Browse content similar to Bloodlines. Check below for episodes and series from the same categories and more!
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What else can I be when I live in such a world of fools as this? | 0:01:05 | 0:01:09 | |
And then... | 0:01:11 | 0:01:13 | |
I hereby curse anyone who darest | 0:01:13 | 0:01:15 | |
uses the word Christmas in my presence. | 0:01:15 | 0:01:18 | |
Miles off. It's, "Merry Christmas! If I could work my will..." | 0:01:18 | 0:01:21 | |
Yeah, I know what it is. I'm not saying that. | 0:01:21 | 0:01:24 | |
I don't see why Dickens has to use 50 words when 15 will suffice. | 0:01:24 | 0:01:27 | |
If you change it you'll mess up the cues for everyone else. | 0:01:27 | 0:01:30 | |
And if I don't, the play will be six hours long. | 0:01:30 | 0:01:32 | |
Why should I say what Heston's copied out of | 0:01:32 | 0:01:34 | |
a book when I can think of something better off the top of my head? | 0:01:34 | 0:01:37 | |
OK, fine. But, please, | 0:01:38 | 0:01:40 | |
just stick to the script in the scenes you have with Joe. | 0:01:40 | 0:01:42 | |
I think I've already knocked his confidence trying to teach | 0:01:42 | 0:01:45 | |
him how to project. | 0:01:45 | 0:01:46 | |
I imagine the Zara Carmichael School of Speech and Drama is | 0:01:46 | 0:01:49 | |
an unforgiving place. | 0:01:49 | 0:01:51 | |
I'm just trying to make sure he can | 0:01:51 | 0:01:53 | |
be heard by the people in the cheap seats. | 0:01:53 | 0:01:55 | |
-Very egalitarian of you. -Yes, it is very good of me, | 0:01:55 | 0:01:57 | |
to be considering those who are less fortunate than us. | 0:01:57 | 0:02:00 | |
I've got patients to see. | 0:02:01 | 0:02:02 | |
I suppose it could be worse. | 0:02:02 | 0:02:04 | |
I've got an idea for a new dance! | 0:02:04 | 0:02:07 | |
You have to stop saying that. You know it summons her. | 0:02:07 | 0:02:10 | |
It's a guaranteed showstopper. | 0:02:10 | 0:02:12 | |
Are you insane? We can't learn a new dance by tonight. | 0:02:12 | 0:02:15 | |
It's very simple - even a dog could pick it up. | 0:02:15 | 0:02:18 | |
-Can we test that? -I promise you, | 0:02:18 | 0:02:19 | |
this will leave the audience wanting more. | 0:02:19 | 0:02:21 | |
So meet in reception at lunchtime and I will teach you how to... | 0:02:21 | 0:02:24 | |
bust a move. | 0:02:24 | 0:02:26 | |
We are so doomed. | 0:02:27 | 0:02:29 | |
-Is it the same handwriting as the others? -Mm-hm. | 0:02:31 | 0:02:33 | |
And you've no idea who's sending them? | 0:02:33 | 0:02:37 | |
No. | 0:02:37 | 0:02:38 | |
It's hard enough having to re-take my first year, without this. | 0:02:38 | 0:02:42 | |
Perhaps the person who sent it genuinely wants you to have the money? | 0:02:42 | 0:02:46 | |
I'm not a charity. | 0:02:46 | 0:02:48 | |
And why don't they say who they are? | 0:02:48 | 0:02:50 | |
I don't know. | 0:02:51 | 0:02:52 | |
The man who attacked me, he has friends at this university. | 0:02:53 | 0:02:58 | |
You think it might be one of them? | 0:02:59 | 0:03:01 | |
Maybe it's the start of some sick joke. | 0:03:01 | 0:03:03 | |
I'll go and have a word with them. | 0:03:04 | 0:03:06 | |
Don't worry, I'll get to the bottom of this. | 0:03:08 | 0:03:10 | |
Thanks. | 0:03:11 | 0:03:13 | |
-Ah! Sergeant Hollins. -Barry. -What are you doing here? | 0:03:19 | 0:03:22 | |
Is there a security matter I should be aware of? | 0:03:22 | 0:03:25 | |
No. I'm here on very important business. | 0:03:25 | 0:03:27 | |
Karen asked me to pick up this scarf if I came near the campus. | 0:03:27 | 0:03:31 | |
It's been in lost property for months. | 0:03:31 | 0:03:33 | |
Our new foster kid wants to borrow it. | 0:03:33 | 0:03:35 | |
Actually, while you're here, | 0:03:35 | 0:03:38 | |
I'd like to update you on my investigation. | 0:03:38 | 0:03:40 | |
What investigation? | 0:03:40 | 0:03:42 | |
Someone has been sending money to one of the students. | 0:03:42 | 0:03:45 | |
Sounds all right to me. | 0:03:45 | 0:03:47 | |
This student is actually finding it very upsetting. | 0:03:47 | 0:03:50 | |
She got caught in the middle of a fight in a pub last year. | 0:03:50 | 0:03:53 | |
She was stabbed in the back - | 0:03:53 | 0:03:54 | |
it damaged her spine and left her in a wheelchair. | 0:03:54 | 0:03:56 | |
I remember. | 0:03:56 | 0:03:58 | |
She thinks someone might be playing a trick on her. | 0:03:58 | 0:04:00 | |
By sending her money? | 0:04:00 | 0:04:01 | |
I've spoken to some of the friends of the young man who attacked her. | 0:04:01 | 0:04:04 | |
They claimed not to know anything. | 0:04:04 | 0:04:06 | |
Well, no surprise there. | 0:04:06 | 0:04:07 | |
If you do think it's serious and you need any assistance... | 0:04:07 | 0:04:10 | |
I have your number. But don't worry, I'm on the case. | 0:04:10 | 0:04:13 | |
I just wanted to give you a heads up in case things escalate. | 0:04:13 | 0:04:16 | |
Thank you, Barry. | 0:04:16 | 0:04:17 | |
Don't ask. | 0:04:21 | 0:04:23 | |
PHONE BLEEPS | 0:04:28 | 0:04:31 | |
Hello, father. | 0:04:32 | 0:04:34 | |
Yep, all is good. | 0:04:34 | 0:04:37 | |
I'm getting ready to give Olivier a run for his money. | 0:04:37 | 0:04:40 | |
OK. No, I understand. | 0:04:44 | 0:04:48 | |
The lane closures can be a real problem. | 0:04:48 | 0:04:51 | |
No, honestly, I don't mind. I understand. | 0:04:52 | 0:04:56 | |
Look, I'm just going to make an idiot of myself anyway. | 0:04:57 | 0:05:01 | |
OK, look I've got to go. | 0:05:02 | 0:05:04 | |
I've got a patient waiting. | 0:05:04 | 0:05:06 | |
OK, bye. | 0:05:06 | 0:05:08 | |
Any other questions, just get in touch. | 0:05:10 | 0:05:13 | |
How can I help you? | 0:05:20 | 0:05:22 | |
Please, Miss Pitman. Everyone will be here. | 0:05:27 | 0:05:30 | |
Stop fretting. | 0:05:30 | 0:05:31 | |
They would not put up with this kind | 0:05:31 | 0:05:33 | |
of tardiness if we were at the National Theatre. | 0:05:33 | 0:05:35 | |
It is almost as if we've got other jobs to do. | 0:05:35 | 0:05:38 | |
-At last! -I'm only two minutes late. | 0:05:38 | 0:05:40 | |
Yes, but that two minutes could spell the difference between | 0:05:40 | 0:05:43 | |
being a smash hit and a flop that closes at the interval. | 0:05:43 | 0:05:45 | |
We should be so lucky. | 0:05:45 | 0:05:46 | |
Shall we get started? | 0:05:46 | 0:05:48 | |
Yes, that's the sort of attitude I'm looking for. | 0:05:48 | 0:05:50 | |
The sooner we get started, the sooner this farce will be over and done with. | 0:05:50 | 0:05:54 | |
That's not the sort of attitude I'm looking for. | 0:05:54 | 0:05:57 | |
OK, everyone, could we just inhabit the space. | 0:05:57 | 0:06:00 | |
And, Fred Astaire, we require your services. | 0:06:02 | 0:06:05 | |
-I need to go over my lines. -There'll be time for that later. | 0:06:05 | 0:06:07 | |
That's blatantly not true. | 0:06:07 | 0:06:09 | |
I'm don't think that kind of attitude is very helpful, Al. | 0:06:09 | 0:06:12 | |
OK, shall we start by limbering up? | 0:06:12 | 0:06:14 | |
Can we go straight to the dance? The clock is ticking. | 0:06:14 | 0:06:17 | |
Zara Carmichael, come on down! | 0:06:17 | 0:06:21 | |
Perhaps you had forgotten that we have a rehearsal for Miss Pitman's | 0:06:21 | 0:06:24 | |
-dance routine? -Oh, she remembered. | 0:06:24 | 0:06:27 | |
I owe you one. | 0:06:27 | 0:06:28 | |
OK, are we ready to do-si-do? | 0:06:28 | 0:06:29 | |
Do-si-don't would be nearer the mark. | 0:06:29 | 0:06:32 | |
Picture the scene - we are in the Scottish Highlands. | 0:06:32 | 0:06:35 | |
We've just built a barn and are quite pleased about that, | 0:06:35 | 0:06:38 | |
so we'd like to celebrate. | 0:06:38 | 0:06:39 | |
We express our happiness through dance! | 0:06:39 | 0:06:42 | |
Sorry, what's that got to do with A Christmas Carol? | 0:06:42 | 0:06:45 | |
They have Christmas in Scotland. | 0:06:45 | 0:06:47 | |
All right, this dance is meant to be in Mr Fezziwig's warehouse in | 0:06:47 | 0:06:50 | |
-Victorian London. I don't think... -Can we just get on with it? | 0:06:50 | 0:06:53 | |
OK. Mr and Mrs Fezziwig, to begin with, | 0:06:53 | 0:06:55 | |
you're going to do a gallop on four... | 0:06:55 | 0:06:57 | |
Goes like this, a one, two, three, four. | 0:06:57 | 0:07:00 | |
And back, two, three, four. | 0:07:00 | 0:07:01 | |
OK. | 0:07:01 | 0:07:02 | |
One, two, three, four. | 0:07:04 | 0:07:06 | |
-One, two, three, four. -Perfect. | 0:07:06 | 0:07:08 | |
So you want to keep your room throughout the holidays? | 0:07:13 | 0:07:15 | |
-Yes. -Even Christmas day? | 0:07:15 | 0:07:17 | |
You won't be spending it with your family? | 0:07:17 | 0:07:21 | |
I've got friends, foreign students who'll be here. | 0:07:21 | 0:07:23 | |
Oh. That's good. | 0:07:23 | 0:07:26 | |
What's your room number? | 0:07:26 | 0:07:27 | |
Block C, room 127. | 0:07:27 | 0:07:29 | |
Miss Mertens? | 0:07:29 | 0:07:31 | |
Will your parents come and visit you? | 0:07:32 | 0:07:35 | |
They...they haven't dealt with this very well. | 0:07:35 | 0:07:39 | |
I just need some space to sort | 0:07:41 | 0:07:43 | |
my own head out without worrying about them. | 0:07:43 | 0:07:45 | |
We'll require payment for the room at the start of the holidays. | 0:07:45 | 0:07:48 | |
Fine. | 0:07:48 | 0:07:49 | |
I think I read about you on the university website. | 0:07:52 | 0:07:54 | |
Possibly. I've been getting involved with the Student Union. | 0:07:54 | 0:07:58 | |
You seem to be coping well. | 0:07:58 | 0:08:00 | |
Considering what happened. | 0:08:02 | 0:08:03 | |
Could we just get this done, please? | 0:08:05 | 0:08:07 | |
Of course. Sorry. | 0:08:07 | 0:08:09 | |
And one, two, three, four, and back two, three, four. | 0:08:10 | 0:08:15 | |
And turn, two, three, four, go to your next person. | 0:08:15 | 0:08:20 | |
One, two, three four, and change, two, three, four. | 0:08:20 | 0:08:22 | |
Round two, three, four. | 0:08:22 | 0:08:25 | |
Coming to the centre, and stop! | 0:08:25 | 0:08:28 | |
Good. Right. | 0:08:29 | 0:08:32 | |
Something to build on. | 0:08:33 | 0:08:35 | |
I think you have done a wonderful job in such a short amount of time. | 0:08:35 | 0:08:39 | |
Aw, thank you. | 0:08:39 | 0:08:40 | |
Heston, with the turns in the middle, you were in the wrong place. | 0:08:40 | 0:08:43 | |
No, no, I was do-si-doing, you went off into the sunset. | 0:08:43 | 0:08:46 | |
-Because you went the wrong way. -I didn't go the wrong way! | 0:08:46 | 0:08:48 | |
Don't dwell on the details. It's just important that we commit. | 0:08:48 | 0:08:51 | |
Better to do the wrong thing with gusto than do the right thing | 0:08:51 | 0:08:54 | |
half-heartedly. | 0:08:54 | 0:08:56 | |
Is that your personal mantra? | 0:08:56 | 0:08:58 | |
Right, so now we've got the basics, | 0:08:58 | 0:09:00 | |
this time I'd like you to really sell it to the audience. | 0:09:00 | 0:09:03 | |
If the audience have left by now, can't we just skip this? | 0:09:03 | 0:09:05 | |
-Good idea. -No, even if you're just playing to the mice who live in | 0:09:05 | 0:09:08 | |
the theatre, you have to give it 110%. | 0:09:08 | 0:09:12 | |
Which is mathematically impossible. | 0:09:12 | 0:09:14 | |
No. Only in here. | 0:09:14 | 0:09:16 | |
If you dance from here, then numbers have a life of their own. | 0:09:16 | 0:09:19 | |
Erm...I don't think they do. | 0:09:19 | 0:09:21 | |
I really need to learn my lines. | 0:09:21 | 0:09:23 | |
OK. This time with music. First positions. | 0:09:23 | 0:09:25 | |
MUSIC PLAYS | 0:09:27 | 0:09:29 | |
And one, ready... | 0:09:29 | 0:09:31 | |
-ALL SHOUT -Heston, you're early. -No, you're all late. -One, two, three... | 0:09:31 | 0:09:35 | |
..five, six, seven. | 0:09:35 | 0:09:37 | |
This is where the turn comes... | 0:09:37 | 0:09:40 | |
Now change, two, three... | 0:09:40 | 0:09:42 | |
Wait! | 0:09:42 | 0:09:43 | |
ALL SHOUT AT ONCE | 0:09:43 | 0:09:44 | |
There. | 0:09:44 | 0:09:46 | |
It'll be all right on the night. | 0:09:47 | 0:09:49 | |
And again! | 0:09:51 | 0:09:53 | |
I can get a room in Block J for the holidays if you like? | 0:09:53 | 0:09:55 | |
I'm fine where I am. | 0:09:55 | 0:09:57 | |
The rooms there are bigger. I won't charge you any more for it. | 0:09:57 | 0:10:00 | |
I don't want to have to move all my stuff. | 0:10:00 | 0:10:03 | |
And I'd rather stay with my friends. | 0:10:03 | 0:10:05 | |
Good afternoon. Miss Mertens. | 0:10:05 | 0:10:06 | |
Have you found anything? | 0:10:06 | 0:10:08 | |
What do you mean? | 0:10:08 | 0:10:10 | |
It's just an internal security matter. | 0:10:10 | 0:10:12 | |
Some crank has been sending me letters. | 0:10:12 | 0:10:14 | |
We believe the last letter was sent from University House, | 0:10:14 | 0:10:16 | |
-so I'm just going around talking to the staff. -Oh. | 0:10:16 | 0:10:20 | |
Have you seen anyone behaving suspiciously? | 0:10:20 | 0:10:23 | |
No. Nothing springs to mind. | 0:10:23 | 0:10:25 | |
What did these letters say? | 0:10:25 | 0:10:27 | |
They contained money, and a note. | 0:10:27 | 0:10:30 | |
Today's one told me to enjoy Christmas. | 0:10:30 | 0:10:33 | |
Isn't that a nice thing? Being sent money. | 0:10:33 | 0:10:36 | |
No, it's creeping me out. | 0:10:36 | 0:10:38 | |
I saw Sergeant Hollins earlier, made him aware of the situation. | 0:10:39 | 0:10:42 | |
You got the police involved? | 0:10:42 | 0:10:44 | |
When it comes to student safety it's always better to be safe than sorry. | 0:10:44 | 0:10:48 | |
I'll go and continue my enquiries. | 0:10:48 | 0:10:51 | |
Thanks. | 0:10:51 | 0:10:52 | |
Can I have a word? | 0:10:52 | 0:10:54 | |
Gosh. | 0:10:54 | 0:10:56 | |
COCKNEY ACCENT: How did little Tim behave? | 0:11:02 | 0:11:05 | |
It's your line. | 0:11:09 | 0:11:11 | |
I know. It's, um... | 0:11:11 | 0:11:13 | |
"As good as..." | 0:11:14 | 0:11:16 | |
...gold and better. | 0:11:16 | 0:11:19 | |
For pity's sake. He told me coming... | 0:11:19 | 0:11:21 | |
Coming home. | 0:11:21 | 0:11:23 | |
He told me coming home, etcetera, etcetera. | 0:11:23 | 0:11:26 | |
Just give me a chance! | 0:11:26 | 0:11:27 | |
Oh, Tim, sometimes you say the strangest things I ever heard! | 0:11:27 | 0:11:30 | |
Just give me the first word. | 0:11:33 | 0:11:35 | |
But. | 0:11:35 | 0:11:36 | |
I might need the second word as well. | 0:11:36 | 0:11:39 | |
"But he's growing strong and hearty." | 0:11:39 | 0:11:41 | |
Hearty. | 0:11:41 | 0:11:43 | |
Strong and hearty, aren't you, Tim. Strong and hearty. | 0:11:43 | 0:11:46 | |
If you're just going to say all my lines for me, | 0:11:46 | 0:11:49 | |
what's the point me being here? | 0:11:49 | 0:11:50 | |
Funny that, I was just thinking exactly the same thing. | 0:11:50 | 0:11:53 | |
This isn't helping! | 0:11:53 | 0:11:54 | |
We are beyond help. | 0:11:54 | 0:11:56 | |
This should help. | 0:12:01 | 0:12:03 | |
Can't you feel it at all? | 0:12:03 | 0:12:05 | |
No, I don't... I don't think it was that hot, | 0:12:05 | 0:12:08 | |
and it probably won't leave a mark. | 0:12:08 | 0:12:09 | |
I think we should have a doctor check on you, just to be sure. | 0:12:09 | 0:12:12 | |
Especially if you can't feel it. | 0:12:12 | 0:12:13 | |
I'm so sorry. | 0:12:13 | 0:12:15 | |
The lift's out of order at the surgery at the moment. | 0:12:15 | 0:12:19 | |
If you fetch a doctor, she can wait here. | 0:12:19 | 0:12:21 | |
It'll be fine. | 0:12:21 | 0:12:22 | |
Please. For my own peace of mind, if nothing else. | 0:12:24 | 0:12:27 | |
I won't be long. | 0:12:30 | 0:12:31 | |
How long do we wait? | 0:12:34 | 0:12:36 | |
I don't know, we'll see. | 0:12:36 | 0:12:38 | |
He's got to come over sometime. | 0:12:38 | 0:12:41 | |
-That could be hours, though, right? -MESSAGE ALERT | 0:12:41 | 0:12:44 | |
-Bad news? -No, no - Karen, | 0:12:47 | 0:12:50 | |
making sure I've got this scarf. | 0:12:50 | 0:12:53 | |
Adam, our new boy, he wants to put a show on. | 0:12:53 | 0:12:57 | |
What kind of show? | 0:12:59 | 0:13:00 | |
I have no idea. | 0:13:00 | 0:13:02 | |
-You all right? -Yeah! No, it's just.... | 0:13:04 | 0:13:06 | |
I don't know what I make of him. | 0:13:08 | 0:13:10 | |
He's... He's very flamboyant. | 0:13:10 | 0:13:13 | |
-What's wrong with that? -Nothing. | 0:13:14 | 0:13:17 | |
It's just that I wasn't expecting it. | 0:13:17 | 0:13:19 | |
All the other kids we've had have been damaged, difficult. | 0:13:19 | 0:13:23 | |
I wasn't expecting singing and dancing! | 0:13:23 | 0:13:27 | |
Isn't it nice he's happy, though? | 0:13:27 | 0:13:28 | |
Yeah. | 0:13:28 | 0:13:30 | |
And I hope that he doesn't spend his life | 0:13:30 | 0:13:32 | |
getting in and out of trouble. | 0:13:32 | 0:13:34 | |
But still... | 0:13:34 | 0:13:36 | |
-What? -Well, I bet all the other kids make fun of him. | 0:13:36 | 0:13:39 | |
In my day, if you were that camp, you wouldn't stand a chance. | 0:13:39 | 0:13:42 | |
The world's changed. | 0:13:44 | 0:13:45 | |
I'm glad it has, for his sake. | 0:13:45 | 0:13:47 | |
I think it's nice you worry about him, you know? | 0:13:47 | 0:13:50 | |
It's what you do when you're a parent. | 0:13:50 | 0:13:52 | |
Even as a foster parent. | 0:13:52 | 0:13:54 | |
I wouldn't know. | 0:13:57 | 0:13:58 | |
What do you mean? | 0:14:00 | 0:14:01 | |
Thanks for this, Dr Granger. | 0:14:05 | 0:14:07 | |
No worries. Lead the way. | 0:14:07 | 0:14:09 | |
Anything else I should know? | 0:14:09 | 0:14:10 | |
I didn't know you were in care. | 0:14:14 | 0:14:16 | |
Mum fell apart when she found out about Dad's second family. | 0:14:16 | 0:14:19 | |
I can't blame her, really. | 0:14:19 | 0:14:21 | |
She'd built her whole life around him, | 0:14:21 | 0:14:23 | |
-then he did that to her. -Do you ever see 'em? | 0:14:23 | 0:14:26 | |
Not for years. | 0:14:26 | 0:14:27 | |
Dad used to visit the care home, | 0:14:27 | 0:14:29 | |
but all he'd ever talk about was his new family. | 0:14:29 | 0:14:31 | |
It made me feel sick. | 0:14:31 | 0:14:32 | |
Half the time he didn't even show up, anyway. | 0:14:32 | 0:14:35 | |
-Look how well you turned out, considering. -Hmm. | 0:14:35 | 0:14:38 | |
Got fed up in the end. | 0:14:38 | 0:14:40 | |
Not knowing when he was going to show up, | 0:14:40 | 0:14:42 | |
getting upset when he did. | 0:14:42 | 0:14:43 | |
Had to cut off ties in the end. | 0:14:43 | 0:14:45 | |
How old were you? | 0:14:45 | 0:14:47 | |
17. | 0:14:47 | 0:14:48 | |
I've not seen him since. | 0:14:48 | 0:14:50 | |
What about your mum? Do you see her? | 0:14:50 | 0:14:53 | |
Not really. | 0:14:54 | 0:14:55 | |
It's best for both if we don't, you know? | 0:14:55 | 0:14:58 | |
Do you ever resent it, being put into care? | 0:14:58 | 0:15:00 | |
Better than staying with my family. | 0:15:02 | 0:15:04 | |
I think, you know, Adam's lucky - | 0:15:06 | 0:15:09 | |
he's got a proper family to stay with. | 0:15:09 | 0:15:10 | |
Well, I hope so, | 0:15:10 | 0:15:11 | |
although I don't know what we can really do for him. | 0:15:11 | 0:15:14 | |
Just cos he's from a better background than you expected | 0:15:14 | 0:15:16 | |
doesn't mean he doesn't struggle with who he is, where he's from. | 0:15:16 | 0:15:19 | |
I think all teenagers do. | 0:15:19 | 0:15:20 | |
I'm just a bit worried that he's playing things up a bit, | 0:15:20 | 0:15:24 | |
that this extrovert behaviour is him trying to prove something. | 0:15:24 | 0:15:28 | |
Or maybe he finally feels like he can be himself. | 0:15:28 | 0:15:32 | |
After work... | 0:15:36 | 0:15:37 | |
Yeah? | 0:15:37 | 0:15:39 | |
..can I come? | 0:15:39 | 0:15:40 | |
To the show? | 0:15:40 | 0:15:42 | |
-I mean, it's fine if not. I've got... -No, no, no, it's fine. | 0:15:42 | 0:15:45 | |
You're very welcome. | 0:15:45 | 0:15:46 | |
Cool, it sounds good. | 0:15:46 | 0:15:49 | |
I can't believe I did that. I'm so clumsy. | 0:15:52 | 0:15:54 | |
Accidents happen. | 0:15:54 | 0:15:55 | |
I take full responsibility, of course, | 0:15:55 | 0:15:57 | |
-if you want to complain. -I don't. | 0:15:57 | 0:16:01 | |
Will you tell your parents about this? | 0:16:01 | 0:16:03 | |
I don't know. Why? | 0:16:03 | 0:16:04 | |
They must worry about you. | 0:16:05 | 0:16:07 | |
Especially if they won't be seeing you at Christmas. | 0:16:07 | 0:16:10 | |
Why is it that sitting in a wheelchair | 0:16:10 | 0:16:11 | |
means everyone feels they can pry into my private life? | 0:16:11 | 0:16:14 | |
I'm sorry. It just makes me sad. | 0:16:14 | 0:16:17 | |
It must be very hard for you. | 0:16:17 | 0:16:19 | |
Here she is. | 0:16:20 | 0:16:21 | |
-Hi, can we have a bit of space? -Of course. -Thank you. | 0:16:23 | 0:16:27 | |
-All right, so it just hit you here? -Yeah. | 0:16:27 | 0:16:31 | |
OK, let's have a look. | 0:16:31 | 0:16:32 | |
All right, that's not too bad. | 0:16:35 | 0:16:36 | |
All right, well... | 0:16:41 | 0:16:43 | |
I think you've been very lucky, | 0:16:43 | 0:16:45 | |
it doesn't look like there's any serious damage. | 0:16:45 | 0:16:48 | |
But if it starts blistering, do come to the surgery or call us, better, | 0:16:48 | 0:16:51 | |
and the nurse will come out and see you. | 0:16:51 | 0:16:53 | |
-All right? -OK, thank you. | 0:16:53 | 0:16:55 | |
How are you otherwise? | 0:16:55 | 0:16:56 | |
I'm fine. | 0:16:56 | 0:16:58 | |
Barry tells me you were sent another letter. | 0:16:58 | 0:17:01 | |
Yeah. | 0:17:01 | 0:17:02 | |
That must be worrying. | 0:17:03 | 0:17:06 | |
It's just ever since I lost the use of my legs, | 0:17:06 | 0:17:08 | |
everyone keeps telling me how well I'm doing. | 0:17:08 | 0:17:11 | |
If I hear one more person say the word "inspiration", | 0:17:11 | 0:17:14 | |
I'll strangle them. | 0:17:14 | 0:17:15 | |
It must make it hard to admit when you are struggling. | 0:17:15 | 0:17:18 | |
I don't want to be that helpless person that everyone pities. | 0:17:18 | 0:17:22 | |
-But I am worried they're being sent from one of -his -friends. | 0:17:23 | 0:17:30 | |
Like, maybe one of the lads who was in the pub that night. | 0:17:30 | 0:17:34 | |
I don't know what I can do about it. | 0:17:34 | 0:17:36 | |
-KNOCK ON DOOR -Come in. | 0:17:38 | 0:17:40 | |
Hey, how you doing? | 0:17:40 | 0:17:43 | |
If I'm honest, absolutely terrified. | 0:17:45 | 0:17:48 | |
All right, well, I can help. | 0:17:48 | 0:17:49 | |
I know some techniques that can relax and, you know, | 0:17:49 | 0:17:52 | |
-get you more focused. -Really? | 0:17:52 | 0:17:54 | |
Yeah. I could pop back at the end of surgery. | 0:17:54 | 0:17:57 | |
If we can get you in a better frame of mind, it might even, | 0:17:57 | 0:18:00 | |
dare I say it, | 0:18:00 | 0:18:02 | |
you might even enjoy the performance. | 0:18:02 | 0:18:04 | |
I'll settle for just getting through it alive! | 0:18:04 | 0:18:07 | |
Yes, please. | 0:18:07 | 0:18:09 | |
She's been very lucky, she's going to be fine. | 0:18:09 | 0:18:11 | |
So, Kim, I'm done here. Good luck, all right? | 0:18:11 | 0:18:14 | |
-OK, thanks. -OK. | 0:18:14 | 0:18:15 | |
Sorry again. | 0:18:16 | 0:18:17 | |
Please stop apologising. | 0:18:17 | 0:18:19 | |
You're all right, that's the main thing. | 0:18:20 | 0:18:23 | |
Looks like some of these will need printing out again. | 0:18:23 | 0:18:26 | |
Don't worry about it. They'll be easy enough to replace. | 0:18:26 | 0:18:30 | |
Well, I better get off, then. | 0:18:30 | 0:18:31 | |
What is it? | 0:18:45 | 0:18:46 | |
-ROB: -Hi, love. -Ooh, did you get it? | 0:18:52 | 0:18:54 | |
Fabulous! | 0:18:57 | 0:18:59 | |
And I brought a visitor to see the show, if that's all right. | 0:18:59 | 0:19:03 | |
You won't hear any complaints from me. | 0:19:03 | 0:19:05 | |
-Hiya. I'm Tyler. -Adam. | 0:19:05 | 0:19:07 | |
Right, I'll go and get myself ready for the show! | 0:19:07 | 0:19:10 | |
'I can explain.' | 0:19:14 | 0:19:16 | |
You sent the letters? | 0:19:19 | 0:19:20 | |
I don't even know you. | 0:19:20 | 0:19:22 | |
I went back to using my maiden name over the summer. | 0:19:23 | 0:19:25 | |
Before that, it was something else. | 0:19:26 | 0:19:28 | |
It was Colthorpe. | 0:19:30 | 0:19:31 | |
He's your son. | 0:19:34 | 0:19:35 | |
It wasn't bad enough that your son paralysed me - | 0:19:39 | 0:19:41 | |
you felt you also had to frighten me? | 0:19:41 | 0:19:44 | |
I didn't think that was how you'd react. | 0:19:44 | 0:19:46 | |
I saw you'd come back to university and I wanted to do | 0:19:46 | 0:19:49 | |
something to make your life easier. | 0:19:49 | 0:19:51 | |
Money was the only thing I could think of. | 0:19:51 | 0:19:53 | |
The last thing I want is a penny from you. | 0:19:53 | 0:19:56 | |
Sam didn't mean to hurt you. | 0:19:56 | 0:19:58 | |
Then he shouldn't have brought a knife to a pub! | 0:19:58 | 0:20:00 | |
I know, I know. | 0:20:00 | 0:20:01 | |
How many nights I've laid awake wondering why | 0:20:01 | 0:20:04 | |
that stupid idiot, my child... | 0:20:04 | 0:20:06 | |
I should tell the police what you did. | 0:20:06 | 0:20:08 | |
I swear, I didn't mean to upset you. | 0:20:10 | 0:20:13 | |
Are you that stupid that never to think how it would look to me? | 0:20:13 | 0:20:16 | |
I just wanted to help. To apologise for raising a monster. | 0:20:16 | 0:20:19 | |
Did you know what he was like? | 0:20:19 | 0:20:21 | |
The sort of people he hung around with? | 0:20:21 | 0:20:23 | |
I disapproved... but I didn't know what to do. | 0:20:23 | 0:20:26 | |
I tried hard to bring him up well - I really did. | 0:20:28 | 0:20:31 | |
We organised extra tuition for him after school. | 0:20:32 | 0:20:35 | |
I told him I was always here to talk if he needed to. | 0:20:35 | 0:20:39 | |
So, what went wrong? | 0:20:40 | 0:20:42 | |
How often have I wondered that? | 0:20:42 | 0:20:44 | |
Maybe I tried too hard - | 0:20:46 | 0:20:48 | |
pushed him away. | 0:20:48 | 0:20:50 | |
I have to live with what he did. | 0:20:50 | 0:20:52 | |
I don't have a choice about it. | 0:20:52 | 0:20:54 | |
The only way I know how to deal with it is just to get on with my life. | 0:20:54 | 0:20:57 | |
SHE SIGHS | 0:20:57 | 0:20:59 | |
I have to accept that I can't change what's already happened | 0:20:59 | 0:21:02 | |
and just think about the future instead. | 0:21:02 | 0:21:04 | |
You won't hear from me again. | 0:21:05 | 0:21:07 | |
Thank you. | 0:21:07 | 0:21:08 | |
It was his decision to get the knife out. | 0:21:18 | 0:21:20 | |
Not yours. | 0:21:22 | 0:21:23 | |
Ladies and gentlemen, sit back and relax. | 0:21:29 | 0:21:32 | |
Today, your living room. Tomorrow, the West End. | 0:21:32 | 0:21:35 | |
Introducing the one, the only...me! | 0:21:35 | 0:21:40 | |
Cue music. | 0:21:40 | 0:21:41 | |
# Tonight, I'm gonna have myself | 0:21:44 | 0:21:48 | |
# A real good time | 0:21:48 | 0:21:50 | |
# I feel ali-i-i-ive | 0:21:50 | 0:21:56 | |
# And the world's | 0:21:56 | 0:21:59 | |
# Turning inside out, yeah | 0:21:59 | 0:22:03 | |
# I'm floating around in ecstasy | 0:22:03 | 0:22:08 | |
# So don't stop me now | 0:22:08 | 0:22:13 | |
# Don't stop me | 0:22:13 | 0:22:15 | |
# Cos I'm having a good time, having a good time... # | 0:22:15 | 0:22:19 | |
-RELAXING MUSIC PLAYS -Expel the air. | 0:22:21 | 0:22:23 | |
Feel it leave your body. | 0:22:23 | 0:22:25 | |
Good. | 0:22:26 | 0:22:27 | |
Did I just step through a doorway into Narnia? | 0:22:27 | 0:22:30 | |
Sh. | 0:22:30 | 0:22:31 | |
OK, concentrate. Concentrate, Sid, on your breathing. Slowly in. | 0:22:31 | 0:22:37 | |
And out. | 0:22:39 | 0:22:40 | |
What are you doing? | 0:22:40 | 0:22:43 | |
We're using hypno-birthing techniques | 0:22:43 | 0:22:45 | |
to help Sid prepare for tonight. | 0:22:45 | 0:22:48 | |
Um, hypno-birthing? | 0:22:48 | 0:22:51 | |
Congratulations. Have you thought of a name yet? | 0:22:51 | 0:22:54 | |
They're relaxation techniques, OK? | 0:22:54 | 0:22:56 | |
Anyone can benefit from them - you don't have to be pregnant. | 0:22:56 | 0:22:59 | |
Just gullible. | 0:22:59 | 0:23:00 | |
Do you feel any calmer? | 0:23:02 | 0:23:04 | |
-Actually, yeah, I do. -Good. | 0:23:05 | 0:23:07 | |
Eyes closed. | 0:23:07 | 0:23:09 | |
And focus on your breathing. | 0:23:09 | 0:23:11 | |
Slowly in...and out. | 0:23:11 | 0:23:14 | |
You know, we should put THIS on stage tonight. | 0:23:15 | 0:23:18 | |
Perhaps madam would care to join us? | 0:23:18 | 0:23:20 | |
I would rather die. | 0:23:20 | 0:23:22 | |
# Don't stop me now | 0:23:24 | 0:23:27 | |
# I don't wanna stop at all. # | 0:23:27 | 0:23:33 | |
Yay! | 0:23:33 | 0:23:34 | |
That was brilliant, wasn't it? | 0:23:36 | 0:23:37 | |
Very impressive. Well done. | 0:23:37 | 0:23:39 | |
I cannot believe we're going to have to sit through Heston's pile of | 0:23:39 | 0:23:43 | |
old toot after a performance like that. | 0:23:43 | 0:23:46 | |
Thank you, guys. Thank you so much. | 0:23:46 | 0:23:47 | |
I'd better go and get changed back into my civilian clothes. | 0:23:47 | 0:23:51 | |
I'll see you in two ticks. | 0:23:51 | 0:23:52 | |
So, what do you think of him? | 0:23:54 | 0:23:55 | |
He's very talented. | 0:23:55 | 0:23:57 | |
I told you he was different. | 0:23:58 | 0:24:00 | |
Yeah. Well, I think he knows exactly who he is. | 0:24:00 | 0:24:03 | |
The way he is around you guys - that's cos he's comfortable here. | 0:24:03 | 0:24:07 | |
I think he's going be fine. | 0:24:07 | 0:24:09 | |
Especially with you two helping him. | 0:24:09 | 0:24:11 | |
Feel your lungs expanding. | 0:24:16 | 0:24:18 | |
That's right. | 0:24:19 | 0:24:20 | |
And then, slowly, let the air back out again. | 0:24:20 | 0:24:25 | |
Good. | 0:24:27 | 0:24:29 | |
When you're ready, feel yourself come back into the room. | 0:24:29 | 0:24:32 | |
-Thank you. -My pleasure. | 0:24:39 | 0:24:41 | |
How do you feel, Zara? | 0:24:41 | 0:24:43 | |
I feel... | 0:24:44 | 0:24:46 | |
We will NEVER speak of this. | 0:24:48 | 0:24:51 | |
-Clear? -I'm glad it helped. | 0:24:51 | 0:24:53 | |
I feel so much calmer. | 0:24:55 | 0:24:56 | |
Good...because we have a terrible show to perform. | 0:24:57 | 0:25:02 | |
Where's Valerie? | 0:25:11 | 0:25:12 | |
She's outside, waiting for the bus. | 0:25:12 | 0:25:14 | |
And you don't think that you should be out there with her? | 0:25:14 | 0:25:17 | |
I would advise the best way to deal with an excited Valerie is to keep | 0:25:17 | 0:25:20 | |
as much distance as humanly possible. | 0:25:20 | 0:25:22 | |
-Why don't you sit down? -Why don't YOU sit down? | 0:25:22 | 0:25:25 | |
Here they are, dragging their heels. | 0:25:26 | 0:25:29 | |
What do you mean? We weren't doing anything...were we? | 0:25:29 | 0:25:33 | |
No. Er, sorry. | 0:25:33 | 0:25:35 | |
How are you doing? | 0:25:38 | 0:25:39 | |
SHE SIGHS | 0:25:39 | 0:25:41 | |
I don't usually say this, | 0:25:42 | 0:25:43 | |
but I should have listened to Daniel. | 0:25:43 | 0:25:46 | |
The whole idea of this show is insane. | 0:25:46 | 0:25:49 | |
Wow! I think we finally found something we agree on. | 0:25:49 | 0:25:54 | |
I'm worried about the effect it's going to have on poor Joe. | 0:25:54 | 0:25:57 | |
This was supposed to be for his benefit, but I fear we're going to | 0:25:57 | 0:26:00 | |
keep therapists in business for years trying to undo the damage. | 0:26:00 | 0:26:03 | |
No! It won't be that bad. | 0:26:03 | 0:26:04 | |
I don't mean the play, obviously - | 0:26:06 | 0:26:07 | |
that really is going to be that bad. | 0:26:07 | 0:26:11 | |
But Joe... | 0:26:11 | 0:26:12 | |
-I -can stand the humiliation. | 0:26:14 | 0:26:16 | |
He should not have to go through this. | 0:26:16 | 0:26:19 | |
You just want him to be happy - there's nothing wrong with that. | 0:26:19 | 0:26:21 | |
I'm not going to be winning Mum Of The Year any time soon. | 0:26:21 | 0:26:25 | |
He's lucky to have you. | 0:26:25 | 0:26:26 | |
My parents have never cared about anything I was interested in. | 0:26:29 | 0:26:32 | |
Not my chemistry set or Gameboy. | 0:26:33 | 0:26:38 | |
Not even my career as a GP. | 0:26:38 | 0:26:40 | |
Why am I doing this play, again? | 0:26:43 | 0:26:45 | |
Because you're a masochist. | 0:26:45 | 0:26:47 | |
They think I'm eccentric. | 0:26:49 | 0:26:51 | |
They think I'm odd... | 0:26:53 | 0:26:55 | |
and I don't care. | 0:26:55 | 0:26:57 | |
This must be what sitting on Death Row feels like. | 0:27:03 | 0:27:07 | |
The bus is here. Showtime! | 0:27:10 | 0:27:13 | |
Scrooge! | 0:27:23 | 0:27:24 | |
Bah, humbug. | 0:27:24 | 0:27:26 | |
You will be haunted by three spirits. | 0:27:26 | 0:27:28 | |
I think I'd rather not. | 0:27:28 | 0:27:30 | |
Are you the spirit whose coming was foretold to me? | 0:27:30 | 0:27:33 | |
I am. | 0:27:33 | 0:27:35 | |
Come, Ebenezer Scrooge. | 0:27:35 | 0:27:38 | |
Merry Christmas to us all, my dears. | 0:27:38 | 0:27:40 | |
Lead on, then, spirit. Lead on. | 0:27:40 | 0:27:44 |