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MUSIC PLAYS ON RADIO | 0:00:26 | 0:00:28 | |
Michael?! | 0:00:38 | 0:00:40 | |
You barm cake! | 0:00:40 | 0:00:42 | |
You're going to clean out the caravan today, of all days? | 0:00:42 | 0:00:45 | |
Because it's not winter yet and it's your birthday! | 0:00:45 | 0:00:48 | |
Well, I've got to nip into work for this interview, so wish me luck. | 0:00:49 | 0:00:53 | |
Dad, when I come over later, you'd better have your feet up! | 0:00:53 | 0:00:56 | |
SHE SIGHS | 0:01:06 | 0:01:07 | |
The fence is fine. | 0:01:10 | 0:01:12 | |
-The garden gate's still locked. -I know what I saw. | 0:01:12 | 0:01:14 | |
I don't see how he could have got in. | 0:01:14 | 0:01:16 | |
He was there! | 0:01:16 | 0:01:18 | |
Look at me, I'm shaking! | 0:01:18 | 0:01:20 | |
It's him again. I know it is. | 0:01:28 | 0:01:29 | |
I just think we need to slow down. | 0:01:31 | 0:01:34 | |
Look, you've been under a lot of stress | 0:01:36 | 0:01:37 | |
and it's starting to take its toll. | 0:01:37 | 0:01:39 | |
I'm just saying, see someone. | 0:01:42 | 0:01:44 | |
A doctor. | 0:01:44 | 0:01:45 | |
Something to tide you over, calm you down a bit. | 0:01:45 | 0:01:48 | |
Thank you. | 0:01:56 | 0:01:57 | |
KNOCK AT DOOR You ready? | 0:02:00 | 0:02:02 | |
Yeah, as I'll ever be. | 0:02:02 | 0:02:04 | |
SHE EXHALES | 0:02:06 | 0:02:07 | |
Well, your blood pressure's fine. | 0:02:07 | 0:02:10 | |
That's a relief. My heart was pounding! | 0:02:10 | 0:02:13 | |
You do seem a little anxious. | 0:02:14 | 0:02:16 | |
One minute, I'm fine, the next, I'm all over the place. | 0:02:16 | 0:02:19 | |
Yeah, I know that feeling. | 0:02:19 | 0:02:21 | |
Um...I see from your notes that you've suffered from anxiety before. | 0:02:21 | 0:02:25 | |
Look, I was hoping you could give me those pills again. | 0:02:25 | 0:02:29 | |
Rather than a short-term fix, | 0:02:29 | 0:02:30 | |
there may be better ways to help you manage that stress. | 0:02:30 | 0:02:33 | |
I could talk you through some relaxation... | 0:02:33 | 0:02:35 | |
-I didn't come here for a lecture. -No. | 0:02:35 | 0:02:38 | |
Especially not from someone that knows nothing about my life. | 0:02:38 | 0:02:41 | |
OK. Um... | 0:02:41 | 0:02:42 | |
So...why don't you tell me? | 0:02:44 | 0:02:47 | |
You wouldn't understand. | 0:02:47 | 0:02:49 | |
You won't know until you try. | 0:02:51 | 0:02:53 | |
I'm a good listener. | 0:02:53 | 0:02:55 | |
Be a first. | 0:02:56 | 0:02:57 | |
My husband, Michael, he's at his wit's end with all of this. | 0:02:57 | 0:03:01 | |
I am the victim of a stalker. | 0:03:03 | 0:03:05 | |
Ten years, it's been going on. | 0:03:05 | 0:03:07 | |
That's...that's terrible. | 0:03:07 | 0:03:09 | |
When he finally went to prison, I thought that was the end of it. | 0:03:09 | 0:03:12 | |
It's started again? | 0:03:12 | 0:03:14 | |
He was released three months ago | 0:03:14 | 0:03:16 | |
and I've seen him several times since then. | 0:03:16 | 0:03:19 | |
-You've spoken to the police? -I've tried. | 0:03:19 | 0:03:22 | |
Well, my colleague's married to a policeman. | 0:03:22 | 0:03:24 | |
-I can call him, if you like. -No, don't. | 0:03:24 | 0:03:26 | |
-He's a great guy. I'm sure... -I shouldn't have told you. | 0:03:26 | 0:03:28 | |
Could I just get the prescription? I really need to go. | 0:03:28 | 0:03:31 | |
-Like I said, if we could talk about that first... -Forget it! | 0:03:31 | 0:03:35 | |
The training I've had so far, | 0:03:40 | 0:03:42 | |
the breadth of work the company does is second to none. | 0:03:42 | 0:03:45 | |
I pick things up quickly, I like working with other people, | 0:03:45 | 0:03:48 | |
sharing ideas. | 0:03:48 | 0:03:49 | |
If I go for something, I'm totally committed. | 0:03:49 | 0:03:52 | |
-Any weaknesses? -Weaknesses? | 0:03:52 | 0:03:54 | |
Er...well, I guess what I've just said makes me sound stubborn, | 0:03:54 | 0:03:58 | |
but sometimes you have to be tunnel vision. | 0:03:58 | 0:04:01 | |
Right now, I just...I want to focus on my career | 0:04:01 | 0:04:03 | |
and not get distracted by other stuff. | 0:04:03 | 0:04:06 | |
She gave me the impression the police didn't want to help. | 0:04:10 | 0:04:13 | |
But you don't know that for sure? | 0:04:13 | 0:04:15 | |
No. Well, I could ask Rob, find out what's going on? | 0:04:15 | 0:04:18 | |
Have you got your patient's permission for that? | 0:04:18 | 0:04:20 | |
No. In fact, she kind of freaked out when I mentioned it. | 0:04:20 | 0:04:23 | |
-There's your answer. -I can't just do nothing! | 0:04:23 | 0:04:25 | |
You won't get very far without her co-operation, trust me. | 0:04:25 | 0:04:28 | |
I'm at the usual place. | 0:04:32 | 0:04:34 | |
See you in a minute. | 0:04:34 | 0:04:35 | |
SHE SIGHS | 0:04:41 | 0:04:43 | |
BIRDSONG | 0:04:44 | 0:04:46 | |
Laura? Laura! Laura! It's me! What's happened? | 0:04:59 | 0:05:02 | |
SHE BREATHES HARD | 0:05:02 | 0:05:04 | |
Heston? | 0:05:20 | 0:05:21 | |
Oh! I didn't see you there. | 0:05:21 | 0:05:24 | |
That's a lovely dress. | 0:05:24 | 0:05:26 | |
This old thing? | 0:05:26 | 0:05:27 | |
Well, you ready for some Rigoletto? | 0:05:27 | 0:05:29 | |
It's like going out with David Niven! | 0:05:29 | 0:05:31 | |
-SHE CHUCKLES -Well... | 0:05:31 | 0:05:33 | |
Common courtesy never goes out of style. | 0:05:33 | 0:05:35 | |
There's nothing common about you, Heston. | 0:05:35 | 0:05:37 | |
That way. | 0:05:37 | 0:05:39 | |
-Who are you calling? -The police. | 0:05:39 | 0:05:41 | |
-What?! -Just wait a second. | 0:05:41 | 0:05:43 | |
-Tell me what you saw. What happened? -It was him! | 0:05:43 | 0:05:46 | |
-Are you sure about that? -He was on the bridge! | 0:05:46 | 0:05:48 | |
I need you to look me in the eye, tell me you believe me! | 0:05:50 | 0:05:52 | |
Michael?! | 0:05:54 | 0:05:55 | |
Let's not do this now, OK? | 0:05:58 | 0:05:59 | |
Laura, how many times have we called the police | 0:06:00 | 0:06:02 | |
and how many times have they come up with nothing? | 0:06:02 | 0:06:05 | |
He's smart. He knows not to get caught! | 0:06:05 | 0:06:06 | |
People don't just vanish into thin air! | 0:06:06 | 0:06:09 | |
You're wrong! | 0:06:09 | 0:06:10 | |
-It's weird. -I know, black tie at a matinee. | 0:06:15 | 0:06:18 | |
Heston, please climb down from your ivory tower. | 0:06:18 | 0:06:22 | |
I wasn't aware I was in one. | 0:06:22 | 0:06:23 | |
Opera tickets alone are out of reach for most people. | 0:06:23 | 0:06:27 | |
Opera's done more than most to make itself accessible. | 0:06:27 | 0:06:30 | |
Outreach projects, | 0:06:30 | 0:06:31 | |
student tickets, cheap standbys. | 0:06:31 | 0:06:33 | |
Do you think that makes a difference to the average Joe? | 0:06:33 | 0:06:36 | |
I'm sure the average Aston Villa fan pays more for his season ticket. | 0:06:36 | 0:06:39 | |
-I didn't know you were a fan of the Villains? -The what? | 0:06:39 | 0:06:42 | |
Ah, right, here we are. After you. | 0:06:42 | 0:06:45 | |
There we go. | 0:06:48 | 0:06:51 | |
You think I'm imagining it? | 0:06:54 | 0:06:56 | |
Every second of every day, I remember what that man did to you. | 0:06:58 | 0:07:02 | |
The way you had to live, the constant fear. | 0:07:02 | 0:07:05 | |
We had to live. | 0:07:05 | 0:07:06 | |
When you were out, I phoned our solicitor. | 0:07:06 | 0:07:09 | |
She told me that Adrian's in Scotland now. | 0:07:09 | 0:07:12 | |
Oh, so, I'm safe now? You're that naive? | 0:07:12 | 0:07:14 | |
He's on licence, he sees his probation officer regularly. | 0:07:14 | 0:07:17 | |
As far as they're aware, he's never ventured more than a few miles away from his home. | 0:07:17 | 0:07:21 | |
I know what I saw. | 0:07:21 | 0:07:22 | |
You have to try and let it go. | 0:07:22 | 0:07:24 | |
What if I can't? | 0:07:26 | 0:07:27 | |
What? | 0:07:29 | 0:07:30 | |
It's been two and a half years now since he went to prison. | 0:07:32 | 0:07:36 | |
We started making plans, talked about having a family. | 0:07:36 | 0:07:38 | |
-I still want those things. -Do you? | 0:07:38 | 0:07:40 | |
Because I see two futures. | 0:07:40 | 0:07:42 | |
One where we allow him to wreck our lives and one where we don't! | 0:07:42 | 0:07:44 | |
It's not my choice! | 0:07:44 | 0:07:46 | |
Then you have to let it go. | 0:07:48 | 0:07:50 | |
Help me! | 0:07:50 | 0:07:51 | |
What did the doctor say? | 0:07:54 | 0:07:56 | |
-I walked out. -Huh! | 0:07:58 | 0:07:59 | |
You want help? | 0:08:01 | 0:08:03 | |
Then I suggest you go back. | 0:08:05 | 0:08:07 | |
-Can I help you? -Amelia? -Yeah. | 0:08:11 | 0:08:14 | |
I'm...I'm Emma. Howard's girlfriend. | 0:08:14 | 0:08:17 | |
What do you want? | 0:08:17 | 0:08:19 | |
To meet you. | 0:08:21 | 0:08:23 | |
I wanted to talk to you. | 0:08:23 | 0:08:25 | |
-Well, now you have. -Please. I've come a long way. | 0:08:25 | 0:08:28 | |
Surely you can spare five minutes. | 0:08:29 | 0:08:31 | |
Aren't you the tiniest bit curious about your father? | 0:08:32 | 0:08:35 | |
So, what did you think of the first act? | 0:08:38 | 0:08:39 | |
I thought it was amazing. | 0:08:39 | 0:08:41 | |
Live opera, it beats internet hands down. | 0:08:41 | 0:08:44 | |
And the singing, superb! | 0:08:44 | 0:08:46 | |
Isn't it! | 0:08:46 | 0:08:48 | |
And I thought the pared-down, modern-day staging worked a treat. | 0:08:52 | 0:08:55 | |
Oh, I'm not so sure. | 0:08:55 | 0:08:57 | |
I've got a feeling you'll give me the benefit of your experience. | 0:08:57 | 0:09:00 | |
I would have preferred more opulence. | 0:09:00 | 0:09:02 | |
The sense of immorality of the Duke's court. | 0:09:02 | 0:09:05 | |
I mean, Verdi was attacking the aristocracy. | 0:09:05 | 0:09:08 | |
You and him would have got on like a house on fire. | 0:09:08 | 0:09:11 | |
I mean, his impassioned plea on behalf of the boy, | 0:09:11 | 0:09:13 | |
it proves my point. Opera is not just for the upper classes. | 0:09:13 | 0:09:16 | |
Heston, look around. | 0:09:16 | 0:09:18 | |
How many normal, working people do you see here today? | 0:09:18 | 0:09:20 | |
Well, you shouldn't make assumptions. | 0:09:20 | 0:09:22 | |
People will look at you and me and jump to the wrong conclusions. | 0:09:22 | 0:09:26 | |
What do you mean by that? | 0:09:26 | 0:09:28 | |
Well, that, you know, that we're two people who enjoy similar interests. | 0:09:28 | 0:09:33 | |
You have a beautiful home. | 0:09:39 | 0:09:42 | |
It's a lot tidier than mine. | 0:09:42 | 0:09:44 | |
But then, um...I blame my lodgers. | 0:09:44 | 0:09:46 | |
Did you and he not live together? | 0:09:46 | 0:09:48 | |
I thought, with you being his girlfriend... | 0:09:48 | 0:09:51 | |
No. We hadn't been back together that long. | 0:09:51 | 0:09:54 | |
So, how did you find me? | 0:09:56 | 0:09:59 | |
I had to sweet-talk Howard's solicitor. | 0:09:59 | 0:10:01 | |
Howard had your mum's address, but not yours. | 0:10:01 | 0:10:04 | |
And, um...it was he who told me that you're an accountant. | 0:10:04 | 0:10:09 | |
Trainee. | 0:10:09 | 0:10:11 | |
Why are you smiling? | 0:10:11 | 0:10:13 | |
Well, I was just marvelling at the power of nature over nurture. | 0:10:14 | 0:10:18 | |
Come again? | 0:10:18 | 0:10:20 | |
Howard would have been so proud. | 0:10:20 | 0:10:22 | |
Oh! Do you think I give a monkey's? | 0:10:22 | 0:10:25 | |
-I-I'm sorry, I just meant... -What? | 0:10:25 | 0:10:27 | |
You think I should care about a man who left me without a second glance? | 0:10:27 | 0:10:31 | |
It wasn't that simple. | 0:10:31 | 0:10:32 | |
-Well, you found me easily enough. -Please, let me explain. | 0:10:32 | 0:10:35 | |
Just say what you've got to say and then leave. | 0:10:35 | 0:10:37 | |
AMELIA SIGHS | 0:10:38 | 0:10:40 | |
I'm sorry. I shouldn't have gone off on one before. | 0:10:40 | 0:10:43 | |
You were only trying to help. | 0:10:43 | 0:10:46 | |
-It's OK. -The police have done the usual stuff. | 0:10:46 | 0:10:48 | |
Checked CCTV, spoke to neighbours. They just haven't found anything. | 0:10:48 | 0:10:51 | |
If he's been doing this ten years, presumably, he knows a few tricks. | 0:10:51 | 0:10:55 | |
I've got so many questions. | 0:10:55 | 0:10:58 | |
Maybe Michael's right and this guy's in Scotland. | 0:10:58 | 0:11:00 | |
In which case, I don't know what to think. | 0:11:00 | 0:11:02 | |
What's important now is that you're safe. OK? | 0:11:02 | 0:11:06 | |
Let's do a few routine health checks. | 0:11:06 | 0:11:09 | |
How would you describe your general state of health? | 0:11:10 | 0:11:13 | |
All right. | 0:11:13 | 0:11:14 | |
Any headaches, migraines at all? | 0:11:14 | 0:11:17 | |
How much would you say you drink? | 0:11:17 | 0:11:18 | |
A few glasses, I suppose. | 0:11:18 | 0:11:20 | |
-Any drugs? -No. | 0:11:20 | 0:11:22 | |
Um...you said you had trouble sleeping? | 0:11:22 | 0:11:24 | |
Quite a lot, yeah. | 0:11:24 | 0:11:26 | |
-Irritability, or mood swings? -Sometimes. | 0:11:26 | 0:11:29 | |
OK. You mentioned before about the anxiety. | 0:11:30 | 0:11:35 | |
Would you say at any point you felt depressed at all? | 0:11:35 | 0:11:38 | |
What do you think? | 0:11:38 | 0:11:40 | |
Well, yeah, um...after what you've been through, | 0:11:40 | 0:11:44 | |
I..I suppose that's pretty natural. | 0:11:44 | 0:11:46 | |
So, why are you asking? | 0:11:46 | 0:11:48 | |
Like I said, it's just a routine check. | 0:11:48 | 0:11:50 | |
You're like Michael. You think it's all in my head. | 0:11:50 | 0:11:54 | |
I faced that man in court. | 0:11:54 | 0:11:56 | |
A man who'd sent me to hell and back. | 0:11:56 | 0:11:58 | |
And I made a vow then that I wouldn't be his victim again. | 0:11:58 | 0:12:01 | |
So I know what I saw! | 0:12:01 | 0:12:03 | |
Is everything all right? | 0:12:07 | 0:12:09 | |
Not again?! | 0:12:09 | 0:12:12 | |
Wait! Please! | 0:12:17 | 0:12:18 | |
I'm not trying to catch you out, I'm just trying to understand! | 0:12:18 | 0:12:21 | |
-Don't you want this to stop? -Of course I do! | 0:12:21 | 0:12:24 | |
So work with me. | 0:12:24 | 0:12:25 | |
Right now, I'm fishing in the dark. | 0:12:25 | 0:12:27 | |
Thank you. | 0:12:34 | 0:12:36 | |
So, what do you see? | 0:12:36 | 0:12:37 | |
Are we talking literally, or are we talking metaphorically? | 0:12:37 | 0:12:42 | |
Both. I need to get my eye in by the weekend. | 0:12:42 | 0:12:45 | |
Well, your eye for the ladies has always been in. | 0:12:45 | 0:12:48 | |
THEY CHUCKLE | 0:12:48 | 0:12:49 | |
No, I'm doing a residential photography course. | 0:12:49 | 0:12:51 | |
Oh. Well, in that case, my eye is drawn to the dark, | 0:12:51 | 0:12:56 | |
verdurous hue of the leaves over there. | 0:12:56 | 0:12:58 | |
Verdurous? | 0:12:58 | 0:13:00 | |
Yeah. To be honest, I can't stop staring at | 0:13:00 | 0:13:02 | |
this empty packet of crisps. I missed my lunch today. | 0:13:02 | 0:13:05 | |
OK. So if I buy us some sandwiches, | 0:13:05 | 0:13:07 | |
-will you take a look at what I've shot so far? -Yeah, sure. | 0:13:07 | 0:13:10 | |
As long as I can make obnoxious comments about | 0:13:10 | 0:13:12 | |
the subaqueous quality of the light in your work. | 0:13:12 | 0:13:14 | |
How the multitudinous scene's incarnadine. | 0:13:14 | 0:13:17 | |
We're talking about a couple of self-portraits. | 0:13:17 | 0:13:19 | |
Yeah. Photoshop can fix anything. | 0:13:19 | 0:13:21 | |
-No, no, I want them to look natural. -Yeah, buy me lunch first. | 0:13:21 | 0:13:24 | |
Thank you. | 0:13:31 | 0:13:33 | |
AMELIA SIGHS | 0:13:34 | 0:13:36 | |
Howard and your mum, they, um... | 0:13:37 | 0:13:40 | |
..they weren't in a serious relationship. | 0:13:42 | 0:13:44 | |
Serious enough for her to get pregnant. | 0:13:44 | 0:13:46 | |
Yeah, but by the time he found out, he was back in Germany. | 0:13:46 | 0:13:49 | |
That was his excuse. | 0:13:49 | 0:13:50 | |
No, look, the Army don't let you choose about that kind of thing. | 0:13:50 | 0:13:53 | |
And by the time he got home and realised that she'd kept you... | 0:13:53 | 0:13:56 | |
What, he didn't know? | 0:13:56 | 0:13:58 | |
Mum told me that she wrote to him. | 0:13:58 | 0:13:59 | |
Right. | 0:14:01 | 0:14:02 | |
Well, I'm sure that Howard... | 0:14:04 | 0:14:06 | |
As far as he was concerned, she could have just aborted me. | 0:14:06 | 0:14:08 | |
Howard gave you and your mum everything you needed. | 0:14:09 | 0:14:13 | |
He never shirked his responsibility. | 0:14:13 | 0:14:15 | |
But when your mum met... | 0:14:15 | 0:14:17 | |
What, you mean my dad? | 0:14:17 | 0:14:18 | |
You thought I'd give that title to him?! | 0:14:19 | 0:14:21 | |
A man I don't even remember?! | 0:14:21 | 0:14:23 | |
You see, Verdi's genius... | 0:14:29 | 0:14:31 | |
-Cheers. -Cheers. | 0:14:31 | 0:14:32 | |
..is in making the Duke seductive. | 0:14:32 | 0:14:34 | |
Seductive? | 0:14:34 | 0:14:36 | |
A man who deflowers Gilda | 0:14:36 | 0:14:38 | |
and then hops into bed with a string of married women? | 0:14:38 | 0:14:41 | |
I'm not condoning him, of course. | 0:14:41 | 0:14:44 | |
Ah! Or did a young Heston Carter | 0:14:44 | 0:14:47 | |
leave a trail of broken hearts? | 0:14:47 | 0:14:49 | |
Or were you like, um...Gilda? Aw! | 0:14:49 | 0:14:52 | |
I see her ultimately as rather noble. | 0:14:52 | 0:14:55 | |
Huh! A woman who sacrifices herself for a cad? | 0:14:55 | 0:14:58 | |
Well, she's...seeking martyrdom. | 0:14:58 | 0:15:01 | |
Mm. I think there's a lot to be said for staying single. | 0:15:01 | 0:15:03 | |
Well, yes, I have to agree with you there. | 0:15:03 | 0:15:05 | |
The freedom to live life as one pleases. | 0:15:05 | 0:15:09 | |
Heston, some of us have got kids. | 0:15:09 | 0:15:12 | |
Yes, but you're able to come on a trip like this. | 0:15:12 | 0:15:14 | |
Yeah. Because funny enough, my kids didn't fancy | 0:15:14 | 0:15:17 | |
three hours at the opera this afternoon. | 0:15:17 | 0:15:19 | |
You have the freedom not to answer to anyone else. | 0:15:19 | 0:15:22 | |
-OK, I'll drink to that. Cheers. -Cheers. | 0:15:23 | 0:15:26 | |
I've, um...left her with Karen for a moment. Sure you don't mind? | 0:15:26 | 0:15:29 | |
No. I love a challenge. So, where are you heading with this? | 0:15:29 | 0:15:32 | |
Well, er...my first starting point was psychosis. | 0:15:32 | 0:15:35 | |
All right, so you're looking at disturbed thoughts, | 0:15:35 | 0:15:37 | |
lack of insight, self-awareness. | 0:15:37 | 0:15:40 | |
But apart from seeing this man, she's all there. | 0:15:40 | 0:15:43 | |
Totally clear in her mind about what's happening. | 0:15:43 | 0:15:45 | |
-What else have you ruled out? -Delirium. | 0:15:45 | 0:15:47 | |
Otherwise, she'd have abnormal vital signs, look sweaty, be sick. | 0:15:47 | 0:15:50 | |
Which leaves? | 0:15:50 | 0:15:52 | |
-Um... -Which leaves? | 0:15:52 | 0:15:53 | |
Post-traumatic stress. | 0:15:54 | 0:15:56 | |
She could be reliving the traumatic event in her mind. | 0:15:56 | 0:15:59 | |
I think you're on the right path, young man. | 0:15:59 | 0:16:01 | |
Cheers, Al. | 0:16:01 | 0:16:03 | |
Your dad was there all the time. | 0:16:10 | 0:16:12 | |
Howard's visits were infrequent because of his job. | 0:16:12 | 0:16:16 | |
And when the adoption went through... | 0:16:16 | 0:16:18 | |
He was free. | 0:16:18 | 0:16:19 | |
He thought he was doing the right thing by stepping aside. | 0:16:20 | 0:16:23 | |
-For who? -Everyone. -Why did you come here today? | 0:16:23 | 0:16:26 | |
Because I thought you were owed an explanation. | 0:16:28 | 0:16:31 | |
So now he's dead, he has the right to intrude on my life? | 0:16:31 | 0:16:34 | |
I had hoped that you would've thought of him more kindly. | 0:16:34 | 0:16:36 | |
Nothing you've told me explains | 0:16:36 | 0:16:38 | |
why he never got in touch all these years. | 0:16:38 | 0:16:40 | |
Amelia, I'm going to be honest with you, | 0:16:40 | 0:16:43 | |
I don't know the answer to that. | 0:16:43 | 0:16:44 | |
Maybe the longer it went on, the harder it got. | 0:16:46 | 0:16:48 | |
-Or he just didn't care. -No! | 0:16:48 | 0:16:51 | |
That's not true. | 0:16:51 | 0:16:52 | |
He never stopped thinking about you. I do know that. | 0:16:53 | 0:16:56 | |
Maybe. | 0:16:59 | 0:17:00 | |
Have you experienced any recurrent, involuntary memories of the event? | 0:17:04 | 0:17:07 | |
-Sorry? -Nightmares or flashbacks? | 0:17:07 | 0:17:10 | |
No, this is too real, too vivid to be some flashback. | 0:17:10 | 0:17:13 | |
How about persistent feelings of horror, anger or guilt? | 0:17:15 | 0:17:18 | |
Let me paint a picture of the last ten years | 0:17:18 | 0:17:21 | |
and then maybe you'll understand. | 0:17:21 | 0:17:23 | |
I used to have a great job in the City. | 0:17:23 | 0:17:25 | |
A job that I loved, until Adrian became my boss. | 0:17:25 | 0:17:28 | |
At first, it was just flirting. I felt I could laugh it off. | 0:17:28 | 0:17:31 | |
But then he asked me out. | 0:17:31 | 0:17:34 | |
You turned him down? | 0:17:34 | 0:17:35 | |
And then he made it his mission to make my life hell. | 0:17:35 | 0:17:39 | |
He was calling all through the night, | 0:17:39 | 0:17:41 | |
sitting outside my flat for days on end. | 0:17:41 | 0:17:43 | |
It got so that I was scared to go out. | 0:17:43 | 0:17:45 | |
So, yeah, I've felt pretty horrified, pretty angry! | 0:17:45 | 0:17:49 | |
-Sure. -And guilty, too. | 0:17:49 | 0:17:51 | |
Because he messed up Michael's life, not just mine. | 0:17:51 | 0:17:54 | |
We had to keep moving house, leaving family, jobs. | 0:17:54 | 0:17:58 | |
So if you think that after all that, I would let this man in my head... | 0:17:58 | 0:18:01 | |
I believe you. | 0:18:01 | 0:18:02 | |
What? | 0:18:02 | 0:18:04 | |
-I may not understand it, but... -Thank you. | 0:18:04 | 0:18:08 | |
But I would still like to give that police friend of mine a call. | 0:18:08 | 0:18:11 | |
See what he can do. | 0:18:11 | 0:18:13 | |
Yeah? | 0:18:13 | 0:18:14 | |
-Laura? -He's out there! | 0:18:21 | 0:18:23 | |
The stalker? | 0:18:23 | 0:18:25 | |
I have to know. He can't keep doing this to me! | 0:18:27 | 0:18:29 | |
There! | 0:18:36 | 0:18:38 | |
You can see him? | 0:18:40 | 0:18:41 | |
OK, keep looking! | 0:18:44 | 0:18:45 | |
Now, without moving your head, | 0:18:45 | 0:18:47 | |
look from left to right about once every second. | 0:18:47 | 0:18:51 | |
Why? How's that going to help? | 0:18:51 | 0:18:52 | |
Just do it for me, please. | 0:18:52 | 0:18:55 | |
Keep looking. | 0:18:55 | 0:18:57 | |
That's good. Keep looking. | 0:18:58 | 0:19:01 | |
OK. Now, stop. | 0:19:01 | 0:19:03 | |
Now, if you wouldn't mind, take another look. | 0:19:05 | 0:19:07 | |
Can you see him? | 0:19:07 | 0:19:09 | |
No! | 0:19:09 | 0:19:11 | |
I don't understand. | 0:19:11 | 0:19:13 | |
Um...tell me about your eyesight. | 0:19:13 | 0:19:15 | |
-What's that got to do with...? -How bad it is? | 0:19:15 | 0:19:18 | |
Well, you find ways of coping. | 0:19:18 | 0:19:19 | |
I've some sight loss from the corner of my eyes. | 0:19:19 | 0:19:22 | |
I had to stop driving at night. | 0:19:22 | 0:19:24 | |
You never thought to get it checked out? | 0:19:24 | 0:19:26 | |
Well, it's only recently that it's got a lot worse. | 0:19:26 | 0:19:28 | |
And to be honest, it felt like the least of my problems. | 0:19:28 | 0:19:31 | |
Could you cover one eye for me, please? Thank you. | 0:19:31 | 0:19:35 | |
OK, now tell me when this comes into vision, OK? | 0:19:35 | 0:19:39 | |
Now. | 0:19:40 | 0:19:42 | |
And again. | 0:19:43 | 0:19:45 | |
Now. | 0:19:45 | 0:19:47 | |
OK. And, um...the other eye's the same? | 0:19:47 | 0:19:50 | |
Do you mind if I take a look? Thank you. | 0:19:50 | 0:19:53 | |
Do you have any history of eye disease in your family? | 0:19:55 | 0:19:58 | |
My mum always complained she had terrible sight. | 0:19:58 | 0:20:01 | |
Was she ever diagnosed? | 0:20:01 | 0:20:03 | |
She never got the chance. Died of cancer. | 0:20:03 | 0:20:05 | |
I'm sorry. | 0:20:07 | 0:20:08 | |
I don't understand. Why are we talking about my eyes? | 0:20:08 | 0:20:11 | |
Oh, um...well, | 0:20:11 | 0:20:13 | |
I think you might have something called Charles Bonnet syndrome. | 0:20:13 | 0:20:17 | |
It's usually a lot more common in older people, | 0:20:17 | 0:20:19 | |
but I think it might explain what's happening. | 0:20:19 | 0:20:22 | |
When you lose your sight, your brain | 0:20:22 | 0:20:24 | |
isn't receiving as much information from the eyes as it's used to. | 0:20:24 | 0:20:27 | |
And it can sometimes fill in those gaps with fantasy pictures, | 0:20:27 | 0:20:31 | |
or patterns, or old images that it has stored. | 0:20:31 | 0:20:34 | |
-You mean, he's not really there? -No. | 0:20:34 | 0:20:38 | |
And I think you, and most probably your mum, | 0:20:38 | 0:20:40 | |
have a genetic eye condition called retinitis pigmentosa. | 0:20:40 | 0:20:44 | |
And the CBS is a manifestation of that. | 0:20:44 | 0:20:47 | |
Can you make it stop? | 0:20:47 | 0:20:48 | |
Unfortunately, no. There is no cure. | 0:20:50 | 0:20:53 | |
But sometimes the symptoms do lessen over time as the brain adjusts. | 0:20:53 | 0:20:57 | |
So, I'm going to keep seeing him? | 0:20:57 | 0:20:59 | |
Well, um...things like this exercise that we just did, they can help. | 0:20:59 | 0:21:03 | |
And I'm going to refer you to an ophthalmologist. | 0:21:03 | 0:21:05 | |
They'll give you a much more definitive diagnosis | 0:21:05 | 0:21:07 | |
and offer advice. | 0:21:07 | 0:21:09 | |
It's a lot to take in, I know. | 0:21:11 | 0:21:13 | |
Just to feel free of that man, | 0:21:13 | 0:21:16 | |
you've no idea how happy that makes me. | 0:21:16 | 0:21:19 | |
For a moment, I thought Michael was right. | 0:21:19 | 0:21:22 | |
That I was really going mad. | 0:21:22 | 0:21:24 | |
Howard was old-school. | 0:21:27 | 0:21:29 | |
He had the kind of values that you would say are probably outdated. | 0:21:30 | 0:21:34 | |
But the fact that he held on to them, it made him even more remarkable. | 0:21:36 | 0:21:41 | |
Yeah? | 0:21:41 | 0:21:43 | |
Yeah. | 0:21:43 | 0:21:44 | |
Hmm. We'd huff and puff at work | 0:21:44 | 0:21:46 | |
about his various harebrained schemes but... | 0:21:46 | 0:21:50 | |
..we loved him | 0:21:53 | 0:21:54 | |
Colleagues, patients... | 0:21:55 | 0:21:57 | |
He'd have done anything for anybody | 0:22:00 | 0:22:02 | |
and he never took advantage. | 0:22:02 | 0:22:04 | |
In his spare time, he was a Special Police Constable. | 0:22:05 | 0:22:08 | |
He never forgot the people that he fought with either. | 0:22:10 | 0:22:12 | |
He always supported ex-servicemen and women. | 0:22:12 | 0:22:16 | |
Regular saint. | 0:22:16 | 0:22:17 | |
If you'd been at the funeral, | 0:22:20 | 0:22:22 | |
you would have seen just how many lives he touched. | 0:22:22 | 0:22:25 | |
I'm not blaming you. | 0:22:26 | 0:22:27 | |
I know I'm painting a glowing picture. | 0:22:29 | 0:22:32 | |
He had his demons. | 0:22:33 | 0:22:34 | |
He suffered with huge guilt about leaving you. | 0:22:37 | 0:22:39 | |
He knew he'd made a massive mistake. | 0:22:41 | 0:22:43 | |
Mistake? | 0:22:44 | 0:22:45 | |
-Bravo! Bravo! -Exceptional. -SUSTAINED APPLAUSE | 0:22:48 | 0:22:51 | |
It was amazing, it was the best! | 0:22:51 | 0:22:53 | |
I thought you didn't like the Duke? | 0:22:53 | 0:22:55 | |
I don't. I'm cheering for Gilda! Whoo! | 0:22:55 | 0:22:58 | |
Well, actually, it's "brava" for a woman. | 0:22:58 | 0:23:01 | |
Well, whatever. The point is, she stole the show. | 0:23:01 | 0:23:04 | |
I thought he did a marvellous rendition of La Donna E Mobile. | 0:23:04 | 0:23:08 | |
It wasn't bad but she's got real range - | 0:23:08 | 0:23:10 | |
that mix of innocence and sadness.... | 0:23:10 | 0:23:12 | |
Ooh! | 0:23:12 | 0:23:14 | |
Her Caro Nome was a bit shrill. | 0:23:14 | 0:23:16 | |
-He was outright hammy. -Quite wooden. | 0:23:16 | 0:23:18 | |
Yeah. Not a patch on Pavarotti. Whoo! | 0:23:18 | 0:23:20 | |
OK, I admit I started thinking all sorts of things. | 0:23:23 | 0:23:25 | |
All sorts of what? | 0:23:25 | 0:23:27 | |
Don't make me spell it out. | 0:23:27 | 0:23:29 | |
The point is, we can put this behind us | 0:23:29 | 0:23:30 | |
and start moving on with our lives. | 0:23:30 | 0:23:32 | |
That doctor, someone I'd never met, had more faith in me than you. | 0:23:32 | 0:23:35 | |
-You can't compare me... -You're my husband. | 0:23:35 | 0:23:37 | |
-Look, I was wrong... -Instead of helping me through it, you gave me an ultimatum. | 0:23:37 | 0:23:41 | |
Yes. Only because I couldn't bear the thought of going through all that again. | 0:23:41 | 0:23:44 | |
Is that so selfish, so wrong? | 0:23:44 | 0:23:46 | |
No. | 0:23:48 | 0:23:49 | |
Ten years we've been a slave to this thing. | 0:23:49 | 0:23:52 | |
Ten years I've stuck by you, when most other men would have just... | 0:23:52 | 0:23:56 | |
Look, I'm sorry. I didn't mean to say... | 0:23:57 | 0:23:59 | |
I'm going to my dad's for a few days, take some time to think. | 0:23:59 | 0:24:01 | |
About how to deal with my eyes, all of this... | 0:24:01 | 0:24:04 | |
You don't have to do that. | 0:24:04 | 0:24:06 | |
Yes, Michael, I do. | 0:24:06 | 0:24:08 | |
Look, whatever you think of him, | 0:24:11 | 0:24:13 | |
please don't turn your back on the money he left you. | 0:24:13 | 0:24:16 | |
Oh, yeah. I forgot. The fact that he squirreled away some cash makes it OK. | 0:24:16 | 0:24:20 | |
No, it's just that | 0:24:20 | 0:24:21 | |
the lion's share of his estate is yours | 0:24:21 | 0:24:25 | |
and it's a life-changing sum. | 0:24:25 | 0:24:27 | |
I've told you, I don't want it. | 0:24:27 | 0:24:29 | |
If you don't take it, you might not get another chance. | 0:24:29 | 0:24:32 | |
-Why do you care? -Because it's what Howard wanted. | 0:24:32 | 0:24:34 | |
Or, maybe, you need to convince yourself he was something he wasn't? | 0:24:34 | 0:24:37 | |
You knew Howard a long time, right? | 0:24:37 | 0:24:40 | |
-Yes. -Yeah. So when did he first tell you about me? | 0:24:40 | 0:24:43 | |
See? I was his guilty secret. | 0:24:45 | 0:24:48 | |
He was ashamed. | 0:24:50 | 0:24:51 | |
Yeah, of me. | 0:24:51 | 0:24:52 | |
Of the child he couldn't wait to walk away from. | 0:24:52 | 0:24:55 | |
The child he didn't want. | 0:24:55 | 0:24:57 | |
No... It wasn't like that. | 0:24:57 | 0:25:00 | |
A tangled tale of jealousy and rage, it's not unlike today's soaps. | 0:25:04 | 0:25:09 | |
Have you seen any? | 0:25:09 | 0:25:11 | |
Yes. | 0:25:11 | 0:25:12 | |
Right... Um... | 0:25:12 | 0:25:14 | |
I better get going I've got a shift to get to. | 0:25:14 | 0:25:16 | |
I thought you'd taken the day off? | 0:25:16 | 0:25:18 | |
Some of us have to work for a living. | 0:25:18 | 0:25:19 | |
-Well, let me give you a lift. -No, I'm going to get a bus. | 0:25:19 | 0:25:22 | |
No. I won't hear of it. | 0:25:22 | 0:25:24 | |
-People do get buses. -Well, of course. | 0:25:24 | 0:25:27 | |
If it horrifies you, I'll splash out, get a cab. | 0:25:27 | 0:25:30 | |
Let me pay. | 0:25:30 | 0:25:31 | |
No, it's fine. I'll manage. | 0:25:31 | 0:25:33 | |
Speaking of which, here's the one I booked. | 0:25:33 | 0:25:36 | |
Thank you. | 0:25:39 | 0:25:40 | |
Right, yeah, I mean... | 0:25:49 | 0:25:51 | |
of course I had considered Charles Bonnet syndrome. | 0:25:51 | 0:25:53 | |
I was just giving you space to come up with that conclusion. | 0:25:53 | 0:25:57 | |
Right. | 0:25:57 | 0:25:59 | |
It's all part of the service. | 0:25:59 | 0:26:00 | |
You can thank me with a pint later. | 0:26:00 | 0:26:02 | |
I'm going out with Ayesha. | 0:26:02 | 0:26:04 | |
You've got time for a quick one. Jimmi's going to come, too. | 0:26:04 | 0:26:06 | |
-I suppose... -Having said that, strike that. | 0:26:06 | 0:26:09 | |
Some people just can't take a joke. | 0:26:10 | 0:26:12 | |
I'm not following... | 0:26:12 | 0:26:13 | |
Well, I altered one of Jimmi's photographs | 0:26:13 | 0:26:17 | |
and sent it back to him. | 0:26:17 | 0:26:18 | |
I don't see what the problem is. | 0:26:18 | 0:26:20 | |
You've certainly showed him in a different light. | 0:26:20 | 0:26:22 | |
Imagine the devilish things we can get up to after a couple of pints. | 0:26:22 | 0:26:25 | |
I can only stay for a quick one. | 0:26:25 | 0:26:27 | |
Oh, yeah. They'll be quick ones. | 0:26:27 | 0:26:29 | |
I thought coming here would be a good thing, | 0:26:31 | 0:26:34 | |
I'm sorry I didn't realise that you felt so strongly. | 0:26:36 | 0:26:38 | |
Well, now you know. | 0:26:38 | 0:26:40 | |
Amelia, I don't want to leave things like this. | 0:26:40 | 0:26:42 | |
-Just go, will you? -Please. It's just so sad. | 0:26:42 | 0:26:45 | |
If you'd had a chance to get to know him... | 0:26:45 | 0:26:47 | |
Howard Bellamy is nothing! | 0:26:47 | 0:26:48 | |
-He was already dead to me. -Don't say that. | 0:26:48 | 0:26:51 | |
I never want to see you here. I never want to hear his name again! | 0:26:51 | 0:26:54 | |
Do you understand? | 0:26:54 | 0:26:55 | |
Hello, love. We can talk about this later. | 0:27:06 | 0:27:09 | |
This little mix-up you're having, eh? | 0:27:09 | 0:27:11 | |
-I had no idea. -Me either. | 0:27:12 | 0:27:15 | |
Well, it must be important. | 0:27:15 | 0:27:17 | |
Yeah? What underwear are you wearing? | 0:27:17 | 0:27:20 | |
-Nothing. It's just... -You're wearing nothing? -No... | 0:27:20 | 0:27:22 | |
-And the dad? -Er, it didn't work out. | 0:27:22 | 0:27:25 | |
-Oh, I'm sorry. -No, it's fine. It's a good thing. | 0:27:25 | 0:27:29 |