Browse content similar to Should I Stay or Should I Go. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Can I just say...? -Emma... | 0:00:31 | 0:00:33 | |
I hate these suits. I mean, look at them! | 0:00:33 | 0:00:37 | |
They haven't even got a waist - I look like Michelin Man. | 0:00:37 | 0:00:39 | |
-All right, you need to focus. -What? Oh, yeah, OK...focus... | 0:00:39 | 0:00:44 | |
EMMA CLEARS HER THROAT Right... | 0:00:44 | 0:00:46 | |
Footprint is...facing towards the body. | 0:00:48 | 0:00:51 | |
-You go that way. -OK... | 0:00:52 | 0:00:53 | |
-Aargh! -Sorry... I'm sorry! | 0:01:00 | 0:01:03 | |
I'm sorry. | 0:01:03 | 0:01:04 | |
Let's take a break. | 0:01:05 | 0:01:07 | |
The guy's officious, he's bumptious. He's full of himself. | 0:01:12 | 0:01:15 | |
-Who is? -Anthony! | 0:01:15 | 0:01:16 | |
-Haven't you been listening to a word I've been saying? -No! | 0:01:16 | 0:01:19 | |
I've been focusing on this, like you should be. | 0:01:19 | 0:01:21 | |
Good morning. | 0:01:21 | 0:01:22 | |
I'm Grant Hodges, | 0:01:22 | 0:01:23 | |
and I'm leading this forensics awareness course. | 0:01:23 | 0:01:26 | |
The idea is... | 0:01:26 | 0:01:28 | |
and this is right out of the manual... | 0:01:28 | 0:01:30 | |
to become aware of the evidential value of forensic exhibits, | 0:01:30 | 0:01:33 | |
preservation and contamination, | 0:01:33 | 0:01:36 | |
specialist roles in recovering and analysing forensic evidence... | 0:01:36 | 0:01:39 | |
and different recovery techniques. | 0:01:39 | 0:01:41 | |
By the end, you'll know all you need to know | 0:01:41 | 0:01:44 | |
to work as an FME on the crime scene. | 0:01:44 | 0:01:46 | |
We're lucky to have Dave... | 0:01:46 | 0:01:48 | |
He'll be playing the body | 0:01:49 | 0:01:50 | |
in several of the scenarios we're enacting today. | 0:01:50 | 0:01:53 | |
Before we get started, let's refresh ourselves on some of the basics. | 0:01:53 | 0:01:57 | |
A...B...C... | 0:01:57 | 0:01:59 | |
who can tell me...? | 0:01:59 | 0:02:00 | |
Erm... | 0:02:01 | 0:02:02 | |
Assume nothing, | 0:02:02 | 0:02:03 | |
believe no-one, | 0:02:03 | 0:02:04 | |
and challenge everything. | 0:02:04 | 0:02:06 | |
Excellent. | 0:02:06 | 0:02:07 | |
And APC? | 0:02:07 | 0:02:09 | |
Erm...assess, preserve, communicate. | 0:02:09 | 0:02:12 | |
-That's right. -Yeah. So, assess... | 0:02:12 | 0:02:14 | |
is the crime scene safe to investigate, | 0:02:14 | 0:02:17 | |
does anybody need, erm, medical assistance, | 0:02:17 | 0:02:20 | |
and is there any risk to anyone? | 0:02:20 | 0:02:23 | |
And preserve? | 0:02:23 | 0:02:25 | |
You're keen. | 0:02:25 | 0:02:27 | |
-Can someone else answer? -Erm... | 0:02:27 | 0:02:29 | |
Preserve the crime scene, | 0:02:29 | 0:02:31 | |
protect the evidence, and minimise contamination of the evidence. | 0:02:31 | 0:02:34 | |
Spot on. | 0:02:34 | 0:02:35 | |
And communication... | 0:02:35 | 0:02:37 | |
..is pretty self-explanatory. | 0:02:37 | 0:02:39 | |
So... | 0:02:39 | 0:02:41 | |
let's go on to the duties of the first officer on the scene... | 0:02:41 | 0:02:44 | |
You're being a bit head girl, aren't you? | 0:02:44 | 0:02:46 | |
This isn't school, you know, it's a professional qualification. | 0:02:46 | 0:02:49 | |
Trials, investigations - we're supposed to know our stuff. | 0:02:49 | 0:02:52 | |
All right...head girl. | 0:02:52 | 0:02:54 | |
Shut up! | 0:02:54 | 0:02:55 | |
Of course there's a dress code. | 0:02:56 | 0:02:58 | |
Anyone who turns up in jeans...or trainers...will be dealt with. | 0:02:58 | 0:03:03 | |
Dealt with? | 0:03:03 | 0:03:04 | |
Well, not allowed over the threshold. | 0:03:04 | 0:03:06 | |
If you don't know me well enough to know that I have standards, | 0:03:06 | 0:03:08 | |
then you have no business being there. | 0:03:08 | 0:03:10 | |
Obviously. | 0:03:10 | 0:03:12 | |
So, how are the...preparations coming along? | 0:03:12 | 0:03:15 | |
Well, I've got the caterers coming, and waiters, of course, | 0:03:15 | 0:03:18 | |
cases of champagne being delivered, | 0:03:18 | 0:03:20 | |
and some desserts from the best patisserie - | 0:03:20 | 0:03:22 | |
I should follow that up. I'm not sure if everything's going to be ready. | 0:03:22 | 0:03:25 | |
If I give you a list, | 0:03:25 | 0:03:26 | |
could you call round to check for me? | 0:03:26 | 0:03:28 | |
I'd love to. | 0:03:28 | 0:03:29 | |
That'd be a great help, Valerie. Thanks. | 0:03:29 | 0:03:31 | |
If anyone asks, you could just say that you're my PA. | 0:03:31 | 0:03:34 | |
Do you want us to call round all the guests, | 0:03:34 | 0:03:36 | |
-make sure they're coming? -Oh, there's no need, | 0:03:36 | 0:03:38 | |
that's absolutely fine. I've got it all in hand. | 0:03:38 | 0:03:41 | |
Oh, how some people live! | 0:03:41 | 0:03:43 | |
Can't wait to see it. | 0:03:43 | 0:03:44 | |
Sounds like heaven... | 0:03:44 | 0:03:46 | |
Now, just be professional. | 0:03:46 | 0:03:48 | |
Go in remembering your ABCs... | 0:03:48 | 0:03:50 | |
And your APCs! | 0:03:50 | 0:03:51 | |
..and the common approach path. | 0:03:51 | 0:03:54 | |
What's the thinking? | 0:03:54 | 0:03:55 | |
A path through the crime scene, | 0:03:55 | 0:03:57 | |
avoiding the path taken by the killer. | 0:03:57 | 0:03:59 | |
Suspected killer. | 0:03:59 | 0:04:01 | |
Reach a conclusion. | 0:04:01 | 0:04:03 | |
Does the evidence and your instinct point to a suspicious death, | 0:04:03 | 0:04:07 | |
and are you entering a probable scene of crime? | 0:04:07 | 0:04:10 | |
Enjoy yourselves. | 0:04:10 | 0:04:11 | |
Nobody died! | 0:04:11 | 0:04:15 | |
The body has no pulse and is cold to the touch. | 0:04:15 | 0:04:21 | |
-Ready? -Head girl is always ready. | 0:04:21 | 0:04:24 | |
Oh! I'm sorry! | 0:04:32 | 0:04:35 | |
I've forgotten to stick to the approach path. | 0:04:35 | 0:04:37 | |
Can we start again? | 0:04:37 | 0:04:38 | |
No problem. Come back and we'll reset. | 0:04:38 | 0:04:41 | |
I'm sorry. | 0:04:41 | 0:04:42 | |
-Are you going tomorrow night? -No. | 0:04:45 | 0:04:46 | |
I'd like to but... | 0:04:46 | 0:04:47 | |
I feel bad going when Heston's stuck at home recuperating. | 0:04:47 | 0:04:50 | |
What time's the home visit? | 0:04:50 | 0:04:51 | |
20 minutes, so, as long as the traffic's OK, I'll be fine. | 0:04:51 | 0:04:57 | |
Are you going? | 0:04:57 | 0:04:58 | |
Don't know. If Emma goes, probably. | 0:04:58 | 0:05:00 | |
Wouldn't it be funny if no-one showed up? | 0:05:00 | 0:05:02 | |
Could you imagine Zara's face? | 0:05:02 | 0:05:04 | |
Erm, no, cos that would be wrong. | 0:05:04 | 0:05:06 | |
-I'm only thinking about it. -Yeah, good. | 0:05:06 | 0:05:08 | |
Besides, it's free food and drink - people will go. | 0:05:08 | 0:05:11 | |
Right, I've got a baby to meet. | 0:05:11 | 0:05:14 | |
Have you got a minute? | 0:05:14 | 0:05:15 | |
-Pronounce dead? -Yeah. | 0:05:31 | 0:05:33 | |
Anything suspicious? | 0:05:33 | 0:05:36 | |
-Fingernails? -Mmm-hmm. | 0:05:38 | 0:05:39 | |
Erm...signs of a fight, what appears to be blood underneath | 0:05:41 | 0:05:43 | |
the fingernails, so... We would believe this is a suspicious death. | 0:05:43 | 0:05:47 | |
Good. | 0:05:47 | 0:05:48 | |
You're right. | 0:05:48 | 0:05:49 | |
But... | 0:05:51 | 0:05:52 | |
You both did well... | 0:05:54 | 0:05:56 | |
-identifying and avoiding the path taken by the killer through the room... -So, why the "but"? | 0:05:56 | 0:06:00 | |
You thought, because you'd reached a conclusion, | 0:06:00 | 0:06:03 | |
you were safe and lowered your guard. | 0:06:03 | 0:06:05 | |
When leaving the scene, you contaminated what might be | 0:06:10 | 0:06:13 | |
a vital piece of forensic evidence. | 0:06:13 | 0:06:14 | |
Yeah, well, the scenario was over - | 0:06:14 | 0:06:16 | |
I mean, it's not like this is for real. | 0:06:16 | 0:06:19 | |
It's time you acted like it is. | 0:06:19 | 0:06:20 | |
Excellent work, Jimmi. | 0:06:24 | 0:06:25 | |
Heston sends his apologies. | 0:06:31 | 0:06:34 | |
What about Ruhma? | 0:06:34 | 0:06:35 | |
Well, I expect she'll feel bad leaving him to come to a party, | 0:06:35 | 0:06:38 | |
which I understand. | 0:06:38 | 0:06:39 | |
Of course. | 0:06:39 | 0:06:40 | |
Anyone confirmed yet? | 0:06:41 | 0:06:43 | |
Only Karen and Valerie. | 0:06:43 | 0:06:45 | |
And my friends. | 0:06:45 | 0:06:46 | |
Oh. | 0:06:46 | 0:06:47 | |
Don't worry, it might just be you, your golf buddies | 0:06:47 | 0:06:50 | |
and a load of fabulous women. | 0:06:50 | 0:06:51 | |
PHONE BEEPS | 0:06:51 | 0:06:52 | |
Talk of the devil! | 0:06:52 | 0:06:54 | |
Excellent work. | 0:06:56 | 0:06:58 | |
Very, very thorough. | 0:06:58 | 0:07:00 | |
Just a couple of things... | 0:07:00 | 0:07:01 | |
Are you going to this party tomorrow night? | 0:07:02 | 0:07:06 | |
I suppose I'm going to have to go. | 0:07:06 | 0:07:08 | |
I mean, you know what Daniel and Zara are like. | 0:07:08 | 0:07:10 | |
It'll be the Spanish Inquisition for anybody who doesn't show up, | 0:07:10 | 0:07:12 | |
unless they've got at least two notes from two doctors. | 0:07:12 | 0:07:15 | |
Oh, well, you scratch my back... | 0:07:15 | 0:07:17 | |
Oh. Deal. | 0:07:17 | 0:07:19 | |
Now, put all that stuff out your mind and focus on this, otherwise you'll keep tripping up. | 0:07:19 | 0:07:23 | |
Touche... | 0:07:23 | 0:07:24 | |
-That was Gill - she cancelled! -Oh. | 0:07:27 | 0:07:29 | |
Some nonsense about... | 0:07:29 | 0:07:31 | |
OK, what does it matter? It's probably best that it's Gill. | 0:07:31 | 0:07:34 | |
She's hard work at the best of times, and who wants to sit around listening to her | 0:07:34 | 0:07:37 | |
getting drunk and talking about her divorce all evening? | 0:07:37 | 0:07:40 | |
-It's good that you're... -We can have a good time without her. | 0:07:40 | 0:07:42 | |
-Now, which of the other staff haven't answered? -Jimmi, Al, and Emma. | 0:07:42 | 0:07:46 | |
I really can't overstate how important it is that we do not | 0:07:48 | 0:07:51 | |
contaminate the environment. | 0:07:51 | 0:07:54 | |
Remember Locard's Law. Every contact leaves a trace. | 0:07:54 | 0:07:57 | |
That applies to us, as well as criminals. | 0:07:57 | 0:07:59 | |
Clearly it's going to be impossible to interact | 0:07:59 | 0:08:02 | |
with the crime scene and leave no trace, but our job... | 0:08:02 | 0:08:06 | |
is to always be conscious of this | 0:08:06 | 0:08:07 | |
and leave as little trace as possible. | 0:08:07 | 0:08:11 | |
EMMA'S PHONE RINGS | 0:08:11 | 0:08:13 | |
I did ask for all phones to be switched off. | 0:08:13 | 0:08:16 | |
I-I'm switching it off! | 0:08:16 | 0:08:18 | |
Right... | 0:08:18 | 0:08:20 | |
on to the next crime scene. | 0:08:20 | 0:08:23 | |
Could I have a word, please, Jimmi? | 0:08:23 | 0:08:25 | |
ZARA SIGHS | 0:08:28 | 0:08:29 | |
What did Emma say? | 0:08:31 | 0:08:32 | |
That wasn't Emma. That was Jennifer. | 0:08:32 | 0:08:34 | |
Now she's cancelled. | 0:08:34 | 0:08:35 | |
Aargh! | 0:08:35 | 0:08:36 | |
OK, OK, everything will be... | 0:08:36 | 0:08:38 | |
She's had some deadline dumped on her. | 0:08:38 | 0:08:41 | |
She wishes us all the best and | 0:08:41 | 0:08:42 | |
she's sure the party's going to be fabulous. Of course it's going to be fabulous without her, | 0:08:42 | 0:08:46 | |
but it won't be fabulous with no guests at all! | 0:08:46 | 0:08:48 | |
Enjoying it? | 0:08:48 | 0:08:49 | |
Yeah, of course. I wouldn't be here if I didn't. | 0:08:49 | 0:08:51 | |
Good. | 0:08:51 | 0:08:52 | |
You've done well today. | 0:08:52 | 0:08:55 | |
Thing is... | 0:08:55 | 0:08:56 | |
some of our best people are part-timers, | 0:08:56 | 0:09:00 | |
juggling police with NHS work, | 0:09:00 | 0:09:03 | |
but... | 0:09:03 | 0:09:04 | |
we also need full-timers with no other commitments. | 0:09:04 | 0:09:07 | |
Now, there are...opportunities and scope for some managerial input. | 0:09:08 | 0:09:13 | |
Are you suggesting I become a full-time FME? | 0:09:14 | 0:09:17 | |
If you're up for it...yes. | 0:09:17 | 0:09:19 | |
Well, I'm flattered, obviously, but... | 0:09:23 | 0:09:26 | |
I'm a partner at a large GP practice. | 0:09:26 | 0:09:29 | |
I'm not hearing "no". | 0:09:29 | 0:09:31 | |
Look...I understand your GP work pays more... | 0:09:32 | 0:09:38 | |
You became a Police Surgeon because it's not just about the money. | 0:09:38 | 0:09:42 | |
I'd like to think about it. | 0:09:45 | 0:09:46 | |
Take all the time you need. | 0:09:48 | 0:09:49 | |
-What was that about? -Nothing. | 0:09:53 | 0:09:55 | |
I will speak to Sid, Ayesha, Al, and turn on the charm. | 0:09:55 | 0:09:59 | |
-Charm? -Yes, just to make sure they come. | 0:09:59 | 0:10:02 | |
And Heston won't begrudge Ruhma one night out, surely? | 0:10:02 | 0:10:05 | |
It's not as if they're joined at the hip. | 0:10:05 | 0:10:07 | |
I have ways of making you come to my party. | 0:10:13 | 0:10:17 | |
Do you understand? | 0:10:18 | 0:10:20 | |
Good. | 0:10:21 | 0:10:23 | |
So... | 0:10:23 | 0:10:24 | |
repeat after me, | 0:10:24 | 0:10:27 | |
"I will... | 0:10:27 | 0:10:28 | |
have fun... | 0:10:28 | 0:10:29 | |
at Zara and Daniel's party." | 0:10:29 | 0:10:32 | |
I will... | 0:10:32 | 0:10:33 | |
have fun... | 0:10:33 | 0:10:34 | |
at Zara and Daniel's... | 0:10:34 | 0:10:36 | |
Daniel's... | 0:10:36 | 0:10:38 | |
Daniel's... | 0:10:38 | 0:10:40 | |
Daniel's... | 0:10:40 | 0:10:41 | |
Daniel... | 0:10:41 | 0:10:42 | |
Daniel! | 0:10:43 | 0:10:44 | |
Yeah. | 0:10:44 | 0:10:45 | |
Am I boring you? | 0:10:45 | 0:10:47 | |
Erm, no... Erm, listen - why don't I talk to them? | 0:10:47 | 0:10:50 | |
What, you think I can't be charming? | 0:10:50 | 0:10:52 | |
Emma, just relax. | 0:10:55 | 0:10:57 | |
He's got it in for me now. | 0:10:57 | 0:10:59 | |
No, he hasn't. | 0:10:59 | 0:11:01 | |
Oh, and he told you that, did he, | 0:11:01 | 0:11:03 | |
when you were having your private little conference earlier, about nothing? | 0:11:03 | 0:11:07 | |
He was commenting on some of my police surgeon work. | 0:11:07 | 0:11:11 | |
You weren't even mentioned. | 0:11:11 | 0:11:12 | |
He was...being very nice. | 0:11:12 | 0:11:14 | |
Yes, well, if he was being nice, | 0:11:15 | 0:11:17 | |
of course I wasn't mentioned. | 0:11:17 | 0:11:20 | |
You... | 0:11:20 | 0:11:21 | |
You weren't mentioned! W-Why would I lie about that? | 0:11:22 | 0:11:25 | |
Are you two...ready? | 0:11:28 | 0:11:29 | |
-Yup! -Yeah. | 0:11:29 | 0:11:30 | |
No pulse. | 0:11:47 | 0:11:48 | |
Body is cold, clammy to the touch. | 0:11:48 | 0:11:50 | |
Right, erm... | 0:11:52 | 0:11:54 | |
no pulse... | 0:11:54 | 0:11:55 | |
..no obvious signs of respiration. | 0:11:58 | 0:12:00 | |
So, a death, erm... | 0:12:02 | 0:12:04 | |
..cause - to be determined. | 0:12:05 | 0:12:07 | |
Going by the amount of blood visible, exsanguination's a probable cause. | 0:12:08 | 0:12:12 | |
What you're looking at are lacerations on the wrist. | 0:12:12 | 0:12:15 | |
These are the only lacerations. | 0:12:15 | 0:12:17 | |
Right, | 0:12:19 | 0:12:20 | |
OK, so, erm... | 0:12:20 | 0:12:22 | |
..the wound looks self-inflicted. | 0:12:23 | 0:12:26 | |
A possible suicide? | 0:12:26 | 0:12:28 | |
But the victim... | 0:12:28 | 0:12:29 | |
wears a watch on his left hand, | 0:12:29 | 0:12:33 | |
which would suggest that he's right-handed. | 0:12:33 | 0:12:36 | |
And, if that's the case, | 0:12:36 | 0:12:39 | |
then the wounds were inflicted with his left hand, | 0:12:39 | 0:12:45 | |
but, there's no...obvious sign of any...sharp object | 0:12:45 | 0:12:49 | |
that would have caused the injuries. | 0:12:49 | 0:12:51 | |
-ATCHOO! -Oh...! | 0:12:51 | 0:12:53 | |
Just ignore that and carry on, please. | 0:12:53 | 0:12:55 | |
Hay fever? | 0:12:55 | 0:12:57 | |
EMMA LAUGHS | 0:12:57 | 0:12:59 | |
-Focus. -Sorry. | 0:12:59 | 0:13:01 | |
Can you focus?! | 0:13:01 | 0:13:03 | |
EMMA CARRIES ON GIGGLING | 0:13:03 | 0:13:05 | |
Stop! | 0:13:05 | 0:13:06 | |
I think we need to have a word. | 0:13:08 | 0:13:10 | |
Well, I really don't see why I should take the blame. | 0:13:13 | 0:13:15 | |
I mean, It's not like a cadaver's going to... | 0:13:15 | 0:13:17 | |
jump up and scare the bejesus out of me in the real world, is it? | 0:13:17 | 0:13:20 | |
You have to be prepared for anything. | 0:13:20 | 0:13:22 | |
Expect the unexpected. | 0:13:22 | 0:13:24 | |
ETU? | 0:13:24 | 0:13:25 | |
What? | 0:13:25 | 0:13:26 | |
-Another of your glib little... -Anyway, erm, our hypothesis? | 0:13:26 | 0:13:29 | |
Was correct. | 0:13:30 | 0:13:31 | |
The death appears not to be suspicious, | 0:13:33 | 0:13:35 | |
and if this was the real world, | 0:13:35 | 0:13:37 | |
your contamination of the evidence wouldn't matter, | 0:13:37 | 0:13:40 | |
this time. | 0:13:40 | 0:13:42 | |
You don't think I'm up to this, do you? | 0:13:42 | 0:13:44 | |
Some people adapt more quickly than others, | 0:13:44 | 0:13:47 | |
but I do know you have a lot to learn about this job. | 0:13:47 | 0:13:51 | |
Right, so... | 0:13:51 | 0:13:52 | |
are you going to fail me? | 0:13:52 | 0:13:54 | |
You need to grasp what the stakes are. | 0:13:54 | 0:13:57 | |
I'm not some newbie, you know. | 0:13:57 | 0:14:00 | |
I've been a police surgeon for years! | 0:14:00 | 0:14:02 | |
Then show it. | 0:14:02 | 0:14:03 | |
Look...what happened was an accident, | 0:14:03 | 0:14:05 | |
so, maybe if we could try it again? | 0:14:05 | 0:14:07 | |
I'll arrange it. | 0:14:09 | 0:14:11 | |
Everyone makes mistakes. | 0:14:11 | 0:14:14 | |
The important thing is to learn from them, and not repeat them. | 0:14:14 | 0:14:18 | |
Pompous prig. | 0:14:21 | 0:14:22 | |
I'm thinking... | 0:14:24 | 0:14:26 | |
that Gill and Jennifer both cancelled | 0:14:26 | 0:14:28 | |
because they can't stand each other. | 0:14:28 | 0:14:31 | |
So you reckon they weren't being straight with you? | 0:14:31 | 0:14:33 | |
Well, they were being polite. | 0:14:33 | 0:14:34 | |
They tolerate each other because they're both so fond of me, | 0:14:34 | 0:14:37 | |
and they can avoid each other in London but not at my party. | 0:14:37 | 0:14:41 | |
I'm going to send them both a text saying it's such a shame | 0:14:41 | 0:14:44 | |
because the other one can't be there. | 0:14:44 | 0:14:46 | |
OK, erm...brilliant. | 0:14:46 | 0:14:48 | |
Unless they both change their minds. | 0:14:48 | 0:14:50 | |
And then they'll both come. | 0:14:50 | 0:14:52 | |
How've you been getting on? | 0:14:52 | 0:14:54 | |
Erm... Yeah, all in hand. | 0:14:54 | 0:14:55 | |
You WILL come to my party, | 0:15:01 | 0:15:03 | |
and you WILL have a good time. | 0:15:03 | 0:15:05 | |
Yes, yes, I will, please... | 0:15:05 | 0:15:06 | |
Please, please...just stop. | 0:15:06 | 0:15:09 | |
No...no more prosecco! | 0:15:09 | 0:15:11 | |
Hi...Zara, can I have a word? | 0:15:13 | 0:15:15 | |
Can't it wait? | 0:15:15 | 0:15:16 | |
I don't know. Is this...is this important? | 0:15:16 | 0:15:18 | |
I'm just picking Zara's brains on breast-feeding. | 0:15:18 | 0:15:20 | |
Oh... | 0:15:20 | 0:15:22 | |
OK, fine. I can wait. | 0:15:22 | 0:15:23 | |
Maybe he's right. | 0:15:26 | 0:15:27 | |
I mean, not about the... crime scene stuff, but about the... | 0:15:27 | 0:15:31 | |
exams, qualifications...I mean, | 0:15:31 | 0:15:33 | |
you know what, I could not be less interested in all that stress. | 0:15:33 | 0:15:38 | |
You're a medical professional. You have to deal with | 0:15:38 | 0:15:40 | |
people's lives, and high stakes and stress every day. | 0:15:40 | 0:15:44 | |
Don't start being sensible on me. | 0:15:45 | 0:15:47 | |
Give me your wrist. | 0:15:49 | 0:15:51 | |
What? | 0:15:51 | 0:15:52 | |
Ow! | 0:15:57 | 0:15:58 | |
Sharp pain like that should chase away all the distractions, get you thinking about | 0:15:58 | 0:16:02 | |
-what you should be thinking about. -You think I'm going to do that to myself, do you? | 0:16:02 | 0:16:05 | |
Every now and again, just... | 0:16:05 | 0:16:07 | |
give it a little twang... | 0:16:07 | 0:16:08 | |
take a second. | 0:16:08 | 0:16:10 | |
Give it a go. | 0:16:10 | 0:16:12 | |
Goodness' sake... | 0:16:12 | 0:16:13 | |
What can I do for you, Daniel? | 0:16:17 | 0:16:18 | |
Well, I was just wondering if you were able to come tomorrow night? | 0:16:18 | 0:16:22 | |
I'd love to, but Trish has me locked into a prior arrangement. | 0:16:22 | 0:16:25 | |
Well, that's... that's a pity. | 0:16:25 | 0:16:27 | |
I mean, if there were any way you could get out of that... | 0:16:27 | 0:16:29 | |
I'd be really pleased and you've no idea how happy it would make Zara. | 0:16:29 | 0:16:32 | |
If there was any way I could come, I would, but | 0:16:32 | 0:16:34 | |
this one's a three-line whip, I'm afraid. | 0:16:34 | 0:16:38 | |
Ah, Daniel! I'm ever so glad I've caught you. | 0:16:38 | 0:16:41 | |
Immie's coming home tomorrow night and we... | 0:16:41 | 0:16:43 | |
well, me and Rob are going to have to cancel. | 0:16:43 | 0:16:45 | |
No! No, bring her with you! | 0:16:45 | 0:16:46 | |
No, I'd love to, but she's home so rarely and Rob's made this rule | 0:16:46 | 0:16:50 | |
that, whenever she's there, everything else gets cancelled. I'm sorry. | 0:16:50 | 0:16:53 | |
I understand. | 0:16:53 | 0:16:55 | |
Do you want me to tell Zara? | 0:16:55 | 0:16:56 | |
No...no, no. I'll...I'll do that. | 0:16:56 | 0:16:59 | |
-OK. -Yeah, OK. And... | 0:16:59 | 0:17:00 | |
-Sorry. -OK...OK... | 0:17:02 | 0:17:04 | |
OK... | 0:17:07 | 0:17:08 | |
Hey guys, just double checking... | 0:17:28 | 0:17:30 | |
trying to keep on top of numbers, make sure we've got enough for everyone... | 0:17:30 | 0:17:33 | |
Are you coming tomorrow night? | 0:17:33 | 0:17:35 | |
No...we can't. Sorry. | 0:17:35 | 0:17:37 | |
Can't persuade you? | 0:17:37 | 0:17:38 | |
It's just I was talking to Zara, and we were saying how important | 0:17:38 | 0:17:41 | |
we think it is to get as many of the team there as possible. | 0:17:41 | 0:17:43 | |
Yeah...I guess... | 0:17:43 | 0:17:45 | |
Zara would be thrilled if you made the effort. | 0:17:45 | 0:17:48 | |
-You know...for the team? -Well, I... | 0:17:48 | 0:17:50 | |
but, erm...I can't... | 0:17:50 | 0:17:51 | |
What's so important that you can't reschedule? | 0:17:51 | 0:17:54 | |
What, are you having life-threatening surgery? | 0:17:54 | 0:17:57 | |
No, but... | 0:17:57 | 0:17:59 | |
You will be when Zara finds out you're not going. | 0:17:59 | 0:18:01 | |
That's a joke. | 0:18:01 | 0:18:02 | |
Sorry, Daniel, we wish we could, but you didn't exactly give us | 0:18:02 | 0:18:05 | |
much notice and...we've got something we can't get out of. | 0:18:05 | 0:18:08 | |
So, in crime scene two, our assessment is that the crime scene | 0:18:11 | 0:18:15 | |
should be regarded as suspicious. | 0:18:15 | 0:18:18 | |
Our hypothesis is that the body was not moved, | 0:18:18 | 0:18:22 | |
but it still remains the primary crime scene. | 0:18:22 | 0:18:25 | |
In crime scene four, | 0:18:25 | 0:18:27 | |
however, our assessment was that the scene was also suspicious, | 0:18:27 | 0:18:31 | |
but, this time, it is possible that the body had been moved... | 0:18:31 | 0:18:35 | |
there were small drops of blood by the door | 0:18:35 | 0:18:37 | |
and the pattern of the footprints smudging these | 0:18:37 | 0:18:39 | |
suggested that they had been trod on by a suspect going in, | 0:18:39 | 0:18:43 | |
presumably with the body, | 0:18:43 | 0:18:45 | |
then leaving after placing the body at the scene. | 0:18:45 | 0:18:48 | |
Well? | 0:18:52 | 0:18:53 | |
Tiny thing - | 0:18:53 | 0:18:54 | |
we shouldn't offer an opinion of the causation of the footprints. | 0:18:54 | 0:18:59 | |
But apart from that... | 0:18:59 | 0:19:01 | |
well...sometimes I see people here who just have a | 0:19:02 | 0:19:06 | |
natural talent for this... | 0:19:06 | 0:19:08 | |
which is great... | 0:19:08 | 0:19:10 | |
but...what's often more gratifying, is seeing someone who... | 0:19:10 | 0:19:15 | |
you know...struggles with it at first, | 0:19:15 | 0:19:18 | |
but they listen, they learn, and they show they can do the job. | 0:19:18 | 0:19:21 | |
The assessments of those crime scenes | 0:19:23 | 0:19:25 | |
are spot on - | 0:19:25 | 0:19:26 | |
thorough and professional. | 0:19:26 | 0:19:28 | |
Well done. | 0:19:28 | 0:19:29 | |
So, we've passed? | 0:19:29 | 0:19:31 | |
This part of the course? | 0:19:31 | 0:19:33 | |
Absolutely, you pass. | 0:19:33 | 0:19:35 | |
Take a seat, we'll go on to the next group. | 0:19:35 | 0:19:38 | |
Don't look at it as...as pressure. | 0:19:38 | 0:19:41 | |
-Look at it...that we want you there. -Look, Daniel... | 0:19:41 | 0:19:43 | |
I hate parties, OK? | 0:19:43 | 0:19:45 | |
I hate the fake bonhomie of having to talk to people I can only just stand when they're sober. | 0:19:45 | 0:19:49 | |
I hate cold, shrivelled-up canapes... | 0:19:49 | 0:19:52 | |
Zara's not going to serve up cold, shrivelled canapes. | 0:19:52 | 0:19:56 | |
Fair enough, good point. I'll give you that - | 0:19:56 | 0:19:58 | |
your canapes will be top notch, but you answer me this... | 0:19:58 | 0:20:00 | |
would you be attending this party if you didn't absolutely have to? | 0:20:00 | 0:20:05 | |
Yes, I would... Yes, I would! | 0:20:05 | 0:20:07 | |
And, look, I know you've been to parties before, so come on. | 0:20:07 | 0:20:09 | |
Yeah, but the hosts always bribed me before. | 0:20:09 | 0:20:13 | |
OK, erm... | 0:20:13 | 0:20:15 | |
we've got a cask of real ale. | 0:20:15 | 0:20:17 | |
-What kind? -I don't know, erm... | 0:20:17 | 0:20:19 | |
Sounded something like, erm... | 0:20:20 | 0:20:22 | |
Old Scrotum, I think. | 0:20:22 | 0:20:25 | |
KNOCK ON DOOR | 0:20:25 | 0:20:27 | |
-Yes? -We've got a problem... | 0:20:27 | 0:20:30 | |
I've spoken to Anthony, Karen, Sid, Ayesha and Al... | 0:20:30 | 0:20:34 | |
and none of them can make it tomorrow. | 0:20:34 | 0:20:36 | |
And Valerie just looked in - she can't make it either! | 0:20:36 | 0:20:40 | |
What have you done? | 0:20:40 | 0:20:42 | |
-Sorry? -All of these people cancelling. It can't be a coincidence. | 0:20:42 | 0:20:46 | |
One of us must have offended them | 0:20:46 | 0:20:48 | |
and I know that I haven't offended anyone... | 0:20:48 | 0:20:50 | |
recently. | 0:20:50 | 0:20:52 | |
-Really? So, it's me that's offended your friends too, is it? -Don't change the subject. | 0:20:52 | 0:20:55 | |
You were supposed to do one thing. | 0:20:55 | 0:20:57 | |
-It's all in hand. -No, it's not in hand. This is now officially a crisis! | 0:20:57 | 0:21:00 | |
Our new neighbours will think we haven't got any friends. | 0:21:00 | 0:21:03 | |
They'll think the pariahs have moved in next door. This is so humiliating! | 0:21:03 | 0:21:07 | |
I'll go, then. | 0:21:07 | 0:21:09 | |
ZARA SIGHS | 0:21:10 | 0:21:11 | |
PHONE RINGS | 0:21:19 | 0:21:21 | |
Erm, hello? | 0:21:26 | 0:21:28 | |
Mrs Tembe! | 0:21:28 | 0:21:29 | |
Hi... | 0:21:29 | 0:21:31 | |
..Zara! | 0:21:31 | 0:21:32 | |
Wha...Dr Carmichael? | 0:21:33 | 0:21:35 | |
How are things going at... | 0:21:35 | 0:21:37 | |
erm... | 0:21:37 | 0:21:38 | |
-Kings Green? -Oh, yes...well... | 0:21:38 | 0:21:40 | |
It is all very good. | 0:21:40 | 0:21:42 | |
Wonderful. | 0:21:43 | 0:21:45 | |
Look, I'll just cut to the chase... | 0:21:45 | 0:21:47 | |
Daniel and I are throwing a party tomorrow night, | 0:21:47 | 0:21:50 | |
at our new house...nothing spectacular, just a small affair, | 0:21:50 | 0:21:54 | |
and I know that it's very short notice, but... | 0:21:54 | 0:21:58 | |
I've... | 0:21:58 | 0:21:59 | |
missed you, around the place... | 0:21:59 | 0:22:03 | |
and so has Daniel, | 0:22:03 | 0:22:04 | |
and we would really...love for... | 0:22:04 | 0:22:07 | |
you to come...to the party? | 0:22:07 | 0:22:10 | |
Well, erm... | 0:22:11 | 0:22:13 | |
Well, I would very much like to come. | 0:22:13 | 0:22:16 | |
Oh, excellent. | 0:22:16 | 0:22:17 | |
OK then, well, could you please give Karen a call, | 0:22:17 | 0:22:20 | |
and she'll give you all the details, cos I've got to go - I've got a | 0:22:20 | 0:22:23 | |
patient coming. It'll be SO lovely to see you tomorrow. | 0:22:23 | 0:22:26 | |
I think head girl needs to buy teacher's pet a couple of drinks. | 0:22:27 | 0:22:32 | |
One to say sorry and the other one for bailing her out. | 0:22:32 | 0:22:35 | |
Well, I'm wiped out. And we've got the cars, so... | 0:22:35 | 0:22:37 | |
Oh, well, that's true. | 0:22:37 | 0:22:39 | |
Last thing we need is to get nicked for drink-driving. | 0:22:39 | 0:22:41 | |
I mean, who'd take the blood samples? | 0:22:41 | 0:22:43 | |
Jimmi... | 0:22:45 | 0:22:47 | |
Look...I... | 0:22:47 | 0:22:48 | |
I know that you've wanted to talk to me about Anthony. | 0:22:48 | 0:22:52 | |
The truth is... | 0:22:52 | 0:22:53 | |
he doesn't bother me like he bothers you, so... | 0:22:53 | 0:22:56 | |
..I don't really know what you want me to say. | 0:22:57 | 0:22:59 | |
Yeah, I'm not sure either. | 0:22:59 | 0:23:00 | |
Well, no, actually I wanted you to agree with me. | 0:23:01 | 0:23:04 | |
I wanted you to say that we could find a way to get rid of him, but | 0:23:04 | 0:23:07 | |
I know you can't lie, so... | 0:23:07 | 0:23:09 | |
I'm going to be straight with you... | 0:23:09 | 0:23:11 | |
it's clear that you haven't been happy for a long time. | 0:23:11 | 0:23:14 | |
I don't know. Maybe it's time that you moved on, you know? | 0:23:14 | 0:23:17 | |
Found a new challenge, | 0:23:17 | 0:23:18 | |
not that I want you to! | 0:23:18 | 0:23:21 | |
-Are you trying to cheer me up? -EMMA LAUGHS | 0:23:21 | 0:23:23 | |
Here... | 0:23:24 | 0:23:27 | |
I think your need is greater than mine. | 0:23:27 | 0:23:29 | |
I'm sorry I can't be more helpful. | 0:23:30 | 0:23:33 | |
I think you're being cruel. | 0:23:57 | 0:23:59 | |
Well, then let's just say something... | 0:23:59 | 0:24:01 | |
No, let them stew. It'll be a surprise. | 0:24:01 | 0:24:03 | |
Goodnight. | 0:24:03 | 0:24:06 | |
Maybe we should postpone. Ayesha could be right, you know? | 0:24:06 | 0:24:09 | |
It's short notice. | 0:24:09 | 0:24:10 | |
Postpone? We can't possibly do that, it'll be so humiliating. | 0:24:10 | 0:24:14 | |
We're going to have to cancel. | 0:24:15 | 0:24:16 | |
We'll have to tell them... | 0:24:16 | 0:24:18 | |
tell them that your mother died! | 0:24:18 | 0:24:19 | |
What?! | 0:24:19 | 0:24:21 | |
Zara, Daniel... | 0:24:21 | 0:24:23 | |
This... | 0:24:23 | 0:24:25 | |
was a wind up, | 0:24:25 | 0:24:26 | |
that's gone too far. | 0:24:26 | 0:24:27 | |
The idea was that we'd surprise you by turning up. | 0:24:27 | 0:24:31 | |
Whose idea was that? | 0:24:31 | 0:24:33 | |
Well, it was everyone's, really. We wouldn't have missed it. | 0:24:33 | 0:24:36 | |
Well, well done. You... | 0:24:37 | 0:24:38 | |
you had us. | 0:24:38 | 0:24:40 | |
And we'll see you all tomorrow. | 0:24:40 | 0:24:42 | |
To be honest, I knew that it was all just a jape. | 0:24:42 | 0:24:45 | |
Although, how they got Gill and Jennifer on board, I've no idea. | 0:24:48 | 0:24:52 | |
It will be... | 0:24:52 | 0:24:53 | |
like that tenth circle of hell that Dante was too frightened to describe. | 0:24:53 | 0:24:58 | |
He'd had people dipped in excrement, | 0:24:58 | 0:25:02 | |
whipped for all eternity, | 0:25:02 | 0:25:04 | |
but even Dante drew the line | 0:25:04 | 0:25:06 | |
at a Zara Carmichael dinner party. | 0:25:06 | 0:25:09 | |
Beware, all ye who enter there! | 0:25:09 | 0:25:13 | |
I ain't going. | 0:25:13 | 0:25:15 | |
What you said earlier, | 0:25:25 | 0:25:26 | |
about me being a good fit with the police... | 0:25:26 | 0:25:29 | |
were you serious? | 0:25:29 | 0:25:31 | |
Absolutely. | 0:25:31 | 0:25:34 | |
I've got a pretty good idea you walked Dr Reid | 0:25:34 | 0:25:36 | |
through the course... | 0:25:36 | 0:25:37 | |
..which reinforces what I said. | 0:25:39 | 0:25:41 | |
Yeah, I'm up for it. | 0:25:43 | 0:25:44 | |
Great. | 0:25:46 | 0:25:47 | |
You understand, this would | 0:25:47 | 0:25:49 | |
involve leaving your practice? | 0:25:49 | 0:25:51 | |
Mmm... | 0:25:51 | 0:25:53 | |
Yeah, thinking about it, erm... | 0:25:53 | 0:25:55 | |
the way things are at The Mill... | 0:25:55 | 0:25:58 | |
..maybe it'll be the best for everyone. | 0:25:59 | 0:26:02 | |
-Are you happy? -I will be... | 0:26:06 | 0:26:08 | |
once my friends explode with envy at my perfect life. | 0:26:08 | 0:26:11 | |
Sweetheart, what time are your friends arriving? | 0:26:11 | 0:26:13 | |
So, you are having other guests - I was beginning to wonder... | 0:26:13 | 0:26:17 | |
How's it all going, Julian? | 0:26:18 | 0:26:21 | |
"Chef". | 0:26:21 | 0:26:22 | |
Did you not get the message about smart attire?! | 0:26:22 | 0:26:24 | |
-Oh, yeah, yeah. -Zara, it doesn't matter. | 0:26:24 | 0:26:26 | |
No, no! This is important! | 0:26:26 | 0:26:28 |