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SHE SIGHS AND SNORTS | 0:00:32 | 0:00:34 | |
Do you ever have one of those days | 0:00:34 | 0:00:36 | |
when you get a tune stuck in your head and you can't worm it out? | 0:00:36 | 0:00:39 | |
I just can't get past the first line. | 0:00:39 | 0:00:42 | |
ECHOEY: "Standing on the door of the Pink Flamingo, crying in the rain." | 0:00:42 | 0:00:47 | |
Do you know it? | 0:00:47 | 0:00:48 | |
Rude! | 0:00:49 | 0:00:51 | |
KAREN LAUGHS | 0:00:55 | 0:00:57 | |
Where did you get that...? | 0:00:57 | 0:00:58 | |
Can anyone else see that? | 0:01:05 | 0:01:07 | |
Karen, perfect timing. Do you want a coffee? | 0:01:07 | 0:01:10 | |
THEY SPEAK BACKWARDS | 0:01:10 | 0:01:13 | |
Oh, you must tell me where you got that bag. | 0:01:13 | 0:01:15 | |
I've got a fantastic pair of shoes that would go right with that. | 0:01:15 | 0:01:18 | |
That's not me! | 0:01:18 | 0:01:19 | |
THEY SPEAK BACKWARDS | 0:01:19 | 0:01:21 | |
We're really sorry you had to go away. | 0:01:21 | 0:01:24 | |
THEY SPEAK BACKWARDS No, no! Hello? | 0:01:24 | 0:01:27 | |
This is me. | 0:01:27 | 0:01:28 | |
MUSIC PLAYS | 0:01:28 | 0:01:32 | |
What are you doing? Stop that! | 0:01:32 | 0:01:34 | |
I'm going to keep shouting until you stop it. Eh! | 0:01:34 | 0:01:37 | |
I'm...I'm going to keep...I'm going to keep going. | 0:01:37 | 0:01:41 | |
# Standing in the door of the Pink Flamingo | 0:01:41 | 0:01:45 | |
# Crying in the... # | 0:01:45 | 0:01:47 | |
Rain... | 0:01:47 | 0:01:48 | |
Wha...? | 0:01:48 | 0:01:50 | |
What time is it? | 0:01:52 | 0:01:53 | |
Early. | 0:01:55 | 0:01:56 | |
Karen, sending flowers to a... | 0:02:23 | 0:02:26 | |
someone, is that a good idea? | 0:02:26 | 0:02:29 | |
Or will it bring a post-feminist wrath down on me? | 0:02:29 | 0:02:32 | |
-What? -Is one of the four horsemen of the Apocalypse, you know, a florist? | 0:02:32 | 0:02:36 | |
I haven't got a clue what you're banging on about. | 0:02:36 | 0:02:38 | |
Oh, what's wrong with you? | 0:02:38 | 0:02:40 | |
I don't see that there has to be anything wrong. | 0:02:40 | 0:02:43 | |
-Actually... -Right. Chocolates it is. Mr Crossly? Come on down. | 0:02:43 | 0:02:47 | |
Hello there, stranger. | 0:02:51 | 0:02:54 | |
Hello, neighbour. It's been a while, hasn't it? | 0:02:54 | 0:02:58 | |
My summer party in July. | 0:02:58 | 0:03:00 | |
You've gone criminally low key on us since then, haven't you? | 0:03:00 | 0:03:03 | |
What do you mean? | 0:03:03 | 0:03:05 | |
Well, you got well, came home, at last, came to my party, | 0:03:05 | 0:03:09 | |
we had a good catch-up and then... Bang! Nothing. | 0:03:09 | 0:03:13 | |
No, no, no. You are joking! | 0:03:19 | 0:03:22 | |
Oh, I thought I didn't see you leave after your appointment. | 0:03:27 | 0:03:31 | |
Oh, no. | 0:03:31 | 0:03:32 | |
Dr Clay's had to give me some bad news. | 0:03:38 | 0:03:40 | |
He thinks tea would be a good idea. | 0:03:40 | 0:03:43 | |
So... | 0:03:46 | 0:03:48 | |
It's come back. | 0:03:48 | 0:03:49 | |
Like it had never been away. | 0:03:52 | 0:03:55 | |
I'm so sorry, Carol. | 0:03:55 | 0:03:56 | |
What's going to happen? | 0:03:59 | 0:04:01 | |
Options are being explored. | 0:04:04 | 0:04:06 | |
We can talk about that another time. | 0:04:06 | 0:04:08 | |
Oh! Your necklace. | 0:04:11 | 0:04:14 | |
SHE LAUGHS Is it? | 0:04:14 | 0:04:17 | |
You gave it to me. | 0:04:17 | 0:04:18 | |
Did I? I did. | 0:04:18 | 0:04:21 | |
I didn't think you'd recognised it. It was... | 0:04:21 | 0:04:24 | |
You told me that...that it was your lucky necklace | 0:04:26 | 0:04:30 | |
and that you insisted that I take it. | 0:04:30 | 0:04:32 | |
Maybe... | 0:04:35 | 0:04:36 | |
Maybe if you'd kept it... | 0:04:37 | 0:04:38 | |
..you wouldn't have had your accident. | 0:04:40 | 0:04:42 | |
-No, you keep it. -No. | 0:04:44 | 0:04:46 | |
I think... | 0:04:46 | 0:04:47 | |
Much as I'm grateful for small, kind gestures... | 0:04:49 | 0:04:51 | |
..they're not much use right now. | 0:04:54 | 0:04:56 | |
I don't remember owning this, let alone giving it away. | 0:05:09 | 0:05:12 | |
Things will keep coming back to you bit by bit, I expect. | 0:05:12 | 0:05:16 | |
-Really? -Hm. -I mean, they have done a bit. | 0:05:16 | 0:05:19 | |
I keep having these vivid dreams. | 0:05:19 | 0:05:22 | |
Erm, like stuff's trying to get through. Do you ever get that? | 0:05:22 | 0:05:26 | |
Hm. There is a theory that dreams are the way our subconscious | 0:05:26 | 0:05:30 | |
try to resolve conflicts we've had in, you know, our waking life. | 0:05:30 | 0:05:33 | |
Hm. | 0:05:33 | 0:05:35 | |
Promise you won't tell anyone? | 0:05:35 | 0:05:37 | |
Sometimes I wonder which Karen I am. | 0:05:37 | 0:05:40 | |
What, there's more than one of you? | 0:05:40 | 0:05:42 | |
Run for the hills, Jimmi, she's pod people! | 0:05:42 | 0:05:44 | |
What do you mean, Karen? | 0:05:44 | 0:05:46 | |
Who I was before the accident, who I became | 0:05:46 | 0:05:50 | |
and sometimes I wonder who people see when they see me. I mean... | 0:05:50 | 0:05:55 | |
I thought it would just be about filling in the blanks | 0:05:55 | 0:05:59 | |
and getting on with my life, but it's not. | 0:05:59 | 0:06:01 | |
Is there more to it or is this who I am now? | 0:06:02 | 0:06:05 | |
Hm. | 0:06:05 | 0:06:06 | |
Can we put Humpty back together again? | 0:06:06 | 0:06:10 | |
That's an interesting challenge. One which I accept. | 0:06:10 | 0:06:14 | |
Come with me, young lady. | 0:06:14 | 0:06:15 | |
SHOUTS: Rob! | 0:06:17 | 0:06:19 | |
Oh, must've gone out. Ooh! | 0:06:19 | 0:06:22 | |
So, I don't know. | 0:06:22 | 0:06:24 | |
You...you really think this is going to help, me talking to myself? | 0:06:24 | 0:06:28 | |
It's about making peace with the other Karens. | 0:06:28 | 0:06:32 | |
Like, closure? | 0:06:32 | 0:06:35 | |
My complete and utter contempt for that word aside... | 0:06:35 | 0:06:39 | |
yes. Think of it as like a letter to yourself. | 0:06:39 | 0:06:43 | |
Come on. | 0:06:43 | 0:06:44 | |
Grown-up Karen, she's going to give some advice to the teenage one. | 0:06:44 | 0:06:48 | |
No, but I'm the teenage one, sort of. I mean, that's what I'm saying! | 0:06:48 | 0:06:53 | |
Or she is, I don't... | 0:06:53 | 0:06:56 | |
Ah... Anyway, she came back. I'm being haunted by her. | 0:06:56 | 0:07:00 | |
Hm... | 0:07:00 | 0:07:02 | |
It's like your past isn't in a straight line anymore. | 0:07:02 | 0:07:06 | |
It's like your mind has gone into shuffle mode. | 0:07:06 | 0:07:09 | |
And this is going to help with that? | 0:07:09 | 0:07:11 | |
It's what I do. You write things down, | 0:07:11 | 0:07:13 | |
stops them buzzing around your head. | 0:07:13 | 0:07:15 | |
What? | 0:07:17 | 0:07:18 | |
Well, go on, say something. | 0:07:18 | 0:07:20 | |
Say anything. | 0:07:20 | 0:07:22 | |
Give me a list of things you want for Christmas, | 0:07:22 | 0:07:24 | |
tell me the rules of Fight Club. | 0:07:24 | 0:07:26 | |
If you're unsure who you are, then talk to the future you. | 0:07:26 | 0:07:30 | |
Come on! | 0:07:34 | 0:07:36 | |
This never used to be a problem before. | 0:07:36 | 0:07:38 | |
Most days, I couldn't get you to shut up. | 0:07:38 | 0:07:41 | |
Cue... | 0:07:41 | 0:07:43 | |
Gobby Hollins. | 0:07:43 | 0:07:44 | |
Not with you earwigging. Go and make some coffee or something. | 0:07:44 | 0:07:48 | |
Hello, me. | 0:07:58 | 0:07:59 | |
SHE LAUGHS NERVIOUSLY | 0:07:59 | 0:08:02 | |
This is me trying to work out which ME you are. | 0:08:02 | 0:08:06 | |
Or you're going to turn out to be. | 0:08:06 | 0:08:08 | |
Oh... | 0:08:10 | 0:08:13 | |
So, erm, it's been almost a year since the brain inj... | 0:08:13 | 0:08:17 | |
You had everything, I know that. | 0:08:25 | 0:08:27 | |
Rob and Jack and Immie and this house and... | 0:08:31 | 0:08:35 | |
..a career and workmates who cared. | 0:08:36 | 0:08:40 | |
And you had it taken away. | 0:08:42 | 0:08:44 | |
And I took it. | 0:08:48 | 0:08:49 | |
Hmph! | 0:08:54 | 0:08:55 | |
I'm like the, erm, second wife. | 0:08:55 | 0:08:59 | |
I replaced you. | 0:08:59 | 0:09:01 | |
The brassy blonde who lured your husband away. | 0:09:01 | 0:09:04 | |
And... | 0:09:04 | 0:09:05 | |
..that's not fair. | 0:09:07 | 0:09:08 | |
But... | 0:09:09 | 0:09:11 | |
..you have something... | 0:09:13 | 0:09:14 | |
..that I don't. | 0:09:16 | 0:09:17 | |
You've got a part in all this and this. | 0:09:18 | 0:09:22 | |
See this is, erm...this is closed off and... | 0:09:22 | 0:09:28 | |
It's...it's...it's a room, and I can't get inside! | 0:09:28 | 0:09:31 | |
Everybody...everybody knows who I am except me, | 0:09:38 | 0:09:43 | |
and I'm pig sick of it! | 0:09:43 | 0:09:45 | |
SHE SIGHS M...memories keep creeping in. | 0:09:45 | 0:09:50 | |
I don't know what they mean. | 0:09:50 | 0:09:52 | |
"Standing in the door of the Pink Flamingo..." | 0:09:52 | 0:09:55 | |
I don't... Oh, shut up! | 0:09:55 | 0:09:57 | |
Hi, Immie. | 0:10:14 | 0:10:16 | |
Yeah, I've just been to the shop and they don't stock them anymore | 0:10:16 | 0:10:20 | |
and they don't know anyone who does. | 0:10:20 | 0:10:22 | |
Don't know what to do now. | 0:10:22 | 0:10:23 | |
Do you reckon? | 0:10:25 | 0:10:26 | |
Well, I could try, I suppose. | 0:10:27 | 0:10:29 | |
All right. Thanks, love. Bye. | 0:10:29 | 0:10:32 | |
Yes, you lost what it meant to be a wife and a mother and a grown-up. | 0:10:33 | 0:10:40 | |
But you can't resent me for finding all that again, | 0:10:40 | 0:10:43 | |
cos no-one can live on a diet of stone-washed jeans | 0:10:43 | 0:10:47 | |
and Duran-flaming-Duran. | 0:10:47 | 0:10:49 | |
You should stay gone. | 0:10:52 | 0:10:53 | |
And... | 0:11:00 | 0:11:01 | |
..you've got to believe... | 0:11:02 | 0:11:05 | |
..that you're better for all of this. | 0:11:06 | 0:11:09 | |
Lessons learned. | 0:11:11 | 0:11:12 | |
You. Are. Fine. | 0:11:14 | 0:11:18 | |
And once you can get that...that bloody song out of your head, | 0:11:20 | 0:11:25 | |
then that's that, you know? | 0:11:25 | 0:11:27 | |
You've solved it. You... | 0:11:27 | 0:11:29 | |
you've put an end to it. No more weird dreams. | 0:11:29 | 0:11:32 | |
The end. | 0:11:32 | 0:11:33 | |
All good? Did you sort them out? | 0:11:41 | 0:11:44 | |
"Standing in the door of the Pink Flamingo, crying in the rain." | 0:11:44 | 0:11:47 | |
Wow! Well, I don't think I've met this personality yet. | 0:11:47 | 0:11:51 | |
Am I finally getting to speak to the demon inside of Karen? | 0:11:51 | 0:11:53 | |
Do you know the song that starts like that? | 0:11:53 | 0:11:57 | |
-Hm. No idea. -Oh, come on, you're a walking Trivial Pursuit game! | 0:11:57 | 0:12:01 | |
All right, well, let's consult the electronic Ouija board. | 0:12:01 | 0:12:04 | |
I've got to figure out why I keep dreaming about it, | 0:12:04 | 0:12:07 | |
why it's stuck in my head. | 0:12:07 | 0:12:09 | |
-Ah, cool. Who's the 2 Tone fan? -Rob. | 0:12:15 | 0:12:19 | |
I just need the song title. | 0:12:19 | 0:12:21 | |
Nearly there. | 0:12:21 | 0:12:23 | |
MOBILE RINGS | 0:12:23 | 0:12:27 | |
Hi, love. Busy day? | 0:12:27 | 0:12:29 | |
'Erm, are these all our records in the living room?' | 0:12:29 | 0:12:32 | |
Are you at home? | 0:12:32 | 0:12:34 | |
Never mind that. Have we got any more? | 0:12:34 | 0:12:36 | |
'What? Erm, I don't know.' | 0:12:36 | 0:12:39 | |
Yes. Yeah, come to think of it, | 0:12:39 | 0:12:42 | |
I think I put a box of oldies in the attic. | 0:12:42 | 0:12:44 | |
What are you doing? What are you looking for? | 0:12:44 | 0:12:47 | |
Erm, oh, it's a pink flamingo and someone crying in the rain. | 0:12:47 | 0:12:50 | |
Look, I've got to go. I'll talk to you later, bye. | 0:12:50 | 0:12:53 | |
Yeah, got it. | 0:12:58 | 0:12:59 | |
Soft Cell - Say Hello, Wave Goodbye. | 0:12:59 | 0:13:02 | |
Opening lyrics are "Standing in the door of the Pink Flamingo, | 0:13:02 | 0:13:05 | |
"crying in the rain." | 0:13:05 | 0:13:07 | |
"It was a kind of so-so love | 0:13:09 | 0:13:11 | |
"and I'm going to make sure it never happens again." | 0:13:11 | 0:13:14 | |
Yes! | 0:13:16 | 0:13:17 | |
MUSIC PLAYS | 0:13:21 | 0:13:27 | |
What are you doing here? | 0:13:29 | 0:13:31 | |
This. This is the Rolls-Royce of 2 Tone collections. | 0:13:31 | 0:13:36 | |
I salute you, rude boy. | 0:13:36 | 0:13:38 | |
Thank you. | 0:13:38 | 0:13:40 | |
Where's Karen? | 0:13:40 | 0:13:42 | |
Upstairs. | 0:13:43 | 0:13:45 | |
Has she been in here? | 0:13:45 | 0:13:47 | |
Yep. | 0:13:47 | 0:13:48 | |
Did she notice anything? | 0:13:48 | 0:13:49 | |
Like what? | 0:13:49 | 0:13:51 | |
Like that broken mug. | 0:13:51 | 0:13:53 | |
She didn't mention it. | 0:13:55 | 0:13:57 | |
It wasn't me. | 0:13:57 | 0:13:58 | |
I know. | 0:13:59 | 0:14:01 | |
LOUD THUD | 0:14:01 | 0:14:03 | |
Yes! Get in! | 0:14:13 | 0:14:15 | |
-Karen? -You were right. There's a whole box of me up here. | 0:14:15 | 0:14:19 | |
What are you doing? What...what is this about? | 0:14:19 | 0:14:21 | |
This song, Say Hello, Wave Goodbye, it means something. Do you know what? | 0:14:21 | 0:14:24 | |
What? | 0:14:24 | 0:14:26 | |
No, I'm asking. Do you know what it means? | 0:14:26 | 0:14:28 | |
-Why don't you come down, love? -Do you know? | 0:14:30 | 0:14:32 | |
Did it matter to the old me? Should it only matter to her? | 0:14:32 | 0:14:36 | |
MUSIC: Say Hello, Wave Goodbye by Soft Cell | 0:14:40 | 0:14:43 | |
SHE SIGHS | 0:14:43 | 0:14:45 | |
This song means something. What was it? | 0:14:46 | 0:14:51 | |
I don't know, love. | 0:14:51 | 0:14:52 | |
Is it you? Is it nothing to do with me? Is it you? | 0:14:54 | 0:14:57 | |
Is it something that you did that I...I want to forget? | 0:14:57 | 0:15:00 | |
Is there a woman? Another woman? | 0:15:00 | 0:15:02 | |
Stop this. | 0:15:02 | 0:15:03 | |
I don't know why it matters. Maybe it doesn't. | 0:15:05 | 0:15:07 | |
Maybe it's...it's just a song. And you love the music. | 0:15:07 | 0:15:11 | |
It's in my head night and day, | 0:15:11 | 0:15:13 | |
and I'm sure that it meant something to the first Karen. | 0:15:13 | 0:15:16 | |
The one you loved all those years and who isn't here anymore. | 0:15:17 | 0:15:21 | |
Yes, she is! | 0:15:21 | 0:15:23 | |
She's right here now, and I'm looking at her. | 0:15:25 | 0:15:27 | |
And I love her in the same way that I always did. | 0:15:29 | 0:15:32 | |
SONG ABRUPTLY STOPS | 0:15:32 | 0:15:35 | |
-Oh, love, come here. -No. You can't fix this with a hug. | 0:15:37 | 0:15:40 | |
It's best to give her some space. | 0:15:42 | 0:15:45 | |
What have you done to her? | 0:15:47 | 0:15:49 | |
You know, the clueless isn't a good look for a copper. | 0:15:51 | 0:15:53 | |
Rob, she's lost whole parts of her life, | 0:16:09 | 0:16:12 | |
things that she will never ever get back, | 0:16:12 | 0:16:15 | |
but she keeps getting these little glimpses of it. | 0:16:15 | 0:16:17 | |
Take a look at this one song today | 0:16:17 | 0:16:20 | |
has almost pushed her over the edge. | 0:16:20 | 0:16:22 | |
It can't be easy. | 0:16:22 | 0:16:24 | |
No, easy is not a word I'd use for any of this. | 0:16:24 | 0:16:28 | |
And then you hear how she keeps describing herself. | 0:16:30 | 0:16:33 | |
"The old Karen", that's what she keeps saying. | 0:16:33 | 0:16:36 | |
I think she feels threatened. | 0:16:37 | 0:16:40 | |
Is she in competition for your love? | 0:16:40 | 0:16:42 | |
Who with? | 0:16:42 | 0:16:44 | |
The first Karen. | 0:16:44 | 0:16:46 | |
The first Mrs Hollins. | 0:16:46 | 0:16:48 | |
I mean, in a way, she's now your second wife, | 0:16:48 | 0:16:51 | |
and all that that implies. | 0:16:51 | 0:16:53 | |
I thought we'd gone through all of this, | 0:16:53 | 0:16:55 | |
but no, here we are, | 0:16:55 | 0:16:56 | |
back to '80s music and Karen hating me all over again. | 0:16:56 | 0:16:59 | |
It's like being in a flaming loop. | 0:17:01 | 0:17:03 | |
Be rude not to. | 0:17:03 | 0:17:04 | |
Karen? | 0:17:06 | 0:17:08 | |
Oh, hello. | 0:17:08 | 0:17:10 | |
Are you OK? | 0:17:10 | 0:17:12 | |
Just thought I'd crack on with a bit of spring planting. | 0:17:12 | 0:17:15 | |
I bought out the whole garden centre. | 0:17:15 | 0:17:18 | |
This is going to be all irises, tulips, daffodils. | 0:17:18 | 0:17:21 | |
-A great swathe of them. -Oh, that'll be nice. | 0:17:21 | 0:17:23 | |
Nice? | 0:17:23 | 0:17:24 | |
I anticipate nothing less than spectacular! | 0:17:24 | 0:17:27 | |
-Nothing like with planning ahead. -No, nothing. | 0:17:29 | 0:17:32 | |
-Do you want a hand? -No, I'll manage. | 0:17:32 | 0:17:35 | |
It's been a...it's been a bit of a difficult year | 0:17:38 | 0:17:41 | |
-for us both, hasn't it? -Yeah. | 0:17:41 | 0:17:44 | |
Of all the years that I wish I could remember, | 0:17:44 | 0:17:46 | |
this is the one I want to forget. | 0:17:46 | 0:17:47 | |
Trouble is everybody's been talking in terms of getting back to normal | 0:17:52 | 0:17:56 | |
without knowing, in this case, what normal is. | 0:17:56 | 0:17:59 | |
It's not a word I would use for my marriage. | 0:18:00 | 0:18:03 | |
I mean, what is normal? | 0:18:03 | 0:18:05 | |
Overrated. | 0:18:05 | 0:18:06 | |
See, I quite liked the teenage Karen. | 0:18:08 | 0:18:11 | |
At first. After that, she became intensely irritating. | 0:18:11 | 0:18:15 | |
I never knew that teenage version...until now. | 0:18:15 | 0:18:18 | |
Hm. | 0:18:18 | 0:18:20 | |
It was like unprocessed Karen - | 0:18:20 | 0:18:23 | |
all the stubbornness and resilience, but none of the understanding. | 0:18:23 | 0:18:27 | |
Like it was some kind of substitute. | 0:18:27 | 0:18:29 | |
Like an...I Can't Believe It's Not Karen. | 0:18:29 | 0:18:31 | |
THEY LAUGH | 0:18:31 | 0:18:35 | |
You know, but being stubborn is what got her through. | 0:18:35 | 0:18:39 | |
If I could just understand why this song is so important. | 0:18:40 | 0:18:46 | |
Because you give it importance. | 0:18:46 | 0:18:48 | |
Which is understandable. | 0:18:48 | 0:18:51 | |
We often try and find meaning in things | 0:18:51 | 0:18:53 | |
that aren't really significant. | 0:18:53 | 0:18:55 | |
But how do I know if it is or it isn't. | 0:18:57 | 0:18:58 | |
Well, trying to find rhyme and reason in why things happen | 0:18:58 | 0:19:01 | |
is often a sure way to add to our frustration, not solve it. And... | 0:19:01 | 0:19:05 | |
Where do you stop? | 0:19:07 | 0:19:08 | |
I don't know. | 0:19:10 | 0:19:11 | |
I'm sorry, Carol, this must seem so trivial to you. | 0:19:11 | 0:19:14 | |
Rubbish. | 0:19:14 | 0:19:16 | |
You are trying to be happy is all you're saying. | 0:19:16 | 0:19:20 | |
And...to find happiness is a very serious thing. | 0:19:20 | 0:19:25 | |
And it's NOT trivial. | 0:19:25 | 0:19:28 | |
But...there's just so much getting in the way. | 0:19:30 | 0:19:34 | |
And if you could remember just this one thing, | 0:19:37 | 0:19:41 | |
would all the rest will fall into place? Has it ever occurred to you | 0:19:41 | 0:19:44 | |
that you forgot what this song meant for good reason? | 0:19:44 | 0:19:47 | |
-Like what? -Like certain memories fade. | 0:19:47 | 0:19:51 | |
They just get away from us in the fullness of life. | 0:19:51 | 0:19:55 | |
You might not have forgotten this song because of the accident. | 0:19:56 | 0:20:01 | |
I just...want to be sure. | 0:20:02 | 0:20:04 | |
You can fret over it having some big meaning | 0:20:07 | 0:20:10 | |
or you can decide that that tape went into the attic for good reason. | 0:20:10 | 0:20:16 | |
You can make your peace. | 0:20:20 | 0:20:21 | |
You can... | 0:20:25 | 0:20:27 | |
look forward to making new memories while you can. | 0:20:27 | 0:20:31 | |
Life is good. | 0:20:33 | 0:20:34 | |
Make what you do, from now on, | 0:20:36 | 0:20:41 | |
all the more vivid. | 0:20:41 | 0:20:42 | |
-SOBBING: -Because sometimes that's all we can do. | 0:20:46 | 0:20:49 | |
That and plant bulbs. | 0:20:55 | 0:20:57 | |
THEY LAUGH | 0:20:57 | 0:21:00 | |
I think I'd better get ho... | 0:21:02 | 0:21:03 | |
Yes, I think so. | 0:21:05 | 0:21:07 | |
Thank you. Thank you. | 0:21:08 | 0:21:10 | |
# I never knew you | 0:21:15 | 0:21:19 | |
# You never knew me | 0:21:19 | 0:21:21 | |
# Say hello, goodbye... # | 0:21:21 | 0:21:24 | |
No. You have to go. | 0:21:28 | 0:21:30 | |
# I'll find someone that's not going cheap | 0:21:33 | 0:21:37 | |
# In the sales. # | 0:21:37 | 0:21:39 | |
I remember! | 0:21:41 | 0:21:42 | |
I remember! | 0:21:45 | 0:21:46 | |
SHOUTS: Carol! | 0:21:49 | 0:21:51 | |
I've remembered! | 0:21:51 | 0:21:54 | |
And...? | 0:21:54 | 0:21:55 | |
Me and my best mate, Maggie, in a pub, | 0:21:55 | 0:21:58 | |
and she'd just been stood up by a bloke outside the Pictures. | 0:21:58 | 0:22:03 | |
And this song came on the juke box, and we laughed because... | 0:22:03 | 0:22:07 | |
she'd gone all done up and the rain had ruined her hair | 0:22:07 | 0:22:11 | |
and her make-up. And she looked...she looked a bit tarty like the girl | 0:22:11 | 0:22:15 | |
in the song, and... So, halle-flaming-lujah, | 0:22:15 | 0:22:18 | |
it means something. | 0:22:18 | 0:22:20 | |
But it's got absolutely nothing to do with anything. | 0:22:20 | 0:22:24 | |
-What does that mean? -Sometimes it means nothing! | 0:22:24 | 0:22:27 | |
Memories aren't all they're cracked up to be. | 0:22:27 | 0:22:30 | |
THEY LAUGH AND SHOUT | 0:22:30 | 0:22:32 | |
Oh! Hey, do you know? I know what I've got to do. | 0:22:32 | 0:22:36 | |
You haven't got a cardboard box I could...? | 0:22:36 | 0:22:39 | |
-Yeah? -Come on. | 0:22:39 | 0:22:40 | |
Are you really going to try and get away without telling her? | 0:22:42 | 0:22:46 | |
I don't think I can, can I? | 0:22:48 | 0:22:49 | |
Oh, dear. | 0:22:53 | 0:22:54 | |
Can't get anything right. | 0:22:55 | 0:22:57 | |
It's all my fault. | 0:22:59 | 0:23:00 | |
Make one mistake and the whole world turns upside down. | 0:23:02 | 0:23:05 | |
True. | 0:23:05 | 0:23:06 | |
Although, it is just a mug. | 0:23:06 | 0:23:08 | |
No, I didn't mean the... | 0:23:10 | 0:23:11 | |
You're going to do that once too often one day. | 0:23:13 | 0:23:16 | |
Do what? | 0:23:16 | 0:23:17 | |
Come on, Rob. You've seen her through this | 0:23:17 | 0:23:20 | |
because you're made of stronger stuff. | 0:23:20 | 0:23:23 | |
Am I? | 0:23:23 | 0:23:25 | |
Really? | 0:23:25 | 0:23:26 | |
I don't know. | 0:23:27 | 0:23:29 | |
You know, every day since Karen moved back in, | 0:23:29 | 0:23:32 | |
every morning I get up, | 0:23:32 | 0:23:34 | |
I have to check her pillow for blood. | 0:23:34 | 0:23:37 | |
I go back to that day it happened again and again. | 0:23:39 | 0:23:41 | |
Is...is that strong? | 0:23:43 | 0:23:45 | |
No. I... | 0:23:47 | 0:23:49 | |
I think it's... | 0:23:49 | 0:23:50 | |
..stupid and messed-up to do it over and over again, | 0:23:51 | 0:23:53 | |
but I can't help it. | 0:23:53 | 0:23:55 | |
It sounds perfectly reasonable to me. | 0:23:55 | 0:23:57 | |
Does it? Cos I think it's like picking at a scab. | 0:23:57 | 0:24:01 | |
You do that to make sense of things | 0:24:01 | 0:24:03 | |
because you're human, and that's what humans do - | 0:24:03 | 0:24:06 | |
we make sense of things. | 0:24:06 | 0:24:07 | |
So, you keep checking that pillow. | 0:24:07 | 0:24:09 | |
It will pass. | 0:24:09 | 0:24:11 | |
My word of honour, it will pass. | 0:24:11 | 0:24:13 | |
DOOR OPENS | 0:24:14 | 0:24:16 | |
Battle stations. | 0:24:16 | 0:24:17 | |
You had me worried. Where've you been? | 0:24:25 | 0:24:27 | |
How do you get this thing out? | 0:24:27 | 0:24:29 | |
-Thank you. -What were you doing? | 0:24:29 | 0:24:31 | |
Give it a moment. | 0:24:35 | 0:24:36 | |
Ah, yes, about that... | 0:24:42 | 0:24:44 | |
I didn't deserve it. | 0:24:44 | 0:24:45 | |
Immie can buy me another one when I do. | 0:24:45 | 0:24:47 | |
Ah! Thank you. | 0:24:49 | 0:24:51 | |
Do you want to tell me what's going on? | 0:24:51 | 0:24:53 | |
It's got to be done. | 0:24:53 | 0:24:55 | |
For both our sakes. | 0:24:55 | 0:24:57 | |
No more thinking that there's things not said between us. | 0:24:57 | 0:25:00 | |
-Karen... -No, it's got to be about | 0:25:00 | 0:25:03 | |
who I am now, not who I was. | 0:25:03 | 0:25:07 | |
I'm done. | 0:25:10 | 0:25:11 | |
No more crying, no more feeling beaten. | 0:25:12 | 0:25:16 | |
OK? | 0:25:17 | 0:25:18 | |
OK? | 0:25:19 | 0:25:20 | |
OK. | 0:25:23 | 0:25:25 | |
Anything you say. | 0:25:25 | 0:25:26 | |
You know, I think I understand it now. | 0:25:34 | 0:25:36 | |
What makes people work at making things last. | 0:25:36 | 0:25:40 | |
And you got that from watching me dig? | 0:25:40 | 0:25:43 | |
No, from seeing the two of you properly back together. | 0:25:43 | 0:25:46 | |
Be honest. | 0:25:49 | 0:25:50 | |
Do you think he loves me | 0:25:51 | 0:25:52 | |
or what he remembers of me from before? | 0:25:52 | 0:25:55 | |
I think that's the difference between you. | 0:25:55 | 0:25:58 | |
You lost the ability to filter your experiences. | 0:25:58 | 0:26:01 | |
He doesn't need to remember, not that anybody remembers everything. | 0:26:01 | 0:26:06 | |
He just knows he loves you, without doubt. | 0:26:06 | 0:26:10 | |
-Really? -Hey, Hollins, you said no more tears. | 0:26:10 | 0:26:13 | |
He's just grateful that you've both made it through it. | 0:26:14 | 0:26:17 | |
I think I'm the lucky one | 0:26:19 | 0:26:21 | |
because I got to fall in love with him all over again. | 0:26:21 | 0:26:25 | |
Like it was the first time. | 0:26:25 | 0:26:27 | |
Here you go. | 0:26:27 | 0:26:29 | |
There were some biscuits, but... | 0:26:29 | 0:26:31 | |
Are you sure you know what your doing? | 0:26:34 | 0:26:36 | |
Learning to let things go | 0:26:36 | 0:26:40 | |
is just as important as trying to get them back. | 0:26:40 | 0:26:44 | |
Scary, but... | 0:26:44 | 0:26:46 | |
Very well said. | 0:26:46 | 0:26:48 | |
You could treat it like a time capsule, you know? | 0:26:48 | 0:26:51 | |
Put a marker on the spot. | 0:26:51 | 0:26:52 | |
Yeah. We'll dig it up in 20, 30 years' time. | 0:26:52 | 0:26:55 | |
No. | 0:26:55 | 0:26:57 | |
No. | 0:26:57 | 0:26:59 | |
No going back. | 0:26:59 | 0:27:01 | |
It's finished. | 0:27:01 | 0:27:03 | |
Can we stop talking about cars, please? | 0:27:06 | 0:27:08 | |
I don't even want to buy a new car. | 0:27:08 | 0:27:10 | |
I just said it to cheer Mrs T up. | 0:27:10 | 0:27:12 | |
You think that you're a vampire? | 0:27:12 | 0:27:15 | |
Why would I do that? Share my weakness with everybody? | 0:27:15 | 0:27:19 | |
There's nothing like that going on. | 0:27:19 | 0:27:21 | |
What? So she's one of your minions, then? | 0:27:21 | 0:27:23 | |
A friend. | 0:27:23 | 0:27:25 | |
With common...interests. | 0:27:25 | 0:27:27 |