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Excuse me, do you have a light? | 0:00:44 | 0:00:45 | |
I don't smoke. | 0:00:45 | 0:00:46 | |
All right. | 0:00:46 | 0:00:48 | |
SHE SIGHS | 0:00:55 | 0:00:56 | |
Oh, no! | 0:01:15 | 0:01:17 | |
SHE SIGHS | 0:01:19 | 0:01:21 | |
SHE SIGHS | 0:01:26 | 0:01:27 | |
-Good morning. -Morning. | 0:01:30 | 0:01:33 | |
Guys, could we talk later? | 0:01:33 | 0:01:35 | |
-Is there a problem, Dr Clay? -If it's Valerie, I've spoken to her. | 0:01:35 | 0:01:38 | |
No, it's not Valerie. | 0:01:38 | 0:01:39 | |
-We could meet in my office at noon? -OK. | 0:01:39 | 0:01:43 | |
I've got a conference call at 11.30 with Professor Mathias. | 0:01:43 | 0:01:46 | |
THE Eleanor Mathias. I've been asked to contribute to a paper. | 0:01:46 | 0:01:50 | |
Compounded Economic Benefits of Health and Wellbeing. | 0:01:50 | 0:01:53 | |
-But I'll try. -Thank you. | 0:01:53 | 0:01:55 | |
Jimmi won't say anything. | 0:01:55 | 0:01:57 | |
Won't he? I mean, he is a partner, | 0:01:57 | 0:01:59 | |
so surely he'll have to tell the others, won't he? | 0:01:59 | 0:02:01 | |
Why, though? Surely he knows that she just wanted to blot everything out for a bit. | 0:02:01 | 0:02:04 | |
It doesn't matter whether she tried to...you know, or not. | 0:02:04 | 0:02:07 | |
I mean, isn't it about what she needs now? | 0:02:07 | 0:02:09 | |
Yeah, and that's our support, it's not about getting all official. | 0:02:09 | 0:02:12 | |
-And she did sleep through, so that's... -Hm! | 0:02:12 | 0:02:14 | |
Good. You're dressed. | 0:02:14 | 0:02:17 | |
How are you feeling? | 0:02:17 | 0:02:18 | |
Yeah, fine. I'm off to work. | 0:02:18 | 0:02:21 | |
Are you, er...sure? | 0:02:22 | 0:02:24 | |
Look, Sid, let's not make a big deal about this, all right? | 0:02:24 | 0:02:27 | |
I don't need a duvet day. | 0:02:27 | 0:02:29 | |
Last night, I was stupid, but today, I'm fine. | 0:02:29 | 0:02:33 | |
Yeah, well, fine's good, but work can wait. | 0:02:33 | 0:02:36 | |
Self-care day. No ifs, no buts. | 0:02:36 | 0:02:38 | |
Yeah. We're, er...worried about you. | 0:02:38 | 0:02:40 | |
Look, it's not that I don't appreciate your help, | 0:02:40 | 0:02:43 | |
and I know that last night was... | 0:02:43 | 0:02:44 | |
Scary? | 0:02:44 | 0:02:47 | |
I'm truly sorry. | 0:02:47 | 0:02:49 | |
You're not going to say anything, are you? | 0:02:52 | 0:02:54 | |
I mean, I've left a message for Jimmi | 0:02:54 | 0:02:56 | |
and as far as I'm concerned, it's done. | 0:02:56 | 0:02:58 | |
OK. But Ayesha hasn't slept, though. | 0:03:00 | 0:03:03 | |
That doesn't matter. I've got the morning off, so here's the deal. | 0:03:03 | 0:03:06 | |
-How about the new juice menu at the Icon? -Juice? | 0:03:06 | 0:03:09 | |
It gives us a few hours to breathe. | 0:03:09 | 0:03:11 | |
That's really what you want to do? | 0:03:11 | 0:03:14 | |
-You going to join us, Sid? -Oh, no, I can't. | 0:03:16 | 0:03:18 | |
I've only got half an hour to finish that delegate profile. | 0:03:18 | 0:03:20 | |
But it will do you some good to chill out, though. | 0:03:20 | 0:03:23 | |
Hm. Before I go to The Mill. | 0:03:23 | 0:03:25 | |
If you say so, but there's no rushing. | 0:03:25 | 0:03:27 | |
That make-up's not fooling anyone. | 0:03:27 | 0:03:29 | |
Hm! Do I have a choice? | 0:03:29 | 0:03:31 | |
-No. -No. | 0:03:31 | 0:03:33 | |
OK. | 0:03:33 | 0:03:34 | |
AYESHA EXHALES | 0:03:37 | 0:03:39 | |
Miss Pitman, I have scheduled in a partners' meeting at 12 noon. | 0:03:41 | 0:03:45 | |
I've had to change around a few appointments. | 0:03:45 | 0:03:47 | |
Will you be needing someone to take the notes? | 0:03:47 | 0:03:49 | |
No. No, I will be taking notes myself. | 0:03:49 | 0:03:53 | |
The subject is of a delicate nature. | 0:03:53 | 0:03:56 | |
But I do need you to make sure that I am not interrupted. | 0:03:56 | 0:03:59 | |
No interruptions. You can rely on me. | 0:03:59 | 0:04:02 | |
Mm. You were right. | 0:04:06 | 0:04:09 | |
This is the perfect way to give ourselves a boost. | 0:04:09 | 0:04:12 | |
Promise you'll never do that to me again. | 0:04:12 | 0:04:14 | |
-Ayesha... -I thought you were dead. | 0:04:14 | 0:04:16 | |
-I looked at you lying there and... -I'm sorry. | 0:04:16 | 0:04:19 | |
Do you get how much you freaked us out? | 0:04:19 | 0:04:21 | |
I just wanted to switch off for a bit, that's all. | 0:04:21 | 0:04:24 | |
Do you understand? | 0:04:24 | 0:04:26 | |
-Have you spoken to Jimmi? -No, not yet. | 0:04:27 | 0:04:29 | |
-He'll phone you. -Yeah, but... | 0:04:29 | 0:04:32 | |
If he's going to say anything, he'll speak to you first. | 0:04:32 | 0:04:34 | |
Who's that? | 0:04:36 | 0:04:37 | |
It can't be. Um...Jimmi won't say anything. | 0:04:39 | 0:04:42 | |
Yeah, well, I can't be sure. | 0:04:42 | 0:04:44 | |
Are you all right? | 0:04:46 | 0:04:48 | |
She's the spit of someone I used to hang out with. | 0:04:48 | 0:04:50 | |
We went to the Isle of Wight Festival years ago. I mean, like, years. | 0:04:50 | 0:04:53 | |
-Doppelganger? -Yeah, got to be. | 0:04:53 | 0:04:56 | |
But, I mean, what if she is your friend? Don't you want to find out? | 0:04:57 | 0:05:00 | |
Nice try. You're stuck with me, lady. | 0:05:00 | 0:05:03 | |
I'm fine, honestly. | 0:05:03 | 0:05:05 | |
And, you know, she might be your friend. | 0:05:05 | 0:05:07 | |
You know you want to. Go on! | 0:05:07 | 0:05:09 | |
If you don't go because you're baby-sitting me, | 0:05:09 | 0:05:12 | |
I'm just going to feel guilty. | 0:05:12 | 0:05:14 | |
I'm fine. I'll just sit here and wait for Jimmi to call. | 0:05:14 | 0:05:17 | |
Tell me what you'll do if I don't come back. | 0:05:17 | 0:05:19 | |
I will sit here like a good girl and drink my juice with chia seeds. | 0:05:19 | 0:05:23 | |
And then I will slowly amble over to The Mill. | 0:05:23 | 0:05:26 | |
Go on, go! | 0:05:26 | 0:05:28 | |
-Are you sure? -Yes, absolutely. | 0:05:28 | 0:05:29 | |
OK. | 0:05:31 | 0:05:32 | |
SHE SIGHS | 0:05:37 | 0:05:39 | |
-EMMA ON VOICEMAIL: -Jimmi? | 0:05:42 | 0:05:44 | |
I know you think you have to, but talk to me first, will you, | 0:05:44 | 0:05:49 | |
before you say anything to the partners? | 0:05:49 | 0:05:52 | |
Please, call me. | 0:05:52 | 0:05:55 | |
BLEEP | 0:05:55 | 0:05:56 | |
Jimmi? Look, I self-prescribed, all right? | 0:05:56 | 0:06:00 | |
We all do it from time to time. | 0:06:00 | 0:06:02 | |
I know what a fatal dose is and this wasn't one. | 0:06:02 | 0:06:05 | |
So you really don't have to make this official. | 0:06:05 | 0:06:09 | |
You don't have to tell anybody. | 0:06:09 | 0:06:11 | |
Please? | 0:06:12 | 0:06:13 | |
Martha? | 0:06:17 | 0:06:18 | |
Martha! | 0:06:18 | 0:06:20 | |
Would you look at you! | 0:06:22 | 0:06:25 | |
Check the hair! Wow, that's changed! | 0:06:25 | 0:06:29 | |
That really suits you. | 0:06:29 | 0:06:30 | |
We thought you were dead. | 0:06:33 | 0:06:34 | |
Forgive me. | 0:06:39 | 0:06:41 | |
I wound it up as quickly as I could, but I had to be courteous. | 0:06:41 | 0:06:44 | |
Eleanor has left Harvard and she wants ME... | 0:06:44 | 0:06:46 | |
Tell me later. Jimmi's got something he wants to say. | 0:06:46 | 0:06:49 | |
Oh. Yes, of course. | 0:06:49 | 0:06:50 | |
-Hm! -Please continue, Dr Clay. | 0:06:50 | 0:06:52 | |
Um...right. Well, Emma's going through a very difficult period. | 0:06:52 | 0:06:56 | |
Yeah. She's certainly got more than her fair share. | 0:06:56 | 0:06:59 | |
I don't really... | 0:06:59 | 0:07:00 | |
No, I don't really want to go into details. | 0:07:01 | 0:07:04 | |
You are not going to tell us what is happening? | 0:07:04 | 0:07:06 | |
All I want to say is that she's very fragile at the moment. | 0:07:06 | 0:07:10 | |
No, that's not good enough, is it? | 0:07:12 | 0:07:15 | |
Seriously? | 0:07:15 | 0:07:16 | |
If Emma needs additional support, then surely we need to know why. | 0:07:18 | 0:07:21 | |
Is, er...Jimmi with a patient? | 0:07:27 | 0:07:29 | |
Not at the moment. I thought you were off sick? | 0:07:29 | 0:07:32 | |
Oh, he's not in his room. | 0:07:32 | 0:07:33 | |
And he's not in the staffroom either. | 0:07:33 | 0:07:35 | |
Right. Well, then... | 0:07:35 | 0:07:36 | |
..where is everybody? | 0:07:39 | 0:07:41 | |
Valerie? | 0:07:41 | 0:07:42 | |
I'm sorry, but they asked not to be interrupted. | 0:07:44 | 0:07:46 | |
Who? | 0:07:46 | 0:07:47 | |
Is Jimmi with Mrs Tembe? | 0:07:49 | 0:07:50 | |
Look, I can't let you disturb them, I'm sorry. | 0:07:50 | 0:07:53 | |
Are Daniel and Zara in there? | 0:07:55 | 0:07:56 | |
-No, no, no! I'm sorry, I'm sorry! No, I just... I... -Valerie! | 0:07:58 | 0:08:02 | |
Miss Pitman! | 0:08:02 | 0:08:04 | |
I'm so sorry! I tried, but I couldn't stop her. | 0:08:04 | 0:08:06 | |
Did Valerie say anything to you about...? | 0:08:06 | 0:08:08 | |
Valerie didn't need to tell me anything. | 0:08:08 | 0:08:11 | |
Jimmi, I, um...I left messages for you. | 0:08:13 | 0:08:15 | |
Yeah, I listened to them. Listen, Emma, come and sit. | 0:08:15 | 0:08:18 | |
Dr Clay has been explaining that you... | 0:08:25 | 0:08:29 | |
What? That I hit a new low? | 0:08:29 | 0:08:32 | |
-That last night... -Last night, you, er... | 0:08:34 | 0:08:36 | |
broke your Pinot Noir record, | 0:08:36 | 0:08:39 | |
which is why I thought you were going to be taking it easy today. | 0:08:39 | 0:08:42 | |
Pinot Noir? | 0:08:45 | 0:08:47 | |
Yes. It, um...it gives me a bad headache. | 0:08:47 | 0:08:51 | |
So, this is a hangover? | 0:08:52 | 0:08:54 | |
-Yes. -PHONE RINGS | 0:08:56 | 0:08:58 | |
Yes?! | 0:08:58 | 0:09:00 | |
Miss Pitman, I cannot speak to him now! | 0:09:00 | 0:09:02 | |
Jimmi's concerned about your wellbeing, Emma. | 0:09:05 | 0:09:07 | |
And we have a professional, | 0:09:07 | 0:09:10 | |
as well as a personal duty to offer support. | 0:09:10 | 0:09:13 | |
-I appreciate that, I do. -Good. Good. | 0:09:13 | 0:09:16 | |
Because we really do care about you. | 0:09:17 | 0:09:20 | |
Thank you. | 0:09:20 | 0:09:22 | |
I have been doing a lot of reading recently. | 0:09:22 | 0:09:25 | |
-Now, what is it that RD Laing says? -Not Laing, not now. | 0:09:25 | 0:09:27 | |
RD Laing says that insanity | 0:09:27 | 0:09:30 | |
is a perfectly rational adjustment to an insane world. | 0:09:30 | 0:09:33 | |
You think I...I'm insane?! | 0:09:33 | 0:09:36 | |
-No, we absolutely don't. Zara! -No, I wasn't saying that, | 0:09:36 | 0:09:38 | |
I was just saying it in a sort of, um... | 0:09:38 | 0:09:39 | |
you don't have to be mad to work here, but it helps, kind of a way! | 0:09:39 | 0:09:42 | |
Do you know what, I'm...I'm so sorry I interrupted your meeting. | 0:09:42 | 0:09:45 | |
You'll be able to speak about me a lot more freely when I'm not here. | 0:09:45 | 0:09:48 | |
Dr Reid, please...! | 0:09:48 | 0:09:50 | |
When you saw me, you smiled. | 0:09:55 | 0:09:56 | |
Of course I did! I was glad to see you. | 0:09:56 | 0:09:59 | |
You smiled like the last time we saw each other was the other week. | 0:09:59 | 0:10:02 | |
It's OK if you're mad at me. It's fine. | 0:10:04 | 0:10:08 | |
No, nothing's fine. | 0:10:08 | 0:10:10 | |
No word for years and then, "Oh, hey, Ayesh, nice to see you. | 0:10:10 | 0:10:13 | |
"By the way, there's a load of ace gin places in Birmingham, | 0:10:13 | 0:10:15 | |
"let's go get twisted"?! | 0:10:15 | 0:10:16 | |
-I don't drink any more. -Where have you been?! | 0:10:18 | 0:10:21 | |
Look, do you know where Tony is? | 0:10:21 | 0:10:24 | |
-Why today? -What? | 0:10:24 | 0:10:26 | |
Why are you back today? | 0:10:26 | 0:10:28 | |
Because I got strong enough. | 0:10:28 | 0:10:30 | |
Can you tell me where he is? | 0:10:30 | 0:10:32 | |
It's a herbal infusion. I thought it might help. | 0:10:34 | 0:10:37 | |
-Zara didn't mean it the way it sounded. -Didn't she? | 0:10:50 | 0:10:53 | |
No. She's, um...she's trying mindfulness, | 0:10:53 | 0:10:56 | |
but, er...obviously, it's early days. | 0:10:56 | 0:10:58 | |
Did you come in here to talk to me about Zara? | 0:10:58 | 0:11:01 | |
No. I, er...I came to see if you were OK. | 0:11:01 | 0:11:04 | |
And even if you're not OK, you will be OK because some things in life can't be fixed. | 0:11:04 | 0:11:07 | |
-They have to be carried with you. -Where did you learn that? Thailand? | 0:11:07 | 0:11:10 | |
No, from my own personal experience. | 0:11:10 | 0:11:12 | |
Look, Emma, why don't you just come back in with us? | 0:11:12 | 0:11:15 | |
Why? So they can carry on judging me? | 0:11:15 | 0:11:18 | |
No-one's judging you. Everyone just wants to support you. | 0:11:18 | 0:11:21 | |
Wow! | 0:11:26 | 0:11:29 | |
So this is his new firm? | 0:11:29 | 0:11:31 | |
He's working for himself now, but he's doing all right. | 0:11:31 | 0:11:33 | |
I couldn't believe his old place. All the drivers have got uniforms. | 0:11:33 | 0:11:36 | |
Fancy reception, coffee machine and everything. | 0:11:36 | 0:11:39 | |
Yeah, well, Tony's doing his best. | 0:11:39 | 0:11:42 | |
Does he do mate's rates? | 0:11:42 | 0:11:43 | |
Yeah, when I need a cab. | 0:11:43 | 0:11:45 | |
We've stayed in touch. | 0:11:45 | 0:11:47 | |
Oh. | 0:11:47 | 0:11:49 | |
That's good. | 0:11:49 | 0:11:51 | |
Hey, do you remember how chuffed he was when they gave him these? | 0:11:51 | 0:11:54 | |
-You kept his old business card. -Yeah. | 0:11:54 | 0:11:56 | |
Hi. | 0:12:04 | 0:12:06 | |
I couldn't find you. Not at the old flat. | 0:12:06 | 0:12:10 | |
The cab office. | 0:12:10 | 0:12:11 | |
I walked miles. | 0:12:11 | 0:12:14 | |
I wouldn't have found you now if it wasn't for Ayesha. | 0:12:14 | 0:12:17 | |
What did you think he'd do? | 0:12:25 | 0:12:27 | |
Of course she thought you were saying she's gone mad. | 0:12:31 | 0:12:34 | |
I feel awful. | 0:12:34 | 0:12:35 | |
Well, it's all right. Nothing changes overnight. | 0:12:35 | 0:12:39 | |
-I'm trying to be mindful. I managed it quite well yesterday. -Not today. | 0:12:39 | 0:12:43 | |
-Emma, come and take a seat. -No, no. I'm fine. Really. | 0:12:48 | 0:12:53 | |
Well, not fine. Clearly. | 0:12:53 | 0:12:55 | |
-I really didn't mean to upset you. -It's all right, Zara. | 0:12:55 | 0:12:59 | |
Why don't you tell us how you're feeling? | 0:13:01 | 0:13:03 | |
To be honest, | 0:13:08 | 0:13:10 | |
I'm not entirely sure. | 0:13:10 | 0:13:12 | |
All I do know is that everything I touch falls apart. | 0:13:13 | 0:13:18 | |
-Well, that's not true, is it? -Isn't it? | 0:13:18 | 0:13:22 | |
I failed as a mother. | 0:13:22 | 0:13:25 | |
A wife. | 0:13:25 | 0:13:26 | |
I can't hold down a relationship. | 0:13:27 | 0:13:30 | |
And after this last year, | 0:13:32 | 0:13:34 | |
I'm beginning to wonder if I'm even a good doctor. | 0:13:34 | 0:13:36 | |
That is utter rubbish! | 0:13:36 | 0:13:38 | |
I mean, the needle thing - it could have happened to any one of us. | 0:13:38 | 0:13:42 | |
But it didn't, though, Zara, did it? | 0:13:42 | 0:13:44 | |
It happened to me. | 0:13:44 | 0:13:47 | |
Another disaster in a whole line of them. | 0:13:47 | 0:13:49 | |
You are only human, Dr Reid. | 0:13:51 | 0:13:54 | |
-And none of us are in a position to judge you. -We all make mistakes. | 0:13:54 | 0:13:57 | |
What we have to do is support each other through them. | 0:13:57 | 0:14:00 | |
I have thought about going. | 0:14:00 | 0:14:03 | |
Have you? | 0:14:03 | 0:14:04 | |
Just disappear. | 0:14:04 | 0:14:06 | |
Start over. | 0:14:06 | 0:14:08 | |
What about professional support? | 0:14:08 | 0:14:11 | |
No. | 0:14:11 | 0:14:12 | |
-What? -No, Daniel's right. | 0:14:12 | 0:14:15 | |
What you need is support from someone here. | 0:14:15 | 0:14:19 | |
Someone who can be with you whenever you need them. | 0:14:19 | 0:14:23 | |
Someone who is committed to getting you back on track. | 0:14:23 | 0:14:27 | |
Maybe that someone is me. | 0:14:31 | 0:14:33 | |
Maybe it's me. | 0:14:35 | 0:14:36 | |
KNOCK AT DOOR | 0:14:40 | 0:14:42 | |
Tony. | 0:14:42 | 0:14:45 | |
I'm coming in. | 0:14:45 | 0:14:47 | |
Tony. | 0:14:56 | 0:14:57 | |
You look well. | 0:14:58 | 0:15:01 | |
You don't look all murdered and cut up and lying in a ditch, like... | 0:15:03 | 0:15:07 | |
You don't look dead. | 0:15:09 | 0:15:12 | |
Not like I've pictured you every day for the last seven years. | 0:15:12 | 0:15:16 | |
-Look, I had to go. -Is that right? | 0:15:16 | 0:15:18 | |
I had to. | 0:15:18 | 0:15:20 | |
I was desperate. | 0:15:20 | 0:15:22 | |
-I was having a breakdown. -Well, if you say so, yeah. | 0:15:22 | 0:15:25 | |
I want to explain. | 0:15:26 | 0:15:29 | |
-Well, this should be good. Go ahead. -I couldn't hold it together. | 0:15:29 | 0:15:32 | |
I felt like I was dying. | 0:15:34 | 0:15:36 | |
-You never said goodbye to your baby girl. -Tony... | 0:15:41 | 0:15:44 | |
I don't want her in here. | 0:15:44 | 0:15:47 | |
There's nothing for her here. | 0:15:47 | 0:15:50 | |
-You need to talk. -Why? | 0:15:50 | 0:15:52 | |
I was better off ten minutes ago when she was still dead. | 0:15:52 | 0:15:55 | |
Why didn't you tell them about the pills? | 0:15:58 | 0:16:01 | |
Um, well, we've all been in dark places and we've all had | 0:16:01 | 0:16:05 | |
friends that have pulled us back in, | 0:16:05 | 0:16:07 | |
so maybe I don't always feel like I've been there to support you. | 0:16:07 | 0:16:11 | |
You, Jimmi Clay, are not one of my painful regrets. | 0:16:13 | 0:16:16 | |
So, what now? | 0:16:16 | 0:16:18 | |
Well, I'll just have to keep everything crossed that Zara | 0:16:18 | 0:16:23 | |
doesn't want to hug me. | 0:16:23 | 0:16:25 | |
You're going to give her a chance? | 0:16:25 | 0:16:28 | |
-Yeah, why not? -Just not hugging. -SHE CHUCKLES | 0:16:29 | 0:16:32 | |
Look, I had to be selfish. | 0:16:38 | 0:16:40 | |
-But I'm not that person now. -Did you phone a helpline, did you? | 0:16:40 | 0:16:44 | |
Eventually. | 0:16:44 | 0:16:45 | |
Don't you even think about it. | 0:16:47 | 0:16:49 | |
-Does she know? -Yes, "she" knows. | 0:16:52 | 0:16:54 | |
But does she care? No. So you turned to someone else. So what? | 0:16:54 | 0:16:58 | |
She doesn't know, does she? | 0:17:00 | 0:17:02 | |
I'd like to see her. | 0:17:02 | 0:17:04 | |
Look, I don't care if you two have been together. | 0:17:04 | 0:17:07 | |
I'm OK with it. | 0:17:07 | 0:17:09 | |
Look, all I want is to see Molly. | 0:17:09 | 0:17:11 | |
Can I? | 0:17:13 | 0:17:15 | |
Tony? | 0:17:15 | 0:17:17 | |
You need to talk. | 0:17:17 | 0:17:19 | |
You both have things you need to say. | 0:17:19 | 0:17:22 | |
I can't do this for you. | 0:17:22 | 0:17:24 | |
Hi, Jimmi. It's me. | 0:17:32 | 0:17:35 | |
I just wondered if you'd spoken to Emma yet. | 0:17:35 | 0:17:38 | |
Is she OK? | 0:17:39 | 0:17:41 | |
Look, | 0:17:42 | 0:17:44 | |
she doesn't even need to know who I am. | 0:17:44 | 0:17:47 | |
However you want to play it. | 0:17:47 | 0:17:49 | |
I'll wait. I'll wait as long as you want. | 0:17:51 | 0:17:54 | |
If you want me to prove myself, I'll prove myself. | 0:17:54 | 0:17:58 | |
It's your call. | 0:17:58 | 0:18:00 | |
Tony... | 0:18:00 | 0:18:02 | |
Just say something, please. | 0:18:02 | 0:18:04 | |
-How could you just go like that? -Because I thought I was toxic. | 0:18:07 | 0:18:11 | |
To you and to Molly. | 0:18:11 | 0:18:13 | |
I genuinely believed I was doing the best thing for you and for her. | 0:18:13 | 0:18:17 | |
The nicer you were, | 0:18:19 | 0:18:21 | |
the worse I felt. | 0:18:21 | 0:18:23 | |
I was filthy. | 0:18:26 | 0:18:27 | |
Useless. | 0:18:27 | 0:18:29 | |
Does she like to dance? I bet she loves to dance. | 0:18:34 | 0:18:37 | |
Tony, for God's sake! | 0:18:37 | 0:18:40 | |
What? | 0:18:40 | 0:18:42 | |
Martha...they found a heart murmur. | 0:18:44 | 0:18:47 | |
I'm so sorry. | 0:18:49 | 0:18:50 | |
Molly had surgery, but there were complications. | 0:18:50 | 0:18:54 | |
Intractable heart failure. | 0:18:55 | 0:18:57 | |
She didn't make it. | 0:18:58 | 0:19:00 | |
You can't see her because Molly died four years ago. | 0:19:00 | 0:19:03 | |
She didn't. | 0:19:07 | 0:19:08 | |
-She didn't! -She did. | 0:19:10 | 0:19:13 | |
You think you left a healthy baby, but you didn't. | 0:19:13 | 0:19:16 | |
And did you even care? You just bogged off. | 0:19:16 | 0:19:21 | |
And do you...? Do you think about me? Nah. | 0:19:21 | 0:19:25 | |
And I'm not OK either. You ask Ayesha. You ask her about my heart. | 0:19:25 | 0:19:28 | |
You need to calm down. | 0:19:28 | 0:19:30 | |
You ask her about why I have to leave off the fags. | 0:19:30 | 0:19:33 | |
Because of heart disease! | 0:19:33 | 0:19:34 | |
That's why! | 0:19:34 | 0:19:36 | |
See, me and Molly, our hearts were broken before you left us! | 0:19:36 | 0:19:40 | |
I am peaceful, I am strong. | 0:19:40 | 0:19:42 | |
-Though the dark may seem so long. -What's she doing now? | 0:19:42 | 0:19:45 | |
-Though the dark may seem so long... -Martha. | 0:19:45 | 0:19:48 | |
I can't feel bad any more. I can't! | 0:19:48 | 0:19:50 | |
More hippy-dippy tripe! Here we go! Huh? | 0:19:50 | 0:19:53 | |
Molly... | 0:19:56 | 0:19:58 | |
I missed you. | 0:20:00 | 0:20:01 | |
Always. | 0:20:01 | 0:20:03 | |
I just... I just felt like my brains were...melting. | 0:20:05 | 0:20:10 | |
-That's how you felt? -Don't fall for it! | 0:20:11 | 0:20:14 | |
Did you ever see her miserable? | 0:20:14 | 0:20:17 | |
Madhouse Martha, that was her. Always the life and soul. | 0:20:17 | 0:20:20 | |
Always up for a laugh. | 0:20:20 | 0:20:22 | |
People in pain can put on the best show. | 0:20:22 | 0:20:24 | |
She went where she wanted, she did what she wanted. | 0:20:24 | 0:20:26 | |
As long as Martha was happy and Tony's the drip that never said no! | 0:20:26 | 0:20:30 | |
-You were too good. -I was a pillock! | 0:20:30 | 0:20:33 | |
So don't come back here with your phoney chanting and your | 0:20:33 | 0:20:36 | |
crocodile tears! Get up and get out! I don't want to look at you! | 0:20:36 | 0:20:40 | |
-I'm sorry. -Blah, blah, blah, blah! Words are easy! | 0:20:51 | 0:20:54 | |
-It's what you do that counts. -I hated myself. -Good! | 0:20:54 | 0:20:57 | |
-I should have seen it. -It wasn't you, Ayesha. | 0:20:59 | 0:21:02 | |
It was her. So tell her to go. Do one. Get out! | 0:21:02 | 0:21:06 | |
I don't want you here! She's the one that should have di... | 0:21:06 | 0:21:10 | |
Aspirin. Where is it? I'm calling an ambulance. | 0:21:10 | 0:21:13 | |
Argh! | 0:21:13 | 0:21:15 | |
All right, there? I knew you'd call me back. | 0:21:17 | 0:21:20 | |
Want to know how you're spending your lunch break? | 0:21:20 | 0:21:22 | |
-You got a minute? -If you are lucky. | 0:21:22 | 0:21:25 | |
-You just listen and then say yes, OK? -I'm listening. | 0:21:25 | 0:21:28 | |
Bike, sandwiches, and a bottle of pop. | 0:21:28 | 0:21:30 | |
You and me ride flat out for 20 minutes and see where the | 0:21:30 | 0:21:33 | |
-road takes us. -KNOCK AT DOOR | 0:21:33 | 0:21:35 | |
Mrs Tembe? May I come in? | 0:21:35 | 0:21:37 | |
I am sorry. I have to go. I will call you back. | 0:21:37 | 0:21:41 | |
-Yeah, course. If I don't pick up, just leave a message. -Goodbye. | 0:21:41 | 0:21:45 | |
-Come in. -The answer better be... | 0:21:45 | 0:21:48 | |
24 hour, to be signed for. Obviously urgent. | 0:21:51 | 0:21:55 | |
Thank you. | 0:21:56 | 0:21:57 | |
Can you give them a minute? | 0:22:00 | 0:22:02 | |
Be quick. | 0:22:02 | 0:22:04 | |
Thanks. | 0:22:04 | 0:22:05 | |
Look, I wish I could have been who I was trying to be. | 0:22:08 | 0:22:11 | |
So do I. | 0:22:11 | 0:22:12 | |
-Please, Tony... -What do you want from me? | 0:22:12 | 0:22:16 | |
-I just need a bit of time. -I hate time. -Tony... | 0:22:16 | 0:22:19 | |
I don't need you to break any more hearts. Just go away, Martha. | 0:22:19 | 0:22:22 | |
-Another minute! -She doesn't need another minute. | 0:22:22 | 0:22:25 | |
Could have another seven years, I'd still hate you. | 0:22:25 | 0:22:29 | |
And, Martha? | 0:22:29 | 0:22:31 | |
-This time, don't come back! -He doesn't mean it. | 0:22:31 | 0:22:35 | |
He does. | 0:22:35 | 0:22:37 | |
She used to say, "Is Mummy at the festival?" | 0:22:39 | 0:22:43 | |
And Tony would dance with her and say, "Yeah, she is." | 0:22:43 | 0:22:46 | |
Molly did love to dance. | 0:22:46 | 0:22:49 | |
Drop you back in to town? | 0:22:52 | 0:22:53 | |
No. | 0:22:53 | 0:22:55 | |
I'm obviously best on my own. | 0:22:56 | 0:22:58 | |
I'll see you though, yeah? | 0:22:58 | 0:23:01 | |
Yeah. | 0:23:01 | 0:23:02 | |
'You have one message.' | 0:23:21 | 0:23:25 | |
'Hello, it turns out that lunch today will be impossible. | 0:23:25 | 0:23:29 | |
'I will speak to you soon. I am sorry.' | 0:23:29 | 0:23:32 | |
-Ready for the course? -As I'll ever be. | 0:23:36 | 0:23:40 | |
-So, how are things with you today? -Me? | 0:23:40 | 0:23:43 | |
-Yeah, you do know that I know, don't you? -Yeah. | 0:23:43 | 0:23:46 | |
Be weird if you didn't know, seeing as you all live together. | 0:23:46 | 0:23:49 | |
So, did Daniel and Zara get the full story? | 0:23:49 | 0:23:51 | |
No, I didn't think they needed to. Besides, she's got us looking out | 0:23:51 | 0:23:55 | |
-for her. -She's got a bigger safety net than she knows. | 0:23:55 | 0:23:57 | |
-Yeah, and now she's got Zara too. -Zara? -Mm. | 0:23:57 | 0:24:00 | |
Ayesha. What can I do to make your afternoon stress-free? | 0:24:10 | 0:24:15 | |
-Tell me Emma's still here. -Um... -Is she in the staffroom? | 0:24:15 | 0:24:19 | |
Um... | 0:24:19 | 0:24:21 | |
-What's going on? -There is a tete-a-tete situation going on. | 0:24:21 | 0:24:26 | |
-Move. -No. Really, please don't go in there. -What's the matter? | 0:24:26 | 0:24:31 | |
You are SO not right. | 0:24:32 | 0:24:34 | |
Right, do you want to go in my room and we can discuss it in | 0:24:34 | 0:24:38 | |
there together? | 0:24:38 | 0:24:39 | |
I want to do this. | 0:24:43 | 0:24:45 | |
Because I respect you. | 0:24:45 | 0:24:47 | |
Frankly, I don't have lots of friends because | 0:24:47 | 0:24:49 | |
few people seem worth the effort. | 0:24:49 | 0:24:52 | |
-But I think you are. -I'm sorry? | 0:24:52 | 0:24:55 | |
You're worth the effort. | 0:24:55 | 0:24:57 | |
Am I? | 0:24:59 | 0:25:00 | |
I know what you're made of and I want to be there for you, | 0:25:00 | 0:25:04 | |
Emma, and get you back to being the woman we both know you can be. | 0:25:04 | 0:25:08 | |
Oh, I see. | 0:25:11 | 0:25:13 | |
You think I'm some sort of project. | 0:25:13 | 0:25:16 | |
Yes. | 0:25:16 | 0:25:18 | |
No, not if your definition of project is something trendy and | 0:25:18 | 0:25:21 | |
offensive, but if you think of it as something meaningful | 0:25:21 | 0:25:25 | |
and worthwhile, then yes. | 0:25:25 | 0:25:28 | |
So, I have a plan. | 0:25:28 | 0:25:29 | |
Now, don't dismiss this out of hand because frankly, it's marvellous. | 0:25:29 | 0:25:32 | |
-There's this conference... -A conference?! | 0:25:32 | 0:25:35 | |
Well, yes, but that's not important at all. The conference part. | 0:25:35 | 0:25:38 | |
It's the journey. | 0:25:38 | 0:25:40 | |
Something that will afford us the space and the time to | 0:25:40 | 0:25:44 | |
reconnect with ourselves. | 0:25:44 | 0:25:47 | |
We can plan our route, the stopping-off points, | 0:25:47 | 0:25:51 | |
and the sights we want to see along the way. | 0:25:51 | 0:25:54 | |
So, what you're suggesting is some sort of road trip? | 0:25:55 | 0:26:00 | |
-To where? -Winchester. | 0:26:02 | 0:26:04 | |
No, er, Worcester. | 0:26:04 | 0:26:06 | |
Oh, Walsall? I can't remember. Anyway, don't worry about that. | 0:26:06 | 0:26:10 | |
I'm going to pin down all the details, make all the plans, | 0:26:10 | 0:26:12 | |
all the arrangements, book the hotel, the restaurants, and plan the scenic route. | 0:26:12 | 0:26:17 | |
Well, I...suppose... | 0:26:17 | 0:26:19 | |
Come on. It's going to be cathartic and renewing. | 0:26:19 | 0:26:23 | |
For both of us. | 0:26:23 | 0:26:25 | |
What do you say? | 0:26:27 | 0:26:29 | |
Emma? | 0:26:30 | 0:26:32 | |
-Can I do the playlist? -Fantastic! This is going to be great. | 0:26:32 | 0:26:35 | |
-You have no idea how great this is going to be. -Hmm. | 0:26:35 | 0:26:39 | |
I thought you were supposed to be on a course. | 0:26:42 | 0:26:45 | |
-It doesn't start till later. -It'll make you a better doctor. | 0:26:45 | 0:26:48 | |
Don't say that like there's lots of room for improvement. | 0:26:48 | 0:26:50 | |
There's always room for improvement. | 0:26:50 | 0:26:53 | |
I'm Sid. | 0:26:53 | 0:26:56 | |
Janet. | 0:26:56 | 0:26:58 | |
Er... When you're awake, we need to have a chat. | 0:27:00 | 0:27:03 | |
That sounds ominous. | 0:27:03 | 0:27:05 |