 | 0:20:09 | |
It's his concept and he's... | 0:20:09 | 0:20:11 | |
Got you doing all the donkey work. | 0:20:11 | 0:20:12 | |
It's not donkey work. | 0:20:12 | 0:20:13 | |
All the masters of Renaissance all had apprentices. | 0:20:13 | 0:20:16 | |
And how much were they paid? | 0:20:16 | 0:20:18 | |
You are getting paid? | 0:20:18 | 0:20:19 | |
We haven't talked about money yet. | 0:20:19 | 0:20:21 | |
That would have been my first conversation. | 0:20:21 | 0:20:23 | |
Well, things are different in art. | 0:20:23 | 0:20:25 | |
What, like artists don't need to eat? | 0:20:25 | 0:20:28 | |
Did Dad send you here to check up on me? | 0:20:28 | 0:20:30 | |
No. | 0:20:30 | 0:20:32 | |
It's Harrison. He's changed his plea. | 0:20:32 | 0:20:35 | |
Attempted manslaughter. | 0:20:35 | 0:20:38 | |
Jack, he tried to kill you to get you out of the way. | 0:20:38 | 0:20:41 | |
Mum and Dad are bouncing off the walls. | 0:20:41 | 0:20:42 | |
Mum wants to go to the prison and throttle him herself. | 0:20:42 | 0:20:45 | |
What's he saying about Lauren? | 0:20:45 | 0:20:46 | |
Saying he's not guilty. | 0:20:46 | 0:20:48 | |
He could end up getting off both charges. | 0:20:48 | 0:20:50 | |
What, that's just... | 0:20:50 | 0:20:52 | |
Oh, no! | 0:20:52 | 0:20:53 | |
It's just paint. | 0:20:53 | 0:20:56 | |
It's ruined! | 0:20:56 | 0:20:57 | |
-Just touch it up. -Kingsley's going to go nuts. | 0:20:57 | 0:20:59 | |
This is my big chance and I've blown it on the first day! | 0:20:59 | 0:21:02 | |
Let's try and fix it. | 0:21:02 | 0:21:03 | |
Jack! | 0:21:03 | 0:21:04 | |
-Come on, I'll give you a hand. -You? | 0:21:04 | 0:21:06 | |
I'm not that much of a numpty. I'm more use than that lot out there. | 0:21:06 | 0:21:09 | |
We can have a normal life together. | 0:21:11 | 0:21:14 | |
-We're debt-free, the salon's doing better, I could get a job. -Troy... | 0:21:14 | 0:21:16 | |
It can be like it used to, going down your mum's on Sundays, | 0:21:16 | 0:21:20 | |
staying at that old mill place in Devon, where we always used to. | 0:21:20 | 0:21:22 | |
-Troy, look... -I know I'm not the baby's father, the real father, but... | 0:21:22 | 0:21:26 | |
Troy, we're just friends. | 0:21:26 | 0:21:28 | |
That's all we've been for while now. | 0:21:28 | 0:21:30 | |
Really good friends, but... | 0:21:31 | 0:21:33 | |
Just friends. | 0:21:34 | 0:21:36 | |
Yeah... | 0:21:38 | 0:21:40 | |
I know. | 0:21:40 | 0:21:41 | |
I just...I just want to help. | 0:21:41 | 0:21:44 | |
You can. | 0:21:45 | 0:21:47 | |
Who's that on the cover? | 0:21:48 | 0:21:50 | |
You. | 0:21:50 | 0:21:52 | |
It's us. | 0:21:52 | 0:21:53 | |
Lost in Letherbridge was about us. Except it wasn't. | 0:21:53 | 0:21:57 | |
No? | 0:21:57 | 0:21:58 | |
It was about how Tim wanted people to see us, | 0:21:58 | 0:22:00 | |
how the producers wanted people to see us. | 0:22:00 | 0:22:03 | |
Why not show the audience the real, real us? | 0:22:03 | 0:22:08 | |
What, like our own show? | 0:22:08 | 0:22:10 | |
Carpe diem. | 0:22:10 | 0:22:12 | |
Is it about fishing? | 0:22:12 | 0:22:14 | |
Let's build on what we've got. We're the stars. | 0:22:14 | 0:22:16 | |
If we're going to sell ourselves, let's do it on our own terms. | 0:22:16 | 0:22:18 | |
Does Rico have to be in it? | 0:22:20 | 0:22:22 | |
Hmm... | 0:22:22 | 0:22:24 | |
No. | 0:22:24 | 0:22:25 | |
Remember when I chipped the dining room table with that cricket bat? | 0:22:30 | 0:22:33 | |
And gluing that chunk back on? | 0:22:33 | 0:22:35 | |
You did it so well, they never noticed for years. | 0:22:35 | 0:22:38 | |
Maybe I should have a sideline in furniture repairs. | 0:22:38 | 0:22:41 | |
You'll have to if Kingsley isn't paying you. | 0:22:41 | 0:22:43 | |
You looking forward to London? | 0:22:46 | 0:22:47 | |
Yeah, course. | 0:22:47 | 0:22:50 | |
It's going to be a bit strange not being around everyone. | 0:22:50 | 0:22:53 | |
Yeah, it will. | 0:22:54 | 0:22:56 | |
See? Doesn't look too bad. | 0:22:59 | 0:23:01 | |
I'm sure he'll notice. | 0:23:01 | 0:23:03 | |
If he does, just bill him for the extra work. | 0:23:03 | 0:23:05 | |
You so sound like a lawyer. | 0:23:05 | 0:23:07 | |
I mean it, Im, don't work for free. | 0:23:07 | 0:23:09 | |
Thanks. | 0:23:11 | 0:23:12 | |
What's a brother for? | 0:23:13 | 0:23:15 | |
PHONE RINGS | 0:23:20 | 0:23:22 | |
Look, I've told you once... | 0:23:24 | 0:23:26 | |
LINE BEEPS | 0:23:26 | 0:23:28 | |
-LINE GOES DEAD -Hello? | 0:23:28 | 0:23:30 | |
HE WHISTLES | 0:23:38 | 0:23:39 | |
Wow! | 0:23:39 | 0:23:40 | |
Sorry. | 0:23:40 | 0:23:42 | |
You've really caught the motion, the intensity of the gaze. | 0:23:42 | 0:23:46 | |
Great technique on the montage, too. | 0:23:47 | 0:23:50 | |
Seamless application... | 0:23:54 | 0:23:57 | |
What's this? | 0:23:59 | 0:24:01 | |
I can explain. | 0:24:01 | 0:24:02 | |
I don't require an explanation. | 0:24:02 | 0:24:04 | |
I can see for myself. | 0:24:07 | 0:24:09 | |
It's a tear. | 0:24:10 | 0:24:11 | |
A tear we all shed for our being under relentless scrutiny. | 0:24:11 | 0:24:16 | |
The private sorrow of the publicly observed. | 0:24:16 | 0:24:19 | |
Kingsley? | 0:24:21 | 0:24:23 | |
Hm? | 0:24:23 | 0:24:23 | |
Erm...I was just wondering if I, erm...might get paid? | 0:24:23 | 0:24:29 | |
Rewards will come. | 0:24:30 | 0:24:32 | |
But... | 0:24:32 | 0:24:33 | |
Intellectually and spiritually. | 0:24:33 | 0:24:36 | |
Artistically. | 0:24:37 | 0:24:38 | |
And bodily. | 0:24:41 | 0:24:42 | |
So, it's a double celebration. | 0:24:48 | 0:24:49 | |
Not just for the much anticipated new cast member | 0:24:49 | 0:24:54 | |
but also for the announcement of our new series - Our Real Lives. | 0:24:54 | 0:24:58 | |
Made directly through the broadcaster, | 0:24:58 | 0:25:00 | |
-with our own production company, -VicTroy Films. | 0:25:00 | 0:25:04 | |
This time, it will be our real, real lives. Complete, uncut. | 0:25:04 | 0:25:10 | |
In the raw. Grrrr! | 0:25:10 | 0:25:13 | |
(Not too much, Troy.) | 0:25:13 | 0:25:15 | |
(Sorry.) | 0:25:15 | 0:25:16 | |
# Hold me in your arms | 0:25:17 | 0:25:22 | |
# And your heart's against my chest | 0:25:24 | 0:25:28 | |
# Lips pressed to my neck | 0:25:28 | 0:25:31 | |
# I'm falling for your eyes | 0:25:31 | 0:25:34 | |
# But they don't know me yet | 0:25:34 | 0:25:38 | |
# And with a feeling I'll forget | 0:25:38 | 0:25:40 | |
# I'm in love now | 0:25:40 | 0:25:43 | |
# Kiss me like you want to be loved | 0:25:43 | 0:25:47 | |
# You want to be loved | 0:25:48 | 0:25:51 | |
# You want to be loved | 0:25:51 | 0:25:54 | |
# This feels like falling in love... # | 0:25:56 | 0:26:00 | |
PHONE RINGS | 0:26:03 | 0:26:05 | |
Look, I've had just about enough... | 0:26:08 | 0:26:10 | |
Elaine? | 0:26:10 | 0:26:12 | |
Elaine? | 0:26:15 | 0:26:17 | |
Elaine? | 0:26:21 | 0:26:23 | |
Elaine..? | 0:26:29 | 0:26:30 | |
Can you hear me? | 0:26:31 | 0:26:33 | |
Can I have a few minutes? | 0:26:34 | 0:26:36 | |
Have you been following me? | 0:26:36 | 0:26:37 | |
Sorry, I saw the article, can we talk? | 0:26:37 | 0:26:40 | |
Harrison had an affair with Kate. | 0:26:40 | 0:26:42 | |
My wife. | 0:26:42 | 0:26:44 | |
Right. | 0:26:44 | 0:26:46 | |
Dr Cassidy, I need to know what he did! | 0:26:46 | 0:26:48 | |
With the body, I mean. | 0:26:48 | 0:26:49 | |
Subtitles by Red Bee Media Ltd | 0:26:52 | 0:26:54 |