Browse content similar to An Urban Fairytale. Check below for episodes and series from the same categories and more!
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It's only a matter of time till the trial. | 0:00:25 | 0:00:29 | |
I'm going to be called, aren't I? | 0:00:29 | 0:00:31 | |
If you don't want to run from him, find out what he wants. | 0:00:31 | 0:00:34 | |
PHONE VIBRATES | 0:00:42 | 0:00:45 | |
Yeah, I've never had a chance to explain what happened. | 0:00:48 | 0:00:50 | |
I'll call the prison tomorrow. | 0:00:50 | 0:00:52 | |
OK, I can't wait to see you. | 0:00:54 | 0:00:56 | |
ALL CHANT: Do it. Do it Do It. | 0:01:16 | 0:01:18 | |
BOY GROANS | 0:01:18 | 0:01:20 | |
HE STIRS | 0:01:40 | 0:01:42 | |
HE SNORES | 0:01:43 | 0:01:46 | |
Good morning, ghost boy. | 0:02:02 | 0:02:05 | |
Where do I come to? | 0:02:14 | 0:02:16 | |
Thank you. | 0:02:18 | 0:02:20 | |
I've got that, thank you. | 0:02:22 | 0:02:24 | |
KNOCK ON DOOR | 0:02:24 | 0:02:25 | |
You OK? | 0:02:27 | 0:02:28 | |
I've taken your advice. | 0:02:28 | 0:02:30 | |
Er... Which was? | 0:02:30 | 0:02:33 | |
To face my demons. I'm going to the prison this afternoon. | 0:02:33 | 0:02:37 | |
I didn't advise you to do that. | 0:02:37 | 0:02:39 | |
You told me to deal with things head on. | 0:02:39 | 0:02:42 | |
Yeah, I know but... | 0:02:42 | 0:02:43 | |
It's the only way I'm going to get my life back. | 0:02:43 | 0:02:45 | |
OK, but just remember how manipulative he is. | 0:02:45 | 0:02:48 | |
He's going try to get inside your head. | 0:02:48 | 0:02:50 | |
He's already there. Facing up to him, getting answers, | 0:02:50 | 0:02:54 | |
is the only way I'm going to stop this. | 0:02:54 | 0:02:56 | |
Help! Help! | 0:02:58 | 0:02:59 | |
Come back! Come back! | 0:03:08 | 0:03:10 | |
I'm not afraid of you, I've never been afraid of you! | 0:03:10 | 0:03:13 | |
Come back... I don't want to die alone. | 0:03:13 | 0:03:17 | |
Love the post-coital getting breakfast ritual. | 0:03:29 | 0:03:32 | |
Is there any cereal? | 0:03:33 | 0:03:35 | |
I always used to let King make the breakfast. | 0:03:37 | 0:03:39 | |
You and Kingsley? | 0:03:41 | 0:03:43 | |
Oh, sorry, didn't he tell you? I wouldn't have said anything. | 0:03:43 | 0:03:47 | |
It's fine, I just didn't know. | 0:03:47 | 0:03:48 | |
It was ages ago, no big deal. | 0:03:48 | 0:03:51 | |
It's cool. | 0:03:51 | 0:03:52 | |
Bet he loves it this way round, though. | 0:03:52 | 0:03:54 | |
Someone looking after him, much more his style. | 0:03:54 | 0:03:57 | |
You moving in, then? | 0:04:00 | 0:04:02 | |
No, I'm going off to Art School in a few days. | 0:04:02 | 0:04:05 | |
Of course. | 0:04:05 | 0:04:06 | |
Did Kingsley tell you? | 0:04:06 | 0:04:08 | |
-Everything about you says "art student". -Does it? | 0:04:08 | 0:04:11 | |
The clothes, the hair, the shiny, happy look. | 0:04:11 | 0:04:14 | |
Shiny? | 0:04:14 | 0:04:16 | |
You look so optimistic, like life hasn't knocked off many edges. | 0:04:16 | 0:04:20 | |
I've had my fair share of knocks. | 0:04:20 | 0:04:22 | |
I love that sort of energy, it's so...cute. | 0:04:22 | 0:04:25 | |
Thanks. | 0:04:25 | 0:04:27 | |
So what's made you decide to hide away in an ivory tower | 0:04:28 | 0:04:31 | |
for three years, then? | 0:04:31 | 0:04:32 | |
To be an artist, I need to learn about materials and techniques, | 0:04:32 | 0:04:35 | |
-and that sort of stuff. -BEX LAUGHS | 0:04:35 | 0:04:37 | |
Yeah, of course you do. It sounds good. | 0:04:37 | 0:04:40 | |
Sorry, | 0:04:40 | 0:04:42 | |
I don't even know your name. | 0:04:42 | 0:04:43 | |
I'm Bex, unofficial boss of this place. | 0:04:43 | 0:04:46 | |
I'm Immie, short for Imogen. | 0:04:46 | 0:04:48 | |
Welcome aboard, Immie. | 0:04:48 | 0:04:50 | |
-We could do with you when we start the cafe. -Cafe? | 0:05:07 | 0:05:09 | |
Profit share community cafe. | 0:05:09 | 0:05:11 | |
-Here? -Got to start somewhere. | 0:05:11 | 0:05:14 | |
-It's going to take a lot of work. -Tell me about it! | 0:05:15 | 0:05:18 | |
But capitalism is dying. We need to replace the greedy banking systems | 0:05:18 | 0:05:22 | |
-with ethically sound businesses. -How? | 0:05:22 | 0:05:24 | |
A cafe that works on the principle of profit share is a small step, | 0:05:24 | 0:05:28 | |
but it's a step. | 0:05:28 | 0:05:29 | |
It sounds cool. | 0:05:29 | 0:05:31 | |
We can all dig away in our own selfish little burrows, | 0:05:31 | 0:05:34 | |
or we can engage in the real world. | 0:05:34 | 0:05:36 | |
It'll make a lot more difference than running up debts in some privileged, out-of-date institution. | 0:05:36 | 0:05:40 | |
It's a good school and it's neither of those things. | 0:05:40 | 0:05:43 | |
I guess, for me, engaging in the real world makes more sense. | 0:05:43 | 0:05:46 | |
DOOR CLATTERS Whoa! Whoa! | 0:05:46 | 0:05:48 | |
-I need some help! -Are you all right, Dr Clay? | 0:05:48 | 0:05:51 | |
-Are you a doctor? -And-And you are? | 0:05:51 | 0:05:54 | |
-She's dying. -Have you called an ambulance? | 0:05:54 | 0:05:56 | |
They'd never find her. | 0:05:56 | 0:05:57 | |
-Find who? -The old bird. | 0:05:57 | 0:05:59 | |
-Is she registered here? -You coming? | 0:05:59 | 0:06:02 | |
-That is not how it works. -Where is she? | 0:06:02 | 0:06:04 | |
-In the lounge. -So what is her name? | 0:06:04 | 0:06:06 | |
-I don't know. -What is your name? | 0:06:06 | 0:06:08 | |
Wolfe. You coming? | 0:06:08 | 0:06:09 | |
You cannot expect a doctor to run off with you | 0:06:09 | 0:06:13 | |
-to goodness knows where. -It'll be OK, Mrs Tembe. | 0:06:13 | 0:06:16 | |
We need more information. Maybe this woman is one of our patients. | 0:06:16 | 0:06:20 | |
-Are you going to let her die? -No, of course not. But we have to... | 0:06:20 | 0:06:23 | |
Where is she? It'll be fine, OK? | 0:06:23 | 0:06:26 | |
But maybe I don't want you to go out. | 0:06:28 | 0:06:31 | |
I'm not going to be long. | 0:06:31 | 0:06:32 | |
You should just stay here, make the most of your last few days. | 0:06:32 | 0:06:37 | |
I could teach you things you won't learn at art school. | 0:06:37 | 0:06:39 | |
Well, Bex said I wouldn't learn much there, anyway. | 0:06:39 | 0:06:41 | |
Bex has big ideas. | 0:06:41 | 0:06:44 | |
Bex said you two were a couple. | 0:06:44 | 0:06:46 | |
That's history, babes. | 0:06:46 | 0:06:47 | |
I'm not so sure she thinks the same. | 0:06:47 | 0:06:49 | |
You know how much I need you. | 0:06:49 | 0:06:51 | |
I'm being serious. | 0:06:53 | 0:06:55 | |
Maybe I should stay. | 0:06:55 | 0:06:57 | |
You said that I really helped with your project, | 0:06:57 | 0:06:59 | |
and that I helped to light its fire for you. | 0:06:59 | 0:07:01 | |
The soul shines out of everything you've done for me. | 0:07:01 | 0:07:05 | |
You know how I feel. The connection you've made with my work, with me. | 0:07:05 | 0:07:09 | |
But I can't make the decision for you. | 0:07:11 | 0:07:12 | |
But you do think it makes sense? | 0:07:13 | 0:07:15 | |
I don't want to influence you, but we can discuss it in here! | 0:07:15 | 0:07:19 | |
We can discuss it over dinner. | 0:07:20 | 0:07:21 | |
There's nothing in the way of food, here. | 0:07:21 | 0:07:24 | |
Yeah, I noticed. | 0:07:24 | 0:07:25 | |
That's why I'm going to go shopping and cook us a meal. | 0:07:25 | 0:07:28 | |
If your plan is to make me miss you before you've even gone, | 0:07:28 | 0:07:31 | |
it's working. | 0:07:31 | 0:07:33 | |
Hey! Whoa! Hang on. | 0:07:38 | 0:07:39 | |
-What? -The gate's padlocked, the house is clearly derelict. | 0:07:39 | 0:07:43 | |
-I won't go anywhere till you tell me... -She needs your help. | 0:07:43 | 0:07:45 | |
-There's obviously no-one living there. -I swear she does. | 0:07:45 | 0:07:48 | |
Look, I'm not out to mug you. Come on. She could be dead by now. | 0:07:48 | 0:07:52 | |
DOOR SLAMS | 0:07:57 | 0:07:59 | |
Hello? Hi, love, hey... | 0:08:00 | 0:08:02 | |
Could you get... | 0:08:04 | 0:08:06 | |
Hi. | 0:08:07 | 0:08:08 | |
Hi. What's your name? | 0:08:08 | 0:08:11 | |
-Pearl. -Pearl. Hello, Pearl. Do you remember what happened here? | 0:08:11 | 0:08:15 | |
I...felt dizzy. Who are you? | 0:08:15 | 0:08:19 | |
I'm Dr Clay from The Mill Surgery. | 0:08:19 | 0:08:22 | |
Do you remember if you hit your head? | 0:08:23 | 0:08:26 | |
No. No, I don't think so. | 0:08:27 | 0:08:29 | |
SHE GROANS | 0:08:29 | 0:08:30 | |
Looks like you've a nasty cut there. | 0:08:30 | 0:08:32 | |
Maybe we should get you to the hospital so they can check you over. | 0:08:32 | 0:08:35 | |
No! No! You mustn't, I don't want to go. | 0:08:35 | 0:08:37 | |
-Yeah. He said you wouldn't want to go. -Ghost boy? | 0:08:37 | 0:08:40 | |
Wolfe? He came to fetch me from the surgery. | 0:08:40 | 0:08:43 | |
-So you can see him, too? -Well, yeah, he brought me here. | 0:08:44 | 0:08:47 | |
I didn't know ghosts could be that practical. | 0:08:49 | 0:08:51 | |
He's a little on the thin side, but he's definitely not a ghost. | 0:08:52 | 0:08:56 | |
He's definitely real, flesh and blood. | 0:08:56 | 0:08:58 | |
He can't be, he was murdered outside this house - | 0:08:58 | 0:09:01 | |
I remember it happening. | 0:09:01 | 0:09:02 | |
OK, do you mind if I just check this? Does any of this hurt? No? | 0:09:02 | 0:09:08 | |
What's all of this? | 0:09:12 | 0:09:14 | |
-Ha! It's food parcels. -Oh, Mum! | 0:09:14 | 0:09:17 | |
-I can feel your ribs already! -I've only been gone for one day. | 0:09:17 | 0:09:21 | |
Exactly, so... | 0:09:21 | 0:09:23 | |
..eat that. Do you want a coffee? | 0:09:24 | 0:09:26 | |
Yeah, please. | 0:09:26 | 0:09:28 | |
So what's this squat place like? | 0:09:28 | 0:09:30 | |
Mum, it's amazing. All these people are just | 0:09:30 | 0:09:33 | |
so committed to changing things and they all get on so well. | 0:09:33 | 0:09:37 | |
Oh, see, I thought it would be all mouldy washing up | 0:09:37 | 0:09:40 | |
and hairy naked men who smoked too much pot. | 0:09:40 | 0:09:44 | |
This fresh parsley? | 0:09:45 | 0:09:47 | |
Yeah, it's a good source of vitamin C. | 0:09:47 | 0:09:49 | |
Mum, listen, I think we better stagger this. | 0:09:50 | 0:09:52 | |
Let Jack go first, me go a little bit later, | 0:09:52 | 0:09:55 | |
so that you don't go into complete shock. | 0:09:55 | 0:09:57 | |
You don't have to worry about me. You are going to have a ball, | 0:09:57 | 0:10:01 | |
and your silly old mum is going to be fine. | 0:10:01 | 0:10:03 | |
She all right? | 0:10:09 | 0:10:11 | |
Yeah, thanks to you. | 0:10:11 | 0:10:13 | |
She seems to think you've been haunting this house for years. | 0:10:13 | 0:10:16 | |
Suits me. | 0:10:16 | 0:10:17 | |
Given you're not a ghost, what are you doing here? | 0:10:17 | 0:10:19 | |
-It doesn't matter. -Haven't you got any family? | 0:10:19 | 0:10:24 | |
-Not worth having. -It's that bad, is it? | 0:10:24 | 0:10:27 | |
You've no idea. | 0:10:27 | 0:10:29 | |
More than you think, mate. | 0:10:29 | 0:10:31 | |
Thing is...we need to move Pearl to some secure accommodation. | 0:10:34 | 0:10:39 | |
This is her home, she won't want to go any... | 0:10:39 | 0:10:41 | |
If you hadn't been here this morning... | 0:10:41 | 0:10:43 | |
-You can't stuff her in a home. -I'm not suggesting that, necessarily. | 0:10:43 | 0:10:45 | |
So leave us be and things can go back to the way they were. | 0:10:45 | 0:10:48 | |
-She wants to talk to you. -You told her I'm alive? | 0:10:50 | 0:10:52 | |
Of course I did. Why do you want her to think you're dead? | 0:10:52 | 0:10:54 | |
She won't let me live here if she thinks I'm real. | 0:10:54 | 0:10:56 | |
Right. Well, you can start off by introducing yourself - properly. | 0:10:56 | 0:11:00 | |
Cold hands, but flesh and blood. | 0:11:18 | 0:11:22 | |
Yeah. | 0:11:22 | 0:11:23 | |
-Are you a burglar? -No. | 0:11:23 | 0:11:24 | |
So what are you doing here? | 0:11:24 | 0:11:26 | |
I needed somewhere to crash. This house looked empty. I thought YOU were a ghost, to start with. | 0:11:26 | 0:11:31 | |
I might as well be. | 0:11:31 | 0:11:33 | |
Do you want me to go? | 0:11:35 | 0:11:36 | |
I've got used to having a pet ghost around. | 0:11:37 | 0:11:40 | |
But you don't even know who he is. | 0:11:41 | 0:11:42 | |
We've been sharing this house for two years already. | 0:11:43 | 0:11:47 | |
OK. How about I leave you two to exchange ghost stories, | 0:11:48 | 0:11:51 | |
and I'll see if I can find something to dress that cut? | 0:11:51 | 0:11:54 | |
Are you registered with The Mill? | 0:11:54 | 0:11:57 | |
-100 years ago. -We'll still have your notes, then. | 0:11:57 | 0:11:59 | |
Maybe you're one of those angels in disguise, rather than a ghost? | 0:12:01 | 0:12:06 | |
Can I scrounge some more ingredients? I'm cooking for Kingsley tonight. | 0:12:13 | 0:12:17 | |
I wooed your dad with Coq au Vin. | 0:12:17 | 0:12:19 | |
Too much information! Have you got any millet? | 0:12:19 | 0:12:23 | |
What is he, a man or a budgie? | 0:12:23 | 0:12:25 | |
Mum, you know very well he's macrobiotic. | 0:12:25 | 0:12:27 | |
He managed to eat my sausages. | 0:12:27 | 0:12:29 | |
Yeah. He was being polite. | 0:12:29 | 0:12:30 | |
Oh, really? | 0:12:30 | 0:12:32 | |
Well, I've got some lentils somewhere I bought by mistake. | 0:12:32 | 0:12:36 | |
Here, you can have them. | 0:12:36 | 0:12:37 | |
And...that should liven it up. | 0:12:37 | 0:12:41 | |
He doesn't eat anything from the nightshade family. | 0:12:41 | 0:12:44 | |
-That man needs to eat a steak. -Mum! | 0:12:44 | 0:12:46 | |
Have a look at that. | 0:12:46 | 0:12:48 | |
Your dad calls it, "The Food For Rabbits book." | 0:12:48 | 0:12:50 | |
There might be something that Kingsley can eat. | 0:12:50 | 0:12:53 | |
-That? -Ewww! | 0:12:53 | 0:12:55 | |
Even worse than one of your attempts. | 0:12:55 | 0:12:57 | |
Hey, you cheeky mare! | 0:12:57 | 0:12:58 | |
SHE LAUGHS | 0:12:58 | 0:13:00 | |
I am so going to miss this. | 0:13:02 | 0:13:04 | |
Me, too. | 0:13:04 | 0:13:06 | |
But, just because I don't want my little girl to grow up | 0:13:08 | 0:13:11 | |
and I think that she might be a bit little bit nervous, | 0:13:11 | 0:13:14 | |
I am not going to let her put her exciting future on hold. | 0:13:14 | 0:13:18 | |
Anyway, I fully intend to come to that Art School on frequent occasions | 0:13:18 | 0:13:22 | |
and feed you, | 0:13:22 | 0:13:24 | |
and embarrass you in front of your new arty farty friends. | 0:13:24 | 0:13:26 | |
I can believe that. | 0:13:29 | 0:13:30 | |
She has low blood pressure and a nasty cut, | 0:13:33 | 0:13:36 | |
-which we can keep an eye on. -And Mr Wolfe? | 0:13:36 | 0:13:39 | |
At least we know that someone's keeping an eye on her. | 0:13:39 | 0:13:42 | |
Sounds like a weird fairy-tale, the wolf boy, | 0:13:42 | 0:13:44 | |
the witch and the haunted house. | 0:13:44 | 0:13:47 | |
I do not mean to be unhelpful, Dr Clay, but you know | 0:13:47 | 0:13:50 | |
nothing about this boy. I'm not sure we should leave her alone with him. | 0:13:50 | 0:13:53 | |
They've been OK until now, | 0:13:53 | 0:13:54 | |
and he came to get help when she needed it. | 0:13:54 | 0:13:56 | |
Maybe she has dementia. | 0:13:56 | 0:13:58 | |
That's why she's letting all these unknown children live in her house. | 0:13:58 | 0:14:00 | |
She thought he was a ghost. | 0:14:00 | 0:14:02 | |
I do not think that makes it any better. | 0:14:02 | 0:14:06 | |
So when was this boy stabbed? | 0:14:06 | 0:14:08 | |
Two years ago - Sexton Street. | 0:14:08 | 0:14:10 | |
You're thinking that he was stabbed and was healed by some miracle? | 0:14:10 | 0:14:14 | |
I didn't say that. | 0:14:14 | 0:14:16 | |
Pearl made the connection, Wolfe didn't even mention it. | 0:14:16 | 0:14:19 | |
Sexton Street. | 0:14:19 | 0:14:20 | |
I do not like any of it. | 0:14:20 | 0:14:23 | |
Here it is, "Boy Stabbed". | 0:14:23 | 0:14:25 | |
It definitely says he was killed, though. | 0:14:25 | 0:14:27 | |
Scroll down a bit. | 0:14:29 | 0:14:31 | |
-I think we should call the police. -What? | 0:14:33 | 0:14:36 | |
-No. I'll go and talk to him. -What's happened? | 0:14:36 | 0:14:38 | |
-You cannot go back there. -I can't just leave it, can I? | 0:14:38 | 0:14:41 | |
Anyway, I have to go and dress the lady's leg. | 0:14:41 | 0:14:43 | |
-Jas, could you...? -Cover your patients? | 0:14:43 | 0:14:45 | |
Thank you. Mrs Tembe, I'll sort it. | 0:14:45 | 0:14:46 | |
I'm sure there's a rational explanation for all of this. | 0:14:46 | 0:14:49 | |
DOOR OPENS | 0:14:53 | 0:14:54 | |
Elaine. | 0:14:54 | 0:14:56 | |
I'd let you in, it's just... | 0:14:56 | 0:14:58 | |
The house is a mess, you know. | 0:14:58 | 0:15:00 | |
Since Kate, I haven't... | 0:15:00 | 0:15:02 | |
It's fine. I just wanted you to know | 0:15:02 | 0:15:03 | |
I'm on my way to the prison to see Harrison. | 0:15:03 | 0:15:05 | |
-Really? -You were right, | 0:15:05 | 0:15:08 | |
-we need answers. None of us can move forward until we've got them. -You want me to come with you? | 0:15:08 | 0:15:12 | |
No, I'd rather do this on my own. | 0:15:12 | 0:15:15 | |
I just need to know what he did and where she is. | 0:15:15 | 0:15:19 | |
I'll be in touch. | 0:15:19 | 0:15:20 | |
Thank you... | 0:15:20 | 0:15:22 | |
Thank you. | 0:15:23 | 0:15:24 | |
If you've come to shuffle me off to some mortuary for the living dead, | 0:15:29 | 0:15:32 | |
-you can forget it. -I just want to dress that leg of yours and have a word with... | 0:15:32 | 0:15:37 | |
I won't go. I've been here for ever. This place is my life. | 0:15:37 | 0:15:41 | |
I'm pretty sure that all you have is a tendency for low blood pressure, | 0:15:42 | 0:15:45 | |
so with careful monitoring you should be fine. | 0:15:45 | 0:15:48 | |
You just need someone to keep an eye on you. | 0:15:48 | 0:15:51 | |
Ghost boy and I are getting along just fine. I don't need anyone else. | 0:15:51 | 0:15:54 | |
-Can I have a word with you? -What about? | 0:15:54 | 0:15:57 | |
I think we should go outside. | 0:15:57 | 0:15:58 | |
Anything you have to say, you can say in front of me. | 0:15:58 | 0:16:02 | |
-Yeah, right. -You sure? | 0:16:02 | 0:16:04 | |
Of course he is. | 0:16:04 | 0:16:06 | |
Yeah. | 0:16:06 | 0:16:07 | |
-Have you told Pearl why you started haunting the house? -What? | 0:16:07 | 0:16:10 | |
-I know. -It's not what you think. -So tell us. | 0:16:10 | 0:16:13 | |
He's never been any trouble, living upstairs. | 0:16:13 | 0:16:16 | |
It's not as if I can even get up there. | 0:16:16 | 0:16:18 | |
And what happened outside the gates? | 0:16:18 | 0:16:20 | |
Nothing, nothing happened, it was all just a game. | 0:16:20 | 0:16:23 | |
I'm sorry, mate, it looks like the real world's just come crashing in. | 0:16:23 | 0:16:26 | |
What would you know about the real world? | 0:16:26 | 0:16:29 | |
ALL CHANT: Do it. Do it. Do it. Do it | 0:16:48 | 0:16:52 | |
BOY GROANS | 0:16:55 | 0:16:57 | |
-So was it self-defence? -No. | 0:17:22 | 0:17:25 | |
No reason? | 0:17:27 | 0:17:29 | |
-It was my turn. -And that's it? | 0:17:29 | 0:17:32 | |
You do what you have to, to be part of the pack, to be safe. | 0:17:32 | 0:17:37 | |
-Like the boy you killed? -It's what I do - | 0:17:37 | 0:17:40 | |
survive. | 0:17:40 | 0:17:41 | |
Except once I'd done it, it wasn't what I thought. | 0:17:43 | 0:17:45 | |
I thought I'd like it. | 0:17:47 | 0:17:48 | |
I thought I'd feel buzzy... | 0:17:50 | 0:17:52 | |
..but I felt sick. | 0:17:54 | 0:17:56 | |
And he looked like my brother... | 0:17:58 | 0:18:00 | |
..except he was dead. | 0:18:02 | 0:18:03 | |
I didn't want to do it again. | 0:18:07 | 0:18:08 | |
I found this house and came in here. | 0:18:12 | 0:18:14 | |
I felt safe. | 0:18:16 | 0:18:17 | |
The police must have come looking. | 0:18:20 | 0:18:22 | |
I hid in the roof. | 0:18:22 | 0:18:24 | |
I kept thinking they'd find me, but they went away and I just stayed. | 0:18:24 | 0:18:27 | |
Isn't there anyone out there that you'd like to see again? | 0:18:27 | 0:18:31 | |
What about your brother? | 0:18:31 | 0:18:32 | |
Why don't you come with me to the police? | 0:18:37 | 0:18:40 | |
Tell them everything that happened. Just hand yourself in. | 0:18:40 | 0:18:42 | |
It will look better if you hand yourself in. | 0:18:42 | 0:18:44 | |
If you don't, then I will. | 0:18:45 | 0:18:47 | |
I can't just walk away from this and pretend nothing happened. | 0:18:47 | 0:18:50 | |
GATE SLAMS | 0:19:12 | 0:19:14 | |
What is going on? | 0:19:27 | 0:19:28 | |
I have to go. | 0:19:31 | 0:19:32 | |
What have you done to upset him? | 0:19:33 | 0:19:35 | |
I'm afraid I'm going to have to find someone else to come in | 0:19:36 | 0:19:38 | |
-and check up on you. -I don't need anyone else. | 0:19:38 | 0:19:42 | |
-He can't stay. -Why are you scaring him away? | 0:19:42 | 0:19:45 | |
I really liked it here, but I need to sort something out. | 0:19:48 | 0:19:52 | |
-Sort what? -I'm not the boy that died. | 0:19:52 | 0:19:56 | |
I know that, now. | 0:19:56 | 0:19:59 | |
I'm the boy who... | 0:19:59 | 0:20:01 | |
What? | 0:20:03 | 0:20:05 | |
..stabbed him. | 0:20:05 | 0:20:07 | |
Wha... By accident? | 0:20:10 | 0:20:13 | |
-You don't look like a killer to me. -I didn't want to be. | 0:20:18 | 0:20:21 | |
He's going to have to turn himself in. | 0:20:23 | 0:20:25 | |
Well, look after him. Whatever he's done, | 0:20:26 | 0:20:28 | |
he's just a scared boy, really. | 0:20:28 | 0:20:31 | |
-Anyone with half a brain can see that. -I know. | 0:20:31 | 0:20:34 | |
Look after yourself. | 0:20:38 | 0:20:40 | |
SHE BREATHES HEAVILY | 0:20:40 | 0:20:42 | |
You too. | 0:20:42 | 0:20:43 | |
I'll be back with some help for you, OK? | 0:20:44 | 0:20:46 | |
It's not me you have to worry about - it's the young ones. | 0:20:48 | 0:20:51 | |
What sort of future have we set up for them | 0:20:52 | 0:20:55 | |
if they have to kill each other, or hide away like shades for years? | 0:20:55 | 0:20:59 | |
It's a really good source of Vitamin C. | 0:21:01 | 0:21:03 | |
Hmm. I'd never knew cooking could be so sexy. | 0:21:03 | 0:21:07 | |
That's because you've never seen me cooking before. | 0:21:07 | 0:21:09 | |
You even look irresistible in that pinny. | 0:21:10 | 0:21:13 | |
Oh, because she's playing house and you love all that, "Me Tarzan, you Jane" stuff. | 0:21:13 | 0:21:18 | |
Haven't you got a world to save? | 0:21:18 | 0:21:20 | |
Yes, of course. The one the male ego has so successfully destroyed | 0:21:20 | 0:21:24 | |
with greed and wars? | 0:21:24 | 0:21:25 | |
Don't mind her, she loves a good argument. | 0:21:29 | 0:21:31 | |
She's so ballsy and up for it. She makes me feel like a right air head. | 0:21:31 | 0:21:34 | |
Trust me, anyone who can read so much meaning | 0:21:34 | 0:21:37 | |
and truth in my work, is no air head. | 0:21:37 | 0:21:39 | |
Yeah, well, I'm still not sure I want to leave you alone with her. | 0:21:39 | 0:21:43 | |
Babes, I can't help it if she still has feelings for me, OK? | 0:21:43 | 0:21:46 | |
But she doesn't turn me on or inspire me the way you do. | 0:21:46 | 0:21:50 | |
I'm really going to miss you, babes. | 0:21:50 | 0:21:52 | |
Well, I've decided that you don't have to. | 0:21:54 | 0:21:56 | |
I don't have to go to Slade, just yet. | 0:21:56 | 0:21:58 | |
Why hide myself away in an ivory tower when I can have all of this? | 0:21:58 | 0:22:03 | |
-You sure? -I'm going to phone them tomorrow, | 0:22:03 | 0:22:06 | |
and talk them into deferring my place for a year. | 0:22:06 | 0:22:08 | |
I'm going to stay here with you. | 0:22:08 | 0:22:10 | |
Aw... | 0:22:12 | 0:22:14 | |
Come here, babes. | 0:22:14 | 0:22:16 | |
Get off me or I'll have you. | 0:22:18 | 0:22:19 | |
-Oh, shut up. -PHONE RINGS | 0:22:19 | 0:22:22 | |
I said, get off. | 0:22:22 | 0:22:24 | |
Wolfe! | 0:22:27 | 0:22:28 | |
DOORBELL RINGS | 0:22:30 | 0:22:32 | |
Coming! | 0:22:32 | 0:22:34 | |
Hello, I'm Helen from the Letherbridge News. | 0:22:38 | 0:22:41 | |
Before you shut the door, please, just hear me out. | 0:22:41 | 0:22:43 | |
The thing is, I can't help feeling your wife's story hasn't | 0:22:43 | 0:22:47 | |
got the attention it deserves. | 0:22:47 | 0:22:49 | |
Just pop your stuff in the locker. | 0:22:54 | 0:22:55 | |
Just a quick search. | 0:23:07 | 0:23:08 | |
I'm impressed with how closely you've been following things. | 0:23:18 | 0:23:21 | |
Why wouldn't I? He murdered my wife. | 0:23:22 | 0:23:26 | |
She's pretty. | 0:23:26 | 0:23:27 | |
She was beautiful. | 0:23:27 | 0:23:29 | |
Harrison hasn't admitted to her murder. | 0:23:31 | 0:23:34 | |
Because it suits him not to. | 0:23:34 | 0:23:37 | |
And she's been missing for two years now, hasn't she? | 0:23:37 | 0:23:41 | |
-And no-one's listening. -That's where I thought I could help. | 0:23:41 | 0:23:44 | |
If it gets the truth, I'll tell you everything that I can. | 0:23:44 | 0:23:47 | |
If it's not too painful? | 0:23:47 | 0:23:50 | |
I love talking about her. | 0:23:53 | 0:23:54 | |
Excellent. | 0:23:55 | 0:23:56 | |
Sugar? | 0:23:56 | 0:23:58 | |
-Has Wolfe come back here? -Have you lost him? | 0:24:02 | 0:24:05 | |
He got scared. He did a runner. | 0:24:05 | 0:24:08 | |
Are you surprised? | 0:24:08 | 0:24:09 | |
-I've reported him to the police they're going to come here. -He won't come back here. | 0:24:09 | 0:24:14 | |
-He's got nowhere else to go. -He never did have, poor lad. | 0:24:14 | 0:24:17 | |
Why did you have to report him? | 0:24:17 | 0:24:19 | |
He killed a young boy, someone's son. It could have been your grandson. | 0:24:19 | 0:24:23 | |
So could ghost boy. If he had been, maybe... | 0:24:23 | 0:24:27 | |
Um... I've arranged for someone to come and see you | 0:24:30 | 0:24:33 | |
-about some support in the home. -Thank you. | 0:24:33 | 0:24:35 | |
And he can't have been all bad - he got help for me when I needed it. | 0:24:36 | 0:24:40 | |
You'll have to give yourself up. | 0:24:47 | 0:24:50 | |
If I do, I'm dead meat. | 0:24:50 | 0:24:52 | |
What else can you do? | 0:24:53 | 0:24:54 | |
Disappear. | 0:24:54 | 0:24:56 | |
It seems to me you've spent your life doing that. | 0:24:56 | 0:24:59 | |
I'm used to it. | 0:24:59 | 0:25:01 | |
I shall miss being haunted by you. | 0:25:03 | 0:25:06 | |
It wasn't bad, here. | 0:25:08 | 0:25:10 | |
Bye, Pearl. | 0:25:10 | 0:25:11 | |
Goodbye...ghost boy. | 0:25:15 | 0:25:18 | |
This is all great, and it makes a really interesting new angle to run. | 0:25:28 | 0:25:33 | |
Good. | 0:25:33 | 0:25:35 | |
SHE SIGHS But there is one other thing. | 0:25:35 | 0:25:38 | |
Before I came here, I did a bit of digging. | 0:25:39 | 0:25:42 | |
It's important to get research right | 0:25:42 | 0:25:45 | |
in the interests of credibility and truth. | 0:25:45 | 0:25:48 | |
-I can imagine. -And the thing is, | 0:25:48 | 0:25:51 | |
it seems to me there's an important detail that you've left out, | 0:25:51 | 0:25:55 | |
isn't there? | 0:25:55 | 0:25:56 | |
Hello, Elaine. | 0:26:55 | 0:26:56 | |
Did you have a relationship with Kate Redmond? | 0:27:03 | 0:27:06 | |
I'll tell you everything after you've stood up for me in court. | 0:27:08 | 0:27:12 | |
Out of the question. | 0:27:12 | 0:27:14 | |
We'd still been together I wouldn't be here. | 0:27:14 | 0:27:16 | |
Let's just go away, just the two of us. We can start again. | 0:27:18 | 0:27:23 | |
Subtitles by Red Bee Media Ltd | 0:27:26 | 0:27:28 |