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A new mop. | 0:00:33 | 0:00:36 | |
I clean wore the old one out, along with my knee. | 0:00:36 | 0:00:39 | |
Mary's got one, I'm sure, | 0:00:39 | 0:00:41 | |
but I don't want her to think I'm taking advantage. | 0:00:41 | 0:00:44 | |
Her sister's garden hasn't got much going for it, has it? | 0:00:45 | 0:00:49 | |
Could have done with you, a bit of strong arm to dig it over. | 0:00:49 | 0:00:53 | |
And this would've been so much easier with your help. But... | 0:00:53 | 0:00:58 | |
if you'd been here, then I wouldn't have to move, would I? | 0:00:58 | 0:01:03 | |
-Thanks. -Want me to take your bag? | 0:01:08 | 0:01:10 | |
If you can manage. | 0:01:10 | 0:01:11 | |
Morning. Do you need a hand? | 0:01:11 | 0:01:14 | |
I've got it covered, thanks. | 0:01:14 | 0:01:16 | |
Morning. | 0:01:16 | 0:01:17 | |
Hello. | 0:01:19 | 0:01:21 | |
Hello! | 0:01:22 | 0:01:24 | |
You just said that. | 0:01:24 | 0:01:26 | |
No, the second one is, "Hello, is that a new shirt?" | 0:01:26 | 0:01:29 | |
Yes, it is. | 0:01:29 | 0:01:30 | |
Hmm. Colours and stripes, quite a departure. | 0:01:30 | 0:01:33 | |
It's not quite right, is it? | 0:01:33 | 0:01:34 | |
On the contrary, I think it suits you perfectly. | 0:01:34 | 0:01:38 | |
And it steals Heston's thunder into the bargain. | 0:01:38 | 0:01:41 | |
You're supposed to be taking it easy. We've had this talk. | 0:01:43 | 0:01:48 | |
There's no time for "easy". | 0:01:48 | 0:01:50 | |
The contracts are being exchanged. I have to leave here tomorrow, | 0:01:50 | 0:01:54 | |
and there's still arrangements to make. | 0:01:54 | 0:01:56 | |
Hasn't your sister been helping? | 0:01:56 | 0:01:58 | |
Oh, she's been coming over when she can, but she still works. | 0:01:58 | 0:02:02 | |
Pearl, it's going to take you longer to recover from your operation | 0:02:02 | 0:02:05 | |
if you overdo it. You're setting yourself back. | 0:02:05 | 0:02:07 | |
I should've postponed it, | 0:02:07 | 0:02:09 | |
but it was all so fast, I had no way of knowing. | 0:02:09 | 0:02:12 | |
Well, I'm here now, so you'll have to sit down. Come on. | 0:02:12 | 0:02:15 | |
Hey, do you want some side plates? | 0:02:15 | 0:02:17 | |
Sorry? | 0:02:17 | 0:02:19 | |
Or a cake dish? | 0:02:19 | 0:02:20 | |
I've got all this crockery, it's all going to goodwill. | 0:02:20 | 0:02:24 | |
They're things we used to keep for Sunday tea. | 0:02:24 | 0:02:27 | |
Knee first, Pearl. | 0:02:27 | 0:02:29 | |
Oh, the old crock before the old crockery. Right. | 0:02:29 | 0:02:32 | |
She's back. | 0:02:33 | 0:02:35 | |
No? Beryl the Peril? | 0:02:35 | 0:02:37 | |
Oh, yes. I've just checked my patient list for this afternoon. | 0:02:37 | 0:02:42 | |
But she was only here Thursday, Friday? | 0:02:42 | 0:02:46 | |
Friday?! | 0:02:46 | 0:02:47 | |
Goodness, she's back as fast as her restless leg syndrome will carry her. | 0:02:47 | 0:02:52 | |
"Oh, Doctor, it's like Riverdance are in my bed! | 0:02:52 | 0:02:56 | |
-"The cat runs for the hills!" -We shouldn't! | 0:02:56 | 0:02:59 | |
"Last week it was all down this side, | 0:02:59 | 0:03:01 | |
"this week it's all down this side." | 0:03:01 | 0:03:03 | |
I felt like saying, "I bet you can't wait for next week." | 0:03:03 | 0:03:07 | |
THEY LAUGH | 0:03:07 | 0:03:09 | |
Do you think she can get Irish dance lessons on the NHS? | 0:03:09 | 0:03:14 | |
Like tigers. | 0:03:14 | 0:03:15 | |
-Sorry? -Best viewed from a distance. That way you avoid a mauling. | 0:03:15 | 0:03:20 | |
I like to see my colleagues happy at work. Nothing wrong with that. | 0:03:20 | 0:03:23 | |
Oh, no. Too late with the warning, I see. | 0:03:23 | 0:03:27 | |
Still, Dr Reid is very, er, "kitten with a whip", isn't she? | 0:03:27 | 0:03:31 | |
-Haven't you got patients to see, Dr Haskey? -Absolutely. | 0:03:31 | 0:03:35 | |
Only, er, do what you can to avoid becoming one of them, eh? | 0:03:35 | 0:03:39 | |
You look like a bleeder to me. | 0:03:39 | 0:03:41 | |
Mr Deakins? | 0:03:43 | 0:03:45 | |
Mrs Hollins, what's Dr Reid's schedule like for today? | 0:03:48 | 0:03:52 | |
-It's full, why? -Would you mind...? | 0:03:52 | 0:03:54 | |
It was orange and brown when we first moved in. | 0:03:58 | 0:04:01 | |
-In here? -Very '70s. | 0:04:01 | 0:04:04 | |
You had to be here, I suppose. I wasn't keen, it was so gloomy. | 0:04:04 | 0:04:09 | |
-I can imagine. -We couldn't afford to decorate all at once, | 0:04:09 | 0:04:12 | |
so we did this room first. Earnest used to come back from the barber's, | 0:04:12 | 0:04:16 | |
barely stop for his tea and he'd be up a ladder. | 0:04:16 | 0:04:20 | |
Everything's healing OK, but you have got to stop overdoing it, Pearl. | 0:04:20 | 0:04:26 | |
A whole lifetime of memories. | 0:04:26 | 0:04:29 | |
I'm the only one that remembers. | 0:04:29 | 0:04:31 | |
What's it matter? | 0:04:31 | 0:04:33 | |
There's cold comfort in that. | 0:04:33 | 0:04:36 | |
How does that feel? OK? | 0:04:36 | 0:04:39 | |
Mmm. | 0:04:39 | 0:04:41 | |
When did he go? | 0:04:41 | 0:04:43 | |
Who? Earnest? | 0:04:43 | 0:04:45 | |
He's still here. They're coming for him soon. | 0:04:45 | 0:04:49 | |
Aren't they, love? | 0:04:49 | 0:04:51 | |
Why don't you come in and say hello? | 0:04:51 | 0:04:53 | |
Hello, Earnest. | 0:04:57 | 0:04:58 | |
Oh, it's yes/no questions these days, if you can even get an answer. | 0:05:00 | 0:05:05 | |
Most days he doesn't seem to know who I am. | 0:05:05 | 0:05:08 | |
-When did that start? -It was quite sudden. | 0:05:08 | 0:05:11 | |
I went in for my operation and he was in respite. | 0:05:11 | 0:05:14 | |
-He had a seizure. -Oh, Pearl, I'm so sorry. | 0:05:14 | 0:05:18 | |
Well, I've just had to accept it. | 0:05:18 | 0:05:20 | |
Even with the care workers visiting every day, | 0:05:20 | 0:05:23 | |
it's just got beyond me to cope. | 0:05:23 | 0:05:27 | |
Much as I try. | 0:05:27 | 0:05:29 | |
-Bye, now. -Thank you. -Take care. | 0:05:31 | 0:05:35 | |
Hiya. | 0:05:37 | 0:05:39 | |
Back again? I've barely touched my coffee. | 0:05:39 | 0:05:42 | |
I meant to ask you what you wanted for lunch. | 0:05:42 | 0:05:44 | |
Don't worry about it, I'll sort myself out. | 0:05:44 | 0:05:46 | |
-I can get it. -I can manage. -Why, when you don't have to? | 0:05:46 | 0:05:49 | |
Because I want to. I'd quite like the exercise. | 0:05:49 | 0:05:52 | |
If I go, you can't break the other one, can you? | 0:05:52 | 0:05:54 | |
Daniel. | 0:05:54 | 0:05:56 | |
Daniel! | 0:05:56 | 0:05:57 | |
I'm not holding you up, am I? | 0:06:02 | 0:06:04 | |
No, no. I'm OK for time. | 0:06:04 | 0:06:05 | |
There's a special cup for Earnest. | 0:06:05 | 0:06:08 | |
It should be me doing that. | 0:06:08 | 0:06:10 | |
Er, not on my watch. | 0:06:10 | 0:06:11 | |
You can't take on the whole world all of the time. | 0:06:11 | 0:06:14 | |
Earnest is going to need you fighting fit. | 0:06:14 | 0:06:16 | |
I need him more than he needs me. | 0:06:16 | 0:06:20 | |
He's gone, for all intents and purposes. | 0:06:20 | 0:06:22 | |
You mustn't think like that. | 0:06:22 | 0:06:24 | |
Well, I can't help it, sometimes. | 0:06:24 | 0:06:28 | |
Everything's gone with him. Our marriage, our home. | 0:06:28 | 0:06:33 | |
-Care like that costs. -I know. | 0:06:33 | 0:06:36 | |
I've had to sell all his things, | 0:06:36 | 0:06:38 | |
all the old stuff he'd collected over the years. | 0:06:38 | 0:06:40 | |
-Like what? -His old jazz records. | 0:06:40 | 0:06:44 | |
"It's my only other love," he used to say, | 0:06:44 | 0:06:46 | |
but I knew it was his first love. | 0:06:46 | 0:06:49 | |
You could put me in a room with Louis Armstrong, | 0:06:49 | 0:06:53 | |
he'd tear himself in two to know who to go to. | 0:06:53 | 0:06:56 | |
Oh, Louis Armstrong. Now you're talking. | 0:06:56 | 0:06:59 | |
Oh, I used to pretend I liked all that old stuff. | 0:06:59 | 0:07:02 | |
Now I don't have to bother. Small compensation. | 0:07:02 | 0:07:06 | |
And I kept the most important thing. | 0:07:06 | 0:07:10 | |
DOORBELL RINGS | 0:07:10 | 0:07:12 | |
-Oh, that'll be them. -Oh, no, no, no. You take your time. I'll get it. | 0:07:12 | 0:07:16 | |
Mandy? | 0:07:23 | 0:07:25 | |
-Russell. -Can't think why you'd be needed for an official handover. | 0:07:25 | 0:07:28 | |
Is there something I should know? | 0:07:28 | 0:07:30 | |
No, no, I'm just taking care of Mrs Pike. | 0:07:30 | 0:07:33 | |
Anyway, is Earnest all ready? | 0:07:33 | 0:07:35 | |
Here we are now, all set? We can do that, Pearl. | 0:07:38 | 0:07:41 | |
How's the knee holding up? | 0:07:41 | 0:07:43 | |
Oh, it's fine, Russell. Is his room ready? | 0:07:43 | 0:07:45 | |
Absolutely. We're looking forward to having him. Hello, Earnest. | 0:07:45 | 0:07:49 | |
Yes. | 0:07:49 | 0:07:50 | |
-He's taking you on a little trip, all right? -Yes. | 0:07:50 | 0:07:54 | |
Hey, hey, hey! Careful, you'll have his arm off. | 0:07:54 | 0:07:57 | |
-Have you got his medication? -Oh, yes. Mandy, it's on the table there. | 0:07:57 | 0:08:01 | |
Potato head. | 0:08:01 | 0:08:03 | |
What's that now, Earnest? | 0:08:03 | 0:08:05 | |
Sounded like "potato head" to me. | 0:08:05 | 0:08:07 | |
Yes, he's said that a couple of times before. | 0:08:07 | 0:08:09 | |
New one on me. Mind you, I've been called a few things in my time. | 0:08:09 | 0:08:12 | |
Where would he have got that from? | 0:08:12 | 0:08:14 | |
What, what do you mean? | 0:08:14 | 0:08:17 | |
Has somebody called him that at the home? Russell? | 0:08:17 | 0:08:20 | |
Look, my staff know better than that. We run a nice place. | 0:08:20 | 0:08:23 | |
-I should hope so. -If I thought somebody had called him that... | 0:08:23 | 0:08:27 | |
Well, somebody hasn't, OK? I promise. | 0:08:27 | 0:08:29 | |
Righto, wagons roll. | 0:08:29 | 0:08:31 | |
Because if somebody had called him that, I'd have their job. | 0:08:31 | 0:08:34 | |
Hasn't he been robbed of his dignity enough as it is? | 0:08:34 | 0:08:37 | |
If I caught anyone saying anything like that, | 0:08:37 | 0:08:39 | |
they'd have me to answer to, before they were sacked. | 0:08:39 | 0:08:41 | |
-Better keep your ears open then, eh? -This isn't helping Pearl. | 0:08:41 | 0:08:45 | |
-Potato head! -You're going to your nice room. | 0:08:45 | 0:08:48 | |
You know, the lovely one where the... | 0:08:48 | 0:08:50 | |
Where the sun shines and all your friends are there. | 0:08:50 | 0:08:53 | |
Oh, Mandy, there's a photo on the dining room wall... | 0:08:53 | 0:08:56 | |
I'll get it. | 0:08:56 | 0:08:58 | |
I'll be following right after. | 0:09:00 | 0:09:03 | |
Why don't you give us a couple of hours, let us get him settled? | 0:09:03 | 0:09:06 | |
Come for lunch, we'll have the kettle on. | 0:09:06 | 0:09:08 | |
Well, if you think that's for the best... | 0:09:08 | 0:09:10 | |
I'm thinking of what's best for you as well as Earnest. | 0:09:10 | 0:09:12 | |
He's not being mistreated, I swear on my life. | 0:09:12 | 0:09:15 | |
There you go. | 0:09:15 | 0:09:17 | |
Well, would you look at that, eh? The man himself. | 0:09:17 | 0:09:19 | |
Always took pride of place in his shop. | 0:09:19 | 0:09:22 | |
Well that's what we'll give it in his room. | 0:09:22 | 0:09:24 | |
All right. We'll see you later. | 0:09:24 | 0:09:26 | |
I won't be long. | 0:09:32 | 0:09:34 | |
That cup of tea you made will be getting cold. | 0:09:38 | 0:09:41 | |
SHE SOBS | 0:09:41 | 0:09:44 | |
Whoa, whoa, whoa! | 0:09:50 | 0:09:51 | |
What? I'm not a complete invalid. | 0:09:51 | 0:09:54 | |
I'm not saying you are, it's just your crutches are there, and you're here. | 0:09:54 | 0:09:58 | |
I've been sitting down for the best part of five hours. | 0:09:58 | 0:10:00 | |
If I don't get some exercise I'll have a whole different set of problems. | 0:10:00 | 0:10:04 | |
Just as well I bought you a Greek salad, then. | 0:10:04 | 0:10:06 | |
I told you I wanted to get some exercise. | 0:10:06 | 0:10:09 | |
OK, if it's a little light stretching you want, | 0:10:09 | 0:10:12 | |
I can go and see if the store cupboard's free... | 0:10:12 | 0:10:14 | |
OK. Compromise. Hotel? | 0:10:15 | 0:10:18 | |
A hotel room booked for the hour under the name Mr and Mrs Smith? | 0:10:18 | 0:10:25 | |
Not appropriate any more. | 0:10:25 | 0:10:28 | |
I meant what I said last week. | 0:10:28 | 0:10:30 | |
It was a joke. | 0:10:30 | 0:10:32 | |
Although I do think "appropriate" should mean whatever we want it to. | 0:10:32 | 0:10:36 | |
Thanks for my salad. | 0:10:37 | 0:10:40 | |
It was total waterworks. | 0:10:48 | 0:10:50 | |
Pearl crying her eyes out, me trying not to join in. | 0:10:50 | 0:10:54 | |
I had her in with me just before her op. | 0:10:54 | 0:10:56 | |
She really didn't want to go through with it. Poor thing. | 0:10:56 | 0:11:00 | |
-Which one has he gone to? -Kingsvale. | 0:11:00 | 0:11:02 | |
-Oh, that's near me. It's nice. -It's one of the best. | 0:11:02 | 0:11:05 | |
Yeah, well, they're only as good as their staff, aren't they? | 0:11:05 | 0:11:08 | |
I've come across his main carer before, | 0:11:08 | 0:11:10 | |
and there's just something I do not like about him. | 0:11:10 | 0:11:12 | |
You know, calls his patients "units", that sort of thing. | 0:11:12 | 0:11:15 | |
Yeah, I know the sort. | 0:11:15 | 0:11:17 | |
I mean, I'm sure he's good with Earnest, but... | 0:11:17 | 0:11:19 | |
How bad's his Alzheimer's? | 0:11:19 | 0:11:21 | |
Oh, it's pretty bad. | 0:11:21 | 0:11:22 | |
It's terrifying. | 0:11:22 | 0:11:24 | |
Can you imagine what it must be like to be there and not "be there"? | 0:11:24 | 0:11:29 | |
Which is worse, going through it yourself, | 0:11:29 | 0:11:32 | |
or watching somebody you love go through it? If it was Rob... | 0:11:32 | 0:11:35 | |
Oh, don't. Poor Pearl. | 0:11:35 | 0:11:38 | |
I did some of my training with Alzheimer's patients | 0:11:38 | 0:11:41 | |
and it's really interesting to see the cognitive therapy. | 0:11:41 | 0:11:45 | |
-They use music with some of them. -Oh, right. | 0:11:45 | 0:11:47 | |
The music taps into long-term memory or something? | 0:11:47 | 0:11:49 | |
Yeah. It's more miss than hit, but it makes a big difference | 0:11:49 | 0:11:53 | |
with the patients that have no interaction. | 0:11:53 | 0:11:56 | |
Mmm. I don't know if that would work with him. | 0:11:56 | 0:11:58 | |
He's quite far down the road, he's almost totally dependent. | 0:11:58 | 0:12:03 | |
With music, I mean, sometimes it's so vivid, | 0:12:03 | 0:12:06 | |
it can take you right back. | 0:12:06 | 0:12:09 | |
For me, it's school days and David Essex. | 0:12:09 | 0:12:13 | |
Who? | 0:12:13 | 0:12:15 | |
Back in the dark ages when records were records | 0:12:15 | 0:12:19 | |
and they had different speeds, 33 and 45. | 0:12:19 | 0:12:22 | |
-78... -Oi! I'm not that old! | 0:12:22 | 0:12:25 | |
David Essex? | 0:12:26 | 0:12:28 | |
Yeah! Gorgeous. I used to kiss his poster every night. | 0:12:28 | 0:12:32 | |
Oh, please tell me "poster" isn't slang for something. | 0:12:32 | 0:12:35 | |
Come on. | 0:12:39 | 0:12:41 | |
Come on, you must be here somewhere. | 0:12:41 | 0:12:43 | |
What you doing? | 0:12:46 | 0:12:48 | |
Just an idea. | 0:12:48 | 0:12:50 | |
All I need is a blank CD and a little Louis. | 0:12:50 | 0:12:55 | |
No way! | 0:12:55 | 0:12:56 | |
What? | 0:12:56 | 0:12:58 | |
Oh. Room for one more? | 0:13:01 | 0:13:03 | |
It can get a bit much in there, can't it? | 0:13:14 | 0:13:17 | |
Like being in the bunker with Adolf and Eva. | 0:13:17 | 0:13:20 | |
Course, when it really gets too much for me | 0:13:24 | 0:13:27 | |
I prescribe myself a trip to the pub and get completely battered. | 0:13:27 | 0:13:31 | |
There's nothing like a bit of self-prescribed single malt! | 0:13:32 | 0:13:35 | |
Sometimes, you've got to cut your losses and say... | 0:13:39 | 0:13:41 | |
You don't want to talk. | 0:13:43 | 0:13:45 | |
It's nothing personal. | 0:13:45 | 0:13:47 | |
It's OK. | 0:13:47 | 0:13:48 | |
I'm used to it. | 0:13:49 | 0:13:51 | |
Is it all right? They said at reception to come straight through. | 0:13:54 | 0:13:57 | |
Earnest, look who's here! | 0:13:57 | 0:14:00 | |
We're just finishing lunch. Is it important? | 0:14:00 | 0:14:02 | |
Well, I was in work chatting with a colleague about Earnest, | 0:14:02 | 0:14:05 | |
and he was telling me about music therapy he'd seen used with Alzheimer's patients... | 0:14:05 | 0:14:10 | |
-We've tried that. -One of the first things we did, wasn't it, Pearl? | 0:14:10 | 0:14:13 | |
We knew how much he loved his music. | 0:14:13 | 0:14:14 | |
He was aware that the music was playing | 0:14:14 | 0:14:17 | |
but he didn't seem to notice, not like he used to. | 0:14:17 | 0:14:19 | |
But have you tried anything specific? | 0:14:19 | 0:14:21 | |
Yeah. Pearl helped me draw up a whole list of things, | 0:14:21 | 0:14:24 | |
his favourite songs, things they danced to at their wedding. | 0:14:24 | 0:14:27 | |
We do know what we're doing. | 0:14:27 | 0:14:28 | |
Look, I appreciate what you're trying to do, | 0:14:28 | 0:14:31 | |
but I've stopped hoping, Mandy. | 0:14:31 | 0:14:33 | |
It's hard, but I've come to realise that this isn't my Earnest now. | 0:14:33 | 0:14:38 | |
Look, please, just one track. I think it's important. | 0:14:38 | 0:14:41 | |
And I think you don't understand what it takes to do this job. | 0:14:41 | 0:14:45 | |
You've got to be firm and unsympathetic. It doesn't mean you don't care. | 0:14:45 | 0:14:48 | |
I think you'll want to hear this, too. | 0:14:48 | 0:14:51 | |
JAZZ MUSIC PLAYS | 0:14:51 | 0:14:54 | |
-See? -Just... Just give it a second. | 0:14:57 | 0:15:00 | |
It rarely has a reaction. | 0:15:00 | 0:15:02 | |
MUSIC CONTINUES | 0:15:02 | 0:15:04 | |
HE TAPS THE RHYTHM | 0:15:06 | 0:15:11 | |
Oh. | 0:15:17 | 0:15:18 | |
You remember this one, Earnest, don't you? | 0:15:18 | 0:15:21 | |
Well...I don't believe it! | 0:15:23 | 0:15:28 | |
What's this one called? I don't remember this. | 0:15:28 | 0:15:31 | |
It's by Louis Armstrong and it's called Potato Head Blues. | 0:15:31 | 0:15:36 | |
Potato Head. | 0:15:36 | 0:15:38 | |
Because she enjoys holding it over your head. | 0:15:41 | 0:15:45 | |
She wants power, the cow. | 0:15:45 | 0:15:48 | |
I... | 0:15:49 | 0:15:51 | |
I know, love. | 0:15:51 | 0:15:54 | |
I'll see you later. | 0:15:54 | 0:15:56 | |
Have you had any dealings with that O'Neil woman down the station? | 0:15:57 | 0:16:01 | |
-No, why? -She's just making Rob's life difficult, that's all. | 0:16:01 | 0:16:05 | |
This box seems a bit light... | 0:16:08 | 0:16:10 | |
In fact, I'm supposed to be seeing Beryl Hobbs this afternoon, she's not in here. | 0:16:10 | 0:16:14 | |
-Karen, have I got more notes to come? -No. | 0:16:14 | 0:16:17 | |
Is there something wrong, Karen? | 0:16:17 | 0:16:19 | |
Not that I'm aware of. | 0:16:19 | 0:16:21 | |
Karen, what's going on? | 0:16:21 | 0:16:23 | |
Nothing. Really. | 0:16:23 | 0:16:25 | |
OK. Howard has been asking us to lighten your load a bit. | 0:16:25 | 0:16:30 | |
Since when? | 0:16:30 | 0:16:31 | |
It's been going on for a while now. Howard's orders. | 0:16:31 | 0:16:34 | |
-Right, well, we'll see about that. -He's not back from lunch yet. | 0:16:34 | 0:16:37 | |
But I can tell him that you want to see him when he's back in. | 0:16:37 | 0:16:40 | |
No, don't. Why ruin the surprise? | 0:16:40 | 0:16:43 | |
MUSIC: "Potato Head Blues" by Louis Armstrong | 0:16:45 | 0:16:47 | |
'56. | 0:16:47 | 0:16:50 | |
-What? -Don't forget, yes/no questions. | 0:16:50 | 0:16:54 | |
Louis. I saw Louis. | 0:16:54 | 0:16:57 | |
I think he means 1956. | 0:16:58 | 0:17:01 | |
Earnest, yes, that's when you got this photo signed! | 0:17:01 | 0:17:05 | |
I snuck out. I was ten. | 0:17:05 | 0:17:08 | |
And he played this, didn't he? | 0:17:08 | 0:17:10 | |
Potato Head Blues. | 0:17:10 | 0:17:13 | |
Louis, at Birmingham. | 0:17:13 | 0:17:16 | |
Yeah. | 0:17:16 | 0:17:18 | |
# I got the heebie jeebies... # | 0:17:18 | 0:17:20 | |
Oh, that's another track I found! | 0:17:20 | 0:17:23 | |
# I got the heebie jeebie blues... # | 0:17:23 | 0:17:25 | |
'56. | 0:17:27 | 0:17:29 | |
'56. | 0:17:32 | 0:17:34 | |
Me... | 0:17:34 | 0:17:36 | |
and Louis! | 0:17:36 | 0:17:37 | |
What else did he play? | 0:17:37 | 0:17:39 | |
# When you're...smiling. # | 0:17:41 | 0:17:45 | |
I snuck out. | 0:17:46 | 0:17:48 | |
This is best he's been for ages! I didn't think... | 0:17:48 | 0:17:52 | |
Don't get emotionally involved, eh? | 0:17:52 | 0:17:54 | |
Thank you for giving him back to me. | 0:17:54 | 0:17:56 | |
Oh, this means everything! | 0:17:56 | 0:17:58 | |
Now we can have some kind of life together. | 0:17:58 | 0:18:01 | |
-Well, yeah, but... -That's not how Alzheimer's works, Pearl. | 0:18:01 | 0:18:05 | |
But look at him. I mean, it's nothing short of incredible. | 0:18:05 | 0:18:08 | |
Don't get me wrong, this is brilliant and it really will help, | 0:18:08 | 0:18:12 | |
but Earnest will have days when it won't. | 0:18:12 | 0:18:14 | |
Music's a therapy, Pearl, it's not a cure. | 0:18:14 | 0:18:19 | |
It's just one of these things. | 0:18:19 | 0:18:21 | |
-But look at him! -Pearl, look... | 0:18:21 | 0:18:23 | |
No! You've given me hope | 0:18:23 | 0:18:26 | |
-but now you're trying to snatch it away! -It's not like that. | 0:18:26 | 0:18:30 | |
To see him like this after all that time, and then you say that? | 0:18:30 | 0:18:34 | |
What's the point?! | 0:18:34 | 0:18:35 | |
Pearl, you can't get upset. Seeing you upset can upset him. Look. | 0:18:35 | 0:18:40 | |
Play it again for him. Please. | 0:18:43 | 0:18:46 | |
MUSIC RESUMES | 0:18:49 | 0:18:50 | |
I think this is my favourite, too, Earnest. | 0:18:50 | 0:18:54 | |
Here we go. | 0:18:54 | 0:18:56 | |
I've really messed up, haven't I? | 0:18:59 | 0:19:01 | |
Look, everybody wants miracles with Alzheimer's | 0:19:02 | 0:19:05 | |
when there are none, you know that. | 0:19:05 | 0:19:07 | |
This is what I mean about being unsentimental. | 0:19:07 | 0:19:10 | |
MUSIC CONTINUES | 0:19:10 | 0:19:14 | |
HE WHISTLES | 0:19:17 | 0:19:20 | |
MUSIC: "La Vie en Rose" by Louis Armstrong | 0:19:29 | 0:19:31 | |
Oh, careful. | 0:19:31 | 0:19:33 | |
-Russell? -Here we go, here we go. | 0:19:33 | 0:19:36 | |
# Hold me close and hold me fast | 0:19:40 | 0:19:45 | |
# The magic spells you cast | 0:19:45 | 0:19:48 | |
# This is la vie en rose | 0:19:48 | 0:19:54 | |
# When you kiss me heaven sighs | 0:19:54 | 0:19:59 | |
# And though I close my eyes... # | 0:19:59 | 0:20:02 | |
-What's the matter? Do you want to stop? -No. | 0:20:02 | 0:20:05 | |
HE HUMS ALONG | 0:20:05 | 0:20:08 | |
# When you press me to your heart | 0:20:08 | 0:20:12 | |
# I'm in a world apart. # | 0:20:12 | 0:20:16 | |
I believe it was me... | 0:20:16 | 0:20:17 | |
DOOR SLAMS | 0:20:17 | 0:20:19 | |
-Do I look like I'm made of china? -One moment, I'm just on... | 0:20:19 | 0:20:22 | |
He'll call you back. | 0:20:22 | 0:20:24 | |
-What are you playing at? -My point exactly. | 0:20:24 | 0:20:26 | |
What do you think you're doing, taking my patients away? | 0:20:26 | 0:20:29 | |
As manager, I have the welfare of my staff to consider. | 0:20:29 | 0:20:32 | |
We both know why you're doing it, and why you wouldn't do it for anybody else. | 0:20:32 | 0:20:35 | |
-That's not true. -You've made me look ridiculous! | 0:20:35 | 0:20:38 | |
I don't know why you don't get the fainting couch into my consulting room and be done with it! | 0:20:38 | 0:20:43 | |
-Now, wait... -Not to mention acting like a hypocrite! | 0:20:43 | 0:20:46 | |
If anyone else had done this, you'd come down on them like a ton of bricks! | 0:20:46 | 0:20:49 | |
If anybody else had gone through what you have, they might accept help when it was offered! | 0:20:49 | 0:20:54 | |
I am not a charity case! | 0:20:54 | 0:20:56 | |
I don't need your help. Now, back off and let me do my job! | 0:20:56 | 0:21:00 | |
-Everything all right? -Fine. | 0:21:03 | 0:21:05 | |
SHE SIGHS | 0:21:05 | 0:21:06 | |
Karen, could you do me a favour, please? | 0:21:06 | 0:21:09 | |
Could you put my patient list back to how it was, please, | 0:21:09 | 0:21:13 | |
with the full knowledge and consent of Mr Bellamy? | 0:21:13 | 0:21:17 | |
Yeah. | 0:21:17 | 0:21:19 | |
Thank you. | 0:21:19 | 0:21:21 | |
I appreciate YOUR help. | 0:21:21 | 0:21:23 | |
Oh, Mandy. | 0:21:27 | 0:21:29 | |
I'm sorry. | 0:21:29 | 0:21:31 | |
I was rude and ungrateful, and I had no right. | 0:21:31 | 0:21:34 | |
Just...forget about it. | 0:21:34 | 0:21:36 | |
Thank you for what you did. | 0:21:36 | 0:21:38 | |
He's happy, I think, and that's all down to you. | 0:21:38 | 0:21:43 | |
Well, I've got more of him now than I've had for ages. | 0:21:44 | 0:21:46 | |
Today's an extra day I didn't think I'd have. | 0:21:46 | 0:21:49 | |
Well, there'll be plenty more of those, I'm sure. | 0:21:49 | 0:21:52 | |
You just have to treasure them when they come along. | 0:21:52 | 0:21:55 | |
Bye, Pearl. | 0:21:57 | 0:21:59 | |
Here's the rest of your workload, save Karen bringing them in. | 0:22:04 | 0:22:07 | |
-Thank you. -Anything else, you can go through her or Mrs Tembe. | 0:22:07 | 0:22:10 | |
As far as I'm concerned, you can do what you like. | 0:22:10 | 0:22:13 | |
It's not a case of doing what I like, it's a case of doing what I'm here for. | 0:22:13 | 0:22:16 | |
All I've done is be supportive. | 0:22:16 | 0:22:18 | |
Yes, I care for you, I admit it. | 0:22:18 | 0:22:21 | |
You don't want that? That's your choice. | 0:22:21 | 0:22:23 | |
Find yourself another kicking post. | 0:22:23 | 0:22:25 | |
You all right? | 0:22:33 | 0:22:35 | |
Yeah. | 0:22:35 | 0:22:37 | |
Oh, no. Just thinking about Pearl. | 0:22:37 | 0:22:40 | |
Sounds like you did a great job to me. | 0:22:40 | 0:22:42 | |
Not that. It's... If you had one more day with someone, what would you do? | 0:22:42 | 0:22:47 | |
It depends. Would I know I had one more day with them? | 0:22:47 | 0:22:51 | |
Oh, sorry, I didn't mean... | 0:22:51 | 0:22:52 | |
It's all right, you can say it. "If I had one more day with Dad..." | 0:22:52 | 0:22:55 | |
Cos that's who I'd choose. | 0:22:55 | 0:22:57 | |
I'd be the same with Freya. | 0:22:57 | 0:22:59 | |
You think you'd be like, OK, all-night dancing, partying, | 0:22:59 | 0:23:03 | |
drinking, but...it's the things you wish you'd found out before. | 0:23:03 | 0:23:08 | |
The things you've never had the answers to. | 0:23:09 | 0:23:12 | |
You never know how much time you've got. | 0:23:14 | 0:23:17 | |
Your chariot awaits, milady, whenever you want. | 0:23:22 | 0:23:25 | |
I thought we could get a takeaway or something. | 0:23:25 | 0:23:27 | |
Shut the door. | 0:23:29 | 0:23:31 | |
Sit down. | 0:23:33 | 0:23:35 | |
You changed your mind about stretching? | 0:23:36 | 0:23:39 | |
I... | 0:23:42 | 0:23:43 | |
I've been thinking, and I think that coming back to Letherbridge... | 0:23:46 | 0:23:51 | |
..was not a great idea after all. | 0:23:53 | 0:23:55 | |
In what way? | 0:23:55 | 0:23:57 | |
In practically every way. | 0:23:57 | 0:23:59 | |
A clean break might have been the kindest thing for both of us. | 0:23:59 | 0:24:02 | |
I disagree. | 0:24:02 | 0:24:04 | |
I'm sorry. | 0:24:04 | 0:24:05 | |
What brought this on? | 0:24:05 | 0:24:07 | |
Are you serious? After everything I said about not being able to trust you? | 0:24:07 | 0:24:10 | |
We talked that through. You just need more time. | 0:24:10 | 0:24:13 | |
No. | 0:24:13 | 0:24:15 | |
Look, I'm really grateful for all the help you've given me over this whole stupid ankle thing, | 0:24:15 | 0:24:20 | |
but I think that it has created a renewed level of intimacy that... | 0:24:20 | 0:24:25 | |
That you think I've read too much into? I haven't. | 0:24:25 | 0:24:28 | |
Regardless, I have decided that, once I've recovered, I'm going to leave the practice. For good. | 0:24:28 | 0:24:33 | |
OK, right. | 0:24:33 | 0:24:35 | |
So, forget the partnership that you fought for, all the extra money that you put in. | 0:24:35 | 0:24:40 | |
-You'll walk away from all of that, and from us? -There is no "us"! | 0:24:40 | 0:24:44 | |
And if it means walking away from the partnership, | 0:24:44 | 0:24:47 | |
-then I'm prepared to do that then, yeah. -No discussion, nothing? | 0:24:47 | 0:24:51 | |
What good would that do? | 0:24:51 | 0:24:53 | |
I'm sure that, when you think about it, | 0:24:56 | 0:24:59 | |
you'll have to agree it's for the best. | 0:24:59 | 0:25:01 | |
# Oh, when you're smilin' | 0:25:03 | 0:25:08 | |
# When you're smilin' | 0:25:10 | 0:25:14 | |
# The whole world smiles with you | 0:25:17 | 0:25:25 | |
# Yes, when you're laughin' | 0:25:27 | 0:25:31 | |
# When you're laughin' | 0:25:34 | 0:25:38 | |
# Yes, the sun comes shinin' through | 0:25:40 | 0:25:47 | |
# But when you're cryin' | 0:25:50 | 0:25:55 | |
# You bring on the rain | 0:25:56 | 0:26:01 | |
# So stop your sighin', baby | 0:26:03 | 0:26:07 | |
# And be happy again | 0:26:09 | 0:26:13 | |
# Yes, and keep on smilin' | 0:26:13 | 0:26:18 | |
# Keep on smilin', baby | 0:26:20 | 0:26:25 | |
# And the whole world smiles with you. # | 0:26:28 | 0:26:36 | |
-Call me Emma. -Emma Reid? Has the investigation been reopened? | 0:26:43 | 0:26:47 | |
It's not paranoia, is it, if something's actually going on? | 0:26:47 | 0:26:50 | |
-Nothing's going on. -What's going on, Anya?! | 0:26:50 | 0:26:52 | |
Hopefully we can get her in the refuge before this one gets home. | 0:26:52 | 0:26:55 | |
I wasn't going to hit her. | 0:26:55 | 0:26:57 | |
She was going to leave, take my little girl away. | 0:26:57 | 0:26:59 | |
Check this one out. This guy thinks you've got a sexy voice. | 0:26:59 | 0:27:02 | |
'And she's going to take you all the way.' | 0:27:02 | 0:27:06 | |
Subtitles by Red Bee Media Ltd | 0:27:27 | 0:27:30 |