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There he is. Are you ready to get back to work? | 0:00:27 | 0:00:29 | |
Hi. Reporting for duty, M. | 0:00:29 | 0:00:31 | |
How come I'm M, and you're Bond? | 0:00:32 | 0:00:34 | |
Uh. Jimmi - James. Also - young and handsome. | 0:00:34 | 0:00:37 | |
-Busy day? -No. I think the rain has kept all the trouble indoors. | 0:00:38 | 0:00:41 | |
No-one wanted to go out in it. So it should be a quiet night. | 0:00:41 | 0:00:44 | |
-Ah, you've jinxed it now. -Oh. -Get off, man! He did this. | 0:00:44 | 0:00:47 | |
This is insane. He attacked me! | 0:00:47 | 0:00:48 | |
-I didn't touch him! Lock him up! -You were robbing me, you little... | 0:00:48 | 0:00:52 | |
All right, stop it, calm down! Both of you. | 0:00:52 | 0:00:56 | |
Thank you! Right. | 0:00:56 | 0:00:58 | |
I think we'll have that eye seen to by the doctor. Come on. | 0:00:58 | 0:01:02 | |
Told you. You jinxed it. | 0:01:04 | 0:01:06 | |
Welcome back. | 0:01:06 | 0:01:07 | |
Are you sure? You deserve it as much as I do. | 0:01:09 | 0:01:12 | |
I think it was a once-in-a-lifetime event for me. | 0:01:12 | 0:01:14 | |
Thank you but I'll pass. | 0:01:14 | 0:01:16 | |
What's this? | 0:01:16 | 0:01:17 | |
Emma and I have been invited to Maison de Fous. | 0:01:17 | 0:01:19 | |
We reviewed it before, and they've asked us | 0:01:19 | 0:01:21 | |
to sample this season's menu. | 0:01:21 | 0:01:23 | |
Look at your face. | 0:01:23 | 0:01:25 | |
You can't wait, can you? | 0:01:25 | 0:01:26 | |
You know, I still dream of Luke's pigeon and plum clafoutis. | 0:01:26 | 0:01:30 | |
And those kimchi bonbons. Incredible, weren't they? | 0:01:30 | 0:01:32 | |
So it's a real restaurant, not one of those silly fancy ones? | 0:01:32 | 0:01:35 | |
What so you mean, silly fancy ones? | 0:01:35 | 0:01:37 | |
You know, a smear of jus. A whiff of food. | 0:01:37 | 0:01:40 | |
It's not a meal, is it? It's just pretence. | 0:01:40 | 0:01:42 | |
Do you care to eat those words with a side order of gastronomic genius? | 0:01:42 | 0:01:46 | |
-What? Now? -If Emma doesn't object. | 0:01:46 | 0:01:49 | |
Not at all. Be my guest. | 0:01:49 | 0:01:50 | |
You're on. I'll see you in 20 minutes. | 0:01:50 | 0:01:53 | |
THEY LAUGH | 0:01:53 | 0:01:55 | |
You old dog, you! | 0:01:55 | 0:01:57 | |
I don't know what you mean. | 0:01:57 | 0:01:58 | |
Yes, you do. | 0:01:58 | 0:01:59 | |
See what he did to me? I didn't even touch him. | 0:02:00 | 0:02:03 | |
It's just GBH, innit? | 0:02:03 | 0:02:05 | |
Doesn't look as if it needs stitches. How are you feeling? | 0:02:06 | 0:02:10 | |
I want photos. He's not getting away with this. | 0:02:10 | 0:02:12 | |
We'll get photos. In the meantime, you should just try and relax. | 0:02:12 | 0:02:15 | |
Relax? Mate, I've just been arrested cos a man hit me! | 0:02:15 | 0:02:18 | |
What did I do? | 0:02:18 | 0:02:19 | |
-I can't really... -You believe him, don't you? | 0:02:20 | 0:02:23 | |
Yeah, of course. Cops, lawyers. All stick together, don't you? | 0:02:23 | 0:02:26 | |
Tell me, do you see any marks on his face? | 0:02:26 | 0:02:28 | |
No. The man hit me. | 0:02:28 | 0:02:30 | |
I didn't do a thing. | 0:02:30 | 0:02:31 | |
I'm not saying I know what happened. | 0:02:32 | 0:02:34 | |
Yeah, well, I know what happened. | 0:02:34 | 0:02:36 | |
The man attacked me because I'm black. | 0:02:36 | 0:02:38 | |
What do you think? | 0:02:56 | 0:02:58 | |
-It's fine. -Fine? You're supposed to say I look nice. | 0:02:58 | 0:03:02 | |
-You look nice. -It doesn't count if I tell you to say it. | 0:03:02 | 0:03:05 | |
You look fab. What's the occasion? | 0:03:05 | 0:03:07 | |
Ruhma is accompanying me to Maison de Fous, | 0:03:07 | 0:03:09 | |
where I hope to disabuse her misgivings of experimental cuisine. | 0:03:09 | 0:03:14 | |
I heard the chef there once cooked a whale's willy. | 0:03:14 | 0:03:16 | |
-What? -It's a myth. Calm down. | 0:03:16 | 0:03:19 | |
You won't regret it. It's lovely. | 0:03:19 | 0:03:20 | |
-If we eventually get there. Come on. -See you. | 0:03:20 | 0:03:23 | |
Oh, Mrs Tembe. Could I please take Monday off? | 0:03:29 | 0:03:31 | |
-What for? -Because I'd like to take the day off. | 0:03:33 | 0:03:37 | |
You really should give me more notice. I need more warning. | 0:03:37 | 0:03:40 | |
It's a yes-or-no question, Mrs Tembe. | 0:03:40 | 0:03:43 | |
So can I take the day off? | 0:03:43 | 0:03:44 | |
Yes. Yes, you may. | 0:03:46 | 0:03:48 | |
-But you will have to catch up. -Thank you. | 0:03:48 | 0:03:51 | |
Do you want anyone to call home for you? | 0:04:03 | 0:04:06 | |
Mum's gone away. Funeral. | 0:04:06 | 0:04:08 | |
What about your dad? | 0:04:08 | 0:04:10 | |
She's burying him. | 0:04:11 | 0:04:12 | |
I'm sorry to hear that. You're not invited? | 0:04:13 | 0:04:16 | |
We don't have the money to fly us both out. | 0:04:16 | 0:04:19 | |
I said I'd stay behind and feed the dog. | 0:04:19 | 0:04:21 | |
Can't be easy. | 0:04:21 | 0:04:22 | |
Why am I even still here! He hit me! | 0:04:23 | 0:04:25 | |
-Because we need to hear your side of the story. -I didn't do nothing. | 0:04:25 | 0:04:28 | |
It's a pure racist attack, pure and simple. | 0:04:28 | 0:04:31 | |
Course, you lot will probably do nothing about it. | 0:04:31 | 0:04:34 | |
Probably just pat him on the back, innit. | 0:04:34 | 0:04:37 | |
You all stick together. | 0:04:37 | 0:04:38 | |
We are taking your accusation seriously, I can assure you of that. | 0:04:38 | 0:04:41 | |
OK, let's hear it. | 0:04:44 | 0:04:46 | |
I was walking home from five-a-side. | 0:04:48 | 0:04:50 | |
Normally my mum picks me up, but... | 0:04:50 | 0:04:52 | |
I thought I'd just walk it. Save some money. | 0:04:52 | 0:04:55 | |
Only I didn't really know the way. | 0:04:55 | 0:04:56 | |
Thought I'd just follow my nose, but I ended up getting lost. | 0:04:56 | 0:04:59 | |
So I sat on a wall to check my phone. Next thing... | 0:04:59 | 0:05:02 | |
-Oi! -What's that? | 0:05:04 | 0:05:06 | |
Get off that wall. | 0:05:06 | 0:05:08 | |
'I got off the wall like he asked, but he wasn't having any of it.' | 0:05:08 | 0:05:11 | |
-What you doing here? -'I tried to walk away, but...' | 0:05:11 | 0:05:13 | |
I'm asking you a question. You animals speak English, don't you? | 0:05:13 | 0:05:17 | |
What are you doing here? | 0:05:17 | 0:05:20 | |
-Free country. -Yeah. But it isn't yours. | 0:05:21 | 0:05:24 | |
Whatever. | 0:05:28 | 0:05:29 | |
Ah! Get off me! | 0:05:30 | 0:05:33 | |
'He just hit me. No warning. I didn't do a thing. | 0:05:33 | 0:05:36 | |
'And then he has the stones to go and call you.' | 0:05:36 | 0:05:38 | |
Police. Now! | 0:05:38 | 0:05:39 | |
All I did was sit on a wall and get hit in the face, | 0:05:42 | 0:05:44 | |
and he wants me arrested? He's the one who needs his head checked. | 0:05:44 | 0:05:47 | |
You didn't get angry and confront him? | 0:05:47 | 0:05:49 | |
I was taught to walk away. | 0:05:49 | 0:05:51 | |
-Even when he attacked you, you didn't fight back? -No. | 0:05:51 | 0:05:53 | |
Because if a rich white man walks in here with a bruise on his face | 0:05:53 | 0:05:56 | |
which I gave him, you wouldn't even be listening to my version. | 0:05:56 | 0:05:59 | |
That would be it. | 0:05:59 | 0:06:01 | |
The papers would make me out to be a thug. | 0:06:01 | 0:06:04 | |
I didn't hit him, because I don't want to go to prison. | 0:06:04 | 0:06:07 | |
But he can. | 0:06:08 | 0:06:09 | |
You got him locked up down there and now he's going to have to stand in front of a judge | 0:06:09 | 0:06:13 | |
and tell everybody what he did and why he hit me. | 0:06:13 | 0:06:15 | |
It's time he paid. | 0:06:18 | 0:06:19 | |
Bit severe, isn't it? | 0:06:25 | 0:06:27 | |
Chef Luke maintains that the ambience of a restaurant | 0:06:27 | 0:06:30 | |
shouldn't overshadow the food. | 0:06:30 | 0:06:31 | |
See, that's where it goes wrong for me. | 0:06:31 | 0:06:33 | |
It's a converted cowshed, | 0:06:33 | 0:06:35 | |
and you all think it's the Emperor's new clothes. | 0:06:35 | 0:06:37 | |
-Er, Ruhma... -Just because... Thank you. | 0:06:37 | 0:06:39 | |
Just because some French eccentric is mad enough to make bacon trifle | 0:06:39 | 0:06:43 | |
-doesn't mean he gets to look down... -Ruhma. | 0:06:43 | 0:06:45 | |
-..his pointy nose at me because I'd rather have a fish-finger sandwich. -Ruhma! | 0:06:45 | 0:06:49 | |
-What? -May I introduce Chef Luke. | 0:06:49 | 0:06:53 | |
How do you do? | 0:06:53 | 0:06:55 | |
Hello! Hi! Hello! Hi. | 0:06:55 | 0:06:57 | |
I'm Luke. I am not French, I'm afraid, | 0:06:57 | 0:06:59 | |
and I don't think my nose is pointy. | 0:06:59 | 0:07:02 | |
-No. -Is my nose pointy? | 0:07:02 | 0:07:04 | |
No. It's nice, small. | 0:07:04 | 0:07:10 | |
Sorry, hello, I'm Ruhma. | 0:07:10 | 0:07:11 | |
-Hello, Ruhma. And welcome back, Dr Carter. -Delighted to be here. | 0:07:11 | 0:07:15 | |
Wonderful. Your room is through there. Please. | 0:07:15 | 0:07:18 | |
-Thank you. -Thank you. | 0:07:18 | 0:07:19 | |
Just for the record, Mr Fincham - | 0:07:23 | 0:07:24 | |
you've waived your right to legal representation. Is that correct? | 0:07:24 | 0:07:27 | |
I can do it myself, yes. Rob, why am I here? | 0:07:27 | 0:07:31 | |
You can't be taking that boy seriously? You know me. | 0:07:31 | 0:07:34 | |
Does this sound like me? | 0:07:34 | 0:07:36 | |
Sergeant Hollins, please. | 0:07:36 | 0:07:38 | |
You're a lawyer, you know that it is my job to take both sides seriously. | 0:07:38 | 0:07:42 | |
You know the procedures as well as I do. | 0:07:42 | 0:07:44 | |
I know which ones are a waste of time. | 0:07:44 | 0:07:46 | |
Do you want a coffee? | 0:07:46 | 0:07:48 | |
I'm not drunk, thank you, Sergeant. And even if I were, | 0:07:48 | 0:07:50 | |
there were no laws broken there. | 0:07:50 | 0:07:52 | |
Of course not. | 0:07:52 | 0:07:53 | |
Can we get on with this? | 0:07:53 | 0:07:55 | |
-Tell me what happened. -From when? -From when you noticed the boy. | 0:07:55 | 0:07:58 | |
I'd taken a taxi home from work, | 0:07:58 | 0:08:01 | |
'I was going to get changed and head back out again. | 0:08:01 | 0:08:03 | |
'We were celebrating. | 0:08:03 | 0:08:05 | |
'He came round the side of the house, hood up, scarf over his face. | 0:08:10 | 0:08:13 | |
'He wasn't expecting me.' | 0:08:13 | 0:08:15 | |
Who the hell are you? | 0:08:15 | 0:08:16 | |
Bag of stuff slung over him and he was off. | 0:08:17 | 0:08:20 | |
'Gave chase. Caught him. And it was a mess. | 0:08:21 | 0:08:25 | |
'I don't know what to do in a fight.' | 0:08:25 | 0:08:27 | |
Police! Now! | 0:08:29 | 0:08:31 | |
'It's a good thing you chaps turned up so quick.' | 0:08:31 | 0:08:34 | |
I was beginning to feel a bit out of my depth once | 0:08:34 | 0:08:36 | |
I realised what had happened. | 0:08:36 | 0:08:37 | |
-How do you think he got the injury to his eye? -I wouldn't like to speculate. | 0:08:37 | 0:08:41 | |
The bruises on your knuckles? | 0:08:42 | 0:08:43 | |
I must have fallen on my hand. | 0:08:45 | 0:08:46 | |
-But you can't say for sure. -Look, it was a scuffle. A mess. | 0:08:46 | 0:08:51 | |
Did you say anything to him? | 0:08:51 | 0:08:53 | |
In the heat of the moment. Did you call him anything, in anger? | 0:08:53 | 0:08:56 | |
-Like what? -Did you call him an animal? | 0:08:56 | 0:08:58 | |
No, of course not. Why would I? | 0:08:58 | 0:08:59 | |
What made you think he was going to break into the house? | 0:08:59 | 0:09:02 | |
-Instinct. He had that look about him. -Meaning? | 0:09:02 | 0:09:05 | |
Meaning he looked shifty, and guilty. | 0:09:05 | 0:09:07 | |
The bag and the hood. I would have chased him if he was white, Rob. | 0:09:07 | 0:09:11 | |
Come on. | 0:09:11 | 0:09:12 | |
Do you normally drink that early in the day? | 0:09:12 | 0:09:15 | |
I was celebrating. Champagne at the office. | 0:09:15 | 0:09:18 | |
You are making a mountain out of a molehill here. | 0:09:18 | 0:09:21 | |
I'm not some lout with a brew picking fights in the street. | 0:09:21 | 0:09:24 | |
-I was in a good mood. -What were you celebrating? | 0:09:24 | 0:09:26 | |
Appointment to the International Criminal Court. | 0:09:26 | 0:09:29 | |
Congratulations. | 0:09:31 | 0:09:32 | |
And here you are, treating me like a criminal. Ironic, right? | 0:09:32 | 0:09:37 | |
What's this about, really? You think I hit him? | 0:09:37 | 0:09:40 | |
You think I called him an animal? | 0:09:40 | 0:09:42 | |
Rob, you know me. | 0:09:43 | 0:09:46 | |
That lad was breaking into my home, I tell you. | 0:09:46 | 0:09:48 | |
I'm doing my job. I'm trying to get to the bottom of things. | 0:09:48 | 0:09:51 | |
I don't know what that boy's told you, but he's lying. You know that. | 0:09:51 | 0:09:55 | |
So. To begin... | 0:10:02 | 0:10:05 | |
The menu is called Odyssey. | 0:10:05 | 0:10:07 | |
It charts my journey, and career as a chef, starting in Iceland, where I was born. | 0:10:07 | 0:10:12 | |
Fascinating. | 0:10:12 | 0:10:14 | |
This first course is a lamb and arctic willow soup. | 0:10:14 | 0:10:17 | |
The lamb is halal. | 0:10:17 | 0:10:19 | |
And the rest is foraged by hand from around Vatnajokull. | 0:10:19 | 0:10:23 | |
I would like you to imagine eating this after a long walk | 0:10:24 | 0:10:29 | |
along the banks of Olfusa - where I have sourced the pebbles. | 0:10:29 | 0:10:34 | |
Then you come home, and soup is waiting. | 0:10:34 | 0:10:37 | |
So, please, place your hands into the snow, put the pebble | 0:10:38 | 0:10:42 | |
in your mouth. It is the cold, mineral essence of the outside. | 0:10:42 | 0:10:46 | |
Then cradle the soup and begin. | 0:10:48 | 0:10:52 | |
Thank you. | 0:10:52 | 0:10:54 | |
Really? | 0:10:59 | 0:11:00 | |
You're putting an actual pebble in your mouth? | 0:11:03 | 0:11:07 | |
He's not even in the room. | 0:11:07 | 0:11:08 | |
I'm sure it's perfectly hygienic. | 0:11:08 | 0:11:10 | |
I'm not worried about germs. | 0:11:10 | 0:11:12 | |
I'm worried about looking like a wally. | 0:11:12 | 0:11:14 | |
Mmm. | 0:11:20 | 0:11:22 | |
That's marvellous. | 0:11:25 | 0:11:26 | |
-Hey, how's it going? -Oh, I don't know. | 0:11:30 | 0:11:34 | |
It doesn't make sense whichever way you look at it. How was the kid when you treated him? | 0:11:34 | 0:11:38 | |
Angry about the black eye, and about being arrested for it. | 0:11:38 | 0:11:41 | |
-He didn't steal anything. -Doesn't mean he wasn't planning to. | 0:11:41 | 0:11:43 | |
Yeah. But someone definitely hit him. | 0:11:43 | 0:11:45 | |
-Have you had chance to examine Fincham yet? -Er, no, not yet. | 0:11:45 | 0:11:50 | |
But I noticed the bruises on his hand when he came in. | 0:11:50 | 0:11:52 | |
-He's right handed, I take it. -Mm. It doesn't fit. I know William. | 0:11:52 | 0:11:55 | |
He's many things, but I don't think being racist is one of them. | 0:11:55 | 0:11:58 | |
He's just been handed a new career opportunity, | 0:11:58 | 0:12:00 | |
so why would he risk losing that by picking a fight the night before? | 0:12:00 | 0:12:03 | |
Drink. Stress. People snap. | 0:12:03 | 0:12:05 | |
Don't buy it. | 0:12:05 | 0:12:06 | |
-Doesn't mean it didn't happen. -There's something else. | 0:12:06 | 0:12:09 | |
Even before they got here, we had the press on the phone, asking about a racist attack. | 0:12:09 | 0:12:13 | |
Wanting to drag Fincham's name through the mud. | 0:12:13 | 0:12:15 | |
You think Oliver tipped them off? | 0:12:15 | 0:12:17 | |
I don't know, we took their phones off them. | 0:12:17 | 0:12:19 | |
Then how did they find out? | 0:12:19 | 0:12:20 | |
Thank you. | 0:12:22 | 0:12:23 | |
How did you like my Florence? | 0:12:24 | 0:12:26 | |
Can I just say that is the finest Lampredotto this side of Tuscany. | 0:12:26 | 0:12:30 | |
Excuse me, sorry. Can I just ask you. | 0:12:30 | 0:12:33 | |
-Have you ever cooked a whale's...you know? -Ruhma, please? | 0:12:33 | 0:12:36 | |
What do you think this last course was? | 0:12:36 | 0:12:38 | |
This was a joke. No. | 0:12:40 | 0:12:43 | |
I have not. | 0:12:43 | 0:12:44 | |
Anyway... | 0:12:45 | 0:12:46 | |
-Next stop, Shanghai. -We can't wait! | 0:12:48 | 0:12:51 | |
You seem unimpressed with it all. | 0:12:58 | 0:13:00 | |
I'm having fun. | 0:13:00 | 0:13:02 | |
It's nice to see you enjoying yourself so much. | 0:13:02 | 0:13:05 | |
And I'll have a good laugh telling my mates about it. | 0:13:05 | 0:13:08 | |
And...? | 0:13:08 | 0:13:09 | |
I'm not getting that blinding, | 0:13:10 | 0:13:12 | |
divine experience that you keep going on about. It's...fine. | 0:13:12 | 0:13:16 | |
Yes, but for you "fine" is damning. | 0:13:17 | 0:13:20 | |
Oh, don't take it personally. We've got different tastes, that's all. | 0:13:20 | 0:13:24 | |
I don't hate it. | 0:13:25 | 0:13:27 | |
Mediocrity is the worst of all sins. | 0:13:27 | 0:13:29 | |
-It's not a sin. -It is in the kitchen. | 0:13:29 | 0:13:31 | |
It really matters to you. | 0:13:33 | 0:13:34 | |
I'm just disappointed you're not enjoying it. | 0:13:35 | 0:13:39 | |
Excuse me. | 0:13:39 | 0:13:40 | |
-Thank you. -No problem. | 0:13:44 | 0:13:47 | |
Hi, I'm Amelia Sullivan. | 0:13:47 | 0:13:50 | |
Is there any chance I can speak to Sergeant Hollins? | 0:13:50 | 0:13:53 | |
-I'll see if he's about. -Thank you. | 0:13:53 | 0:13:55 | |
And then yesterday I was at The Mill trying to do the same. | 0:13:55 | 0:13:59 | |
To try and find out what I can from the people who worked with him. | 0:13:59 | 0:14:02 | |
And how was that? | 0:14:02 | 0:14:04 | |
It was like putting together a jigsaw without the box or the corners. | 0:14:04 | 0:14:07 | |
Don't get me wrong, they were all really helpful. | 0:14:07 | 0:14:10 | |
It's just I don't know where to begin when it comes to him. | 0:14:10 | 0:14:14 | |
I don't know if I can be any more useful. | 0:14:14 | 0:14:17 | |
Er...trying to think. | 0:14:17 | 0:14:19 | |
You've caught me a bit off guard. | 0:14:20 | 0:14:22 | |
It's OK. I'm used to this coming as a shock. | 0:14:22 | 0:14:24 | |
Yeah. Well, we worked the same beat sometimes. | 0:14:24 | 0:14:28 | |
And I also knew him through my wife who works at The Mill. Karen. | 0:14:28 | 0:14:32 | |
We were both very sad when he passed away. | 0:14:35 | 0:14:38 | |
Sorry. I don't mean to drag you all through it again. | 0:14:38 | 0:14:40 | |
No, it's OK. I'd like to help. | 0:14:40 | 0:14:42 | |
Let's see. Howard. He was a very private man. | 0:14:43 | 0:14:47 | |
And we weren't best mates or anything. | 0:14:47 | 0:14:49 | |
But I can tell you that he was a true gentleman. | 0:14:49 | 0:14:52 | |
Hard-working. Took both his jobs very seriously. | 0:14:52 | 0:14:56 | |
Sometimes, maybe a little too seriously, but that was him. | 0:14:56 | 0:15:00 | |
He had a very strong sense of right and wrong. | 0:15:00 | 0:15:03 | |
-SHE SCOFFS -Sorry. | 0:15:03 | 0:15:06 | |
It's just all anyone has to say about him is what a good man he was. | 0:15:06 | 0:15:11 | |
Well, if that was the case, why did he walk away from me? | 0:15:11 | 0:15:14 | |
JIMMI: How are you feeling? | 0:15:16 | 0:15:18 | |
Fed up. Why am I still here? I didn't steal nothing, did I? | 0:15:18 | 0:15:21 | |
So the guy's just a liar. | 0:15:21 | 0:15:23 | |
And you'd never met him before. He just came up to you and... | 0:15:23 | 0:15:26 | |
Never. Not in my life. Pure racist, that's all it was. | 0:15:26 | 0:15:29 | |
OK. But just so I'm clear, how did you know he was a lawyer? | 0:15:29 | 0:15:33 | |
-Well, he... -You said before he was lawyer. | 0:15:33 | 0:15:35 | |
Are you calling me a liar? | 0:15:35 | 0:15:38 | |
What did you mean when you said that "it's time he paid"? | 0:15:38 | 0:15:40 | |
Did they send you in here to try and trip me up? | 0:15:40 | 0:15:42 | |
-You're just as bad as him! -I'm not trying to trip you up. | 0:15:42 | 0:15:45 | |
I'm trying to work out what happened. | 0:15:45 | 0:15:46 | |
Oliver, there's something you're not telling me. | 0:15:46 | 0:15:49 | |
I'm worried if you're trying to hurt someone, it's going to backfire. | 0:15:49 | 0:15:52 | |
Mate, what are you on about? | 0:15:52 | 0:15:54 | |
Look, whatever it is you've got going on with this guy, it needs to be out in the open. | 0:15:55 | 0:15:59 | |
Otherwise I don't think Fincham is the only one who will get hurt here. | 0:15:59 | 0:16:02 | |
I DON'T CARE! | 0:16:02 | 0:16:04 | |
He let my dad die in prison and now he's going to answer for it! | 0:16:04 | 0:16:07 | |
So, what do we have here? | 0:16:15 | 0:16:17 | |
Ooh, apparently it's to simulate the flight he took to China. | 0:16:17 | 0:16:21 | |
A refresher, before the next course. | 0:16:21 | 0:16:23 | |
You bite the foil and lick the banana leaf. | 0:16:23 | 0:16:27 | |
I quite like this one. | 0:16:27 | 0:16:29 | |
This is toothpaste. | 0:16:43 | 0:16:44 | |
Your handiwork. | 0:16:45 | 0:16:47 | |
Verdict? | 0:16:47 | 0:16:48 | |
Um, well, um... | 0:16:48 | 0:16:51 | |
This is a subtle blend of clove, and peppermint and, um... | 0:16:53 | 0:16:56 | |
Fluoride. | 0:16:59 | 0:17:01 | |
I think I'll have another one! Waiter! | 0:17:01 | 0:17:04 | |
-Oh, shut up. -It's not bad at all. | 0:17:04 | 0:17:06 | |
I didn't see much of him at first. | 0:17:08 | 0:17:10 | |
He didn't want me in the prison. | 0:17:12 | 0:17:14 | |
Wasn't even about, you know, | 0:17:15 | 0:17:17 | |
seeing him behind bars, he just... | 0:17:17 | 0:17:21 | |
He just didn't want his kid in the building. | 0:17:21 | 0:17:24 | |
He was proud like that, you know. | 0:17:26 | 0:17:28 | |
Didn't want his kid to see the inside. | 0:17:29 | 0:17:31 | |
I had two photos of him. | 0:17:33 | 0:17:34 | |
One of him and my mum. | 0:17:36 | 0:17:37 | |
And one of him holding me as a baby with one hand. | 0:17:37 | 0:17:40 | |
That's the only image I had of my dad for years. | 0:17:42 | 0:17:45 | |
He was stolen from me. | 0:17:45 | 0:17:47 | |
But then he gets diagnosed. | 0:17:49 | 0:17:52 | |
I didn't know he was going to die in there. | 0:17:53 | 0:17:56 | |
Not going to get out, not going to see me again. | 0:17:56 | 0:17:58 | |
And those pigs still wouldn't let him out. | 0:18:00 | 0:18:03 | |
Finally, after all those years I get to see my dad again. | 0:18:05 | 0:18:08 | |
And my first memory of him... | 0:18:08 | 0:18:10 | |
He's this ghost. | 0:18:10 | 0:18:11 | |
He's got these, like, thin hands. | 0:18:12 | 0:18:15 | |
You couldn't hold a baby with those hands. | 0:18:15 | 0:18:18 | |
I used to remember him with this big laugh, | 0:18:18 | 0:18:21 | |
but now when I hear his voice, it's just this broken whispered thing. | 0:18:21 | 0:18:24 | |
That's the last memory that I have of my dad. | 0:18:25 | 0:18:28 | |
And I don't even get to bury him! | 0:18:28 | 0:18:30 | |
Meanwhile that smug, racist piece of trash is raking in the money. | 0:18:30 | 0:18:35 | |
How do you know for sure he's to blame? | 0:18:38 | 0:18:40 | |
Because my dad told me. | 0:18:40 | 0:18:41 | |
That man put my dad in jail because of his lies. | 0:18:43 | 0:18:46 | |
Now I'm going to do the same to him. | 0:18:49 | 0:18:51 | |
Police, press, whatever it takes. | 0:18:52 | 0:18:54 | |
The whole idea of the trip was to try and get some peace and quiet, | 0:18:57 | 0:19:00 | |
but your dad, he managed to talk, fiddle, faff the entire time. | 0:19:00 | 0:19:06 | |
I don't think he enjoyed himself. Although he did catch a fish. | 0:19:06 | 0:19:09 | |
Sometimes with your dad you wanted to... Ooh. | 0:19:09 | 0:19:12 | |
In fact one time I actually did. | 0:19:12 | 0:19:14 | |
But that was at work and that's a different story. | 0:19:14 | 0:19:17 | |
KNOCK AT DOOR Come in! | 0:19:17 | 0:19:18 | |
-This is Jimmi, I was telling you about. -Hi. | 0:19:18 | 0:19:20 | |
Hi, sorry for your loss. | 0:19:20 | 0:19:23 | |
You worked with Howard. Did you know him well? | 0:19:23 | 0:19:26 | |
Um, yeah. He was a good man. A bit serious at times. | 0:19:26 | 0:19:30 | |
But one of the good guys. | 0:19:30 | 0:19:31 | |
SHE SCOFFS Have you got something for me? | 0:19:33 | 0:19:36 | |
Yeah. Oliver. We should talk. | 0:19:36 | 0:19:37 | |
OK. I'll get someone to show you out. | 0:19:37 | 0:19:40 | |
I hope that today I've been some use. | 0:19:40 | 0:19:43 | |
-Yeah, thanks. -Nice to meet you. | 0:19:43 | 0:19:46 | |
James Cross. You defended him. Ten years ago. | 0:19:49 | 0:19:52 | |
I remember him, yes. What's this got to do with anything? | 0:19:52 | 0:19:55 | |
He's Oliver's father. Or he was. He died in prison. | 0:19:55 | 0:19:58 | |
-So he's setting me up. -Looks like it. | 0:20:00 | 0:20:03 | |
I told you I didn't hit him. | 0:20:03 | 0:20:05 | |
It seems that he's blaming you for getting his dad sent down. | 0:20:05 | 0:20:09 | |
Rob, you know that's ridiculous. I was defending the man. | 0:20:09 | 0:20:13 | |
Have you read his case file? I worked a miracle. | 0:20:13 | 0:20:17 | |
He deserved to be locked up for life. | 0:20:18 | 0:20:20 | |
Oliver's claiming that it's racially motivated. | 0:20:20 | 0:20:22 | |
His dad put out a man's eye for a biscuit tin full of fivers. | 0:20:22 | 0:20:26 | |
That half-blind man should be the one who hates me | 0:20:26 | 0:20:28 | |
for defending that scumbag. | 0:20:28 | 0:20:31 | |
"Racially motivated"? | 0:20:31 | 0:20:33 | |
What a joke. | 0:20:33 | 0:20:35 | |
Cheers. | 0:20:39 | 0:20:40 | |
-For you. -Me? | 0:20:46 | 0:20:48 | |
I have noticed. You did not really enjoy my food. | 0:20:48 | 0:20:51 | |
It is unforgivable of me. | 0:20:51 | 0:20:54 | |
Oh, no, I... | 0:20:54 | 0:20:56 | |
I've made you this. | 0:20:56 | 0:20:59 | |
It is a fish-finger sandwich. | 0:20:59 | 0:21:03 | |
-It is? -In my style. No whale, of course. | 0:21:04 | 0:21:09 | |
Please... | 0:21:09 | 0:21:11 | |
Mmm! | 0:21:17 | 0:21:20 | |
That is incredible! | 0:21:20 | 0:21:23 | |
Mmm. | 0:21:23 | 0:21:25 | |
No, thanks. I will relish your reaction more than the food itself. | 0:21:28 | 0:21:31 | |
Mm. You big softie. | 0:21:31 | 0:21:33 | |
I was telling my mate Shazia that you are too nice for your own good. | 0:21:34 | 0:21:39 | |
-Shazia? -Yeah, she's my best mate since school. | 0:21:39 | 0:21:44 | |
I even told her that you let me win the argument on chlamydia, | 0:21:44 | 0:21:47 | |
even though you were totally right. | 0:21:47 | 0:21:49 | |
It was a lively debate. | 0:21:49 | 0:21:51 | |
I was being a brat. Thank you for looking past that. | 0:21:51 | 0:21:54 | |
I'm glad I'm getting a good press with your friends. | 0:21:56 | 0:21:59 | |
Yeah, they think you sound like a true gent. | 0:21:59 | 0:22:02 | |
You're not listening. I know my dad. | 0:22:07 | 0:22:10 | |
No, you don't. | 0:22:10 | 0:22:12 | |
Not everything. | 0:22:12 | 0:22:14 | |
This is... This is lies. You faked it. | 0:22:24 | 0:22:27 | |
No, we didn't. | 0:22:27 | 0:22:28 | |
It doesn't change who you are. Whatever your dad was like. | 0:22:41 | 0:22:44 | |
It doesn't take anything away from you, you know that? | 0:22:44 | 0:22:47 | |
If you go to court, that's all on you. | 0:22:47 | 0:22:51 | |
It's a mark against your name. A mark against your future. | 0:22:51 | 0:22:54 | |
He had his reasons, but your dad lied to you. | 0:22:56 | 0:22:59 | |
It's caused enough damage already. Please don't take this any further. | 0:22:59 | 0:23:03 | |
Oliver, why don't you tell us what really happened? | 0:23:03 | 0:23:07 | |
I'd read in the papers that morning about the lawyer and his new job. | 0:23:11 | 0:23:16 | |
And I was so angry. | 0:23:19 | 0:23:21 | |
-Come on! Hit me. -No. | 0:23:21 | 0:23:24 | |
I said hit me! | 0:23:24 | 0:23:26 | |
So I... | 0:23:26 | 0:23:29 | |
I told my mate to call the press. | 0:23:29 | 0:23:31 | |
I told him what to say and then I headed over to Fincham's house. | 0:23:31 | 0:23:37 | |
And then I waited. | 0:23:37 | 0:23:39 | |
Who the heck are you? | 0:23:50 | 0:23:52 | |
'I knew he'd chase me.' | 0:23:52 | 0:23:53 | |
'Then I let him catch me.' | 0:23:54 | 0:23:56 | |
Police! Now! | 0:24:02 | 0:24:04 | |
And that's the truth, is it? He didn't hit you. | 0:24:04 | 0:24:08 | |
He didn't hit me. | 0:24:08 | 0:24:10 | |
Your mate messed up with the press. He called too early. | 0:24:11 | 0:24:15 | |
I didn't know what time Fincham was coming home. | 0:24:15 | 0:24:18 | |
What did you think was going to happen? | 0:24:19 | 0:24:22 | |
I don't know, I just... | 0:24:22 | 0:24:24 | |
I just want him to answer for what he did. | 0:24:25 | 0:24:28 | |
You have wasted a lot of everybody's time. | 0:24:30 | 0:24:33 | |
I'm sorry. | 0:24:34 | 0:24:35 | |
But I owed it to my dad. | 0:24:37 | 0:24:38 | |
I believed him. | 0:24:41 | 0:24:43 | |
I don't know, I'll check, | 0:24:43 | 0:24:46 | |
but I don't think that Mr Fincham will want to take this any further. | 0:24:46 | 0:24:50 | |
You have made a big mistake, you know that? | 0:24:52 | 0:24:55 | |
I do. | 0:24:57 | 0:24:59 | |
I don't want to see you... | 0:25:01 | 0:25:04 | |
in here... | 0:25:04 | 0:25:07 | |
ever again. | 0:25:07 | 0:25:08 | |
Have you got that? | 0:25:09 | 0:25:11 | |
Right. Let's get you home. | 0:25:22 | 0:25:24 | |
Oh, thank you very much. For everything. | 0:25:27 | 0:25:30 | |
Please. You are most welcome. | 0:25:30 | 0:25:33 | |
I like a challenge. Goodnight to you both. | 0:25:33 | 0:25:35 | |
Good night, thank you. | 0:25:35 | 0:25:38 | |
Well, I, for one, had a most enjoyable evening. | 0:25:38 | 0:25:41 | |
Thank you so much for coming along. | 0:25:41 | 0:25:43 | |
Well, thank you for asking me. I think next time, | 0:25:43 | 0:25:46 | |
-it'll be my treat. -Oh, next time? | 0:25:46 | 0:25:48 | |
Yeah, I want to prove to you that food doesn't have to be fancy to be good. | 0:25:48 | 0:25:52 | |
I look forward to it. | 0:25:52 | 0:25:54 | |
Ooh, hang on, here. I swiped it. | 0:25:54 | 0:25:57 | |
A little keepsake. Do you want it? | 0:25:57 | 0:26:00 | |
Oh, thank you. Thank you very much. | 0:26:00 | 0:26:03 | |
So... | 0:26:03 | 0:26:04 | |
Goodnight, Ruhma. | 0:26:07 | 0:26:08 | |
Goodnight! | 0:26:10 | 0:26:11 | |
-Night. -See you, Rob. | 0:26:19 | 0:26:21 | |
You still here? | 0:26:25 | 0:26:26 | |
I'm just waiting for my taxi. | 0:26:26 | 0:26:28 | |
You know, the best person you could talk to is probably Dr Reid | 0:26:30 | 0:26:34 | |
because Emma and... | 0:26:34 | 0:26:36 | |
OK. Well, that's up to you. | 0:26:38 | 0:26:40 | |
But if anyone got inside that head of his, it was her. | 0:26:42 | 0:26:45 | |
I could call in on her tomorrow, I suppose. | 0:26:47 | 0:26:49 | |
I think you should. | 0:26:49 | 0:26:50 | |
Thanks for your help today, Sergeant. | 0:26:53 | 0:26:54 | |
No, problem. | 0:26:54 | 0:26:55 | |
I hope you find what you're after. | 0:26:56 | 0:26:58 | |
Stop it! Here you go, fetch! | 0:27:07 | 0:27:10 | |
I'd think again if I were you. | 0:27:13 | 0:27:15 | |
Honestly, I don't really care what you think. | 0:27:15 | 0:27:17 | |
I'm only here to draw a line under this, once and for all. | 0:27:17 | 0:27:20 | |
Well... | 0:27:20 | 0:27:22 |