Browse content similar to Catching Up. Check below for episodes and series from the same categories and more!
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# No, I | 0:00:34 | 0:00:38 | |
# I'm not afraid of you | 0:00:40 | 0:00:44 | |
# No, I | 0:00:50 | 0:00:55 | |
# I'm not afraid of you | 0:00:57 | 0:01:00 | |
# No matter how... # | 0:01:05 | 0:01:09 | |
I want Joe to get a boost from the Nativity. That's all. | 0:01:10 | 0:01:13 | |
It's not fair that he's hanging on, waiting, worrying. | 0:01:13 | 0:01:16 | |
He's not. He's more interested in trains. | 0:01:16 | 0:01:18 | |
He should be Joseph. He'd be perfect as Joseph. | 0:01:18 | 0:01:21 | |
Joseph? A shepherd? Gabriel? | 0:01:21 | 0:01:24 | |
He'd be perfect at those as well. | 0:01:24 | 0:01:26 | |
I suppose. | 0:01:26 | 0:01:27 | |
I just want him to have jolly memories of Christmas at school. | 0:01:27 | 0:01:30 | |
I don't mean to be pushy. | 0:01:30 | 0:01:31 | |
I know. | 0:01:31 | 0:01:32 | |
It's important to be happy at Christmas time, though, isn't it? | 0:01:32 | 0:01:36 | |
Of course - and he will be. | 0:01:36 | 0:01:37 | |
-What's wrong with her? -Hm? | 0:01:43 | 0:01:45 | |
Don't know. | 0:01:45 | 0:01:47 | |
EMMA SIGHS | 0:01:49 | 0:01:51 | |
You know, then? | 0:01:51 | 0:01:52 | |
Yes. Yes, I have seen it. | 0:01:52 | 0:01:55 | |
Seen what? | 0:01:55 | 0:01:56 | |
What's wrong? | 0:01:58 | 0:02:00 | |
Let's get a cup of coffee. Mrs Tembe, can I get you anything? | 0:02:00 | 0:02:02 | |
Er, no. No, thank you, Dr Granger. | 0:02:02 | 0:02:04 | |
I will come and speak to you both shortly. | 0:02:04 | 0:02:07 | |
KNOCK ON DOOR | 0:02:09 | 0:02:11 | |
Yo. | 0:02:11 | 0:02:12 | |
You've seen it, haven't you? I don't want to know. | 0:02:18 | 0:02:20 | |
Emma, this too shall pass. | 0:02:26 | 0:02:29 | |
Will it? | 0:02:29 | 0:02:30 | |
Mrs Tembe knows. And now Zara is going to go online, | 0:02:30 | 0:02:34 | |
which means Daniel will know, Sid, Heston, everyone. | 0:02:34 | 0:02:38 | |
Why? I mean, why would somebody do something so cruel? | 0:02:38 | 0:02:41 | |
I don't know. It's just the way the sweaty bunch of cyber-punks operate. | 0:02:41 | 0:02:46 | |
Did you just say "sweaty bunch"? | 0:02:46 | 0:02:49 | |
Yeah. | 0:02:49 | 0:02:50 | |
Look, Emma... | 0:02:51 | 0:02:53 | |
They are a group of probably blokes | 0:02:53 | 0:02:57 | |
who call themselves The League | 0:02:57 | 0:02:59 | |
and they're untouchable because they are hiding out on the dark net. | 0:02:59 | 0:03:02 | |
Can't you take my photographs down? | 0:03:03 | 0:03:06 | |
They target people for sport. | 0:03:06 | 0:03:08 | |
They post photos of their conquests online. | 0:03:08 | 0:03:10 | |
-Once it's out there... -Yeah, but there must be something you can do. | 0:03:10 | 0:03:13 | |
Look, more comments on the photos means more shares, | 0:03:13 | 0:03:16 | |
which means more comments and it goes on and on like that. | 0:03:16 | 0:03:18 | |
Look, I promise you I will do everything I can. | 0:03:21 | 0:03:23 | |
Hiya. | 0:03:29 | 0:03:30 | |
How are you, Jimmi? Today, I mean. | 0:03:36 | 0:03:38 | |
How are you? | 0:03:38 | 0:03:40 | |
-I'm fine. -Excellent. | 0:03:40 | 0:03:42 | |
-Is there a problem? -No. | 0:03:45 | 0:03:47 | |
Staples. Not that there are no staples. It's just... | 0:03:47 | 0:03:49 | |
No, it's not a problem. | 0:03:51 | 0:03:53 | |
Probably do without, you know, | 0:03:53 | 0:03:55 | |
what with tomorrow being tomorrow. | 0:03:55 | 0:03:58 | |
-Oh, the party? -Yes, the party for me. | 0:03:58 | 0:04:01 | |
And I've got that other thing. | 0:04:01 | 0:04:04 | |
You know, I thought my follow-up at St Phil's | 0:04:04 | 0:04:06 | |
would be all that I'd have to deal with today, but now there's her. | 0:04:06 | 0:04:09 | |
Who is she? | 0:04:11 | 0:04:13 | |
A very nasty person. | 0:04:13 | 0:04:15 | |
Right, well, Valerie, we have a zero tolerance policy, so... | 0:04:15 | 0:04:18 | |
Oh, no. It was too long ago. | 0:04:18 | 0:04:19 | |
It doesn't matter. Patients can't be abusive. | 0:04:19 | 0:04:22 | |
She could be really spiteful. | 0:04:22 | 0:04:24 | |
She always used to say, "I'm just being frank," | 0:04:24 | 0:04:27 | |
but Helen Lewison didn't as much call a spade a spade | 0:04:27 | 0:04:29 | |
as whack you around the face with the back of it. | 0:04:29 | 0:04:33 | |
Of course, she wasn't a patient then. Not here anyway. | 0:04:33 | 0:04:35 | |
Right, so we're talking...? | 0:04:35 | 0:04:37 | |
Sixth form college. | 0:04:37 | 0:04:39 | |
28 years and four months ago, approximately. | 0:04:39 | 0:04:42 | |
And you would've been? | 0:04:42 | 0:04:43 | |
18. | 0:04:43 | 0:04:45 | |
I know what you're going to say. | 0:04:45 | 0:04:46 | |
You're going to say you can't believe that I've held a grudge | 0:04:46 | 0:04:48 | |
for a quarter of a century. | 0:04:48 | 0:04:50 | |
Some people do. | 0:04:50 | 0:04:51 | |
Do you think she feels guilty? | 0:04:51 | 0:04:53 | |
Maybe she had reasons why she was horrible to you back then. | 0:04:55 | 0:04:57 | |
What? So you're saying I should forgive her? | 0:04:58 | 0:05:01 | |
Forget what happened? Move on? | 0:05:01 | 0:05:03 | |
Well, not for her sake, for yours. | 0:05:03 | 0:05:05 | |
Valerie, she's not the one hiding behind a stapler. | 0:05:05 | 0:05:08 | |
You're a wise man, Jimmi Clay. | 0:05:10 | 0:05:11 | |
Brilliant. OK. | 0:05:13 | 0:05:15 | |
Do you want to take a seat? You'll be seeing Dr Clay. | 0:05:15 | 0:05:18 | |
-Hello, there. -Hello. | 0:05:18 | 0:05:20 | |
-Can I just pop for a pee? -Yes. It's through there. | 0:05:20 | 0:05:22 | |
Ooh, I would guard against the over-tinkle. | 0:05:22 | 0:05:25 | |
You might be asked for a sample in there. | 0:05:25 | 0:05:27 | |
It might be wise to save a few drops. | 0:05:27 | 0:05:29 | |
Thank you. | 0:05:29 | 0:05:30 | |
Do you know, the last time I saw her, she was really into grunge. | 0:05:35 | 0:05:37 | |
Loved Nirvana. | 0:05:37 | 0:05:39 | |
Really? | 0:05:39 | 0:05:40 | |
Course, my hair is different now. | 0:05:41 | 0:05:43 | |
That's probably why she didn't recognise me. Yep. | 0:05:43 | 0:05:47 | |
Yep, Helen loved Nirvana. | 0:05:47 | 0:05:49 | |
I loved Wet Wet Wet. | 0:05:49 | 0:05:50 | |
'A bungalow!?' | 0:05:52 | 0:05:53 | |
What ridiculous PC nonsense is this? | 0:05:53 | 0:05:56 | |
There are three kings. There are shepherds. There are angels. | 0:05:56 | 0:06:00 | |
I'd have settled for any of those, but my son is not playing a bungalow. | 0:06:00 | 0:06:05 | |
When did you turn into some awful show biz mom? | 0:06:05 | 0:06:08 | |
Joe's going to love it. | 0:06:08 | 0:06:09 | |
Love playing a bungalow?! A bungalow?! | 0:06:09 | 0:06:12 | |
I mean, what has a low-rise building got to do with the birth of Christ? | 0:06:12 | 0:06:15 | |
He's not even playing the stable! | 0:06:15 | 0:06:16 | |
We haven't seen the script. | 0:06:16 | 0:06:18 | |
What sort of a school have we sent our son to? | 0:06:18 | 0:06:21 | |
OK, yeah. So here it is. It's an innovative showing of the Nativity. | 0:06:21 | 0:06:26 | |
It's inclusive. It's multi-roled | 0:06:26 | 0:06:28 | |
and it's encouraging to all pupils. | 0:06:28 | 0:06:30 | |
Please. Not even the stable. | 0:06:30 | 0:06:34 | |
And anyway, who made you lead parent? | 0:06:34 | 0:06:35 | |
I'm the one who sent the e-mails. | 0:06:35 | 0:06:37 | |
I left the messages. Why have they notified you? | 0:06:37 | 0:06:39 | |
You will have been cc'd. | 0:06:39 | 0:06:40 | |
Come on, Zara, he's not going to care what he plays. | 0:06:40 | 0:06:43 | |
-He's four and three-quarters. -I know how old he is! | 0:06:43 | 0:06:46 | |
OK. We'll tell him that it's a really important role. | 0:06:47 | 0:06:51 | |
He's a fantastically important bungalow | 0:06:51 | 0:06:53 | |
and Joe will give it his all. | 0:06:53 | 0:06:56 | |
I was so looking forward to seeing him play Joseph. | 0:06:56 | 0:06:59 | |
I know. Me too. | 0:06:59 | 0:07:00 | |
Now I'm thinking how I'm going to roof him. | 0:07:00 | 0:07:03 | |
-Roof him? -Yeah. | 0:07:04 | 0:07:06 | |
I've been thinking about it. I've got some of it worked out. | 0:07:06 | 0:07:08 | |
We'll go to that craft warehouse place just out of town | 0:07:08 | 0:07:11 | |
and we'll get some glitter, some felt and some straw. | 0:07:11 | 0:07:14 | |
They do multicoloured straw these days. | 0:07:14 | 0:07:17 | |
I'll get myself a glue gun, finally. | 0:07:17 | 0:07:19 | |
And Joe will be the best bungalow | 0:07:19 | 0:07:22 | |
in the history of Nativity bungalows. | 0:07:22 | 0:07:25 | |
Come on. What do you say? | 0:07:26 | 0:07:28 | |
'Hello. Henry Shire. Sorry I'm late.' | 0:07:34 | 0:07:36 | |
'Oh, three strikes and you're out. | 0:07:36 | 0:07:38 | |
'OK, so I just need a couple of signatures and some boxes to tick.' | 0:07:39 | 0:07:43 | |
Thanks. Idiot sat-nav thought it was closer to Barce... | 0:07:44 | 0:07:48 | |
Valerie! Valerie Pitman! | 0:07:50 | 0:07:52 | |
Were you hiding? | 0:07:54 | 0:07:55 | |
No! I was just re-capturing some rubber bands. | 0:07:55 | 0:07:58 | |
Come here, you. | 0:07:58 | 0:08:00 | |
Hey, no manhandling the receptionists! | 0:08:00 | 0:08:03 | |
Look at you. Did you see Helen? | 0:08:03 | 0:08:04 | |
I did but she didn't recognise me though. | 0:08:04 | 0:08:06 | |
No. Well, you know. | 0:08:06 | 0:08:08 | |
Wow, though, Vallers. Wow! | 0:08:08 | 0:08:11 | |
First Helen, now you. What a coincidence. | 0:08:11 | 0:08:15 | |
Helen's changed. | 0:08:16 | 0:08:17 | |
I don't know. She still tends to be preoccupied with herself. | 0:08:17 | 0:08:21 | |
-We didn't call her Look-at-me-Lewison... -Look-at-me-Lewison. -..for nothing. | 0:08:21 | 0:08:25 | |
Oh, no, I'm sorry. That's rude. | 0:08:25 | 0:08:27 | |
Well, it doesn't work now anyway. | 0:08:27 | 0:08:29 | |
Not now she's Helen Shire. | 0:08:29 | 0:08:31 | |
Yay! | 0:08:33 | 0:08:34 | |
Oh, you two got married? | 0:08:34 | 0:08:36 | |
-We did. -Ah. | 0:08:36 | 0:08:38 | |
Oh. New customer. | 0:08:38 | 0:08:41 | |
-Mr Henry Shire? -That'll be me. | 0:08:41 | 0:08:44 | |
Oh. Welcome to The Mill, the land that Tannoy forgot. | 0:08:44 | 0:08:49 | |
Come on through. | 0:08:49 | 0:08:50 | |
Ah, that's a little higher than I would have liked. | 0:08:51 | 0:08:54 | |
White coat syndrome. | 0:08:54 | 0:08:55 | |
I guarantee you, if I lay on the bed listening to Chopin | 0:08:55 | 0:08:58 | |
for 15 minutes, sipping a cup of mint tea | 0:08:58 | 0:09:00 | |
and thinking about the Cote D'Azur, it would be well in the green. | 0:09:00 | 0:09:04 | |
You practise the relaxation techniques? | 0:09:04 | 0:09:06 | |
My life's hectic. It works for me. | 0:09:06 | 0:09:08 | |
All right. Well, you're registered. I don't have any real concerns. | 0:09:08 | 0:09:12 | |
Is there anything you want me to tell you or anything you want to tell me? | 0:09:12 | 0:09:15 | |
I'm chuffed that we've found such a lovely surgery. | 0:09:15 | 0:09:18 | |
-Where were you before? -London. | 0:09:18 | 0:09:20 | |
Feel so glad to be back in Letherbridge | 0:09:20 | 0:09:21 | |
and to have found The Mill. | 0:09:21 | 0:09:23 | |
Everyone is so lovely here. | 0:09:23 | 0:09:24 | |
We try. | 0:09:24 | 0:09:26 | |
-Well, thank you. -Thanks. | 0:09:26 | 0:09:28 | |
Did you hear that? | 0:09:36 | 0:09:39 | |
-What? -The penny that just dropped. Valerie? | 0:09:39 | 0:09:41 | |
Yes. Hello, Helen. | 0:09:43 | 0:09:45 | |
Henry's here. | 0:09:45 | 0:09:47 | |
Was he late? He's still always late. | 0:09:47 | 0:09:50 | |
No wonder why I didn't recognise you. Your hair... | 0:09:50 | 0:09:53 | |
I was just saying that to my friend. | 0:09:53 | 0:09:55 | |
So, you married Henry. | 0:09:56 | 0:09:59 | |
Somebody had to. He was too good to let go. | 0:09:59 | 0:10:03 | |
Didn't you two...? | 0:10:03 | 0:10:05 | |
No, you were always too nice for the likes of Henry. | 0:10:05 | 0:10:08 | |
-Was I? -Yes. | 0:10:08 | 0:10:10 | |
You were always so nice and I was... | 0:10:10 | 0:10:13 | |
Oh, was I a bit of a cow? | 0:10:13 | 0:10:14 | |
No. | 0:10:16 | 0:10:17 | |
I was. | 0:10:17 | 0:10:19 | |
Good hair day, by the way. | 0:10:19 | 0:10:21 | |
You look really well. | 0:10:21 | 0:10:23 | |
Al, Al, Al. Mrs Ahmed's got Tupperware. | 0:10:32 | 0:10:35 | |
Oh, Mrs Ahmed, can you and the samosas just wait five minutes more? | 0:10:35 | 0:10:38 | |
Thank you very much. | 0:10:38 | 0:10:40 | |
You found Valerie. | 0:10:41 | 0:10:42 | |
I realised who she was in the loo. | 0:10:42 | 0:10:44 | |
Isn't Valerie looking marvellous? | 0:10:44 | 0:10:46 | |
Let's have lunch. | 0:10:46 | 0:10:47 | |
Ooh, no. | 0:10:47 | 0:10:49 | |
We were at college together. | 0:10:49 | 0:10:50 | |
Go on! | 0:10:50 | 0:10:52 | |
Well, my break isn't until two, so... | 0:10:52 | 0:10:53 | |
Doesn't matter. We're not slaves to the clock, are we, Hels? | 0:10:53 | 0:10:56 | |
Go on. Mrs Tembe's really distracted. Nick off early. | 0:10:56 | 0:10:59 | |
It'll be fun. A proper catch up. | 0:10:59 | 0:11:01 | |
I'll pick up any slack. | 0:11:01 | 0:11:02 | |
-Oh, You don't want me... -Shut up! You're coming. | 0:11:02 | 0:11:05 | |
Go on. It's the class of... | 0:11:05 | 0:11:07 | |
'88. | 0:11:07 | 0:11:09 | |
Oh, my days. Last time we ate together, Turkey Twizzlers | 0:11:09 | 0:11:12 | |
were still considered food. | 0:11:12 | 0:11:14 | |
We were going to try that Icon place. | 0:11:14 | 0:11:16 | |
Come with us. | 0:11:16 | 0:11:17 | |
Oh, you were going there anyway? | 0:11:17 | 0:11:18 | |
We're in corporate hospitality. | 0:11:18 | 0:11:20 | |
Yeah, we need to get a handle on all the local watering holes. | 0:11:20 | 0:11:23 | |
-Really? -Absolutely. | 0:11:23 | 0:11:25 | |
So you're coming for lunch. Two birds with one stone. | 0:11:25 | 0:11:27 | |
Work and play. My treat. | 0:11:27 | 0:11:29 | |
Yes. All right. I'll come. | 0:11:30 | 0:11:32 | |
That'll be lovely. | 0:11:32 | 0:11:33 | |
Just interpret the statistics. | 0:11:34 | 0:11:36 | |
Well, they're not good, Mrs Tembe. | 0:11:36 | 0:11:39 | |
There's something about that photo of Emma which is... | 0:11:39 | 0:11:42 | |
It's hit a virtual spot. | 0:11:42 | 0:11:44 | |
It's not gone viral yet, but it's... | 0:11:44 | 0:11:46 | |
HE SIGHS | 0:11:46 | 0:11:47 | |
It's gone bad. | 0:11:47 | 0:11:50 | |
What can we do to stop it? | 0:11:50 | 0:11:52 | |
Right. | 0:11:58 | 0:12:00 | |
PHONE RINGS | 0:12:00 | 0:12:01 | |
-Hi. -'Hey.' | 0:12:05 | 0:12:07 | |
-'Can you talk?' -Yeah, I'm just having a coffee. | 0:12:07 | 0:12:09 | |
'How you feeling?' | 0:12:09 | 0:12:11 | |
Well, better now that Al's sorting things out. | 0:12:11 | 0:12:14 | |
'Is he?' | 0:12:14 | 0:12:16 | |
Well, he's doing everything he can. | 0:12:16 | 0:12:17 | |
'Good.' | 0:12:17 | 0:12:19 | |
I've been doing some digging as well | 0:12:19 | 0:12:20 | |
and this whole categories thing is vile. | 0:12:20 | 0:12:22 | |
Categories? | 0:12:22 | 0:12:24 | |
Erm, the virgin, the fat one, the 1664. | 0:12:24 | 0:12:27 | |
What's a 1664? | 0:12:28 | 0:12:30 | |
Look 16 from the back, 64 from the front. | 0:12:30 | 0:12:33 | |
Are you there? | 0:12:36 | 0:12:38 | |
What? Er, yeah. | 0:12:38 | 0:12:40 | |
Oh, this is all my fault. | 0:12:41 | 0:12:44 | |
Don't you dare blame yourself. | 0:12:44 | 0:12:46 | |
No, but I'm being judged, aren't I? | 0:12:46 | 0:12:48 | |
For my lifestyle choices, my body, my age. | 0:12:48 | 0:12:53 | |
1664. | 0:12:53 | 0:12:55 | |
What right do people have to talk about me like that, anyway? | 0:12:55 | 0:12:58 | |
What? No, you're not the 1664! You're the doctor. | 0:12:58 | 0:13:02 | |
I'm so sorry, Emma. I thought Al told you all this. | 0:13:02 | 0:13:05 | |
But I'm being put on public display. | 0:13:05 | 0:13:07 | |
I have no privacy and no dignity left. | 0:13:07 | 0:13:10 | |
Emma, listen to me. | 0:13:10 | 0:13:12 | |
What these men are doing is disgusting. | 0:13:12 | 0:13:14 | |
But you've got to hold your head up high. | 0:13:14 | 0:13:16 | |
And do you know else you've to do? You've got to laugh at them. | 0:13:16 | 0:13:18 | |
They're pathetic. | 0:13:18 | 0:13:20 | |
Laugh at them? How is any of this funny? | 0:13:20 | 0:13:22 | |
I know. I know that some people find my opinion outdated. | 0:13:27 | 0:13:31 | |
And social media has made privacy and dignity outdated. | 0:13:31 | 0:13:34 | |
What was Dr Reid thinking? | 0:13:34 | 0:13:36 | |
Oh, come on. Two people, not just one. Emma's done nothing wrong. | 0:13:36 | 0:13:39 | |
She's a victim here. | 0:13:39 | 0:13:40 | |
Why do I have to know about the sexual activities of my colleagues? | 0:13:40 | 0:13:44 | |
Why? | 0:13:44 | 0:13:45 | |
What is wrong with decorum? | 0:13:45 | 0:13:48 | |
First there was Dr Carmichael and Dr Granger and their shenanigans | 0:13:48 | 0:13:51 | |
-and now... -What can you do? | 0:13:51 | 0:13:53 | |
SHE SIGHS | 0:13:53 | 0:13:55 | |
Maybe we need some rules. | 0:13:55 | 0:13:58 | |
No. No, we will not call them rules, | 0:13:58 | 0:14:00 | |
we will call them guidelines. Sounds less draconian. | 0:14:00 | 0:14:03 | |
No casual sexual activities. | 0:14:04 | 0:14:07 | |
No bawdy drunkenness. And no coitis in public. | 0:14:07 | 0:14:11 | |
I'm sorry. Are you finding this amusing? | 0:14:11 | 0:14:13 | |
Oh, come on. Do you remember when you tried to ban sugar? | 0:14:13 | 0:14:15 | |
Can you imagine trying to ban sex? | 0:14:15 | 0:14:17 | |
Dr Haskey is a man trying to catch a buffalo with one hand. | 0:14:17 | 0:14:22 | |
Every click leads to another click | 0:14:22 | 0:14:24 | |
and every click makes this practice look like a bordello. | 0:14:24 | 0:14:29 | |
I think you're over-reacting. | 0:14:29 | 0:14:31 | |
-Am I? -Emma is a victim here, Mrs Tembe. | 0:14:31 | 0:14:34 | |
Please don't lose sight of that. | 0:14:34 | 0:14:36 | |
I know. | 0:14:36 | 0:14:37 | |
Dr Reid. Can I have a word, please? | 0:14:51 | 0:14:55 | |
I know what you're going to say. | 0:14:59 | 0:15:01 | |
No, you do not. | 0:15:01 | 0:15:03 | |
Please, take a seat. | 0:15:03 | 0:15:04 | |
-Mrs Tembe, I'm... -This will only take a minute. | 0:15:04 | 0:15:06 | |
We can all fall foul of victim blaming. | 0:15:15 | 0:15:20 | |
Whatever choice a woman makes, | 0:15:20 | 0:15:23 | |
it is her choice. | 0:15:23 | 0:15:24 | |
Her consent is hers to give. | 0:15:24 | 0:15:26 | |
Anything that is done to a woman without her consent is abuse. | 0:15:28 | 0:15:32 | |
You have done nothing wrong. | 0:15:34 | 0:15:37 | |
You are a victim | 0:15:37 | 0:15:40 | |
and you will get through this. | 0:15:40 | 0:15:41 | |
You have friends who will support you and this... | 0:15:43 | 0:15:46 | |
this man, he is nothing. | 0:15:46 | 0:15:49 | |
You think I'm a victim? | 0:15:49 | 0:15:50 | |
-Are you all right? -No. No, I'm not. | 0:15:55 | 0:15:58 | |
Actually, I feel a little sick. | 0:15:58 | 0:15:59 | |
Do you mind if I go home? | 0:15:59 | 0:16:02 | |
Yes, of course you can go home. | 0:16:02 | 0:16:04 | |
And we are always here for you, Dr Reid. | 0:16:04 | 0:16:07 | |
DOOR SLAMS | 0:16:07 | 0:16:08 | |
I mean, it's not exactly the Ritz, | 0:16:13 | 0:16:14 | |
but all their eggs are all free-range and that's important, isn't it? | 0:16:14 | 0:16:17 | |
It is. Do you eat here often? | 0:16:17 | 0:16:19 | |
I do. | 0:16:19 | 0:16:20 | |
We try and go organic and free-range, | 0:16:20 | 0:16:22 | |
but there's only so much you can do when you're out. | 0:16:22 | 0:16:25 | |
So, Valerie, where else do you go? What about Birmingham? | 0:16:25 | 0:16:27 | |
So many Michelin starred restaurants. | 0:16:27 | 0:16:29 | |
Oh, I know. More than any other city outside London. | 0:16:29 | 0:16:32 | |
And more canals than Venice. | 0:16:32 | 0:16:34 | |
I'm not really a stars person, though, myself. | 0:16:34 | 0:16:37 | |
I'm just happy if my pizza's not too oily. | 0:16:37 | 0:16:39 | |
That's good. Keeping it real. | 0:16:39 | 0:16:42 | |
So what about the party season? | 0:16:42 | 0:16:43 | |
What's the best Letherbridge has to offer us this Crimbo? | 0:16:43 | 0:16:47 | |
If he says, "hollibobs", I'm going to stab him with my fork. | 0:16:47 | 0:16:50 | |
I love Christmas, especially the jumpers and the sequins. | 0:16:50 | 0:16:54 | |
I bet you twinkle right through the holidays. | 0:16:54 | 0:16:57 | |
I try. | 0:16:57 | 0:16:58 | |
Still an ABBA fan, Valerie? | 0:17:00 | 0:17:02 | |
Helen eventually washed her hair and moved on from Nirvana. | 0:17:02 | 0:17:05 | |
My hair wasn't dirty! That was product! | 0:17:05 | 0:17:08 | |
And, anyway, I can still rock it. | 0:17:08 | 0:17:10 | |
I adore the Foo Fighters. | 0:17:10 | 0:17:12 | |
Oh, I once met somebody who shook Dave Grohl's hand at Glastonbury. | 0:17:12 | 0:17:16 | |
And I, myself, have been serenaded by Ricky Delaine. | 0:17:16 | 0:17:19 | |
Ricky Delaine. That's impressive. | 0:17:19 | 0:17:21 | |
Red or white? | 0:17:23 | 0:17:24 | |
White. | 0:17:25 | 0:17:26 | |
Good choice. | 0:17:26 | 0:17:27 | |
Daniel, can we talk? | 0:17:34 | 0:17:36 | |
Yeah, what do you want? | 0:17:36 | 0:17:38 | |
-It's just... -Have you seen this? | 0:17:38 | 0:17:40 | |
The full cast list in order of importance | 0:17:40 | 0:17:43 | |
and right at the bottom, Joe Granger Carmichael. | 0:17:43 | 0:17:45 | |
Final entry. The Bungalow. | 0:17:45 | 0:17:47 | |
-Later? -Half an hour. | 0:17:47 | 0:17:49 | |
Now, what do you want me to say? | 0:17:49 | 0:17:51 | |
That I'm right! | 0:17:51 | 0:17:53 | |
That I am right to object to Gideon Tarsk-Cameron being Joseph. | 0:17:53 | 0:17:58 | |
That I'm right to think Joe would be a better Balthazar | 0:17:58 | 0:18:00 | |
than Barney Thompson and a better Casper than Rupert Lee. | 0:18:00 | 0:18:03 | |
And, although I applaud gender-neutral casting, | 0:18:03 | 0:18:06 | |
that it wouldn't be totally bonkers to suggest that he would be | 0:18:06 | 0:18:09 | |
a better Melchior than Felicity Abimbola! | 0:18:09 | 0:18:12 | |
OK. This is a primary school Christmas production. | 0:18:12 | 0:18:17 | |
It's not the main stage at the RSC. | 0:18:17 | 0:18:20 | |
He'll enjoy it, OK? We'll be happy. | 0:18:20 | 0:18:22 | |
Now... | 0:18:23 | 0:18:24 | |
have a samosa. Mrs Ahmed made them. | 0:18:24 | 0:18:27 | |
-Mrs Ahmed? -Mm-hm. | 0:18:27 | 0:18:29 | |
I have a quinoa salad. | 0:18:31 | 0:18:32 | |
Go on. You know you want to. | 0:18:34 | 0:18:36 | |
They're fried | 0:18:36 | 0:18:38 | |
in ghee. | 0:18:38 | 0:18:39 | |
Yeah. That's what makes them irresistible. | 0:18:39 | 0:18:43 | |
Quinoa. | 0:18:43 | 0:18:44 | |
I tell you what. You go and do the right thing now | 0:18:46 | 0:18:48 | |
and I'll save you half of one for supper. | 0:18:48 | 0:18:51 | |
Daniel! | 0:18:51 | 0:18:52 | |
Valerie you always had such a sparkle. | 0:18:56 | 0:18:58 | |
I love that about you. | 0:18:58 | 0:19:00 | |
Don't let Helen catch you holding my hand. | 0:19:00 | 0:19:02 | |
Do you remember what she did to that girl she thought was flirting with Greg Ford? | 0:19:02 | 0:19:06 | |
Susan? | 0:19:06 | 0:19:07 | |
Anyway, she cut one of her plaits and drenched her in snakebite. | 0:19:07 | 0:19:10 | |
I'm not flirting. | 0:19:10 | 0:19:11 | |
Helen wasn't even going out with Greg Ford. | 0:19:11 | 0:19:13 | |
She just vaguely mentioned that she fancied him. | 0:19:13 | 0:19:15 | |
Shh. | 0:19:15 | 0:19:16 | |
I'm trying to tell you that I find you a little bit amazing. | 0:19:16 | 0:19:19 | |
You do something to me. | 0:19:20 | 0:19:22 | |
Do I? | 0:19:22 | 0:19:24 | |
Mmm. | 0:19:24 | 0:19:25 | |
What are you doing? | 0:19:26 | 0:19:28 | |
I'm imagining doing something to you. | 0:19:29 | 0:19:31 | |
Didn't you ever imagine doing things with me? | 0:19:35 | 0:19:38 | |
Tell me. | 0:19:41 | 0:19:43 | |
No. You'll laugh. | 0:19:43 | 0:19:45 | |
I won't. | 0:19:45 | 0:19:46 | |
I imagined you took me dancing. | 0:19:50 | 0:19:54 | |
On a beach. | 0:19:54 | 0:19:55 | |
In the moonlight. | 0:19:55 | 0:19:57 | |
And you kissed me on the cheek and you told me that I looked pretty. | 0:19:57 | 0:19:59 | |
HELEN LAUGHS | 0:19:59 | 0:20:01 | |
Oh, priceless. Honestly, Piggy, | 0:20:01 | 0:20:04 | |
you really haven't changed, have you? | 0:20:04 | 0:20:06 | |
I bet Henry 50 quid that you still had the hots for him. | 0:20:06 | 0:20:09 | |
Oh, Valerie, you are such good value. | 0:20:09 | 0:20:11 | |
Henry? | 0:20:11 | 0:20:13 | |
Priceless. | 0:20:13 | 0:20:15 | |
You are still so Piggy Pitman. | 0:20:15 | 0:20:17 | |
-You sorted? -Er, yeah, for now. Coffee? | 0:20:32 | 0:20:34 | |
Er, no, this isn't easy to say. | 0:20:35 | 0:20:38 | |
I don't believe it. | 0:20:38 | 0:20:39 | |
Sorry, Jim. I can't let her do this. | 0:20:39 | 0:20:41 | |
-Zara! -I'm sorry. I've changed my mind. | 0:20:48 | 0:20:50 | |
I am that mother. | 0:20:50 | 0:20:51 | |
No, no. | 0:20:51 | 0:20:54 | |
Don't start the car. | 0:20:54 | 0:20:55 | |
CAR ENGINE STARTS | 0:20:55 | 0:20:57 | |
OK. | 0:20:58 | 0:21:00 | |
HORN BLARES | 0:21:01 | 0:21:03 | |
HORN BLARES | 0:21:06 | 0:21:09 | |
You OK? | 0:21:17 | 0:21:18 | |
Valerie? | 0:21:19 | 0:21:21 | |
She used to call me Piggy Pitman. | 0:21:21 | 0:21:24 | |
She still does. | 0:21:24 | 0:21:26 | |
-Right. -I couldn't say anything. | 0:21:26 | 0:21:28 | |
What happened? | 0:21:28 | 0:21:30 | |
There was wine and... | 0:21:30 | 0:21:33 | |
SHE SIGHS | 0:21:33 | 0:21:34 | |
It was my fault because I let him hold my hand. | 0:21:34 | 0:21:37 | |
I just thought they were being nice, | 0:21:37 | 0:21:38 | |
but actually they just wanted to laugh at my expense. | 0:21:38 | 0:21:41 | |
It was like being in a time warp. | 0:21:41 | 0:21:43 | |
She has changed, though. | 0:21:43 | 0:21:45 | |
She has got even nastier. | 0:21:45 | 0:21:47 | |
Well, you should go back. Tell her how you feel. | 0:21:47 | 0:21:49 | |
No, I shouldn't. Helen's got all the power. | 0:21:49 | 0:21:51 | |
So take it off her. | 0:21:51 | 0:21:53 | |
What if I can't? | 0:21:53 | 0:21:54 | |
You've got to try, otherwise she'll hold the power for the next 25 years. | 0:21:54 | 0:21:57 | |
Don't you have a right to say your piece? | 0:21:57 | 0:21:59 | |
-CAR HORN BLARES -'Zara get out of the car!' | 0:21:59 | 0:22:01 | |
It won't make you feel worse but you might feel better. | 0:22:01 | 0:22:03 | |
'Get out of the car.' | 0:22:03 | 0:22:04 | |
CAR HORN BLARES | 0:22:04 | 0:22:06 | |
You are not going anywhere near that school. | 0:22:06 | 0:22:08 | |
Get out of my way. You're being an idiot. | 0:22:08 | 0:22:10 | |
Whatever. | 0:22:13 | 0:22:15 | |
Daniel. | 0:22:15 | 0:22:16 | |
-Can't you see I'm busy? -No, this can't wait. | 0:22:16 | 0:22:18 | |
-Well, it's going to have to. -It's about Cherry. | 0:22:18 | 0:22:20 | |
-Helen, don't. -Don't what? | 0:22:41 | 0:22:43 | |
All I ever did was like you. | 0:22:43 | 0:22:45 | |
-I'm sorry. -Oh, shut up, Henry. It was just a laugh. | 0:22:46 | 0:22:50 | |
Look, Valerie. It is time for you to toddle off back | 0:22:50 | 0:22:52 | |
to all your little friends at the doccie-woccie's | 0:22:52 | 0:22:55 | |
and let us enjoy our coffee. | 0:22:55 | 0:22:57 | |
Actually, it was one of my friends there who told me to come back. | 0:22:57 | 0:22:59 | |
-Some friend. -Yes, he is, actually. | 0:22:59 | 0:23:02 | |
Look, I don't want to be friends with you. | 0:23:02 | 0:23:04 | |
-I'd be surprised if anybody does. -Bye, now. | 0:23:04 | 0:23:05 | |
-But you, Henry. -Valerie... | 0:23:05 | 0:23:08 | |
I have had cancer. | 0:23:08 | 0:23:09 | |
Bully for you. | 0:23:09 | 0:23:11 | |
Helen! | 0:23:11 | 0:23:12 | |
What? She's making it up. | 0:23:12 | 0:23:15 | |
Cancer? | 0:23:15 | 0:23:16 | |
More like Munchausen's. | 0:23:16 | 0:23:17 | |
No, Hodgkin's lymphoma. | 0:23:17 | 0:23:20 | |
That's what I've had. | 0:23:20 | 0:23:21 | |
I've had a year of horrible days, | 0:23:21 | 0:23:23 | |
which my friends helped me get through. | 0:23:23 | 0:23:25 | |
Thanks for sharing, Piggy, but you can go now. | 0:23:25 | 0:23:28 | |
Look, I know I'm very silly | 0:23:28 | 0:23:30 | |
and I'm not as chic as you are, | 0:23:30 | 0:23:32 | |
but some very nice people like me. | 0:23:32 | 0:23:35 | |
I have got friends. | 0:23:35 | 0:23:36 | |
Real friends that care about me. | 0:23:36 | 0:23:37 | |
Who'd care about you, Helen, | 0:23:37 | 0:23:39 | |
if you got really ill? | 0:23:39 | 0:23:40 | |
I remember when you were kind | 0:23:44 | 0:23:47 | |
and I don't think you were pretending. | 0:23:47 | 0:23:49 | |
What did she say? | 0:23:52 | 0:23:54 | |
Henry, I want to know! | 0:23:54 | 0:23:55 | |
I'm done. | 0:23:55 | 0:23:57 | |
-Do you not see what we did? -Sit down. | 0:23:57 | 0:23:59 | |
She told us she'd had cancer! | 0:23:59 | 0:24:02 | |
Any normal person would feel awful and want to care. | 0:24:02 | 0:24:05 | |
What kind of woman are you? | 0:24:05 | 0:24:06 | |
Sit down and finish your coffee. It was just Piggy. | 0:24:06 | 0:24:09 | |
It was Valerie. | 0:24:09 | 0:24:11 | |
Do you know the difference between you and Valerie? | 0:24:11 | 0:24:13 | |
Um, everything? | 0:24:13 | 0:24:15 | |
She knows herself. | 0:24:15 | 0:24:16 | |
She lets other people see the real her and they love her for it. | 0:24:16 | 0:24:20 | |
Clearly they do. | 0:24:20 | 0:24:21 | |
Careful. | 0:24:23 | 0:24:24 | |
Wow! | 0:24:25 | 0:24:27 | |
Who'd have thought it? | 0:24:27 | 0:24:29 | |
I've seen the light and Valerie Pitman has shown me that. | 0:24:29 | 0:24:32 | |
And now, finally, I see you. | 0:24:34 | 0:24:35 | |
Congratulations. | 0:24:39 | 0:24:41 | |
You've won your bet, | 0:24:41 | 0:24:43 | |
but now you're on your own. | 0:24:43 | 0:24:45 | |
I'm done. | 0:24:45 | 0:24:47 | |
So, what's happened? | 0:24:57 | 0:24:59 | |
Have you heard from her? | 0:24:59 | 0:25:00 | |
It's about what you did. | 0:25:03 | 0:25:05 | |
Things... | 0:25:07 | 0:25:08 | |
in my life just bang into my head sometimes. | 0:25:08 | 0:25:12 | |
I try to understand them. | 0:25:12 | 0:25:14 | |
Some things I'll never get, | 0:25:14 | 0:25:16 | |
but I've spent a lot of time thinking about my marriage. | 0:25:16 | 0:25:19 | |
OK. | 0:25:19 | 0:25:21 | |
I didn't want to be alone. | 0:25:21 | 0:25:23 | |
I know that now. | 0:25:25 | 0:25:26 | |
It doesn't mean that I didn't love Cherry. I was in love with her. | 0:25:28 | 0:25:31 | |
I know it takes two. | 0:25:31 | 0:25:33 | |
It nearly broke me. | 0:25:35 | 0:25:37 | |
-We'd been drinking. -You were my best friend. | 0:25:37 | 0:25:39 | |
You were the one I should have gone to when she cheated on me, | 0:25:41 | 0:25:43 | |
but you were the one she did it with. | 0:25:43 | 0:25:45 | |
Only people you care about can hurt you that much. | 0:25:47 | 0:25:49 | |
Acquaintances... | 0:25:50 | 0:25:52 | |
..people you don't even like, they... | 0:25:53 | 0:25:56 | |
they mess you up, yeah, | 0:25:56 | 0:25:57 | |
and it can be painful, but... | 0:25:57 | 0:25:59 | |
..when it's your best friend... | 0:26:01 | 0:26:03 | |
..it's really hard to get to a place where you can forgive them. | 0:26:05 | 0:26:08 | |
Forgive them? | 0:26:10 | 0:26:11 | |
Is this you forgiving me? | 0:26:14 | 0:26:16 | |
I'm starting to. | 0:26:17 | 0:26:19 | |
You were ill. | 0:26:20 | 0:26:22 | |
It wasn't just you. | 0:26:22 | 0:26:23 | |
I've been angry for too long. | 0:26:24 | 0:26:26 | |
I don't want to be that person any more. | 0:26:26 | 0:26:30 | |
I want a fresh start. | 0:26:30 | 0:26:31 | |
# I'm not afraid of you. # | 0:26:34 | 0:26:37 | |
Ah. Right, now are you going to try and catch Zara? | 0:26:43 | 0:26:47 | |
Yeah. Yeah. | 0:26:47 | 0:26:49 | |
See you. | 0:26:51 | 0:26:52 | |
Zara, please don't be this person, OK! | 0:26:58 | 0:27:01 | |
I'm begging you for Joe's sake. Don't do this to him. | 0:27:01 | 0:27:04 | |
Three month check-up. Nothing to worry about. | 0:27:19 | 0:27:21 | |
That's what everyone keeps saying. | 0:27:21 | 0:27:23 | |
But the fact is, it's almost the exact same day | 0:27:23 | 0:27:25 | |
that I was diagnosed last year. | 0:27:25 | 0:27:26 | |
Valerie. | 0:27:27 | 0:27:28 | |
Valerie. | 0:27:30 | 0:27:31 | |
Valerie. | 0:27:32 | 0:27:33 | |
Well? | 0:27:34 | 0:27:36 |