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Hello? | 0:00:36 | 0:00:38 | |
PHONE RINGS | 0:00:38 | 0:00:40 | |
Yeah? Where are you? | 0:00:43 | 0:00:46 | |
Just arrived outside Park House. | 0:00:46 | 0:00:48 | |
Enter freely, and of your own free will. | 0:01:13 | 0:01:16 | |
Thought you were going to say, "No rest for the wicked." | 0:01:16 | 0:01:19 | |
House for sale, one careful owner. | 0:01:19 | 0:01:21 | |
The power's still on. I haven't checked upstairs. | 0:01:31 | 0:01:34 | |
You might want to take a look around. | 0:01:34 | 0:01:36 | |
If you happen to come across a flashlight on your travels, | 0:01:36 | 0:01:39 | |
that's the second one I've lost this week. | 0:01:39 | 0:01:42 | |
So, what kept you? | 0:01:42 | 0:01:45 | |
Took me a minute to find the place. | 0:01:45 | 0:01:46 | |
You'd think it'd be hard to miss. | 0:01:46 | 0:01:48 | |
Yeah, so, er... What, you usually up on the main campus? | 0:01:48 | 0:01:52 | |
-Yep, this is terra incognita. -Yeah. | 0:01:52 | 0:01:55 | |
-When's it coming down? -Day after tomorrow. | 0:01:55 | 0:02:00 | |
They'd pull it down now, if it was up to me. | 0:02:00 | 0:02:02 | |
Listen, can I give you a piece of advice? | 0:02:03 | 0:02:07 | |
Take a quick look round. | 0:02:07 | 0:02:09 | |
If you find a couple of flashlights, that's a bonus, eh? | 0:02:09 | 0:02:12 | |
I'll be keeping an eye on it till I finish. | 0:02:12 | 0:02:15 | |
I'll be popping back later. | 0:02:15 | 0:02:16 | |
Er, maybe just stay inside the car, eh? | 0:02:16 | 0:02:19 | |
That's not how we're meant to do things. | 0:02:20 | 0:02:23 | |
Look, Gary... | 0:02:23 | 0:02:25 | |
Barry. | 0:02:25 | 0:02:26 | |
Sorry, Barry. I'm Gareth. Barry... | 0:02:26 | 0:02:31 | |
what I'm trying to say is... | 0:02:31 | 0:02:33 | |
maybe just forget how we're meant to do things, eh? | 0:02:33 | 0:02:37 | |
You know the demolition guys won't come up here? | 0:02:37 | 0:02:39 | |
I've had flashlights go missing, I've... | 0:02:39 | 0:02:44 | |
OK, I'm done. | 0:02:44 | 0:02:47 | |
You go up there, you'll scare yourself. I'm not joking. | 0:02:47 | 0:02:53 | |
And I'm not the sort of bloke who's easily scared. | 0:02:53 | 0:02:56 | |
That's just the point, though, isn't it, Barry? | 0:02:56 | 0:03:00 | |
Neither am I. | 0:03:00 | 0:03:01 | |
Hey, Gareth. I've just found both your flashlights. | 0:03:34 | 0:03:38 | |
Give me a call if you need them. | 0:03:38 | 0:03:39 | |
Otherwise, I'll leave them by the stairs. | 0:03:39 | 0:03:42 | |
They say if you leave something behind, mate, | 0:03:42 | 0:03:45 | |
it means you don't really want to go. | 0:03:45 | 0:03:47 | |
LOUD BANG | 0:03:47 | 0:03:48 | |
Hello? | 0:03:59 | 0:04:01 | |
CRUNCHING | 0:04:05 | 0:04:08 | |
Hello? | 0:04:16 | 0:04:18 | |
Whoa, Sheriff! Friendly! Don't shoot. | 0:04:34 | 0:04:38 | |
You just gave me the fright of my life! | 0:04:38 | 0:04:40 | |
I didn't think there was anybody up here. | 0:04:40 | 0:04:42 | |
And, strictly speaking, there shouldn't be, | 0:04:42 | 0:04:45 | |
Teresa McKenna. | 0:04:45 | 0:04:47 | |
I teach fashion design, very badly. | 0:04:47 | 0:04:49 | |
I know who you are. | 0:04:52 | 0:04:54 | |
You're Barry, right? | 0:04:54 | 0:04:56 | |
Don't panic, I've seen you on campus. | 0:04:56 | 0:04:58 | |
OK, so I am also that woman standing in your garden at 3:00 am. | 0:05:00 | 0:05:04 | |
Joke. No, seriously, I used to teach here. | 0:05:07 | 0:05:11 | |
I'm looking for a box of VHS tapes, about so big. | 0:05:11 | 0:05:14 | |
I hope it got missed when everything moved. | 0:05:14 | 0:05:16 | |
Best resource I had on haute couture. | 0:05:16 | 0:05:19 | |
Right, well, also seriously - | 0:05:19 | 0:05:22 | |
I'm afraid this site's restricted under health and safety. | 0:05:22 | 0:05:24 | |
I'm going to close up that window, have a look round upstairs, then, | 0:05:24 | 0:05:29 | |
haute couture or not, I'm afraid I'll need to ask you to vacate. | 0:05:29 | 0:05:32 | |
I'm surprised you're up here all on your own, to tell the truth. | 0:05:34 | 0:05:39 | |
I think a colleague of mine downstairs was trying to tell me | 0:05:39 | 0:05:41 | |
he'd seen a ghost. | 0:05:41 | 0:05:43 | |
What's on the tapes? | 0:05:43 | 0:05:45 | |
Coco Chanel. | 0:05:45 | 0:05:47 | |
Ah, inventor of the little black dress. | 0:05:47 | 0:05:49 | |
Hey! Check out Mr Fashion Knowledge! | 0:05:49 | 0:05:53 | |
Not many guys from security would know that, let alone come up here. | 0:05:53 | 0:05:59 | |
Yes, well, some of us have got jobs to do and also have enquiring minds. | 0:05:59 | 0:06:05 | |
So, how are you with the smell of pipe smoke? | 0:06:05 | 0:06:08 | |
Honestly. There's a smell of pipe smoke. | 0:06:08 | 0:06:10 | |
Why do you think I opened the window? | 0:06:10 | 0:06:12 | |
You're saying there's a ghost who smokes a pipe? | 0:06:15 | 0:06:18 | |
I've got one more place to look. | 0:06:18 | 0:06:20 | |
You give me ten minutes, I'll tell you the story. | 0:06:20 | 0:06:22 | |
I promise that I'll make it worth your while. | 0:06:22 | 0:06:24 | |
How about we just settle for the trailer? | 0:06:24 | 0:06:26 | |
OK. So...there is a ghost. | 0:06:26 | 0:06:32 | |
I suppose you could say Park House is haunted. | 0:06:33 | 0:06:37 | |
We call him George. | 0:06:37 | 0:06:40 | |
It's haunted? | 0:06:40 | 0:06:42 | |
Mainly this room, those back stairs, especially the top room. | 0:06:42 | 0:06:49 | |
-And that's the story? -That's the start. | 0:06:52 | 0:06:56 | |
The story's on the other side of that door. | 0:06:57 | 0:07:02 | |
LIGHT KNOCKING | 0:07:02 | 0:07:04 | |
So, how do you feel about a chat with Georgie Boy? | 0:07:07 | 0:07:10 | |
A student I used to teach said I should talk to him. | 0:07:10 | 0:07:13 | |
I used to hear his footsteps, coming down there. | 0:07:13 | 0:07:17 | |
You'd brace yourself, open the door, | 0:07:17 | 0:07:20 | |
absolutely zip. | 0:07:20 | 0:07:22 | |
Chatting to him seemed to help. | 0:07:23 | 0:07:26 | |
It calmed things down, lightened the mood. | 0:07:26 | 0:07:28 | |
Made it feel a bit less sad. | 0:07:28 | 0:07:30 | |
It was like he didn't want to be here all on his own. | 0:07:32 | 0:07:35 | |
So, what's the story? | 0:07:35 | 0:07:38 | |
So, we got this new cleaner a couple of years back. | 0:07:38 | 0:07:42 | |
Only, it didn't work out. | 0:07:42 | 0:07:44 | |
Her first day, we're all downstairs grabbing a coffee, | 0:07:44 | 0:07:46 | |
she comes in and says she's just had a chat with the caretaker. | 0:07:46 | 0:07:50 | |
She describes this young guy, quite pleasant, 20s, | 0:07:50 | 0:07:54 | |
dark hair, darkish jacket. | 0:07:54 | 0:07:56 | |
Says they talked for about a minute, | 0:07:56 | 0:07:59 | |
but she came back up a minute later, and he'd gone. | 0:07:59 | 0:08:02 | |
Only the caretaker's a grey-haired guy in his early 60s, | 0:08:03 | 0:08:08 | |
who was away that day doing jury service. | 0:08:08 | 0:08:11 | |
So, the theory is she'd just met George? | 0:08:12 | 0:08:17 | |
Well, the theory is George died here. | 0:08:17 | 0:08:20 | |
So, quirky building and, for some odd reason, until we got it changed, | 0:08:20 | 0:08:24 | |
the door to the top room would close and lock from the outside. | 0:08:24 | 0:08:28 | |
I got stuck there myself once. | 0:08:28 | 0:08:30 | |
We think George got trapped there, | 0:08:31 | 0:08:35 | |
maybe after an accident, and died before anyone found him. | 0:08:35 | 0:08:39 | |
So, he doesn't like being alone. | 0:08:39 | 0:08:42 | |
Can you imagine what that must have felt like? | 0:08:42 | 0:08:45 | |
He could have been up there for days. | 0:08:45 | 0:08:47 | |
DISTANT THUD | 0:08:47 | 0:08:50 | |
Where did she see him? | 0:08:50 | 0:08:51 | |
The cleaner? Up in the top room. | 0:08:51 | 0:08:55 | |
George's Den. | 0:08:55 | 0:08:58 | |
Hashtag - "Spook Central". | 0:08:58 | 0:09:01 | |
She said she was standing just where you are. | 0:09:04 | 0:09:08 | |
George was roughly over there. | 0:09:08 | 0:09:12 | |
The other thing about George is, he likes to move things. | 0:09:12 | 0:09:15 | |
He likes you to know he's still around. | 0:09:15 | 0:09:18 | |
My student said things sometimes turn up, if you ask. | 0:09:18 | 0:09:22 | |
As if anyone's going to catch me talking to a ghost! | 0:09:22 | 0:09:27 | |
I thought this belonged to the university? | 0:09:27 | 0:09:29 | |
They bought it off Letherbridge Council. | 0:09:29 | 0:09:31 | |
It's been all sorts over the years. | 0:09:31 | 0:09:33 | |
These look like a set of doctor's notebooks. | 0:09:33 | 0:09:36 | |
Any mention of Coco Chanel? | 0:09:36 | 0:09:38 | |
OK. | 0:09:41 | 0:09:43 | |
George. This is Teresa. | 0:09:45 | 0:09:50 | |
Can you hear me? | 0:09:50 | 0:09:52 | |
I've got to go now. I really need that tape. | 0:09:54 | 0:09:57 | |
Please? | 0:10:00 | 0:10:01 | |
Doesn't always work. | 0:10:03 | 0:10:05 | |
THUD | 0:10:06 | 0:10:08 | |
What's that? | 0:10:14 | 0:10:15 | |
-HE CLEARS THROAT -Coco Chanel. | 0:10:15 | 0:10:18 | |
Is this what you were looking for? | 0:10:21 | 0:10:24 | |
All we need now is pipe smoke. | 0:10:24 | 0:10:26 | |
Er, hi, Gareth, it's Barry. I, er, may need a little bit of backup. | 0:11:20 | 0:11:27 | |
I'm at Park House. I can hang on till somebody gets here, | 0:11:27 | 0:11:31 | |
but, er, to tell you the truth, I've lost those keys. | 0:11:31 | 0:11:38 | |
Can you call me? | 0:11:38 | 0:11:40 | |
ENGINE SPLUTTERS | 0:11:45 | 0:11:48 | |
ENGINE STARTS, THEN RATTLES | 0:11:51 | 0:11:55 | |
Oh, my horoscope said I'd get some unexpected news | 0:12:28 | 0:12:31 | |
from a man in uniform! | 0:12:31 | 0:12:33 | |
Make sure you don't get stopped for speeding on your way home. | 0:12:33 | 0:12:37 | |
Erm, I was wondering if I might grab a word with one of the doctors. | 0:12:38 | 0:12:43 | |
It's something I'd rather discuss discretely, to tell the truth. | 0:12:45 | 0:12:50 | |
Not sure everyone need know. | 0:12:50 | 0:12:52 | |
All right, listen up, you lot - this is my new best friend, Barry, | 0:12:56 | 0:13:00 | |
because Barry spent last night in a haunted house! | 0:13:00 | 0:13:02 | |
I never said that. I said I was intrigued. | 0:13:02 | 0:13:05 | |
Intrigued by what, Barry? | 0:13:05 | 0:13:07 | |
Come on, don't be shy. We're all ears now! | 0:13:07 | 0:13:10 | |
BARRY SIGHS | 0:13:10 | 0:13:12 | |
There's a building called Park House, | 0:13:14 | 0:13:16 | |
over on the far side of campus. It's being pulled down in the morning, | 0:13:16 | 0:13:20 | |
so I was over there last night. | 0:13:20 | 0:13:22 | |
I met a woman inside who said she used to work there. | 0:13:22 | 0:13:26 | |
Better than Ghost Adventures, this! | 0:13:26 | 0:13:28 | |
Basically, she's called Teresa, she teaches fashion design, | 0:13:28 | 0:13:33 | |
and she thinks Park House has a ghost called George. | 0:13:33 | 0:13:38 | |
So she's hunting high and low for this VHS tape, | 0:13:38 | 0:13:41 | |
and she tells Barry that George likes to move things. | 0:13:41 | 0:13:44 | |
So, she asks George where it is, like, into thin air, and, | 0:13:44 | 0:13:47 | |
the next second... | 0:13:47 | 0:13:48 | |
I found it. | 0:13:48 | 0:13:49 | |
Proving what? | 0:13:51 | 0:13:53 | |
So, we're saying there's a ghost who finds things? | 0:13:53 | 0:13:56 | |
-"More things in heaven and earth." -Sid has got a point. I mean, | 0:13:56 | 0:14:00 | |
Hamlet tells Horatio there are "More things in heaven and earth | 0:14:00 | 0:14:02 | |
"than are dreamt of in your philosophy." | 0:14:02 | 0:14:04 | |
He doesn't mean "philosophy" in the sense we do. | 0:14:04 | 0:14:06 | |
He means "natural philosophy," which is what we'd call science. | 0:14:06 | 0:14:10 | |
Have you ever thought that you're wasted as a security guard? | 0:14:10 | 0:14:13 | |
Of course, it's Rene Descartes who takes this process of | 0:14:13 | 0:14:16 | |
systematic doubt to its logical conclusion, | 0:14:16 | 0:14:18 | |
suggesting our minds exist separately from our bodies. | 0:14:18 | 0:14:21 | |
Of course, there's no actual proof of a split between ourselves | 0:14:21 | 0:14:25 | |
and the physical world, but | 0:14:25 | 0:14:27 | |
our consciousness could, at least in theory, occupy | 0:14:27 | 0:14:30 | |
a physical space outside our bodies and carry on after we're dead. | 0:14:30 | 0:14:36 | |
So, what are you saying? You believe in ghosts? | 0:14:38 | 0:14:40 | |
There are more things in heaven and earth. | 0:14:40 | 0:14:42 | |
All I know is I'm back there tonight. Oh, I nearly forgot. | 0:14:42 | 0:14:47 | |
I found a doctor's handwritten notebook, | 0:14:47 | 0:14:50 | |
relic from before the NHS. | 0:14:50 | 0:14:52 | |
Let's have a look. What's the condition? | 0:14:52 | 0:14:54 | |
"Costiveness"? | 0:14:55 | 0:14:56 | |
Archaic medical term for constipation. | 0:14:56 | 0:14:59 | |
Oh, clever! | 0:14:59 | 0:15:01 | |
There's a whole box of them where that came from. | 0:15:01 | 0:15:04 | |
Hey, do you know who'd like to see those? Al. | 0:15:04 | 0:15:07 | |
I was thinking someone ought to take a look before tomorrow. | 0:15:07 | 0:15:10 | |
I'll go. You can't chuck this out! This is history, this. | 0:15:10 | 0:15:13 | |
Listen, if you catch up with this Teresa woman, | 0:15:13 | 0:15:16 | |
you could ask her maybe a bit more about George. | 0:15:16 | 0:15:19 | |
Yeah, assuming she wasn't a ghost herself. | 0:15:19 | 0:15:21 | |
Listen, I'm serious! Where's fashion design? | 0:15:21 | 0:15:24 | |
-It's in the McMillan Building. -Right. | 0:15:24 | 0:15:27 | |
Hang on! | 0:15:27 | 0:15:29 | |
Hi, is that Teresa? | 0:15:31 | 0:15:33 | |
Teresa, it's Ayesha Lee from the Mill Health Centre. | 0:15:33 | 0:15:36 | |
I've got someone here who wants to talk to you. | 0:15:36 | 0:15:39 | |
Yes, hello, this is Barry Biglow, the security guard from Park House. | 0:15:42 | 0:15:50 | |
-I, erm... -(Hurry up!) | 0:15:50 | 0:15:53 | |
I think I'm supposed to check whether or not you're real. | 0:15:53 | 0:15:59 | |
Park House last night? | 0:15:59 | 0:16:00 | |
Yesterday evening. | 0:16:00 | 0:16:02 | |
No, that couldn't have been me. | 0:16:02 | 0:16:05 | |
Relax, Barry. I'm pulling your leg! | 0:16:08 | 0:16:10 | |
I mean, apart from the fact that I don't cast a shadow. | 0:16:11 | 0:16:16 | |
BARRY SIGHS | 0:16:16 | 0:16:18 | |
You know they say haunted houses are always cold. | 0:16:18 | 0:16:21 | |
You should take a thermometer. | 0:16:21 | 0:16:22 | |
Or a movement sensor, or a thermal camera. | 0:16:22 | 0:16:25 | |
I could just go wired for sound! | 0:16:25 | 0:16:28 | |
Right, who wants to see him? | 0:16:28 | 0:16:30 | |
This is from Teresa's iPhone. George Malone. | 0:16:30 | 0:16:33 | |
This is really him? | 0:16:33 | 0:16:34 | |
According to Teresa. She's been doing some research. | 0:16:34 | 0:16:36 | |
We could get on one of those websites, do a bit more. | 0:16:36 | 0:16:39 | |
Listen, I've got to go. | 0:16:39 | 0:16:42 | |
I'm due back there at five o'clock. | 0:16:42 | 0:16:43 | |
-I'll swing by at quarter to and pick you up. -Cool. | 0:16:43 | 0:16:46 | |
Say hello to George! | 0:16:46 | 0:16:48 | |
You say this gets demolished tomorrow? | 0:16:56 | 0:16:58 | |
Tonight's its last night. | 0:16:58 | 0:17:00 | |
I can't find those keys. | 0:17:16 | 0:17:18 | |
-Where exactly did you look? -All over. | 0:17:18 | 0:17:21 | |
All right. Downstairs. I see you brought reinforcements. | 0:17:21 | 0:17:27 | |
Yes, this is Doctor Vere. | 0:17:27 | 0:17:29 | |
-I'm just a mate of Barry's. -So, what do you think? | 0:17:29 | 0:17:34 | |
I do wonder whether this place is really haunted. | 0:17:34 | 0:17:37 | |
That's exactly what I said. | 0:17:37 | 0:17:39 | |
So, where do you think you put them? | 0:17:46 | 0:17:48 | |
If I knew that, I wouldn't be looking. | 0:17:48 | 0:17:50 | |
It's two degrees Celsius colder than it is outside. | 0:18:00 | 0:18:02 | |
Then again, there is a north-facing aspect. | 0:18:02 | 0:18:06 | |
So, where's Spook Central, then? | 0:18:10 | 0:18:13 | |
-Five degrees. -Poor insulation. | 0:18:26 | 0:18:28 | |
Something else going on, though, isn't there? A sort of feeling. | 0:18:31 | 0:18:37 | |
Like he was up here, all alone, when something bad happened. | 0:18:37 | 0:18:44 | |
-I take it these are them? -Mm-hm. | 0:18:47 | 0:18:48 | |
These are from more than just one doctor, | 0:18:51 | 0:18:55 | |
and they're not just from Letherbridge. | 0:18:55 | 0:18:58 | |
1922! Tell you what, if we've got some antique shelves, | 0:18:58 | 0:19:02 | |
we could start a little library! | 0:19:02 | 0:19:05 | |
It's a good job you mentioned these, Barry. | 0:19:05 | 0:19:08 | |
It'd be a sad end to it all, wouldn't it? | 0:19:08 | 0:19:12 | |
All those patients, all that care - just dumped in some old box, | 0:19:12 | 0:19:17 | |
like you were nothing. | 0:19:17 | 0:19:18 | |
When I was in Mexico City, I heard this story - the Ironed Lady. | 0:19:23 | 0:19:29 | |
She's this nurse who gets rejected by some young doctor | 0:19:29 | 0:19:33 | |
she fell in love with and dies from a broken heart. | 0:19:33 | 0:19:37 | |
She appears and heals the sick, always in this immaculate uniform. | 0:19:37 | 0:19:41 | |
Was she any good at finding keys? | 0:19:41 | 0:19:43 | |
Can I ask you something, Barry? | 0:19:45 | 0:19:48 | |
Why did you come to the Mill? | 0:19:48 | 0:19:49 | |
To tell someone about those. | 0:19:49 | 0:19:51 | |
It wasn't because, you know, you just needed to talk? | 0:19:51 | 0:19:55 | |
It's just the way you were speaking. | 0:19:55 | 0:19:57 | |
It seemed like you'd really thought something through. | 0:19:57 | 0:20:01 | |
I don't know, like this place had got to you. | 0:20:01 | 0:20:03 | |
Yeah. Well, all that earlier on wasn't the whole story. | 0:20:05 | 0:20:10 | |
The full version is he was trapped up here and that he died, | 0:20:11 | 0:20:17 | |
and nobody noticed. | 0:20:17 | 0:20:18 | |
And that bothered you, did it? Him being trapped, feeling lonely. | 0:20:18 | 0:20:25 | |
-Nothing's bothered me. -It's OK to talk, you know, Barry. | 0:20:25 | 0:20:28 | |
It doesn't make you ill. | 0:20:28 | 0:20:31 | |
All very well for you to say. | 0:20:31 | 0:20:34 | |
I mean, I'm not having a go, but people like listening to you. | 0:20:34 | 0:20:40 | |
You're gregarious. Funny. | 0:20:40 | 0:20:43 | |
You know how to grab people's interest. | 0:20:43 | 0:20:44 | |
I'm Barry Biglow, ten-a-penny security guard from Letherbridge. | 0:20:44 | 0:20:48 | |
What was it Karen said? "Wasted"? | 0:20:48 | 0:20:51 | |
She meant the way that you were talking about Hamlet. | 0:20:51 | 0:20:53 | |
That was meant to be a compliment. | 0:20:53 | 0:20:55 | |
Yeah, well, maybe Karen's different. Most people just glaze over. | 0:20:55 | 0:21:00 | |
I think you underestimate how people see you. | 0:21:00 | 0:21:03 | |
Maybe that way, I'm not disappointed. | 0:21:03 | 0:21:07 | |
Can I give you some advice, Barry? | 0:21:07 | 0:21:11 | |
Why would you want to do that? | 0:21:11 | 0:21:13 | |
As a friend. | 0:21:13 | 0:21:14 | |
It's not your fault that you're the soul of a philosopher, | 0:21:15 | 0:21:18 | |
trapped in the body of a bloke with a torch. | 0:21:18 | 0:21:22 | |
If people don't get you, then just forget them. | 0:21:22 | 0:21:25 | |
Just value the things that you believe in, | 0:21:25 | 0:21:28 | |
and say more of what's on your mind. | 0:21:28 | 0:21:30 | |
Because, when you do talk, Barry, | 0:21:30 | 0:21:32 | |
people don't actually glaze over, you know. | 0:21:32 | 0:21:34 | |
-Do you know what they really do? -What? | 0:21:34 | 0:21:38 | |
They really listen. | 0:21:38 | 0:21:39 | |
DISTANT THUD | 0:21:42 | 0:21:45 | |
Wait there. | 0:21:46 | 0:21:48 | |
Hello? | 0:21:55 | 0:21:57 | |
MOANING | 0:21:59 | 0:22:01 | |
SHE SHRIEKS, HE YELPS | 0:22:08 | 0:22:10 | |
Oh, your face! | 0:22:11 | 0:22:12 | |
You could've given me flaming heart failure! | 0:22:12 | 0:22:15 | |
It was her idea. | 0:22:15 | 0:22:16 | |
Sorry, Barry, it was HER idea. | 0:22:16 | 0:22:19 | |
You do know you're not supposed to be up here? | 0:22:19 | 0:22:21 | |
Ah, yeah, but we've found something. | 0:22:21 | 0:22:22 | |
We've been on one of those genealogy sites. | 0:22:22 | 0:22:25 | |
Turns out there was a George Malone. | 0:22:25 | 0:22:27 | |
-Last address, what? -Er, Hartford Road. | 0:22:27 | 0:22:29 | |
Yeah, over by the campus. | 0:22:29 | 0:22:33 | |
We don't know what he did, he didn't have any kids. | 0:22:33 | 0:22:36 | |
But given when he was born, he could have worked here. | 0:22:36 | 0:22:38 | |
There's only one problem. | 0:22:38 | 0:22:39 | |
If this is right, then that photograph's wrong. | 0:22:39 | 0:22:41 | |
Your mate Teresa said he died when he was young. | 0:22:41 | 0:22:43 | |
Somewhere in his 20s. | 0:22:43 | 0:22:45 | |
This guy was aged 73 when he died. | 0:22:45 | 0:22:47 | |
MOONLIGHT SONATA PLAYS | 0:22:47 | 0:22:51 | |
You are kidding me! | 0:22:53 | 0:22:55 | |
I'm not the only one hearing that? | 0:22:55 | 0:22:57 | |
You scared us half to death. | 0:23:06 | 0:23:08 | |
Nothing to be frightened of. | 0:23:08 | 0:23:10 | |
Is this where you found the box of tapes? | 0:23:10 | 0:23:13 | |
Right where Karen's standing. | 0:23:13 | 0:23:16 | |
This might be something for the Historical Society, you know, | 0:23:16 | 0:23:18 | |
or even the uni. | 0:23:18 | 0:23:20 | |
Is it me or is it cold? | 0:23:20 | 0:23:22 | |
No, it's not cold. It's absolutely freezing. | 0:23:22 | 0:23:25 | |
It's half a degree colder since you two came in. | 0:23:25 | 0:23:28 | |
You want to know the coldest spot? | 0:23:28 | 0:23:30 | |
Right over by that door. | 0:23:30 | 0:23:32 | |
MUSIC STOPS | 0:23:33 | 0:23:34 | |
So this is its last night... | 0:23:34 | 0:23:36 | |
-Right, OK, that's it, I've had enough. Come on. -Yeah. | 0:23:36 | 0:23:39 | |
-See you. -Get a move on! | 0:23:45 | 0:23:47 | |
-Thank you. -Any time. I mean it. | 0:23:54 | 0:23:57 | |
-What time do you finish? -Just after 10:30. | 0:24:00 | 0:24:04 | |
I know where we can grab a beer. Just about make last orders. | 0:24:04 | 0:24:09 | |
OK. | 0:24:09 | 0:24:11 | |
CREAKING, DOOR CLOSES | 0:24:18 | 0:24:20 | |
ENGINE SPLUTTERS | 0:24:27 | 0:24:29 | |
Have you got any jump leads? | 0:24:34 | 0:24:35 | |
No, but I've got some spray stuff. Pass me that. Ta. | 0:24:35 | 0:24:41 | |
Try again, Barry. | 0:24:41 | 0:24:42 | |
Shift over. My car's a wreck, I'm good at this stuff. | 0:24:46 | 0:24:49 | |
Try it again. | 0:25:00 | 0:25:02 | |
ENGINE SPLUTTERS | 0:25:02 | 0:25:03 | |
CREAKING | 0:25:12 | 0:25:13 | |
George? | 0:25:17 | 0:25:19 | |
Listen, | 0:25:21 | 0:25:24 | |
I don't normally do this, but there's something I need to say. | 0:25:24 | 0:25:31 | |
I do know what it's like to feel ignored, to feel lonely. | 0:25:31 | 0:25:36 | |
Taken for granted. | 0:25:38 | 0:25:39 | |
All on your own, not waving but basically drowning. | 0:25:39 | 0:25:45 | |
If there was something I could do to help you, mate, I would do. | 0:25:49 | 0:25:53 | |
But thing is, I've got to go. | 0:25:53 | 0:25:56 | |
And if you wouldn't mind finding me those keys, George, | 0:25:58 | 0:26:02 | |
-I really, really... -JINGLING | 0:26:02 | 0:26:06 | |
..would be very grateful. | 0:26:06 | 0:26:08 | |
MOONLIGHT SONATA PLAYS | 0:26:22 | 0:26:26 | |
George? | 0:26:31 | 0:26:32 | |
ENGINE STARTS | 0:26:38 | 0:26:41 | |
Rob's bought you a deluxe model. Flashing lights, everything. | 0:27:04 | 0:27:06 | |
Well, I hope the two of you will be very happy together. | 0:27:06 | 0:27:09 | |
I hope you are actually planning on buying something. | 0:27:09 | 0:27:12 | |
Excuse me? | 0:27:12 | 0:27:13 | |
This is a shop, not an activity playground. | 0:27:13 | 0:27:16 | |
I am sorry, dear lady. | 0:27:16 | 0:27:18 | |
He's been staying with me as a lodger, and he's a trainee nurse. | 0:27:18 | 0:27:23 | |
And he's here legally, if that's what you're getting at. | 0:27:23 | 0:27:26 |