Browse content similar to A Day in the Life. Check below for episodes and series from the same categories and more!
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MUSIC: "Monsters" by Eminem ft. Rihanna | 0:00:26 | 0:00:31 | |
Ryan? Ryan? | 0:00:54 | 0:00:58 | |
-You're going to be late for school. -It's a study day. | 0:00:59 | 0:01:03 | |
That doesn't mean being on your computer all day. | 0:01:03 | 0:01:05 | |
COMPUTER BEEPS | 0:01:05 | 0:01:07 | |
And, Ryan, open the curtains for once. | 0:01:07 | 0:01:10 | |
It's a lovely day. There's a big wide world out there | 0:01:10 | 0:01:13 | |
if you just take a look occasionally. COMPUTER BEEPS | 0:01:13 | 0:01:18 | |
COMPUTER BEEPS | 0:01:25 | 0:01:27 | |
Turns out he'd been taking his nan's medication and swapping it with vitamin pills. | 0:01:41 | 0:01:46 | |
-No wonder she was in so much pain. -So you reported him? | 0:01:46 | 0:01:49 | |
Tell me you reported him. | 0:01:50 | 0:01:52 | |
He was being bullied by a gang of boys at school. | 0:01:52 | 0:01:55 | |
He saw you coming. You and your bleeding heart. | 0:01:57 | 0:02:00 | |
I felt sorry for him. | 0:02:00 | 0:02:01 | |
Is that the norm for teenage boys nowadays? | 0:02:01 | 0:02:04 | |
Stealing their gran's medication and faking cancer? | 0:02:04 | 0:02:07 | |
I blame technology. | 0:02:07 | 0:02:10 | |
There's nothing wrong with being a geek. This is the 21st century. | 0:02:10 | 0:02:13 | |
You give us a generation and we will rule the world. | 0:02:13 | 0:02:15 | |
Give it another few generations and you'll be extinct due to lack of sex. | 0:02:15 | 0:02:19 | |
Kids should be outside. | 0:02:21 | 0:02:23 | |
Kicking a ball, running around. | 0:02:23 | 0:02:25 | |
My mother made us go outside every day. | 0:02:25 | 0:02:27 | |
And my father would have gone through us if we'd come home with a tattoo. | 0:02:27 | 0:02:31 | |
# Ground control to Major Tom | 0:02:39 | 0:02:41 | |
# Ground con... # | 0:02:43 | 0:02:44 | |
Libby's grandson had a tattoo on his arm. | 0:02:44 | 0:02:48 | |
It's been bugging me why it was familiar. | 0:02:48 | 0:02:51 | |
And it's because it's pinned up in Ryan's room | 0:02:51 | 0:02:56 | |
"They tried to get me. I got them first." | 0:02:56 | 0:02:59 | |
-Is that a quote from a song? -Maybe. | 0:02:59 | 0:03:02 | |
-What's that? -Nothing. | 0:03:08 | 0:03:09 | |
So I can have a look, then? | 0:03:09 | 0:03:11 | |
-Just some mates coming round. That all right? -Here? | 0:03:11 | 0:03:15 | |
-Mates from where? -School. You don't know 'em. | 0:03:15 | 0:03:20 | |
Don't worry. We're going to revise. | 0:03:20 | 0:03:22 | |
Well, make sure you do. | 0:03:22 | 0:03:24 | |
Here. Maybe you should pop to the shop, get some Coke and crisps. | 0:03:24 | 0:03:31 | |
Thanks. | 0:03:31 | 0:03:32 | |
Have a nice time. | 0:03:32 | 0:03:35 | |
Love you. | 0:03:35 | 0:03:36 | |
Mum? | 0:03:36 | 0:03:39 | |
Bye, Mum. | 0:03:43 | 0:03:44 | |
Bye, love. Have a good day. | 0:03:44 | 0:03:47 | |
-What about bowling? -Anything but bowling. | 0:03:53 | 0:03:56 | |
-What's wrong with it? -It's so infra dig. | 0:03:56 | 0:03:59 | |
-Translate? -Passe. | 0:03:59 | 0:04:03 | |
I thought we liked bowling. You had a party there as a kid. I've seen the pictures. | 0:04:03 | 0:04:07 | |
-I never liked it. -Only because you're rubbish. | 0:04:07 | 0:04:10 | |
Only because I don't see the point in trying at something so pointless. | 0:04:10 | 0:04:13 | |
Bowling it is, then. | 0:04:13 | 0:04:15 | |
SHE SIGHS | 0:04:15 | 0:04:18 | |
-Do you want a drink? -Thanks. | 0:04:57 | 0:05:00 | |
DOORBELL RINGS | 0:05:10 | 0:05:13 | |
That's a bit posh for bowling. | 0:05:15 | 0:05:17 | |
Are you wearing aftershave? | 0:05:17 | 0:05:19 | |
Rob, hurry up! | 0:05:19 | 0:05:22 | |
Somebody had to clear up the breakfast stuff. | 0:05:22 | 0:05:24 | |
"Thanks for the pancakes, Dad." | 0:05:24 | 0:05:26 | |
Thanks for the pancakes, Dad. | 0:05:26 | 0:05:29 | |
Oh, Jack, will you just get off that phone? | 0:05:34 | 0:05:37 | |
It's hardly been out of your hand all week. | 0:05:37 | 0:05:39 | |
Get out of it, you nosey mare! | 0:05:39 | 0:05:42 | |
Ow! Get your knee out of my back. | 0:05:42 | 0:05:44 | |
-Jack's got a girlfriend! -Immie can't get a boyfriend! | 0:05:44 | 0:05:47 | |
Pack it in, will you? | 0:05:47 | 0:05:49 | |
What's with all the faces? | 0:05:54 | 0:05:56 | |
You're late. We said 12.30. It's nearly 12.38. | 0:05:56 | 0:06:00 | |
Well, I'm here now so you can blow-dry your panties. | 0:06:00 | 0:06:02 | |
And I've got everything we need. | 0:06:02 | 0:06:04 | |
We have vodka, we've got food. | 0:06:06 | 0:06:10 | |
-We have music. -GRIME MUSIC STARTS | 0:06:10 | 0:06:14 | |
So let's get this party started! | 0:06:14 | 0:06:16 | |
Sorry. Urgent thing. | 0:06:21 | 0:06:23 | |
Please excuse my young colleague, Mr Riley. I'm sure the explanation | 0:06:25 | 0:06:28 | |
for this unexplained lapse in protocol will be most entertaining. | 0:06:28 | 0:06:31 | |
If you're still feeling rough in a couple of days, make another appointment. | 0:06:31 | 0:06:34 | |
I found pictures of Libby's grandson | 0:06:39 | 0:06:41 | |
on Ryan Jones' Mates Reconnected page. | 0:06:41 | 0:06:43 | |
That's not even close to a good explanation. | 0:06:43 | 0:06:45 | |
Don't you see? They know each other. | 0:06:45 | 0:06:48 | |
And this was worth bursting in on Mr Riley because...? | 0:06:48 | 0:06:51 | |
They're chalk and cheese - they'd never be friends, | 0:06:51 | 0:06:53 | |
they live in different towns, they go to different schools. | 0:06:53 | 0:06:56 | |
-I've got patients. -That quote! The tattoo on Ed's arm. | 0:06:56 | 0:06:59 | |
The one pinned up in Ryan's room. | 0:06:59 | 0:07:01 | |
It's by an American poet, called Vachel Lindsay. | 0:07:01 | 0:07:04 | |
Vachel Lindsay? No way! I've never heard of him. | 0:07:04 | 0:07:06 | |
It was his suicide note. And that's not all. | 0:07:06 | 0:07:09 | |
Ryan and Ed are members of a Mates Reconnected group | 0:07:09 | 0:07:13 | |
called "We got them first." But it's blocked. | 0:07:13 | 0:07:16 | |
All right. Cool your jets. | 0:07:16 | 0:07:18 | |
-Are you saying what I think you're saying? -No. | 0:07:18 | 0:07:21 | |
-Yes. I want you to hack into their group. -Me? | 0:07:21 | 0:07:26 | |
By all accounts, you're our very own Kevin Mitnick. | 0:07:28 | 0:07:30 | |
-So can you? -Of course I can, but I'm not going to. -Why? | 0:07:30 | 0:07:34 | |
Because hacking into a patient's private computer files | 0:07:34 | 0:07:36 | |
is unethical, illegal, unprofessional... You know what? That's enough of a list for you. | 0:07:36 | 0:07:40 | |
SHE SIGHS | 0:07:40 | 0:07:42 | |
ALL: Shot. Shot. Shot. Shot. | 0:07:46 | 0:07:48 | |
Round seven. | 0:07:52 | 0:07:54 | |
In a minute. I need something to soak up the alcohol. | 0:07:54 | 0:07:57 | |
Grilled barbecue chicken. Large fries. | 0:08:09 | 0:08:13 | |
Four seasons. Cheese crust. No olives. | 0:08:13 | 0:08:16 | |
Blue cheese burger, medium rare. Onion rings. | 0:08:18 | 0:08:21 | |
All right. Are we happy? | 0:08:23 | 0:08:25 | |
-We happy? -It has olives on it. | 0:08:28 | 0:08:32 | |
-I told them no olives. -Then what are these?! | 0:08:32 | 0:08:35 | |
Keep your hair on, Lord Fauntleroy. | 0:08:35 | 0:08:36 | |
There you are, look. Four seasons, cheesy crust, no olives. | 0:08:42 | 0:08:46 | |
It's no big deal. | 0:08:46 | 0:08:47 | |
I hate olives! This is so typical. | 0:08:47 | 0:08:50 | |
I knew something would go wrong. Something always goes wrong. | 0:08:50 | 0:08:52 | |
-It's the story... -Right. Enough, will you? | 0:08:52 | 0:08:55 | |
Nothing has gone wrong. Everything is good. | 0:08:57 | 0:09:00 | |
Yeah? | 0:09:00 | 0:09:01 | |
There you go. | 0:09:04 | 0:09:06 | |
Four seasons, cheese crust, no olives. | 0:09:06 | 0:09:09 | |
Eat up. | 0:09:09 | 0:09:11 | |
Eat it! | 0:09:16 | 0:09:18 | |
Darren. Inferno's last night? Red shirt? | 0:09:27 | 0:09:32 | |
Yeah. Hi. I was just wondering if you fancied a...? | 0:09:32 | 0:09:36 | |
Yeah. No, I see. | 0:09:39 | 0:09:41 | |
Well, you've got my number. See ya. | 0:09:41 | 0:09:45 | |
-Jack Hollins. -Hey! | 0:09:47 | 0:09:50 | |
Darren! | 0:09:52 | 0:09:54 | |
We were in the same year at school. | 0:09:55 | 0:09:57 | |
You all right? | 0:09:57 | 0:09:58 | |
So what are you up to? | 0:09:58 | 0:10:01 | |
Just... work here. | 0:10:01 | 0:10:02 | |
Nice. For how long? | 0:10:02 | 0:10:04 | |
-Five years. -Cool! | 0:10:04 | 0:10:08 | |
Yourself? | 0:10:08 | 0:10:09 | |
I'm training at a law firm in Newcastle. | 0:10:09 | 0:10:13 | |
-Is that your girlfriend?! Get her, she's a stunner. -Lovely! | 0:10:13 | 0:10:16 | |
Do you mind? Sorry. | 0:10:16 | 0:10:19 | |
I'd better get back to work. | 0:10:21 | 0:10:23 | |
-Yeah. See you around. -Yeah. | 0:10:23 | 0:10:26 | |
Get you. Hot shot lawyer and a gorgeous girlfriend. | 0:10:26 | 0:10:29 | |
"Hot shot lawyer." | 0:10:29 | 0:10:32 | |
Come on. Come on. Yes! | 0:10:32 | 0:10:37 | |
It's time to go. | 0:10:45 | 0:10:47 | |
Come on... Your computer's slow. | 0:10:50 | 0:10:52 | |
Can you explain to me why I'm doing this again? | 0:10:52 | 0:10:55 | |
Because I said I'd buy you lunch. | 0:10:55 | 0:10:56 | |
All right. This group was only activated this morning. | 0:10:59 | 0:11:02 | |
1.13am, to be precise, and it's got three members. | 0:11:02 | 0:11:05 | |
-Can I have some personal space, please? -Sorry. | 0:11:05 | 0:11:09 | |
Come on. Thank you! | 0:11:09 | 0:11:11 | |
OK, that's... That's just scary. | 0:11:14 | 0:11:18 | |
SLOW PIANO MUSIC | 0:11:20 | 0:11:23 | |
It's for my mum. Telling her to call the police and... And not to look inside. | 0:11:31 | 0:11:35 | |
Would you want your mum to see it? | 0:11:36 | 0:11:39 | |
She's dead. | 0:11:39 | 0:11:41 | |
And mine's Cat A in Holloway for GBH. | 0:11:41 | 0:11:44 | |
Doubt she'd bat an eyelid. | 0:11:44 | 0:11:45 | |
Mrs Jones? It's Dr Donoghue here. | 0:11:51 | 0:11:54 | |
I was just calling to see how Ryan's getting on. | 0:11:54 | 0:11:56 | |
Is he feeling any better in himself? | 0:11:56 | 0:11:58 | |
Oh, that is a breakthrough. | 0:11:59 | 0:12:02 | |
Well, if there's anything else I can help you with. Bye, Mrs Jones. | 0:12:04 | 0:12:08 | |
OK. Ryan's not at school. It's a study day. | 0:12:09 | 0:12:12 | |
Apparently he's invited some "friends" round to revise. | 0:12:12 | 0:12:15 | |
She's over the moon because it's a first | 0:12:15 | 0:12:17 | |
and she thinks he's turned a corner. | 0:12:17 | 0:12:19 | |
There are three messages on the site. One from each of them. | 0:12:19 | 0:12:22 | |
Fast food orders. | 0:12:23 | 0:12:25 | |
It's their last meal. | 0:12:26 | 0:12:28 | |
-I think you're jumping the gun just a little bit. -I think we need to call the police. | 0:12:28 | 0:12:31 | |
And say what? | 0:12:31 | 0:12:33 | |
"Oh, I had a hunch, based on a line from a poet that no-one's ever heard of, | 0:12:33 | 0:12:36 | |
"so I got my pal to do some computer hacking and we found a ticking clock"? | 0:12:36 | 0:12:40 | |
And what if they break in and find... Where are you going? | 0:12:40 | 0:12:43 | |
-Ryan's house. -What about my lunch? | 0:12:43 | 0:12:47 | |
What's in it? | 0:13:04 | 0:13:05 | |
What else is in it? | 0:13:05 | 0:13:08 | |
It's a little cocktail of my own invention. | 0:13:08 | 0:13:10 | |
Inspired by nan's cocktail cabinet. | 0:13:10 | 0:13:14 | |
Brandy, Baileys, and cream sherry. | 0:13:14 | 0:13:16 | |
It's called a doom bomb. | 0:13:20 | 0:13:21 | |
So you've never actually met? | 0:13:23 | 0:13:26 | |
Only online. It's our first date tonight. | 0:13:26 | 0:13:29 | |
She's a medical student in Birmingham, so I was waiting till I came home. | 0:13:29 | 0:13:33 | |
Medical student? Great. | 0:13:33 | 0:13:35 | |
-So how did you find her? -The One For Me. | 0:13:35 | 0:13:38 | |
Any rubbish? | 0:13:38 | 0:13:40 | |
Oh, yeah. Hang on. Thank you! | 0:13:42 | 0:13:45 | |
Don't look at me. | 0:13:45 | 0:13:46 | |
-What is it? -It's for saddos. | 0:13:46 | 0:13:50 | |
It takes one to know one. | 0:13:50 | 0:13:52 | |
Looking at pictures of girls | 0:13:52 | 0:13:54 | |
-and flicking them to the right if they're hotties and to the left if they're duds. -You are kidding me? | 0:13:54 | 0:13:58 | |
Modern romance for you. | 0:13:58 | 0:14:01 | |
It's totally superficial and meaningless. | 0:14:01 | 0:14:03 | |
Says she who is pathetic and single. | 0:14:03 | 0:14:05 | |
-Don't you mean "discerning"? -Pack it in! | 0:14:05 | 0:14:08 | |
MUSIC: "Codex" by Radiohead | 0:14:11 | 0:14:16 | |
-Are you sure it's enough? You checked the quantities? -I'm sure! | 0:14:16 | 0:14:20 | |
SONG CONTINUES | 0:14:20 | 0:14:24 | |
DOORBELL RINGS | 0:14:45 | 0:14:47 | |
-United we stand. -BEEPING | 0:15:05 | 0:15:08 | |
ALARM BEEPS | 0:15:17 | 0:15:20 | |
Look, there's no-one here. | 0:15:28 | 0:15:30 | |
Or if they are here they're not answering so what do you want to do? | 0:15:30 | 0:15:34 | |
What's that? | 0:15:34 | 0:15:35 | |
BANGING | 0:15:41 | 0:15:43 | |
Ryan! Open the door! | 0:15:43 | 0:15:46 | |
-BOYS COUGH -This is Dr Haskey from the Mill Health Centre. | 0:15:48 | 0:15:50 | |
I need police and ambulances to attend a suspected suicide. | 0:15:50 | 0:15:54 | |
Correction - three suspected suicides. | 0:15:54 | 0:15:57 | |
21 Kimberly Street, East Heath. | 0:15:57 | 0:16:00 | |
Ryan, it's Dr Donoghue. Please let us in. | 0:16:00 | 0:16:04 | |
We want to help you. | 0:16:04 | 0:16:06 | |
-Easy. -Open the door! | 0:16:06 | 0:16:09 | |
It's too late. And we don't want your help! | 0:16:09 | 0:16:12 | |
I can pick the lock if I can find the right... | 0:16:15 | 0:16:17 | |
Don't touch us. We're DNR. | 0:16:20 | 0:16:23 | |
-Boys, what have you taken? -I'm not telling. | 0:16:23 | 0:16:26 | |
Ryan, please tell us what you've taken. | 0:16:26 | 0:16:28 | |
Hello? Can you hear me. What's his name? What's his name?! | 0:16:28 | 0:16:31 | |
Leave him alone. We refuse treatment. | 0:16:31 | 0:16:34 | |
I don't hear him refusing treatment. | 0:16:34 | 0:16:36 | |
OK, pulse is slow. Pinpoint pupils. Yes? | 0:16:36 | 0:16:39 | |
Morphine. I think it's morphine. Stolen from his grandmother. | 0:16:39 | 0:16:43 | |
-Are you sure? -No. Yes. | 0:16:43 | 0:16:46 | |
As sure as I can be. | 0:16:46 | 0:16:47 | |
Well, you'd better be sure because he just stopped breathing. | 0:16:47 | 0:16:51 | |
I'll be at New Street at six. Yeah, I know it. Sounds great. | 0:16:51 | 0:16:56 | |
All right then. I'll see you then. Bye. | 0:16:56 | 0:16:59 | |
Um, excuse me. | 0:16:59 | 0:17:02 | |
-Darren? Excuse me. -I'll just be a moment. | 0:17:02 | 0:17:05 | |
-These aren't my shoes. -Have you got your ticket? | 0:17:05 | 0:17:08 | |
Yep, and it matches, but these aren't my shoes. | 0:17:08 | 0:17:11 | |
Mine are brand-new. Cost me 130 quid. | 0:17:11 | 0:17:14 | |
Yeah, they all say that. Funny it's not the other way round, though, eh? | 0:17:14 | 0:17:18 | |
It's amazing how many people see "Shoe Drop", but actually see "Old for New". | 0:17:18 | 0:17:21 | |
Are you saying that I'm lying? | 0:17:21 | 0:17:23 | |
I'm saying we have a system to prevent a situation like this. | 0:17:23 | 0:17:27 | |
The system doesn't allow for human error. | 0:17:27 | 0:17:29 | |
Are you accusing a member of staff of being at fault? | 0:17:29 | 0:17:31 | |
I just want my shoes. I've got a train to catch. Hot date. Know what I mean? | 0:17:31 | 0:17:34 | |
Wait there a moment. | 0:17:36 | 0:17:38 | |
-What's this? -It's a customer complaints form. | 0:17:48 | 0:17:51 | |
How does that help me? | 0:17:51 | 0:17:52 | |
Well, you fill it in and your complaint will be lodged by management. | 0:17:52 | 0:17:55 | |
Please. Why don't I just come back there and I'll find my shoes? Sorted. | 0:17:55 | 0:17:59 | |
It's staff only back here. | 0:17:59 | 0:18:01 | |
Darren, we were at school together. | 0:18:01 | 0:18:03 | |
-HE CHUCKLES -You couldn't even remember my name. | 0:18:03 | 0:18:06 | |
I want to see the manager. | 0:18:09 | 0:18:12 | |
-Of course. -You still here? | 0:18:12 | 0:18:14 | |
Colleague announcement. Would Padmini please come to the shoe drop? | 0:18:14 | 0:18:18 | |
That's Padmini to the shoe drop. | 0:18:18 | 0:18:20 | |
Yeah. He's bradycardic. Pinpoint pupils. | 0:18:23 | 0:18:27 | |
Naloxone's kicked in, but he's hardly breathing. | 0:18:27 | 0:18:30 | |
The others are still refusing treatment. Yes. | 0:18:30 | 0:18:34 | |
Cavalry is six minutes away. | 0:18:34 | 0:18:36 | |
Take one step closer with that needle, and I'll have you struck off for assault. DNR. | 0:18:36 | 0:18:41 | |
Statement of intent. | 0:18:42 | 0:18:44 | |
You've got it all sorted, haven't you? | 0:18:44 | 0:18:46 | |
It's suicide, not rocket science. | 0:18:46 | 0:18:48 | |
Ryan, this is naloxone. It's a morphine antidote. | 0:18:48 | 0:18:52 | |
It works almost instantly. Say the word. | 0:18:52 | 0:18:56 | |
-Please, Ryan, let me help you. -I don't want your help. | 0:18:56 | 0:18:59 | |
-You refuse. -I refuse your help. | 0:18:59 | 0:19:01 | |
You're running out of time. How long have they got? | 0:19:01 | 0:19:05 | |
-Four minutes. -What can we do to help? | 0:19:05 | 0:19:07 | |
-Monitor their condition and wait for the ambulance to arrive. -Stay here and watch them die? | 0:19:07 | 0:19:11 | |
No-one's asking you to hang around. | 0:19:11 | 0:19:14 | |
It's like falling asleep, mate. | 0:19:14 | 0:19:17 | |
In that case we might as well make ourselves comfortable. | 0:19:17 | 0:19:20 | |
Well, I've never seen a suicide before. | 0:19:22 | 0:19:24 | |
I've only ever seen a couple. My time in A&E. | 0:19:26 | 0:19:29 | |
It's not something I'd like to witness again. | 0:19:29 | 0:19:32 | |
I saw a documentary about the Golden Gate Bridge in San Francisco, | 0:19:32 | 0:19:35 | |
people who jumped off it. | 0:19:35 | 0:19:37 | |
Apparently it takes four seconds | 0:19:37 | 0:19:39 | |
between jumping off and hitting the water. | 0:19:39 | 0:19:42 | |
Survivors say it feels like an eternity. | 0:19:43 | 0:19:45 | |
Do you think we're stupid? | 0:19:45 | 0:19:47 | |
-Do you really want an answer to that? -Their only though in those four seconds was...I wish I hadn't. | 0:19:47 | 0:19:53 | |
-Don't. -Ignore them. Feel the moment, mate. | 0:19:53 | 0:19:58 | |
It's like falling asleep in your mother's womb. | 0:19:58 | 0:20:00 | |
Oh, there was this one guy. | 0:20:00 | 0:20:01 | |
He said that he realised that all the things | 0:20:01 | 0:20:04 | |
he thought were unfixable in his life could be fixed. | 0:20:04 | 0:20:07 | |
They say suicide | 0:20:07 | 0:20:09 | |
is a permanent solution to a temporary set of problems. | 0:20:09 | 0:20:12 | |
The most peaceful death there is. | 0:20:12 | 0:20:14 | |
There's nothing peaceful about the people you leave behind wondering | 0:20:14 | 0:20:17 | |
if they could have helped you, or if it was their fault. | 0:20:17 | 0:20:21 | |
And spare a thought for those people who've got to watch you die. | 0:20:21 | 0:20:24 | |
As your fingernails and your eyelids and your lips turn blue | 0:20:24 | 0:20:27 | |
and when your heart stops beating blood | 0:20:27 | 0:20:29 | |
around your body, your skin is going to turn grey. | 0:20:29 | 0:20:31 | |
Help me. | 0:20:31 | 0:20:34 | |
He's chicken. | 0:20:34 | 0:20:36 | |
I knew you didn't have the balls. | 0:20:36 | 0:20:39 | |
Ed, do you want help, Ed? | 0:20:39 | 0:20:42 | |
Just tell me you want help! | 0:20:42 | 0:20:44 | |
-I'm taking that as a yes. -SIRENS | 0:20:44 | 0:20:46 | |
I can't believe this. | 0:20:49 | 0:20:51 | |
Excuse me. Darren? | 0:20:51 | 0:20:53 | |
-Yes? -I've got a train to catch. The manager? | 0:20:53 | 0:20:58 | |
Well, I could page her again but... | 0:20:58 | 0:21:01 | |
She's just gone off shift. | 0:21:01 | 0:21:03 | |
-Then can you get whoever's on shift? -No problem. | 0:21:03 | 0:21:06 | |
I don't flaming believe this! You listen to me. | 0:21:18 | 0:21:21 | |
My son gave you a £130 pair of trainers | 0:21:21 | 0:21:24 | |
and gets an old manky pair in return. | 0:21:24 | 0:21:26 | |
What's going on? | 0:21:26 | 0:21:28 | |
If you don't find them, I'm going to come round there and find them myself. | 0:21:28 | 0:21:31 | |
This area is staff only, I'm afraid. | 0:21:31 | 0:21:34 | |
-I've had enough of this. -You can't come in here. | 0:21:34 | 0:21:36 | |
Get out of my way! | 0:21:36 | 0:21:38 | |
-Right... Jack? Size? -Ten. | 0:21:38 | 0:21:41 | |
-What colour? -Blue with white soles. | 0:21:41 | 0:21:44 | |
-Not those then? -What are you doing? | 0:21:44 | 0:21:47 | |
You can't do this. Oi! Stop it! | 0:21:47 | 0:21:50 | |
This is assault, actually. | 0:21:50 | 0:21:53 | |
What about these? No? | 0:21:54 | 0:21:57 | |
I'm warning you, you're on CCTV. | 0:21:57 | 0:22:00 | |
Those are them. | 0:22:03 | 0:22:05 | |
-There you go. -Thanks, Mum. | 0:22:10 | 0:22:14 | |
SIRENS AND MUSIC DROWN SPEECH | 0:22:26 | 0:22:30 | |
I'm calling the police. | 0:22:33 | 0:22:35 | |
There's no need to do that because you're already talking to them, pal. | 0:22:35 | 0:22:38 | |
Sergeant Hollins. Letherbridge nick. | 0:22:38 | 0:22:40 | |
Right. Then you can arrest her for criminal damage. | 0:22:42 | 0:22:45 | |
Don't deny it because it's on CCTV. | 0:22:45 | 0:22:47 | |
I'm not really on duty, but if want to go down the station to make a statement, we can. | 0:22:47 | 0:22:51 | |
But, to be honest, it's not really criminal damage. | 0:22:51 | 0:22:54 | |
It's more general disarray. | 0:22:54 | 0:22:55 | |
You'll get this cleared up in no time. | 0:22:58 | 0:23:01 | |
-Are we going? -Right. -OK. -Yep. | 0:23:02 | 0:23:05 | |
HE SIGHS | 0:23:10 | 0:23:11 | |
KNOCKING | 0:23:11 | 0:23:13 | |
How are you feeling? | 0:23:19 | 0:23:22 | |
-Like sh... -Ryan! | 0:23:22 | 0:23:24 | |
That'll be the side effects of the morphine. You'll feel better once it's all out of your system | 0:23:24 | 0:23:29 | |
and they can give you more drugs to help with the vomiting. | 0:23:29 | 0:23:32 | |
Thank you. | 0:23:33 | 0:23:35 | |
If you hadn't turned up, I don't... Why, Ryan? | 0:23:35 | 0:23:39 | |
Why didn't you talk to me? | 0:23:39 | 0:23:41 | |
-I thought he was the only one that understood. -Ed? | 0:23:42 | 0:23:45 | |
We were just messing about at first. | 0:23:47 | 0:23:50 | |
I never thought we'd go all the way, but he made it sound so...normal. | 0:23:50 | 0:23:56 | |
And then I couldn't back out. | 0:23:56 | 0:23:58 | |
-Is he dead? -No. We got to him in time. | 0:24:01 | 0:24:05 | |
I never thought he'd change his mind. | 0:24:05 | 0:24:07 | |
-Thanks. -Thank you. | 0:24:10 | 0:24:12 | |
Hi. | 0:24:15 | 0:24:17 | |
Max's dad is in New York on business. He's flying out tonight. | 0:24:17 | 0:24:21 | |
You'd think he'd have known | 0:24:21 | 0:24:23 | |
his son was suffering from clinical depression. | 0:24:23 | 0:24:25 | |
Then he could have been treated and it wouldn't have come to this. | 0:24:25 | 0:24:29 | |
Do you think he's going to report us? | 0:24:30 | 0:24:33 | |
He can do what he wants. We're in the clear. | 0:24:33 | 0:24:35 | |
The psychologist thinks he's showing signs of psychopathic personality disorder. | 0:24:35 | 0:24:39 | |
Which I failed to spot. | 0:24:39 | 0:24:41 | |
Eh? You met him once, and briefly. He's not your patient. | 0:24:41 | 0:24:45 | |
Stop beating yourself up. | 0:24:45 | 0:24:47 | |
There are three young men who are alive because of what you did. | 0:24:47 | 0:24:51 | |
I don't think he's very grateful. | 0:24:53 | 0:24:56 | |
He'll be all right. Given time and the right treatment. | 0:24:56 | 0:24:59 | |
-Come on. I think a late lunch is in order -Thank you... | 0:24:59 | 0:25:02 | |
-SHE SIGHS -..for listening. | 0:25:03 | 0:25:05 | |
I couldn't have done it without you. | 0:25:05 | 0:25:07 | |
All right. Let's hear you say it then. | 0:25:09 | 0:25:13 | |
What?! | 0:25:13 | 0:25:14 | |
I want you to say that I was right and that geeks rule the world. | 0:25:14 | 0:25:18 | |
You were right and geeks rule the world. | 0:25:18 | 0:25:21 | |
-Can you say it like you mean it, please? -You were right and geeks rule the world. | 0:25:21 | 0:25:24 | |
-I'm not really sensing any sincerity there. -I'm not saying it again. | 0:25:24 | 0:25:27 | |
You told me you didn't know how to thank me. | 0:25:27 | 0:25:30 | |
SHE SIGHS | 0:25:30 | 0:25:31 | |
You were right and geeks rule the world. | 0:25:31 | 0:25:34 | |
Yes, we do! | 0:25:34 | 0:25:35 | |
I'm not buying lunch as well. | 0:25:35 | 0:25:37 | |
Yes, you are. It's your turn. | 0:25:37 | 0:25:38 | |
-It's not my turn! -I bought it last time! | 0:25:38 | 0:25:41 | |
I know what you're all thinking. | 0:25:49 | 0:25:51 | |
I behaved really badly in there, and I'm sorry. | 0:25:51 | 0:25:53 | |
It's fine, love. Don't worry about it. | 0:25:53 | 0:25:55 | |
Yeah, but what's with the silent treatment? | 0:25:55 | 0:25:58 | |
-We're just waiting for you to cool down. -It's best if we leave you for a bit. | 0:25:58 | 0:26:02 | |
-I've done this before? -Once or twice. | 0:26:02 | 0:26:04 | |
Quite a few times, actually. | 0:26:04 | 0:26:06 | |
-It's nice to have you back, Mum. -Hey, what time's your train? | 0:26:06 | 0:26:09 | |
-13 minutes. -Come on then! | 0:26:10 | 0:26:12 | |
If I put my foot down, we'll just have time to get you to the station. | 0:26:13 | 0:26:20 | |
How can you justify spending 130 quid on a pair of trainers? | 0:26:20 | 0:26:23 | |
-Er...because I have a job? -Do you know how much they cost to make | 0:26:23 | 0:26:26 | |
in comparison with the slave wages they pay the workers? | 0:26:26 | 0:26:29 | |
No, but I'm sure you're going to tell me. Just as sure I'll care this much! | 0:26:29 | 0:26:33 | |
Give it a rest! Your dad's got a headache. | 0:26:33 | 0:26:36 | |
Thank you. | 0:26:38 | 0:26:40 | |
Seat belts! | 0:26:40 | 0:26:41 | |
Thank you. For three incredible days of bedroom action. | 0:26:50 | 0:26:53 | |
How's about you and I go out and celebrate? | 0:26:55 | 0:26:58 | |
-Sounds like a great plan. Shall I invite the other hero docs? -What? | 0:26:58 | 0:27:02 | |
My name's Dougie, and this is Mrs Tembe, | 0:27:02 | 0:27:05 | |
and we've come over to talk about Jesus. | 0:27:05 | 0:27:08 | |
No, you're all right, mate. | 0:27:08 | 0:27:11 |