Browse content similar to Date in the Diary. Check below for episodes and series from the same categories and more!
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I can't find it, Valerie. What? | 0:00:46 | 0:00:49 | |
Oh. | 0:00:49 | 0:00:50 | |
Oh, sorry, I was absolutely sure that I'd put it... Oh, thanks. | 0:00:51 | 0:00:55 | |
Are you all right? | 0:00:55 | 0:00:56 | |
SHE WHISTLES CHEERILY | 0:00:58 | 0:00:59 | |
Still lodged in the old internal jukebox? | 0:01:02 | 0:01:04 | |
Yeah. Might need an op to get it out. | 0:01:04 | 0:01:06 | |
Pity you don't know someone with surgical experience. | 0:01:06 | 0:01:09 | |
Like I'd want you digging around in my head! | 0:01:09 | 0:01:11 | |
Er, Dr Carter, may I borrow you for a moment? | 0:01:11 | 0:01:14 | |
Yes, of course. Excuse me. | 0:01:14 | 0:01:15 | |
HE HUMS CHEERILY | 0:01:15 | 0:01:18 | |
I'm surprised you're seeing patients, to be honest with you. | 0:01:25 | 0:01:28 | |
What am I going to do - stay at home feeling sorry for myself all day? | 0:01:28 | 0:01:32 | |
No, I'd rather get stuck in. | 0:01:32 | 0:01:33 | |
No, I was thinking of some changes. | 0:01:33 | 0:01:36 | |
Well, your photography course sounds like a good idea. | 0:01:36 | 0:01:39 | |
I was wondering about going back to police surgeon work. | 0:01:39 | 0:01:43 | |
Really, I thought you'd had enough of all that? | 0:01:43 | 0:01:45 | |
No, I miss it. Noakes isn't there any more, so... | 0:01:45 | 0:01:49 | |
I can see that the photography course | 0:01:49 | 0:01:51 | |
has really changed your perspective. | 0:01:51 | 0:01:53 | |
HE CHUCKLES Yeah, very funny. | 0:01:53 | 0:01:56 | |
So, do you think they'd take me back? | 0:01:56 | 0:01:58 | |
Well, they're short-staffed and they're always talking about you, | 0:01:58 | 0:02:01 | |
er, in a good way, but you'd have to talk to the principal police surgeon. | 0:02:01 | 0:02:04 | |
Yeah, yeah, maybe I will. Thanks. See you. | 0:02:04 | 0:02:06 | |
I thought you'd be full of this! How'd it go? | 0:02:08 | 0:02:10 | |
Yeah, it was brilliant. Just didn't want to bore anyone. | 0:02:10 | 0:02:13 | |
Oh, you can't bore me. I love photos. | 0:02:13 | 0:02:16 | |
Yeah, well? | 0:02:16 | 0:02:17 | |
I haven't got my glasses but they look great to me... | 0:02:17 | 0:02:21 | |
You think so? | 0:02:21 | 0:02:22 | |
Yeah. I'm not an expert. | 0:02:22 | 0:02:23 | |
I can't take a picture without a thumb in it. | 0:02:23 | 0:02:25 | |
My teacher says I've got a good eye. Oh! Yeah. She encouraged me | 0:02:25 | 0:02:28 | |
to book a portraiture course off the back of this one, so, er... | 0:02:28 | 0:02:30 | |
Classic technique. | 0:02:30 | 0:02:32 | |
Hmm! Thank you. | 0:02:32 | 0:02:33 | |
Not you - your tutor, flattering you so you book more lessons. | 0:02:33 | 0:02:37 | |
Oh, it's not like you to be cynical. Er, Mrs Hollins, can I have a moment | 0:02:37 | 0:02:41 | |
of your time, please? I was just... Oh-h! | 0:02:41 | 0:02:44 | |
It's not like proper photography, though, is it, mate? | 0:02:46 | 0:02:49 | |
You get any imperfections, you can just put it through a computer, | 0:02:49 | 0:02:51 | |
add an effect, just like that, | 0:02:51 | 0:02:53 | |
like I showed you last week, yeah? | 0:02:53 | 0:02:54 | |
Yeah, a lot of work still went into it, though. | 0:02:54 | 0:02:57 | |
Well, it's not like you went into a dark room, is it? | 0:02:57 | 0:02:59 | |
Anyone with a phone can call themselves a photographer nowadays. | 0:03:00 | 0:03:03 | |
I have no idea. Me either. | 0:03:08 | 0:03:09 | |
Well, it must be important, Mr Bellamy set a reminder. | 0:03:09 | 0:03:14 | |
And he put an exclamation mark after "Don't forget". I wonder who she is. | 0:03:14 | 0:03:19 | |
Is there nothing in his address book that matches the name? No. | 0:03:19 | 0:03:23 | |
Well, why don't you just ask Emma? Oh, not a good idea. | 0:03:23 | 0:03:27 | |
There is no indication as to whether it's business or... Well, romantic. | 0:03:27 | 0:03:32 | |
Awkward. Er, well, my money's on she's a sales rep. | 0:03:32 | 0:03:37 | |
Why don't you ring the East Park Hotel, | 0:03:37 | 0:03:39 | |
tell them what happened and let them deal with it? Oh, no. | 0:03:39 | 0:03:42 | |
I do not want to tell someone | 0:03:42 | 0:03:44 | |
about what happened to Mr Bellamy in a message. | 0:03:44 | 0:03:46 | |
Well, then there's only one thing to do. | 0:03:46 | 0:03:49 | |
Hmm! You're using your camera's pre-programmed settings, aren't you? | 0:03:53 | 0:03:58 | |
You need to find your own style, mate. | 0:03:58 | 0:04:00 | |
Wow! Who took these? They're really good. | 0:04:01 | 0:04:05 | |
I did. | 0:04:05 | 0:04:07 | |
These vertically framed shots, they're really hard to get, | 0:04:07 | 0:04:10 | |
cos, well, obviously, naturally | 0:04:10 | 0:04:12 | |
the eyes want to frame things horizontally, so... | 0:04:12 | 0:04:14 | |
Kudos. And diffuse lighting, that's another hard thing to nail. | 0:04:15 | 0:04:19 | |
You've got the eye, Jimmi. | 0:04:19 | 0:04:21 | |
Thank you. That's exactly what my tutor said. | 0:04:21 | 0:04:24 | |
No probs. Oh, Sid, I was thinking about this whole antibiotics thing. | 0:04:24 | 0:04:28 | |
For it to work, you'll need to appeal to the patients, | 0:04:28 | 0:04:31 | |
you know, get them involved. | 0:04:31 | 0:04:32 | |
Good luck with that. | 0:04:32 | 0:04:34 | |
Anyway, it's European Antibiotic Awareness Day on Wednesday, so... | 0:04:34 | 0:04:39 | |
How could I not have known that? I was thinking we could do something. | 0:04:40 | 0:04:43 | |
Sidney, how could you have not known that? It's Wednesday. | 0:04:43 | 0:04:46 | |
Thank you so much. Oh, there's loads to do and only two days to do it in. | 0:04:46 | 0:04:49 | |
But there's bound to be loads of stuff online | 0:04:49 | 0:04:51 | |
that I can print off or get delivered. | 0:04:51 | 0:04:53 | |
Hey, perhaps other surgeries are getting involved, | 0:04:53 | 0:04:55 | |
I cold liaise with them and... Better get a wiggle on! | 0:04:55 | 0:04:58 | |
Yeah, get to it, man. | 0:04:58 | 0:04:59 | |
I think we might regret you telling him that. | 0:05:01 | 0:05:03 | |
Nah. It'll just keep him busy. | 0:05:03 | 0:05:04 | |
KNOCK ON DOOR Come in. | 0:05:07 | 0:05:09 | |
Mrs Tembe, I thought I'd give you an update. | 0:05:09 | 0:05:12 | |
An update? | 0:05:12 | 0:05:13 | |
On how I'm fitting in. | 0:05:13 | 0:05:15 | |
Oh, well, yes, well, that might be useful. | 0:05:15 | 0:05:18 | |
So, er, how are you fitting in? | 0:05:18 | 0:05:20 | |
Er, well, I like the place. That's always good news, isn't it? | 0:05:20 | 0:05:24 | |
And the people are nice. | 0:05:24 | 0:05:26 | |
Well, that is good. If that is everything... | 0:05:26 | 0:05:28 | |
Yeah, it's always a bonus when people click, you know. | 0:05:28 | 0:05:31 | |
I've worked with some right stuck-up so-and-sos in my time. | 0:05:31 | 0:05:34 | |
And when I first met Heston, I thought, "Oh, hello," you know. | 0:05:34 | 0:05:39 | |
No, no, not really. | 0:05:39 | 0:05:40 | |
But then, well, you get to know him | 0:05:40 | 0:05:42 | |
and you see that he's cultured, funny, he's kind. | 0:05:42 | 0:05:46 | |
Well, you know him really well, don't you, | 0:05:46 | 0:05:48 | |
cos you've worked with him for years, and you must know him? | 0:05:48 | 0:05:52 | |
Well, my colleagues' personal life is none of my business. | 0:05:52 | 0:05:56 | |
Now if you don't mind... | 0:05:56 | 0:05:57 | |
Oh, I just thought... It's just that a have a meeting to go to. Oh. | 0:05:57 | 0:06:00 | |
GENTLE PIANO MUSIC PLAYS | 0:06:22 | 0:06:24 | |
Excuse me, are you, er, Yvonne? No, sorry. | 0:06:27 | 0:06:31 | |
I'm so sorry to interrupt. | 0:06:36 | 0:06:38 | |
Are you Yvonne? I'm not, darling, no. | 0:06:38 | 0:06:41 | |
Um, excuse me, hi. I'm Yvonne, Yvonne Bailey. | 0:06:42 | 0:06:47 | |
Oh, right, I am Mrs Tembe from the Mill Health Centre. Hi. | 0:06:47 | 0:06:53 | |
Um, what, could Howard not make it? Er, may I? | 0:06:53 | 0:06:57 | |
Can I ask, how do you know Mr Bellamy? | 0:07:01 | 0:07:04 | |
Oh, we go a long way back. | 0:07:04 | 0:07:07 | |
Oh, right. In what regard? | 0:07:07 | 0:07:10 | |
Sorry, who are you again? | 0:07:12 | 0:07:14 | |
I work with Mr Bellamy. Well, I used to. | 0:07:15 | 0:07:19 | |
Oh, has he left? | 0:07:19 | 0:07:20 | |
There is no easy way to say this. | 0:07:20 | 0:07:23 | |
I am so sorry, but Mr Bellamy has passed away. | 0:07:25 | 0:07:29 | |
No, no, he couldn't have done, er... | 0:07:33 | 0:07:36 | |
I am so, so sorry. | 0:07:37 | 0:07:39 | |
There you go. Oh! | 0:07:46 | 0:07:48 | |
Oh, hey, I meant to ask, how did it go at the opera? | 0:07:50 | 0:07:52 | |
Oh, it was fantastic. | 0:07:52 | 0:07:54 | |
I mean, I've seen stuff online, but this was live and wow! | 0:07:54 | 0:07:57 | |
And the perfect guide in Heston? | 0:07:57 | 0:07:59 | |
Yeah, he kept checking that I was enjoying it. | 0:07:59 | 0:08:02 | |
He'd have to check I wasn't legging it. | 0:08:02 | 0:08:04 | |
You're not a fan? | 0:08:04 | 0:08:05 | |
It's just a load of screeching in Viking helmets, isn't it? | 0:08:07 | 0:08:10 | |
Do you fancy some lunch? Oh, yeah. Icon? Yeah. Do it. | 0:08:11 | 0:08:15 | |
Valerie, do you fancy coming? | 0:08:15 | 0:08:17 | |
To be honest, I'd be happier with a sandwich and an apple. | 0:08:17 | 0:08:20 | |
Oh, go on. It'll be fun. | 0:08:20 | 0:08:21 | |
No, I haven't been sleeping very well. | 0:08:22 | 0:08:24 | |
I don't think I'd be very good company. Oh, OK. | 0:08:24 | 0:08:26 | |
I'm sorry to hear that. | 0:08:28 | 0:08:29 | |
It's hard when you've just broke up with someone. | 0:08:29 | 0:08:33 | |
Hang in there. | 0:08:33 | 0:08:34 | |
I need to know what happened. | 0:08:38 | 0:08:39 | |
It was an aneurysm. | 0:08:39 | 0:08:41 | |
Was it quick? | 0:08:43 | 0:08:44 | |
After all the action he saw and that's the way he went out. | 0:08:48 | 0:08:51 | |
That's just... It's not right. | 0:08:51 | 0:08:54 | |
I spoke to him on the phone and he sounded fine. | 0:09:00 | 0:09:02 | |
I had no idea it was all just ticking away. | 0:09:02 | 0:09:05 | |
None of us did. | 0:09:05 | 0:09:07 | |
Normally, we meet... met once a year, you know, | 0:09:09 | 0:09:13 | |
just to...catch up and for me to say thank you again and... | 0:09:13 | 0:09:16 | |
But this time I really needed to see him. | 0:09:18 | 0:09:21 | |
Why would you need to thank him? | 0:09:22 | 0:09:24 | |
Howard saved my life. | 0:09:26 | 0:09:27 | |
I think I upset Mrs Tembe earlier. | 0:09:30 | 0:09:34 | |
I was asking...no, digging around whether she had feelings for Heston. | 0:09:34 | 0:09:40 | |
You asked her? | 0:09:40 | 0:09:41 | |
No, not outright. No, I'm not that mad. | 0:09:41 | 0:09:45 | |
There's nothing going on between Heston and Mrs Tembe. | 0:09:45 | 0:09:48 | |
She gets a bit possessive of their friendship, that's all. | 0:09:48 | 0:09:51 | |
He's pretty much set in his ways, you know, gourmet meals for one. | 0:09:51 | 0:09:56 | |
Sounds lovely. | 0:09:56 | 0:09:57 | |
Why do you want to know about Heston and Mrs Tembe? | 0:09:57 | 0:10:00 | |
I've just never met anyone like him. He's a bit...odd. | 0:10:00 | 0:10:04 | |
A bit?! | 0:10:04 | 0:10:06 | |
He had a dog when he was little and he called it Ozymandias... No. | 0:10:07 | 0:10:11 | |
..and he refused to speak to anyone who shortened it to Ozzy, | 0:10:11 | 0:10:15 | |
even the vet. | 0:10:15 | 0:10:16 | |
Come on, tell me a bit more. Oh, er, OK. | 0:10:17 | 0:10:21 | |
He was married once, but that was a long time ago. | 0:10:21 | 0:10:24 | |
He's had relationships since, but, er... | 0:10:24 | 0:10:28 | |
Oh, he's got a bow tie for whatever mood takes him. | 0:10:28 | 0:10:32 | |
I don't think I could stick to one mood all day. | 0:10:33 | 0:10:36 | |
Who's saying he can? | 0:10:36 | 0:10:37 | |
Gavin had checked under the car, but he must have missed it. | 0:10:40 | 0:10:46 | |
We were driving down off the Whiterock Road onto the Falls Road. | 0:10:46 | 0:10:49 | |
It's the same route we used to take every night. | 0:10:49 | 0:10:52 | |
I don't suppose you know it, but the road at that junction | 0:10:54 | 0:10:57 | |
is really steep and it was triggered by a tilt switch. | 0:10:57 | 0:11:01 | |
It was so loud. There was glass and metal everywhere. | 0:11:03 | 0:11:08 | |
Gavin was screaming. I mean, he was hurt much worse than me. | 0:11:08 | 0:11:12 | |
Later, we found out that he'd lost his legs from... | 0:11:12 | 0:11:15 | |
I am so sorry. | 0:11:17 | 0:11:17 | |
He was screaming his head off, I couldn't hear him, though. | 0:11:19 | 0:11:24 | |
I just remember sitting there, | 0:11:26 | 0:11:27 | |
I was trapped. I had this terrible pain across here. | 0:11:27 | 0:11:31 | |
I was struggling to breathe. | 0:11:31 | 0:11:33 | |
I can remember there was people looking in at me. | 0:11:33 | 0:11:37 | |
There was an old man and this woman in a flowery headscarf. | 0:11:37 | 0:11:41 | |
And then a young soldier, a sergeant, he was there | 0:11:41 | 0:11:45 | |
and he was pushing them all back. | 0:11:45 | 0:11:47 | |
Mr Bellamy? | 0:11:47 | 0:11:48 | |
He was talking to me, smiling. | 0:11:52 | 0:11:55 | |
The words were fuzzy. | 0:11:57 | 0:11:59 | |
I couldn't hear them. I couldn't hear anything. | 0:11:59 | 0:12:02 | |
The next thing I know I woke up and I was on the ground. | 0:12:04 | 0:12:08 | |
He later told me that he'd pulled me out and resuscitated me. | 0:12:08 | 0:12:12 | |
And then he just waited with me until the ambulances arrived. | 0:12:14 | 0:12:18 | |
PHONE RINGS | 0:12:18 | 0:12:19 | |
I'm so sorry, I've got to take this. | 0:12:26 | 0:12:28 | |
I didn't lie. I told you I had a meeting. | 0:12:34 | 0:12:36 | |
'Where are you?' | 0:12:36 | 0:12:38 | |
In the meeting room. | 0:12:38 | 0:12:39 | |
What's that music I can hear, then? | 0:12:39 | 0:12:41 | |
They're just playing music in the room. | 0:12:41 | 0:12:44 | |
What a surprise! Hello, love. | 0:12:44 | 0:12:46 | |
We can talk about this later, this little mix-up you're having, eh? | 0:12:46 | 0:12:50 | |
She's losing her head. | 0:12:51 | 0:12:52 | |
What are you doing here? | 0:12:52 | 0:12:54 | |
Just passing through. Who's this, then? | 0:12:54 | 0:12:57 | |
Oh, this is, er... | 0:12:57 | 0:12:58 | |
I am Mrs Tembe. | 0:12:58 | 0:13:00 | |
Pleasure to meet you. So where is he, then, Howard? | 0:13:00 | 0:13:03 | |
How did you know...? | 0:13:03 | 0:13:05 | |
Mr Bellamy is unable to be here because... | 0:13:05 | 0:13:08 | |
Aw. That's a shame(!) | 0:13:08 | 0:13:09 | |
Perhaps we can have a sit down and a nice cup of tea. | 0:13:09 | 0:13:12 | |
You can tell me all about him. | 0:13:12 | 0:13:13 | |
This one's a bit of a... | 0:13:13 | 0:13:15 | |
She doesn't like to talk about it, you know. | 0:13:15 | 0:13:17 | |
I didn't tell you about the meeting just cos... | 0:13:17 | 0:13:20 | |
It's not a problem. We'll talk about it later. | 0:13:20 | 0:13:22 | |
I just know that you think... We've got company. | 0:13:22 | 0:13:25 | |
Well, perhaps I should leave you two to it. | 0:13:28 | 0:13:31 | |
If you need... Do you have to go so soon? | 0:13:34 | 0:13:36 | |
She said she should be leaving. Don't you listen? | 0:13:36 | 0:13:39 | |
It was lovely to meet you. | 0:13:42 | 0:13:44 | |
You too. | 0:13:46 | 0:13:47 | |
Ta-ta. | 0:13:47 | 0:13:48 | |
Howard's dead. | 0:13:54 | 0:13:55 | |
Aw. That's a shame(!) Has that upset you? | 0:13:55 | 0:13:59 | |
Finish your tea. | 0:14:02 | 0:14:03 | |
So her hair is now brown. | 0:14:12 | 0:14:14 | |
Mm-hm. Ha-ha! | 0:14:14 | 0:14:16 | |
Thank you. | 0:14:16 | 0:14:17 | |
Look, they've got your eyes, haven't they? | 0:14:17 | 0:14:21 | |
Well, that's Shak and that's Alia. | 0:14:21 | 0:14:23 | |
Aww. Yeah, I love them but they drive me bonkers sometimes. | 0:14:23 | 0:14:27 | |
That's their job. | 0:14:27 | 0:14:28 | |
And their dad? | 0:14:28 | 0:14:29 | |
Uh, it didn't work out. | 0:14:30 | 0:14:32 | |
Oh, I'm sorry. | 0:14:32 | 0:14:33 | |
No, it's fine. It's a, it's a good thing. | 0:14:33 | 0:14:35 | |
I wish we didn't have to go. | 0:14:36 | 0:14:38 | |
Well, we could bunk off. | 0:14:38 | 0:14:40 | |
Could you imagine Mrs Tembe's face if I didn't turn up? | 0:14:40 | 0:14:43 | |
Please, nothing happened. | 0:14:44 | 0:14:46 | |
The guy saved your life. You've gone on about him for years. | 0:14:46 | 0:14:49 | |
I've never felt like that. | 0:14:49 | 0:14:50 | |
You lied about where you were meeting. | 0:14:50 | 0:14:52 | |
I know how you get about it. | 0:14:52 | 0:14:53 | |
I bet I would have caught you sleeping together | 0:14:53 | 0:14:56 | |
in one of the four-posters. | 0:14:56 | 0:14:57 | |
That was the plan, wasn't it, eh? A nice afternoon together? | 0:14:57 | 0:15:00 | |
And then a little spa session. Don't be so silly. | 0:15:00 | 0:15:02 | |
Yeah? What underwear are you wearing then? | 0:15:02 | 0:15:05 | |
Nothing, it's just... | 0:15:05 | 0:15:06 | |
Nothing? You're wearing nothing? | 0:15:06 | 0:15:08 | |
No, no, I meant nothing special. | 0:15:08 | 0:15:10 | |
Ross, please. The guy's dead. | 0:15:10 | 0:15:12 | |
Get in the car. | 0:15:13 | 0:15:14 | |
I've got to go back up and get my book. | 0:15:16 | 0:15:18 | |
I'll go and get your book. Get in the car. | 0:15:18 | 0:15:21 | |
Uh, Mrs Tembe? | 0:15:34 | 0:15:36 | |
Wait, please. Excuse me, what is going on? | 0:15:37 | 0:15:40 | |
Please, help me. We need to go before he comes back! | 0:15:40 | 0:15:43 | |
OK, right. Go, go, go, go! | 0:15:43 | 0:15:45 | |
Thank you. | 0:15:50 | 0:15:51 | |
Yeah, but the waiter could have cracked a smile! | 0:16:06 | 0:16:08 | |
We tipped for a smile. | 0:16:08 | 0:16:10 | |
Hey, do you know, I got a tip here once. | 0:16:10 | 0:16:12 | |
No way. Yeah. A pensioner took a shine to me and gave me 10p. | 0:16:12 | 0:16:16 | |
I didn't let it change my life. | 0:16:16 | 0:16:18 | |
Do you know what? I don't know what I'm thinking. | 0:16:24 | 0:16:26 | |
It's just a moment of madness. He's going to be wondering where I am. | 0:16:26 | 0:16:29 | |
PHONE RINGS | 0:16:29 | 0:16:30 | |
Uh, right, look, you will be safe here. | 0:16:34 | 0:16:36 | |
Come, come into my office, I will make you a cup of tea. | 0:16:38 | 0:16:41 | |
You saw... You saw how he is. | 0:16:58 | 0:17:02 | |
Sure, he can turn on the charm, but he can just change, | 0:17:03 | 0:17:08 | |
like that, I mean... | 0:17:08 | 0:17:10 | |
You know what, I shouldn't be talking about him like this. | 0:17:10 | 0:17:13 | |
He's a good man, really. I mean... | 0:17:13 | 0:17:15 | |
So why are you running from a good man? | 0:17:17 | 0:17:19 | |
You have no idea. | 0:17:22 | 0:17:23 | |
Oh, oh, no! | 0:17:23 | 0:17:25 | |
It's all right, it's all right. No, it's not. | 0:17:25 | 0:17:28 | |
This is the only skirt he... | 0:17:31 | 0:17:33 | |
It's the only skirt he lets me wear. | 0:17:35 | 0:17:38 | |
He chose this. | 0:17:39 | 0:17:40 | |
Do you really think I would wear a monstrosity like this out of choice? | 0:17:40 | 0:17:44 | |
I'm not allowed to wear make-up. | 0:17:46 | 0:17:48 | |
I can't be attractive, otherwise, you know, boys won't be able to stop | 0:17:48 | 0:17:51 | |
throwing themselves at me, apparently. | 0:17:51 | 0:17:53 | |
He puts me down. | 0:17:56 | 0:17:58 | |
He checks up on me all the time, | 0:17:58 | 0:18:00 | |
and my family... | 0:18:00 | 0:18:03 | |
I haven't even seen my dad since he had his heart attack, and... | 0:18:06 | 0:18:09 | |
SOBBING | 0:18:12 | 0:18:14 | |
Ross understood me, you know, he understood my fears and everything. | 0:18:19 | 0:18:25 | |
Right from the start. | 0:18:25 | 0:18:26 | |
And... And as time went on, he, he would help me, | 0:18:26 | 0:18:31 | |
he would make arrangements, and make difficult phone calls, | 0:18:31 | 0:18:35 | |
you know, anything that would make life easier for me. | 0:18:35 | 0:18:38 | |
He didn't want me to work, so for a long time I didn't. | 0:18:40 | 0:18:43 | |
I just thought he was being...gallant. | 0:18:44 | 0:18:48 | |
And now when I look back, I just realise that, little by little, | 0:18:49 | 0:18:52 | |
he was just taking over. | 0:18:52 | 0:18:55 | |
He, he lost his job about seven months ago. | 0:18:55 | 0:18:59 | |
That's when he really changed. | 0:19:00 | 0:19:03 | |
He started following me, just letting his imagination run riot. | 0:19:03 | 0:19:08 | |
He got himself so paranoid about Howard. | 0:19:08 | 0:19:11 | |
I just, I don't know what I'm going to do. | 0:19:14 | 0:19:16 | |
There are places you can go. | 0:19:18 | 0:19:20 | |
You mean a women's refuge? | 0:19:22 | 0:19:23 | |
But he doesn't hit me. | 0:19:24 | 0:19:26 | |
What you are going through is abuse. | 0:19:28 | 0:19:31 | |
I don't know. | 0:19:33 | 0:19:34 | |
It just, it just all seems a bit extreme. | 0:19:34 | 0:19:37 | |
At least talk to somebody. | 0:19:40 | 0:19:42 | |
I know I am not Mr Bellamy, but, please, let me help you. | 0:19:43 | 0:19:50 | |
Can I help you? | 0:19:55 | 0:19:57 | |
I hope so. I seem to have lost something. | 0:19:57 | 0:19:59 | |
Oh, dear. I'll check lost property for you. What is it you've lost? | 0:19:59 | 0:20:02 | |
14 years of my life. Sorry...? | 0:20:02 | 0:20:04 | |
But it's OK. I know who took it. I want to talk to Mrs Tembe. | 0:20:04 | 0:20:07 | |
And you are? | 0:20:07 | 0:20:08 | |
Yvonne! Yvonne! | 0:20:08 | 0:20:11 | |
Please... | 0:20:11 | 0:20:12 | |
Stop me then. No, please, you can't shout... | 0:20:12 | 0:20:14 | |
Yvonne! Come out now! Yvonne! Please, I'm going to have to ask you... | 0:20:14 | 0:20:17 | |
What is all this noise? | 0:20:17 | 0:20:18 | |
Yvonne? Yvonne? You cannot go in there! | 0:20:18 | 0:20:21 | |
Get your bag, we're going home. | 0:20:22 | 0:20:23 | |
Get out of my office! What have you been filling her head with? | 0:20:23 | 0:20:26 | |
I said, get out! | 0:20:26 | 0:20:28 | |
I asked you a question. | 0:20:28 | 0:20:30 | |
What right have you got to poke your nose into our relationship? Eh? Ross, please, just let... | 0:20:30 | 0:20:34 | |
Take your hand away. | 0:20:34 | 0:20:36 | |
Should I call the police? | 0:20:36 | 0:20:37 | |
This is your last chance. | 0:20:39 | 0:20:41 | |
I'll see you at home. | 0:20:46 | 0:20:48 | |
Are you all right? | 0:20:51 | 0:20:53 | |
KNOCKING Yeah, come in. | 0:20:55 | 0:20:58 | |
Jimmi, first of all, a belated apology. | 0:20:59 | 0:21:05 | |
For? | 0:21:05 | 0:21:06 | |
For highlighting that you were prescribing the most antibiotics in the practice. OK. | 0:21:06 | 0:21:11 | |
And, secondly, thank you for telling me about European Antibiotics Awareness Day. | 0:21:11 | 0:21:15 | |
It's going to be a brilliant way of getting the word out about patterns of usage and educating people | 0:21:15 | 0:21:20 | |
My pleasure. | 0:21:20 | 0:21:21 | |
I've already started ringing round the other surgeries, see if they can come on board too. | 0:21:21 | 0:21:25 | |
If we tell a patient about how antibiotics should be used, | 0:21:25 | 0:21:27 | |
and they tell two more friends and then they tell two friends... | 0:21:27 | 0:21:30 | |
It'll spread like a disease. | 0:21:30 | 0:21:31 | |
A disease of knowledge! | 0:21:31 | 0:21:33 | |
Yeah, right, well, I'd, you know... | 0:21:33 | 0:21:35 | |
Yeah. | 0:21:35 | 0:21:37 | |
Just one more thing, will you be an Antibiotic Guardian? | 0:21:37 | 0:21:41 | |
I'm not dressing up. | 0:21:41 | 0:21:43 | |
No, no, no costume required, I promise. | 0:21:43 | 0:21:47 | |
Yeah. Yeah, thank you. | 0:21:51 | 0:21:53 | |
Never thought I'd have to call a helpline. | 0:21:56 | 0:21:59 | |
But then, who does? | 0:21:59 | 0:22:01 | |
What a mess. | 0:22:01 | 0:22:03 | |
You deserve to be treated with respect. | 0:22:05 | 0:22:07 | |
They said about going to a refuge. | 0:22:09 | 0:22:11 | |
Just feels so wrong, running away. | 0:22:13 | 0:22:15 | |
It's not in a soldier's training. | 0:22:15 | 0:22:17 | |
You wanted to see Mr Bellamy for a reason. | 0:22:19 | 0:22:21 | |
I could take you. | 0:22:23 | 0:22:24 | |
They said it's best that nobody knows where I'm going. | 0:22:26 | 0:22:29 | |
Yes, of course. | 0:22:29 | 0:22:31 | |
Could you order me a taxi? | 0:22:32 | 0:22:34 | |
I know that this may seem very scary. | 0:22:37 | 0:22:40 | |
But the women's refuge is the right place. | 0:22:42 | 0:22:44 | |
Yes, you can see that I'm in your catchment area. | 0:22:50 | 0:22:52 | |
Please, I just need a new patient appointment | 0:22:54 | 0:22:56 | |
Oh, yes. Yeah, no, that's good. | 0:23:02 | 0:23:04 | |
And that's with Dr Hammah tomorrow? Thank you. | 0:23:06 | 0:23:09 | |
Thanks. | 0:23:09 | 0:23:11 | |
Cheers. | 0:23:25 | 0:23:26 | |
PHONE BEEPS | 0:23:26 | 0:23:29 | |
'First new message.' | 0:23:35 | 0:23:37 | |
'What can I say? I'm sorry. I've been a fool. | 0:23:38 | 0:23:41 | |
'I shouldn't have been like... I was just a bull in a china shop coming | 0:23:41 | 0:23:45 | |
'into the surgery, checking up on you. What was I thinking, eh? | 0:23:45 | 0:23:49 | |
'But this Howard was pushing my buttons and I... | 0:23:49 | 0:23:52 | |
'But I can change, yeah? The main thing is, I love you. | 0:23:54 | 0:23:57 | |
'So come home. Please? | 0:23:59 | 0:24:01 | |
'We can talk and that.' | 0:24:01 | 0:24:03 | |
BEEP | 0:24:03 | 0:24:05 | |
RINGING | 0:24:17 | 0:24:20 | |
'Where are you?' | 0:24:20 | 0:24:21 | |
I'm coming home. | 0:24:30 | 0:24:32 | |
So how did your meeting go? | 0:24:36 | 0:24:38 | |
Oh, uh... Well, I think I did what Mr Bellamy would have done. | 0:24:38 | 0:24:43 | |
OK. Oh, yeah. That's a good idea. | 0:24:54 | 0:24:57 | |
That'll be great. Sounds like a plan. | 0:24:57 | 0:25:00 | |
Oh, and don't worry about getting stuff over to you, | 0:25:00 | 0:25:03 | |
that'll be no problem. I've got people. | 0:25:03 | 0:25:05 | |
"People"? Yeah, he was looking at you. | 0:25:05 | 0:25:09 | |
All Fellows Surgery want to be involved in the campaign! Oh, woo(!) | 0:25:09 | 0:25:13 | |
But before you disappear, I've just got one question I want to ask you all. | 0:25:13 | 0:25:17 | |
Can you all make a pledge? | 0:25:17 | 0:25:18 | |
Yes, I can make a pledge to get out of here ASAP. See ya. | 0:25:18 | 0:25:22 | |
I'll also be making that pledge. | 0:25:22 | 0:25:24 | |
No, I meant a pledge about antibiotics. | 0:25:24 | 0:25:26 | |
And what are the cost implications of this awareness day? | 0:25:26 | 0:25:30 | |
Not quite sure. But it won't be much. | 0:25:30 | 0:25:33 | |
I don't think. It is a good idea, though. | 0:25:33 | 0:25:35 | |
Yes, in principle it is good to educate people about antibiotics. | 0:25:36 | 0:25:41 | |
So you'll be a Guardian then? | 0:25:41 | 0:25:44 | |
A what? | 0:25:44 | 0:25:45 | |
An Antibiotic Guardian is just someone who makes a pledge | 0:25:45 | 0:25:48 | |
about their use of antibiotics and they resolve to stick to it. | 0:25:48 | 0:25:51 | |
What a load of nonsense. | 0:25:51 | 0:25:53 | |
Yes, yes, I am in. | 0:25:54 | 0:25:57 | |
But I am a little worried that you will struggle to get this all done in time. | 0:25:57 | 0:26:01 | |
Don't worry. I'm sure I can do it, Mrs Tembe. | 0:26:01 | 0:26:03 | |
Yeah, I'm sure I can! | 0:26:03 | 0:26:05 | |
Well, uh, goodnight. | 0:26:05 | 0:26:07 | |
This is all your fault, Clay. Hope you know that. | 0:26:08 | 0:26:11 | |
What floated to the surface? | 0:26:19 | 0:26:20 | |
Oh. Yes, my idea. | 0:26:20 | 0:26:21 | |
E-mailing the whole patient database | 0:26:21 | 0:26:23 | |
and asking them to become Antibiotic Guardians. | 0:26:23 | 0:26:26 | |
I'm really glad that you've reconsidered. | 0:26:26 | 0:26:28 | |
Reconsidered? | 0:26:28 | 0:26:30 | |
Yes. Your inheritance. | 0:26:30 | 0:26:31 | |
Oh, no, I haven't changed my mind about that. | 0:26:31 | 0:26:34 | |
You've got to try. It's up to Mel. | 0:26:34 | 0:26:37 | |
Mel? I can't do any of it right! | 0:26:37 | 0:26:41 | |
# These streets are yours You can keep them... # | 0:27:11 | 0:27:14 | |
You wouldn't have found a doctor down here before. | 0:27:14 | 0:27:17 | |
Or a banker. | 0:27:17 | 0:27:19 | |
There's no reason this bonus might not be closer to TWO million. | 0:27:19 | 0:27:25 | |
I think you need me to come and speak to the police | 0:27:25 | 0:27:27 | |
about those abusive postcards you told me about. | 0:27:27 | 0:27:30 | |
I don't think anyone would want what I have. | 0:27:30 | 0:27:33 | |
I know I don't. | 0:27:33 | 0:27:34 |