Browse content similar to The Moon Girl Chronicles (Part Two). Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-There she is! -Uncle Jimmi! | 0:00:25 | 0:00:27 | |
-When did you get here? -Day before yesterday. | 0:00:27 | 0:00:29 | |
You have an irregularity with your heart rhythm | 0:00:29 | 0:00:31 | |
which we need to investigate. | 0:00:31 | 0:00:32 | |
Can you call the consultant, ask him to delay for a couple of hours? | 0:00:32 | 0:00:36 | |
-'Is she there?' -No, she's not. | 0:00:36 | 0:00:38 | |
Where is she, Frances? | 0:00:38 | 0:00:40 | |
'It is said, that for daughters of the moon, that darkness is a friend. | 0:00:43 | 0:00:47 | |
'And while monsters may lie in wait, | 0:00:47 | 0:00:49 | |
'so does the strength required to combat them. | 0:00:49 | 0:00:52 | |
'How I wish my moon mother was here! | 0:00:56 | 0:00:59 | |
'If nothing else, to silence the clamour in my head. | 0:00:59 | 0:01:02 | |
'But it is up to me, and me alone, to find my way to daylight.' | 0:01:03 | 0:01:06 | |
Still holding out? | 0:01:22 | 0:01:23 | |
Yeah, I've told her that there's a girl out there | 0:01:23 | 0:01:25 | |
who's sick - possibly dying - but she's still clammed up. | 0:01:25 | 0:01:28 | |
-She'll crack. -I don't know if she will. | 0:01:28 | 0:01:31 | |
I'd rather focus on Cole. | 0:01:31 | 0:01:33 | |
By being in there, you are. | 0:01:33 | 0:01:35 | |
She's the key, she knows exactly where Cole is | 0:01:35 | 0:01:38 | |
because wherever he is, she put him there. | 0:01:38 | 0:01:41 | |
She's the brains of the operation, something the jury didn't | 0:01:41 | 0:01:44 | |
appreciate properly last time. | 0:01:44 | 0:01:47 | |
They got her as an accessory not the mastermind, but Cole is | 0:01:47 | 0:01:50 | |
an idiot. There's no way he could pull off this stuff on his own. | 0:01:50 | 0:01:53 | |
He needs her. | 0:01:53 | 0:01:54 | |
What's in it for her? | 0:01:55 | 0:01:57 | |
Devotion, gratitude. | 0:01:57 | 0:01:59 | |
What do people get out of their pets? | 0:01:59 | 0:02:01 | |
Yeah, but people don't usually risk going to jail for their pets. | 0:02:02 | 0:02:06 | |
They might if they're obsessive. She's ten years older, don't forget. | 0:02:06 | 0:02:10 | |
For her, he's quite a catch. | 0:02:10 | 0:02:11 | |
Maybe we're over concentrating on Hatchely. | 0:02:12 | 0:02:15 | |
We're not! | 0:02:15 | 0:02:17 | |
I know this woman, she thinks she's smarter than us. | 0:02:17 | 0:02:19 | |
No. You and I are going to prove her wrong. | 0:02:19 | 0:02:22 | |
And how are we going to do that? | 0:02:22 | 0:02:24 | |
Through diligence and pig-headedness, | 0:02:24 | 0:02:27 | |
which is your speciality. | 0:02:27 | 0:02:29 | |
What? | 0:02:30 | 0:02:31 | |
All right, if she's so smart and she's set everything up... | 0:02:32 | 0:02:36 | |
Which she has. | 0:02:36 | 0:02:37 | |
..why would she jeopardise it all by actually kidnapping somebody | 0:02:37 | 0:02:40 | |
this time? | 0:02:40 | 0:02:41 | |
I'll leave that one with you. | 0:02:43 | 0:02:44 | |
You'll find the answer the way you always do, by digging in. | 0:02:44 | 0:02:48 | |
It's what makes you so annoying. | 0:02:48 | 0:02:51 | |
It's also the reason I'm putting you in charge of the case. | 0:02:51 | 0:02:55 | |
What? | 0:02:55 | 0:02:56 | |
You already coordinated half the squad, you might as well take on the rest. | 0:02:56 | 0:02:59 | |
Plus, you're all over Hatchley. You're plain clothes from tomorrow. | 0:02:59 | 0:03:03 | |
Archives, please. | 0:03:07 | 0:03:08 | |
Yeah, hi. Can I have case 20615? | 0:03:11 | 0:03:16 | |
And all the files from previous convictions. | 0:03:16 | 0:03:19 | |
Yeah, that's right, it's Frances Hatchley and Darren Cole. Thanks. | 0:03:21 | 0:03:24 | |
You working late? | 0:03:27 | 0:03:28 | |
Looks like it. | 0:03:30 | 0:03:31 | |
I was just wondering how you got on with Isla's house-mate? | 0:03:31 | 0:03:34 | |
Yeah, I've just had a look through the report. | 0:03:34 | 0:03:37 | |
I thought you would have gone round personally. | 0:03:38 | 0:03:42 | |
I'm sorry, Jimmi, but I've just been put in charge of this case | 0:03:42 | 0:03:44 | |
and I've been so busy. I can't be everywhere. | 0:03:44 | 0:03:47 | |
But, apparently... | 0:03:47 | 0:03:48 | |
..the housemate had breakfast with Isla, went back to bed | 0:03:51 | 0:03:55 | |
and when she got up again...Isla had gone. | 0:03:55 | 0:03:58 | |
I am sorry, it's been a big day. | 0:04:01 | 0:04:02 | |
But we will do everything we can to find her. | 0:04:02 | 0:04:05 | |
Her parents are coming tomorrow. | 0:04:05 | 0:04:07 | |
I haven't told them about the arrhythmia. | 0:04:07 | 0:04:10 | |
Why not? | 0:04:10 | 0:04:11 | |
Confidentiality. I had to use my judgment to tell you. | 0:04:11 | 0:04:15 | |
They're going to find out. | 0:04:15 | 0:04:17 | |
Hopefully she'll be here to explain for herself. | 0:04:17 | 0:04:19 | |
Otherwise, I'll have to sit them down. | 0:04:19 | 0:04:22 | |
You know, sometimes I don't know whose job is worse. | 0:04:25 | 0:04:27 | |
Hey. | 0:04:35 | 0:04:36 | |
I'm so scared. | 0:04:39 | 0:04:40 | |
I know, but I'm here now. | 0:04:41 | 0:04:44 | |
I brought you some benzies. | 0:04:49 | 0:04:50 | |
It's what you wanted, yeah? | 0:04:55 | 0:04:56 | |
Yeah. | 0:04:58 | 0:04:59 | |
Hey! Come on, son! | 0:05:09 | 0:05:12 | |
Oof! | 0:05:15 | 0:05:16 | |
CRYING | 0:05:26 | 0:05:28 | |
Argh! | 0:05:28 | 0:05:29 | |
Thanks. | 0:05:46 | 0:05:47 | |
Guess who I just had a call from? | 0:06:08 | 0:06:10 | |
Hatchley's lawyer. | 0:06:10 | 0:06:11 | |
She wants to talk. | 0:06:11 | 0:06:12 | |
I apologise for wasting your time. | 0:06:19 | 0:06:21 | |
Pfff. | 0:06:21 | 0:06:23 | |
I have been in contact with Isla Pendry. | 0:06:23 | 0:06:25 | |
I didn't mention it before because I was scared it would be misconstrued. | 0:06:27 | 0:06:31 | |
I was wrong and I'm sorry. | 0:06:31 | 0:06:34 | |
Where is she? | 0:06:37 | 0:06:38 | |
I don't know. | 0:06:38 | 0:06:39 | |
Where's Cole? | 0:06:40 | 0:06:42 | |
If I knew, I'd say. | 0:06:42 | 0:06:43 | |
Oh, come on! | 0:06:43 | 0:06:45 | |
Cole goes off the radar at the same time a girl you're connected | 0:06:45 | 0:06:48 | |
with disappears! | 0:06:48 | 0:06:49 | |
-We're not stupid. We know you're the link. -No! | 0:06:49 | 0:06:52 | |
I've been trying to think why and... | 0:06:52 | 0:06:55 | |
The only thing I can think of is somehow he hacked into my computer. | 0:06:55 | 0:06:59 | |
What, really?! | 0:06:59 | 0:07:00 | |
I don't know, otherwise. | 0:07:00 | 0:07:02 | |
I've been up all night trying to understand. | 0:07:03 | 0:07:06 | |
Well, let me tell you what I understand. | 0:07:06 | 0:07:08 | |
Six months ago, you made contact with Isla on the internet. | 0:07:08 | 0:07:14 | |
And stated to groom her. | 0:07:14 | 0:07:15 | |
No, I didn't! She was my friend! | 0:07:15 | 0:07:18 | |
We shared an interest | 0:07:18 | 0:07:19 | |
and we talked about it, along with thousands of other people. | 0:07:19 | 0:07:22 | |
Why is your computer encrypted? | 0:07:22 | 0:07:24 | |
It isn't! I've got the normal firewalls the bank suggests, but... | 0:07:24 | 0:07:29 | |
So if I look for your side of the conversation with Isla, I'll find it? | 0:07:29 | 0:07:32 | |
I delete my files regularly. | 0:07:36 | 0:07:38 | |
And why would you do that? | 0:07:40 | 0:07:41 | |
Because if you've been through what I've been through, | 0:07:44 | 0:07:47 | |
innocent things can be used against you. | 0:07:47 | 0:07:49 | |
Look, I don't have to talk to you. | 0:07:51 | 0:07:53 | |
So why are you? Why are you wasting our time? | 0:07:54 | 0:07:57 | |
Because I care! | 0:07:57 | 0:07:58 | |
Fine! I'll just wait my 24 hours. | 0:08:01 | 0:08:04 | |
Well, you can forget that because we are going to charge you. | 0:08:04 | 0:08:07 | |
With what? I've got no connection with Darren! | 0:08:07 | 0:08:09 | |
You admit to frequenting a website for teenage girls, | 0:08:09 | 0:08:12 | |
that's in breach of your probation. | 0:08:12 | 0:08:15 | |
No! There's nothing that prohibits me from sharing a love of literature. | 0:08:15 | 0:08:19 | |
Moon Girls has sold millions of copies worldwide. | 0:08:19 | 0:08:22 | |
What's the average age of the reader? 14? 15? | 0:08:22 | 0:08:25 | |
I'm reading! Isla's reading! | 0:08:25 | 0:08:27 | |
And what about Georgiana Marshall? | 0:08:27 | 0:08:28 | |
Who? | 0:08:30 | 0:08:31 | |
Isla's flat-mate, | 0:08:32 | 0:08:34 | |
who contacted her through the site and who just so happened | 0:08:34 | 0:08:37 | |
to have a room available when she needed one. | 0:08:37 | 0:08:39 | |
Well, that's how social media works. | 0:08:42 | 0:08:44 | |
She made a request, someone answered. | 0:08:44 | 0:08:47 | |
They don't need me to orchestrate it. | 0:08:47 | 0:08:49 | |
We'll see, won't we? | 0:08:49 | 0:08:50 | |
End of interview. | 0:08:52 | 0:08:53 | |
Any news? | 0:09:00 | 0:09:02 | |
I tried Rob, but he was in and out before... | 0:09:02 | 0:09:05 | |
Thanks. | 0:09:05 | 0:09:06 | |
I've spoken to Howard, Isla's parents can use his office | 0:09:06 | 0:09:09 | |
if they need anywhere. | 0:09:09 | 0:09:11 | |
-That's good. -How long are they going to be? When they arriving? | 0:09:11 | 0:09:15 | |
-They're driving. -Mm. That's a long way. | 0:09:15 | 0:09:16 | |
I could get some food in. | 0:09:18 | 0:09:20 | |
Order some sandwiches. You should have something. | 0:09:20 | 0:09:22 | |
I bet you haven't had any breakfast. | 0:09:22 | 0:09:25 | |
Cream. | 0:09:25 | 0:09:26 | |
-We've only got milk. -No, just something I remembered. Cream. | 0:09:26 | 0:09:28 | |
MOBILE RINGS | 0:09:32 | 0:09:34 | |
-Yeah, go on. -When I was around Isla's place, they'd just had some kind of party. | 0:09:34 | 0:09:38 | |
It seemed pretty wild. There was more than one person there. | 0:09:38 | 0:09:40 | |
-So, what if...? -I'm already on my way. | 0:09:40 | 0:09:43 | |
Oh, ho-ho-ho! | 0:09:50 | 0:09:51 | |
Oh, Mr Biglow. Is it fancy dress? | 0:09:51 | 0:09:58 | |
Historical re-enactment of the Siege of Letherbridge Castle. | 0:09:58 | 0:10:01 | |
Well, you'd better hope it doesn't rain - you'll rust! | 0:10:01 | 0:10:04 | |
Do not mock. History is a wonderful thing. | 0:10:04 | 0:10:08 | |
You look magnificent! | 0:10:08 | 0:10:11 | |
Thank you, Mrs Tembe. | 0:10:11 | 0:10:12 | |
He looks like a trussed up cheese-grater. | 0:10:12 | 0:10:14 | |
Do not listen to him. | 0:10:14 | 0:10:15 | |
You see before you a jealous man. | 0:10:15 | 0:10:18 | |
Your skirt is coming undone. | 0:10:19 | 0:10:22 | |
I don't like to correct you, but technically it's my livery! | 0:10:22 | 0:10:25 | |
I must have caught it in a dodgy lunge. | 0:10:25 | 0:10:28 | |
A dodgy lunge?! | 0:10:28 | 0:10:29 | |
Well, do not worry. We will fix it. | 0:10:29 | 0:10:33 | |
It's all right, Mrs Tembe. I'm only a sellsword anyway. | 0:10:33 | 0:10:36 | |
Oh, no. | 0:10:36 | 0:10:37 | |
No, no. A soldier's discipline is in his uniform, is that not right, | 0:10:37 | 0:10:42 | |
Captain Bellamy? | 0:10:42 | 0:10:43 | |
I agree, Mrs Tembe. | 0:10:43 | 0:10:45 | |
No. No, I will help you. | 0:10:45 | 0:10:48 | |
Well, that's very kind. | 0:10:48 | 0:10:50 | |
Ow! Mind your sabre! | 0:10:50 | 0:10:52 | |
Hi. | 0:10:58 | 0:10:59 | |
Hi, Sergeant Hollins, Letherbridge Police, is it OK if we come in? | 0:10:59 | 0:11:03 | |
When I came here yesterday, it looked like someone had had a party. | 0:11:14 | 0:11:17 | |
It was just breakfast, it was nothing crazy. | 0:11:17 | 0:11:19 | |
It looked pretty crazy to me. | 0:11:19 | 0:11:21 | |
We were just messing about. It was only us three... | 0:11:21 | 0:11:23 | |
Who was involved? You and Isla... | 0:11:27 | 0:11:29 | |
And this guy from university. | 0:11:30 | 0:11:32 | |
Right. | 0:11:32 | 0:11:34 | |
And does this guy have a name? | 0:11:34 | 0:11:35 | |
Yeah. He does. | 0:11:38 | 0:11:39 | |
Barry! | 0:11:46 | 0:11:47 | |
We're by the castle! | 0:11:47 | 0:11:49 | |
I thought the battle was happening here? | 0:11:49 | 0:11:51 | |
According to my recollection, we don't get to the castle until | 0:11:51 | 0:11:54 | |
after we take the King's standard. | 0:11:54 | 0:11:56 | |
That's right. But unfortunately a lot of the guys didn't get here. | 0:11:56 | 0:11:59 | |
Their bus got caught behind a pile up on the M42 | 0:11:59 | 0:12:02 | |
so we're having a rethink. | 0:12:02 | 0:12:03 | |
Drugs? | 0:12:12 | 0:12:13 | |
Will you send these to the lab, please? | 0:12:15 | 0:12:17 | |
Did he give anything to Isla? | 0:12:17 | 0:12:19 | |
Did you? | 0:12:19 | 0:12:20 | |
Take him through. | 0:12:22 | 0:12:23 | |
Help! Please! | 0:12:28 | 0:12:31 | |
Toxicology have confirmed MDMA. | 0:12:38 | 0:12:40 | |
I don't suppose that's good news for the ticker? | 0:12:42 | 0:12:45 | |
So, you admit manufacturing drugs for the purpose of supplying them? | 0:12:47 | 0:12:51 | |
To my friends, that's all. | 0:12:52 | 0:12:54 | |
What kind of drugs? | 0:12:54 | 0:12:56 | |
Well, you've taken them! | 0:12:56 | 0:12:57 | |
I want to hear it from you. | 0:12:57 | 0:12:58 | |
I really wouldn't make this any worse than it is. | 0:13:01 | 0:13:03 | |
Ecstasy and benzodiazepine. | 0:13:05 | 0:13:07 | |
I'm a pharmacology student! | 0:13:09 | 0:13:11 | |
Someone told me it would make life easier. | 0:13:11 | 0:13:13 | |
Who told you that? | 0:13:15 | 0:13:16 | |
Did you supply drugs to Isla Pendry? | 0:13:21 | 0:13:24 | |
Did Georgiana Marshall supply drugs to Isla Pendry? | 0:13:27 | 0:13:30 | |
Do you recognise this man? | 0:13:41 | 0:13:43 | |
Yeah. | 0:13:43 | 0:13:45 | |
I met him yesterday after breakfast. | 0:13:45 | 0:13:48 | |
He seemed pretty cool. | 0:13:48 | 0:13:50 | |
He was, you know, plumbing and stuff. | 0:13:51 | 0:13:55 | |
He's the handy man at Georgiana's. | 0:13:55 | 0:13:57 | |
Oh, dear. | 0:14:00 | 0:14:01 | |
What? | 0:14:01 | 0:14:02 | |
This appalling man. | 0:14:02 | 0:14:03 | |
May I help you? | 0:14:06 | 0:14:07 | |
-Yes. -Oh! Mr and Mrs Pendry? -Yes. | 0:14:07 | 0:14:11 | |
Erm... Oh, excuse me. | 0:14:11 | 0:14:14 | |
Hop in. | 0:14:29 | 0:14:30 | |
CRASH | 0:14:35 | 0:14:36 | |
Police! | 0:14:36 | 0:14:38 | |
Upstairs, please. | 0:14:38 | 0:14:39 | |
Sergeant Hollins. Will you check the GPS on this mobile number, please? | 0:14:54 | 0:14:58 | |
07700 900722. | 0:14:58 | 0:15:01 | |
Yeah, thanks. | 0:15:01 | 0:15:03 | |
You gave me quite a whack. | 0:15:06 | 0:15:07 | |
Are you thirsty? | 0:15:14 | 0:15:16 | |
Look, I don't know what's wrong with you, but you really freaked me out. | 0:15:29 | 0:15:33 | |
Do you remember when I came to the house? | 0:15:36 | 0:15:38 | |
You were all happy and smiling. | 0:15:40 | 0:15:43 | |
You've got a nice smile. | 0:15:46 | 0:15:48 | |
I don't remember. | 0:15:52 | 0:15:53 | |
You were nice. Much nicer than this morning. | 0:15:54 | 0:15:58 | |
You watched me while I fixed the sink - you must remember that? | 0:16:00 | 0:16:04 | |
You gave me the signal. | 0:16:06 | 0:16:07 | |
Oh, she's all shy now, huh? | 0:16:14 | 0:16:16 | |
I'm not that lucky. | 0:16:19 | 0:16:21 | |
Not this morning. | 0:16:21 | 0:16:24 | |
Although, you did kind of flip on me. | 0:16:24 | 0:16:26 | |
I thought you were dead, man! | 0:16:26 | 0:16:28 | |
I mean, talk about freaking out! | 0:16:28 | 0:16:31 | |
You brought me here. | 0:16:31 | 0:16:32 | |
You're lucky I didn't bury you. | 0:16:35 | 0:16:37 | |
I warned Georgie about those mandys, but she's such a party girl. | 0:16:39 | 0:16:43 | |
Georgiana. Is she all right? | 0:16:45 | 0:16:48 | |
She's more than all right. She's my girl. | 0:16:49 | 0:16:53 | |
Oh, you don't know what that means? | 0:16:57 | 0:16:59 | |
-Let me show you. -No! | 0:17:02 | 0:17:04 | |
SIRENS BLARE | 0:17:05 | 0:17:06 | |
You cow! | 0:17:06 | 0:17:07 | |
Isla! Are you OK? | 0:17:18 | 0:17:20 | |
Darren Cole, I'm arresting you on suspicion of kidnap. | 0:17:27 | 0:17:30 | |
You don't have to say anything but it may harm your defence | 0:17:30 | 0:17:32 | |
if you don't mention when questioned something you later rely on in court. | 0:17:32 | 0:17:36 | |
Anything you do say may be given in evidence. Get him in the car. | 0:17:36 | 0:17:39 | |
MEDIEVAL MUSIC | 0:17:40 | 0:17:42 | |
You're not too disappointed? | 0:17:52 | 0:17:55 | |
The grub's all right. | 0:17:55 | 0:17:56 | |
But the atmosphere's not very battle-like, is it? | 0:17:56 | 0:18:00 | |
It's still medieval. And, you know, it's sad about the bus. | 0:18:02 | 0:18:07 | |
But the Knights of Tourney aren't just about the military. | 0:18:07 | 0:18:09 | |
That's the Duchess of Aquitaine. | 0:18:12 | 0:18:14 | |
My lady, may I speak with thee? | 0:18:14 | 0:18:16 | |
I wish to introduce my companion, Barry. | 0:18:18 | 0:18:21 | |
Biglow. | 0:18:21 | 0:18:22 | |
What is she really? A post mistress? | 0:18:24 | 0:18:26 | |
Well, here, right now, she is the Duchess. | 0:18:26 | 0:18:28 | |
And that's Lady Agutter, the White Widow who conspired with | 0:18:32 | 0:18:35 | |
Percival of Letherbridge to overthrow the king. | 0:18:35 | 0:18:38 | |
And his cousin, the Archduke. | 0:18:38 | 0:18:40 | |
I see. Oof! | 0:18:40 | 0:18:42 | |
Are you OK? | 0:18:42 | 0:18:43 | |
It's this blasted... It should come with a warning! | 0:18:43 | 0:18:46 | |
The group is mainly about personas. | 0:18:48 | 0:18:50 | |
We basically pick an historical figure. | 0:18:50 | 0:18:53 | |
Someone who represents who we are or who we'd like to be. | 0:18:53 | 0:18:57 | |
I'm Lady Matilda Makepeace, the Queen's cousin and confidante. | 0:18:57 | 0:19:01 | |
What's your real name then? | 0:19:05 | 0:19:06 | |
Matilda. | 0:19:07 | 0:19:09 | |
OK, "Matilda." | 0:19:10 | 0:19:11 | |
So, what do you do for a crust? | 0:19:17 | 0:19:20 | |
Are you local? | 0:19:20 | 0:19:22 | |
-You've got to try and get into the spirit of it! -I'm sorry. | 0:19:22 | 0:19:25 | |
Come on! You must have acted out roles when you were a little boy. | 0:19:25 | 0:19:28 | |
That was a long time ago. | 0:19:30 | 0:19:32 | |
But wasn't it magical? And why did we stop? | 0:19:32 | 0:19:35 | |
There's no reason to not want romance, is there? | 0:19:38 | 0:19:40 | |
Life today is so mundane. | 0:19:42 | 0:19:44 | |
Don't you yearn for some excitement and chivalry? | 0:19:44 | 0:19:47 | |
Not usually. | 0:19:48 | 0:19:49 | |
We found this one at the bus station. | 0:19:59 | 0:20:01 | |
In you go. | 0:20:01 | 0:20:03 | |
Wait a minute. | 0:20:07 | 0:20:09 | |
Is this what you want? | 0:20:12 | 0:20:13 | |
Or would you rather make up for some of the harm you've caused? | 0:20:16 | 0:20:19 | |
She has an arrhythmia which is now under control. | 0:20:20 | 0:20:22 | |
We just have to wait for the MDMA to finish working through her system. | 0:20:22 | 0:20:25 | |
-OK. -Mum! Dad! | 0:20:25 | 0:20:27 | |
A happy ending then? | 0:20:38 | 0:20:39 | |
Not completely. | 0:20:40 | 0:20:41 | |
Georgiana Marshall's statement from the original investigation. | 0:20:45 | 0:20:48 | |
Trust you to go digging in the archive. | 0:20:51 | 0:20:54 | |
Like I said, you're annoying. | 0:20:54 | 0:20:56 | |
You buried it because it corroborated Hatchley's story. | 0:20:56 | 0:20:59 | |
I was right! She was guilty! | 0:20:59 | 0:21:02 | |
I had three young women saying he'd raped them | 0:21:02 | 0:21:04 | |
and only one could connect to Hatchley. | 0:21:04 | 0:21:06 | |
Marshall's testimony would have undone that | 0:21:06 | 0:21:08 | |
and she would have got away scot free. | 0:21:08 | 0:21:10 | |
I get that but if you'd investigated further, | 0:21:10 | 0:21:13 | |
you'd have found out that Hatchley and Marshall go way back. | 0:21:13 | 0:21:16 | |
She was a runaway. She spent time on the streets. | 0:21:16 | 0:21:19 | |
And, at aged 14, she was taken to a care home...by guess who? | 0:21:19 | 0:21:22 | |
Where she was...used and abused. | 0:21:24 | 0:21:29 | |
But all the other girls didn't make | 0:21:29 | 0:21:31 | |
their way to Hatchley by accident. Marshall was an accomplice. | 0:21:31 | 0:21:35 | |
But if you'd done... | 0:21:36 | 0:21:37 | |
A proper investigation. Yeah. Who knows? | 0:21:37 | 0:21:43 | |
But it looks like I chose the best man for the job. | 0:21:44 | 0:21:48 | |
I hope I at least get some credit for that. | 0:21:48 | 0:21:50 | |
Hang on, what are you doing? | 0:21:53 | 0:21:55 | |
I haven't reported anything, not yet, and even if I do... | 0:21:55 | 0:21:59 | |
No ifs. | 0:21:59 | 0:22:00 | |
Anyway, I'm saving you the trouble. I'm handing in my notice. | 0:22:01 | 0:22:05 | |
I'm fed up with this stinking place. | 0:22:05 | 0:22:07 | |
It's nothing now. | 0:22:07 | 0:22:09 | |
A cesspool full of jumped up administrators and accountants. | 0:22:09 | 0:22:12 | |
I hope they drown in it! | 0:22:12 | 0:22:13 | |
You think that's funny? You'll find out! | 0:22:15 | 0:22:17 | |
And that'll wipe the smile off your face. | 0:22:18 | 0:22:20 | |
Good afternoon, Frances. | 0:22:27 | 0:22:29 | |
Perfect! | 0:22:29 | 0:22:30 | |
Draft charges, for your information. | 0:22:37 | 0:22:39 | |
-If I may? -You may. | 0:22:42 | 0:22:43 | |
We thought you'd like to know your boyfriend's in custody. | 0:22:46 | 0:22:49 | |
As is your little friend Georgiana. | 0:22:49 | 0:22:52 | |
She's not my friend. | 0:22:52 | 0:22:53 | |
No. She messed up, didn't she? | 0:22:53 | 0:22:56 | |
She was supposed to stay off the radar | 0:22:56 | 0:22:58 | |
and keep your boyfriend occupied. | 0:22:58 | 0:23:00 | |
Shame, when you've gone to all that trouble. | 0:23:01 | 0:23:05 | |
Set up a nice little home. | 0:23:05 | 0:23:07 | |
Actually, it's not that nice. | 0:23:07 | 0:23:08 | |
No, it's a filthy caravan. | 0:23:08 | 0:23:10 | |
Still, it could have been romantic, | 0:23:10 | 0:23:12 | |
if everything had gone according to plan. | 0:23:12 | 0:23:14 | |
You knew we'd bring you in, and you knew that we would only be | 0:23:15 | 0:23:19 | |
able to hold you for a certain amount of time. | 0:23:19 | 0:23:21 | |
You've been very clever. Encrypting your computer, | 0:23:21 | 0:23:25 | |
keeping your contacts to a minimum, | 0:23:25 | 0:23:27 | |
leaving Miss Georgiana to groom Isla for Cole, as per your instructions. | 0:23:27 | 0:23:34 | |
Except she wanted a life. | 0:23:34 | 0:23:35 | |
Maybe she was inspired by a book she read? | 0:23:37 | 0:23:39 | |
Hmm? | 0:23:39 | 0:23:41 | |
She fell "in lurve" with a boy her own age | 0:23:41 | 0:23:44 | |
and jumped ahead of the plan. | 0:23:44 | 0:23:46 | |
She drugged little Isla and left her for your boyfriend. | 0:23:47 | 0:23:50 | |
Which makes you both accessories to kidnapping. | 0:23:52 | 0:23:55 | |
You can't tie me to that! | 0:23:55 | 0:23:56 | |
I can. | 0:23:56 | 0:23:57 | |
She's admitted you pay her rent, and have been for four years. | 0:23:57 | 0:24:00 | |
She's also admitted she knew you for years before your previous conviction. | 0:24:00 | 0:24:04 | |
She wouldn't. It's him lying again. | 0:24:04 | 0:24:07 | |
Georgiana Marshall wants a normal life. | 0:24:07 | 0:24:10 | |
She wants to be in love. She is in love. | 0:24:10 | 0:24:15 | |
She doesn't know about love! | 0:24:15 | 0:24:18 | |
She's a stupid little girl, who knows nothing! | 0:24:18 | 0:24:20 | |
I know! I'm the one! | 0:24:21 | 0:24:23 | |
Yeah. And you've thrown it all away. | 0:24:26 | 0:24:28 | |
I just wanted to make him happy. | 0:24:32 | 0:24:34 | |
What did I tell you? I knew it. | 0:24:38 | 0:24:41 | |
You were right. | 0:24:41 | 0:24:42 | |
I'm not going to miss you. | 0:24:46 | 0:24:47 | |
Ditto. | 0:24:49 | 0:24:51 | |
Let me help you. | 0:24:51 | 0:24:53 | |
No, it's OK. | 0:24:53 | 0:24:55 | |
It was fun, even if it wasn't exactly what I expected. | 0:24:55 | 0:24:59 | |
I'm glad you enjoyed yourself. I'll see you, OK? | 0:24:59 | 0:25:04 | |
Matilda! | 0:25:10 | 0:25:11 | |
Matilda Makepeace! Noblewoman of Letherbridge! | 0:25:13 | 0:25:17 | |
It's all right, Barry, I don't want to force you. | 0:25:17 | 0:25:20 | |
I am Edmund. | 0:25:22 | 0:25:24 | |
A humble sellsword who, until today, had no-one to pledge allegiance to. | 0:25:25 | 0:25:32 | |
I am no queen, Edmund, and never shall be. | 0:25:36 | 0:25:39 | |
But I can teach you the rules of chivalry and, under God's laws, | 0:25:40 | 0:25:45 | |
the sun and sky, you can be my knight. | 0:25:45 | 0:25:50 | |
Arise, Sir. | 0:25:51 | 0:25:52 | |
No, you're supposed to kiss it. | 0:25:54 | 0:25:56 | |
CHEERING AND APPLAUSE | 0:26:04 | 0:26:06 | |
'This is the story of my salvation. | 0:26:07 | 0:26:09 | |
'How I lost my way in the woods and battled demons there, | 0:26:10 | 0:26:13 | |
'and shape-shifters. | 0:26:13 | 0:26:14 | |
'And in the darkest night, I found my connection to the moon | 0:26:16 | 0:26:20 | |
'and learned to use my inner light.' | 0:26:20 | 0:26:21 | |
I thought you might like something to drink. | 0:26:23 | 0:26:25 | |
'I thought I wanted to be free, but that path led to shackles. | 0:26:30 | 0:26:34 | |
'What was given to me was the space to shine. | 0:26:35 | 0:26:38 | |
'Here ends the Samantha Sparrow Chronicle.' | 0:26:48 | 0:26:50 | |
I was around Letherbridge so I thought.... | 0:26:57 | 0:26:58 | |
You'd check up on me. I don't blame you. | 0:26:58 | 0:27:02 | |
Any other inconsequential boxes you'd like to tick? | 0:27:02 | 0:27:06 | |
Or can we get on with a diagnosis? | 0:27:06 | 0:27:09 | |
How are you, Theresa? | 0:27:09 | 0:27:10 | |
Bad night last night. You know how it is. | 0:27:10 | 0:27:12 |