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HEAVY BREATHING | 0:00:38 | 0:00:41 | |
DOORBELL RINGS | 0:01:11 | 0:01:14 | |
DOORBELL RINGS AGAIN | 0:01:17 | 0:01:20 | |
-This your artwork, is it? -Sorry, mate, got to go. | 0:01:55 | 0:01:58 | |
You're going nowhere, mate. | 0:01:58 | 0:02:00 | |
Whatever! | 0:02:00 | 0:02:01 | |
Ah, there you are. | 0:02:05 | 0:02:07 | |
Jed. What's happened? | 0:02:07 | 0:02:09 | |
Nothing's happened. | 0:02:09 | 0:02:10 | |
Zara's given me a list of various things she needs, clothes and so on. | 0:02:10 | 0:02:14 | |
Well, why don't give me ten minutes to freshen up? | 0:02:14 | 0:02:16 | |
If you don't mind, I'd like to get this over with. | 0:02:16 | 0:02:19 | |
Sorry, the place is a bit of a mess. | 0:02:23 | 0:02:25 | |
Yeah, I noticed. | 0:02:25 | 0:02:26 | |
She's given me fairly detailed instructions, | 0:02:26 | 0:02:28 | |
-so it shouldn't take long. -Well, why don't I go through the list, | 0:02:28 | 0:02:31 | |
and you could pop round the corner and get a coffee. | 0:02:31 | 0:02:33 | |
There's no need. I'm perfectly capable of... | 0:02:33 | 0:02:35 | |
DOOR CLOSES | 0:02:35 | 0:02:37 | |
Have you got someone with you? | 0:02:37 | 0:02:39 | |
-No. Of course not. -Morning. So that'll be four hundred... | 0:02:39 | 0:02:42 | |
Oh, I can explain. | 0:02:43 | 0:02:45 | |
Don't bother! | 0:02:46 | 0:02:47 | |
How about we go through to my office, and discuss the cleaning bill. | 0:02:52 | 0:02:55 | |
-I don't think so. -OK, we'll call the police. | 0:02:55 | 0:02:57 | |
No, I'm really sorry. Please don't call the police. | 0:02:57 | 0:03:01 | |
Aaargh! | 0:03:01 | 0:03:02 | |
Oi! | 0:03:03 | 0:03:04 | |
I'm really sorry if I messed things up for you. | 0:03:10 | 0:03:12 | |
Don't worry. | 0:03:12 | 0:03:13 | |
Was that your dad? | 0:03:13 | 0:03:14 | |
Just go, please. | 0:03:17 | 0:03:19 | |
Right. I'm off. | 0:03:28 | 0:03:30 | |
Look, I know this doesn't look good, | 0:03:30 | 0:03:33 | |
but I've been under a lot of stress at work recently. | 0:03:33 | 0:03:36 | |
Yes, I used to suffer from stress. That's why I took up fishing. | 0:03:36 | 0:03:39 | |
But I suppose we all have different methods. | 0:03:39 | 0:03:41 | |
-But I... -Don't waste your breath. | 0:03:41 | 0:03:43 | |
You know, I kept telling Zara she should give you another chance. | 0:03:43 | 0:03:47 | |
Now I realise she had a lucky escape. | 0:03:47 | 0:03:50 | |
Sometimes I wonder what the world is coming to. | 0:03:57 | 0:03:59 | |
Well, maybe not the whole world, just a few bad eggs. | 0:03:59 | 0:04:02 | |
It only takes one rotten egg to ruin the whole pavlova. | 0:04:02 | 0:04:06 | |
Mrs Tembe, I can't really wear this shirt. | 0:04:06 | 0:04:08 | |
Is there anything in lost property? | 0:04:08 | 0:04:10 | |
It is not Savile Row, but I will take a look. | 0:04:10 | 0:04:14 | |
You know, what gets me is that he felt free | 0:04:14 | 0:04:16 | |
to splatter me with paint, | 0:04:16 | 0:04:18 | |
yet if I'd laid one finger on him I'd have been arrested | 0:04:18 | 0:04:21 | |
for assaulting a minor. | 0:04:21 | 0:04:23 | |
Well, if I saw him, believe me, | 0:04:23 | 0:04:26 | |
I know many ways to bring a young man to submission. | 0:04:26 | 0:04:30 | |
If you see him, I very much hope you tell me first. | 0:04:30 | 0:04:33 | |
If you say so. | 0:04:33 | 0:04:35 | |
Now... | 0:04:35 | 0:04:36 | |
This is the only garment that I could find that is in your... | 0:04:36 | 0:04:41 | |
Size. | 0:04:44 | 0:04:46 | |
Morning, Mrs Tembe! | 0:04:50 | 0:04:52 | |
Yes... Good morning, good morning, Dr Clay! | 0:04:53 | 0:04:58 | |
Well, I suppose it'll have to do. | 0:04:58 | 0:05:00 | |
I'm not surprised whoever left it didn't return for it. | 0:05:00 | 0:05:03 | |
There was an incident involving a young man with a paintball gun | 0:05:03 | 0:05:06 | |
and an aerosol. | 0:05:06 | 0:05:07 | |
Morning! | 0:05:07 | 0:05:09 | |
Nobody told me it was dress down Friday. | 0:05:09 | 0:05:11 | |
Who was he? | 0:05:11 | 0:05:12 | |
I don't know. Just some random, feral youth. | 0:05:12 | 0:05:15 | |
-That's not very helpful. -What? | 0:05:15 | 0:05:17 | |
Calling young people feral. They are people after all. | 0:05:17 | 0:05:20 | |
Of course! I didn't realise you were all for hugging hoodies. | 0:05:20 | 0:05:24 | |
I wouldn't go as far as that, but with all the problems in the world - | 0:05:24 | 0:05:27 | |
broken families, cyberbullying - a lot of young people | 0:05:27 | 0:05:30 | |
have very hard lives. | 0:05:30 | 0:05:32 | |
Well, thank goodness I was around for him | 0:05:32 | 0:05:34 | |
to express his creativity on. | 0:05:34 | 0:05:35 | |
Morning! | 0:05:40 | 0:05:42 | |
How was last night? | 0:05:42 | 0:05:43 | |
-What? -You and Daniel? | 0:05:43 | 0:05:45 | |
Oh yeah, yeah, it was great. Had a right laugh. | 0:05:45 | 0:05:48 | |
VOICEMAIL: Hi, this is Zara Carmichael. | 0:06:12 | 0:06:14 | |
Leave a message and I'll get back to you. | 0:06:14 | 0:06:17 | |
PHONE RINGS | 0:06:26 | 0:06:29 | |
Hello? | 0:06:29 | 0:06:30 | |
Daniel, Howard. | 0:06:30 | 0:06:32 | |
Oh, yes. | 0:06:32 | 0:06:34 | |
-Where are you? -Erm... | 0:06:34 | 0:06:36 | |
I'm so sorry... | 0:06:36 | 0:06:38 | |
I must have lost track of time. | 0:06:38 | 0:06:40 | |
That's no excuse! I need you here pronto. | 0:06:40 | 0:06:42 | |
Yes, of course. Yep. | 0:06:42 | 0:06:44 | |
Typical. | 0:06:54 | 0:06:57 | |
Well, I'm sorry, but I've never heard of him. | 0:07:03 | 0:07:06 | |
Mum, he's Kingsley Apollo. He's like the next Damien Hirst. | 0:07:06 | 0:07:10 | |
Oh, right! And who's he when he's at home? | 0:07:10 | 0:07:14 | |
Oh, Karen. You don't know who Damien Hirst is? | 0:07:14 | 0:07:17 | |
He's only one of the foremost pioneers of the Brit Art movement, | 0:07:17 | 0:07:20 | |
famous for his pickled shark and dissected sheep. | 0:07:20 | 0:07:24 | |
She showed me on Wikipedia. | 0:07:24 | 0:07:26 | |
So what are you going to be doing? | 0:07:26 | 0:07:28 | |
He hasn't said, but I think that he wants me to do some modelling. | 0:07:28 | 0:07:32 | |
Oh wow! You could be like the Mona Lisa. | 0:07:32 | 0:07:36 | |
In years to come, you could be on biscuit tins. | 0:07:36 | 0:07:38 | |
How can you work for him, and go to art school? | 0:07:38 | 0:07:40 | |
I thought you wanted to get some qualifications under your belt. | 0:07:40 | 0:07:42 | |
I can still do both. And in this industry personal contact | 0:07:42 | 0:07:45 | |
is much more important, | 0:07:45 | 0:07:47 | |
and this is a great chance for me to get some hands-on experience. | 0:07:47 | 0:07:49 | |
Yeah, it's where this Kingsley puts his hands that worries me. | 0:07:49 | 0:07:52 | |
I knew you'd be like this! | 0:07:52 | 0:07:54 | |
You're so small-minded, and petty, and bourgeois! | 0:07:54 | 0:07:57 | |
Hey, I never knew I was bourgeois. | 0:07:57 | 0:08:00 | |
Why do you have to be such a wet blanket? | 0:08:00 | 0:08:02 | |
She's got the chance to work with a local artist. | 0:08:02 | 0:08:04 | |
Oh... Right, that's why you're so keen? | 0:08:06 | 0:08:09 | |
-What? -Working with a local artist? | 0:08:09 | 0:08:11 | |
You think she might stay in Letherbridge? | 0:08:11 | 0:08:14 | |
I don't know, could be. | 0:08:14 | 0:08:15 | |
Yeah, well, I've met this bloke, | 0:08:15 | 0:08:17 | |
and I wouldn't trust him as far as I could throw him. | 0:08:17 | 0:08:20 | |
No surprise there. But can we at least go to this thing tonight, | 0:08:20 | 0:08:24 | |
show support? | 0:08:24 | 0:08:25 | |
I fully intend to. | 0:08:25 | 0:08:28 | |
KNOCK AT DOOR | 0:08:28 | 0:08:29 | |
Come in! | 0:08:29 | 0:08:30 | |
Ah, Dr Cassidy! What can I do you for? | 0:08:30 | 0:08:33 | |
I just wanted to say I'm sorry if I seemed unsympathetic earlier. | 0:08:33 | 0:08:37 | |
What are you doing? | 0:08:37 | 0:08:38 | |
I found this. | 0:08:38 | 0:08:40 | |
That little...useful member of society left his phone behind. | 0:08:40 | 0:08:43 | |
I was hoping to find his contact details, | 0:08:43 | 0:08:45 | |
-and maybe get in touch with his parents. -I see. | 0:08:45 | 0:08:48 | |
And you may find this interesting. | 0:08:48 | 0:08:50 | |
-What is it? -It's a gallery. | 0:08:50 | 0:08:52 | |
Of all his glorious graffiti. | 0:08:52 | 0:08:55 | |
He's put his tag on half of Letherbridge. | 0:08:58 | 0:09:01 | |
No doubt you think that it's vital self-expression. | 0:09:01 | 0:09:04 | |
I do, actually. | 0:09:04 | 0:09:06 | |
I'm not saying I approve, but graffiti can be a young person's | 0:09:06 | 0:09:09 | |
way of stamping their identity on a landscape they may find hostile. | 0:09:09 | 0:09:13 | |
But is it art? | 0:09:13 | 0:09:15 | |
MUSIC: "Strange News From The Other Star" by Blur | 0:09:16 | 0:09:19 | |
Oi mate, what are you doing?! | 0:09:31 | 0:09:34 | |
Go on, get lost! | 0:09:34 | 0:09:35 | |
Don't you stare at me! | 0:09:40 | 0:09:41 | |
What's going on? | 0:09:45 | 0:09:47 | |
Some little vandal's just sprayed his crud | 0:09:47 | 0:09:49 | |
all over my rear entrance. | 0:09:49 | 0:09:52 | |
You can say it was a guest work of art. | 0:09:52 | 0:09:54 | |
I don't think anybody would pay six million quid for that, do you? | 0:09:54 | 0:09:56 | |
I'm sure that no-one will see it. | 0:09:56 | 0:09:58 | |
I don't think you realise how much this means to me. | 0:09:58 | 0:10:02 | |
I gave blood, sweat and tears to buy this place. | 0:10:02 | 0:10:04 | |
I mean Blood, Sweat and Tears, the sculpture I sold to Tate Modern. | 0:10:06 | 0:10:10 | |
I saw that! The one of a little boy crying, | 0:10:10 | 0:10:12 | |
-made from your own bodily fluids. -Mhmm. | 0:10:12 | 0:10:15 | |
That's right. And that little boy was me. | 0:10:15 | 0:10:17 | |
You know, I'm crying for all the critics who said | 0:10:17 | 0:10:19 | |
I wouldn't make it. | 0:10:19 | 0:10:21 | |
All those teachers who said, "Stop dreaming." | 0:10:21 | 0:10:26 | |
That's why you must never stop dreaming. | 0:10:27 | 0:10:30 | |
Promise me that, Imogen. | 0:10:30 | 0:10:32 | |
That you'll never give up your dream. | 0:10:34 | 0:10:36 | |
Is everything all right, Mr Bellamy? | 0:10:43 | 0:10:45 | |
Not exactly, no. | 0:10:45 | 0:10:46 | |
I've just been on the phone to the father | 0:10:46 | 0:10:48 | |
-of our little painter and decorator. -What did he say? | 0:10:48 | 0:10:51 | |
Well, I can't tell you the exact words, but essentially he told me | 0:10:51 | 0:10:53 | |
to Foxtrot Oscar. | 0:10:53 | 0:10:55 | |
I am appalled. | 0:10:55 | 0:10:56 | |
This whole country is going to hell in a handcart. | 0:10:56 | 0:10:59 | |
Well, we can try and pull it back from the brink. | 0:10:59 | 0:11:02 | |
But thanks to our database, I've managed to find out where he lives. | 0:11:02 | 0:11:05 | |
So I think it's time for a home visit. | 0:11:05 | 0:11:07 | |
So, let me know if you have any problems with the medication. | 0:11:07 | 0:11:10 | |
Otherwise, I'll see you in six weeks. | 0:11:10 | 0:11:13 | |
Oi, oi! Who's the dirty stop-out? | 0:11:13 | 0:11:16 | |
What? | 0:11:16 | 0:11:17 | |
So, what's it like being young, free and back on the love train? | 0:11:17 | 0:11:20 | |
What's it like to be a walking cliche? | 0:11:20 | 0:11:22 | |
Sorry, mate, I was only trying to be friendly. | 0:11:23 | 0:11:25 | |
Yeah, well, I decided to upgrade my circle of friends. | 0:11:25 | 0:11:28 | |
Nice knowing you. | 0:11:28 | 0:11:29 | |
PHONE RINGS | 0:11:36 | 0:11:39 | |
Hello? | 0:11:42 | 0:11:43 | |
Doctor Granger, it's Sarah here from Wonderkids Toys. | 0:11:43 | 0:11:46 | |
-Yes? -You ordered a junior activity gym from us six weeks ago. | 0:11:46 | 0:11:50 | |
Do you remember? | 0:11:50 | 0:11:52 | |
Oh... | 0:11:52 | 0:11:53 | |
Well, it's in stock now, so we just wondered | 0:11:53 | 0:11:55 | |
when you were going to come and collect it? | 0:11:55 | 0:11:58 | |
I'll collect it soon, thank you. | 0:11:58 | 0:12:02 | |
I don't know what's got into him. | 0:12:06 | 0:12:09 | |
Well, he has just lost his son and his girlfriend. | 0:12:09 | 0:12:11 | |
So you'd think he'd want to hold onto the few friends he's got left. | 0:12:11 | 0:12:15 | |
Yeah, I think he's finding it tough. | 0:12:15 | 0:12:17 | |
He's a survivor. He'll pull through. | 0:12:17 | 0:12:18 | |
All right, mate. | 0:12:24 | 0:12:25 | |
Mr Potts. We spoke on the phone earlier. | 0:12:25 | 0:12:28 | |
Howard Bellamy, Mill Health Centre. | 0:12:28 | 0:12:31 | |
-Get lost. -Not till I've given you this bill for your son's activities. | 0:12:31 | 0:12:34 | |
-What?! -Dry cleaning £20. Damage to wall £50. | 0:12:34 | 0:12:37 | |
I also think we should talk about your son's welfare. | 0:12:37 | 0:12:40 | |
You are not getting one penny of my money! | 0:12:40 | 0:12:43 | |
That's what you think. | 0:12:47 | 0:12:48 | |
Hiya, tenner, was it? | 0:12:50 | 0:12:52 | |
-Yes. -There you go. | 0:12:52 | 0:12:54 | |
-Cheers. -Cheers. | 0:12:55 | 0:12:57 | |
-There you go, mate. -Thanks. | 0:13:06 | 0:13:08 | |
Now we can talk about your son's behaviour over pizza. | 0:13:08 | 0:13:11 | |
I've got nothing to say to you! | 0:13:18 | 0:13:21 | |
OK. Do you want me to call the police or Social Services? | 0:13:21 | 0:13:23 | |
I don't give a monkey's. | 0:13:23 | 0:13:25 | |
I couldn't care if he poured paint all over your poxy medical practice. | 0:13:25 | 0:13:28 | |
I see. | 0:13:28 | 0:13:30 | |
Have you got a problem with the Mill Health Centre? | 0:13:30 | 0:13:33 | |
Yeah. | 0:13:33 | 0:13:34 | |
You murdered my wife. | 0:13:34 | 0:13:35 | |
KNOCK AT DOOR | 0:13:38 | 0:13:40 | |
Come in. | 0:13:40 | 0:13:42 | |
Hey. How's it going? | 0:13:42 | 0:13:44 | |
-How's what going? -You know...stuff. | 0:13:44 | 0:13:47 | |
Eh... What do you think?! | 0:13:47 | 0:13:50 | |
I know things are bad, but do you fancy going out for a drink tonight? | 0:13:51 | 0:13:55 | |
I'm not in the mood for your bromance, thank you. | 0:13:55 | 0:13:57 | |
Look, I know how you must be feeling. | 0:13:59 | 0:14:01 | |
How can you possibly know how I feel? | 0:14:01 | 0:14:03 | |
Because if anything happened to Cherry, I'd be devastated. | 0:14:04 | 0:14:06 | |
Don't compare Cherry to Zara! | 0:14:06 | 0:14:09 | |
Zara is a woman. Princess Pinky is an inflatable doll. | 0:14:09 | 0:14:13 | |
You only married her because you couldn't face up to somebody actually challenging you. | 0:14:13 | 0:14:17 | |
So why don't you go home and give her a good seeing to, | 0:14:17 | 0:14:19 | |
create a couple of android kids, | 0:14:19 | 0:14:22 | |
because that's the only thing that's going to save your marriage. | 0:14:22 | 0:14:24 | |
Wow. | 0:14:26 | 0:14:27 | |
OK... | 0:14:29 | 0:14:30 | |
I came in here because I wanted to help, | 0:14:31 | 0:14:33 | |
but if you're going to attack | 0:14:33 | 0:14:35 | |
everyone who cares about you, then fine. I'm past caring. | 0:14:35 | 0:14:37 | |
Mr Potts... What exactly do you mean? | 0:14:45 | 0:14:47 | |
If you're not going to talk about your wife, can we please discuss your son? | 0:14:50 | 0:14:54 | |
-He's running round Letherbridge, causing mayhem. -And whose fault is that? | 0:14:54 | 0:14:57 | |
He hasn't got a mother, thanks to you lot. | 0:14:59 | 0:15:01 | |
She went to the doctors, | 0:15:08 | 0:15:11 | |
with a stomach pain. | 0:15:11 | 0:15:12 | |
They said it was indigestion. | 0:15:14 | 0:15:15 | |
It was cancer. | 0:15:17 | 0:15:18 | |
By the time they found out, it was too late. | 0:15:20 | 0:15:23 | |
Symptoms can be overlooked for lots of different reasons. | 0:15:25 | 0:15:27 | |
Oh yeah, wriggle out of it. Use big words. | 0:15:27 | 0:15:30 | |
But at the end of the day, my boy lost his mother. | 0:15:30 | 0:15:33 | |
Whatever happened to your wife - and I don't doubt how devastating | 0:15:33 | 0:15:36 | |
it's been, your main priority now is your son, | 0:15:36 | 0:15:38 | |
who's got all this anger inside him. | 0:15:38 | 0:15:40 | |
You think I don't know? You think I haven't tried? | 0:15:40 | 0:15:43 | |
I don't even know where he is. | 0:15:46 | 0:15:48 | |
He spends half the day sleeping, the other half drawing - | 0:15:49 | 0:15:54 | |
stars, planets, galaxies. | 0:15:55 | 0:15:57 | |
What does he do that for? | 0:15:59 | 0:16:01 | |
It's like he's a spaceman. | 0:16:01 | 0:16:03 | |
He's not normal. | 0:16:05 | 0:16:07 | |
MUSIC: "Strange News From Another Star" - Blur | 0:16:08 | 0:16:10 | |
OK, earthlings! | 0:16:48 | 0:16:50 | |
Time's winged chariot is pegging its way towards us, | 0:16:50 | 0:16:53 | |
so let's make a start on the art. | 0:16:53 | 0:16:55 | |
Now remember - this is not about pretty pictures, | 0:16:55 | 0:17:00 | |
it's about subtextual Semtex. | 0:17:00 | 0:17:03 | |
OK? | 0:17:03 | 0:17:04 | |
So I think it's time to blow everyone's mind. | 0:17:04 | 0:17:09 | |
Get to work, people! | 0:17:09 | 0:17:10 | |
Wait for this. | 0:17:10 | 0:17:12 | |
Right, Mrs Tembe, I'm off. | 0:17:29 | 0:17:31 | |
Well, I still have a few things to sort out, so I will lock up. | 0:17:31 | 0:17:35 | |
Though I have organised a cleaning team to come in tomorrow morning. | 0:17:35 | 0:17:38 | |
Right. Thank you. | 0:17:38 | 0:17:39 | |
It still amazes me that one so young can cause such havoc. | 0:17:39 | 0:17:43 | |
Well, I don't think our paintballing Picasso has had | 0:17:43 | 0:17:45 | |
the happiest of lives. | 0:17:45 | 0:17:47 | |
That is still no excuse. | 0:17:47 | 0:17:48 | |
No... | 0:17:48 | 0:17:50 | |
But I suspect his artwork may have a hidden meaning. | 0:17:50 | 0:17:52 | |
See you Monday. | 0:17:54 | 0:17:55 | |
Kyle! | 0:18:02 | 0:18:03 | |
This what you're looking for? | 0:18:04 | 0:18:06 | |
HE SIGHS | 0:18:08 | 0:18:09 | |
Well...I think it's lovely what he's done with the place. | 0:18:17 | 0:18:21 | |
It's supposed to be an art gallery, so where is all the art? | 0:18:22 | 0:18:25 | |
It's all art, isn't it? The walls, | 0:18:25 | 0:18:28 | |
the floor, the waitresses, canapes... | 0:18:28 | 0:18:31 | |
That's what I'm worried about - that I go to the toilet | 0:18:31 | 0:18:33 | |
and pee on a masterpiece. | 0:18:33 | 0:18:35 | |
Well you'll just have to keep your legs crossed, won't you! | 0:18:35 | 0:18:38 | |
Champagne? Oh, no! | 0:18:38 | 0:18:41 | |
We're just trying to be supportive! | 0:18:41 | 0:18:43 | |
I see that Kingsley is making good use of you. | 0:18:43 | 0:18:46 | |
Dad, this is a really good opportunity for me | 0:18:46 | 0:18:49 | |
to meet local artists and local gallery owners. | 0:18:49 | 0:18:51 | |
And do what, ask them what they want to drink? | 0:18:51 | 0:18:53 | |
Well, I think it's lovely what he's done with the place. | 0:18:53 | 0:18:56 | |
It'll be really nice when it's finished. | 0:18:56 | 0:18:58 | |
It is finished! | 0:18:58 | 0:18:59 | |
This is the gallery. It's open for business. | 0:19:00 | 0:19:02 | |
So where's all the art? | 0:19:02 | 0:19:03 | |
All I can see is a knackered old fridge. | 0:19:03 | 0:19:06 | |
SHE SIGHS | 0:19:06 | 0:19:07 | |
OK, the exhibition is called "Night Cravings". | 0:19:07 | 0:19:12 | |
It's about the darker side of human desire. | 0:19:12 | 0:19:14 | |
So inside every studio is a fridge, | 0:19:14 | 0:19:17 | |
and inside each fridge is something that someone | 0:19:17 | 0:19:19 | |
might find they have a craving for. | 0:19:19 | 0:19:21 | |
Like a nice piece of cheesecake? | 0:19:22 | 0:19:24 | |
Not exactly. | 0:19:24 | 0:19:25 | |
Right. Well, let's go and have a look, shall we? | 0:19:28 | 0:19:31 | |
You're really good, you know. | 0:19:54 | 0:19:55 | |
Go away! | 0:19:55 | 0:19:57 | |
I'd be happy to. I just want a word. | 0:19:58 | 0:20:01 | |
How about "bog off"? | 0:20:01 | 0:20:03 | |
Look, I'm not your enemy. | 0:20:03 | 0:20:05 | |
I just want to talk to you about your mum. | 0:20:06 | 0:20:08 | |
-Kyle... -Argh! | 0:20:09 | 0:20:11 | |
"The dark side of human desire"? The man's a pervert. | 0:20:14 | 0:20:17 | |
Is that what I think it is?! | 0:20:23 | 0:20:24 | |
I don't know. I've never seen one from this angle before. | 0:20:24 | 0:20:28 | |
Ugh! | 0:20:28 | 0:20:30 | |
If that's someone's deepest desire, | 0:20:30 | 0:20:33 | |
then this world is sicker than I thought. | 0:20:33 | 0:20:35 | |
-Rob? -What? -What's Immie let herself in for? | 0:20:35 | 0:20:37 | |
-Don't look now. -What? -It's Kingsley. | 0:20:37 | 0:20:40 | |
ALL APPLAUD | 0:20:40 | 0:20:42 | |
Let me tie this around your hand. | 0:20:46 | 0:20:49 | |
Stop the bleeding. | 0:20:49 | 0:20:50 | |
Not going to say anything? | 0:20:53 | 0:20:54 | |
Fine, be like that. | 0:20:57 | 0:20:58 | |
You'll live. I've seen worse. | 0:21:00 | 0:21:02 | |
-When? -When I was in the army. | 0:21:02 | 0:21:04 | |
But I thought you were a doctor. | 0:21:06 | 0:21:09 | |
No. Ex-soldier. | 0:21:09 | 0:21:10 | |
I just give orders to doctors and nurses these days. | 0:21:11 | 0:21:15 | |
Have you ever killed anyone? | 0:21:15 | 0:21:16 | |
-Have you ever thought about joining the army? -Why? | 0:21:16 | 0:21:19 | |
-You meet interesting people. -Yeah, and shoot them. | 0:21:19 | 0:21:22 | |
Spoke to your dad. | 0:21:25 | 0:21:26 | |
He told me all about your mother. | 0:21:28 | 0:21:29 | |
It was an awful thing that happened. | 0:21:30 | 0:21:33 | |
Even if they'd known what was wrong with her, | 0:21:33 | 0:21:35 | |
it was too late to do anything. | 0:21:35 | 0:21:38 | |
It was just... | 0:21:38 | 0:21:39 | |
..just the worst thing in the world. | 0:21:41 | 0:21:42 | |
Yeah. | 0:21:44 | 0:21:45 | |
Also, saw photos of all your graffiti, | 0:21:47 | 0:21:50 | |
and the buildings you've climbed to paint. | 0:21:50 | 0:21:52 | |
It's dangerous. Why do you do it? | 0:21:52 | 0:21:54 | |
Because... | 0:21:58 | 0:22:00 | |
I miss my mum. | 0:22:01 | 0:22:02 | |
I want to talk to her. | 0:22:08 | 0:22:09 | |
I just want to spend one more day with her. | 0:22:10 | 0:22:13 | |
Her name was Stella. | 0:22:15 | 0:22:17 | |
Right. | 0:22:19 | 0:22:21 | |
And now it's like she's watching over me. | 0:22:21 | 0:22:23 | |
Yeah. Maybe she is. | 0:22:26 | 0:22:28 | |
Right. Well, I need another drink. | 0:22:32 | 0:22:34 | |
And I'm certainly not going to look for one in that fridge for one. | 0:22:34 | 0:22:37 | |
What did you think? | 0:22:37 | 0:22:39 | |
-About what? -The artwork. The installation. | 0:22:39 | 0:22:41 | |
-The artwork? Erm... -Interesting. | 0:22:41 | 0:22:44 | |
He's very interesting. Very expressive. | 0:22:44 | 0:22:47 | |
Of what? | 0:22:47 | 0:22:48 | |
Of man's inhumanity to man, possibly. | 0:22:48 | 0:22:52 | |
Look, you can be honest. | 0:22:53 | 0:22:55 | |
Kingsley's work is all about cutting through social convention | 0:22:55 | 0:22:58 | |
and being true to yourself, so you can actually tell me what you feel. | 0:22:58 | 0:23:00 | |
-I hated it. -What a disgusting thing to do. I mean the smell of it... | 0:23:00 | 0:23:03 | |
I know! I think there's something wrong with the fridge - | 0:23:03 | 0:23:06 | |
-maybe it needs defrosting. -Typical! -What? | 0:23:06 | 0:23:09 | |
I knew you wouldn't get it. | 0:23:09 | 0:23:10 | |
At least everyone else here can see what he's trying to do. | 0:23:10 | 0:23:13 | |
You guys can't even see past your own prejudice. | 0:23:13 | 0:23:15 | |
Well, there you go. You see? | 0:23:18 | 0:23:21 | |
Honesty - not always the best policy. | 0:23:21 | 0:23:23 | |
It only seems like yesterday when she was drawing little pictures of us | 0:23:23 | 0:23:26 | |
on her blackboard. | 0:23:26 | 0:23:28 | |
Yeah, and now we've become Mr and Mrs Uneducated. | 0:23:28 | 0:23:31 | |
Is that what we're supposed to do? | 0:23:31 | 0:23:33 | |
We have to pretend that we like this rubbish? | 0:23:33 | 0:23:36 | |
Yeah, I think it is. That's what everyone else seems to be doing. | 0:23:36 | 0:23:38 | |
ARTIST CLAPS | 0:23:38 | 0:23:40 | |
OK, everyone, listen up! | 0:23:40 | 0:23:43 | |
I'd like to say a few words. | 0:23:43 | 0:23:45 | |
DOOR CLOSES | 0:23:46 | 0:23:47 | |
Hi, Dad. All right? | 0:23:49 | 0:23:51 | |
What? | 0:23:51 | 0:23:52 | |
Dad, I'm like really hungry, so I thought maybe I could get | 0:23:52 | 0:23:56 | |
one of mum's old recipe books and try and make some food. | 0:23:56 | 0:23:59 | |
OK? | 0:23:59 | 0:24:00 | |
Oh, no. | 0:24:02 | 0:24:03 | |
-What? -You've wet yourself, again! | 0:24:05 | 0:24:08 | |
So that's... That's the mission of my new gallery - to bring | 0:24:13 | 0:24:17 | |
a bit of glamour and excitement into your dull, everyday lives. | 0:24:17 | 0:24:21 | |
ALL LAUGH | 0:24:21 | 0:24:22 | |
Now, many people ask me, "Why move back to Letherbridge?" | 0:24:22 | 0:24:26 | |
Well, I think it's a crying shame that most people, | 0:24:26 | 0:24:28 | |
most talented people, move to London. | 0:24:28 | 0:24:31 | |
So I have decided - | 0:24:31 | 0:24:33 | |
like a salmon swimming upstream - | 0:24:33 | 0:24:36 | |
to return to the place that spawned me. | 0:24:36 | 0:24:38 | |
And who knows, I may even uncover a little bit of brilliance here. | 0:24:38 | 0:24:42 | |
ALL LAUGH | 0:24:44 | 0:24:45 | |
Oi! What are you doing!? | 0:24:50 | 0:24:51 | |
I'm just trying to clean it off. | 0:24:51 | 0:24:53 | |
Oh. Don't worry about that now. Get yourself home, lad. | 0:24:53 | 0:24:58 | |
-I'm not going home. -What? | 0:24:58 | 0:25:01 | |
I just phoned my granddad. | 0:25:01 | 0:25:03 | |
He says I can go and stay with him for a bit, | 0:25:03 | 0:25:05 | |
because I can't stay with my dad no more. | 0:25:05 | 0:25:07 | |
You know your dad is finding it hard to cope at the moment. | 0:25:07 | 0:25:10 | |
He's not even trying. | 0:25:10 | 0:25:11 | |
There's somebody here who organises family therapy. | 0:25:11 | 0:25:14 | |
-I could book you both in. -No. | 0:25:14 | 0:25:16 | |
You know your dad hasn't got what you've got. | 0:25:17 | 0:25:20 | |
You've got a real talent. | 0:25:20 | 0:25:22 | |
Art can be a great way to express yourself | 0:25:22 | 0:25:24 | |
and what you're going through. | 0:25:24 | 0:25:25 | |
Yeah, but it's not really art, is it? | 0:25:25 | 0:25:27 | |
Of course it is. | 0:25:27 | 0:25:29 | |
And you're good at it. | 0:25:29 | 0:25:30 | |
I just wish you would do it on paper, that's all. | 0:25:33 | 0:25:35 | |
And so, ladies and gentlemen, that is what I mean by art. | 0:25:37 | 0:25:42 | |
It's a cry of pain, from a boy who lost his mother. | 0:25:44 | 0:25:48 | |
It's a love song to a woman who had to take out a restraining order | 0:25:48 | 0:25:53 | |
because I used a naked photo of her in one of my exhibitions. | 0:25:53 | 0:25:56 | |
ALL LAUGH | 0:25:56 | 0:25:58 | |
But, most of all, it's about connections. | 0:25:58 | 0:26:01 | |
You guys will never know what it's like to live inside my dark, | 0:26:01 | 0:26:04 | |
twisted mind, but with this artwork, I give you a gift... | 0:26:04 | 0:26:09 | |
The gift...of me. | 0:26:10 | 0:26:13 | |
OK? Thank you very much. | 0:26:15 | 0:26:18 | |
Is he for real? | 0:26:22 | 0:26:24 | |
That depends what you mean by "real". | 0:26:25 | 0:26:27 | |
I've never seen such a pig-headed, pig-ignorant...pig! | 0:26:27 | 0:26:30 | |
I told you. | 0:26:30 | 0:26:32 | |
I know, but I thought that was you just being you. | 0:26:32 | 0:26:35 | |
And most of the people here think | 0:26:35 | 0:26:37 | |
the sun shines out of his art...work. | 0:26:37 | 0:26:39 | |
Oh, great. | 0:26:43 | 0:26:45 | |
Here. | 0:26:53 | 0:26:55 | |
-What's this? -A disclaimer. | 0:26:55 | 0:26:57 | |
It gives them permission to film you and put it on the telly. | 0:26:57 | 0:26:59 | |
-Now, please leave. -What's going on? | 0:26:59 | 0:27:01 | |
This is a reporter who registered as a patient. | 0:27:01 | 0:27:05 | |
Feeling better? | 0:27:05 | 0:27:06 | |
That's the all-seeing eye, and I'd like you to finish it. | 0:27:06 | 0:27:09 | |
I don't think that I can. | 0:27:09 | 0:27:11 | |
But I say you will. | 0:27:12 | 0:27:14 | |
Subtitles by Red Bee Media Ltd | 0:27:18 | 0:27:21 |