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I was kind of expecting a rabbit in a hat, | 0:00:27 | 0:00:30 | |
but what's all the devils about? | 0:00:30 | 0:00:32 | |
We have health and safety to consider. | 0:00:32 | 0:00:34 | |
We cannot have devils and rabbits running all over the surgery. | 0:00:34 | 0:00:37 | |
It's just for show, | 0:00:37 | 0:00:39 | |
it's going to be handkerchiefs and them two ring things. | 0:00:39 | 0:00:41 | |
The mysterious Alphonse The Amazing, | 0:00:41 | 0:00:44 | |
who so ever he may be, | 0:00:44 | 0:00:45 | |
is not going to be drawn into revealing anything | 0:00:45 | 0:00:47 | |
about that spellbinding performance. | 0:00:47 | 0:00:49 | |
Oh, give over. It's you in a Lone Ranger mask. | 0:00:49 | 0:00:52 | |
Oh, hello. | 0:00:52 | 0:00:54 | |
Is that...? | 0:00:54 | 0:00:56 | |
Oh, wow. | 0:00:56 | 0:00:58 | |
Go on. Give us a clue. | 0:00:58 | 0:00:59 | |
Is there any fire-eating? I love that. | 0:00:59 | 0:01:01 | |
I'm sorry, but Alphonse insists upon total mystery. | 0:01:01 | 0:01:05 | |
It's his lifeblood. The theatre of wonder, | 0:01:05 | 0:01:07 | |
the greatest show on earth must remain a complete secret. | 0:01:07 | 0:01:11 | |
I'm going to get sawn in half. | 0:01:11 | 0:01:13 | |
Oh, for... | 0:01:13 | 0:01:14 | |
Oi! | 0:01:17 | 0:01:19 | |
KAREN GIGGLES | 0:01:19 | 0:01:20 | |
Mrs Tembe. | 0:01:22 | 0:01:23 | |
Dr Granger. You look, you look very healthy. | 0:01:23 | 0:01:26 | |
Thank you. I didn't think cycling was your bag. | 0:01:26 | 0:01:29 | |
I was buying a new bike for Joe, | 0:01:29 | 0:01:31 | |
saw a decent deal and thought, | 0:01:31 | 0:01:33 | |
well, Zara's got her shoes, so you can have your wheels. | 0:01:33 | 0:01:36 | |
Great stuff. Let's see it, then. Bring it in. | 0:01:36 | 0:01:38 | |
I do not think the reception is a very hygienic place to bring a bike. | 0:01:38 | 0:01:42 | |
Good point. We'll be quick. Staffroom? Yeah. | 0:01:42 | 0:01:45 | |
Mr Harker, while... | 0:01:45 | 0:01:48 | |
I have you here, could you sign the infant vaccination? | 0:01:48 | 0:01:51 | |
Absolutely. Don't let me forget. | 0:01:51 | 0:01:53 | |
Lovely Valerie, how are we today? VALERIE LAUGHS NERVOUSLY | 0:01:53 | 0:01:56 | |
You OK? | 0:01:56 | 0:01:57 | |
FOOTSTEPS APPROACH | 0:02:00 | 0:02:02 | |
That's close enough. | 0:02:04 | 0:02:06 | |
Excuse me? I'm on strict orders today, | 0:02:06 | 0:02:08 | |
no-one's to get in or out without her say so. And you are? | 0:02:08 | 0:02:11 | |
That's what I should be asking you. | 0:02:11 | 0:02:13 | |
Is Miss Phelps in? I can't say. | 0:02:13 | 0:02:15 | |
COUGHING FROM INSIDE | 0:02:15 | 0:02:16 | |
Who are you gossiping with? | 0:02:16 | 0:02:18 | |
Stop idling. | 0:02:18 | 0:02:19 | |
Miss Phelps? It's Dr Reid. We have an appointment. | 0:02:19 | 0:02:22 | |
Well, let her in, you fool. | 0:02:22 | 0:02:25 | |
And if I see another inch of your bottom, | 0:02:25 | 0:02:27 | |
I'm going to stick a knitting needle in it. | 0:02:27 | 0:02:31 | |
Sorry. Um, good morning. | 0:02:31 | 0:02:34 | |
Good morning. | 0:02:34 | 0:02:35 | |
What are you waiting for? A written invitation? Come on, come in. Chop chop. | 0:02:35 | 0:02:39 | |
MEREDITH COUGHS | 0:02:39 | 0:02:40 | |
Really light and down from eight to five and half. | 0:02:42 | 0:02:45 | |
Mm, nice entry level bike. | 0:02:45 | 0:02:47 | |
Well, I did my research. It's top five across the board. | 0:02:47 | 0:02:49 | |
Oh, absolutely. Absolutely. You've got yourself a bargain. | 0:02:49 | 0:02:52 | |
Shame to only use it for the commute. | 0:02:52 | 0:02:55 | |
What's this? Boys and their toys. | 0:02:55 | 0:02:57 | |
Of course, it's about so much more than just the gear, isn't it? | 0:02:57 | 0:03:00 | |
Absolutely, absolutely. | 0:03:00 | 0:03:02 | |
Ugh. What is it with men and measuring contests? | 0:03:02 | 0:03:05 | |
Well, if they are measuring, my money is on Dr Granger. | 0:03:05 | 0:03:10 | |
Yeah, good thickness. What's the grip like? | 0:03:10 | 0:03:12 | |
BICYCLE BELL RINGS Ugh, I'm out. Me too. | 0:03:12 | 0:03:15 | |
It's the, er, it's the gears that sold it to me. | 0:03:15 | 0:03:18 | |
BICYCLE BELL RINGS | 0:03:18 | 0:03:20 | |
Nice bell. | 0:03:20 | 0:03:21 | |
KAREN LAUGHS | 0:03:21 | 0:03:23 | |
This is neat. | 0:03:23 | 0:03:25 | |
I feel like I've missed my calling in life, you know. | 0:03:25 | 0:03:28 | |
I did actually once get to try it out. | 0:03:28 | 0:03:31 | |
It was my eighth birthday. | 0:03:31 | 0:03:32 | |
I was invited to go up on stage with Sonny Earle, | 0:03:32 | 0:03:35 | |
who I'd seen on that talent contest with...thingy. | 0:03:35 | 0:03:38 | |
He called me his little angel | 0:03:38 | 0:03:39 | |
and he made a dove fly out my dungarees. | 0:03:39 | 0:03:42 | |
Have you been practising? Rehearsing? | 0:03:44 | 0:03:46 | |
La, la, la, la, la. | 0:03:46 | 0:03:49 | |
Magic. | 0:03:49 | 0:03:50 | |
La, la, la, la, la. Ooh, magic. | 0:03:50 | 0:03:53 | |
Is that it? | 0:03:53 | 0:03:54 | |
Well, it works for Debbie McGee. | 0:03:54 | 0:03:56 | |
Oh, come on, Valerie. | 0:03:56 | 0:03:57 | |
You're a big part of the show, you're the misdirection, | 0:03:57 | 0:04:01 | |
the flash, the flair. | 0:04:01 | 0:04:02 | |
Don't you worry. | 0:04:02 | 0:04:03 | |
Al and I have been at it all night. | 0:04:03 | 0:04:06 | |
Watch this. | 0:04:06 | 0:04:07 | |
Oh! VALERIE CLEARS HER THROAT | 0:04:07 | 0:04:09 | |
Ah! | 0:04:09 | 0:04:10 | |
Ooh! | 0:04:10 | 0:04:12 | |
Pick a card. Any card. Not that one! | 0:04:12 | 0:04:16 | |
VALERIE LAUGHS I'm only joking! | 0:04:16 | 0:04:17 | |
Stage persona, silly. | 0:04:17 | 0:04:19 | |
Mm? | 0:04:23 | 0:04:24 | |
Now look at it, but don't tell me what it is. | 0:04:24 | 0:04:28 | |
And back in the pack it goes. | 0:04:28 | 0:04:30 | |
Oh, so, what was your card, Karen? | 0:04:31 | 0:04:34 | |
Where's your card? Where is it? | 0:04:34 | 0:04:36 | |
The mystery, the suspense! | 0:04:36 | 0:04:39 | |
Now, if you'd just like to pass me that envelope | 0:04:39 | 0:04:42 | |
that's right behind you, Karen. | 0:04:42 | 0:04:44 | |
No way! You didn't. | 0:04:44 | 0:04:46 | |
Ah... | 0:04:46 | 0:04:47 | |
You didn't. Um... | 0:04:53 | 0:04:55 | |
Oh, all right. | 0:04:55 | 0:04:56 | |
Oh... | 0:04:58 | 0:04:59 | |
VALERIE SIGHS | 0:04:59 | 0:05:00 | |
All right, now, apart from your cough, | 0:05:05 | 0:05:07 | |
is there anything else troubling you? | 0:05:07 | 0:05:08 | |
Yes, her next door. | 0:05:08 | 0:05:11 | |
She comes outside to smoke, | 0:05:11 | 0:05:12 | |
her mobile phone playing music, I can hear it in the bath. | 0:05:12 | 0:05:17 | |
And then there's the radio, and that's not just the awful songs, | 0:05:17 | 0:05:21 | |
but some idiot who insists on talking in between them. | 0:05:21 | 0:05:25 | |
I was thinking more about fatigue, you know, aches and pains? | 0:05:25 | 0:05:28 | |
She is a pain. | 0:05:28 | 0:05:29 | |
MEREDITH COUGHS | 0:05:30 | 0:05:31 | |
Sorry. Miss Phelps, I'm having trouble fitting this, | 0:05:31 | 0:05:34 | |
are you sure you want this one? Is that the chain? Yep. | 0:05:34 | 0:05:37 | |
Then you'll fit it and put your back into it. | 0:05:37 | 0:05:40 | |
I hope you don't mind me asking... | 0:05:40 | 0:05:43 | |
It's not rocket science. | 0:05:43 | 0:05:44 | |
That bit goes on the left and that bit goes on the right, | 0:05:44 | 0:05:47 | |
and I do not pay you to muddy up my Parkay. | 0:05:47 | 0:05:50 | |
MEREDITH COUGHS | 0:05:50 | 0:05:52 | |
Miss Phelps, I know you don't like leaving the house, | 0:05:52 | 0:05:55 | |
but why don't you come to the Mill? I can review your care plan... | 0:05:55 | 0:05:59 | |
Stop fussing, woman! | 0:05:59 | 0:06:01 | |
I have to be in. He'll be back any day now. | 0:06:01 | 0:06:05 | |
Who'll be back? | 0:06:05 | 0:06:07 | |
Here you go, Jimmi. Mm. | 0:06:11 | 0:06:13 | |
Do not touch. | 0:06:17 | 0:06:19 | |
Ah. | 0:06:20 | 0:06:21 | |
It's a bit Sooty and Sweep, isn't it? I couldn't cut butter with that. | 0:06:21 | 0:06:24 | |
It's kind of a good thing, though. When Valerie said she was being sawn in half, I was a bit worried. | 0:06:24 | 0:06:29 | |
We don't want it dangerous, do we? I said, don't touch. | 0:06:29 | 0:06:32 | |
Where did you get this stuff? | 0:06:32 | 0:06:33 | |
I rented it from my mate, the legendary Tony Kevitch. | 0:06:33 | 0:06:36 | |
Well, that's one trick he's done, isn't it? | 0:06:36 | 0:06:38 | |
What? Disappearing with all your money! | 0:06:38 | 0:06:40 | |
THEY LAUGH Yeah, very funny. | 0:06:40 | 0:06:42 | |
Anyway, it's not about the tools, it's about the technique. | 0:06:42 | 0:06:45 | |
The Amazing Alphonse... | 0:06:45 | 0:06:46 | |
The posters say, "Alphonse The Amazing." | 0:06:46 | 0:06:48 | |
Yeah, that's what I said. | 0:06:48 | 0:06:50 | |
Alphonse The Amazing learned all his techniques | 0:06:50 | 0:06:52 | |
from the finest gurus, shamans | 0:06:52 | 0:06:54 | |
and grand wizards from here to Shangri-La. | 0:06:54 | 0:06:56 | |
Otherwise known as the internet. THEY GIGGLE | 0:06:56 | 0:06:58 | |
This saw is the perfect weight | 0:06:58 | 0:07:00 | |
and the perfect balance for the job at hand. | 0:07:00 | 0:07:03 | |
Look at that. That is diamond-sharpened. | 0:07:03 | 0:07:06 | |
Why have you still got that? | 0:07:06 | 0:07:08 | |
What? We talked about this. Bin it. | 0:07:08 | 0:07:10 | |
It's worked for 20 years. | 0:07:10 | 0:07:12 | |
I want fear, Al. | 0:07:12 | 0:07:14 | |
I want danger. | 0:07:14 | 0:07:15 | |
I want to live on the edge. | 0:07:15 | 0:07:17 | |
Daredevil spectacle. | 0:07:17 | 0:07:19 | |
Yeah, health and safety. | 0:07:19 | 0:07:20 | |
Up your game. | 0:07:20 | 0:07:21 | |
JIMMI WHEEZES AND GIGGLES | 0:07:25 | 0:07:27 | |
Do you think it will work? | 0:07:33 | 0:07:35 | |
We want them to feel like they | 0:07:35 | 0:07:38 | |
are on a journey into the unknown. | 0:07:38 | 0:07:40 | |
One where anything can happen, | 0:07:40 | 0:07:41 | |
so if we really ramp up the tension from the start, | 0:07:41 | 0:07:44 | |
we'll have them in the palm of our hands. | 0:07:44 | 0:07:46 | |
Mm. That sounds like a lot of effort. | 0:07:46 | 0:07:48 | |
I just want to get sawn in half. | 0:07:48 | 0:07:50 | |
Yeah, but you want it to last, don't you? | 0:07:50 | 0:07:52 | |
you want it to endure. | 0:07:52 | 0:07:53 | |
You want them, every time they hear the word "magic", | 0:07:53 | 0:07:56 | |
to think of you. Yeah. Yes, I do. | 0:07:56 | 0:07:58 | |
Let's do it. | 0:07:58 | 0:08:00 | |
That's my girl. You ready? | 0:08:00 | 0:08:01 | |
Wait. I want to do this method. VALERIE CLEARS HER THROAT | 0:08:01 | 0:08:04 | |
Ah. OK. Stick to the script, no ad-libbing. | 0:08:04 | 0:08:08 | |
You, you and your ridiculous saw! | 0:08:10 | 0:08:14 | |
Nobody's going to be impressed by that! | 0:08:14 | 0:08:16 | |
No-one's going to be impressed with you or your stupid hat if we don't produce some real magic! | 0:08:16 | 0:08:20 | |
You can't talk to me like that! | 0:08:20 | 0:08:22 | |
Oh, Valerie! Don't try and cash in your cancer credit with me. | 0:08:22 | 0:08:26 | |
You roped me into this, | 0:08:26 | 0:08:28 | |
now pull your weight, or I will walk! Me pull my weight? | 0:08:28 | 0:08:30 | |
What about you and your supposedly legendary box | 0:08:30 | 0:08:34 | |
that looks like it came out of a skip! | 0:08:34 | 0:08:36 | |
Don't! That box is the star of this show! | 0:08:36 | 0:08:38 | |
How dare you! | 0:08:38 | 0:08:40 | |
Do not slam my door! | 0:08:43 | 0:08:45 | |
Why are we hiding? | 0:08:51 | 0:08:53 | |
Auntie Meredith? Are you in? | 0:08:55 | 0:08:57 | |
Auntie? | 0:08:57 | 0:08:58 | |
I've got to get ready for basketball practice. | 0:08:59 | 0:09:01 | |
MEREDITH COUGHS | 0:09:01 | 0:09:03 | |
Have you fallen? | 0:09:03 | 0:09:05 | |
Are you OK? | 0:09:05 | 0:09:06 | |
Hang on, I think Mum gave me a spare key. | 0:09:06 | 0:09:09 | |
Er... | 0:09:11 | 0:09:12 | |
Don't worry, I'll call an ambulance. | 0:09:12 | 0:09:14 | |
No, you won't! | 0:09:14 | 0:09:16 | |
Aunt Meredith? | 0:09:16 | 0:09:17 | |
What's going on? | 0:09:17 | 0:09:19 | |
I told you before, I'm not leaving! | 0:09:19 | 0:09:21 | |
I'm not trying to throw you out. Shoo! | 0:09:21 | 0:09:24 | |
I think maybe you should talk to her. | 0:09:24 | 0:09:26 | |
There's obviously been some confusion. | 0:09:26 | 0:09:28 | |
Don't you start! | 0:09:28 | 0:09:29 | |
Can someone just please let me in? | 0:09:29 | 0:09:31 | |
Right. | 0:09:31 | 0:09:32 | |
What are you doing? I'm going to call Mum. | 0:09:32 | 0:09:35 | |
Right, that's it. | 0:09:35 | 0:09:37 | |
YASMIN YELPS | 0:09:39 | 0:09:40 | |
That was meant to be a warning shot. | 0:09:40 | 0:09:42 | |
Why didn't you move, you twit? | 0:09:42 | 0:09:45 | |
Are you OK? | 0:09:48 | 0:09:49 | |
I think so. | 0:09:49 | 0:09:50 | |
My hair seems to have taken most of the hit. | 0:09:50 | 0:09:53 | |
Are you really just her niece? What's this all about? | 0:09:53 | 0:09:55 | |
I have no idea. | 0:09:55 | 0:09:56 | |
Come on. Let's get you inside. | 0:09:58 | 0:10:00 | |
Why's she throwing potted plants at her niece? | 0:10:00 | 0:10:02 | |
I've no idea, but I'd like to find out. | 0:10:02 | 0:10:04 | |
Ooh, so, when are you going to put her to the test? | 0:10:07 | 0:10:10 | |
Well, there's no immediate rush. | 0:10:10 | 0:10:13 | |
Of course not. | 0:10:14 | 0:10:15 | |
If I was you, I'd be aching to see what she can do, but... | 0:10:15 | 0:10:18 | |
one step at a time. | 0:10:18 | 0:10:20 | |
Yeah. | 0:10:20 | 0:10:21 | |
Yeah... Well, I suppose I could take her out for a spin at lunchtime. | 0:10:21 | 0:10:24 | |
Exactly! | 0:10:24 | 0:10:25 | |
The morning commute's one thing, but you want to use all those gears you paid for, don't you? | 0:10:25 | 0:10:29 | |
Get a simple circuit under your belt. | 0:10:29 | 0:10:31 | |
Put her through the paces. Any recommendations? | 0:10:31 | 0:10:33 | |
You could go along Greenbank, | 0:10:33 | 0:10:36 | |
up to Rampley Mount, back via Dukesfield. | 0:10:36 | 0:10:39 | |
That should be enough to get you started. | 0:10:39 | 0:10:41 | |
Er... Yeah, well. | 0:10:41 | 0:10:42 | |
I suppose I better get warmed up, If I'm going to... | 0:10:42 | 0:10:45 | |
Hm! That's the spirit. Yeah... | 0:10:45 | 0:10:48 | |
It looks like you've had a lucky escape. | 0:10:49 | 0:10:52 | |
Thick skull. I think it runs in the family. | 0:10:52 | 0:10:54 | |
It's a nice skull. | 0:10:54 | 0:10:56 | |
Right, what I would like to know is | 0:10:57 | 0:11:00 | |
why is this place like Fort Knox, | 0:11:00 | 0:11:02 | |
and why are you throwing potted plants at your niece's head? | 0:11:02 | 0:11:06 | |
She's trying to do my sister's dirty work. | 0:11:06 | 0:11:08 | |
They think I'm mad. | 0:11:08 | 0:11:11 | |
Trying to oust me from my home. | 0:11:12 | 0:11:14 | |
Mum was worried that | 0:11:14 | 0:11:15 | |
Auntie Meredith doesn't ever leave the house. | 0:11:15 | 0:11:17 | |
I'm up here for work, so I thought I'd come and check in on her. | 0:11:17 | 0:11:20 | |
I came by a few days ago and she was all shut in | 0:11:20 | 0:11:22 | |
and it got me worried. | 0:11:22 | 0:11:24 | |
Miss Phelps, we're all worried. | 0:11:24 | 0:11:27 | |
I just want to help, and clearly that's all Yasmin wants to do. | 0:11:27 | 0:11:31 | |
Me too, I'd like to help. I don't need help. | 0:11:31 | 0:11:34 | |
I don't want help cooking, or cleaning or climbing the stairs. | 0:11:34 | 0:11:38 | |
There's plenty of life left in me. | 0:11:38 | 0:11:41 | |
One little cough and you all circle like vultures. | 0:11:41 | 0:11:44 | |
Look, it's not that simple. | 0:11:44 | 0:11:46 | |
When was the last time you socialised? | 0:11:48 | 0:11:50 | |
Well, I talk to this idiot. | 0:11:50 | 0:11:52 | |
It's not just your physical health that's at risk. | 0:11:53 | 0:11:56 | |
I am NOT mad! | 0:11:56 | 0:11:59 | |
I'll tell you what is mad, | 0:11:59 | 0:12:01 | |
sitting in bingo halls. | 0:12:01 | 0:12:04 | |
And feeding pigeons, and going to salsa classes! | 0:12:04 | 0:12:07 | |
All there is out there is more idiots. | 0:12:09 | 0:12:12 | |
You can't keep waiting in. | 0:12:14 | 0:12:15 | |
You need to let go. | 0:12:15 | 0:12:17 | |
Let go of what? | 0:12:17 | 0:12:19 | |
All right, that's it. Out. Out. All of you. | 0:12:19 | 0:12:23 | |
You said to me a while ago | 0:12:23 | 0:12:25 | |
that you were waiting for him to come back. | 0:12:25 | 0:12:27 | |
What did you mean? Hasn't she told you? No. | 0:12:27 | 0:12:29 | |
Get out! | 0:12:29 | 0:12:31 | |
She's waiting in for a dead man. | 0:12:31 | 0:12:33 | |
If anyone needs me, I'm not here. Oh, OK. | 0:12:43 | 0:12:45 | |
Don't mind us. Oh, I've ruined it. | 0:12:45 | 0:12:48 | |
My last chance at stardom. | 0:12:48 | 0:12:50 | |
Oh... | 0:12:50 | 0:12:52 | |
You don't need him, | 0:12:52 | 0:12:53 | |
you're better off without him. Do the show yourself. | 0:12:53 | 0:12:56 | |
How am I going to saw myself in half? | 0:12:56 | 0:12:58 | |
Well, maybe focus on some of the other tricks? | 0:12:59 | 0:13:02 | |
Really? | 0:13:02 | 0:13:03 | |
How about this? | 0:13:04 | 0:13:06 | |
Ha... | 0:13:06 | 0:13:07 | |
Is this your card? | 0:13:07 | 0:13:08 | |
VALERIE SIGHS Yeah, but points for showmanship. | 0:13:10 | 0:13:12 | |
You know, you're really, nearly... Oh... | 0:13:12 | 0:13:15 | |
I'm sorry, I didn't mean it like that. He's not dead. | 0:13:19 | 0:13:22 | |
Is your leg giving you trouble? | 0:13:24 | 0:13:26 | |
Let me have a look. | 0:13:26 | 0:13:28 | |
That looks very sore. | 0:13:36 | 0:13:37 | |
How long has it been like that? | 0:13:37 | 0:13:39 | |
That needs to be seen to. No! | 0:13:40 | 0:13:42 | |
Oh, dear. | 0:13:42 | 0:13:44 | |
Right, that's it. Go on, get out, the lot of you. | 0:13:44 | 0:13:46 | |
We're going, but you're coming with us. Come on. | 0:13:46 | 0:13:50 | |
Madam, hold that door, if you will? Thank you. | 0:13:52 | 0:13:55 | |
Hey, Valeria. | 0:13:55 | 0:13:56 | |
You want to live on the edge? | 0:13:56 | 0:13:59 | |
Well, I have got sharp edge and I've got a jagged edge. | 0:13:59 | 0:14:04 | |
Is that enough edge for you? | 0:14:04 | 0:14:05 | |
PHONE RINGS IN BACKGROUND | 0:14:08 | 0:14:10 | |
How is she? | 0:14:15 | 0:14:16 | |
She's having some tests done, but she's in good hands. | 0:14:16 | 0:14:19 | |
I really didn't mean to upset her so much. | 0:14:19 | 0:14:21 | |
My mum's worried about her | 0:14:21 | 0:14:22 | |
and asked me to check in while I was here. | 0:14:22 | 0:14:24 | |
She was really off the first time I called in on her. | 0:14:24 | 0:14:27 | |
I just wanted to be sure she was OK. | 0:14:27 | 0:14:29 | |
She's like that with everyone. You get used to it. | 0:14:29 | 0:14:31 | |
Yeah, but its not right, is it? | 0:14:31 | 0:14:33 | |
Her locking herself away. It's a shame. | 0:14:33 | 0:14:35 | |
Well, agoraphobia isn't easily overcome. | 0:14:35 | 0:14:38 | |
Especially when you're as resistant to help as Meredith is. | 0:14:38 | 0:14:41 | |
Just, er... | 0:14:43 | 0:14:44 | |
..petal. I mean, um... | 0:14:46 | 0:14:48 | |
Who fancies a tea? I'd love one. Yes, please. | 0:14:49 | 0:14:52 | |
How do you take it? White, no sugar. | 0:14:52 | 0:14:54 | |
Strong and sweet. | 0:14:54 | 0:14:55 | |
I'll try my best. Hm! | 0:14:55 | 0:14:57 | |
THEY GIGGLE | 0:15:01 | 0:15:03 | |
AL: OK, then you get on that. VALERIE: Yeah. | 0:15:03 | 0:15:06 | |
Come on, while it's up. OK, yeah. Is that good? | 0:15:06 | 0:15:08 | |
Move over a bit. Yeah. Yeah! That's it. | 0:15:08 | 0:15:10 | |
OK, now I just.. VALERIE GIGGLES | 0:15:10 | 0:15:12 | |
Go on, then. | 0:15:14 | 0:15:15 | |
Push it in. | 0:15:15 | 0:15:16 | |
All the way. I am, that's as far as it goes. Oh. | 0:15:16 | 0:15:19 | |
CHAINSAW ROARS | 0:15:21 | 0:15:23 | |
I think I've heard enough! Ooh, I've heard too much. | 0:15:23 | 0:15:26 | |
MEREDITH SNORES AND WHEEZES | 0:15:26 | 0:15:28 | |
The looks on your faces. | 0:15:31 | 0:15:33 | |
I'm not that bad, am I? | 0:15:33 | 0:15:35 | |
We were just worried, that's all. | 0:15:35 | 0:15:38 | |
MEREDITH GASPS | 0:15:38 | 0:15:40 | |
Not going to be stuck in here, I hope. | 0:15:40 | 0:15:42 | |
I'll just be outside. | 0:15:42 | 0:15:44 | |
Good to see you, Miss Phelps. Let me know if you need anything. | 0:15:44 | 0:15:48 | |
They'll probably want to keep you in overnight. | 0:15:48 | 0:15:50 | |
No. | 0:15:50 | 0:15:51 | |
No... | 0:15:51 | 0:15:53 | |
I...can't believe you brought me... | 0:15:54 | 0:15:58 | |
I need to get back. | 0:15:58 | 0:16:00 | |
No, no, no. I'm afraid you're going to have to stay in. | 0:16:00 | 0:16:02 | |
At least until we know more. | 0:16:02 | 0:16:04 | |
No. | 0:16:04 | 0:16:06 | |
20 years, I've been there...waiting. | 0:16:06 | 0:16:11 | |
I said I'd keep a candle burning. | 0:16:11 | 0:16:16 | |
I need to get home. Please. | 0:16:16 | 0:16:19 | |
Whatever it is, | 0:16:19 | 0:16:20 | |
it can't be more important than your health. | 0:16:20 | 0:16:24 | |
He is. | 0:16:24 | 0:16:25 | |
Who is, Meredith? | 0:16:27 | 0:16:28 | |
Jacob. | 0:16:29 | 0:16:31 | |
My fiance. | 0:16:32 | 0:16:34 | |
Each night... | 0:16:35 | 0:16:37 | |
I keep a light on for him | 0:16:37 | 0:16:40 | |
to come home to. | 0:16:40 | 0:16:41 | |
I promised. | 0:16:44 | 0:16:45 | |
He took the job...for us. | 0:16:47 | 0:16:49 | |
For our future. | 0:16:51 | 0:16:52 | |
A month away. | 0:16:55 | 0:16:57 | |
Maybe more. | 0:16:57 | 0:16:58 | |
On the rigs. | 0:17:00 | 0:17:01 | |
He was coming home. | 0:17:04 | 0:17:06 | |
All lives lost, they said. | 0:17:07 | 0:17:10 | |
But... | 0:17:11 | 0:17:13 | |
they never knew for sure. | 0:17:13 | 0:17:15 | |
See? | 0:17:17 | 0:17:19 | |
Even you think I've lost the plot. | 0:17:20 | 0:17:22 | |
No. | 0:17:22 | 0:17:24 | |
It's not like that at all. | 0:17:24 | 0:17:26 | |
I miss him. | 0:17:26 | 0:17:28 | |
I'm not mad. | 0:17:33 | 0:17:35 | |
You and my sister can think what you like. | 0:17:36 | 0:17:40 | |
I came by because I wanted to meet you. | 0:17:40 | 0:17:43 | |
I don't really know anyone here. | 0:17:43 | 0:17:46 | |
I was hoping I could just, you know, | 0:17:46 | 0:17:49 | |
spend some time with you. | 0:17:49 | 0:17:51 | |
I've messed up, haven't I? | 0:17:52 | 0:17:54 | |
Made myself worse. MEREDITH GASPS | 0:17:54 | 0:17:58 | |
Right, definitely think about electronic gears. | 0:17:59 | 0:18:03 | |
This is adding up, you know. | 0:18:03 | 0:18:04 | |
But think of the money you saved on the bike. | 0:18:04 | 0:18:06 | |
It evens out, right? | 0:18:06 | 0:18:08 | |
KNOCK ON DOOR Come in. | 0:18:08 | 0:18:10 | |
The infant vaccination documents. | 0:18:12 | 0:18:15 | |
Oh, at last. I was going to chase you up for those. | 0:18:15 | 0:18:18 | |
Could you get these faxed over, ASAP? | 0:18:18 | 0:18:21 | |
They are waiting for you in reception. | 0:18:24 | 0:18:26 | |
Done. | 0:18:29 | 0:18:30 | |
NOW you've got a bike. | 0:18:30 | 0:18:32 | |
MRS TEMBE SIGHS | 0:18:36 | 0:18:38 | |
Is everything OK? | 0:18:41 | 0:18:42 | |
Yes. Yes, everything is fine. | 0:18:42 | 0:18:44 | |
DRUMROLL | 0:18:46 | 0:18:47 | |
APPLAUSE | 0:18:50 | 0:18:53 | |
MUSIC: A Kind Of Magic by Queen | 0:18:53 | 0:18:56 | |
# One dream, one soul | 0:18:56 | 0:18:59 | |
# One prize, one goal... | 0:18:59 | 0:19:03 | |
# One golden glance | 0:19:03 | 0:19:07 | |
# Of what should be | 0:19:07 | 0:19:09 | |
# It's a kind of magic | 0:19:09 | 0:19:11 | |
# One shaft of light... | 0:19:11 | 0:19:14 | |
Whoo! | 0:19:14 | 0:19:15 | |
# That shows the way | 0:19:15 | 0:19:17 | |
# No mortal man | 0:19:18 | 0:19:22 | |
# Can win this day | 0:19:22 | 0:19:24 | |
# It's a kind of magic... | 0:19:24 | 0:19:26 | |
# The bell that rings | 0:19:26 | 0:19:29 | |
LAUGHTER | 0:19:29 | 0:19:30 | |
# Inside your mind | 0:19:30 | 0:19:33 | |
# Is challenging | 0:19:33 | 0:19:36 | |
# The doors of time WHOOPING | 0:19:37 | 0:19:39 | |
# It's a kind of magic | 0:19:39 | 0:19:41 | |
# The waiting seems... | 0:19:41 | 0:19:43 | |
# Eternity... APPLAUSE | 0:19:45 | 0:19:47 | |
Don't mind if I do. | 0:19:48 | 0:19:49 | |
Cheers. | 0:19:49 | 0:19:51 | |
LAUGHTER | 0:19:51 | 0:19:52 | |
# Is this... | 0:19:55 | 0:19:57 | |
AL CHOKES | 0:19:57 | 0:19:59 | |
# It's a kind of magic | 0:20:01 | 0:20:03 | |
# There can be only one | 0:20:03 | 0:20:07 | |
APPLAUSE | 0:20:07 | 0:20:08 | |
WHOOPING | 0:20:08 | 0:20:10 | |
# This rage that lasts | 0:20:10 | 0:20:13 | |
# A thousand years | 0:20:13 | 0:20:16 | |
APPLAUSE # Will soon be done... # | 0:20:16 | 0:20:20 | |
WHISTLING | 0:20:20 | 0:20:22 | |
Now, ladies and gentlemen, boys and girls, | 0:20:22 | 0:20:26 | |
I must ask, if any of you are of a weak or nervous condition, | 0:20:26 | 0:20:30 | |
that you now leave the room. | 0:20:30 | 0:20:32 | |
Alphonse The Amazing and Valeria | 0:20:32 | 0:20:35 | |
cannot be responsible for what happens next. | 0:20:35 | 0:20:38 | |
ALL: Ooh! | 0:20:38 | 0:20:40 | |
Very well. | 0:20:40 | 0:20:42 | |
Without further ado, may I present to you | 0:20:42 | 0:20:45 | |
the rarest of magical antiquities, | 0:20:45 | 0:20:47 | |
handed down to Houdini himself, | 0:20:47 | 0:20:50 | |
by the ancient conjurers of Timbuktu. | 0:20:50 | 0:20:53 | |
Feast your eyes upon The Cabinet... | 0:20:53 | 0:20:57 | |
Of Doom! | 0:20:57 | 0:20:59 | |
DRUMROLL AND APPLAUSE | 0:20:59 | 0:21:04 | |
Right, well... | 0:21:07 | 0:21:10 | |
you've got a severe chest infection, | 0:21:10 | 0:21:12 | |
so they're going to keep you in overnight for observation | 0:21:12 | 0:21:15 | |
and give you some antibiotics. | 0:21:15 | 0:21:18 | |
But the swelling in your leg, well, that's just down to inactivity. | 0:21:18 | 0:21:22 | |
You're simply not getting about enough. | 0:21:22 | 0:21:23 | |
Anything else? | 0:21:23 | 0:21:25 | |
It's good news, Auntie. | 0:21:25 | 0:21:26 | |
When you're ready, | 0:21:28 | 0:21:29 | |
we'll talk about how to get you moving a bit more. | 0:21:29 | 0:21:32 | |
But I promise you, | 0:21:32 | 0:21:33 | |
there will be no salsa classes, and no bingo. | 0:21:33 | 0:21:36 | |
Really? | 0:21:36 | 0:21:38 | |
Ah. I thought I'd feel something. | 0:21:38 | 0:21:42 | |
That I'd know when he'd gone. | 0:21:42 | 0:21:44 | |
Something just switches and tells you. | 0:21:46 | 0:21:49 | |
But no... | 0:21:51 | 0:21:53 | |
No. Even now, | 0:21:53 | 0:21:55 | |
I think, you know, the phone, the door... | 0:21:55 | 0:22:00 | |
it's him. | 0:22:00 | 0:22:01 | |
With a bunch of daffs that he's nicked from the park. | 0:22:02 | 0:22:06 | |
I know we got off to a bit of a bad start... | 0:22:08 | 0:22:10 | |
Mm? ..but, if you want someone to light that candle, | 0:22:10 | 0:22:13 | |
just for tonight, while you're here, | 0:22:13 | 0:22:15 | |
only if you want someone to. | 0:22:15 | 0:22:17 | |
Oh, that's kind of you. | 0:22:17 | 0:22:19 | |
Thank you. | 0:22:20 | 0:22:21 | |
I'll be back in the morning, OK? | 0:22:23 | 0:22:24 | |
I'm sorry... | 0:22:27 | 0:22:29 | |
..that I threw the pot plant at you. | 0:22:30 | 0:22:33 | |
Heading back? Yeah. | 0:22:42 | 0:22:43 | |
You probably need a lift there, right? | 0:22:45 | 0:22:47 | |
Oh, yeah. Of course. Thanks. | 0:22:47 | 0:22:49 | |
Sorry I keep burdening you like this. | 0:22:49 | 0:22:51 | |
It's my pleasure. Well, I mean... | 0:22:51 | 0:22:54 | |
I don't mind. No problem. | 0:22:54 | 0:22:56 | |
BOTH: So... | 0:22:58 | 0:22:59 | |
Ladies first. | 0:23:02 | 0:23:03 | |
Well, I wasn't... It was, er... | 0:23:03 | 0:23:06 | |
Do you like pizza? It's literally my favourite food. | 0:23:08 | 0:23:10 | |
Really? Is that stupid? | 0:23:10 | 0:23:12 | |
No, no. I know a brill place. My treat. | 0:23:12 | 0:23:15 | |
You sure? | 0:23:15 | 0:23:17 | |
Well, it's brill for Letherbridge. | 0:23:17 | 0:23:18 | |
I've probably over-sold it now. | 0:23:18 | 0:23:21 | |
You get unlimited fizzy drinks. You can mix them at the machine, | 0:23:21 | 0:23:23 | |
if you like that sort of thing. | 0:23:23 | 0:23:25 | |
It sounds perfect. | 0:23:25 | 0:23:27 | |
Well, if we get there before seven, you get the garlic bread for free. | 0:23:29 | 0:23:33 | |
Lead the way. | 0:23:33 | 0:23:34 | |
MEREDITH GASPS | 0:23:37 | 0:23:38 | |
It's a precious thing, isn't it? | 0:23:38 | 0:23:41 | |
Yes. | 0:23:42 | 0:23:43 | |
You too? | 0:23:47 | 0:23:49 | |
CHEERING AND APPLAUSE | 0:24:00 | 0:24:02 | |
Ladies and gentleman, we have reached the denouement | 0:24:02 | 0:24:06 | |
of the greatest show on earth. | 0:24:06 | 0:24:08 | |
The part where I, The Amazing Alfonse... | 0:24:08 | 0:24:12 | |
Alfonse The Amazing. Yeah, whatever. | 0:24:12 | 0:24:14 | |
..where I shall cut my glamorous assistant Valeria... | 0:24:14 | 0:24:18 | |
Hello! Hello! Say hello to Valeria. | 0:24:18 | 0:24:21 | |
..into roughly equal size parts, using...a chainsaw! | 0:24:21 | 0:24:26 | |
CHAINSAW ROARS AND WHOOPING | 0:24:26 | 0:24:29 | |
Now, unfortunately, | 0:24:29 | 0:24:30 | |
health and safety dictates that I must ask you, | 0:24:30 | 0:24:34 | |
is there a doctor in the house? | 0:24:34 | 0:24:36 | |
LAUGHTER | 0:24:36 | 0:24:37 | |
We laugh, but...but I'm serious. | 0:24:37 | 0:24:40 | |
What you are about to see | 0:24:40 | 0:24:42 | |
will chill your very blood. | 0:24:42 | 0:24:45 | |
Ladies and gentlemen... | 0:24:45 | 0:24:47 | |
DRUMROLL | 0:24:47 | 0:24:48 | |
..The Cabinet Of Doom. | 0:24:48 | 0:24:51 | |
ALL: Ooh! | 0:24:51 | 0:24:52 | |
Ooh! | 0:24:53 | 0:24:54 | |
With the first blade, | 0:24:56 | 0:24:58 | |
I cut her...in twain. | 0:24:58 | 0:25:01 | |
VALERIE SCREAMS Oh! | 0:25:02 | 0:25:04 | |
VALERIE LAUGHS | 0:25:04 | 0:25:06 | |
Sorry. Couldn't resist. | 0:25:06 | 0:25:07 | |
LAUGHTER | 0:25:07 | 0:25:10 | |
With the second bl... VALERIE LAUGHS | 0:25:10 | 0:25:12 | |
Valerie... | 0:25:14 | 0:25:15 | |
Valerie, what do you think you're playing at? | 0:25:20 | 0:25:22 | |
Come on. It's just a bit of excitement. But you're spoiling the suspense. | 0:25:22 | 0:25:25 | |
It was getting a bit boring. | 0:25:25 | 0:25:27 | |
Boring? I was about to use a chainsaw! OK. But I just wanted... | 0:25:27 | 0:25:30 | |
Where was I? | 0:25:32 | 0:25:33 | |
With the second blade, | 0:25:34 | 0:25:37 | |
she'll never rise again! ALL: Ooh! | 0:25:37 | 0:25:40 | |
APPLAUSE | 0:25:41 | 0:25:43 | |
Now, where did I put my chainsaw? | 0:25:45 | 0:25:48 | |
Ooh! | 0:25:48 | 0:25:50 | |
Oh, no. | 0:25:50 | 0:25:51 | |
Valerie. | 0:25:51 | 0:25:53 | |
Val, are you all right? That wasn't supposed to happen. | 0:25:53 | 0:25:56 | |
Check that she's all right. | 0:25:56 | 0:25:57 | |
ALL: She's gone. | 0:25:58 | 0:26:00 | |
DRUMROLL | 0:26:00 | 0:26:01 | |
Ta-da! | 0:26:01 | 0:26:03 | |
Is THIS your card?! | 0:26:03 | 0:26:06 | |
CHEERING AND APPLAUSE | 0:26:06 | 0:26:09 | |
# It's a kind of magic | 0:26:12 | 0:26:13 | |
# It's a kind of magic | 0:26:17 | 0:26:19 | |
# Magic, magic, magic... # | 0:26:19 | 0:26:22 | |
Your solicitor can tell the court to go stuff it! | 0:26:26 | 0:26:29 | |
Show some common sense, man! | 0:26:29 | 0:26:32 | |
You're a nurse, you're meant to take care of people that are sick. | 0:26:32 | 0:26:35 | |
She's not sick, she's selfish. | 0:26:35 | 0:26:37 | |
She's going to drink herself to death if we just leave her. | 0:26:37 | 0:26:40 | |
No, no, no! Damn it! | 0:26:40 | 0:26:42 | |
Can't leave Adam with him. | 0:26:42 | 0:26:44 | |
Martin! | 0:26:44 | 0:26:46 | |
There's no sign! | 0:26:46 | 0:26:48 |