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Now I want you to stand on your toes and reach for the sky. | 0:00:28 | 0:00:31 | |
On my toes? I'm not sure it's physically possible. | 0:00:31 | 0:00:36 | |
Imagine you are an African stork | 0:00:36 | 0:00:39 | |
flying high above the savanna. | 0:00:39 | 0:00:42 | |
Eh? | 0:00:42 | 0:00:43 | |
That takes a great deal of imagination. | 0:00:43 | 0:00:46 | |
Very good, Ms Merriam! | 0:00:46 | 0:00:48 | |
And reach, and reach. | 0:00:48 | 0:00:51 | |
SHE GASPS FOR BREATH | 0:00:51 | 0:00:53 | |
Ms Merriam! Are you all right?! | 0:00:55 | 0:00:57 | |
Shall I get a doctor? | 0:00:57 | 0:01:00 | |
No, no. Just a new pair of lungs, if you can spare them. | 0:01:00 | 0:01:05 | |
Thank goodness! | 0:01:05 | 0:01:07 | |
I-I thought it was your heart. | 0:01:08 | 0:01:10 | |
No. That's still chugging along. | 0:01:10 | 0:01:13 | |
Kabali, why...why don't we work out a signal? | 0:01:16 | 0:01:20 | |
If I'm a little short of breath or a bit puffy, | 0:01:22 | 0:01:25 | |
I'll, er...I'll wave, like this. | 0:01:25 | 0:01:30 | |
-So that you know it's nothing serious, just breathlessness. -Mm. | 0:01:32 | 0:01:36 | |
I must try not to push you so hard. | 0:01:38 | 0:01:41 | |
It will be a while before you are in shape. | 0:01:41 | 0:01:44 | |
I think I must accept the shape I'm in. | 0:01:44 | 0:01:46 | |
A bit...lumpy and lopsided. | 0:01:48 | 0:01:51 | |
You must never accept things. | 0:01:53 | 0:01:55 | |
We can all become faster and stronger and fitter. | 0:01:55 | 0:02:01 | |
I think I'm a bit old to become an Olympian. | 0:02:01 | 0:02:03 | |
What's the matter? | 0:02:07 | 0:02:09 | |
Kabali... | 0:02:09 | 0:02:10 | |
..you need to know that I won't be here forever. | 0:02:11 | 0:02:14 | |
What do you mean? | 0:02:14 | 0:02:16 | |
Well, there comes a time when you realise | 0:02:16 | 0:02:18 | |
that there isn't much time left. | 0:02:18 | 0:02:21 | |
When you have to sit down to put on a pair of shoes, | 0:02:22 | 0:02:25 | |
or you feel it would be nice to visit an old friend. | 0:02:25 | 0:02:29 | |
And then you remember they all live in the cemetery now. | 0:02:31 | 0:02:34 | |
But you'll be here for years and years to come. | 0:02:34 | 0:02:38 | |
Only if I die and no-one finds the body. | 0:02:38 | 0:02:41 | |
You know, there's a red tin, | 0:02:43 | 0:02:46 | |
a red barrel of biscuits in the kitchen? | 0:02:46 | 0:02:50 | |
-Yes. -Well, there aren't any biscuits in that barrel. | 0:02:50 | 0:02:55 | |
Just £10,000 in £50 notes. | 0:02:55 | 0:02:58 | |
-I don't want your money. -Yes. | 0:02:58 | 0:03:01 | |
But one day, you may need it. | 0:03:01 | 0:03:03 | |
Now, how about a cup of tea and a custard cream? | 0:03:05 | 0:03:09 | |
Mm. | 0:03:09 | 0:03:11 | |
-Ginger nut? -What? | 0:03:20 | 0:03:22 | |
Or a chocolate digestive? | 0:03:22 | 0:03:23 | |
I know that when I am feeling down, | 0:03:23 | 0:03:25 | |
I like to grab a Hobnob and dunk my troubles away. | 0:03:25 | 0:03:28 | |
-There aren't enough biscuits in the world. -Mm. | 0:03:28 | 0:03:31 | |
-What's up? -Oh, everything. | 0:03:31 | 0:03:34 | |
The thought of being sat here in ten years' time. | 0:03:34 | 0:03:37 | |
Same life, same job, just no longer able to chew solid food. | 0:03:37 | 0:03:42 | |
Is this because Rob took the mickey out of you? | 0:03:42 | 0:03:44 | |
It didn't help. He's banging on about hip operations. | 0:03:44 | 0:03:48 | |
People are all too ready to take the mickey out of women over the age of 40. | 0:03:48 | 0:03:52 | |
-Mm. -And the rest. -Oi! | 0:03:52 | 0:03:54 | |
Oh, look, there's a man with a strange-shaped package. | 0:03:54 | 0:03:58 | |
-Hi, Dave! -Special delivery from your husband. | 0:03:58 | 0:04:01 | |
-Bye, Dave. -Hm! | 0:04:01 | 0:04:03 | |
Don't tell me, it's a fondue set(!) Hm-hm! | 0:04:03 | 0:04:06 | |
"Sorry, love." | 0:04:08 | 0:04:10 | |
Aw! | 0:04:10 | 0:04:12 | |
He's going to have to do a lot more than that. | 0:04:12 | 0:04:15 | |
Do you know, I should have a go on this later. | 0:04:15 | 0:04:17 | |
It's been a long time since I moved my hips in rhythmical fashion. | 0:04:17 | 0:04:20 | |
-Ah, let me show you. -Oh, no, I think I've still got the knack. | 0:04:20 | 0:04:23 | |
I am surrounded by idiots. | 0:04:23 | 0:04:25 | |
I thought you were spending the day with Joe? | 0:04:25 | 0:04:27 | |
No, it's Daniel's turn, if he can drag him away from his computer. | 0:04:27 | 0:04:30 | |
Look, just take all of this out of reception. | 0:04:30 | 0:04:32 | |
OK. | 0:04:33 | 0:04:35 | |
Zara, he's going to love it! | 0:04:43 | 0:04:45 | |
Of course he is. It's going to be fantastic. | 0:04:45 | 0:04:48 | |
Wild adventures in the outdoors, fresh air. | 0:04:48 | 0:04:51 | |
Yeah. | 0:04:52 | 0:04:54 | |
Just think of me as your heterosexual Tarzan. | 0:04:54 | 0:04:56 | |
Yeah. All right, sweetheart, I'll see you later. | 0:04:57 | 0:04:59 | |
Joe! Be careful! | 0:04:59 | 0:05:01 | |
If you just want to go straight through to the nurse's room? | 0:05:05 | 0:05:08 | |
Oh! Look at this! Ah-ha-ha-ha! | 0:05:08 | 0:05:10 | |
Rob's bought you a deluxe model. Flashing lights, everything. | 0:05:10 | 0:05:13 | |
Well, I hope the two of you will be very happy together. | 0:05:13 | 0:05:16 | |
Oh, come on, Karen, he is trying. | 0:05:16 | 0:05:18 | |
Look, a friend of mine had one of these | 0:05:18 | 0:05:20 | |
and it did wonders for her self-worth. | 0:05:20 | 0:05:22 | |
-Give it here. -Huh! | 0:05:22 | 0:05:24 | |
She had a complete makeover. | 0:05:26 | 0:05:27 | |
Bought a sports car, found herself a toy boy. | 0:05:27 | 0:05:30 | |
Yeah, well, I'm having a cup of tea. | 0:05:30 | 0:05:32 | |
Oh. Ah! I would love to find myself a toy boy. | 0:05:32 | 0:05:35 | |
I beg your pardon? | 0:05:36 | 0:05:37 | |
Hello, Mrs Merriam! So lovely to see you. | 0:05:37 | 0:05:40 | |
I have a 1:45 with Dr Carmichael. | 0:05:40 | 0:05:43 | |
Yes, that's right. | 0:05:45 | 0:05:47 | |
Sorry about the toy boy thing, I didn't mean you. | 0:05:47 | 0:05:49 | |
I will go and wait in the car. | 0:05:49 | 0:05:52 | |
Well, you're quite welcome to wait here. | 0:05:52 | 0:05:54 | |
Do you know, for a while, they had a machine doing her job. | 0:05:54 | 0:05:59 | |
It was much better. | 0:05:59 | 0:06:00 | |
I am really sorry. Honestly, I didn't mean you. | 0:06:02 | 0:06:05 | |
I was just talking to my colleague about a friend of mine and she... | 0:06:05 | 0:06:09 | |
Are you finished? | 0:06:09 | 0:06:10 | |
Mrs Merriam? | 0:06:10 | 0:06:12 | |
I-I-I will see you soon. | 0:06:12 | 0:06:14 | |
Yes, yes. Thank you. | 0:06:14 | 0:06:16 | |
-Do come through. -Yes. | 0:06:16 | 0:06:18 | |
-Raar! -So, there are lions in there, are there? | 0:06:21 | 0:06:22 | |
Well, there's a big one here waiting for you. Raar! | 0:06:22 | 0:06:25 | |
Raaaaaaaaar! | 0:06:25 | 0:06:27 | |
Oh! We're just, er...pretending to be lions. | 0:06:27 | 0:06:30 | |
So I see. Proper little Johnny Morris. | 0:06:30 | 0:06:32 | |
Actually, we're looking to buy a tent. | 0:06:32 | 0:06:35 | |
Well, you've come to the right place. | 0:06:35 | 0:06:37 | |
We have everything from the ad hoc pop-up bivouac | 0:06:37 | 0:06:39 | |
to the multi-berth Mongolian yurt. | 0:06:39 | 0:06:41 | |
OK. We're looking for a three-person tent, or a three-man tent. | 0:06:41 | 0:06:45 | |
-To pitch, or inflate? -Sorry? | 0:06:45 | 0:06:47 | |
I mean, do you wish to construct your tent in the traditional manner, | 0:06:47 | 0:06:51 | |
or would you like to go inflatable? | 0:06:51 | 0:06:53 | |
I think I'd like to look at one of those. | 0:06:53 | 0:06:55 | |
Will sir be needing anything else? | 0:06:55 | 0:06:56 | |
Er...yeah, we need camp beds, | 0:06:56 | 0:06:58 | |
we need sleeping bags and a barbecue set. | 0:06:58 | 0:07:00 | |
-Oh. Do come this way. -OK. Joe, come on. -Hello. | 0:07:00 | 0:07:03 | |
I'm just going to increase your pain medication. | 0:07:08 | 0:07:10 | |
I suppose that's all you can do. | 0:07:10 | 0:07:13 | |
Keep me comfortable. | 0:07:13 | 0:07:15 | |
What are you talking about, Mrs Merriam? | 0:07:16 | 0:07:19 | |
Well, I'm going to die now, aren't I? | 0:07:19 | 0:07:21 | |
What makes you think you're going to die? | 0:07:23 | 0:07:25 | |
Oh, it's just a feeling I have. | 0:07:25 | 0:07:28 | |
Like an icy-cold hand on my shoulder. | 0:07:28 | 0:07:31 | |
You have asthma and angina, | 0:07:31 | 0:07:34 | |
and I know you've had some problems with your eyesight, | 0:07:34 | 0:07:37 | |
but it's all well-controlled. | 0:07:37 | 0:07:39 | |
I don't think there's any imminent danger. | 0:07:39 | 0:07:41 | |
Well, you would say that, wouldn't you? | 0:07:41 | 0:07:44 | |
You've never had that strange feeling at the end of life. | 0:07:45 | 0:07:48 | |
-You've never died before. -Neither have you. | 0:07:50 | 0:07:52 | |
It's not like you to be so morbid. Are you all right? | 0:07:53 | 0:07:57 | |
Are you feeling particularly depressed at the moment? | 0:07:57 | 0:07:59 | |
No more than usual. | 0:07:59 | 0:08:01 | |
Do you have any actual evidence that something bad is going to happen? | 0:08:01 | 0:08:05 | |
Um...I looked out my window this morning | 0:08:08 | 0:08:14 | |
and there was a single magpie staring in at me. | 0:08:14 | 0:08:18 | |
So, ignore the facts, ignore my medical experience, | 0:08:18 | 0:08:22 | |
let's get a second opinion from a black-and-white bird(?) | 0:08:22 | 0:08:26 | |
-Is that it? -It is. | 0:08:26 | 0:08:29 | |
And I shall see you next month. | 0:08:29 | 0:08:31 | |
VALERIE SIGHS | 0:08:35 | 0:08:36 | |
It really is the best form of exercise, Val, | 0:08:36 | 0:08:38 | |
standing with a plastic hoop around your ankles(!) | 0:08:38 | 0:08:41 | |
I used to be so good at this! | 0:08:41 | 0:08:43 | |
Must be something wrong with this hoop. | 0:08:43 | 0:08:45 | |
Rob must have got a cheap knock-off. | 0:08:45 | 0:08:47 | |
All about the hips. Here you are. | 0:08:47 | 0:08:49 | |
-See? -You're really good at it. | 0:08:50 | 0:08:52 | |
Look, this one must be the wrong size. | 0:08:52 | 0:08:54 | |
Oh. Hello. | 0:08:56 | 0:08:58 | |
S-S-Sorry. Am I allowed to be here? | 0:08:58 | 0:09:00 | |
Well, it's not strictly a public thoroughfare. | 0:09:00 | 0:09:03 | |
Of course you are. Where did you spring from, then? | 0:09:03 | 0:09:05 | |
-I am from Namibia. -No, I didn't... | 0:09:05 | 0:09:07 | |
Namibia?! What you doing here, then? | 0:09:07 | 0:09:09 | |
Rude! | 0:09:13 | 0:09:15 | |
He was with Mrs Merriam earlier. | 0:09:15 | 0:09:17 | |
He does seem a bit highly-strung. | 0:09:17 | 0:09:19 | |
Have you seen my friend? | 0:09:24 | 0:09:25 | |
Which friend would that be? | 0:09:25 | 0:09:27 | |
Kabali. He's about so high and deep brown eyes. | 0:09:27 | 0:09:32 | |
Your friend? I just saw him. | 0:09:32 | 0:09:34 | |
What?! Where is he?! | 0:09:34 | 0:09:35 | |
He was outside and then my colleague said hello and he ran away. | 0:09:35 | 0:09:38 | |
Oh, that's just typical! | 0:09:38 | 0:09:40 | |
You're always putting your oar in. | 0:09:40 | 0:09:42 | |
No, I didn't. It...it wasn't my fault. | 0:09:42 | 0:09:45 | |
Yes, it is. | 0:09:45 | 0:09:46 | |
You were so impertinent, going on about toy boys. | 0:09:46 | 0:09:50 | |
Kabali's very sensitive. | 0:09:50 | 0:09:52 | |
Is everything OK? | 0:09:52 | 0:09:54 | |
No, it's not. I wish to make an official complaint. | 0:09:54 | 0:09:57 | |
I do apologise. Sometimes the words just burst out of me. | 0:10:01 | 0:10:05 | |
It's not good enough. | 0:10:05 | 0:10:07 | |
Kabali is very sensitive and vulnerable. | 0:10:07 | 0:10:11 | |
He's from Namibia, you know. | 0:10:11 | 0:10:13 | |
They have a different sensibility there. | 0:10:13 | 0:10:16 | |
How do you two know each other? | 0:10:16 | 0:10:19 | |
He's been staying with me as a lodger. | 0:10:19 | 0:10:23 | |
And he's a trainee nurse. | 0:10:23 | 0:10:25 | |
And he's here legally, if that's what you're getting at. | 0:10:25 | 0:10:27 | |
I'm not getting at anything. | 0:10:27 | 0:10:29 | |
But you did say he was vulnerable. What did you mean by that? | 0:10:29 | 0:10:32 | |
He's...a bit shy | 0:10:33 | 0:10:35 | |
and he doesn't know Letherbridge at all. | 0:10:35 | 0:10:38 | |
And he's run off and he knows no-one and... | 0:10:38 | 0:10:41 | |
OK. Well, if he is vulnerable, perhaps we should call the police, | 0:10:41 | 0:10:45 | |
ask them to keep an eye out. | 0:10:45 | 0:10:46 | |
No! No, no. That would just make things worse. | 0:10:46 | 0:10:49 | |
I'll just have to wait. I'm sure he'll come back. | 0:10:49 | 0:10:52 | |
I am sorry. | 0:11:00 | 0:11:02 | |
I am sorry, dear lady. | 0:11:03 | 0:11:05 | |
What was all that about? | 0:11:10 | 0:11:11 | |
It was just Mrs Merriam complaining about my mouth. | 0:11:11 | 0:11:14 | |
I'm going to have to communicate through mime from here on in. | 0:11:14 | 0:11:18 | |
I will be the Marcel Marceau of medical receptionists. | 0:11:18 | 0:11:22 | |
-Valerie? -Yes? | 0:11:22 | 0:11:24 | |
I wonder, could you do something for me? | 0:11:24 | 0:11:27 | |
Mirror, signal, manoeuvre. | 0:11:27 | 0:11:30 | |
Mirror, signal, manoeuvre. | 0:11:30 | 0:11:33 | |
Oh, dear! Well, here we go. | 0:11:34 | 0:11:36 | |
-What?! -Do you really think you should be driving? | 0:11:41 | 0:11:44 | |
I don't see why not. | 0:11:44 | 0:11:46 | |
Well, number one, you have macular degeneration. | 0:11:46 | 0:11:49 | |
-And number two... -Yes? | 0:11:49 | 0:11:52 | |
I want a word with you. | 0:11:52 | 0:11:53 | |
When I suggested calling the police, | 0:12:11 | 0:12:14 | |
you looked terrified. | 0:12:14 | 0:12:15 | |
Why was that? | 0:12:16 | 0:12:18 | |
Who is Kabali? | 0:12:18 | 0:12:20 | |
None of your business. | 0:12:20 | 0:12:22 | |
I could just phone them anyway. | 0:12:22 | 0:12:24 | |
I first met Kabali a few months ago | 0:12:26 | 0:12:29 | |
when I was walking a friend's dog in the woods. | 0:12:29 | 0:12:34 | |
I saw him there. | 0:12:34 | 0:12:35 | |
He was sleeping rough, in the middle of a bramble bush, | 0:12:35 | 0:12:40 | |
or was it teasel? No. | 0:12:40 | 0:12:41 | |
No, thistle. | 0:12:41 | 0:12:43 | |
I don't need to know the exact foliage. | 0:12:43 | 0:12:45 | |
And he had a packet of... | 0:12:47 | 0:12:48 | |
..rich tea biscuits... | 0:12:50 | 0:12:51 | |
..and a sleeping bag, and nothing else. | 0:12:54 | 0:12:58 | |
I couldn't just leave him there, could I? | 0:12:58 | 0:13:00 | |
So, you invited him home with you? | 0:13:00 | 0:13:03 | |
I thought, if I left him there, he was going to die - | 0:13:03 | 0:13:05 | |
and so was I. | 0:13:05 | 0:13:07 | |
My life was going nowhere. | 0:13:07 | 0:13:09 | |
But since then, | 0:13:09 | 0:13:12 | |
he's become my carer, | 0:13:12 | 0:13:14 | |
my chauffeur, | 0:13:14 | 0:13:15 | |
my personal trainer... | 0:13:15 | 0:13:17 | |
..and my friend. | 0:13:18 | 0:13:19 | |
You said that he was training to be a nurse. | 0:13:21 | 0:13:23 | |
Yes. He had to drop out. | 0:13:23 | 0:13:25 | |
He couldn't afford the fees. | 0:13:25 | 0:13:27 | |
How do you know that you can trust him? | 0:13:27 | 0:13:30 | |
I don't. | 0:13:30 | 0:13:31 | |
But what sort of world is it if we go around not trusting people? | 0:13:31 | 0:13:35 | |
We have wonderful times together. | 0:13:37 | 0:13:39 | |
Do you know what we do of an evening? | 0:13:41 | 0:13:43 | |
-No? -No. | 0:13:43 | 0:13:45 | |
Sometimes... | 0:13:45 | 0:13:47 | |
he tells me about... | 0:13:47 | 0:13:49 | |
his life in Namibia, | 0:13:49 | 0:13:51 | |
and sometimes we watch TV - | 0:13:51 | 0:13:54 | |
Dad's Army. | 0:13:54 | 0:13:56 | |
He has a wonderful sense of humour. | 0:13:56 | 0:13:59 | |
I tell him it's these men who won the war, | 0:13:59 | 0:14:02 | |
not Churchill and his generals. | 0:14:02 | 0:14:05 | |
Do you know that episode | 0:14:06 | 0:14:07 | |
where Captain Mainwaring says, | 0:14:07 | 0:14:09 | |
"Don't tell him, Pike!" | 0:14:09 | 0:14:11 | |
Yes? | 0:14:11 | 0:14:13 | |
Kabali says it to me all the time. | 0:14:13 | 0:14:15 | |
I don't think he knows what it means. | 0:14:15 | 0:14:18 | |
He thinks it's what English people say to each other | 0:14:18 | 0:14:21 | |
in times of stress. | 0:14:21 | 0:14:23 | |
So, where do you think he is now? | 0:14:25 | 0:14:27 | |
I don't know. | 0:14:30 | 0:14:31 | |
Probably gone. | 0:14:33 | 0:14:34 | |
OK. | 0:14:36 | 0:14:37 | |
Would you let me give you a lift home? | 0:14:37 | 0:14:39 | |
Kabali. | 0:14:42 | 0:14:44 | |
K-A-B-A... | 0:14:44 | 0:14:46 | |
What are you doing, Val? | 0:14:46 | 0:14:48 | |
I am looking up your attractive friend, | 0:14:48 | 0:14:50 | |
Zara wants to find out about him... | 0:14:50 | 0:14:53 | |
and there are 17 million results. | 0:14:53 | 0:14:55 | |
Oh, I know. | 0:14:56 | 0:14:58 | |
Namibia. | 0:14:58 | 0:14:59 | |
Is that where he comes from? | 0:14:59 | 0:15:00 | |
Yes, and if I get any more complaints, | 0:15:00 | 0:15:02 | |
that's where I'm going to have to emigrate to. | 0:15:02 | 0:15:04 | |
Positive thinking. | 0:15:04 | 0:15:05 | |
I think you have to think like that, don't you? | 0:15:05 | 0:15:07 | |
Sitting here, we see so much death and misery, and disease. | 0:15:07 | 0:15:12 | |
While we've still got facial muscles, I think we should smile. | 0:15:12 | 0:15:15 | |
Better to laugh at ourselves. | 0:15:15 | 0:15:16 | |
Hmm. I think if people laugh at you, | 0:15:16 | 0:15:19 | |
you should just try and join in with them. | 0:15:19 | 0:15:21 | |
When I was at school, I was always being left out of stuff. | 0:15:21 | 0:15:24 | |
Then one year, Gemma Goulding invited me | 0:15:24 | 0:15:27 | |
to her 14th birthday party. | 0:15:27 | 0:15:29 | |
Now, Gemma was something of the alpha female at our school, | 0:15:29 | 0:15:31 | |
so it was a great honour. | 0:15:31 | 0:15:33 | |
She said it was Saturday, | 0:15:33 | 0:15:34 | |
her house, fancy dress. | 0:15:34 | 0:15:36 | |
Did you go as Marilyn Monroe? | 0:15:36 | 0:15:38 | |
No, but the previous Wednesday, | 0:15:38 | 0:15:39 | |
I had seen a documentary about Carmen Miranda, | 0:15:39 | 0:15:42 | |
and I thought, "I can do that." | 0:15:42 | 0:15:44 | |
Fortunately, I already had an extensive dressing up box | 0:15:44 | 0:15:47 | |
and a good relationship with the greengrocer. | 0:15:47 | 0:15:50 | |
I bet you were so much fun! | 0:15:50 | 0:15:52 | |
Well, I go, and let me tell you, | 0:15:52 | 0:15:54 | |
it's not easy going on the number 19 bus with a pineapple on your head - | 0:15:54 | 0:15:58 | |
and it turns out, it wasn't a fancy dress party. | 0:15:58 | 0:16:01 | |
They'd just got me there to make fun of me. | 0:16:01 | 0:16:03 | |
Valerie, that's awful. | 0:16:03 | 0:16:04 | |
What did you do? | 0:16:05 | 0:16:07 | |
Well, a little bit of me died. | 0:16:07 | 0:16:10 | |
And then I thought I could burst into tears | 0:16:10 | 0:16:12 | |
or I could scream and shout, | 0:16:12 | 0:16:14 | |
or I could just say, | 0:16:14 | 0:16:16 | |
"Hello, my chickadees, | 0:16:16 | 0:16:17 | |
"does anyone know the lyrics to Agadoo?" | 0:16:17 | 0:16:20 | |
-Come and have some lunch. -I am starving! | 0:16:23 | 0:16:26 | |
Oh, I can look for this later. | 0:16:27 | 0:16:29 | |
Hello there! | 0:16:42 | 0:16:44 | |
I hope you are actually planning on buying something. | 0:16:44 | 0:16:47 | |
Excuse me?! | 0:16:47 | 0:16:48 | |
This is a shop, not an activity playground. | 0:16:48 | 0:16:50 | |
Look, my son has mislaid my tablet. | 0:16:50 | 0:16:53 | |
I don't suppose one's been handed in, has it? | 0:16:53 | 0:16:55 | |
Not that I know of. | 0:16:55 | 0:16:56 | |
Oh, hold on! | 0:16:56 | 0:16:57 | |
Yes? | 0:16:57 | 0:16:59 | |
Any chance I could have a look at your CCTV footage? | 0:16:59 | 0:17:01 | |
Why? | 0:17:01 | 0:17:02 | |
To see where he left it. | 0:17:02 | 0:17:05 | |
No, that won't be possible for various reasons, | 0:17:05 | 0:17:07 | |
primarily the Data Protection Act. | 0:17:07 | 0:17:10 | |
Right. Not that it's not turned on? | 0:17:10 | 0:17:12 | |
That is of no concern to you whatsoever. | 0:17:12 | 0:17:15 | |
That's a yes, isn't it? | 0:17:15 | 0:17:17 | |
OK, well, it just means that | 0:17:17 | 0:17:18 | |
I'm going to have to look through every tent again. | 0:17:18 | 0:17:21 | |
HE WHISTLES | 0:17:23 | 0:17:25 | |
Hello? Kabali? | 0:17:26 | 0:17:28 | |
Are you there? | 0:17:28 | 0:17:30 | |
I think he's gone for good now. | 0:17:32 | 0:17:33 | |
Right. | 0:17:33 | 0:17:35 | |
And I strongly recommend that you change the locks. | 0:17:35 | 0:17:37 | |
What?! | 0:17:37 | 0:17:38 | |
What an awful thing to say. Whatever for? | 0:17:38 | 0:17:40 | |
Because when all's said and done, you don't know him. | 0:17:40 | 0:17:42 | |
You only know the stories he told you. | 0:17:42 | 0:17:45 | |
I know more than you think. | 0:17:45 | 0:17:47 | |
GRUNTING | 0:17:47 | 0:17:49 | |
Ah! | 0:17:49 | 0:17:51 | |
GRUNTING | 0:17:51 | 0:17:53 | |
Kabali! | 0:17:53 | 0:17:55 | |
Mrs Merriam... | 0:17:56 | 0:17:58 | |
..I am sorry. | 0:17:59 | 0:18:00 | |
What for? | 0:18:00 | 0:18:02 | |
I stole from you. | 0:18:02 | 0:18:04 | |
How could you? | 0:18:04 | 0:18:06 | |
What's mine is yours. | 0:18:06 | 0:18:07 | |
I stole your sleeping tablets. | 0:18:09 | 0:18:11 | |
HE GAGS | 0:18:11 | 0:18:13 | |
I feel sick. | 0:18:13 | 0:18:14 | |
OK, so, legs apart... | 0:18:20 | 0:18:21 | |
Legs apart. | 0:18:21 | 0:18:22 | |
-..belly out. -Belly out. | 0:18:22 | 0:18:24 | |
-..and spin! -Spin! -Go! | 0:18:24 | 0:18:26 | |
Oh, I'm doing... No. | 0:18:26 | 0:18:28 | |
This is awful. | 0:18:28 | 0:18:29 | |
I thought it was one of those things that you never forgot how to do - | 0:18:29 | 0:18:32 | |
like riding a bicycle, or... | 0:18:32 | 0:18:34 | |
Oh, now I'm worried about all the other things | 0:18:36 | 0:18:38 | |
-I might not be able to do any more. -OK, what do they say? | 0:18:38 | 0:18:40 | |
-"If, at first, you don't succeed..." -Give up! | 0:18:40 | 0:18:42 | |
Well, that's what Karen's doing. | 0:18:42 | 0:18:43 | |
I mean, she's abandoned the hoop, | 0:18:43 | 0:18:45 | |
she's inside tucking into a Wagon Wheel. | 0:18:45 | 0:18:48 | |
What was that about giving up? | 0:18:48 | 0:18:50 | |
Are you joining us, Hollins? | 0:18:50 | 0:18:52 | |
You bet I am. | 0:18:52 | 0:18:54 | |
I don't care what Rob or anyone says, | 0:18:54 | 0:18:56 | |
I have still got it. | 0:18:56 | 0:18:59 | |
-Hey! Spin! -Spin! | 0:18:59 | 0:19:01 | |
MUSIC: Macarena by Los del Rio | 0:19:01 | 0:19:06 | |
I've forgotten to do that thing Zara asked me to do! | 0:19:07 | 0:19:11 | |
She's going to kill me. | 0:19:11 | 0:19:13 | |
Keep spinning, Hollins. | 0:19:13 | 0:19:15 | |
It's very hard in heels. | 0:19:15 | 0:19:16 | |
Yeah, but it looks good. | 0:19:16 | 0:19:18 | |
How long? | 0:19:18 | 0:19:20 | |
OK, OK. Bye. | 0:19:20 | 0:19:22 | |
They're going to be ten minutes. | 0:19:22 | 0:19:24 | |
How are you feeling? | 0:19:24 | 0:19:25 | |
Oh, better now. | 0:19:25 | 0:19:27 | |
Why did you do it? | 0:19:27 | 0:19:29 | |
I did not want to be a burden any longer. | 0:19:29 | 0:19:32 | |
A burden? | 0:19:32 | 0:19:34 | |
You're as much a burden | 0:19:34 | 0:19:35 | |
as my right arm. | 0:19:35 | 0:19:37 | |
What would I have done, Kabali, | 0:19:37 | 0:19:39 | |
if I'd come home and found you lying there... | 0:19:39 | 0:19:42 | |
-PHONE RINGS -...and I couldn't wake you? | 0:19:42 | 0:19:44 | |
Hello, Valerie? | 0:19:44 | 0:19:46 | |
Yes. | 0:19:46 | 0:19:47 | |
What? | 0:19:48 | 0:19:50 | |
Since when? | 0:19:58 | 0:19:59 | |
Oh, thank you very much, Valerie. Bye. | 0:20:01 | 0:20:05 | |
That was a colleague of mine. | 0:20:08 | 0:20:10 | |
Could you tell me your full name? | 0:20:11 | 0:20:13 | |
Would it be Kabali Mangundu? | 0:20:16 | 0:20:18 | |
What is this about? | 0:20:19 | 0:20:21 | |
Mrs Merriam, | 0:20:23 | 0:20:24 | |
everything that Kabali has told you is true, | 0:20:24 | 0:20:28 | |
he is a trainee nurse | 0:20:28 | 0:20:30 | |
and he is here legally, | 0:20:30 | 0:20:32 | |
but the reason he that can't go back to Namibia | 0:20:32 | 0:20:35 | |
is that he's wanted by the police... | 0:20:35 | 0:20:37 | |
..for suspected murder. | 0:20:39 | 0:20:40 | |
Come on, mate, I need to get home. | 0:20:44 | 0:20:46 | |
We'll put the tent up in the garden if you like. | 0:20:46 | 0:20:48 | |
Found it! | 0:20:48 | 0:20:50 | |
Oh, well done! | 0:20:50 | 0:20:51 | |
MAN GAGS | 0:20:51 | 0:20:53 | |
Joe, Stay there. | 0:20:53 | 0:20:55 | |
-Are you all right, mate? -I'm a doctor. I'll take over. | 0:20:58 | 0:21:00 | |
Can you cough? | 0:21:00 | 0:21:01 | |
All right, stay still for me. | 0:21:01 | 0:21:03 | |
Please, believe me. | 0:21:06 | 0:21:08 | |
I would never hurt anyone. | 0:21:08 | 0:21:10 | |
Well, then you won't mind me calling the police. | 0:21:10 | 0:21:12 | |
-No! -Hang on, is this about your uncle? | 0:21:12 | 0:21:15 | |
You knew? | 0:21:16 | 0:21:17 | |
You knew? | 0:21:17 | 0:21:19 | |
Yes, I could hear you having nightmares. | 0:21:19 | 0:21:22 | |
You called out his name in your sleep. | 0:21:22 | 0:21:24 | |
You seem terrified of him. | 0:21:24 | 0:21:27 | |
He was a terrible man. | 0:21:27 | 0:21:28 | |
When my father died, | 0:21:29 | 0:21:31 | |
he said he was going to look after us. | 0:21:31 | 0:21:34 | |
He did no such thing. | 0:21:34 | 0:21:36 | |
Whatever he did, | 0:21:36 | 0:21:37 | |
whatever the circumstances, | 0:21:37 | 0:21:39 | |
I think that you should inform the authorities. | 0:21:39 | 0:21:43 | |
He raped my mother. | 0:21:43 | 0:21:44 | |
I came home, and found her, crying. | 0:21:46 | 0:21:47 | |
I did not mean to do what I did, but... | 0:21:50 | 0:21:52 | |
You don't have to tell me. | 0:21:52 | 0:21:54 | |
You can tell the police. | 0:21:54 | 0:21:56 | |
They will understand that there are certain circumstances where... | 0:21:56 | 0:21:58 | |
Do you really think that he'll get a fair hearing? | 0:21:58 | 0:22:01 | |
Are you really that naive? | 0:22:01 | 0:22:04 | |
It's just... | 0:22:04 | 0:22:05 | |
SHE GASPS | 0:22:05 | 0:22:08 | |
Mrs Merriam? | 0:22:08 | 0:22:10 | |
Mrs Merriam? | 0:22:10 | 0:22:12 | |
Can I have a go? I do know first aid. | 0:22:12 | 0:22:14 | |
-Where is the ambulance? -It's on its way. | 0:22:14 | 0:22:16 | |
Please! Let me have a go. | 0:22:16 | 0:22:18 | |
-Are you a doctor? -No. | 0:22:18 | 0:22:19 | |
OK, well then help me. | 0:22:19 | 0:22:20 | |
Please get a Swiss army knife and a biro pen. | 0:22:20 | 0:22:23 | |
Hurry! | 0:22:23 | 0:22:25 | |
It's OK, Joe. | 0:22:27 | 0:22:29 | |
It's all right. Don't worry. | 0:22:29 | 0:22:31 | |
Now, breathe deeply. | 0:22:34 | 0:22:36 | |
SHE EXHALES | 0:22:37 | 0:22:39 | |
Are you with us? | 0:22:39 | 0:22:41 | |
Kabali... | 0:22:43 | 0:22:45 | |
..get the biscuits. | 0:22:46 | 0:22:49 | |
What? | 0:22:50 | 0:22:52 | |
The biscuits. | 0:22:52 | 0:22:54 | |
What are you two up to? | 0:22:54 | 0:22:56 | |
Nothing, dear. Nothing. | 0:22:58 | 0:23:00 | |
Mrs Merriam... | 0:23:00 | 0:23:01 | |
I could not take your money. | 0:23:01 | 0:23:03 | |
Have a biscuit. | 0:23:05 | 0:23:07 | |
Thank you. | 0:23:11 | 0:23:13 | |
OK, I don't know what's going on here | 0:23:13 | 0:23:15 | |
but, for the next two minutes, | 0:23:15 | 0:23:17 | |
my priority is Mrs Merriam. | 0:23:17 | 0:23:19 | |
Goodbye, Kabali. | 0:23:21 | 0:23:23 | |
Goodbye, Mrs Merriam... | 0:23:24 | 0:23:25 | |
..and, "Don't tell him, Pike." | 0:23:27 | 0:23:30 | |
The ambulance will be here in ten minutes. | 0:23:37 | 0:23:39 | |
There's a burst water main. | 0:23:39 | 0:23:40 | |
I'm going to have to open him up. | 0:23:40 | 0:23:42 | |
OK, come on. Come on. | 0:23:54 | 0:23:56 | |
Come on. Come on. | 0:23:58 | 0:23:59 | |
What's happening? | 0:23:59 | 0:24:01 | |
He's gone into cardiac arrest. | 0:24:01 | 0:24:03 | |
Are you OK, Mrs Merriam? | 0:24:05 | 0:24:06 | |
He doesn't have a bad bone in his body. | 0:24:08 | 0:24:11 | |
I'm sure... | 0:24:11 | 0:24:14 | |
he was driven to it through circumstances. | 0:24:14 | 0:24:16 | |
And anyway... | 0:24:19 | 0:24:20 | |
we all murder people, don't we? | 0:24:20 | 0:24:23 | |
No, we don't. | 0:24:23 | 0:24:26 | |
Well, not directly, | 0:24:26 | 0:24:28 | |
but every time we see someone in need, | 0:24:28 | 0:24:31 | |
and...we turn away. | 0:24:31 | 0:24:35 | |
Or... | 0:24:35 | 0:24:36 | |
Or a charity appeal comes on, | 0:24:36 | 0:24:38 | |
we change the channel. | 0:24:38 | 0:24:41 | |
That's different! | 0:24:41 | 0:24:42 | |
Whatever. | 0:24:42 | 0:24:45 | |
Nobody's perfect... | 0:24:45 | 0:24:46 | |
..and, for three months... | 0:24:48 | 0:24:50 | |
..I had a very good friend. | 0:24:52 | 0:24:54 | |
Come on. | 0:25:09 | 0:25:11 | |
That's it. That's it, stay with me. | 0:25:11 | 0:25:13 | |
-You're going to be fine. -THEY APPLAUD | 0:25:13 | 0:25:15 | |
Thank goodness! | 0:25:15 | 0:25:17 | |
Oh. | 0:25:17 | 0:25:18 | |
PHONE BEEPS | 0:25:39 | 0:25:40 | |
'This is Daniel Granger. Please leave a message.' | 0:25:40 | 0:25:43 | |
Hi, Daniel, it's me. | 0:25:43 | 0:25:46 | |
Just calling to see if you're having any adventures. | 0:25:46 | 0:25:49 | |
I am having | 0:25:49 | 0:25:51 | |
a WEIRD sort of a day. | 0:25:51 | 0:25:53 | |
Anyway, send my love to Joe. | 0:25:54 | 0:25:55 | |
I can't wait to hear all about what you guys have been up to. | 0:25:55 | 0:25:59 | |
MACHINE FLATLINES | 0:26:01 | 0:26:07 | |
All right... | 0:26:23 | 0:26:26 | |
Look. | 0:26:26 | 0:26:28 | |
All right? | 0:26:28 | 0:26:29 | |
When was the last time you saw her? | 0:26:36 | 0:26:38 | |
16 years... | 0:26:40 | 0:26:41 | |
..five months and four days ago. | 0:26:42 | 0:26:44 | |
One in five hospital meals are left untouched. | 0:26:44 | 0:26:47 | |
Well, they wouldn't be if they was as nice as what you made. | 0:26:47 | 0:26:50 | |
He's never going to see me in the same way again. | 0:26:50 | 0:26:53 | |
Maybe it's good for him to learn the truth. | 0:26:53 | 0:26:55 | |
But I don't want him to see me as a failure. | 0:26:55 | 0:26:57 |