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They keep looking to me for answers. | 0:00:27 | 0:00:30 | |
Like, what's going to happen to them? | 0:00:31 | 0:00:34 | |
How are they going to get through this? | 0:00:34 | 0:00:37 | |
But what do I know? | 0:00:37 | 0:00:40 | |
Probably more than they do, from what you told me. | 0:00:40 | 0:00:43 | |
And, anyway, a lot of time, people just want to be heard. | 0:00:43 | 0:00:47 | |
I want to tell them I'm a fraud. | 0:00:47 | 0:00:49 | |
Why are you asking me? | 0:00:49 | 0:00:51 | |
Can we just go back a little bit? | 0:00:51 | 0:00:54 | |
You said it's just a job, but it defines you. | 0:00:54 | 0:00:58 | |
Do you want to talk to me about that? | 0:00:58 | 0:00:59 | |
47, no wife, no mates, no hobbies. | 0:00:59 | 0:01:03 | |
Without it, what's left? | 0:01:05 | 0:01:07 | |
You just keep going. | 0:01:07 | 0:01:09 | |
-You haven't been listening, have you? -I have, very carefully. | 0:01:09 | 0:01:13 | |
-I'm wasting both our time. -No, you're not. | 0:01:13 | 0:01:17 | |
-I'm sorry. I'm talked out. -OK. | 0:01:17 | 0:01:20 | |
Do you want to call back? Arrange another time? | 0:01:21 | 0:01:24 | |
No. | 0:01:24 | 0:01:25 | |
BOTTLE CLUNKS | 0:01:29 | 0:01:31 | |
What's that? | 0:01:31 | 0:01:34 | |
Erm, look, somebody very important to me | 0:01:34 | 0:01:39 | |
gave me a quote. | 0:01:39 | 0:01:41 | |
I don't know if it will mean anything to you but... | 0:01:41 | 0:01:47 | |
Well, anyway, he said, | 0:01:47 | 0:01:49 | |
"The essence of being human is that one doesn't seek perfection." | 0:01:49 | 0:01:53 | |
-Orwell, I think. -Your point? | 0:01:55 | 0:01:57 | |
Just that we just do the best job we can. | 0:01:57 | 0:02:02 | |
We're all just human beings. | 0:02:03 | 0:02:05 | |
I don't know if that makes any sense to you right now but... | 0:02:05 | 0:02:10 | |
Hello? Are you still there? | 0:02:10 | 0:02:11 | |
-How was it? -Difficult to tell. | 0:02:20 | 0:02:23 | |
You never get the end of the story, do you? | 0:02:23 | 0:02:26 | |
Morning, Miss Moneypenny. | 0:02:51 | 0:02:53 | |
Oh, for goodness' sake. | 0:02:53 | 0:02:55 | |
-Look at you! -Look at who? | 0:02:55 | 0:02:59 | |
This is all your fault. | 0:02:59 | 0:03:00 | |
Daniel's come dressed as James Bond for the calendar. | 0:03:00 | 0:03:04 | |
-Not the first time. -Your ego. | 0:03:04 | 0:03:06 | |
Yeah, like someone really has to force you into a tuxedo. | 0:03:06 | 0:03:09 | |
-Now they're being rude to him. -Zara's idea. | 0:03:09 | 0:03:11 | |
I wanted to come dressed as Grayson Perry. | 0:03:11 | 0:03:13 | |
Anyway, Q, come on, let's get on with it. | 0:03:13 | 0:03:16 | |
-Grayson Perry? Now, that's not a bad idea. -Really? | 0:03:16 | 0:03:18 | |
I might do that myself. | 0:03:18 | 0:03:20 | |
Who's your favourite Bond, Mrs Tembe? | 0:03:20 | 0:03:22 | |
Definitely Roger Moore. | 0:03:22 | 0:03:28 | |
I miss the morning mayhem. | 0:03:28 | 0:03:29 | |
So, where were we? | 0:03:31 | 0:03:32 | |
Oh, yes, I just wanted to make sure that Miss Pitman had all | 0:03:32 | 0:03:35 | |
the relevant paperwork for the review. | 0:03:35 | 0:03:38 | |
-Is she there? -Oh, yeah, I'm sure she has. | 0:03:38 | 0:03:40 | |
I am sure, but could you put her on, please? | 0:03:40 | 0:03:43 | |
Why don't you just tell me and I'll pass the message on. | 0:03:43 | 0:03:46 | |
Very good, but I would like to speak to her myself. | 0:03:46 | 0:03:49 | |
Well... | 0:03:51 | 0:03:53 | |
Oh, do not tell me, she is late again. | 0:03:53 | 0:03:58 | |
I'm sure there's a very good reason. | 0:03:58 | 0:04:00 | |
She is making a habit of this. | 0:04:00 | 0:04:03 | |
She has taken rather a lot of time off work recently. | 0:04:03 | 0:04:07 | |
I should be there. You are going to be very understaffed. | 0:04:07 | 0:04:10 | |
Mrs Tembe, for you. Here she is! | 0:04:12 | 0:04:14 | |
Good morning, Mrs Tembe. How can I help you? | 0:04:16 | 0:04:19 | |
Peckish? | 0:05:00 | 0:05:02 | |
High sugar, high butter breakfast treat. Amazing. | 0:05:05 | 0:05:09 | |
I normally get by on just a bowl of muesli. | 0:05:09 | 0:05:11 | |
You don't have to explain yourself to me. | 0:05:11 | 0:05:13 | |
I had a minor collision this morning. | 0:05:13 | 0:05:17 | |
Any sort of personal danger and I need food. | 0:05:17 | 0:05:20 | |
Lots of it. Some sort of coping mechanism. | 0:05:20 | 0:05:24 | |
I fell off my bike once and didn't stop eating for a week. | 0:05:24 | 0:05:27 | |
These are good, though! | 0:05:27 | 0:05:29 | |
-Whose are they? -Zara's. | 0:05:29 | 0:05:31 | |
Nah, messing with you! | 0:05:31 | 0:05:34 | |
Good, she'd kill me. | 0:05:34 | 0:05:37 | |
Actually, no, they'll kill you. About four years out of date. | 0:05:37 | 0:05:40 | |
So what happened? | 0:05:43 | 0:05:45 | |
Oh, someone shunted me. | 0:05:45 | 0:05:47 | |
Any damage? | 0:05:47 | 0:05:49 | |
A ding in the bumper but it could've been worse. | 0:05:49 | 0:05:54 | |
You exchanged details? | 0:05:54 | 0:05:56 | |
He admitted fault but it's just hassle that | 0:05:56 | 0:05:58 | |
I don't really need at the moment. | 0:05:58 | 0:06:00 | |
At least his insurance will cover it. | 0:06:00 | 0:06:03 | |
Yeah, you hope. | 0:06:03 | 0:06:05 | |
I kind of felt a bit sorry for the guy, actually. | 0:06:05 | 0:06:08 | |
He got a bit tearful. | 0:06:08 | 0:06:09 | |
Shock, I guess, kept saying how useless he was. | 0:06:09 | 0:06:12 | |
Sidney, don't get drawn in. | 0:06:12 | 0:06:14 | |
-What do you mean? -You're a soft touch. | 0:06:14 | 0:06:16 | |
Oh, right. Yeah, maybe. | 0:06:16 | 0:06:20 | |
Make us a cup of tea. | 0:06:20 | 0:06:22 | |
So how did it actually happen? | 0:06:27 | 0:06:29 | |
He was dithering and I went in to the back of him. | 0:06:30 | 0:06:35 | |
You're OK? You didn't hurt yourself? | 0:06:35 | 0:06:37 | |
I'm fine. I was only doing about 2mph. | 0:06:37 | 0:06:40 | |
Look, Jack, I was thinking, maybe you should stop for a while. | 0:06:40 | 0:06:43 | |
I mean, it's a big commitment, especially these all-nighters. | 0:06:43 | 0:06:47 | |
I might've knackered the rad. | 0:06:47 | 0:06:48 | |
I'll have to go to the breakers. More expense. | 0:06:48 | 0:06:52 | |
Oh, well, it's only money. | 0:06:52 | 0:06:54 | |
Tell that to the bank. | 0:06:54 | 0:06:55 | |
Here you go. Look, nobody was hurt and that's all that really matters. | 0:06:57 | 0:07:01 | |
-Right. -So, we look on the bright side, yeah? -Always. | 0:07:01 | 0:07:05 | |
Problem? | 0:07:11 | 0:07:12 | |
Not if we're still in 2014. | 0:07:14 | 0:07:16 | |
I had a mate who was a photographer. | 0:07:19 | 0:07:21 | |
He'd finish an entire job in the time it takes you to find autofocus. | 0:07:21 | 0:07:24 | |
Come on. You got that one. | 0:07:24 | 0:07:27 | |
By the way, I've got a draft ad here for the practice manager's job. | 0:07:28 | 0:07:33 | |
I just need you to sign it off and we can go to print. | 0:07:33 | 0:07:37 | |
OK, later. | 0:07:37 | 0:07:38 | |
I want to go to the papers today, | 0:07:38 | 0:07:39 | |
so just give it the once-over, will you? | 0:07:39 | 0:07:41 | |
-Can we just concentrate on this first? -Yeah, go. | 0:07:41 | 0:07:44 | |
Wait! Whoa! Erm... | 0:07:44 | 0:07:47 | |
JAMES BOND THEME PLAYS | 0:07:47 | 0:07:50 | |
Who are you supposed to be doing again? | 0:07:55 | 0:07:58 | |
Doing a generic Bond. They all do the same thing, don't they? | 0:07:58 | 0:08:01 | |
Thanks. You know, I've really enjoyed doing this | 0:08:01 | 0:08:03 | |
-until this morning. -All right, David Bailey, keep your hair on. | 0:08:03 | 0:08:06 | |
Yee-ha! | 0:08:08 | 0:08:10 | |
Oh, another couple of things I want to run by you. | 0:08:10 | 0:08:13 | |
Have a look at the suppliers, because | 0:08:13 | 0:08:15 | |
Howard left some notes on some possible changes. | 0:08:15 | 0:08:18 | |
Yeah, got that one. | 0:08:18 | 0:08:20 | |
And the NHS initiatives, we really need to get cracking on that soon. | 0:08:20 | 0:08:24 | |
Didn't you catch that one? Late! | 0:08:26 | 0:08:29 | |
It's really heavy, this. | 0:08:29 | 0:08:30 | |
Listen, a lot of these are just you with your mouth open. | 0:08:32 | 0:08:36 | |
Sorry, I'm not bothering you with work-related issues, am I? | 0:08:36 | 0:08:38 | |
No more than usual. | 0:08:38 | 0:08:40 | |
Come on, Daniel, don't just stand there, point the gun. | 0:08:41 | 0:08:44 | |
Oh, point the gun, like that? | 0:08:44 | 0:08:46 | |
No, not a me! | 0:08:46 | 0:08:48 | |
OK. Photo. | 0:08:50 | 0:08:52 | |
That the one? | 0:08:59 | 0:09:00 | |
It was just an excuse to call. It could have been about anything. | 0:09:02 | 0:09:05 | |
No, she was making a point. Like it wasn't good enough. | 0:09:05 | 0:09:08 | |
-She sounded angry. -She sounded bored. | 0:09:08 | 0:09:11 | |
No, she's checking up on me. And I don't blame her. | 0:09:11 | 0:09:14 | |
I don't know where I am myself half the time. | 0:09:14 | 0:09:16 | |
Any word about the chemo? | 0:09:17 | 0:09:19 | |
It's driving me mad. | 0:09:21 | 0:09:22 | |
Half of me wants to get on with it, the other half wants to put it off. | 0:09:22 | 0:09:26 | |
Listen, why don't we go and have our lunch at the Icon, my treat? | 0:09:27 | 0:09:30 | |
It's a bit early to think about that, isn't it? | 0:09:30 | 0:09:33 | |
Food will take your mind off things. It does me. | 0:09:33 | 0:09:36 | |
Then we can go and see Mrs Tembe at St Phil's after. | 0:09:36 | 0:09:39 | |
-I'd rather not. -Forget about earlier, she'd love to see you. | 0:09:39 | 0:09:43 | |
She'd love to sack me. All the time I've taken off work. | 0:09:43 | 0:09:46 | |
She's not like that. | 0:09:46 | 0:09:48 | |
No, you're right. I'm being unfair. | 0:09:50 | 0:09:52 | |
And it's not Mrs Tembe I'm scared off. | 0:09:53 | 0:09:55 | |
It's St Phil's that terrifies me. | 0:09:55 | 0:09:57 | |
-Hello, Karen. -Oh, hello, I haven't seen you for ages. | 0:09:59 | 0:10:03 | |
And it's very important that you take care of yourself once | 0:10:04 | 0:10:07 | |
you get home. | 0:10:07 | 0:10:08 | |
Absolutely, Dr Markos. | 0:10:08 | 0:10:10 | |
Have you family close by? | 0:10:10 | 0:10:11 | |
No, my family are a long way away. | 0:10:13 | 0:10:15 | |
But friends and colleagues, you're obviously not short of. | 0:10:15 | 0:10:19 | |
Yes, but I do not want to bother them. | 0:10:19 | 0:10:21 | |
I'm sure Dr Carter wouldn't mind. | 0:10:21 | 0:10:23 | |
You have spoken to Dr Carter? | 0:10:24 | 0:10:26 | |
Spoken with, spoken at. | 0:10:26 | 0:10:28 | |
He phoned me directly when you were first admitted | 0:10:28 | 0:10:31 | |
and insisted that we do everything to make you comfortable. | 0:10:31 | 0:10:34 | |
And to make you stay for as long as possible. | 0:10:36 | 0:10:39 | |
Said that you were a bit of a tricky patient | 0:10:39 | 0:10:41 | |
and if we didn't keep an eye on you, you'd be out of the door | 0:10:41 | 0:10:43 | |
and back at work before you'd really had time to recover. | 0:10:43 | 0:10:46 | |
Please, Doctor, being confined when I'm perfectly fit | 0:10:46 | 0:10:50 | |
and well is a waste of everyone's time and NHS resources. | 0:10:50 | 0:10:54 | |
It's not just your physical welfare that needs to be considered. | 0:10:54 | 0:10:58 | |
Home comforts and a return to my colleagues at work, that is | 0:10:58 | 0:11:03 | |
the best medicine for me. | 0:11:03 | 0:11:04 | |
Well, I recognise the sort of person I'm dealing with here. | 0:11:06 | 0:11:10 | |
And your colleagues do seem very protective of you, | 0:11:10 | 0:11:13 | |
so I'll see about discharging you later today. | 0:11:13 | 0:11:15 | |
Thank you, thank you, Doctor. I will pack my things. | 0:11:15 | 0:11:19 | |
I'm sure you will. | 0:11:19 | 0:11:20 | |
It's illegal not to be insured, everyone knows that. | 0:11:23 | 0:11:26 | |
I know, I know and I thought I was. | 0:11:26 | 0:11:29 | |
I don't know what happened. | 0:11:29 | 0:11:31 | |
You need to sort this out with the insurers, not me. | 0:11:31 | 0:11:34 | |
I've got a queue of patients waiting | 0:11:34 | 0:11:36 | |
and this isn't their problem, either. | 0:11:36 | 0:11:38 | |
Well, I was hoping that we could sort this out between the two of us? | 0:11:38 | 0:11:41 | |
I can fix your car when I'm sorting mine out. | 0:11:41 | 0:11:43 | |
I was hoping to sell it soon. I need it done properly. | 0:11:43 | 0:11:45 | |
Look, if they find out I'm uninsured, I'm stuffed. | 0:11:45 | 0:11:50 | |
I need my licence. | 0:11:50 | 0:11:52 | |
Then you should've been covered. | 0:11:52 | 0:11:54 | |
-Come in. -Humour me, would you? | 0:12:05 | 0:12:07 | |
Would you give this the once over while I'm here? | 0:12:07 | 0:12:09 | |
What's the rush? I'll look at it later. | 0:12:09 | 0:12:11 | |
There's a four o'clock deadline. My photos? | 0:12:11 | 0:12:13 | |
I've got a bit of work to do on them, though. | 0:12:13 | 0:12:16 | |
I don't like that one, bags under my eyes! | 0:12:16 | 0:12:19 | |
Age comes to us all. | 0:12:19 | 0:12:20 | |
Don't worry, I'll fix it. I'll make you look pretty. | 0:12:22 | 0:12:25 | |
-They're a bit plain, aren't they? -I'm going to put a background in. | 0:12:25 | 0:12:28 | |
-What? -I dunno. Maybe like an explosion? Girls in bikinis? | 0:12:28 | 0:12:33 | |
Girls in bikinis! Do me a favour, make me look good and read that. | 0:12:33 | 0:12:38 | |
Karen, how could you just let a stranger through to my room? | 0:12:53 | 0:12:56 | |
He's not a stranger, he was Immie's PE teacher. | 0:12:56 | 0:12:59 | |
He's a nice bloke! | 0:12:59 | 0:13:00 | |
What's that got to do with me? | 0:13:00 | 0:13:02 | |
Would you have sent him through to Zara? Or Al? | 0:13:02 | 0:13:04 | |
No! But you're much more... | 0:13:04 | 0:13:08 | |
Much more what? | 0:13:08 | 0:13:09 | |
He's a nice bloke and he's had a really hard time. | 0:13:11 | 0:13:14 | |
It's irrelevant. | 0:13:14 | 0:13:15 | |
That man had no business coming into someone's place of work | 0:13:15 | 0:13:17 | |
chasing an insurance claim. | 0:13:17 | 0:13:19 | |
I was just trying to help. | 0:13:20 | 0:13:22 | |
Maybe you should leave helping to the professionals. | 0:13:22 | 0:13:25 | |
So, what is it exactly that Jack has been through? | 0:13:27 | 0:13:30 | |
It doesn't matter what he's been through. | 0:13:30 | 0:13:32 | |
Exactly, Valerie. Exactly. | 0:13:32 | 0:13:33 | |
That man was out of order. I'm sorry, Karen, so were you. | 0:13:33 | 0:13:36 | |
Will you say hello to Mrs Tembe for me? | 0:13:36 | 0:13:38 | |
No, you misunderstand my point. | 0:13:38 | 0:13:40 | |
It shouldn't matter because the details shouldn't matter. | 0:13:40 | 0:13:43 | |
-I'm not with you. -No. | 0:13:44 | 0:13:46 | |
I mean, Sid should show some kindness, because he can | 0:13:46 | 0:13:49 | |
and because Karen believed he could help. | 0:13:49 | 0:13:52 | |
He should go above and beyond because that's | 0:13:52 | 0:13:54 | |
the sort of person he is. Am I right? | 0:13:54 | 0:13:56 | |
Er, I dunno, yeah, I suppose. | 0:13:56 | 0:13:59 | |
On second thoughts, Karen, I think I will come. | 0:13:59 | 0:14:01 | |
Do you know where the aspirins are? | 0:14:20 | 0:14:22 | |
-Not feeling well? -No. -I'll get them. -Thanks. | 0:14:22 | 0:14:26 | |
-There you go. -Thanks. | 0:14:33 | 0:14:36 | |
You're right about giving up the phone work. | 0:14:39 | 0:14:42 | |
Maybe get back to teaching. | 0:14:42 | 0:14:43 | |
How are you feeling? | 0:14:49 | 0:14:51 | |
Just this headache. | 0:14:51 | 0:14:52 | |
You don't sleep much while I'm on duty, do you? | 0:14:54 | 0:14:56 | |
-Are you OK? -A bit queasy. | 0:15:00 | 0:15:02 | |
We'll just say hello and we'll make a quick dash. Yes? | 0:15:02 | 0:15:05 | |
She might want an afternoon nap. | 0:15:05 | 0:15:07 | |
Ah, good afternoon. | 0:15:13 | 0:15:15 | |
KNOCK AT DOOR | 0:15:16 | 0:15:18 | |
Yep? | 0:15:18 | 0:15:20 | |
-I've looked at it. -And? -It's good. You've done a good job. | 0:15:23 | 0:15:26 | |
Thank you, I'll get on to the paper. | 0:15:26 | 0:15:28 | |
But does it have to be so...academic? | 0:15:28 | 0:15:33 | |
That's just the job requirements. | 0:15:33 | 0:15:35 | |
What if we took some of the things out of desired qualities | 0:15:35 | 0:15:38 | |
and put those into personal attributes? | 0:15:38 | 0:15:41 | |
We could do, I suppose. | 0:15:42 | 0:15:44 | |
Angle it a bit. | 0:15:46 | 0:15:47 | |
Look, Jimmi, I understand where you're coming from, | 0:15:47 | 0:15:49 | |
and believe me, nothing would make me happier than | 0:15:49 | 0:15:51 | |
if Mrs Tembe applied for and got the job. She's been fantastic. | 0:15:51 | 0:15:54 | |
-Then let's tailor it to her skills. -But we have to be professional. | 0:15:54 | 0:15:58 | |
We have the perfect woman for the job here. | 0:15:58 | 0:16:00 | |
-Let's not make this difficult. -OK, if we were interviewing | 0:16:00 | 0:16:02 | |
for a doctor or a nurse, we would follow procedure to the letter. | 0:16:02 | 0:16:06 | |
I think it's equally important to be as rigorous for non-medical staff. | 0:16:06 | 0:16:09 | |
-Don't you? -Yes. No. I'm not sure. | 0:16:09 | 0:16:12 | |
OK, just let me think about it? | 0:16:12 | 0:16:15 | |
But you've already... | 0:16:15 | 0:16:17 | |
OK, you've got till 3.30. | 0:16:17 | 0:16:19 | |
We've got to be seen to be following the rules, Jim, | 0:16:19 | 0:16:21 | |
and Mrs Tembe would understand that more than anyone. | 0:16:21 | 0:16:25 | |
Come on in. Can I get you a tea or coffee? | 0:16:28 | 0:16:32 | |
No, thanks, I can't stop, I'm on my rounds. | 0:16:32 | 0:16:34 | |
I just wanted to pop by for a moment. | 0:16:34 | 0:16:36 | |
Have a seat. | 0:16:36 | 0:16:38 | |
-Thea, this is Dr Vere. -Hi. | 0:16:38 | 0:16:40 | |
Sorry if I was a bit abrupt earlier, but Karen Hollins, | 0:16:43 | 0:16:47 | |
-our receptionist? -Oh, yes, Karen. | 0:16:47 | 0:16:49 | |
Well, she knows a guy who does car repairs, so... | 0:16:49 | 0:16:52 | |
if the damage isn't too much, | 0:16:52 | 0:16:54 | |
maybe we can just sort it out amongst ourselves. | 0:16:54 | 0:16:56 | |
-If that's any good? -That's great. | 0:16:56 | 0:16:58 | |
-As long as I'm not out of pocket. -Thea, did you hear that? | 0:16:58 | 0:17:02 | |
Well, I'll get in touch once the garage have had a look | 0:17:04 | 0:17:08 | |
and then we'll take it from there. | 0:17:08 | 0:17:10 | |
Much appreciated, thank you. | 0:17:10 | 0:17:13 | |
Thea, the doctor's leaving. | 0:17:13 | 0:17:15 | |
Is, erm... Is everything all right? | 0:17:18 | 0:17:22 | |
She's not been herself today. | 0:17:22 | 0:17:24 | |
Mrs Redditch? | 0:17:24 | 0:17:25 | |
Are you feeling OK? | 0:17:28 | 0:17:30 | |
He thinks it's all his fault. | 0:17:30 | 0:17:32 | |
-Is she normally...? -No. | 0:17:32 | 0:17:35 | |
Erm... | 0:17:37 | 0:17:39 | |
Is she on any medication? | 0:17:39 | 0:17:40 | |
-A couple of aspirins. -Sorry, sorry. | 0:17:40 | 0:17:43 | |
Wants to save them all. | 0:17:44 | 0:17:46 | |
How long has she been lethargic? | 0:17:49 | 0:17:52 | |
Half an hour, I guess. | 0:17:52 | 0:17:54 | |
Has she complained of any other symptoms? | 0:17:54 | 0:17:56 | |
Headache, neck ache. | 0:17:56 | 0:17:58 | |
You're looking for a rash, aren't you? | 0:18:06 | 0:18:08 | |
Get off. | 0:18:08 | 0:18:09 | |
We must not be silenced by bullying and intimidation. | 0:18:17 | 0:18:21 | |
Hutch and his like should not be allowed to prevail. | 0:18:21 | 0:18:26 | |
I agree, but you shouldn't be taking them all on, on your own. | 0:18:26 | 0:18:30 | |
But together, we can. | 0:18:31 | 0:18:33 | |
Expose them, bring their dirty deeds out into the open. | 0:18:33 | 0:18:38 | |
Hutch's face is now in the newspapers, | 0:18:38 | 0:18:40 | |
someone will recognise him and see him for what he truly is. | 0:18:40 | 0:18:44 | |
What if you can't see your enemies? | 0:18:44 | 0:18:47 | |
What if they're like Hutch and they want to harm you, but they're hiding? | 0:18:47 | 0:18:50 | |
They're invisible. | 0:18:50 | 0:18:51 | |
No-one else can see them either, but there's more and more of them | 0:18:51 | 0:18:55 | |
every day. | 0:18:55 | 0:18:56 | |
I'm not sure what you mean. | 0:18:58 | 0:19:00 | |
-Miss Pitman, is someone trying to hurt you? -No, no... | 0:19:02 | 0:19:05 | |
Valerie, I think that it would take a very different sort of courage. | 0:19:05 | 0:19:11 | |
Ambulance, please. | 0:19:22 | 0:19:24 | |
-Why didn't you say something? -It's for 21 Hilton Vale. | 0:19:30 | 0:19:34 | |
You're going to be all right, Thea. | 0:19:34 | 0:19:36 | |
It's a suspected case of bacterial meningitis. | 0:19:36 | 0:19:38 | |
The patient has a rash, neck stiffness and sensitivity to light. | 0:19:38 | 0:19:41 | |
I've just administered intramuscular penicillin. | 0:19:41 | 0:19:44 | |
This is all my fault. I'm so sorry. | 0:19:44 | 0:19:47 | |
That wasn't too bad, was it? | 0:19:52 | 0:19:54 | |
I wish there were lessons in how to be more Tembe. | 0:19:54 | 0:19:58 | |
I think there are. They're every Sunday down St Bernadette's. | 0:19:58 | 0:20:01 | |
Valerie, you've got everything you need to fight this. | 0:20:01 | 0:20:04 | |
Not bravery or resourcefulness, or fearlessness. | 0:20:04 | 0:20:08 | |
If Mrs Tembe had cancer, you can bet she'd fight it. | 0:20:08 | 0:20:11 | |
She'd be one of those people who always features on television or in | 0:20:11 | 0:20:14 | |
magazines - a survivor. | 0:20:14 | 0:20:17 | |
Not me. I'm not a fighter. | 0:20:17 | 0:20:19 | |
Valerie, will you stop it? | 0:20:19 | 0:20:21 | |
I'm one of those ones that you never hear about. | 0:20:21 | 0:20:23 | |
I'll be the one who dies without a struggle. | 0:20:23 | 0:20:26 | |
People who have cancer, they're not brave, they're not heroes, | 0:20:26 | 0:20:30 | |
they're just people. | 0:20:30 | 0:20:32 | |
Yeah, but if you've got the survivor character trait like Mrs Tembe has, | 0:20:32 | 0:20:36 | |
you're much more likely to defeat cancer than if you've got the victim | 0:20:36 | 0:20:39 | |
-character trait, like me. -Who says? -Says here. | 0:20:39 | 0:20:43 | |
Oh, it's not a character test or a challenge, | 0:20:43 | 0:20:46 | |
it's the luck of the draw. | 0:20:46 | 0:20:49 | |
-I know, but I just... -Valerie, you are going to find your own way | 0:20:49 | 0:20:53 | |
-through this. -Will I? -Yes, you will. | 0:20:53 | 0:20:57 | |
Come on, let's get out of here. | 0:20:57 | 0:20:59 | |
Is she going to be all right? | 0:21:04 | 0:21:08 | |
She's in a stable condition, but the staff still need to take everything | 0:21:08 | 0:21:11 | |
step by step, but, yeah, she has every chance. | 0:21:11 | 0:21:17 | |
If you hadn't have come by when you did... | 0:21:17 | 0:21:21 | |
I mean, you didn't have to, did you? | 0:21:21 | 0:21:24 | |
In that case, it's kind of a good job that you shunted me. | 0:21:24 | 0:21:28 | |
Crap driver, lousy husband. | 0:21:30 | 0:21:32 | |
We all make mistakes. | 0:21:34 | 0:21:36 | |
But I know her better than anyone. I mean, how come I couldn't see...? | 0:21:36 | 0:21:40 | |
Bacterial meningitis is very difficult to spot. | 0:21:41 | 0:21:44 | |
I wasn't even that sure myself. | 0:21:44 | 0:21:46 | |
You need to stop being so hard on yourself, Jack. | 0:21:48 | 0:21:52 | |
He'd say that to me all the time. | 0:21:52 | 0:21:54 | |
-Who? -My dad. | 0:21:54 | 0:21:56 | |
He'd say, "The essence of being human | 0:21:56 | 0:22:01 | |
"is that one doesn't seek perfection." | 0:22:01 | 0:22:06 | |
George Orwell. | 0:22:06 | 0:22:08 | |
I'll try and remember that. | 0:22:08 | 0:22:11 | |
Do you want a cup of coffee? | 0:22:12 | 0:22:14 | |
Mr Redditch? I'm Dr Markos. I'm treating your wife. | 0:22:34 | 0:22:38 | |
-Is everything OK? -She's still poorly and will be for some time, | 0:22:38 | 0:22:41 | |
but she's responding well to treatment. | 0:22:41 | 0:22:44 | |
Is she going to be all right? | 0:22:44 | 0:22:45 | |
I have every expectation of a full recovery. | 0:22:45 | 0:22:48 | |
Thank you. Can I go and see her now? | 0:22:53 | 0:22:57 | |
Just let the nurses tidy up in there first. | 0:22:58 | 0:23:00 | |
Thank goodness for you and Dr Vere. | 0:23:06 | 0:23:09 | |
We knew what we were looking for, you didn't. | 0:23:09 | 0:23:12 | |
That quote, about being human. | 0:23:15 | 0:23:18 | |
It struck a chord. | 0:23:20 | 0:23:21 | |
Right time, right place, I guess. | 0:23:23 | 0:23:25 | |
-My dad used to say it. -Oh? | 0:23:26 | 0:23:29 | |
He died a few years ago. | 0:23:29 | 0:23:30 | |
I'm sorry to hear that. | 0:23:32 | 0:23:33 | |
Now you volunteer on a helpline? | 0:23:36 | 0:23:38 | |
I used to, but I've quit. | 0:23:38 | 0:23:41 | |
I wasn't cut out for that. | 0:23:43 | 0:23:45 | |
I'm sorry to hear that too. | 0:23:45 | 0:23:47 | |
How did you know I did that? | 0:23:49 | 0:23:50 | |
It's supposed to be confidential. | 0:23:50 | 0:23:52 | |
About seven hours ago, you were talking to me. | 0:23:57 | 0:24:00 | |
That was you? | 0:24:01 | 0:24:02 | |
The early morning version. | 0:24:04 | 0:24:06 | |
And...are you all right now? | 0:24:06 | 0:24:10 | |
Well, I'm here. | 0:24:11 | 0:24:12 | |
And I'm glad I am. | 0:24:14 | 0:24:15 | |
Well, I think you could go and see your wife now. | 0:24:18 | 0:24:21 | |
-Thank you, Doctor. -Likewise. | 0:24:27 | 0:24:30 | |
Send me the bill for your car repair, OK? | 0:24:44 | 0:24:46 | |
Let's not trouble Jack. | 0:24:46 | 0:24:48 | |
KNOCK AT DOOR | 0:24:54 | 0:24:56 | |
-Yep, come in. -So, Jim, the ad. Good to go? | 0:24:56 | 0:24:59 | |
I've been snowed under. | 0:25:00 | 0:25:03 | |
OK, so, why don't you stop playing with the photos for one moment? | 0:25:03 | 0:25:07 | |
I'm not playing, I'm trying to do a good job. | 0:25:07 | 0:25:09 | |
-You wouldn't want anything less, the fuss you've made. -OK! | 0:25:09 | 0:25:13 | |
So, how's it going? | 0:25:13 | 0:25:14 | |
What? Your shots? Better. | 0:25:15 | 0:25:17 | |
Great. So...can I send it? | 0:25:17 | 0:25:20 | |
Er, yeah. Just make the changes to the personal attributes. | 0:25:20 | 0:25:25 | |
You know what, I was talking to Zara about this and we both reckon | 0:25:27 | 0:25:30 | |
Mrs Tembe would insist on being treated like everybody else. So... | 0:25:30 | 0:25:34 | |
-Oh, that's much better. -Thank you. | 0:25:35 | 0:25:39 | |
-So, can I send it? -Yeah, yeah. -As is? -Whatever. | 0:25:39 | 0:25:42 | |
Hello? Yes, Daniel Granger from the Mill Health Centre. | 0:26:02 | 0:26:06 | |
That's right, yeah, we spoke earlier. | 0:26:06 | 0:26:09 | |
Just to confirm that you can put the ad to print. | 0:26:09 | 0:26:13 | |
There are no alterations. Absolutely. | 0:26:13 | 0:26:16 | |
OK, thanks for your help. Bye, now. | 0:26:16 | 0:26:19 | |
How can he be your son? He's barely any younger than you are. | 0:26:29 | 0:26:32 | |
-Mrs Tembe, before you start. -Yes? -I need to talk to you. | 0:26:32 | 0:26:37 | |
-Do you know what I really feel like after spicy food? -What? | 0:26:37 | 0:26:41 | |
Sing something. | 0:26:41 | 0:26:43 | |
# R-E-S-P-E-C-T... # | 0:26:43 | 0:26:46 | |
I'm not a doctor, I'm your son. | 0:26:46 | 0:26:49 | |
Let's keep saying that. | 0:26:49 | 0:26:50 |