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Argh! | 0:00:36 | 0:00:37 | |
-Morning, guys. -Morning. | 0:00:52 | 0:00:54 | |
PHONE RINGS | 0:01:01 | 0:01:02 | |
Is everyone here? | 0:01:11 | 0:01:13 | |
Dr Clay, still here I see. | 0:01:13 | 0:01:16 | |
All right, let's get cracking. Operation Spiral. | 0:01:16 | 0:01:18 | |
Rob says they've got no idea who it is. | 0:01:21 | 0:01:23 | |
Makes you scared to leave the house. | 0:01:23 | 0:01:25 | |
-What's that look for? -Oh, sorry. I thought you might be Barry. | 0:01:29 | 0:01:32 | |
He sometimes drops in for a cuppa on his rounds. | 0:01:32 | 0:01:34 | |
Barry is on secondment. | 0:01:34 | 0:01:36 | |
I like that word. Secondment. | 0:01:36 | 0:01:38 | |
He's at George Meadow, the university's new site. | 0:01:38 | 0:01:41 | |
He'll be back soon. | 0:01:41 | 0:01:43 | |
Two receptionists? | 0:01:43 | 0:01:45 | |
Are we expecting a rush? | 0:01:45 | 0:01:46 | |
No, I'm just here to update the patient list. | 0:01:46 | 0:01:48 | |
Are you sure you're up to it? | 0:01:48 | 0:01:50 | |
I didn't have a good night. | 0:01:50 | 0:01:52 | |
-Do you want something to help you sleep? -No, I feel better now. | 0:01:52 | 0:01:56 | |
Three young women abducted off the streets, | 0:02:02 | 0:02:04 | |
all within a mile of the town centre. | 0:02:04 | 0:02:06 | |
Now, they were driven away in this white van. | 0:02:06 | 0:02:08 | |
We don't have a clear shot of the registration. | 0:02:08 | 0:02:11 | |
They were taken to an unknown location, kept for two days, | 0:02:11 | 0:02:14 | |
sexually assaulted, before being released in various places. | 0:02:14 | 0:02:17 | |
The reservoir, Backwell woods... | 0:02:17 | 0:02:19 | |
Details are in your case notes. | 0:02:19 | 0:02:20 | |
Dr Clay, you dealt with the last victim. | 0:02:20 | 0:02:23 | |
Yeah, Chloe Andrews. | 0:02:23 | 0:02:25 | |
-I did the initial report when she was found. -And? | 0:02:25 | 0:02:27 | |
I put everything in the report. | 0:02:27 | 0:02:30 | |
Should be in your case notes, too. | 0:02:30 | 0:02:32 | |
DS Morgan has a summary of everything we know so far. | 0:02:32 | 0:02:34 | |
So familiarise yourself with the details, yeah? | 0:02:34 | 0:02:37 | |
Sir...there's been another one. | 0:02:39 | 0:02:41 | |
Guys, can I have your attention. Lucy Pattison. | 0:02:43 | 0:02:46 | |
She's a student nurse. 18 years old. | 0:02:46 | 0:02:49 | |
Now, her parents say she didn't return home from her night shift. | 0:02:49 | 0:02:51 | |
She's not answering her phone. | 0:02:51 | 0:02:53 | |
Which, apparently, is totally out of character. | 0:02:53 | 0:02:55 | |
And looking at the address here, her route home would have taken her | 0:02:55 | 0:02:58 | |
within two streets of where Gillian Fraser was snatched from. | 0:02:58 | 0:03:01 | |
This stops...now. | 0:03:01 | 0:03:03 | |
Harmony has been restored. | 0:03:06 | 0:03:09 | |
A reception without Mrs Tembe is like...a heart without a beat. | 0:03:10 | 0:03:14 | |
Oh, Dr Donaghue, now, I have chased up the cardiology report for you | 0:03:14 | 0:03:19 | |
and they assure me it will be here by the end of the day. | 0:03:19 | 0:03:21 | |
Oh, it just needed a touch of the old Tembe magic, huh? | 0:03:21 | 0:03:24 | |
And Dr Vere, I have ordered you a new keyboard. | 0:03:24 | 0:03:28 | |
I haven't even reported the fault yet! | 0:03:28 | 0:03:30 | |
My letter "A" keeps falling out. | 0:03:30 | 0:03:32 | |
Yes, well, sometimes my job is to predict problems before they arise. | 0:03:32 | 0:03:36 | |
It's like having a guardian angel. | 0:03:36 | 0:03:38 | |
It must be a bit of a readjustment, though, | 0:03:43 | 0:03:45 | |
you know, going from practice manager to receptionist? | 0:03:45 | 0:03:48 | |
Oh... | 0:03:49 | 0:03:50 | |
No, I am happy to serve the patients in whatever way I can. | 0:03:50 | 0:03:54 | |
Yeah, well, I'm sure they're all happy to have you back. | 0:03:54 | 0:03:57 | |
You know, I have missed the personal contact with the patients. | 0:04:00 | 0:04:04 | |
Oh, I know I have my work at the church, | 0:04:04 | 0:04:07 | |
but, er...the good thing about this job | 0:04:07 | 0:04:10 | |
is you do not have to take your work home with you. | 0:04:10 | 0:04:13 | |
Well, I don't care what your job title is, | 0:04:14 | 0:04:17 | |
as long as we still get to work together. | 0:04:17 | 0:04:19 | |
Oh... | 0:04:19 | 0:04:21 | |
Ready? | 0:04:46 | 0:04:48 | |
Raise...go! | 0:04:48 | 0:04:49 | |
-Dr Clay. -Hi, Cindy. | 0:04:57 | 0:04:59 | |
What have we got? | 0:04:59 | 0:05:01 | |
Head-on collision, at speed. Driver wasn't wearing a seatbelt. | 0:05:01 | 0:05:04 | |
Bull's-eyed the windscreen. No pulse when we arrived. | 0:05:04 | 0:05:06 | |
-What about the passenger? -Been unconscious since we got here. | 0:05:06 | 0:05:09 | |
OK, what can I do to help? | 0:05:09 | 0:05:10 | |
If you could give me a hand with the other driver. | 0:05:10 | 0:05:12 | |
His condition's stable, | 0:05:12 | 0:05:14 | |
-but if you could keep him calm until we can get to him. -No problem. | 0:05:14 | 0:05:16 | |
His name is Nathan Bachman, he was wearing a seatbelt, | 0:05:16 | 0:05:19 | |
no obvious neck or back injuries. | 0:05:19 | 0:05:20 | |
He's alert. GCS is 15. Sats 99%. | 0:05:20 | 0:05:22 | |
BP 130/90. | 0:05:22 | 0:05:25 | |
Pulse 100. Temperature is 37. | 0:05:25 | 0:05:26 | |
Why hasn't he been transferred to the ambulance? | 0:05:26 | 0:05:28 | |
Something's trapping his legs. | 0:05:28 | 0:05:31 | |
I could smell booze on the other driver. | 0:05:31 | 0:05:33 | |
Looks like this poor guy was in the wrong place, wrong time. | 0:05:33 | 0:05:36 | |
Let me know if there's any change. | 0:05:36 | 0:05:38 | |
OK. | 0:05:38 | 0:05:39 | |
Hi, there. | 0:05:40 | 0:05:42 | |
Hello. | 0:05:42 | 0:05:43 | |
I'm Dr Clay. Jimmi. I've come to see how you're doing. | 0:05:43 | 0:05:46 | |
Nathan. | 0:05:46 | 0:05:47 | |
Nathan Bachman. | 0:05:47 | 0:05:49 | |
I thought they'd forgotten me. | 0:05:49 | 0:05:51 | |
No. Sorry about that. | 0:05:51 | 0:05:52 | |
It's just a case of prioritising who needs the more urgent care. | 0:05:52 | 0:05:55 | |
I'm here now, so... | 0:05:55 | 0:05:56 | |
Sorry. | 0:05:56 | 0:05:58 | |
I know I'm meant to be brave, but...I've never been this scared. | 0:05:58 | 0:06:02 | |
We're going to do everything we can to help you, OK? | 0:06:03 | 0:06:05 | |
Moring, everyone. | 0:06:11 | 0:06:12 | |
As many of you know, I'm DI Larkin. | 0:06:12 | 0:06:15 | |
Now, so far, we have three confirmed victims. | 0:06:15 | 0:06:17 | |
We are looking for this white transit van | 0:06:17 | 0:06:21 | |
that we suspect is connected to the attacks. | 0:06:21 | 0:06:23 | |
We don't have the registration number, | 0:06:23 | 0:06:25 | |
but it does have damage to its rear left-hand light. | 0:06:25 | 0:06:27 | |
Do you know this vehicle? Have you seen it parked in your street? | 0:06:27 | 0:06:32 | |
We're also looking for this bag. | 0:06:32 | 0:06:34 | |
It's been customised by the owner, making it unique. | 0:06:34 | 0:06:37 | |
If anyone's found it, contact Letherbridge police immediately. | 0:06:37 | 0:06:41 | |
If you have any information, don't hesitate - phone us now. | 0:06:41 | 0:06:44 | |
Thank you. | 0:06:44 | 0:06:45 | |
-Do we have any leads? -I'm sorry, that's all the information | 0:06:45 | 0:06:48 | |
I can give you at this stage. I'm sorry. Thanks for coming. | 0:06:48 | 0:06:51 | |
The road was clear. | 0:06:52 | 0:06:53 | |
I was only doing 35. | 0:06:55 | 0:06:56 | |
I came around the corner and she was on my side. | 0:06:58 | 0:07:00 | |
I tried to swerve, but... | 0:07:00 | 0:07:03 | |
she was going so fast. | 0:07:03 | 0:07:04 | |
Are they OK? | 0:07:07 | 0:07:09 | |
It's OK, Jimmi. You can tell me. | 0:07:10 | 0:07:12 | |
She didn't make it. | 0:07:14 | 0:07:16 | |
Why was she going so fast? | 0:07:18 | 0:07:20 | |
Why was she in the middle of the road? | 0:07:21 | 0:07:23 | |
Why today? | 0:07:25 | 0:07:26 | |
Where's the present? | 0:07:29 | 0:07:31 | |
It was there. | 0:07:31 | 0:07:33 | |
Er, OK... | 0:07:34 | 0:07:35 | |
OK, OK... | 0:07:38 | 0:07:40 | |
Is this it? | 0:07:45 | 0:07:46 | |
Eliza. | 0:07:48 | 0:07:50 | |
It's her birthday. | 0:07:50 | 0:07:52 | |
13. | 0:07:52 | 0:07:54 | |
And now I'm going to be late, all because of some stupid, selfish cow! | 0:07:54 | 0:07:58 | |
Hey, Nathan, I need you to stay calm for me, OK? | 0:07:58 | 0:08:01 | |
I promised I'd be there. | 0:08:01 | 0:08:02 | |
Take her to the zoo. | 0:08:02 | 0:08:04 | |
Then a pizza, a burger. | 0:08:05 | 0:08:08 | |
Whatever she wants. | 0:08:09 | 0:08:11 | |
Nathan, what's wrong? | 0:08:11 | 0:08:13 | |
Dizzy. | 0:08:15 | 0:08:16 | |
Hey, Nathan. Stay with me. | 0:08:17 | 0:08:19 | |
Nathan, talk to... Cindy! | 0:08:19 | 0:08:21 | |
Heston. | 0:08:25 | 0:08:27 | |
Ruhma. | 0:08:27 | 0:08:29 | |
About yesterday. Erm... | 0:08:29 | 0:08:31 | |
I must have fell out of the wrong side of bed. | 0:08:32 | 0:08:35 | |
No. Oh... | 0:08:35 | 0:08:36 | |
I'm sorry. I... I don't know what was wrong with me. | 0:08:36 | 0:08:39 | |
Can I make it up to you? | 0:08:41 | 0:08:43 | |
What did you have in mind? | 0:08:44 | 0:08:46 | |
Well, why don't we do something this weekend? | 0:08:46 | 0:08:49 | |
That would be nice. | 0:08:49 | 0:08:51 | |
The kids have been asking after you. | 0:08:51 | 0:08:53 | |
-Good. -Great! | 0:08:53 | 0:08:55 | |
Oh, Mrs Tembe... | 0:08:58 | 0:09:00 | |
What can I do for you, Dr Carter? | 0:09:00 | 0:09:02 | |
I've just had a call from a Mr Weaver, | 0:09:02 | 0:09:04 | |
who says he's received a text message | 0:09:04 | 0:09:06 | |
for an appointment he's already had. | 0:09:06 | 0:09:08 | |
I cannot apologise enough. | 0:09:08 | 0:09:10 | |
It is the new diary management system. | 0:09:10 | 0:09:12 | |
I will telephone Mr Weaver personally | 0:09:12 | 0:09:14 | |
and explain it was my clerical error. | 0:09:14 | 0:09:16 | |
I knew you'd sort it out. | 0:09:16 | 0:09:18 | |
Struggling with the new system? | 0:09:18 | 0:09:20 | |
Oh, no. No, it is just teething problems. | 0:09:20 | 0:09:23 | |
Understandable. | 0:09:23 | 0:09:24 | |
I will redouble my efforts. | 0:09:24 | 0:09:26 | |
There will be no further cause for complaint. | 0:09:26 | 0:09:28 | |
Jolly good. | 0:09:28 | 0:09:30 | |
Hey, Nathan? | 0:09:41 | 0:09:42 | |
Nathan, can you hear me? | 0:09:42 | 0:09:44 | |
BP's 90 systolic and his heart's racing. | 0:09:44 | 0:09:46 | |
Internal bleeding? | 0:09:46 | 0:09:48 | |
-But from where? -Ruptured spleen? Liver? | 0:09:48 | 0:09:50 | |
He needs fluids. | 0:09:50 | 0:09:52 | |
OK, erm... | 0:09:53 | 0:09:55 | |
Right, we've got a penetrating wound, | 0:09:55 | 0:09:57 | |
through the back of the seat, possibly into the lower abdomen. | 0:09:57 | 0:10:00 | |
It's one, maybe two centimetres wide. | 0:10:00 | 0:10:02 | |
How did I miss that? | 0:10:02 | 0:10:04 | |
Well, his sats were normal up until now. | 0:10:04 | 0:10:06 | |
The metal must be stemming the flow of blood. | 0:10:06 | 0:10:07 | |
If he moves by even a couple of millimetres, he could bleed out. | 0:10:07 | 0:10:10 | |
Oh... | 0:10:10 | 0:10:12 | |
What happened? | 0:10:13 | 0:10:15 | |
We lost you there for a second. Gave us a bit of a scare. | 0:10:15 | 0:10:18 | |
Sorry. | 0:10:18 | 0:10:19 | |
Are you in any pain? | 0:10:19 | 0:10:20 | |
No. | 0:10:20 | 0:10:22 | |
No. | 0:10:25 | 0:10:26 | |
As soon as you get me out of here, I'm off. | 0:10:26 | 0:10:29 | |
I'll jump in a taxi, get to my daughter's. | 0:10:29 | 0:10:32 | |
Maybe there'll still be some cake left. | 0:10:34 | 0:10:36 | |
What? | 0:10:37 | 0:10:38 | |
I'm sorry, I don't think you're going to be going anywhere soon. | 0:10:40 | 0:10:43 | |
Why not? | 0:10:43 | 0:10:44 | |
You're, er... | 0:10:44 | 0:10:45 | |
You're pinned to your seat. There's a piece of wreckage. | 0:10:45 | 0:10:48 | |
Well, take it out. | 0:10:49 | 0:10:51 | |
We can't. | 0:10:51 | 0:10:52 | |
Nathan, you have to stay still, OK? The slightest movement... | 0:10:52 | 0:10:55 | |
I'm going to call up the air ambulance. | 0:10:55 | 0:10:57 | |
Am I going home, Jimmi? | 0:10:58 | 0:11:00 | |
We'll do everything we can to get you out of this. | 0:11:01 | 0:11:04 | |
Don't give up, OK? We're not going to. | 0:11:04 | 0:11:06 | |
You were absolutely right to get it checked out. | 0:11:16 | 0:11:18 | |
-OK? -Ta, doc. | 0:11:18 | 0:11:20 | |
Sometimes an itch is just an itch. | 0:11:21 | 0:11:23 | |
Oh, Valerie! Are you all right? You look awful. | 0:11:25 | 0:11:28 | |
Oh, no. I just feel a bit... | 0:11:28 | 0:11:30 | |
You should go home. | 0:11:30 | 0:11:32 | |
No, Anthony's been so supportive. I really don't want to let him down. | 0:11:32 | 0:11:35 | |
I think Karen's right. You should go home. | 0:11:35 | 0:11:37 | |
You know what always helps? A nice cup of tea. | 0:11:37 | 0:11:40 | |
Right. I'll put the kettle on. | 0:11:40 | 0:11:41 | |
Are you sure you don't want to take the day to yourself? | 0:11:43 | 0:11:45 | |
No, I'd feel just as bad if I was at home. | 0:11:45 | 0:11:47 | |
Only, I'd be alone. | 0:11:47 | 0:11:49 | |
-No, it's better to keep busy. -Yeah. | 0:11:49 | 0:11:51 | |
Keeping busy's fine, | 0:11:51 | 0:11:52 | |
but, you know, you should have a little lie-down to begin with. | 0:11:52 | 0:11:55 | |
You're the doctor. | 0:11:55 | 0:11:57 | |
That can't be my next patient already? | 0:12:04 | 0:12:06 | |
Now, that's what I call timing. | 0:12:06 | 0:12:08 | |
What goes with tea? Something sweet... | 0:12:08 | 0:12:11 | |
Didn't take you long to find your way to Heston's heart, did it? | 0:12:11 | 0:12:14 | |
Oh, I don't want you to be jealous. There's plenty to go around. | 0:12:14 | 0:12:17 | |
Now, we've got jalebi, pistachio burfi | 0:12:17 | 0:12:20 | |
and my favourite - coconut burfi. | 0:12:20 | 0:12:22 | |
Mm! They look delicious. | 0:12:22 | 0:12:24 | |
These aren't aphrodisiacs, are they? | 0:12:25 | 0:12:27 | |
Ah, now...that'd be telling. | 0:12:27 | 0:12:30 | |
Oh, Mrs Tembe! May I tempt you? | 0:12:34 | 0:12:37 | |
Oh, no, thank you, Dr Carter. | 0:12:37 | 0:12:39 | |
I seem to have lost my appetite. | 0:12:39 | 0:12:41 | |
Then something must be seriously wrong. | 0:12:41 | 0:12:43 | |
I am just wondering whether I've made a mistake | 0:12:43 | 0:12:46 | |
coming back to the reception. | 0:12:46 | 0:12:47 | |
Well, I can see it may not be as fulfilling as practice manager. | 0:12:47 | 0:12:51 | |
Oh, no. No, no, it's not the job that is the problem. It is me. | 0:12:51 | 0:12:54 | |
Well, at least, that is what Mr Harker thinks. | 0:12:54 | 0:12:56 | |
Well, at the last partners' meeting, he was singing your praises. | 0:12:56 | 0:13:00 | |
Well...that is good to know. | 0:13:00 | 0:13:02 | |
Howard had his own way of doing things, Anthony his. | 0:13:02 | 0:13:05 | |
It's going to take some readjustment. | 0:13:05 | 0:13:07 | |
Yes. | 0:13:09 | 0:13:10 | |
Yes, of course. | 0:13:10 | 0:13:11 | |
Well, thank you, Dr Carter. | 0:13:11 | 0:13:14 | |
A WOMAN SOBS | 0:13:25 | 0:13:26 | |
SOBBING CONTINUES | 0:13:32 | 0:13:34 | |
I wasn't ready to be a dad. | 0:13:42 | 0:13:44 | |
I said... | 0:13:46 | 0:13:47 | |
let's buy a house first... | 0:13:47 | 0:13:49 | |
..get the business off the ground. | 0:13:50 | 0:13:52 | |
There's plenty of time for kids. | 0:13:53 | 0:13:55 | |
But things didn't work out that way? | 0:13:55 | 0:13:57 | |
We'd only been married six months | 0:13:57 | 0:13:59 | |
when she came out of the bathroom waving that little white stick. | 0:13:59 | 0:14:01 | |
I could see she was nervous. | 0:14:03 | 0:14:05 | |
I was over the moon. | 0:14:08 | 0:14:09 | |
We had a lovely home. | 0:14:11 | 0:14:12 | |
Work was going well. | 0:14:13 | 0:14:15 | |
Eliza was top of the class. | 0:14:16 | 0:14:18 | |
And then one night my wife... | 0:14:21 | 0:14:23 | |
..says, "It's over." | 0:14:24 | 0:14:26 | |
I begged her... | 0:14:28 | 0:14:30 | |
"Tell me what I can do? | 0:14:30 | 0:14:32 | |
"Anything. | 0:14:32 | 0:14:33 | |
"I'll change." | 0:14:35 | 0:14:36 | |
But she said it was too late. | 0:14:39 | 0:14:40 | |
She'd met someone else. | 0:14:41 | 0:14:43 | |
My so-called best friend. | 0:14:46 | 0:14:48 | |
There's always a best friend. | 0:14:48 | 0:14:50 | |
She got the house. | 0:14:50 | 0:14:51 | |
I got the rented flat above a kebab shop. | 0:14:52 | 0:14:55 | |
She got custody. | 0:14:57 | 0:14:58 | |
I got alternate weekends | 0:15:00 | 0:15:01 | |
and "access by appointment". | 0:15:01 | 0:15:03 | |
Nathan, you need to stay calm... | 0:15:03 | 0:15:05 | |
We'd still be a happy family. | 0:15:05 | 0:15:07 | |
I wouldn't be on this road. | 0:15:08 | 0:15:11 | |
I wouldn't be trapped in this rust bucket. | 0:15:11 | 0:15:14 | |
I wouldn't have this. | 0:15:15 | 0:15:17 | |
I wouldn't have... | 0:15:18 | 0:15:19 | |
..done the things... | 0:15:20 | 0:15:22 | |
What things? | 0:15:22 | 0:15:24 | |
-We're ready to take the roof off. -OK. | 0:15:26 | 0:15:29 | |
But isn't getting to know somebody all part of the fun of dating? | 0:15:33 | 0:15:36 | |
I could have ended up with a class-A creep | 0:15:36 | 0:15:37 | |
if Karen hadn't gone all Sherlock on the internet. | 0:15:37 | 0:15:40 | |
-Yeah, but where's the romance? -Forget romance. | 0:15:40 | 0:15:42 | |
It takes two seconds to stick a name into a search engine | 0:15:42 | 0:15:45 | |
and see if Mr Right is actually Mr Wrong. | 0:15:45 | 0:15:47 | |
Use it. | 0:15:47 | 0:15:48 | |
Any word on the air ambulance? | 0:15:56 | 0:15:58 | |
Scrambled to a lorry versus child. | 0:15:58 | 0:16:01 | |
We're next on their list, but realistically... | 0:16:01 | 0:16:03 | |
He's running out of time. | 0:16:03 | 0:16:05 | |
Nathan... | 0:16:07 | 0:16:08 | |
How are you doing? | 0:16:09 | 0:16:11 | |
I keep thinking about Eliza. | 0:16:11 | 0:16:13 | |
There's so much I need to tell her. | 0:16:14 | 0:16:16 | |
Do you want to write her a message? | 0:16:17 | 0:16:19 | |
I don't have the words. | 0:16:19 | 0:16:20 | |
Well, I can help, if you want. | 0:16:20 | 0:16:22 | |
You don't understand. | 0:16:22 | 0:16:24 | |
I've done some bad things, Jimmi. | 0:16:25 | 0:16:27 | |
Do I look like Mother Theresa? | 0:16:28 | 0:16:30 | |
I want... | 0:16:31 | 0:16:32 | |
I need Eliza to understand that... | 0:16:32 | 0:16:36 | |
I didn't want to. | 0:16:36 | 0:16:38 | |
Things got out of control. | 0:16:38 | 0:16:41 | |
I never had a temper, not before. | 0:16:41 | 0:16:44 | |
If it would help to talk... | 0:16:44 | 0:16:45 | |
Confess my sins? | 0:16:47 | 0:16:48 | |
Do you think you can handle them? | 0:16:50 | 0:16:52 | |
Hey, Nathan... Nathan! | 0:16:54 | 0:16:55 | |
Nathan, stay with me. | 0:16:55 | 0:16:56 | |
-BP's dropping like a stone. -OK. | 0:16:56 | 0:16:59 | |
Well, he's still breathing, but his pulse is thready. | 0:16:59 | 0:17:01 | |
PHONE RINGS | 0:17:01 | 0:17:05 | |
It's not me. | 0:17:05 | 0:17:06 | |
PHONE RINGS | 0:17:10 | 0:17:12 | |
Hello? | 0:17:16 | 0:17:18 | |
Who am I speaking to? | 0:17:18 | 0:17:19 | |
Who's this? | 0:17:19 | 0:17:21 | |
'Clay?' | 0:17:21 | 0:17:22 | |
'Clay, what are you doing on Lucy Pattison's phone?' | 0:17:22 | 0:17:26 | |
Clay, answer me! | 0:17:26 | 0:17:28 | |
Yeah, I'm at a RTC. | 0:17:28 | 0:17:30 | |
I've just found this phone and Chloe Andrews's bag in one of the cars. | 0:17:30 | 0:17:33 | |
-The driver? -'Yeah, he's hanging on.' | 0:17:33 | 0:17:36 | |
-Address? -'Walton Road.' | 0:17:36 | 0:17:37 | |
-About five miles out of town. -Jimmi! -You better be quick. | 0:17:37 | 0:17:40 | |
Walker, with me. | 0:17:40 | 0:17:41 | |
We're losing him. | 0:17:41 | 0:17:43 | |
The cannula's leaking. I'll re-site it. | 0:17:43 | 0:17:45 | |
OK, you are not dying on me now. | 0:17:45 | 0:17:48 | |
His pulse is getting stronger. | 0:18:27 | 0:18:29 | |
BP's rising. | 0:18:29 | 0:18:30 | |
Nathan... | 0:18:30 | 0:18:33 | |
Nathan! | 0:18:33 | 0:18:34 | |
Oh, Jimmi... | 0:18:34 | 0:18:36 | |
I haven't given up. | 0:18:37 | 0:18:39 | |
Before the crash, where were you coming from? | 0:18:39 | 0:18:41 | |
Is it important? | 0:18:41 | 0:18:43 | |
You said you run your own business. What kind of business was it? | 0:18:43 | 0:18:46 | |
Landscape gardening. | 0:18:46 | 0:18:48 | |
Right, so does that mean you have a works vehicle? | 0:18:48 | 0:18:50 | |
-What's with all the questions? -A van? | 0:18:52 | 0:18:54 | |
Is it an LDV? | 0:18:54 | 0:18:55 | |
I need to rest. | 0:18:57 | 0:18:59 | |
Lucy Pattison. | 0:19:00 | 0:19:02 | |
I don't want to talk any more. | 0:19:02 | 0:19:03 | |
-She's five years older than your daughter. -Dr Clay... | 0:19:03 | 0:19:06 | |
Someone snatched her off the street, Nathan. Was it you? | 0:19:06 | 0:19:08 | |
Come on, Nathan. I know you don't want to die | 0:19:08 | 0:19:10 | |
with this on your conscience. | 0:19:10 | 0:19:11 | |
I don't know what happens. | 0:19:11 | 0:19:13 | |
Sometimes, the pressure, the rage... | 0:19:15 | 0:19:18 | |
it gets so much... | 0:19:18 | 0:19:19 | |
..and I just have to let it out. | 0:19:21 | 0:19:23 | |
OK, Nathan, where's Lucy? | 0:19:25 | 0:19:26 | |
Nathan! | 0:19:27 | 0:19:28 | |
Nathan! | 0:19:28 | 0:19:30 | |
Has he told you where she is? | 0:19:30 | 0:19:33 | |
Lucy's phone. | 0:19:33 | 0:19:34 | |
-Yeah, OK, you can leave it to me now. -Inspector... -What? | 0:19:36 | 0:19:38 | |
-He's dying. -All the more reason for you to get out of my way. | 0:19:38 | 0:19:41 | |
-What if he won't talk? -I can be very persuasive. -I'm sure. | 0:19:41 | 0:19:43 | |
But maybe he won't tell you where he keeps his victims. | 0:19:43 | 0:19:46 | |
And we may not find Lucy until it's too late. I understand the urgency. | 0:19:46 | 0:19:49 | |
He knows me, he trusts me. | 0:19:49 | 0:19:51 | |
This is my investigation. | 0:19:51 | 0:19:53 | |
Oh, come on! I'm not trying to steal your thunder. | 0:19:53 | 0:19:55 | |
I'm just interested in Lucy Pattison coming home alive. | 0:19:55 | 0:19:57 | |
What about the last time our paths crossed? You let the main suspect go. | 0:19:57 | 0:20:00 | |
Look, every second you waste raking up the past | 0:20:00 | 0:20:02 | |
is a second to him getting closer to dying | 0:20:02 | 0:20:04 | |
and he's going to take his secrets with him. | 0:20:04 | 0:20:06 | |
Don't mess this up. | 0:20:09 | 0:20:11 | |
Nathan? | 0:20:15 | 0:20:16 | |
Nathan! | 0:20:18 | 0:20:19 | |
Ruhma? | 0:20:20 | 0:20:22 | |
Nathan... | 0:20:35 | 0:20:37 | |
Get lost. | 0:20:37 | 0:20:38 | |
OK, Nathan, you're going to die. | 0:20:39 | 0:20:42 | |
No-one can change that. | 0:20:42 | 0:20:44 | |
But you can change what happens next. | 0:20:44 | 0:20:46 | |
Leave me alone. | 0:20:46 | 0:20:48 | |
Your wife and your daughter | 0:20:48 | 0:20:49 | |
are going to find a policeman at their door. | 0:20:49 | 0:20:51 | |
He's going to tell them you've died. | 0:20:51 | 0:20:53 | |
-Then he's going to tell them all the awful things you've done. -Shut up! | 0:20:53 | 0:20:56 | |
It's going to be in the papers, social media. | 0:20:56 | 0:20:59 | |
It'll be in every school playground. | 0:20:59 | 0:21:00 | |
Eliza...! | 0:21:02 | 0:21:03 | |
If Lucy isn't found alive, how do you think your daughter's going to forgive you? | 0:21:03 | 0:21:07 | |
Briar Lane. | 0:21:23 | 0:21:24 | |
End of the track. | 0:21:28 | 0:21:29 | |
There's a farm. | 0:21:31 | 0:21:33 | |
Just a wreck. | 0:21:33 | 0:21:35 | |
Swallow Brook. | 0:21:36 | 0:21:38 | |
That's where I take them. | 0:21:40 | 0:21:41 | |
DI Larkin to Control. I want all available units sent to Briar Lane. | 0:21:41 | 0:21:44 | |
Swallow Brook Farm. | 0:21:44 | 0:21:46 | |
KNOCKING ON THE DOOR | 0:21:49 | 0:21:51 | |
Come in. | 0:21:51 | 0:21:52 | |
-You wanted to see me? -Please, take a seat. | 0:21:54 | 0:21:57 | |
Thank you. | 0:21:58 | 0:22:00 | |
Now, about this morning's incident. | 0:22:03 | 0:22:05 | |
I am now fully conversant in the new system. | 0:22:05 | 0:22:08 | |
I'm glad to hear it. | 0:22:08 | 0:22:09 | |
-But that's not why I called you in here. -Oh? | 0:22:09 | 0:22:11 | |
I saw this and I thought of you. | 0:22:11 | 0:22:13 | |
A job vacancy? | 0:22:17 | 0:22:18 | |
Assistant practice manager. | 0:22:18 | 0:22:20 | |
In Birmingham? | 0:22:20 | 0:22:22 | |
It is a great practice. I know the manager there. | 0:22:22 | 0:22:24 | |
He would make a fantastic mentor. | 0:22:24 | 0:22:25 | |
I'm not sure... | 0:22:25 | 0:22:27 | |
This could be the experience you need. | 0:22:27 | 0:22:28 | |
You're wasted as a receptionist. Everyone can see that. | 0:22:28 | 0:22:31 | |
But I like it here. | 0:22:31 | 0:22:32 | |
But are we holding you back, Mrs Tembe? | 0:22:32 | 0:22:35 | |
I know all the patients. | 0:22:35 | 0:22:36 | |
And my friends are here. | 0:22:36 | 0:22:38 | |
But sometimes you need to move on if you want to develop your career. | 0:22:38 | 0:22:41 | |
If you're serious about practice management, | 0:22:42 | 0:22:44 | |
this could be the perfect opportunity for you. | 0:22:44 | 0:22:47 | |
OK, take the back. | 0:22:56 | 0:22:57 | |
Follow them round! | 0:22:57 | 0:22:58 | |
Lucy? Lucy Pattison? It's the police! | 0:22:58 | 0:23:01 | |
It's empty. Search the area. | 0:23:02 | 0:23:03 | |
Lucy! | 0:23:03 | 0:23:05 | |
Please, help me! Please...! | 0:23:05 | 0:23:07 | |
Lucy?! | 0:23:07 | 0:23:08 | |
I'm in here! | 0:23:08 | 0:23:10 | |
-Please, help! -Get a paramedic! Get a paramedic! | 0:23:10 | 0:23:12 | |
Lucy! Lucy! | 0:23:12 | 0:23:14 | |
I'm in here! | 0:23:14 | 0:23:15 | |
Lucy, it's the police! | 0:23:15 | 0:23:16 | |
-Lucy! -It's locked. | 0:23:16 | 0:23:18 | |
Give me some help with the door. | 0:23:18 | 0:23:20 | |
Get the paramedics in. | 0:23:25 | 0:23:26 | |
Lucy, you're safe now. | 0:23:26 | 0:23:28 | |
KNOCKING ON DOOR | 0:23:34 | 0:23:36 | |
Hello? | 0:23:37 | 0:23:39 | |
Hey... | 0:23:40 | 0:23:41 | |
How's she feeling after her disco nap? | 0:23:41 | 0:23:44 | |
Oh, do you know, I feel absolutely fine most of the time. | 0:23:44 | 0:23:47 | |
Then, every now and again, | 0:23:47 | 0:23:49 | |
it's like the energy's just been drained from me. | 0:23:49 | 0:23:52 | |
Well, I have got something which is going to give you a real boost. | 0:23:53 | 0:23:59 | |
It isn't? | 0:23:59 | 0:24:01 | |
It is. | 0:24:02 | 0:24:04 | |
We've found her. | 0:24:12 | 0:24:13 | |
How is she? | 0:24:13 | 0:24:15 | |
In shock. | 0:24:15 | 0:24:16 | |
She's heading to St Phil's, thanks to you. | 0:24:16 | 0:24:19 | |
Jimmi... | 0:24:22 | 0:24:23 | |
Is she going to be all right? | 0:24:26 | 0:24:28 | |
Is she going to be all right? | 0:24:29 | 0:24:31 | |
Do you think she's ever going to be all right? | 0:24:31 | 0:24:33 | |
Do you think any of them will ever recover after what you've done to them? | 0:24:33 | 0:24:37 | |
I don't feel so good. | 0:24:40 | 0:24:42 | |
Jimmi, I'm sorry. | 0:24:46 | 0:24:48 | |
I am. | 0:24:49 | 0:24:51 | |
Truly. | 0:24:51 | 0:24:52 | |
What are you doing? | 0:24:55 | 0:24:56 | |
Don't leave me! | 0:24:58 | 0:24:59 | |
I don't want to die alone! | 0:25:02 | 0:25:04 | |
CAR DOOR SHUTS | 0:25:06 | 0:25:08 | |
CAR ENGINE REVS | 0:25:08 | 0:25:09 | |
JIMMI DRIVES OFF | 0:25:12 | 0:25:14 | |
Oh, Ruhma, there you are. | 0:25:19 | 0:25:21 | |
I saved one for you. I know it's your favourite. | 0:25:22 | 0:25:25 | |
Not now, Heston. | 0:25:27 | 0:25:29 | |
What's the matter? | 0:25:29 | 0:25:30 | |
You know, I really wanted this to work. | 0:25:31 | 0:25:34 | |
-I thought this was going to work. -What do you mean? | 0:25:35 | 0:25:38 | |
It's over. | 0:25:38 | 0:25:39 | |
What's over? | 0:25:39 | 0:25:41 | |
Us. | 0:25:41 | 0:25:42 | |
What have I done? | 0:25:43 | 0:25:44 | |
That's the problem. I don't know. | 0:25:46 | 0:25:49 | |
Ruhma... | 0:25:51 | 0:25:53 | |
The mysterious Alphonse the Amazing, | 0:26:03 | 0:26:05 | |
whosoever he may be, is not going to be drawn into revealing anything | 0:26:05 | 0:26:09 | |
about that spellbinding performance. | 0:26:09 | 0:26:11 | |
You said to me a while ago that you were waiting for him to come back. | 0:26:11 | 0:26:14 | |
What did you mean? | 0:26:14 | 0:26:16 | |
-Hasn't she told you? -No. | 0:26:16 | 0:26:17 | |
Get out! | 0:26:17 | 0:26:19 | |
She's waiting in for a dead man. | 0:26:19 | 0:26:21 | |
CHEERING AND APPLAUSE | 0:26:22 | 0:26:25 |