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# Take a sip of my secret potion I'll make you fall in love | 0:00:25 | 0:00:29 | |
# For a spell that can't be broken One drop should be enough | 0:00:29 | 0:00:33 | |
# Boy, you belong to me I got the recipe | 0:00:33 | 0:00:37 | |
# And it's called Black Magic... # | 0:00:37 | 0:00:40 | |
Excuse me... Excuse me! | 0:00:40 | 0:00:42 | |
Oh, sorry. | 0:00:42 | 0:00:45 | |
What do you think you're doing? | 0:00:45 | 0:00:46 | |
Oh, I'm really sorry. | 0:00:46 | 0:00:48 | |
I'm studying fine art and I'm supposed to fill | 0:00:48 | 0:00:51 | |
-a sketch book every week. -With pictures of your customers? | 0:00:51 | 0:00:54 | |
No, I... I hope you don't mind. | 0:00:54 | 0:00:56 | |
It's just you have a lovely face to draw. | 0:00:56 | 0:00:59 | |
Please don't tell my manager. | 0:01:01 | 0:01:04 | |
-Is waitressing paying your way? -Just about. | 0:01:04 | 0:01:07 | |
If I can get enough shifts. | 0:01:07 | 0:01:08 | |
Tough time to be a student. | 0:01:08 | 0:01:11 | |
My mum went ballistic when she found out what course I wanted to do. | 0:01:11 | 0:01:14 | |
Said it was financial suicide. | 0:01:14 | 0:01:17 | |
-Bella! -I'd better... Do you want anything else? | 0:01:17 | 0:01:19 | |
No, I'm fine, thank you. | 0:01:19 | 0:01:21 | |
I read the review from opening night. It was very good. | 0:01:27 | 0:01:30 | |
As touring companies go, they maintain an excellent standard. | 0:01:30 | 0:01:34 | |
I saw a production of Cosi with... What's her name? | 0:01:34 | 0:01:37 | |
You know. She was marvellous. | 0:01:37 | 0:01:40 | |
-Oh, dear. My memory. -Are we in the stalls? | 0:01:40 | 0:01:44 | |
Circle, I think. Who has the tickets? | 0:01:44 | 0:01:46 | |
I gave them to you. | 0:01:48 | 0:01:49 | |
-Did you? -Do you not remember? | 0:01:49 | 0:01:52 | |
I don't. Oh. What have I done with them, then? | 0:01:52 | 0:01:54 | |
Charles, you and your memory are being mercilessly teased. | 0:01:54 | 0:01:58 | |
-I have them, remember? -Rotten bunch! | 0:01:58 | 0:02:00 | |
-I'm sorry, I could not resist. -I'll pay you back for that! | 0:02:00 | 0:02:04 | |
And I warn you, I'm very patient. | 0:02:04 | 0:02:07 | |
Front row circle, best seats in the house, acoustically speaking. | 0:02:07 | 0:02:11 | |
-Well, I can't wait. -How about we get a glass of something? -Good idea. | 0:02:11 | 0:02:15 | |
To ease us in. | 0:02:15 | 0:02:17 | |
-Banoffee pie and cream? -I just clocked it. | 0:02:17 | 0:02:21 | |
-I knew I'd seen you before. -Sorry? | 0:02:21 | 0:02:24 | |
Don't you recognise me? I could never forger you. | 0:02:24 | 0:02:28 | |
Even with your clothes on! | 0:02:28 | 0:02:30 | |
-Whose is the gateau? -You are one hell of a mover, girl. | 0:02:30 | 0:02:34 | |
Boys, our waitress works at that lap-dancing club near the station. | 0:02:34 | 0:02:38 | |
Any more drinks? | 0:02:38 | 0:02:39 | |
You should see her working this. She is worth every penny. | 0:02:39 | 0:02:43 | |
Can you stop that, please? | 0:02:43 | 0:02:44 | |
Oh, come on, love. It's meant to be a compliment. | 0:02:44 | 0:02:47 | |
You are wasted, being a waitress. | 0:02:47 | 0:02:49 | |
Why don't you get up on here and give our boys a little demo? | 0:02:49 | 0:02:52 | |
-Any more drinks? -Just a quick bump and grind! | 0:02:52 | 0:02:55 | |
-LAUGHTER What the...?! -I'm so sorry. | 0:02:55 | 0:02:59 | |
You better sort that out. Or I'll be having a word with your boss. | 0:02:59 | 0:03:02 | |
Don't bother. | 0:03:02 | 0:03:03 | |
I'm more than happy to call the manager over myself and tell him | 0:03:03 | 0:03:07 | |
just how you were groping her. | 0:03:07 | 0:03:09 | |
Tell you what, why don't you clean yourself up? | 0:03:09 | 0:03:11 | |
No, it's fine, honestly. | 0:03:11 | 0:03:13 | |
Are you sure? | 0:03:13 | 0:03:15 | |
I've got a better idea. | 0:03:15 | 0:03:17 | |
Why don't you and your mates pay the bill and get out? | 0:03:17 | 0:03:20 | |
I'm having a word with the manager of this joint. | 0:03:23 | 0:03:25 | |
She ain't getting away with this. No way! | 0:03:25 | 0:03:29 | |
Interesting to see the director's approach. | 0:03:33 | 0:03:36 | |
It seems to me that the story | 0:03:36 | 0:03:38 | |
has elements that are somewhat misogynistic. | 0:03:38 | 0:03:42 | |
Interesting. Is that how you see it? | 0:03:42 | 0:03:45 | |
-Well, I will reserve judgment until I have watched. -A wise approach. | 0:03:45 | 0:03:50 | |
It is a tough pitch for a contemporary audience to accept. | 0:03:50 | 0:03:53 | |
-But each version can be so different. -Yes. | 0:03:53 | 0:03:55 | |
-Well, I like to keep an open mind. -I couldn't agree more. | 0:03:55 | 0:03:59 | |
-TANNOY: -Ladies and gentlemen, | 0:03:59 | 0:04:01 | |
tonight's performance of Cosi Fan Tutte is about to begin. | 0:04:01 | 0:04:04 | |
Shall we? | 0:04:06 | 0:04:08 | |
You're not even going to listen to my side? | 0:04:09 | 0:04:12 | |
You know what? Doesn't matter! I quit! | 0:04:12 | 0:04:14 | |
-Lovely to see you. -You too. | 0:04:20 | 0:04:22 | |
Brought you this. Hope it's drinkable. | 0:04:22 | 0:04:25 | |
Let's give it a go. Come through. | 0:04:25 | 0:04:28 | |
So, how have you been? How's work? | 0:04:28 | 0:04:30 | |
Um... Yeah, yeah. Good. Um... | 0:04:30 | 0:04:33 | |
Hey. | 0:04:34 | 0:04:37 | |
Get any big tips? | 0:04:37 | 0:04:39 | |
No, worst day ever. | 0:04:39 | 0:04:41 | |
Why? What happened? | 0:04:41 | 0:04:43 | |
Remember that guy that got barred from the club? | 0:04:43 | 0:04:46 | |
Asian, pointy shoes, fancies himself? | 0:04:46 | 0:04:50 | |
Turned up with his mates. Got me fired. | 0:04:50 | 0:04:53 | |
What? How? | 0:04:53 | 0:04:55 | |
Doesn't matter. | 0:04:55 | 0:04:56 | |
What about the rent though? | 0:05:01 | 0:05:03 | |
-I know. -You got this month's though, yeah? | 0:05:03 | 0:05:05 | |
Bel, I'm not losing this flat. It took me ages to find and | 0:05:07 | 0:05:10 | |
-I really like it! -It's so expensive. | 0:05:10 | 0:05:13 | |
You just need to earn more money. | 0:05:13 | 0:05:14 | |
-I know where this is going. -I don't get your problem. | 0:05:14 | 0:05:17 | |
They're two dancers short tonight. You could earn the rent in | 0:05:17 | 0:05:19 | |
-a couple of hours. -You know how I feel about it! | 0:05:19 | 0:05:21 | |
You had one bad experience, it's par for the course. | 0:05:21 | 0:05:25 | |
Forget it, do the job, and take the cash. It's really easy money. | 0:05:25 | 0:05:28 | |
Up to you. | 0:05:30 | 0:05:32 | |
But I don't think you've got much choice. | 0:05:32 | 0:05:35 | |
I'll give you a lift. | 0:05:40 | 0:05:42 | |
Heston was right about the seats. Ideal. | 0:05:49 | 0:05:52 | |
Yes. I'm very much looking forward to it. | 0:05:52 | 0:05:55 | |
Try these. Perfect for close ups. | 0:05:59 | 0:06:02 | |
Right. | 0:06:02 | 0:06:04 | |
Thank you. | 0:06:04 | 0:06:06 | |
MUSIC STARTS | 0:06:09 | 0:06:12 | |
APPLAUSE | 0:06:12 | 0:06:14 | |
The practice has such a wide range of patients. | 0:06:14 | 0:06:17 | |
Age, social background, ethnicity... I'm getting to see the broadest | 0:06:17 | 0:06:20 | |
spectrum of conditions, really hands on. | 0:06:20 | 0:06:23 | |
That's exactly what you wanted, wasn't it? | 0:06:23 | 0:06:25 | |
I really think it never would have occurred to | 0:06:25 | 0:06:27 | |
-me to go into medicine if it hadn't been for you. -Nah, you'd have found your way. | 0:06:27 | 0:06:31 | |
Yeah, but seeing what you did for me - it's like one of those | 0:06:31 | 0:06:33 | |
moments people talk about, you know? Just a kid and then suddenly, | 0:06:33 | 0:06:37 | |
I realised I wanted to be a doctor, I wanted to save lives. | 0:06:37 | 0:06:40 | |
Please start. | 0:06:40 | 0:06:42 | |
Thanks. And you've had such a massive influence on me. | 0:06:42 | 0:06:44 | |
Plus there's all the support you've given me since, | 0:06:44 | 0:06:47 | |
which I've needed...I don't know how many times. | 0:06:47 | 0:06:49 | |
You got this far because you're a really good doctor, remember? | 0:06:49 | 0:06:53 | |
I really do love the work. | 0:06:54 | 0:06:56 | |
The challenge of each new patient, really trying to understand | 0:06:56 | 0:06:59 | |
why they're here and how I can best help them. | 0:06:59 | 0:07:02 | |
Sounds like it's working out really well for you at the Mill. | 0:07:02 | 0:07:06 | |
Yeah. Yeah, yeah. It's great. | 0:07:06 | 0:07:08 | |
MUSIC PLAYS | 0:07:13 | 0:07:17 | |
-Come on, mate. -See? Told you it'd work. Cheers, mate. | 0:07:22 | 0:07:27 | |
-Here, why don't you get the first round in? -Yeah, sure. | 0:07:27 | 0:07:30 | |
I'll hold on here till that bouncer's gone. | 0:07:30 | 0:07:32 | |
-Save me a seat. Front row, yeah? -You know it. | 0:07:32 | 0:07:35 | |
-Hey! It's you! -You're not allowed back here. | 0:07:49 | 0:07:51 | |
Oh, nice welcome(!) | 0:07:51 | 0:07:53 | |
-How about an apology? -Get out of my way! | 0:07:53 | 0:07:55 | |
I'll call the manager. You've already been barred. | 0:07:55 | 0:07:58 | |
Calm down, yeah? | 0:07:58 | 0:07:59 | |
Let's forget about all that stuff before because I need to tell | 0:07:59 | 0:08:02 | |
-you something. -He'll call the police. | 0:08:02 | 0:08:05 | |
You need to leave! | 0:08:05 | 0:08:07 | |
You are beautiful. Seriously. Absolutely gorgeous. | 0:08:07 | 0:08:13 | |
Why don't you come home with me? | 0:08:13 | 0:08:15 | |
I can pay. See? | 0:08:15 | 0:08:17 | |
Back off. I mean it. | 0:08:17 | 0:08:19 | |
Top dollar. | 0:08:19 | 0:08:21 | |
-I swear, if you so much as touch me... -Oh, come on. | 0:08:21 | 0:08:24 | |
Don't be like that. | 0:08:24 | 0:08:26 | |
Oof! | 0:08:27 | 0:08:29 | |
Bel! Hurry up! You're on! | 0:08:31 | 0:08:33 | |
What happened? | 0:08:36 | 0:08:38 | |
He tried to... Police, please. | 0:08:38 | 0:08:41 | |
-He assaulted me. -Wait, Bel. Hang on. -Bella West. | 0:08:41 | 0:08:43 | |
I'm at Himeros on Allthorn Street. | 0:08:43 | 0:08:46 | |
Urgh... | 0:08:46 | 0:08:48 | |
I'm so pleased it's working out for you, Sid. | 0:08:52 | 0:08:54 | |
You had that slightly rocky start, didn't you? | 0:08:54 | 0:08:57 | |
Water under the bridge now. | 0:08:57 | 0:09:00 | |
You mean, all that time worrying about you was wasted? | 0:09:00 | 0:09:03 | |
So, um, what's your long-term ambition then? To become a partner? | 0:09:06 | 0:09:11 | |
I think that's a long way off. | 0:09:11 | 0:09:13 | |
Well, not necessarily. | 0:09:13 | 0:09:15 | |
You're a good doctor. I'm sure your senior colleagues recognise that. | 0:09:15 | 0:09:20 | |
So, um, anyway, how are things at your place? Busy? | 0:09:20 | 0:09:24 | |
Sid, why don't you tell me why you're really here? | 0:09:29 | 0:09:32 | |
Cos I... | 0:09:36 | 0:09:38 | |
think I might be about to lose my job. | 0:09:38 | 0:09:40 | |
HE WINCES | 0:09:44 | 0:09:46 | |
-Coincidence, running into you again. -It's going to need stitches, right? | 0:09:49 | 0:09:53 | |
No. And there's no sign of concussion either. | 0:09:53 | 0:09:56 | |
My head is throbbing. | 0:09:56 | 0:09:57 | |
-Well, that's probably an overactive imagination. -What did you say? | 0:09:57 | 0:10:00 | |
I said, you might need some medication, | 0:10:00 | 0:10:03 | |
but you can always go to A&E, if you prefer. | 0:10:03 | 0:10:05 | |
-KNOCK ON DOOR -Come in. | 0:10:05 | 0:10:07 | |
Ready to make your statement? | 0:10:07 | 0:10:09 | |
Yeah. That girl deserves what she's got coming to her. | 0:10:09 | 0:10:11 | |
-Stealing from me. -You're happy he's fit? -Oh, absolutely. | 0:10:11 | 0:10:15 | |
You knock yourself out. | 0:10:15 | 0:10:16 | |
-Oh, you've already done that, haven't you? -Funny(!) | 0:10:16 | 0:10:18 | |
I'm the one who was assaulted, remember? | 0:10:18 | 0:10:21 | |
Interview room one, please. | 0:10:21 | 0:10:23 | |
Everything OK? | 0:10:28 | 0:10:29 | |
-Yes, fine. -Sure? Yes. Why wouldn't it be? | 0:10:29 | 0:10:33 | |
-Are you sure you want to carry on with this, Bel? -He assaulted me. | 0:10:39 | 0:10:44 | |
He was off his face. Anyway, goes with the territory, doesn't it? | 0:10:46 | 0:10:50 | |
What? | 0:10:51 | 0:10:53 | |
Forget it. | 0:10:53 | 0:10:55 | |
Look, I'm just saying if you tell them you want to drop it, | 0:10:56 | 0:10:59 | |
-we can just get out of here. -What? And just let him get away with it? | 0:10:59 | 0:11:02 | |
But it's his word against yours, isn't it? | 0:11:02 | 0:11:05 | |
You can tell them. You saw him. | 0:11:06 | 0:11:09 | |
I came in after. | 0:11:10 | 0:11:12 | |
I can't lie, Bel, can I? | 0:11:12 | 0:11:13 | |
Look, you do realise, if you press charges, | 0:11:16 | 0:11:18 | |
we'll probably end up losing our jobs? | 0:11:18 | 0:11:21 | |
I don't care. | 0:11:21 | 0:11:22 | |
I'm never going back there. | 0:11:22 | 0:11:24 | |
-So, you're saying that she approached you? -Yeah. | 0:11:28 | 0:11:32 | |
I came out of the gents and she was just waiting. | 0:11:32 | 0:11:34 | |
Then what happened? | 0:11:34 | 0:11:36 | |
Well, she said I could have a dance there and then if I had the cash. | 0:11:36 | 0:11:41 | |
Sounds a bit strange, doesn't it, in the corridor? | 0:11:41 | 0:11:44 | |
Yeah, but I've had a lot to drink, haven't I? | 0:11:44 | 0:11:46 | |
-So I suppose she saw her chance. -Yeah. Then she assaulted you? | 0:11:46 | 0:11:51 | |
She came in, right close, kneed me one. In the nuts. | 0:11:51 | 0:11:55 | |
And you know what that pain is right, like? | 0:11:55 | 0:11:57 | |
I do. | 0:11:57 | 0:11:59 | |
So, I blacked out, fell down. | 0:11:59 | 0:12:02 | |
And when I came round, my wallet was next to me on the floor, | 0:12:02 | 0:12:05 | |
but all the cash had gone. | 0:12:05 | 0:12:07 | |
-Yeah. What about the head injury? -Maybe she whacked me or something. | 0:12:07 | 0:12:12 | |
Or maybe you hit it against the wall, as you fell down. | 0:12:12 | 0:12:15 | |
Like I say, I blacked out. | 0:12:15 | 0:12:17 | |
-So, er, can I go? -No. | 0:12:17 | 0:12:21 | |
-Why? -Because I think you're lying. | 0:12:21 | 0:12:23 | |
HE SIGHS LOUDLY | 0:12:25 | 0:12:28 | |
Excuse me, do you know what's happening about my friend? | 0:12:29 | 0:12:33 | |
I'm not a police officer. I'm a doctor. | 0:12:33 | 0:12:35 | |
Who's your friend? | 0:12:35 | 0:12:36 | |
Bella West. It's just I've got to go back to work. | 0:12:36 | 0:12:39 | |
Oh, well, I think she's still being interviewed, | 0:12:39 | 0:12:42 | |
-but if you've already given your statement, then... -I haven't. | 0:12:42 | 0:12:45 | |
I didn't see anything. I was dancing the whole time. | 0:12:45 | 0:12:49 | |
Right, so...she was alone when she was attacked? | 0:12:49 | 0:12:52 | |
-That must have been very scary. -He was pretty drunk. | 0:12:53 | 0:12:56 | |
Yeah, well, it's bad enough having to work there, | 0:12:56 | 0:12:59 | |
without being assaulted. | 0:12:59 | 0:13:01 | |
You don't feel you're being exploited, working there? | 0:13:01 | 0:13:03 | |
No. | 0:13:03 | 0:13:05 | |
The punters know they can't touch us. | 0:13:05 | 0:13:08 | |
Clearly, they don't. | 0:13:08 | 0:13:11 | |
-And you don't know anything about the money? -What money? | 0:13:11 | 0:13:15 | |
Look, do you know when Bella's going to be done? | 0:13:17 | 0:13:20 | |
Can't be sure. But if I were you, I'd stick around. | 0:13:20 | 0:13:23 | |
I think she's going to need some support. | 0:13:23 | 0:13:25 | |
The last aria was marvellous. The leads are certainly on form tonight. | 0:13:38 | 0:13:42 | |
So, what did you think? | 0:13:43 | 0:13:45 | |
Well, the singing is beautiful, but I'm really not sure about the story. | 0:13:45 | 0:13:49 | |
I know what you mean. | 0:13:49 | 0:13:51 | |
The whole fiance swapping goes back to the 13th century, apparently. | 0:13:51 | 0:13:56 | |
-But I don't know how well it translates. -Oh, my goodness. | 0:13:56 | 0:13:59 | |
-Didn't expect to see him here. -Who? -Four o'clock. | 0:13:59 | 0:14:02 | |
My four o'clock. | 0:14:02 | 0:14:04 | |
For goodness' sake, don't make any eye contact, | 0:14:04 | 0:14:06 | |
otherwise he'll be difficult to shift. | 0:14:06 | 0:14:09 | |
-Who? -Someone from work. -Doesn't look like your conventional opera lover. | 0:14:09 | 0:14:14 | |
Definitely more heavy metal than Mozart. | 0:14:14 | 0:14:16 | |
-Maybe he's landed an evening job, lugging backstage. -Don't worry. | 0:14:16 | 0:14:20 | |
I think he's moving away. | 0:14:20 | 0:14:21 | |
Well, he cannot be that bad. | 0:14:21 | 0:14:23 | |
He just stands too close, talks too much, stays too long. | 0:14:23 | 0:14:26 | |
You know the type. | 0:14:26 | 0:14:27 | |
The type that tests your professional tolerance. | 0:14:27 | 0:14:30 | |
Heston, you know me. I don't have any. | 0:14:30 | 0:14:32 | |
HE CHUCKLES | 0:14:32 | 0:14:34 | |
He's lying. You know he is. | 0:14:34 | 0:14:36 | |
-But you do admit to kneeing him... -Only because he grabbed me. | 0:14:36 | 0:14:40 | |
-So it's -self-defence? Yeah. He was drunk, he hit his head on the wall. | 0:14:40 | 0:14:44 | |
OK. | 0:14:44 | 0:14:45 | |
You mentioned an incident that had happened earlier at the Icon bar. | 0:14:45 | 0:14:49 | |
Yeah, I waitress there. | 0:14:49 | 0:14:51 | |
He came in with his mates, he was hassling me, making comments. | 0:14:51 | 0:14:54 | |
I dropped a tray, he complained to my manager, I quit. | 0:14:54 | 0:14:57 | |
You know, he might suggest that you were out for revenge. | 0:14:57 | 0:15:00 | |
I didn't even know he was in the club. He's supposed to be barred. | 0:15:00 | 0:15:03 | |
-He tried it on with me there once before. -Really? | 0:15:03 | 0:15:05 | |
Funnily enough, he never mentioned that. | 0:15:05 | 0:15:07 | |
-They never should have let him in. Check with the club. -I'll do that. | 0:15:07 | 0:15:11 | |
Did you touch his wallet? | 0:15:12 | 0:15:15 | |
No. | 0:15:15 | 0:15:16 | |
As soon as he fell over, I called the police. | 0:15:17 | 0:15:21 | |
-Ask -Fi. I will. | 0:15:21 | 0:15:23 | |
And we will be checking all the CCTV cameras because it does seem | 0:15:23 | 0:15:26 | |
that he had a rather large amount of money with him that's not | 0:15:26 | 0:15:29 | |
-been accounted for. -I never touched it! -It's OK. | 0:15:29 | 0:15:32 | |
No-one's been charged with anything yet, | 0:15:32 | 0:15:34 | |
so there's no need to worry too much. | 0:15:34 | 0:15:36 | |
'I do really love working at the Mill,' | 0:15:36 | 0:15:39 | |
it's just I'm not getting the same feeling back. | 0:15:39 | 0:15:43 | |
Are you sure this isn't more about a lack of confidence, Sid, | 0:15:44 | 0:15:48 | |
given your history? | 0:15:48 | 0:15:50 | |
No. I've picked up on enough hints and signs to feel it coming. | 0:15:50 | 0:15:55 | |
Last in, first out. | 0:15:55 | 0:15:57 | |
Right. | 0:15:57 | 0:15:58 | |
That's a real shame. So, what are you going to do? | 0:16:00 | 0:16:03 | |
Have a look around? | 0:16:03 | 0:16:05 | |
Well, um, you asked me why I came. | 0:16:06 | 0:16:10 | |
Well, basically, I was wondering if, um... | 0:16:10 | 0:16:13 | |
You want a job at Priestfield. | 0:16:13 | 0:16:16 | |
Are you leaving? | 0:16:22 | 0:16:24 | |
-Yeah, I've got to get back. -What did you tell them? | 0:16:24 | 0:16:27 | |
Just what I saw. | 0:16:27 | 0:16:28 | |
You know he's accusing me now? | 0:16:28 | 0:16:30 | |
Of what? | 0:16:30 | 0:16:31 | |
Assaulting him and nicking his cash! | 0:16:31 | 0:16:34 | |
I know. There's CCTV, isn't there? They'll know he's lying. | 0:16:34 | 0:16:38 | |
I told you, you're better off just dropping this, then he will too. | 0:16:38 | 0:16:42 | |
See you back at the flat. | 0:16:42 | 0:16:44 | |
Fi! | 0:16:44 | 0:16:46 | |
Fi? | 0:16:46 | 0:16:47 | |
-You can't seriously believe his story? -No, of course not. | 0:16:49 | 0:16:53 | |
But I've just been told that the CCTV camera that we really | 0:16:53 | 0:16:55 | |
needed to work in the corridor was out. So, | 0:16:55 | 0:16:57 | |
-unless her friend saw anything... -She told me she didn't see a thing. | 0:16:57 | 0:17:02 | |
So, his word against hers then. | 0:17:02 | 0:17:05 | |
Mm. | 0:17:05 | 0:17:06 | |
It is such a wonderful and amazing spectacle. | 0:17:10 | 0:17:14 | |
-It is a shame that for some, it is far too... -Expensive. -Expensive. | 0:17:14 | 0:17:19 | |
No, I agree. But it just reinforces the idea that all opera is elitist. | 0:17:19 | 0:17:24 | |
Stop fretting, Charles. He's easy to spot. | 0:17:24 | 0:17:27 | |
Yes, but trust me, much harder to shake off. | 0:17:27 | 0:17:29 | |
Are you still talking about your colleague? | 0:17:29 | 0:17:31 | |
That's stretching the term. | 0:17:31 | 0:17:33 | |
I've got nothing against him, | 0:17:33 | 0:17:35 | |
but we just don't want a good evening ruined, do we? | 0:17:35 | 0:17:37 | |
-He can't be that bad. -No, you're right. He's far worse. | 0:17:37 | 0:17:40 | |
OK, well, what's so terrible about him? | 0:17:40 | 0:17:43 | |
Imagine a teenage hard rock fan with a loud mouth, | 0:17:43 | 0:17:47 | |
no dress sense or manners, transposed into a grown man's body. | 0:17:47 | 0:17:52 | |
Basically, he's just not OOU. | 0:17:52 | 0:17:55 | |
-I am sorry, what is OOU? -One Of Us. | 0:17:56 | 0:18:00 | |
-What were we saying about being elitist? -Oh, God! | 0:18:02 | 0:18:05 | |
He's heading straight for us. | 0:18:05 | 0:18:07 | |
-Eyes to the left, don't look. -Really, Charles? | 0:18:07 | 0:18:10 | |
Brace yourself, incoming. | 0:18:10 | 0:18:11 | |
-Hi! -Hello. | 0:18:11 | 0:18:13 | |
Hi, everyone! | 0:18:15 | 0:18:17 | |
There you go. | 0:18:24 | 0:18:26 | |
You OK? | 0:18:31 | 0:18:33 | |
Had better days. | 0:18:33 | 0:18:35 | |
Yes, I'm sure. | 0:18:35 | 0:18:36 | |
Losing two jobs is pretty tough. | 0:18:36 | 0:18:39 | |
I hated the club anyway. | 0:18:39 | 0:18:41 | |
-Felt horrible the whole time, but... -The money? | 0:18:41 | 0:18:45 | |
Fi reckons it's empowering. | 0:18:45 | 0:18:47 | |
Yeah, right(!) | 0:18:47 | 0:18:49 | |
This is such a mess. | 0:18:49 | 0:18:51 | |
I've got no money, no job, and my rent is way overdue. | 0:18:51 | 0:18:54 | |
Do you want to call your mum? | 0:18:56 | 0:18:58 | |
We kind of fell out. | 0:19:00 | 0:19:01 | |
-Ah. -My fault. | 0:19:01 | 0:19:03 | |
Mainly. | 0:19:03 | 0:19:05 | |
Well, maybe that's even more reason to call her. | 0:19:06 | 0:19:09 | |
Well, of course, you know Sister Hanif and Mr Gupta. | 0:19:15 | 0:19:18 | |
-And this is Dr Carter. -Hi, everyone. | 0:19:18 | 0:19:22 | |
-What a surprise to see you here. -I know. I surprised myself. | 0:19:22 | 0:19:25 | |
-It's good to try something new though, isn't it? -No, it really is. | 0:19:25 | 0:19:29 | |
-And you are enjoying it so far? -It was a cracking first half. | 0:19:29 | 0:19:32 | |
Beautiful. | 0:19:32 | 0:19:33 | |
That lead soprano has got a great pair of lungs on her, ain't she? | 0:19:33 | 0:19:36 | |
Beats Meatloaf hands down! | 0:19:36 | 0:19:38 | |
-So, where are you sitting? -I'm super close. | 0:19:38 | 0:19:40 | |
Can almost see the beads of sweat on their faces. | 0:19:40 | 0:19:42 | |
-Really? -Yeah. And the ticket was cheap as chips. | 0:19:42 | 0:19:45 | |
Not restricted view or anything. | 0:19:45 | 0:19:47 | |
No, they have this last minute special deal, but only online. | 0:19:47 | 0:19:51 | |
Well, I will have to look into it. I would really like to come again. | 0:19:51 | 0:19:54 | |
Me too. | 0:19:54 | 0:19:55 | |
There can't be many people that know about it cos there's empty | 0:19:55 | 0:19:58 | |
seats either side of me. | 0:19:58 | 0:19:59 | |
Join me, if you like. Try the seats out. | 0:19:59 | 0:20:02 | |
Sorry. What am I talking about? No, you're here with your friends. | 0:20:02 | 0:20:07 | |
-Um, no. No, I would really like to join you. -Right. | 0:20:07 | 0:20:12 | |
Great. | 0:20:12 | 0:20:14 | |
-TANNOY: -Ladies and gentlemen, please take your seats, | 0:20:14 | 0:20:17 | |
as the second half of... | 0:20:17 | 0:20:18 | |
-We'd better, er... -Excuse me. I'm going to sit with my friend. | 0:20:18 | 0:20:22 | |
-Cheers. -Enjoy. | 0:20:22 | 0:20:24 | |
Can you explain why you neglected to mention the incident that had | 0:20:29 | 0:20:33 | |
happened at the Icon bar earlier? | 0:20:33 | 0:20:35 | |
It's got nothing to do with this. I've been robbed. | 0:20:35 | 0:20:37 | |
We've got witnesses that saw you physically harass her, | 0:20:37 | 0:20:40 | |
make suggestive and offensive comments. | 0:20:40 | 0:20:42 | |
-Was that just a coincidence? -Yeah. So what? | 0:20:42 | 0:20:45 | |
And the fact that you'd already been banned from the Himeros club | 0:20:45 | 0:20:48 | |
for, surprise, surprise, physically harassing the very same woman. | 0:20:48 | 0:20:51 | |
-That's just a coincidence as well, is it? -You're twisting this. | 0:20:51 | 0:20:54 | |
Why don't you take a moment to stop and think? | 0:20:54 | 0:20:57 | |
There are CCTV cameras all over that club. | 0:20:57 | 0:20:59 | |
We will find out exactly what happened. | 0:20:59 | 0:21:03 | |
Do you want to go back over your statement? | 0:21:03 | 0:21:05 | |
-My head really hurts. -Yeah, mine too. | 0:21:07 | 0:21:10 | |
Are you sure that she approached you in that corridor? | 0:21:10 | 0:21:14 | |
No. | 0:21:15 | 0:21:18 | |
Not exactly. | 0:21:18 | 0:21:19 | |
I'd had a lot to drink. | 0:21:19 | 0:21:21 | |
Can you be sure that she gave you a whack over the head? | 0:21:21 | 0:21:24 | |
Maybe I slipped. | 0:21:25 | 0:21:27 | |
-I could have banged my head. -And are you sure that she took your money? | 0:21:27 | 0:21:31 | |
No. | 0:21:34 | 0:21:36 | |
No. | 0:21:36 | 0:21:38 | |
OK. | 0:21:38 | 0:21:39 | |
Last chance. | 0:21:40 | 0:21:42 | |
Do you want to carry on with this statement? | 0:21:42 | 0:21:45 | |
He withdrew the statement. | 0:21:52 | 0:21:54 | |
Yes, I heard. | 0:21:54 | 0:21:56 | |
I didn't take that money, honestly. | 0:21:58 | 0:22:00 | |
I know. | 0:22:00 | 0:22:02 | |
Did your mum ring back? | 0:22:04 | 0:22:06 | |
No. | 0:22:06 | 0:22:07 | |
So, what are you going to do? | 0:22:08 | 0:22:10 | |
Find a new job, somewhere else to live. | 0:22:10 | 0:22:13 | |
I can always crash on a mate's floor for a couple of nights. | 0:22:13 | 0:22:15 | |
And what about rent? | 0:22:15 | 0:22:17 | |
-I don't know. -Well, maybe you should talk to Fi. | 0:22:17 | 0:22:20 | |
I'm sure she'll have a solution. | 0:22:20 | 0:22:23 | |
-Yeah. -Anyway, good luck, Bella. | 0:22:23 | 0:22:27 | |
This is for you. | 0:22:27 | 0:22:29 | |
Oh. | 0:22:29 | 0:22:30 | |
Keep drawing. | 0:22:34 | 0:22:35 | |
You're very good. | 0:22:35 | 0:22:37 | |
Thanks. | 0:22:37 | 0:22:39 | |
I will. | 0:22:39 | 0:22:40 | |
You know me and the way it works, | 0:22:50 | 0:22:52 | |
you'd know exactly what you were getting. | 0:22:52 | 0:22:54 | |
And I'm always at my best when I'm in a secure environment. | 0:22:54 | 0:22:57 | |
I just think it'd be a bit of a win-win, | 0:22:57 | 0:22:59 | |
plus I could learn so much more from working with you. | 0:22:59 | 0:23:02 | |
That is, if you're recruiting at the moment. | 0:23:02 | 0:23:05 | |
-Well, as it happens, we do have a vacancy, but... -Seriously? | 0:23:06 | 0:23:10 | |
But we've already re-advertised for the third time. | 0:23:10 | 0:23:13 | |
The other partners are very fixed on what they want, | 0:23:13 | 0:23:15 | |
-so it's by no means straightforward. -Of course, but... -Let me finish. | 0:23:15 | 0:23:19 | |
What I'm trying to say is that you need to be 100% certain this | 0:23:19 | 0:23:23 | |
is what you're after. | 0:23:23 | 0:23:24 | |
Don't get ahead of yourself. There are no guarantees. | 0:23:24 | 0:23:26 | |
I'm totally sure, I promise. I think it would just...be perfect. | 0:23:26 | 0:23:31 | |
I think we'd be lucky to have you. I think you'd fit in really well. | 0:23:34 | 0:23:38 | |
So, I'll talk to the team. Second round of interviews is on Friday. | 0:23:38 | 0:23:43 | |
Thank you. | 0:23:44 | 0:23:45 | |
Thank you so much. | 0:23:45 | 0:23:47 | |
DOOR CLOSES | 0:23:49 | 0:23:53 | |
-Hey, I was getting worried. What happened? -It's all sorted. | 0:23:53 | 0:23:56 | |
Everything dropped. | 0:23:56 | 0:23:58 | |
Oh, my God! Great! | 0:23:59 | 0:24:02 | |
Do you want a drink? | 0:24:02 | 0:24:04 | |
-No, thanks. I just came to get my stuff. -What? | 0:24:04 | 0:24:08 | |
You heard me. | 0:24:08 | 0:24:10 | |
What about the rent though? | 0:24:10 | 0:24:12 | |
You already have it. Don't you? | 0:24:12 | 0:24:14 | |
Do you need a hand...? | 0:24:19 | 0:24:21 | |
Right. | 0:24:24 | 0:24:26 | |
OK. Well, I'll be in my room, if you need anything. | 0:24:26 | 0:24:30 | |
MOBILE RINGS | 0:24:32 | 0:24:36 | |
Mum? | 0:24:41 | 0:24:42 | |
# Cosi Fan Tutte by Mozart. # | 0:24:42 | 0:24:46 | |
The set was a really clever design too. | 0:24:46 | 0:24:49 | |
-The way it moved between locations. -The whole thing was most effective. | 0:24:49 | 0:24:53 | |
Well, I, er... Well, I'd better go and find my friends. | 0:24:55 | 0:24:58 | |
Yeah, of course. Yeah. | 0:24:58 | 0:25:01 | |
-I hope you all enjoyed it as much as I did. -I thought it was wonderful. | 0:25:07 | 0:25:10 | |
-Sublime. -Completely matched my expectations. Exceeded them, even. | 0:25:10 | 0:25:14 | |
So, how were the cheap seats? | 0:25:14 | 0:25:17 | |
Oh, they were not cheap. They were very comfortable. | 0:25:17 | 0:25:20 | |
Very comfortable indeed! | 0:25:20 | 0:25:22 | |
# Cosi Fan Tutte by Mozart. # | 0:25:31 | 0:25:35 | |
-I'm so glad you enjoyed it. It really was marvellously staged. -Mm. | 0:26:16 | 0:26:21 | |
The whole evening has been a revelation. | 0:26:21 | 0:26:24 | |
Hello again. | 0:26:24 | 0:26:26 | |
Oh! | 0:26:26 | 0:26:27 | |
Right. Well, erm, I'd better... Bye. | 0:26:30 | 0:26:34 | |
JJ, wait. | 0:26:34 | 0:26:37 | |
I... I wondered if you would like to meet for lunch. | 0:26:37 | 0:26:41 | |
You mean on a date? | 0:26:41 | 0:26:44 | |
Er... Well, yes. | 0:26:44 | 0:26:46 | |
Absolutely! Definitely! | 0:26:46 | 0:26:47 | |
How about tomorrow? | 0:26:47 | 0:26:49 | |
Tomorrow? | 0:26:49 | 0:26:52 | |
-Yes. Yes, tomorrow would be good. -Excellent. | 0:26:52 | 0:26:55 | |
Right, well, I'll call you, shall I? | 0:26:55 | 0:26:58 | |
Great. Right. | 0:26:59 | 0:27:01 | |
Bye, then. | 0:27:01 | 0:27:03 | |
Again. | 0:27:03 | 0:27:05 | |
Well... Shall we go? | 0:27:10 | 0:27:13 | |
-Well, you want this house. That's why you're poisoning us. -Oh! | 0:27:26 | 0:27:30 | |
-What's going on? -The truth hurts! | 0:27:30 | 0:27:34 | |
Sorry, Charles. I think she's made her choice. | 0:27:34 | 0:27:37 | |
-I am so sorry. This is a mistake. -It's par for the course. | 0:27:39 | 0:27:42 | |
Don't worry. | 0:27:42 | 0:27:44 | |
Shall we? | 0:27:44 | 0:27:46 |