Browse content similar to Fallen Apples. Check below for episodes and series from the same categories and more!
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# Leave us here where no-one minds us | 0:00:36 | 0:00:39 | |
# Instruments and strung to silence | 0:00:39 | 0:00:43 | |
# Never knew they'd be playing us this way... # | 0:00:43 | 0:00:45 | |
Mum? | 0:00:46 | 0:00:48 | |
Come on, get in. | 0:00:49 | 0:00:53 | |
SHE GROANS | 0:00:58 | 0:01:00 | |
Your leg! Oh, oh, I must have grazed it. | 0:01:00 | 0:01:05 | |
# ..Like fallen apples They will lose their sweetness | 0:01:09 | 0:01:13 | |
# And bruise | 0:01:13 | 0:01:17 | |
# And then decay... # | 0:01:17 | 0:01:20 | |
Jill? Jill, have you finished? | 0:01:22 | 0:01:27 | |
Are you coming down? | 0:01:27 | 0:01:29 | |
There's not a decent-looking fella in here. | 0:01:32 | 0:01:35 | |
It is good that you are using your time wisely. | 0:01:35 | 0:01:37 | |
Well, there's not much else to do. | 0:01:37 | 0:01:38 | |
What are you smiling about? Well, there was ONE cute one. | 0:01:50 | 0:01:54 | |
You are not making any sense. | 0:01:54 | 0:01:57 | |
Someone who was here a couple of days ago. | 0:01:57 | 0:01:59 | |
Was he a young man? | 0:01:59 | 0:02:02 | |
A young, HOT man! | 0:02:02 | 0:02:03 | |
And what was his name? | 0:02:03 | 0:02:06 | |
Jack. He's got very long eyelashes and he'd come to see his mum. | 0:02:06 | 0:02:10 | |
Was he a nice young man? | 0:02:12 | 0:02:13 | |
He was gorgeous. | 0:02:13 | 0:02:15 | |
He might come again. | 0:02:15 | 0:02:16 | |
SHE COUGHS | 0:02:22 | 0:02:26 | |
SHE GROANS | 0:02:36 | 0:02:37 | |
Here you are, Mum. Careful, it's hot. | 0:02:46 | 0:02:49 | |
Thank you, darling. Are you going out? I'm going to work. | 0:02:49 | 0:02:54 | |
You're going now? I did tell you. | 0:02:54 | 0:02:56 | |
How did you do this, Mum? | 0:02:59 | 0:03:01 | |
Oh, I must have caught it on the gate this morning. | 0:03:01 | 0:03:04 | |
Why are you going to the restaurant this early? | 0:03:04 | 0:03:07 | |
To keep an eye on Raj with this afternoon's lunch. | 0:03:07 | 0:03:10 | |
I can't afford for this to go wrong, we've got 40 booked. | 0:03:10 | 0:03:13 | |
I'm sure he'll manage. He keeps messing up. He doesn't listen | 0:03:13 | 0:03:17 | |
and then tries to blame things on me. You work too hard, Jill. | 0:03:17 | 0:03:21 | |
If this corporate do's a success, there could be more. | 0:03:21 | 0:03:25 | |
I'll be back as soon as I can to take you to the doctor's. | 0:03:25 | 0:03:28 | |
Have you seen my keys? I don't know, dear, maybe they're under here. | 0:03:28 | 0:03:34 | |
Mum, I can manage. | 0:03:34 | 0:03:36 | |
Oh, Mum! | 0:03:36 | 0:03:38 | |
Oh! I'm so sorry, dear. Mum, leave it, please! | 0:03:38 | 0:03:42 | |
It's OK, just leave it! | 0:03:42 | 0:03:44 | |
Will your jacket be all right, dear? | 0:03:46 | 0:03:49 | |
No! Just don't touch anything. I'll clean it up. | 0:03:49 | 0:03:53 | |
I've got a cold. I feel terrible. | 0:03:59 | 0:04:03 | |
Yeah, me too. | 0:04:03 | 0:04:05 | |
Really? You must have given it to me. | 0:04:05 | 0:04:08 | |
I heard you coughing yesterday - this is from you. | 0:04:08 | 0:04:12 | |
Well, it looks like neither of us will be able to go to work. | 0:04:12 | 0:04:15 | |
I need a hot-water bottle, I'm aching. | 0:04:15 | 0:04:18 | |
I need a Lemsip. | 0:04:18 | 0:04:20 | |
One of us is going to have to go and put the kettle on. | 0:04:21 | 0:04:24 | |
Mm. | 0:04:24 | 0:04:26 | |
Suppose so. | 0:04:26 | 0:04:28 | |
Oi! In a minute. | 0:04:31 | 0:04:34 | |
Mum! All right! | 0:04:36 | 0:04:38 | |
I'm off now, Mum. Mum, what are you doing? | 0:04:41 | 0:04:44 | |
Mum, what on Earth...? | 0:04:44 | 0:04:47 | |
Oh, I'm sorry, dear. I was looking in there for your keys. | 0:04:47 | 0:04:50 | |
I've got them! Come on, are you all right? Yes, I think so. | 0:04:50 | 0:04:54 | |
Honestly, Mum, you must try not to do too much. Please. | 0:04:54 | 0:04:57 | |
Here's your magazine. | 0:04:57 | 0:05:00 | |
That cupboard could do with a tidy. | 0:05:00 | 0:05:04 | |
Will you be long? | 0:05:04 | 0:05:06 | |
Not long. | 0:05:06 | 0:05:08 | |
Will you be driving? You'll be too tired. | 0:05:08 | 0:05:12 | |
I'm fine. | 0:05:12 | 0:05:13 | |
Did you have any breakfast? | 0:05:13 | 0:05:15 | |
Mum, I've got to get to work, I'll get back as soon as I can! | 0:05:15 | 0:05:19 | |
I'll see you later. | 0:05:19 | 0:05:20 | |
Oh, my head is throbbing. | 0:05:26 | 0:05:29 | |
Almost 39.4. | 0:05:29 | 0:05:32 | |
Well, it WILL be, with that under your arm. Oh, yeah. | 0:05:34 | 0:05:37 | |
Can I have one of those, please? | 0:05:39 | 0:05:40 | |
Grab yourself a cup. | 0:05:40 | 0:05:42 | |
You'll have to ring Howard - I'm too ill. | 0:05:47 | 0:05:50 | |
So am I. I'm shivering. | 0:05:50 | 0:05:53 | |
I didn't sleep at all last night. | 0:05:53 | 0:05:56 | |
Go on. He'll take it better if it comes from you. | 0:05:56 | 0:06:01 | |
All right, I'll make a deal with you. I'll ring Howard, | 0:06:01 | 0:06:04 | |
you get the duvets. OK. | 0:06:04 | 0:06:06 | |
TYPES NUMBER INTO PHONE | 0:06:08 | 0:06:10 | |
How is she? | 0:06:20 | 0:06:22 | |
How does she look? | 0:06:24 | 0:06:26 | |
It's remarkable how she's coping. She SEEMS happy. | 0:06:26 | 0:06:31 | |
She does, doesn't she? | 0:06:31 | 0:06:34 | |
How are you managing? Hmm. | 0:06:35 | 0:06:38 | |
Were you here yesterday? | 0:06:38 | 0:06:41 | |
I'm here every day, | 0:06:41 | 0:06:43 | |
and I will be, unless I get a note from my mam that lets me off. | 0:06:43 | 0:06:47 | |
Rob, it's going to take... Time. I know. | 0:06:47 | 0:06:52 | |
I get it now. | 0:06:52 | 0:06:54 | |
You should go home, have a break. She's going to need me, Heston. | 0:06:56 | 0:07:00 | |
She doesn't know it yet, but she will run into trouble - I know her. | 0:07:01 | 0:07:05 | |
You have to convince her to carry on seeing me. | 0:07:09 | 0:07:13 | |
I'll try. | 0:07:13 | 0:07:15 | |
May I? Please, Doctor Carter, come in. | 0:07:20 | 0:07:25 | |
We were just testing our mathematical skills | 0:07:25 | 0:07:28 | |
on a sudoku puzzle. Ah, yes. Sudokumania! | 0:07:28 | 0:07:32 | |
An excellent way to sharpen the mind. | 0:07:32 | 0:07:34 | |
No, this is too hard - I prefer hangman. | 0:07:34 | 0:07:37 | |
We have been keeping ourselves busy, walking around the grounds | 0:07:37 | 0:07:41 | |
and Mrs Hollins has remembered ALL of our recent conversations. | 0:07:41 | 0:07:45 | |
Excellent. I thought we were mates. | 0:07:45 | 0:07:47 | |
We are. I'm not Mrs Hollins, I'm Miss Teale. You can call me Karen. | 0:07:47 | 0:07:51 | |
Well, I.. | 0:07:51 | 0:07:53 | |
Forgive us, Karen, Mrs Tembe and myself are rather old-fashioned. | 0:07:53 | 0:07:56 | |
I don't think we've been properly introduced. | 0:07:56 | 0:07:59 | |
Oh, yes, excuse me, Mrs... | 0:07:59 | 0:08:03 | |
Karen, this is Doctor Carter, | 0:08:03 | 0:08:06 | |
a senior partner and doctor at the Mill Health Centre. | 0:08:06 | 0:08:09 | |
Another doctor I'm supposed to know. Pleased to meet you. | 0:08:09 | 0:08:12 | |
Pleased to meet you too. | 0:08:12 | 0:08:14 | |
So, what's the story with you two? | 0:08:15 | 0:08:18 | |
Are you...? | 0:08:18 | 0:08:19 | |
No, no, no. | 0:08:19 | 0:08:21 | |
Oh. But you're going out? | 0:08:21 | 0:08:24 | |
We most certainly are not. | 0:08:24 | 0:08:25 | |
Sorry, I just thought, you... | 0:08:25 | 0:08:27 | |
But you fancy each other? | 0:08:27 | 0:08:29 | |
Karen... All right, keep your hair on! I just thought, you know... | 0:08:29 | 0:08:34 | |
Why are there no candles on the tables? | 0:08:40 | 0:08:42 | |
Raj, there are no candles on the tables. | 0:08:43 | 0:08:46 | |
What? Oh, sorry, we don't put them out till later. | 0:08:46 | 0:08:49 | |
That'll be too late. Put them out now, please. | 0:08:49 | 0:08:53 | |
Who ordered these? | 0:08:53 | 0:08:55 | |
Not me. They're terrible. | 0:08:55 | 0:08:57 | |
Well, you said you'd take care of table dressing. | 0:08:57 | 0:08:59 | |
No, I asked YOU to. Oh, fine, just change them. | 0:08:59 | 0:09:04 | |
How about staff - who do we have? | 0:09:04 | 0:09:06 | |
This isn't enough. | 0:09:10 | 0:09:12 | |
It's what we always have for midweek lunches. | 0:09:12 | 0:09:14 | |
But we've got 40 covers this afternoon. Yeah? | 0:09:14 | 0:09:17 | |
Call Lisa, see if she's free. | 0:09:17 | 0:09:20 | |
And there's a box of white cabbages in the kitchen. | 0:09:20 | 0:09:22 | |
I told you, we're taking the braised cabbage off the menu - | 0:09:22 | 0:09:25 | |
more money wasted. Well, that wasn't down to me. | 0:09:25 | 0:09:28 | |
Raj, I'm not prepared to argue on every single... PHONE RINGS | 0:09:28 | 0:09:32 | |
I've got to take this. | 0:09:32 | 0:09:34 | |
Mum, what's the matter? Are you OK? | 0:09:34 | 0:09:35 | |
I'm fine, dear. Did you get there all right? | 0:09:35 | 0:09:39 | |
Yes. | 0:09:39 | 0:09:40 | |
'Good.' | 0:09:40 | 0:09:42 | |
Why have you rung, Mum? I can't find the surgery phone number. | 0:09:42 | 0:09:45 | |
What do you need their number for? | 0:09:45 | 0:09:47 | |
I'll cancel the appointment, Jill. | 0:09:47 | 0:09:49 | |
My knee's fine - it's only a scratch - and you're busy. | 0:09:49 | 0:09:54 | |
Mum, please, I'll be back soon, I'll take care of it. | 0:09:54 | 0:09:56 | |
Are you sure? | 0:09:56 | 0:09:58 | |
Yes, Mum, just stay there. I'll come back. | 0:09:58 | 0:10:01 | |
# Pretty woman Don't walk on by... # | 0:10:05 | 0:10:09 | |
And they live happily ever after. | 0:10:09 | 0:10:11 | |
Hm, the old ones are the best. | 0:10:12 | 0:10:15 | |
All right? | 0:10:20 | 0:10:21 | |
Yeah. HE SNIFFS | 0:10:21 | 0:10:24 | |
It's just my cold. | 0:10:24 | 0:10:25 | |
Right. | 0:10:25 | 0:10:27 | |
There was a day | 0:10:27 | 0:10:29 | |
if anything romantic was on, you'd just fall asleep. | 0:10:29 | 0:10:31 | |
Yeah...you used to say you'd never seen a film, | 0:10:31 | 0:10:35 | |
and then in the last ten minutes you'd ruin the end for us! | 0:10:35 | 0:10:38 | |
"Oh, this is the one where he dies at the end!" | 0:10:38 | 0:10:41 | |
Oh, that used to drive your dad mad! | 0:10:41 | 0:10:43 | |
I keep thinking about Rob. | 0:10:48 | 0:10:50 | |
Yeah. | 0:10:51 | 0:10:53 | |
It must be awful. | 0:10:53 | 0:10:55 | |
He'll manage. | 0:10:55 | 0:10:57 | |
Being in limbo like that. You know, just waiting. | 0:10:57 | 0:11:01 | |
He's got his kids, and it's not as if Karen's not there - | 0:11:03 | 0:11:06 | |
she can recover. | 0:11:06 | 0:11:08 | |
Yes, she may not be the same, though. | 0:11:08 | 0:11:10 | |
How do you mean? | 0:11:10 | 0:11:11 | |
Amnesia. | 0:11:11 | 0:11:13 | |
If people DO recover, then often there can be personality changes. | 0:11:13 | 0:11:18 | |
Why do you always have to look on the bleak side? | 0:11:20 | 0:11:22 | |
I'm not. I'm just saying, you know, things happen. | 0:11:22 | 0:11:26 | |
You always expect the worst. | 0:11:27 | 0:11:30 | |
What? | 0:11:30 | 0:11:32 | |
It doesn't matter. | 0:11:32 | 0:11:34 | |
Chris... | 0:11:35 | 0:11:36 | |
Chris! | 0:11:42 | 0:11:43 | |
That's why you've been feeling a bit groggy. | 0:11:43 | 0:11:46 | |
And that was the sedatives? | 0:11:46 | 0:11:48 | |
They can have a hypnotic effect, a slowing down. | 0:11:48 | 0:11:51 | |
What, like you're spaced out? | 0:11:51 | 0:11:53 | |
But you're doing remarkably well. | 0:11:53 | 0:11:55 | |
I can hardly believe the improvement since I saw you last. | 0:11:55 | 0:11:58 | |
Well, it's not down to the food, that's for sure. But I feel OK. | 0:11:58 | 0:12:01 | |
Good. | 0:12:01 | 0:12:02 | |
Do you have many visitors? A couple. | 0:12:04 | 0:12:07 | |
He was cute. Oh... | 0:12:07 | 0:12:09 | |
What? It's the medication, he said. | 0:12:09 | 0:12:11 | |
And Dr Haskey came to visit, do you remember? | 0:12:11 | 0:12:15 | |
Dr Al. He's mad, he wants to know everything. | 0:12:15 | 0:12:18 | |
I've never met so many doctors, and half of them seem to be my mates. | 0:12:18 | 0:12:22 | |
It's great that you're retaining so much, it's very encouraging. | 0:12:22 | 0:12:25 | |
She's making very good progress, don't you think, Dr Carter? | 0:12:25 | 0:12:29 | |
You seem much happier. Visitors can be very therapeutic. | 0:12:29 | 0:12:34 | |
Yes, Rosabelle's. | 0:12:37 | 0:12:38 | |
Can we have them any earlier? | 0:12:40 | 0:12:42 | |
Sorry, are you sure it's 14, Moorway Road? | 0:12:42 | 0:12:47 | |
It says 16 on your notes. | 0:12:47 | 0:12:49 | |
Yes, sorry, it's 16. | 0:12:49 | 0:12:52 | |
That's better, thank you. | 0:12:52 | 0:12:54 | |
Sorry about that - one of those days. | 0:12:56 | 0:12:59 | |
We all have those. Well, more like one of those nights, actually. | 0:12:59 | 0:13:02 | |
I've been up most of it, with my mother. Didn't get much sleep. | 0:13:02 | 0:13:06 | |
She's taken to wandering. Oh, that's hard. | 0:13:06 | 0:13:08 | |
Yes, especially when you're trying to run a business. | 0:13:08 | 0:13:10 | |
Oh? Yes, I run a restaurant. Rosabelle's. | 0:13:10 | 0:13:13 | |
Cheal Street, I know it. It's lovely. | 0:13:13 | 0:13:16 | |
Didn't it win an award or something? | 0:13:16 | 0:13:19 | |
Yes, well, just a local business award. | 0:13:19 | 0:13:21 | |
Oh, lovely. Shame... So, doesn't your mother sleep? | 0:13:21 | 0:13:26 | |
Not much. Elderly relatives can be such a worry. | 0:13:26 | 0:13:30 | |
Yes. Does she get disorientated? | 0:13:30 | 0:13:32 | |
She's lucky to have you. Some of the elderly people we see... | 0:13:34 | 0:13:38 | |
There's this one lady, she lives by the school. | 0:13:38 | 0:13:41 | |
Valerie, excuse me. Can I have a word? Yes, Doctor. | 0:13:41 | 0:13:45 | |
Don't get too involved, please. | 0:13:45 | 0:13:47 | |
I was just... You're interfering. Don't. | 0:13:47 | 0:13:50 | |
What? | 0:13:54 | 0:13:56 | |
Oh, no. | 0:13:56 | 0:13:58 | |
When can I leave? | 0:14:05 | 0:14:08 | |
When things are more stable. But you can always go home for a visit. | 0:14:08 | 0:14:13 | |
To my dad's? I was thinking your own home. | 0:14:13 | 0:14:16 | |
No, no, thank you. Maybe it's too soon. | 0:14:16 | 0:14:19 | |
You need a transitional period. | 0:14:19 | 0:14:21 | |
Rob would give you that. | 0:14:21 | 0:14:23 | |
SHE SIGHS Rob's actually at the hospital here today. | 0:14:23 | 0:14:26 | |
We could wait with you, if you like. | 0:14:26 | 0:14:29 | |
What do you think? Why is he hanging around? | 0:14:30 | 0:14:33 | |
It's important to bring your past back into focus. | 0:14:33 | 0:14:36 | |
And Rob and the family are part of that past. | 0:14:36 | 0:14:39 | |
I don't want to see him. I was thinking... | 0:14:39 | 0:14:42 | |
He's creepy, and I don't know who he is. | 0:14:42 | 0:14:44 | |
Have you seen my daughter? | 0:14:53 | 0:14:55 | |
She could be in the ladies'. | 0:14:55 | 0:14:57 | |
No, I've looked. She can't have gone far. | 0:14:57 | 0:14:59 | |
She was here when I was in with the nurse. | 0:14:59 | 0:15:02 | |
Well, I'll give her a call. | 0:15:02 | 0:15:04 | |
You sit down, Mrs Evans. I'll sort it out. | 0:15:04 | 0:15:07 | |
I need to find her. Sorry, what seems to be the problem? | 0:15:07 | 0:15:10 | |
Mrs Evans's daughter seems to have disappeared. | 0:15:10 | 0:15:13 | |
She was here a moment ago. I'm just trying to ring her now. | 0:15:13 | 0:15:16 | |
She seems very agitated. | 0:15:16 | 0:15:18 | |
Bit of a dependency issue. | 0:15:18 | 0:15:20 | |
No answer. | 0:15:24 | 0:15:26 | |
Have you got her? Not yet, Mrs Evans, maybe she's... | 0:15:26 | 0:15:29 | |
Where has she gone? I need to find her, we need to go home. | 0:15:29 | 0:15:32 | |
We'll call you a taxi. | 0:15:32 | 0:15:34 | |
Look, it's nearly my lunchtime, maybe I should go with her. | 0:15:34 | 0:15:37 | |
Is that really necessary? | 0:15:37 | 0:15:39 | |
She's in a bit of a state. | 0:15:39 | 0:15:41 | |
I won't interfere, and I'll come straight back. | 0:15:41 | 0:15:44 | |
She isn't here. | 0:16:22 | 0:16:25 | |
Where are you going, Mrs Evans? | 0:16:25 | 0:16:27 | |
I have to find her. | 0:16:27 | 0:16:29 | |
It's none of my business, but I don't think that's a very good idea. | 0:16:29 | 0:16:32 | |
She might be home soon. You don't want to miss her, do you? | 0:16:32 | 0:16:34 | |
Look, I've left a message at the restaurant. We could wait together. | 0:16:34 | 0:16:39 | |
I'll make us a cup of tea. | 0:16:39 | 0:16:41 | |
Is the kitchen through here? | 0:16:41 | 0:16:43 | |
Oh! This is, er...amazing. | 0:16:46 | 0:16:51 | |
What a good idea. | 0:16:51 | 0:16:52 | |
I don't need to ask where anything is in here, do I? | 0:16:52 | 0:16:56 | |
Don't worry, I forget where I put things all the time. | 0:16:56 | 0:16:59 | |
Oh, cups! May I? | 0:16:59 | 0:17:01 | |
I am for ever mixing things up. This is a wonderful idea. | 0:17:01 | 0:17:07 | |
What a clever daughter you've got! | 0:17:07 | 0:17:10 | |
You must be very proud of her. | 0:17:12 | 0:17:14 | |
She's got such a busy life, but she still finds time for you. | 0:17:14 | 0:17:17 | |
And she's built that restaurant up from nothing, hasn't she? | 0:17:18 | 0:17:22 | |
No, these are SO helpful. | 0:17:22 | 0:17:25 | |
Do you have a bit of trouble with your memory? | 0:17:27 | 0:17:30 | |
They're...they're not mine. | 0:17:31 | 0:17:34 | |
Steven! | 0:17:47 | 0:17:48 | |
What's going on?! It's chaos out there. | 0:17:48 | 0:17:51 | |
I know, but... They should've gone out ages ago. No-one's taking them! | 0:17:51 | 0:17:55 | |
For goodness' sake. | 0:17:59 | 0:18:01 | |
She thinks I'm the one with the problem. I wish it was. | 0:18:10 | 0:18:14 | |
I had to go out and look for her this morning. | 0:18:16 | 0:18:19 | |
That's when I cut my leg. I tripped. Why haven't you told anyone? | 0:18:19 | 0:18:23 | |
I couldn't! She wouldn't let me. | 0:18:23 | 0:18:25 | |
We never see anyone, nobody comes to the house any more. | 0:18:25 | 0:18:31 | |
I'm worried that they'll take her away, | 0:18:31 | 0:18:35 | |
but I can't look after her. | 0:18:35 | 0:18:38 | |
It's like... she's just not my Jill any more. | 0:18:38 | 0:18:43 | |
What are you doing? The cabbage. You forgot. | 0:18:57 | 0:19:00 | |
What did I forget?! Braised white cabbage, with bacon and thyme. | 0:19:00 | 0:19:03 | |
It's on the menu. Chef's waiting. | 0:19:03 | 0:19:05 | |
It's not on the menu, and the main's have already gone out. | 0:19:05 | 0:19:08 | |
It IS on the menu because I put it on the menu this morning, remember? | 0:19:08 | 0:19:11 | |
What are you talking about?! | 0:19:11 | 0:19:13 | |
Get a move on! Why are you just standing there?! | 0:19:13 | 0:19:15 | |
You told me earlier you took it off. Quick, help me get them out! | 0:19:15 | 0:19:18 | |
You don't remember, do you? | 0:19:18 | 0:19:21 | |
This is MY restaurant! | 0:19:21 | 0:19:22 | |
Jill, calm down. | 0:19:22 | 0:19:24 | |
You're always getting at me. This is MY restaurant! Get out! | 0:19:24 | 0:19:28 | |
What?! Go on, get out! You're fired. | 0:19:28 | 0:19:32 | |
Leave me alone, leave me alone! | 0:19:32 | 0:19:35 | |
What did she say? She's still not ready. | 0:19:41 | 0:19:43 | |
Come on, Heston. You're going to have to give her more time. | 0:19:43 | 0:19:46 | |
That's what she said? | 0:19:46 | 0:19:48 | |
How do I explain that to Jack and Immie? | 0:19:48 | 0:19:50 | |
This is not just about Karen. | 0:19:50 | 0:19:51 | |
I'm in limbo here, you know? | 0:19:51 | 0:19:53 | |
I can't go home, I can't go to work. I know this is difficult for you. | 0:19:53 | 0:19:56 | |
I feel about that far off going in there | 0:19:56 | 0:19:58 | |
and dragging her out of this damn hospital. | 0:19:58 | 0:20:00 | |
We're still within the three-week window. What is the three-week window? | 0:20:00 | 0:20:04 | |
At the moment, things are fairly fluid, but after three weeks, | 0:20:04 | 0:20:07 | |
patterns in the brain become more fixed. | 0:20:07 | 0:20:09 | |
And, what does that mean? | 0:20:09 | 0:20:12 | |
She still has time to recover. | 0:20:12 | 0:20:14 | |
I can't lose her, Heston. I can't. | 0:20:18 | 0:20:21 | |
Right. What shall we watch next? | 0:20:27 | 0:20:30 | |
What about...Batman? | 0:20:30 | 0:20:33 | |
You like those, and to be perfectly honest, | 0:20:33 | 0:20:36 | |
Christian Bale would perk me right up. | 0:20:36 | 0:20:39 | |
Yeah, OK. You know, I've been thinking. | 0:20:39 | 0:20:44 | |
I think this house is too big for us. | 0:20:44 | 0:20:48 | |
What do you mean? | 0:20:48 | 0:20:50 | |
We're just rattling around in it, aren't we? | 0:20:50 | 0:20:52 | |
What's this about? You want me to move out? | 0:20:52 | 0:20:54 | |
What's this about? You want me to move out? | 0:20:54 | 0:20:55 | |
No, of course not. | 0:20:55 | 0:20:57 | |
Money? No. It's just, there's a lot of memories here. | 0:20:57 | 0:21:04 | |
Of course. | 0:21:04 | 0:21:07 | |
Just thought maybe we could do with a change. | 0:21:07 | 0:21:10 | |
I'm cramping your style, am I? | 0:21:10 | 0:21:12 | |
Chris... | 0:21:12 | 0:21:13 | |
You want your single life back. | 0:21:13 | 0:21:15 | |
How do you do that? | 0:21:17 | 0:21:18 | |
How do you always manage to turn something around, | 0:21:19 | 0:21:23 | |
and make it my fault? | 0:21:23 | 0:21:24 | |
It didn't stop you when Dad was here. | 0:21:24 | 0:21:26 | |
How dare you?! | 0:21:28 | 0:21:30 | |
You know what, I've had it with your attitude. | 0:21:31 | 0:21:34 | |
Well, I'm sick of you thinking that everyone can move on as easy as you. | 0:21:34 | 0:21:38 | |
Because it's been so easy, hasn't it, Chris, | 0:21:38 | 0:21:41 | |
dealing the fallout from... | 0:21:41 | 0:21:43 | |
From what? | 0:21:44 | 0:21:47 | |
I'm sick of this! | 0:21:47 | 0:21:49 | |
You and your childish behaviour, and blaming me for everything. | 0:21:50 | 0:21:55 | |
If the shoe fits. | 0:21:55 | 0:21:56 | |
Oh, grow up. You're 24 years old. | 0:21:58 | 0:22:03 | |
Take some responsibility for your life, | 0:22:03 | 0:22:06 | |
and stop blaming me for everything! | 0:22:06 | 0:22:08 | |
I'm going to go back to bed. | 0:22:10 | 0:22:12 | |
Jill? | 0:22:23 | 0:22:24 | |
Mum, are you OK? | 0:22:24 | 0:22:26 | |
Yes. I was worried about YOU, love. | 0:22:26 | 0:22:28 | |
I'm just busy, I've got a lot to do. | 0:22:28 | 0:22:31 | |
Jill, you left your mother at the surgery. I brought her home. | 0:22:31 | 0:22:34 | |
Who are you? I'm Valerie, the receptionist. | 0:22:34 | 0:22:38 | |
Oh, right, yes. Why are you all here? | 0:22:38 | 0:22:43 | |
Because I called them. | 0:22:43 | 0:22:45 | |
Raj was worried. I don't know what you're all doing here. | 0:22:45 | 0:22:48 | |
I'm trying to run a business. | 0:22:48 | 0:22:50 | |
You're not, though, are you? Things haven't been right here for months. | 0:22:50 | 0:22:53 | |
We know, Jill. We know how things have been. | 0:22:53 | 0:22:55 | |
You've been confused, haven't you? | 0:22:55 | 0:22:57 | |
I'm under a lot of stress. This is an important day! | 0:22:57 | 0:23:00 | |
But it's not just today, is it? | 0:23:00 | 0:23:02 | |
Jill, you can't go on like this. | 0:23:02 | 0:23:04 | |
I don't know... I don't know what you're saying. | 0:23:05 | 0:23:10 | |
KNOCK AT DOOR | 0:23:10 | 0:23:12 | |
Your favourite. | 0:23:17 | 0:23:19 | |
Well, it used to be. | 0:23:22 | 0:23:24 | |
I can manage. I just need a break, that's all. | 0:23:36 | 0:23:39 | |
The earlier you get help, Jill, the better things can be put in place. | 0:23:39 | 0:23:43 | |
You can get support. | 0:23:43 | 0:23:45 | |
The restaurant? You know, I'm sure Raj could help. | 0:23:45 | 0:23:48 | |
I'm sorry I haven't been much help recently, but if you need it...? | 0:23:49 | 0:23:53 | |
Yeah. Thank you. | 0:23:53 | 0:23:55 | |
I'd better get back in there. | 0:23:57 | 0:23:59 | |
It's like I'm drowning. | 0:24:03 | 0:24:05 | |
It started with headaches, then I just couldn't think straight. | 0:24:05 | 0:24:10 | |
I'd get in the car and forget where I was going. | 0:24:10 | 0:24:13 | |
What should I do now? | 0:24:13 | 0:24:15 | |
You can stop worrying and start to look after yourself. | 0:24:15 | 0:24:17 | |
The doctors at the Mill can help. | 0:24:17 | 0:24:20 | |
I'm sorry, Mum. | 0:24:20 | 0:24:21 | |
Oh, I only wanted to look after you, Jill. | 0:24:21 | 0:24:25 | |
I'm supposed to be looking after you. | 0:24:25 | 0:24:27 | |
This isn't meant to happen. | 0:24:27 | 0:24:29 | |
Oh, there, there. I'm here now, darling, I'm here now. | 0:24:29 | 0:24:33 | |
JILL SOBS There, there. | 0:24:33 | 0:24:35 | |
KNOCK AT DOOR | 0:24:37 | 0:24:39 | |
That's good soup. | 0:24:41 | 0:24:43 | |
Mum, I know what you're trying to do. | 0:24:47 | 0:24:49 | |
I see your point - it's just hard. | 0:24:49 | 0:24:52 | |
I know. | 0:24:52 | 0:24:53 | |
Too soon. | 0:24:55 | 0:24:56 | |
I'm sorry for saying those nasty things. I didn't mean it. | 0:25:01 | 0:25:06 | |
I understand. | 0:25:06 | 0:25:08 | |
I'm sorry, too. | 0:25:08 | 0:25:10 | |
Do I really take it out on you? | 0:25:12 | 0:25:14 | |
Yeah. Sometimes. | 0:25:18 | 0:25:21 | |
Have you got any more? | 0:25:24 | 0:25:26 | |
Come here. | 0:25:28 | 0:25:30 | |
How was Jill? You were right, I've referred her on. | 0:25:36 | 0:25:40 | |
It's good to catch these things early. Yep. | 0:25:40 | 0:25:43 | |
You know, only 46% of people with dementia ever get diagnosed. | 0:25:43 | 0:25:47 | |
Really? | 0:25:47 | 0:25:48 | |
Yeah. It's often misdiagnosed as depression or menopause. | 0:25:48 | 0:25:53 | |
Well, well done, you. | 0:25:53 | 0:25:54 | |
That's what you wanted, isn't it - pat on the back? | 0:25:54 | 0:25:57 | |
I know it's not my place... | 0:25:57 | 0:25:58 | |
No, you're right, Miss Marple, it's NOT your place. | 0:25:58 | 0:26:02 | |
On this occasion, it was OK, but next time, rein it in. | 0:26:02 | 0:26:06 | |
(You're welcome.) | 0:26:07 | 0:26:09 | |
I'm just not coping well with the fact that she might stay like this. | 0:26:09 | 0:26:13 | |
We don't know. There are techniques we can use. | 0:26:13 | 0:26:15 | |
Show her photos, show her videos. | 0:26:15 | 0:26:18 | |
She doesn't want us. She's happy, she doesn't want to remember. | 0:26:18 | 0:26:22 | |
When she IS ready, we can take her home and jog her memory. | 0:26:22 | 0:26:27 | |
How do we do that? | 0:26:27 | 0:26:29 | |
How do we get her to sit in a house she can't remember | 0:26:30 | 0:26:33 | |
with a man she doesn't know and hates? | 0:26:33 | 0:26:35 | |
How do we do that? | 0:26:35 | 0:26:37 | |
Exactly. | 0:26:39 | 0:26:40 | |
I am still her husband! | 0:26:50 | 0:26:51 | |
I wish you'd all remember that, even if she can't. Or doesn't want to. | 0:26:51 | 0:26:54 | |
Ald Brook, as in the brewers of fine ales? | 0:26:54 | 0:26:58 | |
Just cos you've had a bang on your noddle, | 0:26:58 | 0:26:59 | |
doesn't mean you can knock your gob out of gear. | 0:26:59 | 0:27:02 | |
You're the same age as me, and let me tell you, | 0:27:02 | 0:27:04 | |
you don't look in the first flush of youth either! | 0:27:04 | 0:27:06 | |
HE SINGS A FANFARE | 0:27:06 | 0:27:08 | |
There she is! | 0:27:08 | 0:27:10 | |
Do you fancy something intimate, romantic? | 0:27:10 | 0:27:13 |