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APPLAUSE | 0:00:25 | 0:00:27 | |
Thank you! Thank you very much. | 0:00:29 | 0:00:31 | |
I'd like to thank someone who has greatly influenced my life and work. | 0:00:33 | 0:00:38 | |
Unfortunately, she can't be with us tonight. | 0:00:38 | 0:00:41 | |
Her name is Emily Bronte! | 0:00:41 | 0:00:44 | |
APPLAUSE | 0:00:44 | 0:00:45 | |
When I sat down to write Love In The Dales, | 0:00:45 | 0:00:48 | |
I felt Emily was there beside me... | 0:00:48 | 0:00:51 | |
influencing my story, and guiding my words. | 0:00:51 | 0:00:54 | |
There is someone else who I owe a tremendous amount of gratitude. | 0:00:55 | 0:01:01 | |
My novel's romantic hero - the dashing and suave Oliver Pomeroy - | 0:01:01 | 0:01:07 | |
was inspired by somebody very real, and very close to my heart. | 0:01:07 | 0:01:13 | |
My rock, my lover... | 0:01:13 | 0:01:16 | |
my doctor - the magnificent Daniel Granger! | 0:01:16 | 0:01:21 | |
MUSIC: "Wuthering Heights" by Kate Bush | 0:01:21 | 0:01:24 | |
D-Does that mean I've over-run? | 0:01:24 | 0:01:26 | |
MUSIC CONTINUES ON PHONE | 0:01:30 | 0:01:33 | |
SHE SIGHS MUSIC STOPS | 0:01:37 | 0:01:40 | |
It wasn't that big yesterday, was it? | 0:01:53 | 0:01:55 | |
It must've grown overnight! Hideous! | 0:01:55 | 0:01:58 | |
Maybe a profile shot would be acceptable. | 0:01:58 | 0:02:01 | |
No. That's not de rigueur. | 0:02:04 | 0:02:06 | |
I'll have to be airbrushed and decline all public appearances. | 0:02:08 | 0:02:11 | |
Unless... | 0:02:12 | 0:02:14 | |
-ZARA: -She's been through the mill, poor girl. | 0:02:15 | 0:02:19 | |
-Have they been discharged? -Mm-hm. I'm going to drop by later. | 0:02:19 | 0:02:22 | |
-A home visit? Why? -To check that they're OK, of course. | 0:02:22 | 0:02:25 | |
The midwife'll do that. | 0:02:25 | 0:02:27 | |
The midwife didn't teach her how to breastfeed. I did. | 0:02:27 | 0:02:30 | |
Who'd have thought that someone like me could persuade someone like her? | 0:02:30 | 0:02:34 | |
I must have the common touch. | 0:02:34 | 0:02:35 | |
Wow! Could you sound ANY more condescending? | 0:02:35 | 0:02:37 | |
I'd like to see you give breastfeeding lessons. | 0:02:37 | 0:02:40 | |
-That's not in my job description. -Mine, neither. | 0:02:40 | 0:02:42 | |
But unlike you, I'm prepared to go beyond the call of duty. | 0:02:42 | 0:02:44 | |
Hm. Especially for those who make you feel superior. | 0:02:44 | 0:02:47 | |
"Dear Miss Treadwell, | 0:02:51 | 0:02:52 | |
"Thank you for sending us your manuscript. | 0:02:52 | 0:02:54 | |
"I enjoyed some aspects of your writing | 0:02:54 | 0:02:56 | |
"but felt that the story was too old-fashioned, | 0:02:56 | 0:02:58 | |
"and that it teeters on the edge of cliche." | 0:02:58 | 0:03:01 | |
Imbecile! | 0:03:04 | 0:03:06 | |
I bet you didn't have this trouble, did you? | 0:03:09 | 0:03:11 | |
In your day, publishers recognised quality. | 0:03:11 | 0:03:14 | |
Now, all they want is 50 Shades Of... bleugh! | 0:03:14 | 0:03:17 | |
Hello! | 0:03:25 | 0:03:26 | |
Morning. | 0:03:26 | 0:03:28 | |
I didn't get much shut-eye last night, because of you! | 0:03:28 | 0:03:31 | |
Battlestar Gallactica. | 0:03:32 | 0:03:34 | |
Top tip! I devoured the box set. | 0:03:34 | 0:03:37 | |
Yeah? | 0:03:37 | 0:03:38 | |
Yeah! Sex, spaceships and theology - Ticks all the boxes. | 0:03:38 | 0:03:41 | |
-Where'd you get up to? -Episode three. | 0:03:41 | 0:03:45 | |
Season one? | 0:03:45 | 0:03:46 | |
-Of season two. -Hmm. | 0:03:47 | 0:03:49 | |
-Fragged? -That's the one. | 0:03:49 | 0:03:52 | |
Very impressive. But, you know, there's no need to rush it. | 0:03:52 | 0:03:55 | |
It's a marathon, not a sprint. | 0:03:55 | 0:03:57 | |
If it's any consolation, the literati despised my book... | 0:03:59 | 0:04:03 | |
until I shuffled off this mortal coil. | 0:04:03 | 0:04:05 | |
And then, a huge bestseller and perennial classic. | 0:04:05 | 0:04:09 | |
SHE SIGHS | 0:04:09 | 0:04:11 | |
What good is that when you don't have a pulse? | 0:04:11 | 0:04:13 | |
You achieved what all novelists crave - immortality. | 0:04:13 | 0:04:17 | |
Given the choice, I'd exchange all of those posthumous book sales | 0:04:17 | 0:04:21 | |
for a dirty weekend in Blackpool. | 0:04:21 | 0:04:22 | |
I just want a bit of recognition. | 0:04:22 | 0:04:25 | |
Is that too much to ask? | 0:04:25 | 0:04:26 | |
Then embrace the new technology! | 0:04:26 | 0:04:29 | |
Stop waiting for your fairy publisher to arrive. | 0:04:29 | 0:04:31 | |
No, I want to be a proper author. | 0:04:31 | 0:04:33 | |
Not some online wannabe. | 0:04:33 | 0:04:35 | |
Besides, nobody bothered reading my free extracts on my website. | 0:04:35 | 0:04:39 | |
Only got 57 hits, and most of them were my mother. | 0:04:39 | 0:04:43 | |
Just like our Charlotte, you are - desperate for fame and adulation. | 0:04:43 | 0:04:47 | |
< SCREAMING | 0:04:47 | 0:04:49 | |
I'm done for. SHE GASPS | 0:04:50 | 0:04:52 | |
Blood...in my urine! | 0:04:53 | 0:04:56 | |
I told you I wasn't well. | 0:04:57 | 0:04:58 | |
And now, my morbid fears are vindicated. | 0:04:58 | 0:05:03 | |
I'll be dead by 30. Just like you! | 0:05:03 | 0:05:05 | |
I best get on to a solicitor - tie up all the loose ends. | 0:05:07 | 0:05:11 | |
Who will inherit my literary estate? | 0:05:11 | 0:05:13 | |
Love On The Dales could be a cash cow - | 0:05:13 | 0:05:16 | |
the film rights, TV adaptations... | 0:05:16 | 0:05:20 | |
At least Mother will be well looked after in her dotage. | 0:05:20 | 0:05:23 | |
I mean, I can't leave it to you - you're already dead. | 0:05:23 | 0:05:27 | |
Beetroot. | 0:05:27 | 0:05:28 | |
Eh? | 0:05:28 | 0:05:29 | |
Last night's supper was beetroot salad. Hence the pink pee. | 0:05:29 | 0:05:33 | |
Oh, really? | 0:05:33 | 0:05:34 | |
Oh, yes, of course. | 0:05:34 | 0:05:35 | |
What would I do without you to reassure me? | 0:05:36 | 0:05:40 | |
I think I'd go mad. | 0:05:40 | 0:05:41 | |
Good morning. | 0:05:47 | 0:05:48 | |
How is Team Jackman? | 0:05:48 | 0:05:50 | |
Jade didn't say you were coming. | 0:05:50 | 0:05:52 | |
It's just a courtesy call. How are they? Are they OK? | 0:05:52 | 0:05:55 | |
See for yourself. First, I've got a bone to pick. | 0:05:55 | 0:05:59 | |
Well, come in, then! | 0:05:59 | 0:06:00 | |
SHE SINGS ALONG TO TRACK: # You had a temper, like my jealousy | 0:06:05 | 0:06:08 | |
# Too hot, too greedy | 0:06:08 | 0:06:12 | |
-BOTH: -# How could you leave me | 0:06:12 | 0:06:14 | |
# When I needed to possess you? | 0:06:14 | 0:06:17 | |
# I hated you | 0:06:17 | 0:06:19 | |
# I loved you too... # | 0:06:19 | 0:06:21 | |
PHONE PLAYS SAME SONG | 0:06:21 | 0:06:23 | |
Mother, no doubt. | 0:06:23 | 0:06:24 | |
Hello? | 0:06:27 | 0:06:28 | |
Good morning. Is that Sophie Treadwell, the author? | 0:06:28 | 0:06:33 | |
Yes. Speaking. | 0:06:33 | 0:06:34 | |
Charles. Charles Fitzgerald. Your prose landed on my desk. | 0:06:34 | 0:06:39 | |
My prose? You mean Love In The Dales? | 0:06:39 | 0:06:42 | |
Indeed. Such a wonderful yarn. | 0:06:42 | 0:06:46 | |
I couldn't put it down. | 0:06:46 | 0:06:48 | |
Oh, yes! I mean, er, the response has been fantastic. | 0:06:48 | 0:06:52 | |
Overwhelming, in fact. | 0:06:52 | 0:06:54 | |
The response? So, you've found a publisher already? | 0:06:54 | 0:06:57 | |
Er, no, not per se. I mean, nothing's set in stone. | 0:06:57 | 0:07:01 | |
But I have been courting several offers | 0:07:01 | 0:07:03 | |
from the big publishing houses. | 0:07:03 | 0:07:05 | |
I see. So, I'm too late to the party? | 0:07:05 | 0:07:08 | |
Well, no. Er, no. | 0:07:08 | 0:07:10 | |
Feel free to join the bidding war. | 0:07:10 | 0:07:13 | |
OK, yes. I'd like to throw my hat in the ring. | 0:07:13 | 0:07:17 | |
Great! Good. | 0:07:17 | 0:07:19 | |
Is it a big hat? | 0:07:19 | 0:07:21 | |
Yes. Very big, a generous fit! | 0:07:21 | 0:07:25 | |
But, er, why don't we discuss it over lunch? | 0:07:25 | 0:07:28 | |
I can be in Letherbridge this afternoon. | 0:07:28 | 0:07:30 | |
-This afternoon? -Too short notice? | 0:07:30 | 0:07:32 | |
Let me just check my diary. | 0:07:32 | 0:07:34 | |
SHE BREATHES DEEPLY | 0:07:35 | 0:07:37 | |
I have a window at one. | 0:07:39 | 0:07:41 | |
Perfect. Shall we say Villa Luigi on the high street? | 0:07:41 | 0:07:44 | |
See you there. | 0:07:44 | 0:07:46 | |
I look forward to it. | 0:07:46 | 0:07:47 | |
Bye! SHE SQUEALS | 0:07:47 | 0:07:50 | |
My fairy publisher! | 0:07:50 | 0:07:51 | |
'He sounded gorgeous. | 0:07:52 | 0:07:55 | |
'Suitably suave and sexy, yet also very polite.' | 0:07:56 | 0:08:01 | |
Everything you want in a publisher. | 0:08:03 | 0:08:04 | |
What about the inside cover? | 0:08:07 | 0:08:09 | |
This could scupper the whole deal! | 0:08:09 | 0:08:12 | |
She's gone all Gwyneth Paltrow, thanks to you - filling her head with all that breastfeeding rubbish. | 0:08:15 | 0:08:20 | |
Middle-class propaganda! It's not natural. | 0:08:20 | 0:08:22 | |
Jade turned out all right on t'bottle. Why's it off limits now?! | 0:08:22 | 0:08:25 | |
It's not off limits. | 0:08:25 | 0:08:26 | |
But breastfeeding protects the baby against infection and... | 0:08:26 | 0:08:29 | |
What about all this? | 0:08:29 | 0:08:31 | |
I've got shed-loads of the stuff. | 0:08:31 | 0:08:32 | |
Bought a job lot off a bloke last week. He doesn't do refunds. | 0:08:32 | 0:08:36 | |
It makes a horrible milkshake, even if you add a bit of Haagen-Dazs. | 0:08:38 | 0:08:41 | |
I hope you're joking. | 0:08:41 | 0:08:43 | |
I suppose she'll want it sooner or later. | 0:08:44 | 0:08:46 | |
-Mum, I'm leaking! > -See what I mean!? | 0:08:46 | 0:08:49 | |
ROMANTIC MUSIC PLAYS | 0:08:51 | 0:08:53 | |
MUSIC STOPS ABRUPTLY | 0:08:59 | 0:09:01 | |
Yeah, it's perfectly benign. | 0:09:01 | 0:09:04 | |
Nothing's changed since your last visit... | 0:09:04 | 0:09:07 | |
or the one before that. | 0:09:07 | 0:09:08 | |
You could have it removed. | 0:09:08 | 0:09:10 | |
But because it's only a cosmetic concern, | 0:09:10 | 0:09:12 | |
you'd have that done privately, as I think I also explained last time. | 0:09:12 | 0:09:16 | |
A lot has changed since then, Dr Granger. | 0:09:16 | 0:09:18 | |
Not least my financial situation. | 0:09:18 | 0:09:20 | |
I'm on the verge of a lucrative book deal. | 0:09:20 | 0:09:23 | |
Ah, yes, you're a writer. | 0:09:23 | 0:09:24 | |
A novelist. | 0:09:24 | 0:09:25 | |
So I could always, er, see you privately. | 0:09:25 | 0:09:29 | |
Possibly. I don't think it's a good idea | 0:09:29 | 0:09:31 | |
that I see you as a private patient. | 0:09:31 | 0:09:33 | |
I won't tell if you won't! | 0:09:33 | 0:09:36 | |
Hm. Isn't he a touch too smooth? | 0:09:36 | 0:09:38 | |
He doesn't have Heathcliff's rugged charisma. | 0:09:38 | 0:09:41 | |
You should've seen him when he had a beard. | 0:09:41 | 0:09:43 | |
-Sorry? -Oh, nothing. | 0:09:43 | 0:09:45 | |
It sounded like you were talking to someone else. | 0:09:46 | 0:09:48 | |
No, no. Just my muse. | 0:09:48 | 0:09:51 | |
Perfectly normal for a writer. | 0:09:51 | 0:09:53 | |
Look who dropped in. | 0:09:56 | 0:09:57 | |
MUSIC: "Wrecking Ball" by Miley Cyrus | 0:09:57 | 0:09:59 | |
How is...Shontavia? Is she feeding well? | 0:09:59 | 0:10:03 | |
She's a greedy guts. I feel like a Jersey cow. | 0:10:03 | 0:10:06 | |
Pass us the remote, Mum. | 0:10:06 | 0:10:08 | |
-Get us a refill - I'm gasping. -MUSIC STOPS | 0:10:11 | 0:10:14 | |
-What did your last one die of? -If it's easier, I'll get a hydraulic lift and I'll do it myself! | 0:10:14 | 0:10:19 | |
Don't suppose you've got any nipple cream? | 0:10:21 | 0:10:23 | |
Sorry, no. | 0:10:23 | 0:10:25 | |
Did she offer you a cuppa? | 0:10:25 | 0:10:27 | |
No, but I'm fine. | 0:10:27 | 0:10:29 | |
Ta. | 0:10:31 | 0:10:32 | |
Don't fancy popping to t'chemist? | 0:10:32 | 0:10:35 | |
Nipple cream and breast pads while you're at it. | 0:10:35 | 0:10:39 | |
Why didn't you say when I was on t'fag run? | 0:10:39 | 0:10:41 | |
Just grab a tenner out my purse. And put the kettle on before you go out! | 0:10:41 | 0:10:44 | |
Love ya! | 0:10:46 | 0:10:47 | |
So...fleeing this disastrous love affair, | 0:10:49 | 0:10:52 | |
he takes the first available job - this tiny, parochial practice, | 0:10:52 | 0:10:56 | |
on the outskirts of Ilkley Moor. | 0:10:56 | 0:10:57 | |
There he meets Florence Cattermoul - a farmer's daughter, | 0:10:57 | 0:11:00 | |
who is brimming with joie de vivre yet horribly constrained by her | 0:11:00 | 0:11:04 | |
rustic horizons, and suffering with this rare, terminal disease. | 0:11:04 | 0:11:09 | |
But I won't... I won't ruin it for you. | 0:11:09 | 0:11:12 | |
No. Please don't. | 0:11:12 | 0:11:13 | |
I'm going to have to look out for that in my local book store. | 0:11:13 | 0:11:16 | |
You won't have to, because... | 0:11:16 | 0:11:18 | |
I want you to have one of the original manuscripts. | 0:11:18 | 0:11:21 | |
Er, I couldn't possibly take that. | 0:11:21 | 0:11:23 | |
Well, you have to. It's dedicated to you. | 0:11:23 | 0:11:26 | |
I thought it was dedicated to me! | 0:11:26 | 0:11:28 | |
Why would you do that? | 0:11:28 | 0:11:30 | |
Because...you inspired the novel. | 0:11:30 | 0:11:32 | |
Dr Oliver Pomeroy - it's based on you! | 0:11:32 | 0:11:35 | |
Even if we were stranded on a desert island, | 0:11:41 | 0:11:44 | |
thousands of miles away from the nearest Lidl, | 0:11:44 | 0:11:47 | |
it still wouldn't matter because my body gives all the nourishment she needs. | 0:11:47 | 0:11:51 | |
Nature's pretty clever that way. | 0:11:51 | 0:11:53 | |
She looks very contented. | 0:11:53 | 0:11:55 | |
Didn't you get any milk while you were out? | 0:12:01 | 0:12:03 | |
We've only got a splash left. | 0:12:03 | 0:12:05 | |
Yeah? Well, if you want another cuppa, | 0:12:05 | 0:12:06 | |
you'll have to top it up with them! I'm not your flippin' slave. | 0:12:06 | 0:12:09 | |
No, but you're her grandma. | 0:12:09 | 0:12:12 | |
You should be pleased I'm giving her the best start, | 0:12:12 | 0:12:14 | |
not fobbing her off with some poxy formula from your booty-call bloke. | 0:12:14 | 0:12:18 | |
He's not my booty call! | 0:12:18 | 0:12:19 | |
If he was he'd give me a refund, wouldn't he? | 0:12:19 | 0:12:21 | |
Maybe he doesn't rate you. Right, I'm going to put her down. | 0:12:21 | 0:12:24 | |
She's doing brilliantly. | 0:12:28 | 0:12:30 | |
You must be relieved. | 0:12:30 | 0:12:32 | |
Eh? | 0:12:32 | 0:12:33 | |
To have her back home in one piece, | 0:12:33 | 0:12:35 | |
with a beautiful and healthy granddaughter. | 0:12:35 | 0:12:38 | |
Yeah. I love being a nana, me(!) | 0:12:38 | 0:12:40 | |
Don't tell Lady Muck, but... | 0:12:41 | 0:12:43 | |
I do love it. | 0:12:43 | 0:12:45 | |
Mum! She's just yakked all over me! | 0:12:46 | 0:12:48 | |
Will you get this in the wash? It's the only one that fits me proper. | 0:12:48 | 0:12:51 | |
You don't have to marry him! | 0:13:02 | 0:13:04 | |
So sorry I'm late. | 0:13:04 | 0:13:06 | |
Charles? | 0:13:08 | 0:13:09 | |
My train was held at Leeds for half an hour. | 0:13:10 | 0:13:13 | |
A defective buffet carriage. | 0:13:13 | 0:13:15 | |
Still, it gave me a chance to reread your work. | 0:13:15 | 0:13:18 | |
What can I say? | 0:13:18 | 0:13:20 | |
Gripping, poignant, evocative - an instant classic! | 0:13:20 | 0:13:24 | |
Drivel! | 0:13:24 | 0:13:26 | |
To your unique talent! | 0:13:29 | 0:13:31 | |
And the beginning of a very special relationship. | 0:13:31 | 0:13:34 | |
Psst! | 0:13:35 | 0:13:37 | |
Who is this blaggard? He hasn't even mentioned a publishing house, | 0:13:37 | 0:13:40 | |
let alone a whopping advance. | 0:13:40 | 0:13:42 | |
I suggest you enquire, post-haste! | 0:13:44 | 0:13:46 | |
Who...are you exactly? | 0:13:46 | 0:13:50 | |
Sorry? | 0:13:50 | 0:13:52 | |
Which publishing house do you represent? | 0:13:52 | 0:13:54 | |
Which publisher? | 0:13:54 | 0:13:55 | |
Oh, I deal with a lot of the big hitters, | 0:13:55 | 0:13:58 | |
big players...household names. | 0:13:58 | 0:14:01 | |
Which names? | 0:14:02 | 0:14:05 | |
Big ones. | 0:14:05 | 0:14:06 | |
We don't have to decide which one - not just yet. | 0:14:06 | 0:14:10 | |
So, er...when were your first stirrings? | 0:14:12 | 0:14:17 | |
In a literary sense. | 0:14:17 | 0:14:19 | |
SHE SIGHS | 0:14:27 | 0:14:29 | |
So I said to him, "It's a gift, an absolute gift. | 0:14:48 | 0:14:51 | |
"Use your misery and turn it into art." | 0:14:51 | 0:14:55 | |
Next stop - the Booker Prize! | 0:14:55 | 0:14:57 | |
Of course, an unhappy childhood is a prerequisite for a writer. | 0:14:58 | 0:15:01 | |
I trust your early years were lonely and wretched? | 0:15:01 | 0:15:04 | |
No, I had a perfectly happy childhood. | 0:15:06 | 0:15:08 | |
You can't have it all! | 0:15:08 | 0:15:09 | |
I see from your blog that you attended the University of Bradford. | 0:15:11 | 0:15:16 | |
That's right. Closest I could get to Bronte country. | 0:15:16 | 0:15:19 | |
I believe we shared a module in Victorian Literature. | 0:15:20 | 0:15:25 | |
You were there too? | 0:15:26 | 0:15:28 | |
Yes. | 0:15:28 | 0:15:29 | |
I don't suppose you remember me. | 0:15:29 | 0:15:31 | |
I can't say I do. | 0:15:32 | 0:15:34 | |
But come to think of it, your name does sound familiar. | 0:15:34 | 0:15:37 | |
My name? | 0:15:37 | 0:15:39 | |
This is my lot in life - | 0:15:39 | 0:15:41 | |
pretty girls seldom notice chaps like me. | 0:15:41 | 0:15:44 | |
Pretty? Hardly. With this...thing. | 0:15:44 | 0:15:47 | |
Nonsense! | 0:15:47 | 0:15:48 | |
Most men I meet only see the mole. They don't see the person behind it. | 0:15:48 | 0:15:52 | |
I remember admiring you from afar during those long, | 0:15:52 | 0:15:56 | |
dreary lectures about Trollope and Eliot and Bronte. | 0:15:56 | 0:16:01 | |
-SHE SCOFFS -The barefaced cheek! | 0:16:01 | 0:16:05 | |
He was probably talking about one of your sisters. | 0:16:05 | 0:16:08 | |
Beg pardon? | 0:16:08 | 0:16:09 | |
Time to cash in your chips. | 0:16:09 | 0:16:11 | |
Tell him to order you a minicab. | 0:16:11 | 0:16:13 | |
-You're doing it again. -Doing what? | 0:16:13 | 0:16:15 | |
Talking in the modern vernacular. I've told you about it. | 0:16:15 | 0:16:18 | |
If he's not a real publisher, then how come he's read my manuscript? | 0:16:24 | 0:16:28 | |
Isn't it obvious? | 0:16:28 | 0:16:29 | |
He's only read the first three chapters - the ones on your website. | 0:16:29 | 0:16:34 | |
Hm. Maybe I should quiz him on chapter four. | 0:16:34 | 0:16:36 | |
He hasn't got the slightest interest in your prose. | 0:16:36 | 0:16:40 | |
Then, why's he here? What's he after? | 0:16:40 | 0:16:42 | |
Sex?! | 0:16:45 | 0:16:47 | |
Is this what this is about? | 0:16:47 | 0:16:48 | |
-KNOCK AT DOOR -Enter. | 0:16:51 | 0:16:53 | |
Hey! | 0:16:53 | 0:16:55 | |
How goes it? | 0:16:55 | 0:16:57 | |
Yeah. All is good. | 0:16:57 | 0:16:59 | |
The lunching hour will soon be upon us! | 0:16:59 | 0:17:03 | |
Any plans? | 0:17:03 | 0:17:04 | |
No, I'm just going to stay here and power through with my research. | 0:17:05 | 0:17:09 | |
Come on! You deserve a break. | 0:17:09 | 0:17:11 | |
No, I'm on my break. | 0:17:11 | 0:17:13 | |
I'm just comparing prices and functionality of the latest webcams. | 0:17:13 | 0:17:16 | |
Fair enough. | 0:17:16 | 0:17:18 | |
I'm popping to the deli anyhow. | 0:17:19 | 0:17:21 | |
Can I pick you up a few comestibles? | 0:17:21 | 0:17:23 | |
Eh? | 0:17:23 | 0:17:25 | |
Lunch - I could get you some. | 0:17:25 | 0:17:27 | |
Nah, no. I'll probably pop out later. | 0:17:28 | 0:17:30 | |
OK. | 0:17:30 | 0:17:32 | |
How's your lasagne? | 0:17:43 | 0:17:45 | |
Why don't you stop pussyfooting about and tell me what you really want? | 0:17:48 | 0:17:51 | |
Excuse me? | 0:17:51 | 0:17:52 | |
You couldn't care less about my prose. Admit it! | 0:17:52 | 0:17:54 | |
Of course I care. | 0:17:54 | 0:17:56 | |
Though I admit I have been somewhat dishonest. | 0:17:56 | 0:18:00 | |
I used your novel as an excuse to get in touch. | 0:18:01 | 0:18:05 | |
Since our uni days, I always hoped our paths would cross, | 0:18:05 | 0:18:08 | |
and then I stumbled upon your website. | 0:18:08 | 0:18:11 | |
So, you're not a real publisher. | 0:18:11 | 0:18:13 | |
-No. Not per se. -All the nice things you were saying about my novel, | 0:18:14 | 0:18:17 | |
and you were lying through your teeth. | 0:18:17 | 0:18:19 | |
Not entirely. But I've only read the first three chapters. | 0:18:19 | 0:18:22 | |
And what did you think about those? I want your brutally honest opinion. | 0:18:22 | 0:18:26 | |
Well, in all honesty... | 0:18:26 | 0:18:29 | |
I think your writing shows great potential. | 0:18:29 | 0:18:31 | |
However... | 0:18:33 | 0:18:34 | |
I don't think this particular story is suited to your talents. | 0:18:34 | 0:18:37 | |
It feels very...derivative. | 0:18:37 | 0:18:41 | |
Let's face it - you're not Emily Bronte. | 0:18:41 | 0:18:43 | |
Indeed! | 0:18:43 | 0:18:44 | |
I mean to say, you could be so much better. | 0:18:44 | 0:18:46 | |
Impudent boor! | 0:18:46 | 0:18:48 | |
Why pay homage to outmoded literary tropes, | 0:18:48 | 0:18:50 | |
when there's so much to say about now? | 0:18:50 | 0:18:52 | |
Yes, but everything in her day was so much more vital and romantic. | 0:18:52 | 0:18:55 | |
-What are you staring at? -Oh, nothing. | 0:18:57 | 0:18:59 | |
You were staring at my mole. | 0:18:59 | 0:19:00 | |
No. No, I wasn't. | 0:19:00 | 0:19:02 | |
You are just like all the others. A complete oaf! | 0:19:02 | 0:19:05 | |
Can't a girl have a tiny blemish? | 0:19:05 | 0:19:06 | |
I might as well be the creature from the Black Lagoon. | 0:19:06 | 0:19:09 | |
It's not that. I like your mole. | 0:19:09 | 0:19:10 | |
I love your mole. It's just... | 0:19:10 | 0:19:12 | |
Just what? | 0:19:12 | 0:19:14 | |
It appears to be...weeping. | 0:19:15 | 0:19:17 | |
Weeping?! | 0:19:19 | 0:19:21 | |
Ugh! It IS cancerous. A melanoma! | 0:19:23 | 0:19:26 | |
The bill, please. | 0:19:32 | 0:19:34 | |
You needn't spare the grim diagnosis. | 0:19:34 | 0:19:36 | |
I have burned brightly and now my life is a fragile flame. | 0:19:36 | 0:19:41 | |
If, in the midst of your grief, | 0:19:41 | 0:19:43 | |
you should hear a tapping on the window, fear not. | 0:19:43 | 0:19:47 | |
It will just be I, beckoning from beyond the grave. | 0:19:47 | 0:19:51 | |
What did you have for lunch? | 0:19:51 | 0:19:54 | |
Erm...lasagne. | 0:19:54 | 0:19:56 | |
Yeah. Thought it was Bolognese sauce. | 0:19:56 | 0:19:58 | |
I don't think we'll be needing to do a biopsy. | 0:19:58 | 0:20:01 | |
Well, there's no need to look so smug! | 0:20:01 | 0:20:03 | |
Sorry? | 0:20:03 | 0:20:04 | |
Oh, I was just... | 0:20:04 | 0:20:06 | |
Talking to your muse? | 0:20:06 | 0:20:08 | |
Yes. Exactly! | 0:20:08 | 0:20:09 | |
I can tell you're simpatico with the creative spirit. | 0:20:09 | 0:20:12 | |
Sophie, let me give you one of these leaflets, | 0:20:12 | 0:20:15 | |
just in case you feel like you want to talk to someone. | 0:20:15 | 0:20:19 | |
Someone real, that is. | 0:20:19 | 0:20:21 | |
Counselling? | 0:20:21 | 0:20:22 | |
Yeah. That voice you hear... | 0:20:22 | 0:20:24 | |
You mean Emily? | 0:20:24 | 0:20:26 | |
Yes, Emily. Does she ever tell you to do bad things? | 0:20:26 | 0:20:29 | |
Feeble-minded chump! Now he wants to get you on the couch. | 0:20:29 | 0:20:32 | |
-Pfft! If only! -Hm? | 0:20:32 | 0:20:34 | |
Oh, no. It's not like that. | 0:20:34 | 0:20:37 | |
Emily's just a friend. | 0:20:37 | 0:20:39 | |
An imaginary friend. | 0:20:39 | 0:20:41 | |
Have you never had one? | 0:20:41 | 0:20:43 | |
Er, yes. I think I did as a kid. | 0:20:43 | 0:20:46 | |
-I can't remember his name, though. -Just as sane as you are! | 0:20:46 | 0:20:49 | |
Of course. Look... | 0:20:49 | 0:20:51 | |
really good luck with the novel. When's it being published? | 0:20:51 | 0:20:55 | |
It's actually not any more. | 0:20:55 | 0:20:57 | |
Oh, well, I'm sorry to hear that. | 0:20:57 | 0:20:59 | |
My publisher turned out to be... Well, nothing of the sort. | 0:20:59 | 0:21:03 | |
You might as well throw the manuscript away. | 0:21:03 | 0:21:05 | |
It's not worth the paper it's written on. | 0:21:05 | 0:21:07 | |
Oh. I... | 0:21:07 | 0:21:09 | |
I can see you already have, so... | 0:21:09 | 0:21:12 | |
Er... | 0:21:12 | 0:21:13 | |
Ta-da! | 0:21:15 | 0:21:17 | |
I couldn't resist. | 0:21:17 | 0:21:18 | |
Dandelion and burdock. | 0:21:23 | 0:21:24 | |
Cheesy tortilla chips. | 0:21:26 | 0:21:29 | |
Rocky road. | 0:21:31 | 0:21:33 | |
And pastrami and Emmenthal on rye, with chilli sauce. | 0:21:34 | 0:21:38 | |
What voodoo is this? | 0:21:39 | 0:21:41 | |
Did I do well? | 0:21:41 | 0:21:42 | |
Yes! This is like my desert-island packed lunch. How did you know? | 0:21:42 | 0:21:45 | |
I've been paying attention. | 0:21:45 | 0:21:47 | |
Wow! How much do I owe you? | 0:21:47 | 0:21:50 | |
Nothing. It's on me. | 0:21:50 | 0:21:51 | |
You could treat me some time, if you like. | 0:21:54 | 0:21:57 | |
For sure. | 0:21:57 | 0:21:58 | |
Quid pro quo, Dr Donoghue. | 0:21:58 | 0:22:00 | |
The silver lining is that now I have to get a real job, | 0:22:04 | 0:22:07 | |
I can afford that beauty treatment. | 0:22:07 | 0:22:09 | |
For what it's worth, I think the mole suits you. | 0:22:09 | 0:22:12 | |
-Do you really mean that? -Yes. | 0:22:12 | 0:22:13 | |
-Yeah. -Get a room! | 0:22:16 | 0:22:19 | |
Not really, er, appropriate. | 0:22:19 | 0:22:20 | |
Bernard - that was his name. | 0:22:23 | 0:22:26 | |
-Hm? -My imaginary friend. | 0:22:26 | 0:22:28 | |
Are you still in touch? | 0:22:28 | 0:22:30 | |
No. We lost touch years ago. Probably for the best. | 0:22:30 | 0:22:33 | |
-Yes. -Take care. | 0:22:33 | 0:22:35 | |
Sophie! Are you all right? I didn't mean to alarm you. | 0:22:36 | 0:22:39 | |
I don't think we have anything left to say to one another. | 0:22:39 | 0:22:42 | |
I thought it was takeaway only, but there's a few tables out the back. | 0:22:46 | 0:22:50 | |
This sweet little patio garden - it's a real sun-trap. | 0:22:50 | 0:22:54 | |
So you can always eat in... or out, I should say. | 0:22:54 | 0:22:58 | |
We should do that some time, yeah? | 0:22:59 | 0:23:01 | |
Look - omni-directional sound, echo-cancelling audio but... | 0:23:03 | 0:23:07 | |
it's only 15 frames a second. Juddery! | 0:23:07 | 0:23:10 | |
No, thank you. | 0:23:10 | 0:23:11 | |
-CHARLES: -'Please, Sophie, there's something I must explain.' | 0:23:22 | 0:23:25 | |
No, I will not entertain your lustful advances. | 0:23:25 | 0:23:29 | |
You are no more welcome than a poisonous carbuncle, | 0:23:29 | 0:23:31 | |
feasting on my virgin flesh. | 0:23:31 | 0:23:33 | |
-Are you a virgin? -Yes. | 0:23:33 | 0:23:35 | |
No! | 0:23:35 | 0:23:36 | |
I will not be your pet project. | 0:23:36 | 0:23:37 | |
If I can't be published properly, then... | 0:23:37 | 0:23:39 | |
I shouldn't be published, at all. | 0:23:39 | 0:23:41 | |
Very well. | 0:23:41 | 0:23:42 | |
Besides, don't you have anything better to do? | 0:23:43 | 0:23:46 | |
No, not really. | 0:23:46 | 0:23:48 | |
My father died a few years ago. | 0:23:48 | 0:23:50 | |
I inherited his vast Yorkshire estate, | 0:23:50 | 0:23:52 | |
and enough money to indulge my...pet projects. | 0:23:52 | 0:23:57 | |
I see. | 0:23:57 | 0:23:59 | |
No, no! He's nothing like Heathcliff. | 0:24:06 | 0:24:09 | |
He's more like Edgar Linton - rich, pompous, dull as ditchwater. | 0:24:09 | 0:24:14 | |
-You'll never be happy with him. -Hm. | 0:24:14 | 0:24:17 | |
SHE SIGHS | 0:24:21 | 0:24:23 | |
I'm not that unappealing, am I? | 0:24:24 | 0:24:26 | |
Crack, why don't you? | 0:24:28 | 0:24:29 | |
-You all right, mate? -Yeah! | 0:24:32 | 0:24:34 | |
Not a bother. Just checking my mascara. | 0:24:34 | 0:24:36 | |
Actually, if you really want to know, er... | 0:24:38 | 0:24:41 | |
I feel pretty crappy. | 0:24:41 | 0:24:42 | |
When I said that your writing shows great potential, I really meant it. | 0:24:46 | 0:24:51 | |
But...you should stop pretending to be Emily Bronte. | 0:24:51 | 0:24:55 | |
You need to find your own voice. | 0:24:55 | 0:24:58 | |
Good luck. | 0:25:04 | 0:25:06 | |
I fear that he is right. | 0:25:13 | 0:25:15 | |
It's time for us to go our separate ways. | 0:25:17 | 0:25:19 | |
No. What will become of me? | 0:25:19 | 0:25:22 | |
What will become of you? | 0:25:22 | 0:25:24 | |
I'll find another lonely bedsit. | 0:25:24 | 0:25:25 | |
And another lonely writer? | 0:25:28 | 0:25:29 | |
Charles...wait! | 0:25:37 | 0:25:40 | |
That vast Yorkshire estate - | 0:25:45 | 0:25:47 | |
how vast is it, exactly? | 0:25:47 | 0:25:52 | |
And you've told him how you feel? | 0:26:01 | 0:26:03 | |
I've dropped hints - you know, about as subtle as a sledgehammer. | 0:26:03 | 0:26:06 | |
I shouldn't have to spell it out, should I? | 0:26:06 | 0:26:09 | |
Well, you know, it depends. I mean, is he the bashful type? | 0:26:09 | 0:26:14 | |
No. He's really smart. | 0:26:14 | 0:26:16 | |
He can't be oblivious to my... | 0:26:16 | 0:26:19 | |
romantic overtures. | 0:26:19 | 0:26:22 | |
I think he's embarrassed by them. | 0:26:22 | 0:26:24 | |
Who is he? | 0:26:25 | 0:26:27 | |
I mean, er, is it anyone I know? | 0:26:27 | 0:26:29 | |
No. No! He's in Ireland. | 0:26:29 | 0:26:32 | |
We've been in touch online. | 0:26:32 | 0:26:34 | |
I thought there might be something between us. | 0:26:34 | 0:26:37 | |
But I was wrong. | 0:26:37 | 0:26:39 | |
Listen, you keep your chin up! | 0:26:43 | 0:26:45 | |
And I bet your dream guy is just round the corner. | 0:26:45 | 0:26:48 | |
-And a lot closer than Ireland! -Yeah. | 0:26:48 | 0:26:50 | |
SHE SNIFFLES | 0:26:58 | 0:27:00 | |
What's that? | 0:27:07 | 0:27:09 | |
That is a tin. | 0:27:09 | 0:27:11 | |
How did you get in here? | 0:27:11 | 0:27:12 | |
Someone left the door off the latch. Very sloppy. | 0:27:12 | 0:27:15 | |
What's in the tin? | 0:27:15 | 0:27:16 | |
The mystery is about to be revealed. | 0:27:18 | 0:27:21 | |
Open it. | 0:27:21 | 0:27:22 | |
Are you ready to take the first steps? | 0:27:22 | 0:27:25 | |
Bring it on. | 0:27:25 | 0:27:27 |