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# His mother Mary kneeling down upon the Lord did pray | 0:00:26 | 0:00:30 | |
# O tidings of comfort and joy Comfort and joy | 0:00:30 | 0:00:35 | |
# O tidings of comfort and joy | 0:00:35 | 0:00:40 | |
# Now to the Lord sing praises all you within this place | 0:00:41 | 0:00:46 | |
# And with true love and brotherhood each other now embrace | 0:00:46 | 0:00:52 | |
# This holy tide of Christmas all others doth deface | 0:00:52 | 0:00:57 | |
# O tidings of comfort and joy Comfort and joy | 0:00:57 | 0:01:02 | |
# O tidings of comfort and joy. # | 0:01:02 | 0:01:07 | |
-Whoo! -TRICKLE OF APPLAUSE | 0:01:08 | 0:01:10 | |
Thank you, everyone, that was really... | 0:01:10 | 0:01:13 | |
-Heston? -Yes? -How do you want us to do our bows? | 0:01:13 | 0:01:16 | |
That's really not important right now. | 0:01:16 | 0:01:19 | |
But we could all hold hands, or we could come on individually. | 0:01:19 | 0:01:22 | |
Could we worry about the show first and the bowing later? | 0:01:22 | 0:01:25 | |
-Was it that bad? -No, no, no. Marvellous. | 0:01:25 | 0:01:28 | |
It's going to be a wonderful evening. Now, if we could just... | 0:01:28 | 0:01:32 | |
You see, I said it was going to be all right on the night! | 0:01:32 | 0:01:34 | |
You've no idea how worried I've been. | 0:01:34 | 0:01:36 | |
I woke up at three in the morning and my sheets were just dripping... | 0:01:36 | 0:01:39 | |
Dude, we don't need to hear about your bodily secretions. | 0:01:39 | 0:01:42 | |
I was going to say, with sweat. | 0:01:42 | 0:01:43 | |
Talking of bed, there's somebody else here, a cast member, | 0:01:43 | 0:01:46 | |
who is way past his bedtime. | 0:01:46 | 0:01:47 | |
-Are you talking to me? -SHE CHUCKLES | 0:01:47 | 0:01:49 | |
Come on, Joe, there's a gingerbread man at home with your name on it. | 0:01:49 | 0:01:52 | |
All right, but not too many. | 0:01:52 | 0:01:54 | |
You were wonderful. Say goodbye to everybody. | 0:01:54 | 0:01:56 | |
-Bye, Joe! -Bye, Joe! -Bye, Joe! | 0:01:56 | 0:01:59 | |
OK, now, if we could just... | 0:01:59 | 0:02:01 | |
Um...Dr Carter, one moment, please. | 0:02:01 | 0:02:03 | |
I have a selection of snacks and beverages backstage. | 0:02:03 | 0:02:08 | |
-Perhaps Dr Reid would like to assist me. -Oh, yeah, will do. | 0:02:08 | 0:02:11 | |
OK, a quick break, then I want to see you in two groups. | 0:02:11 | 0:02:13 | |
First, the ghosts, then Scrooge and the Cratchits. | 0:02:13 | 0:02:16 | |
Well, if anybody thinks acting's easy, | 0:02:17 | 0:02:19 | |
they should come and smell the sweat on my underskirts. | 0:02:19 | 0:02:22 | |
Oh, thanks, Valerie(!) | 0:02:22 | 0:02:23 | |
Um...Valerie, I thought you were going to bring in some mittens? | 0:02:23 | 0:02:27 | |
Oh. Yes, yes, I did say that | 0:02:27 | 0:02:29 | |
-and then I went and left them in the glove compartment. -Oh, Valerie! | 0:02:29 | 0:02:32 | |
I bet Judi Dench doesn't leave her mittens in the glove compartment. | 0:02:32 | 0:02:35 | |
Yeah, well, Judi Dench has got an entourage, hasn't she? | 0:02:35 | 0:02:38 | |
She's got a whole team of people keeping tabs on her mittens. | 0:02:38 | 0:02:40 | |
Right, if we could just, um... | 0:02:40 | 0:02:42 | |
That seemed to go all right. | 0:02:42 | 0:02:44 | |
Yes. Just one or two few things we can improve upon. | 0:02:44 | 0:02:48 | |
So, what can I get for you, Dr Vere? | 0:02:51 | 0:02:54 | |
I don't know. I could do with something to celebrate. | 0:02:54 | 0:02:56 | |
So champagne, maybe? No, I'll have a coffee. | 0:02:56 | 0:02:59 | |
Ooo, no, no, no, no, I need to sleep tonight. | 0:02:59 | 0:03:01 | |
-Camomile tea? -Heston? -Yes, thank you. Thank you. | 0:03:01 | 0:03:04 | |
-Heston? -Yes? | 0:03:04 | 0:03:06 | |
I want to talk about this dirge you want to end with. | 0:03:06 | 0:03:10 | |
-God Rest Ye Merry Gentlemen? -Yeah, that's the one. | 0:03:10 | 0:03:13 | |
Now, obviously, on principle, | 0:03:13 | 0:03:14 | |
I object to any mention of Satan's power, yadda-yadda-yadda. | 0:03:14 | 0:03:19 | |
If we have to have a Christmas carol, | 0:03:19 | 0:03:21 | |
how about we have one of the jolly ones? | 0:03:21 | 0:03:22 | |
-Such as? -I don't know. | 0:03:22 | 0:03:25 | |
-Frosty the Snowman. -Oh, for goodness' sake! | 0:03:27 | 0:03:30 | |
Dr Haskey, God Rest Ye Merry Gentlemen | 0:03:30 | 0:03:33 | |
is a song about sacrifice. | 0:03:33 | 0:03:35 | |
About looking after your fellow man. | 0:03:35 | 0:03:37 | |
Please, tell me the deeper meaning of Frosty the Snowman! | 0:03:37 | 0:03:41 | |
Well, it's about a fragile, transient, | 0:03:41 | 0:03:44 | |
water-based life form who decides to seize the day | 0:03:44 | 0:03:47 | |
because he senses a cataclysmic event | 0:03:47 | 0:03:49 | |
is going to threaten our very existences. | 0:03:49 | 0:03:52 | |
-Which is? -Climate change. | 0:03:53 | 0:03:55 | |
Are you sure you got the recipe right? | 0:03:57 | 0:03:59 | |
Yeah, I followed it to the letter. Why? | 0:03:59 | 0:04:01 | |
Well, it's a Christmas miracle. | 0:04:01 | 0:04:03 | |
You've turned a perfectly good wine into mouthwash. | 0:04:03 | 0:04:06 | |
Oi! You can make the next lot. | 0:04:06 | 0:04:09 | |
Huh! | 0:04:09 | 0:04:10 | |
You know, I love what she's done with this place. | 0:04:10 | 0:04:13 | |
No-one does Christmas like Emma Reid, trust me. | 0:04:13 | 0:04:16 | |
Did you ever see that film, Miracle on 34th Street? | 0:04:16 | 0:04:18 | |
-Where Santa gets a job in a department store? -Yeah. | 0:04:18 | 0:04:21 | |
So there's this bit in it where this girl sits on Santa's knee, | 0:04:21 | 0:04:24 | |
and all she wants for Christmas is her mum and dad back together | 0:04:24 | 0:04:28 | |
and her brother and sister. | 0:04:28 | 0:04:30 | |
-Mm. -I saw that when I was stuck in a care home | 0:04:30 | 0:04:34 | |
and I used to want the same thing. | 0:04:34 | 0:04:36 | |
I used to cry myself to sleep at night, hoping Santa could hear me. | 0:04:36 | 0:04:39 | |
Snap! | 0:04:39 | 0:04:41 | |
Well, I mean, I had a mum, but she was usually off her face | 0:04:41 | 0:04:44 | |
and all I wanted was to live somewhere calm and peaceful, like this. | 0:04:44 | 0:04:48 | |
-And now you do. -I know. | 0:04:48 | 0:04:51 | |
See, dreams do come true. | 0:04:51 | 0:04:54 | |
Mrs Tembe, marvellous. Perfect projection, crystal-clear diction. | 0:04:57 | 0:05:02 | |
Absolutely solid. | 0:05:02 | 0:05:04 | |
Well, I'm not sure that a ghost is supposed to be solid, | 0:05:04 | 0:05:07 | |
but thank you very much. | 0:05:07 | 0:05:09 | |
I have a but, and it's a big but. | 0:05:09 | 0:05:11 | |
After a while, your performance gets a bit one-note. | 0:05:13 | 0:05:17 | |
Dee-dum, dee-dum, dee-dum, | 0:05:17 | 0:05:19 | |
dee-dum, dee-dum, dee-dum, dee-dum. | 0:05:19 | 0:05:22 | |
That's two notes. | 0:05:22 | 0:05:24 | |
Well, perhaps you would prefer me to be more | 0:05:24 | 0:05:27 | |
dee-da-dee-da-dee-da-dee-dum, | 0:05:27 | 0:05:29 | |
dee-dee-dee-dee-dee-dee-dee-do. | 0:05:29 | 0:05:32 | |
Try it. | 0:05:32 | 0:05:34 | |
I was wondering whether I should play the role | 0:05:34 | 0:05:38 | |
as an African god, Shango, | 0:05:38 | 0:05:41 | |
who played his rhythms in a storm cloud. | 0:05:41 | 0:05:44 | |
-No, please don't. -What? | 0:05:44 | 0:05:46 | |
Why not? Let's have a bit more diversity. | 0:05:46 | 0:05:48 | |
-Why not? -We already have a black woman playing a white man's part. | 0:05:49 | 0:05:53 | |
-Excuse me?! -Who says ghosts have to be white? | 0:05:53 | 0:05:57 | |
All right. Um...I stand corrected. | 0:05:57 | 0:05:58 | |
Maybe you could be a bit more, dee-da-dee-dum-dee-dee, | 0:05:58 | 0:06:01 | |
dee-da-dee-dum-dee-dee. OK? | 0:06:01 | 0:06:03 | |
-Valerie? -Yes? | 0:06:03 | 0:06:05 | |
Your performance has an ethereal, other-worldly quality. | 0:06:05 | 0:06:11 | |
Yeah, people often say that. | 0:06:11 | 0:06:13 | |
Yeah, but what I find a bit confusing is you can't keep still. | 0:06:13 | 0:06:17 | |
One minute, you're crouching on the floor, then you're standing up, | 0:06:17 | 0:06:20 | |
and then during the Belle scene, | 0:06:20 | 0:06:21 | |
you're clambering all over the rostra. | 0:06:21 | 0:06:24 | |
You did say you wanted a performance that worked on many different levels. | 0:06:24 | 0:06:27 | |
Yes, I did. Um... | 0:06:29 | 0:06:31 | |
Perhaps you could you stay on the ground throughout. | 0:06:31 | 0:06:34 | |
Okey doke. Yep. | 0:06:34 | 0:06:35 | |
I will keep my phantom feet planted firmly on the ground. | 0:06:35 | 0:06:39 | |
Good. Er...Ruhma. | 0:06:39 | 0:06:41 | |
-Yes, sweetheart. -Um... | 0:06:41 | 0:06:44 | |
Oh, dear. Um... | 0:06:44 | 0:06:46 | |
It's not really working, is it? | 0:06:48 | 0:06:50 | |
You don't look very comfortable on the trolley. | 0:06:50 | 0:06:52 | |
-I...I think we may have to recast. -What?! | 0:06:52 | 0:06:54 | |
No! I...I've been through a lot. | 0:06:54 | 0:06:57 | |
Well, it's health and safety as much as anything. | 0:06:57 | 0:06:59 | |
We don't want another accident. | 0:06:59 | 0:07:00 | |
Don't worry, we'll find something else for you to do. | 0:07:00 | 0:07:03 | |
It is for the good of the show. | 0:07:03 | 0:07:04 | |
Yeah. Yeah, of course. | 0:07:04 | 0:07:05 | |
The show must go on(!) | 0:07:05 | 0:07:07 | |
Don't be such a drama queen. | 0:07:07 | 0:07:09 | |
It's not even an important part, | 0:07:09 | 0:07:11 | |
it's just a load of elaborate pointing. | 0:07:11 | 0:07:13 | |
It's harder than you think. | 0:07:13 | 0:07:15 | |
A trained chimp could do it. I'll ask Daniel. | 0:07:15 | 0:07:18 | |
Oh! Speaking of which, Joe. | 0:07:18 | 0:07:20 | |
Yes? | 0:07:21 | 0:07:23 | |
-I couldn't really hear a word he was saying. -I heard every word. | 0:07:23 | 0:07:26 | |
Yes, but you were standing right next to him. | 0:07:26 | 0:07:28 | |
Look, OK, it is just nerves, but he's really looking forward to it. | 0:07:28 | 0:07:32 | |
He'd be so upset if he had to drop out. | 0:07:32 | 0:07:34 | |
No, he wouldn't! Just tell him what we did tonight was the show | 0:07:34 | 0:07:38 | |
and he'd be none the wiser. | 0:07:38 | 0:07:39 | |
What are you even doing here? You're not playing one of the ghosts. | 0:07:39 | 0:07:42 | |
I'm just saying that if Joe's finding it difficult, | 0:07:42 | 0:07:46 | |
I know someone who would be a natural! | 0:07:46 | 0:07:49 | |
HE SIGHS | 0:07:49 | 0:07:51 | |
Right, you can open them now. | 0:07:51 | 0:07:53 | |
Ta-da! Hm! | 0:07:54 | 0:07:56 | |
It's very festive. | 0:07:56 | 0:07:58 | |
I just wanted something to wear to Sophie's party on Saturday. | 0:07:58 | 0:08:01 | |
-And is it fancy dress? -No! | 0:08:01 | 0:08:02 | |
I just want people to see me as I sashay through the door. | 0:08:02 | 0:08:06 | |
Oh, they will. Just as long as you don't think it's over the top. | 0:08:06 | 0:08:09 | |
Not really, but then again, my top is probably way higher than your top. | 0:08:09 | 0:08:12 | |
-It's very creative. -Oh, I think staying with you and Karen | 0:08:12 | 0:08:16 | |
-has really helped me come out of my shell a bit. -Right. | 0:08:16 | 0:08:19 | |
I've gone from being one of those squidgy little green things to a butterfly. | 0:08:19 | 0:08:23 | |
Right. | 0:08:23 | 0:08:24 | |
And I've realised something about myself. | 0:08:26 | 0:08:28 | |
Something I think I've always known deep down. | 0:08:28 | 0:08:31 | |
I need to tell you something personal. | 0:08:33 | 0:08:35 | |
-Why don't you wait until Karen gets home? -What?! | 0:08:36 | 0:08:39 | |
She'll be here in a minute and you can tell us both together. | 0:08:39 | 0:08:41 | |
Anyway, you need to get changed, | 0:08:41 | 0:08:43 | |
-you don't want get spag bol all over your baubles. -No. | 0:08:43 | 0:08:45 | |
So, yes, I am going to give him lots of extra tuition | 0:08:51 | 0:08:54 | |
and he will be incredible on the night. | 0:08:54 | 0:08:57 | |
Or you could give it to someone who is incredible now! | 0:08:57 | 0:09:01 | |
He's trying his best. | 0:09:01 | 0:09:04 | |
Do you know what he said to me this morning? | 0:09:04 | 0:09:05 | |
"Do I have to go through with this, Mummy?" | 0:09:05 | 0:09:08 | |
He said, "Mummy, I am going to make you and Daddy so...proud | 0:09:08 | 0:09:13 | |
"and I'm going to make all of you so happy." | 0:09:13 | 0:09:15 | |
-By resigning? -Right, that is it. | 0:09:15 | 0:09:18 | |
You have done nothing but snipe about Joe all evening. | 0:09:18 | 0:09:22 | |
-If anyone's miscast, it's you. -Miscast?! | 0:09:22 | 0:09:24 | |
Belle is supposed to be the young ingenue in love with Scrooge, | 0:09:24 | 0:09:28 | |
not Old Mother Hubbard from Cradley Heath. | 0:09:28 | 0:09:31 | |
Cradley Heath? | 0:09:31 | 0:09:33 | |
I'm making an executive decision. You're fired. | 0:09:33 | 0:09:37 | |
-What? -What?! | 0:09:37 | 0:09:38 | |
Ah! So, I am going to have to miss out | 0:09:39 | 0:09:43 | |
on being humiliated in front of half-a-dozen pensioners? | 0:09:43 | 0:09:47 | |
Dr Carmichael, don't you think that this is a little harsh? | 0:09:47 | 0:09:51 | |
It has all gone very dramatic. | 0:09:51 | 0:09:53 | |
Which is more than can be said for this pile of... | 0:09:53 | 0:09:55 | |
OK, look, maybe we could come to a compromise. | 0:09:55 | 0:09:58 | |
Oh, don't bother. | 0:09:58 | 0:09:59 | |
You can stick it up your bah humbug! | 0:10:01 | 0:10:03 | |
OK. Who's going to be Belle? | 0:10:05 | 0:10:09 | |
So, um...I was just going to ask you... | 0:10:17 | 0:10:21 | |
Flipping Zara Carmichael! | 0:10:23 | 0:10:25 | |
How does she sleep at night?! | 0:10:25 | 0:10:27 | |
Oh, dear. What has the Wicked Witch of the West done now? | 0:10:27 | 0:10:30 | |
She's only gone and sacked me from the play! | 0:10:32 | 0:10:35 | |
OMG! You must be devoed! Why? | 0:10:35 | 0:10:38 | |
Well, because I said you should be in it instead of her useless son. | 0:10:38 | 0:10:43 | |
Ah. You never really did get the hang of diplomacy, did you, love? | 0:10:43 | 0:10:47 | |
So, you gave up your dreams of stardom for me? | 0:10:47 | 0:10:49 | |
Well, you say stardom, but they'll probably get, | 0:10:49 | 0:10:51 | |
I don't know, two stray dogs and a pensioner. | 0:10:51 | 0:10:54 | |
I know! We could do our own show! | 0:10:55 | 0:10:57 | |
We'd be a massive internet sensation! | 0:10:57 | 0:10:59 | |
OK! Can I take my coat off first? | 0:10:59 | 0:11:02 | |
Oh, Adam's been, er...picking my brains | 0:11:02 | 0:11:04 | |
about what outfit to wear for Sophie's party. | 0:11:04 | 0:11:07 | |
He's been asking you for fashion advice? | 0:11:09 | 0:11:12 | |
Well, it's good to know what the ordinary man on the street thinks. | 0:11:12 | 0:11:16 | |
I've narrowed it down to two. | 0:11:16 | 0:11:17 | |
I'll go and get them. You stay right there. | 0:11:17 | 0:11:20 | |
-You seem to be getting on. -Yeah. Yeah, yeah, yeah. | 0:11:23 | 0:11:26 | |
I do have concerns. | 0:11:27 | 0:11:29 | |
-Jimmi? -Ah, yes? | 0:11:30 | 0:11:32 | |
Very nuanced performance. | 0:11:32 | 0:11:35 | |
Understated. Lots of light and shade. | 0:11:35 | 0:11:37 | |
50 Shades of Clay! | 0:11:37 | 0:11:39 | |
-Um...so, that's...that's good, is it? -Oh, superlative. | 0:11:39 | 0:11:42 | |
Maybe a little bit more projection. It's absolutely superb. | 0:11:42 | 0:11:46 | |
Zara? Lots of energy in your performance, | 0:11:49 | 0:11:52 | |
but Mrs Cratchit appears to have been born in the East End | 0:11:52 | 0:11:57 | |
and moved to Australia via Pakistan. | 0:11:57 | 0:11:59 | |
LAUGHTER | 0:11:59 | 0:12:01 | |
What?! Look, I can do it really well when there's no-one watching. | 0:12:01 | 0:12:05 | |
OK, that's unfortunate because I think we're expecting an audience. | 0:12:05 | 0:12:07 | |
-Do you want a bet? -Just tone it down a bit. Less is more. | 0:12:07 | 0:12:12 | |
-Sid. -Hello. | 0:12:12 | 0:12:14 | |
How do you think it went? | 0:12:14 | 0:12:17 | |
Well, I'm just relieved to get through it, really. | 0:12:17 | 0:12:19 | |
It's amazing how acting takes you out of yourself, though. | 0:12:19 | 0:12:21 | |
I mean, suddenly, I'm 40 years old, | 0:12:21 | 0:12:23 | |
married to Zara, with a four-year-old child. | 0:12:23 | 0:12:25 | |
-In the play, obviously. -Daniel will be relieved. | 0:12:25 | 0:12:28 | |
Well, you did technically get through it. | 0:12:28 | 0:12:31 | |
-I just couldn't hear a word. -What? | 0:12:31 | 0:12:33 | |
You and Joe seemed to be doing the whole thing in mime | 0:12:33 | 0:12:36 | |
and stumbling about and mumbling noises. | 0:12:36 | 0:12:40 | |
W-W-W... Er... Huh! | 0:12:40 | 0:12:43 | |
OK, um...what's the one thing that would most improve my performance? | 0:12:43 | 0:12:47 | |
Subtitles. LAUGHTER | 0:12:47 | 0:12:49 | |
-Al. -Yes, my liege? | 0:12:50 | 0:12:53 | |
Er...well, on a positive note, | 0:12:53 | 0:12:55 | |
you certainly were audible, um... | 0:12:55 | 0:12:58 | |
but what exactly were you saying? | 0:12:58 | 0:13:01 | |
Well...it was this, sort of. | 0:13:01 | 0:13:05 | |
Yes, but you've rewritten every speech. | 0:13:05 | 0:13:07 | |
I mean, for example, the line is, "Lead on, Spirit", | 0:13:07 | 0:13:11 | |
not "Giddy up, Spooky". | 0:13:11 | 0:13:14 | |
LAUGHTER | 0:13:14 | 0:13:15 | |
Look, it needs livening up. | 0:13:15 | 0:13:18 | |
You can write this stuff, but you can't say it. | 0:13:18 | 0:13:20 | |
Look, Alastair Sim managed it, | 0:13:20 | 0:13:22 | |
and Orson Welles and Michael Caine | 0:13:22 | 0:13:24 | |
and...and thousands of Scrooges in every corner of the globe. | 0:13:24 | 0:13:29 | |
Yeah, but could they perform a cricothyroidotomy? | 0:13:29 | 0:13:31 | |
This is a gift of a part. | 0:13:31 | 0:13:33 | |
Don't send it back to the shop for alterations. | 0:13:33 | 0:13:36 | |
Nothing is so good it can't be improved upon, | 0:13:36 | 0:13:38 | |
but if you're happy with mediocrity... | 0:13:38 | 0:13:40 | |
-Sorry, where are you going? -For a drink. | 0:13:40 | 0:13:42 | |
Anybody who wants to join me, giddy up! | 0:13:42 | 0:13:44 | |
No, no, no. These are teething problems. | 0:13:44 | 0:13:46 | |
Why don't we have another read-through? | 0:13:46 | 0:13:48 | |
Because we've given up the will to live. | 0:13:48 | 0:13:50 | |
We've lost Scrooge, so... | 0:13:50 | 0:13:52 | |
You know, a drink might not be a bad idea. | 0:13:53 | 0:13:56 | |
There's an old showbiz saying, if you have a very bad run-through, | 0:13:56 | 0:13:59 | |
you're going to have an excellent first night. | 0:13:59 | 0:14:01 | |
And on that basis, our first night should be superb! | 0:14:01 | 0:14:05 | |
So he was trying on all these outfits. | 0:14:07 | 0:14:09 | |
He made this place look like a catwalk. | 0:14:09 | 0:14:11 | |
Mmmmm! | 0:14:11 | 0:14:13 | |
Oh, it sounds like you were having a better time than me. | 0:14:13 | 0:14:16 | |
Yeah, but then he said he had an announcement to make, | 0:14:16 | 0:14:19 | |
of a personal nature. | 0:14:19 | 0:14:21 | |
-What was it? -Well, I don't know for sure. | 0:14:21 | 0:14:23 | |
I asked him to wait until you got home so he could tell us together. | 0:14:23 | 0:14:26 | |
Why did you do that? | 0:14:26 | 0:14:27 | |
Well, it's fairly obvious, isn't it? | 0:14:27 | 0:14:29 | |
He wants to come out, doesn't he? | 0:14:29 | 0:14:31 | |
Well, I don't know, but why did you ask him to wait? | 0:14:31 | 0:14:34 | |
Because I don't know anything about being gay, apart from the obvious. | 0:14:34 | 0:14:38 | |
What if I said something wrong, knocked his confidence? | 0:14:38 | 0:14:40 | |
Well, you...you just say, | 0:14:40 | 0:14:42 | |
"That's great, well done, you. | 0:14:42 | 0:14:44 | |
"Have you got a boyfriend?" | 0:14:44 | 0:14:46 | |
Oh, that's great, well done, you. Have you got a boyfriend? | 0:14:46 | 0:14:48 | |
It doesn't sound right to me. | 0:14:48 | 0:14:50 | |
It's a huge compliment that he asked you. I mean, it... | 0:14:50 | 0:14:53 | |
He can obviously see behind the crusty, He-Man exterior | 0:14:53 | 0:14:57 | |
to the human being with a heart. | 0:14:57 | 0:15:00 | |
I've never seen it myself. | 0:15:00 | 0:15:02 | |
Are you ready for the show? | 0:15:02 | 0:15:04 | |
-Yes, we are. -Yay! -We can't wait. | 0:15:04 | 0:15:06 | |
DOOR CLOSES | 0:15:10 | 0:15:12 | |
I mean, it's not like anyone's being paid to do it, is it? | 0:15:12 | 0:15:14 | |
We're all volunteer... Ooo! | 0:15:14 | 0:15:16 | |
-Sorry, we were just... -Yeah, I think we can guess. | 0:15:18 | 0:15:21 | |
-How were rehearsals? -Not good. | 0:15:22 | 0:15:24 | |
At the moment, I think we should let the audience in for free | 0:15:24 | 0:15:26 | |
and then make them pay £100 just to get out. | 0:15:26 | 0:15:28 | |
Oh, it can't be that bad. | 0:15:28 | 0:15:30 | |
That speech you did this morning was hilarious. | 0:15:30 | 0:15:32 | |
I can do it in the kitchen, or in the car, or in the shower, | 0:15:32 | 0:15:34 | |
but as soon as I think about doing in onstage, I just fall to pieces. | 0:15:34 | 0:15:38 | |
You'll be fine. You just need to go through it a few times. | 0:15:38 | 0:15:40 | |
Yeah, I suppose. Off to learn my lines. | 0:15:40 | 0:15:43 | |
-See you. -Ooo! And I shall whip you up some lovely mulled wine. | 0:15:43 | 0:15:46 | |
That's what I call comfort and joy. | 0:15:50 | 0:15:52 | |
So, is it really that bad? I want to see it now! | 0:15:53 | 0:15:56 | |
It's fine. And Lena is being brilliant with everybody. | 0:15:56 | 0:15:59 | |
She's...she's such a doer! | 0:15:59 | 0:16:02 | |
-So, what's the problem? -Heston. | 0:16:02 | 0:16:04 | |
He just doesn't understand | 0:16:04 | 0:16:06 | |
that people need bigging up, as well as dragging down. | 0:16:06 | 0:16:09 | |
At the moment, it's going to end up being a whodunnit. | 0:16:09 | 0:16:12 | |
Who Killed Heston Carter? | 0:16:12 | 0:16:13 | |
And I tell you now, there are no shortage of suspects. | 0:16:13 | 0:16:17 | |
Oh! | 0:16:17 | 0:16:19 | |
-OK, here we are, um...Peregrine Peculiar. -Thank you. | 0:16:22 | 0:16:25 | |
-And a fruit smoothie. -Thank you. | 0:16:25 | 0:16:27 | |
-Are you not having one? -Ah! | 0:16:27 | 0:16:30 | |
ANIMATED CHATTER | 0:16:30 | 0:16:33 | |
Oh, never mind. | 0:16:33 | 0:16:35 | |
Yeah, this is much more convivial. | 0:16:35 | 0:16:37 | |
-So, Heston, I have a couple of notes for you. -What? | 0:16:37 | 0:16:40 | |
The Mr Fezziwig dance. You are playing that for laughs, right? | 0:16:40 | 0:16:44 | |
Well, no, it's an English folk dance | 0:16:44 | 0:16:47 | |
with a bit of Highland fling, then a soupcon of paso doble. | 0:16:47 | 0:16:50 | |
More like pass the sick bucket. | 0:16:50 | 0:16:52 | |
Heston, we need to talk about props. | 0:16:52 | 0:16:55 | |
You did a list and some of the things are completely impractical. | 0:16:55 | 0:16:58 | |
-Well, how many do you have left to get? -76. | 0:16:58 | 0:17:01 | |
I've spoken to Emma, had a chat, | 0:17:01 | 0:17:04 | |
and we think that black-box minimalism is the way to go. | 0:17:04 | 0:17:08 | |
No, no, no, you can't have minimalism at Christmas. | 0:17:08 | 0:17:10 | |
Oh, and another thing, for the giant's feast, | 0:17:10 | 0:17:12 | |
we need turkey, geese, game, sausages, mince pies... | 0:17:12 | 0:17:14 | |
But it's only onstage for a few seconds. We can't afford it! | 0:17:14 | 0:17:18 | |
All right, then, maybe some tartlets. | 0:17:18 | 0:17:20 | |
And we need the door knockers. | 0:17:20 | 0:17:22 | |
One with Jacob Marley's face and one without. | 0:17:22 | 0:17:24 | |
Heston, we are going to have to cut back. | 0:17:24 | 0:17:26 | |
My list is longer than Santa's! | 0:17:26 | 0:17:28 | |
For heaven's sake, all I'm asking for is a couple of dozen tarts | 0:17:28 | 0:17:31 | |
and a pair of 19th-century knockers! | 0:17:31 | 0:17:33 | |
UPBEAT MUSIC | 0:17:36 | 0:17:38 | |
Eeee! Wow! | 0:17:38 | 0:17:40 | |
KAREN LAUGHS | 0:17:40 | 0:17:42 | |
Ahhhhhhhhh! | 0:17:42 | 0:17:44 | |
Y-a-a-a-a-a-a-a-ay! | 0:17:44 | 0:17:46 | |
Ooo! | 0:17:50 | 0:17:52 | |
KAREN LAUGHS | 0:17:58 | 0:17:59 | |
Hooray! | 0:18:03 | 0:18:05 | |
KAREN WOLF-WHISTLES | 0:18:05 | 0:18:06 | |
Y-a-a-a-a-a-a-a-ay! | 0:18:06 | 0:18:08 | |
Thank you, thank you, thank you! | 0:18:09 | 0:18:12 | |
Brilliant! | 0:18:12 | 0:18:14 | |
THEY CHUCKLE | 0:18:14 | 0:18:16 | |
Here we go, ladies. | 0:18:16 | 0:18:18 | |
Ooo, lovely! | 0:18:18 | 0:18:20 | |
-Thank you. -Thanks. | 0:18:22 | 0:18:24 | |
Oh, it's like Christmas in a glass. | 0:18:24 | 0:18:26 | |
What was your best-ever Christmas? | 0:18:26 | 0:18:28 | |
Me? Well, I suppose it would've been when Chris was little. | 0:18:28 | 0:18:32 | |
It doesn't seem the same somehow, | 0:18:32 | 0:18:33 | |
without having a child running around the place. | 0:18:33 | 0:18:36 | |
-We've got Sid. -Yes, indeed we have. | 0:18:36 | 0:18:38 | |
What about you? | 0:18:38 | 0:18:40 | |
Well, I remember when I was five, our electricity got cut off. | 0:18:40 | 0:18:44 | |
-Why? -Mum didn't have any money for the meter. | 0:18:44 | 0:18:46 | |
But we had a really good time. | 0:18:46 | 0:18:47 | |
We ran around in the dark, told ghost stories. | 0:18:47 | 0:18:50 | |
Then we went outside and made a bonfire. | 0:18:50 | 0:18:52 | |
There's nothing quite like making your own entertainment. | 0:18:52 | 0:18:54 | |
What about you? | 0:18:54 | 0:18:56 | |
Oh. Christmas isn't really Christmas when you're in care. | 0:18:56 | 0:18:59 | |
You kind of feel like everything that gets given to you | 0:18:59 | 0:19:02 | |
is going to get taken away again. | 0:19:02 | 0:19:04 | |
Tyler, I don't mean to be critical, but, um... | 0:19:04 | 0:19:06 | |
what did you put in the mulled wine? | 0:19:06 | 0:19:08 | |
I followed your recipe. | 0:19:08 | 0:19:10 | |
Right. It's just that I can taste garlic. | 0:19:12 | 0:19:14 | |
Seven or eight cloves, right? | 0:19:14 | 0:19:16 | |
Seven or eight cloves? | 0:19:16 | 0:19:18 | |
Do you know what, I'm, er... | 0:19:18 | 0:19:20 | |
I'm going to go and, er...help Sid learn his lines. | 0:19:20 | 0:19:22 | |
ANIMATED CHATTER | 0:19:25 | 0:19:27 | |
Where's Lena? | 0:19:29 | 0:19:31 | |
She went home with a migraine. | 0:19:31 | 0:19:32 | |
Oh. I'm surprised you didn't ask her for a sick note. | 0:19:32 | 0:19:35 | |
Heston, my highly-nuanced colleague and I | 0:19:35 | 0:19:38 | |
have got a little something for you. | 0:19:38 | 0:19:39 | |
-Don't drag me into this, this was your idea. -What is it? | 0:19:39 | 0:19:42 | |
Well, if we really do have to go with all that religiosity at the end of the show, | 0:19:42 | 0:19:45 | |
I've found a version which is almost acceptable. | 0:19:45 | 0:19:48 | |
MUSIC: God Rest Ye Merry Gentlemen (Rock Version) | 0:19:48 | 0:19:51 | |
# God rest ye merry gentlemen... # | 0:19:51 | 0:19:55 | |
What do you think? | 0:19:55 | 0:19:57 | |
It's a primordial, gut-wrenching expression of obsidian blackness. | 0:19:57 | 0:20:03 | |
That's a go, then, yeah? | 0:20:03 | 0:20:05 | |
No, of course not! | 0:20:05 | 0:20:06 | |
# To save us all from Satan's power | 0:20:08 | 0:20:12 | |
# When we were gone astray. # | 0:20:12 | 0:20:15 | |
THEY LAUGH | 0:20:15 | 0:20:17 | |
So, what should I go for, fur or feathers? | 0:20:19 | 0:20:21 | |
Oh! Why are you even asking? | 0:20:21 | 0:20:24 | |
What do you mean? | 0:20:24 | 0:20:26 | |
You look great whatever you wear. | 0:20:26 | 0:20:27 | |
Clothes just love you, you lucky thing. | 0:20:27 | 0:20:30 | |
-Oh! -Wear what makes you comfortable, whatever makes you happy. | 0:20:30 | 0:20:33 | |
That sounds like very good advice. | 0:20:33 | 0:20:36 | |
But I am on earlies, so I'm going to hit the hay. | 0:20:36 | 0:20:38 | |
-OK, night-night. -Night, love. | 0:20:38 | 0:20:41 | |
Good night. Good night. | 0:20:41 | 0:20:42 | |
You're so lucky to have him. | 0:20:47 | 0:20:49 | |
Aw! We're lucky to have each other. | 0:20:49 | 0:20:51 | |
Hm. One day, I hope to find someone like Rob. | 0:20:51 | 0:20:54 | |
Not exactly like him. | 0:20:54 | 0:20:56 | |
Oh, and you will. And when you do, you're going to have so much fun. | 0:20:56 | 0:21:00 | |
I just remembered, I need to ask him something! | 0:21:01 | 0:21:04 | |
I know she can be a nightmare, but I'd still love to see her. | 0:21:08 | 0:21:10 | |
Are you sure it's a good idea? | 0:21:12 | 0:21:13 | |
Of course it isn't. In fact, it's a terrible idea, | 0:21:13 | 0:21:16 | |
but isn't Christmas about getting people together? | 0:21:16 | 0:21:19 | |
I wouldn't know. | 0:21:19 | 0:21:21 | |
There's going to be me, Debs, Sierra. | 0:21:21 | 0:21:24 | |
Karl's coming over from Germany. | 0:21:24 | 0:21:26 | |
How good would it be if Mum could be there on Christmas Day? | 0:21:26 | 0:21:29 | |
Well, you never know. | 0:21:29 | 0:21:31 | |
I'm looking forward to meeting the gang. | 0:21:33 | 0:21:35 | |
Hm-hm! And they are going to love you. | 0:21:35 | 0:21:37 | |
-Even if you are a copper. -Hey! Come here. | 0:21:37 | 0:21:40 | |
-You like winding Heston up, don't you? -Very much. | 0:21:43 | 0:21:46 | |
I'm not allowed to smoke indoors, so I need to find some pleasure. | 0:21:46 | 0:21:49 | |
Don't let me stop you. He's been driving me bug-eyed all week. | 0:21:49 | 0:21:52 | |
The thing is, we are doing this play with, what, ten people? | 0:21:52 | 0:21:55 | |
You add Emma and Lena backstage and that's 12. | 0:21:55 | 0:21:58 | |
Every single one of those dozen have got their own agenda. | 0:21:58 | 0:22:01 | |
Now, Heston wants it to be a masterpiece | 0:22:01 | 0:22:04 | |
so we'll all acknowledge what a genius he is. | 0:22:04 | 0:22:07 | |
Mrs Tembe wants it to be morally uplifting | 0:22:07 | 0:22:10 | |
so she can show off to her church friends. | 0:22:10 | 0:22:12 | |
Zara wants Tiny Tim to be the star. | 0:22:12 | 0:22:14 | |
Valerie probably wants to get picked up by a horror movie company. | 0:22:14 | 0:22:17 | |
Exactly. And me, I...I just want to have fun. | 0:22:17 | 0:22:20 | |
I don't care if people laugh at me, or with me, | 0:22:21 | 0:22:23 | |
I honestly couldn't give a figgy pudding. | 0:22:23 | 0:22:26 | |
Absolutely ditto, but you are going to learn your lines properly, yes? | 0:22:26 | 0:22:30 | |
Well, maybe. | 0:22:30 | 0:22:32 | |
The thing is, I quite like the idea of that special credit. | 0:22:32 | 0:22:34 | |
-CHANTING: Speech, speech, speech! -"With additional material by..." | 0:22:34 | 0:22:37 | |
CHANTING: Speech, speech, speech! | 0:22:37 | 0:22:39 | |
What do you reckon? Earth to Jimmi. | 0:22:39 | 0:22:41 | |
Earth to Jimmi. Are you with us? | 0:22:41 | 0:22:43 | |
Yes, sorry. I know that guy. | 0:22:43 | 0:22:45 | |
CHEERING | 0:22:47 | 0:22:49 | |
The thing is, I know I'm different | 0:22:49 | 0:22:52 | |
-and different can either be fun, or it can be lonely. -I'm...I'm sure. | 0:22:52 | 0:22:55 | |
-Though I have to be true to myself, don't I? I can't live a lie. -Of course not. | 0:22:55 | 0:22:58 | |
I've been lying in my bed, thinking, | 0:22:58 | 0:23:00 | |
"I can't be. It's just a phase, Everyone's going to reject you." | 0:23:00 | 0:23:05 | |
No-one will... Well, I hope no-one will reject you. | 0:23:05 | 0:23:07 | |
-We think you're wonderful. -OK. | 0:23:07 | 0:23:09 | |
Well, I've realised when I'm older... | 0:23:11 | 0:23:15 | |
..I want to be a police officer. | 0:23:17 | 0:23:19 | |
Oh! | 0:23:20 | 0:23:22 | |
I used to think it was about wearing the uniforms and looking hard, | 0:23:22 | 0:23:24 | |
but since spending time with you, | 0:23:24 | 0:23:26 | |
I can see it's all about helping people. | 0:23:26 | 0:23:28 | |
It is. Yes, it is. | 0:23:28 | 0:23:30 | |
I mean, that's what I do every day at work, | 0:23:30 | 0:23:32 | |
I help people rub along with each other. | 0:23:32 | 0:23:35 | |
I could do that! I could be a police officer with a truncheon, | 0:23:35 | 0:23:37 | |
helping people to rub along together! | 0:23:37 | 0:23:39 | |
Of course you could. Shall we talk in the morning? I... | 0:23:39 | 0:23:41 | |
But I am...I'm...I'm genuinely flattered. | 0:23:43 | 0:23:45 | |
I'm just really pleased I could tell someone. | 0:23:47 | 0:23:50 | |
-Good night, Sergeant Hollins. -Good night. | 0:23:50 | 0:23:52 | |
Hm! | 0:23:52 | 0:23:53 | |
What's the matter? | 0:24:12 | 0:24:13 | |
It's Rob. | 0:24:13 | 0:24:15 | |
He's so kind, so caring. | 0:24:15 | 0:24:18 | |
Yeah? | 0:24:18 | 0:24:19 | |
-HE LAUGHS -And so easy to wind up! | 0:24:20 | 0:24:22 | |
SHE CHUCKLES | 0:24:26 | 0:24:28 | |
SLURRED: So, yeah! This is such an honour. | 0:24:31 | 0:24:36 | |
But I want to thank all the people that helped me get here today. | 0:24:37 | 0:24:40 | |
CHEERING | 0:24:40 | 0:24:41 | |
Like the bus driver. | 0:24:41 | 0:24:43 | |
LAUGHTER | 0:24:43 | 0:24:45 | |
I want to thank the little people. | 0:24:45 | 0:24:47 | |
Happy, Grumpy, Sneezy. | 0:24:47 | 0:24:50 | |
THEY GROAN All the rest of them. | 0:24:50 | 0:24:53 | |
But most of all, I want to thank you guys. | 0:24:53 | 0:24:56 | |
-Aw! -Cheers! -Cheers! | 0:24:56 | 0:24:59 | |
Because you rock. | 0:24:59 | 0:25:00 | |
And one day, we're going to rule the world. | 0:25:00 | 0:25:03 | |
CHEERING | 0:25:03 | 0:25:05 | |
So brace yourself, world, yeah? | 0:25:05 | 0:25:07 | |
LAUGHTER | 0:25:07 | 0:25:09 | |
Oh, yeah! | 0:25:11 | 0:25:12 | |
LAUGHTER AND CHEERING | 0:25:12 | 0:25:14 | |
MUSIC: A Winter's Tale by David Essex | 0:25:17 | 0:25:20 | |
-Emma? -Yeah. | 0:25:30 | 0:25:31 | |
-Can I ask you a question? -Of course. | 0:25:31 | 0:25:34 | |
Ayesha's mum. | 0:25:36 | 0:25:37 | |
What do you want to know? | 0:25:39 | 0:25:40 | |
Well, you've met her, right? | 0:25:40 | 0:25:42 | |
Is she as bad as she sounds? | 0:25:42 | 0:25:45 | |
Let's just say that, er...Bren has baggage. | 0:25:45 | 0:25:48 | |
A whole load of baggage, right? | 0:25:48 | 0:25:51 | |
Look, don't tell Ayesha I've said this, | 0:25:54 | 0:25:56 | |
but Bren is damaged. | 0:25:56 | 0:25:59 | |
She plays nasty mind games with people | 0:25:59 | 0:26:01 | |
and manages to mess up all the good things in Ayesha's life. | 0:26:01 | 0:26:06 | |
I mean, the last time she was here, | 0:26:06 | 0:26:08 | |
well, the rug in the front room? She peed on it. | 0:26:08 | 0:26:11 | |
And when I mentioned it, she swore at me until she passed out. | 0:26:11 | 0:26:15 | |
She drags her down, Tyler, every time. | 0:26:17 | 0:26:20 | |
Ayesha wants to meet up with her over Christmas. | 0:26:20 | 0:26:23 | |
Oh! God help us all! That's the last thing she needs. | 0:26:23 | 0:26:26 | |
Alia, look, I'm really sorry, OK? We're running behind. | 0:26:28 | 0:26:31 | |
We will be home soon. All right. OK. Bye! | 0:26:31 | 0:26:33 | |
And I need a Victorian smoking cap! | 0:26:33 | 0:26:35 | |
(Can you get me a drink?) | 0:26:35 | 0:26:37 | |
Well, let me know when you've got one! | 0:26:37 | 0:26:39 | |
-What? -Oh, no, I'll get you a drink, of course I will, dictator. | 0:26:41 | 0:26:44 | |
Oh, sorry, I meant director. | 0:26:44 | 0:26:46 | |
What have I done now? | 0:26:46 | 0:26:48 | |
I am fed up with the way that this show is taking over our lives. | 0:26:48 | 0:26:52 | |
-Well, it'll be over in a few days. -Yeah, and so might we be. | 0:26:52 | 0:26:54 | |
What do you mean? | 0:26:56 | 0:26:57 | |
You hardly notice me. And as for that accident... | 0:26:57 | 0:27:01 | |
-That wasn't my fault. -An apology, that would've been really nice, | 0:27:01 | 0:27:04 | |
but, no, all you care about is the sodding show. | 0:27:04 | 0:27:07 | |
-I hardly think that's fair. -And Al is right. Your Fezziwig dance stinks! | 0:27:07 | 0:27:10 | |
-All I need is a piece of paper telling my boss I'm fit to work. -You sure? | 0:27:21 | 0:27:25 | |
If you sign him fit and it all goes pear-shaped, it'll be your career. | 0:27:25 | 0:27:28 | |
EMMA LAUGHS | 0:27:28 | 0:27:30 | |
I think that's better than Heston's Fezziwig dance! | 0:27:30 | 0:27:33 | |
-Take a seat, Mr Bauman. -That was very formal, Dr Reid. | 0:27:34 | 0:27:38 | |
Last time we met, it was Max. | 0:27:40 | 0:27:42 |