Browse content similar to The Burden. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
MUSIC: Bad Blood by Taylor Swift | 0:00:25 | 0:00:28 | |
# Now we got problems And I don't think we can solve them | 0:00:28 | 0:00:31 | |
# You made a really deep cut... # | 0:00:31 | 0:00:32 | |
-SHE SINGS ALONG -# And, baby, now we got bad blood... # | 0:00:32 | 0:00:34 | |
Will you stop that? | 0:00:34 | 0:00:37 | |
-What? -That! | 0:00:37 | 0:00:38 | |
Spoilsport. | 0:00:40 | 0:00:42 | |
So, are you coming tonight or what? | 0:00:42 | 0:00:44 | |
Coming? | 0:00:44 | 0:00:45 | |
Indoor skydiving. | 0:00:47 | 0:00:48 | |
You're kidding! | 0:00:48 | 0:00:50 | |
Are you chicken? | 0:00:50 | 0:00:51 | |
30 feet in the air, held up by a giant electric fan - | 0:00:51 | 0:00:55 | |
not my idea of fun, that's all. | 0:00:55 | 0:00:57 | |
CLUCKS LIKE A CHICKEN | 0:00:57 | 0:00:59 | |
Shut up. | 0:00:59 | 0:01:01 | |
Shut up! THEY LAUGH | 0:01:01 | 0:01:03 | |
Come on, it will be a laugh. | 0:01:03 | 0:01:06 | |
I will call them and book you a place. | 0:01:06 | 0:01:08 | |
Cally, sit down. | 0:01:08 | 0:01:10 | |
MUSIC: Bad Blood by Taylor Swift | 0:01:10 | 0:01:12 | |
And turn that off! | 0:01:12 | 0:01:13 | |
You sound just like Mum! | 0:01:13 | 0:01:15 | |
DOORBELL RINGS | 0:01:22 | 0:01:24 | |
MUSIC: Bad Blood by Taylor Swift | 0:01:24 | 0:01:27 | |
DOORBELL RINGS | 0:01:28 | 0:01:32 | |
KNOCK AT DOOR | 0:01:32 | 0:01:34 | |
She's playing that blasted song again. | 0:01:43 | 0:01:45 | |
Do you know what time it is? | 0:01:45 | 0:01:46 | |
Sorry, did she wake you up? | 0:01:46 | 0:01:48 | |
-I'm not standing on your doorstep in my dressing gown for fun. -I'm really sorry. | 0:01:48 | 0:01:52 | |
Honestly, Jenna, a bit of consideration wouldn't go amiss. | 0:01:52 | 0:01:54 | |
I'll have a word. | 0:01:54 | 0:01:56 | |
Let's hope it's more effective than the last time and the time before! | 0:01:56 | 0:01:59 | |
Go back to bed, I'll turn it off. | 0:01:59 | 0:02:01 | |
You can't carry on like this, Jenna. | 0:02:01 | 0:02:03 | |
If this doesn't stop, I'll have to call the police. | 0:02:03 | 0:02:06 | |
MUSIC STOPS | 0:02:10 | 0:02:12 | |
SHE COUGHS | 0:02:12 | 0:02:16 | |
Cally! Get down here. You left the gas on. | 0:02:18 | 0:02:21 | |
But, best of all. Listen up. | 0:02:24 | 0:02:27 | |
-WOLF WHISTLE -Can I have a go? | 0:02:27 | 0:02:28 | |
-Fill your boots. -MACHINE BLOWS RASPBERRIES | 0:02:28 | 0:02:31 | |
That's brilliant. | 0:02:31 | 0:02:32 | |
I'm not sure Mrs Tembe will agree. | 0:02:32 | 0:02:34 | |
She certainly does not. | 0:02:34 | 0:02:36 | |
-ALL: -Surprise! | 0:02:38 | 0:02:39 | |
This is the automated patient feedback machine. | 0:02:39 | 0:02:43 | |
It asks the patient questions such as, | 0:02:43 | 0:02:45 | |
"How would you rate your interaction with the reception staff today?" | 0:02:45 | 0:02:48 | |
Then the patients have four buttons that they can choose from. | 0:02:48 | 0:02:51 | |
The first one being a really happy face. | 0:02:51 | 0:02:53 | |
WOLF WHISTLE | 0:02:53 | 0:02:54 | |
The second one being a quite smiley face. | 0:02:54 | 0:02:56 | |
-MACHINE: -Seven! | 0:02:56 | 0:02:58 | |
The third one being a little bit of an unhappy face. | 0:02:58 | 0:03:00 | |
Ouch. | 0:03:00 | 0:03:01 | |
-And the fourth, the really grumpy face. -MACHINE BLOWS RASPBERRIES | 0:03:01 | 0:03:04 | |
I get the picture, Dr Haskey. | 0:03:04 | 0:03:06 | |
It stores all the information | 0:03:06 | 0:03:07 | |
and it's really easy to collate at the end of a review period. | 0:03:07 | 0:03:11 | |
This is the answer, Mrs Tembe, to all your patient feedback woes. | 0:03:11 | 0:03:15 | |
-And I got a really good deal. -MACHINE BLOWS RASPBERRIES -Oh. Sorry, I didn't mean to do that. | 0:03:15 | 0:03:18 | |
Does it usually make those revolting noises? | 0:03:18 | 0:03:20 | |
No, he did that. | 0:03:20 | 0:03:22 | |
I modified it just a little bit. | 0:03:22 | 0:03:24 | |
MACHINE BLOWS RASPBERRIES | 0:03:24 | 0:03:26 | |
That wasn't me! | 0:03:26 | 0:03:28 | |
Dr Haskey, undo whatever you have done and return it - today. | 0:03:28 | 0:03:33 | |
You haven't given it a chance yet. | 0:03:33 | 0:03:35 | |
Yeah, I think it's a good idea. | 0:03:35 | 0:03:37 | |
I cannot imagine that our patients will be inclined | 0:03:37 | 0:03:40 | |
to use such a thing, especially with those noises. | 0:03:40 | 0:03:43 | |
They're more likely to give feedback with that | 0:03:43 | 0:03:45 | |
than some long-winded, dozy questionnaire. | 0:03:45 | 0:03:49 | |
I spent a lot of time doing those. | 0:03:49 | 0:03:52 | |
Mrs Tembe, I think you should give it a chance. | 0:03:52 | 0:03:54 | |
Right. | 0:03:58 | 0:03:59 | |
I will think about it. | 0:03:59 | 0:04:01 | |
But first I want you to undo those noises. | 0:04:01 | 0:04:04 | |
And I want you all to remember that this is not a toy! | 0:04:04 | 0:04:09 | |
MACHINE BLOWS RASPBERRIES | 0:04:09 | 0:04:13 | |
-WOLF WHISTLE MACHINE: -Seven! Ouch. Seven! | 0:04:13 | 0:04:17 | |
You all right? | 0:04:26 | 0:04:28 | |
-I'm not sure. -Here for the clinic? | 0:04:28 | 0:04:32 | |
-Why don't I give you a hand? -Thanks. | 0:04:32 | 0:04:34 | |
WOLF WHISTLE | 0:04:40 | 0:04:42 | |
That new machine didn't get much of a reception, did it? | 0:04:42 | 0:04:46 | |
I told you not to do the noises. | 0:04:46 | 0:04:48 | |
Some wingman you are. | 0:04:48 | 0:04:50 | |
-Er...I'm not your wingman. -Yes, you are. | 0:04:50 | 0:04:52 | |
-I'm not. -Look, we've been through this, mate, OK? | 0:04:52 | 0:04:54 | |
Anthony Edwards, Tom Cruise. | 0:04:54 | 0:04:56 | |
Do you think she'll let us keep it? | 0:04:58 | 0:05:01 | |
She wouldn't have to look after it, I'd do all that. | 0:05:01 | 0:05:04 | |
What would you like...walk it and feed it and stuff? | 0:05:04 | 0:05:06 | |
-I would. -It's a machine, it's not a puppy. | 0:05:06 | 0:05:08 | |
-MACHINE: -Seven! -How could you not like the voices? | 0:05:08 | 0:05:10 | |
The voices are the thing that make that machine fun. | 0:05:10 | 0:05:13 | |
Maybe just do different voices? | 0:05:13 | 0:05:15 | |
By George, you've got it. | 0:05:17 | 0:05:18 | |
What if we did it in the voice of the Tembenator herself? | 0:05:19 | 0:05:22 | |
-You do an impression, go on. -Oh, no, I just... -Come on. | 0:05:22 | 0:05:25 | |
"Dr Carter." | 0:05:27 | 0:05:29 | |
-"Dr Haskey." -No, it's "Dr Carter." | 0:05:29 | 0:05:32 | |
-"Dr Haskey." -"Dr Carter." -"Dr Haskey." -"Dr Carter." | 0:05:32 | 0:05:34 | |
-Dr Haskey! -That's it! | 0:05:34 | 0:05:36 | |
MACHINE BLOWS RASPBERRIES | 0:05:36 | 0:05:39 | |
Your heart rate's a bit high and your blood pressure's up a notch. | 0:05:39 | 0:05:42 | |
How long was the gas on for? | 0:05:42 | 0:05:44 | |
Not long, I don't think. | 0:05:44 | 0:05:46 | |
-You don't remember turning it on? -No, no. I do. | 0:05:46 | 0:05:49 | |
I must have got distracted. | 0:05:49 | 0:05:51 | |
Half-asleep, you know what it's like. | 0:05:51 | 0:05:53 | |
Not a morning person. | 0:05:53 | 0:05:55 | |
I'll be all right now. | 0:05:55 | 0:05:56 | |
Oh, well...you still seem a bit shaky. | 0:05:56 | 0:05:59 | |
I'd just sit down for a few minutes, if I were you. | 0:05:59 | 0:06:01 | |
Is there anybody else at home? | 0:06:06 | 0:06:07 | |
Just Cally, my sister. | 0:06:07 | 0:06:10 | |
-Oh. She should get checked out, too. -She's fine. | 0:06:10 | 0:06:13 | |
She is. She was upstairs. | 0:06:13 | 0:06:16 | |
Besides, she won't see a nurse, never mind leave the house. | 0:06:16 | 0:06:19 | |
What do you mean she won't leave the house? | 0:06:19 | 0:06:21 | |
-Jenna? -It's nothing. | 0:06:24 | 0:06:26 | |
She's fine. I'm dealing with it. | 0:06:26 | 0:06:28 | |
Dealing with what? | 0:06:28 | 0:06:30 | |
She's a bit self-conscious, that's all. | 0:06:30 | 0:06:33 | |
She doesn't like to see anyone. | 0:06:33 | 0:06:35 | |
So, she won't leave the house? Ever? | 0:06:36 | 0:06:39 | |
And you're looking after her? On your own? | 0:06:41 | 0:06:44 | |
SHE BREATHES HEAVILY | 0:06:46 | 0:06:48 | |
It's OK. You're fine. | 0:06:48 | 0:06:51 | |
Just take a few deep breaths for me. | 0:06:51 | 0:06:53 | |
OK, so, in... | 0:06:53 | 0:06:55 | |
That's it. | 0:06:55 | 0:06:56 | |
And out. | 0:06:56 | 0:06:58 | |
If I may say so, you brewed that tea to perfection this morning. WOLF WHISTLE | 0:06:58 | 0:07:02 | |
And you, sir, well, those chocolate biscuits - | 0:07:02 | 0:07:05 | |
they were above and beyond. | 0:07:05 | 0:07:07 | |
MACHINE BLOWS RASPBERRIES | 0:07:07 | 0:07:10 | |
Hang on. You just did that on purpose. | 0:07:10 | 0:07:12 | |
-Yes, because you ate the last one. -That was Karen! | 0:07:12 | 0:07:15 | |
-Will you two pack it in! -You were all for it a while ago. | 0:07:15 | 0:07:17 | |
That was before I had to listen to it go off 132 times. | 0:07:17 | 0:07:21 | |
Al, will you make it stop making those flipping noises? | 0:07:21 | 0:07:23 | |
Yeah, I'm working on it. | 0:07:23 | 0:07:25 | |
-MACHINE BLOWS RASPBERRIES -Pardon you, Mr Beeson! | 0:07:25 | 0:07:27 | |
-THEY LAUGH -Mrs Thomas. | 0:07:27 | 0:07:29 | |
-WOLF WHISTLE -Mr Darrow! | 0:07:29 | 0:07:31 | |
Dr Haskey, I cannot access my files. | 0:07:31 | 0:07:35 | |
Oh, yeah, the network's down. | 0:07:35 | 0:07:36 | |
The server people said it won't take long. | 0:07:36 | 0:07:38 | |
-MACHINE: -Seven! -WOLF WHISTLE | 0:07:38 | 0:07:40 | |
-Stop it. Stop it, that is not a plaything! -Oi! | 0:07:40 | 0:07:42 | |
-ALARM BEEPS -Whoa, what is that noise? | 0:07:42 | 0:07:45 | |
-OK... -Dr Haskey... -Er, batteries, right. | 0:07:45 | 0:07:47 | |
Dr Haskey, in the name of all that is merciful... | 0:07:47 | 0:07:52 | |
MACHINE BLOWS RASPBERRIES, ALARM STOPS | 0:07:53 | 0:07:56 | |
Better? | 0:07:56 | 0:07:58 | |
I don't know what came over me. | 0:07:58 | 0:08:00 | |
Sounds like you've been under a lot of pressure. | 0:08:00 | 0:08:03 | |
I suppose. | 0:08:03 | 0:08:04 | |
And it can't help Cally being locked up in that house. | 0:08:04 | 0:08:06 | |
Or you, come to that. | 0:08:06 | 0:08:08 | |
She's my sister. I can manage. | 0:08:08 | 0:08:11 | |
But how long's it been going on for? | 0:08:11 | 0:08:13 | |
Only since the... | 0:08:13 | 0:08:15 | |
Since what? | 0:08:15 | 0:08:16 | |
There was an accident. | 0:08:18 | 0:08:21 | |
Cally's injuries were... | 0:08:21 | 0:08:22 | |
So she locked herself away? | 0:08:25 | 0:08:27 | |
Jenna, that's not healthy. | 0:08:27 | 0:08:29 | |
-And it'll only get worse unless she gets help. -She's got me. | 0:08:29 | 0:08:32 | |
And, anyway, it's her choice. | 0:08:32 | 0:08:35 | |
If it makes her feel safer... | 0:08:35 | 0:08:36 | |
Is she depressed? Has she ever mentioned harming herself? | 0:08:38 | 0:08:43 | |
No. | 0:08:43 | 0:08:44 | |
Before the accident she was always throwing herself off bridges | 0:08:44 | 0:08:47 | |
attached to pieces of elastic. | 0:08:47 | 0:08:50 | |
She was supposed to go indoor skydiving the day it... | 0:08:50 | 0:08:53 | |
..when it... | 0:08:55 | 0:08:56 | |
I'm doing my best. | 0:08:59 | 0:09:01 | |
I don't doubt it. | 0:09:01 | 0:09:03 | |
Look, how about a home visit? I don't mind. | 0:09:03 | 0:09:06 | |
-No. -Well, it couldn't hurt. | 0:09:06 | 0:09:09 | |
Are you not listening? She won't talk to anybody. | 0:09:09 | 0:09:12 | |
Well...what about a counsellor or social services, then? | 0:09:12 | 0:09:17 | |
What do your parents say? What do they think about it? | 0:09:17 | 0:09:21 | |
Not much. | 0:09:21 | 0:09:23 | |
They're dead. | 0:09:23 | 0:09:24 | |
I have to go. | 0:09:26 | 0:09:27 | |
Jenna, you shouldn't be driving. | 0:09:35 | 0:09:37 | |
-I'll be fine. -I'm not sure you will. I mean, look at... | 0:09:37 | 0:09:40 | |
-I will. -Wait! | 0:09:40 | 0:09:41 | |
I think that's the brake fluid. | 0:09:46 | 0:09:48 | |
So, come on then, how many? | 0:09:51 | 0:09:52 | |
I'm ever so sorry, Mrs Nazir. | 0:09:52 | 0:09:55 | |
-Dr Granger does know that you're here, so, if you wouldn't mind taking a seat. -Thank you. | 0:09:55 | 0:09:59 | |
-I don't know. I'm working! -Oh, come on, you must have seen which buttons they pushed. | 0:09:59 | 0:10:02 | |
Nobody gave you any feedback. | 0:10:02 | 0:10:04 | |
What? Nobody? | 0:10:04 | 0:10:05 | |
I'm fed up of people asking me. | 0:10:05 | 0:10:08 | |
It's getting on my nerves. | 0:10:08 | 0:10:09 | |
All right, keep your hair on. | 0:10:09 | 0:10:11 | |
You want feedback? I'll give you feedback. MACHINE BLOWS RASPBERRIES | 0:10:11 | 0:10:14 | |
Mrs Hollins, it is not there for the staff to vent their feelings. | 0:10:14 | 0:10:18 | |
I told Dr Haskey to silence this. | 0:10:18 | 0:10:21 | |
He will when he's got a minute. | 0:10:21 | 0:10:23 | |
Yes, well, see that he does. | 0:10:23 | 0:10:24 | |
It can hardly be confidential when it is making those revolting noises. | 0:10:24 | 0:10:28 | |
Now, I need to talk to you about the summer fair. | 0:10:28 | 0:10:31 | |
-Me? -Yes, you. | 0:10:31 | 0:10:33 | |
Now, I have booked a pitch. | 0:10:33 | 0:10:35 | |
Well, we can borrow a barbecue from the town hall, | 0:10:35 | 0:10:38 | |
but do you think we are going to need an alcohol licence? | 0:10:38 | 0:10:41 | |
-BOTH: -Definitely. | 0:10:41 | 0:10:42 | |
Right. Well, I will add it to the list. | 0:10:44 | 0:10:46 | |
-MACHINE: -Seven! | 0:10:46 | 0:10:47 | |
WOLF WHISTLES | 0:10:49 | 0:10:51 | |
You should give it a chance. A lot of patients have used it. | 0:10:54 | 0:10:56 | |
MISUSED it is a more accurate account. | 0:10:56 | 0:10:59 | |
There has been a lot of unnecessary button pushing today. | 0:10:59 | 0:11:03 | |
I'm sure there are safeguards to allow for some... | 0:11:03 | 0:11:05 | |
What? Juvenile tomfoolery? | 0:11:05 | 0:11:08 | |
I tell you what, you keep the terminal - on trial, | 0:11:09 | 0:11:12 | |
and I will organise the alcohol licence. How's that? | 0:11:12 | 0:11:15 | |
Very well. If - and only if - you can silence those disgusting noises. | 0:11:17 | 0:11:23 | |
-One month. -You have a week. | 0:11:23 | 0:11:26 | |
-Has Mrs Nazir arrived? -Yeah, she's just... | 0:11:26 | 0:11:28 | |
Mrs Nazir. Hello. Dr Granger. Come through. | 0:11:30 | 0:11:33 | |
Brilliant, we'll see you shortly. Thanks. Bye-bye. | 0:11:38 | 0:11:41 | |
Tow truck's on its way. | 0:11:43 | 0:11:44 | |
-Thanks. -You know, it's a good job you don't live far from here. | 0:11:44 | 0:11:47 | |
Otherwise, you might not be standing here now. | 0:11:47 | 0:11:49 | |
You don't think someone could be doing this on purpose, do you? | 0:11:54 | 0:11:58 | |
First the gas, now this. | 0:11:58 | 0:12:00 | |
I left the gas on. | 0:12:00 | 0:12:02 | |
Yeah. Right. | 0:12:02 | 0:12:03 | |
And the car's on the drive all night. It's probably kids. | 0:12:04 | 0:12:08 | |
Might be. | 0:12:08 | 0:12:09 | |
But do you think it could be someone you know? | 0:12:11 | 0:12:14 | |
You think it's Cally. | 0:12:17 | 0:12:18 | |
Listen, you're obviously struggling to cope. | 0:12:18 | 0:12:22 | |
Anyone in your position would. | 0:12:22 | 0:12:24 | |
Why don't you let me talk to her? | 0:12:24 | 0:12:26 | |
She's my responsibility. | 0:12:26 | 0:12:28 | |
I understand how it feels, OK? | 0:12:28 | 0:12:30 | |
To want to look after your sister, to want to protect her, | 0:12:30 | 0:12:33 | |
but there's only so much you can do. | 0:12:33 | 0:12:35 | |
You need the help just as much as she does. | 0:12:35 | 0:12:37 | |
It's a big burden to carry on your own. | 0:12:37 | 0:12:40 | |
She's not a burden! | 0:12:40 | 0:12:42 | |
I was driving. | 0:12:42 | 0:12:44 | |
I ruined her life and I owe her. | 0:12:45 | 0:12:47 | |
There's nothing more to say. | 0:12:48 | 0:12:50 | |
I'll get the bus. | 0:12:53 | 0:12:54 | |
I won't be a minute. | 0:13:04 | 0:13:05 | |
Actually, I... | 0:13:07 | 0:13:09 | |
I wanted to ask your advice. | 0:13:09 | 0:13:11 | |
-You...you want my advice? -Yeah. | 0:13:11 | 0:13:14 | |
On what? | 0:13:14 | 0:13:15 | |
I've got a patient. Well, the Granger Clinic has. | 0:13:15 | 0:13:18 | |
She's a Muslim and... | 0:13:18 | 0:13:20 | |
Seriously? Seriously?! | 0:13:20 | 0:13:21 | |
Well, hear me out. | 0:13:21 | 0:13:23 | |
She doesn't know whether fillers come under adornment or alteration. | 0:13:23 | 0:13:27 | |
So? What's that got to do with me? | 0:13:27 | 0:13:29 | |
Well, I wanted to ask you what you thought. | 0:13:29 | 0:13:33 | |
Because I represent the entire Muslim community, don't I? | 0:13:33 | 0:13:36 | |
Ruhma... | 0:13:36 | 0:13:37 | |
Right, I think that it's ridiculous to put toxins into your body. | 0:13:37 | 0:13:42 | |
Tell her that. | 0:13:42 | 0:13:43 | |
Could you just put your prejudices aside for five minutes? | 0:13:43 | 0:13:46 | |
I'm asking for your help here. | 0:13:46 | 0:13:47 | |
Yeah, calling me prejudice, that's really going to help, isn't it? | 0:13:47 | 0:13:50 | |
Look, I'm trying to do the right thing. I don't want to embarrass her, | 0:13:50 | 0:13:53 | |
I don't want to embarrass the practice or me. | 0:13:53 | 0:13:55 | |
So, please, can you have a word with her? | 0:13:55 | 0:13:57 | |
Look...I don't know, Daniel. I really don't want to get involved. | 0:13:57 | 0:14:02 | |
You wouldn't want me to give her the wrong advice, would you? | 0:14:02 | 0:14:04 | |
No, but... | 0:14:04 | 0:14:06 | |
OK, so... | 0:14:06 | 0:14:08 | |
Please, I'm trying to do the right thing. It's for her sake, not mine. | 0:14:09 | 0:14:13 | |
All right, fine. | 0:14:13 | 0:14:16 | |
Great. Thank you. | 0:14:16 | 0:14:17 | |
She's in my consulting room. | 0:14:18 | 0:14:20 | |
She's been there for a while. | 0:14:21 | 0:14:23 | |
Hello, Mrs Nazir. | 0:14:33 | 0:14:34 | |
THEY SPEAK GUJARATI | 0:14:34 | 0:14:36 | |
-All right. -OK. | 0:14:40 | 0:14:41 | |
MRS NAZIR LAUGHS | 0:14:47 | 0:14:48 | |
Thank you, Dr Granger. | 0:14:48 | 0:14:50 | |
Oh...OK. | 0:14:50 | 0:14:51 | |
SHE SPEAKS GUJARATI | 0:14:52 | 0:14:56 | |
MUSIC: Bad Blood by Taylor Swift | 0:14:56 | 0:14:58 | |
What is it with her and this song? | 0:14:58 | 0:14:59 | |
It's the same one over and over, it's driving me round the bend. | 0:14:59 | 0:15:03 | |
It's been going all morning and I can't get her to answer the door. | 0:15:03 | 0:15:06 | |
She won't come to the door. I told you that. | 0:15:06 | 0:15:09 | |
You know I work from home. I can't concentrate. | 0:15:09 | 0:15:12 | |
I need a bit of peace and quiet. That's not too much to ask, is it? | 0:15:12 | 0:15:15 | |
Let me get in, I'll turn it off. | 0:15:15 | 0:15:17 | |
I did warn you I'd call the police. | 0:15:17 | 0:15:19 | |
-You haven't? -Not yet. | 0:15:19 | 0:15:21 | |
Look, Jenna, Cally's made a prisoner of herself in that house, | 0:15:21 | 0:15:25 | |
-and she's making one of you, too. -Please, don't interfere. | 0:15:25 | 0:15:28 | |
THEY SPEAK GUJARATI | 0:15:31 | 0:15:34 | |
-Thank you. -All right. Bye-bye. -Bye. | 0:15:34 | 0:15:37 | |
No, no, no, no, no. Where's she going? | 0:15:37 | 0:15:39 | |
What did you say to her? | 0:15:39 | 0:15:40 | |
Well, I told her she was a very beautiful young woman, | 0:15:40 | 0:15:43 | |
she didn't need fillers and she should spend her money on fast cars. | 0:15:43 | 0:15:47 | |
Are you kidding me? Who do you think you are? | 0:15:47 | 0:15:49 | |
You know, this is a free country. | 0:15:49 | 0:15:51 | |
Patients are perfectly entitled to do as they wish, | 0:15:51 | 0:15:53 | |
make their own decisions. | 0:15:53 | 0:15:55 | |
It WAS her decision. | 0:15:55 | 0:15:56 | |
Look, I didn't persuade her one way or the other, | 0:15:56 | 0:15:58 | |
I just told her the facts, that's all. | 0:15:58 | 0:16:01 | |
She decided on her own she didn't want to do it. OK? | 0:16:01 | 0:16:04 | |
Ugh. The arrogance of that man! | 0:16:07 | 0:16:10 | |
I bet he's got a magic mirror in his room | 0:16:12 | 0:16:13 | |
telling him how superior he is every morning. | 0:16:13 | 0:16:16 | |
Daniel? | 0:16:16 | 0:16:18 | |
All he worries about is that clinic, Heston. | 0:16:18 | 0:16:20 | |
He suckers people into spending a fortune | 0:16:20 | 0:16:22 | |
to have poison injected into them. | 0:16:22 | 0:16:24 | |
He plays on people's fears of growing old, and it is wrong. | 0:16:24 | 0:16:28 | |
I agree. But we can't impose our prejudices on other people. | 0:16:28 | 0:16:33 | |
Daniel takes advantage. He even roped me in. | 0:16:33 | 0:16:36 | |
Well, he knows you don't agree, but he wants your opinion. | 0:16:36 | 0:16:40 | |
Why do you think that is? | 0:16:40 | 0:16:41 | |
Yeah, because he's too lazy to learn Gujarati. | 0:16:41 | 0:16:43 | |
In the end, it's the patient's choice | 0:16:43 | 0:16:46 | |
and you can't criticise Daniel for that. | 0:16:46 | 0:16:48 | |
-KNOCK AT DOOR -Yes? | 0:16:48 | 0:16:49 | |
-Can I have a word? Sorry. -No, it's fine, I was just leaving. | 0:16:49 | 0:16:52 | |
Jenna Keaton - her and her sister are patients of yours. | 0:16:57 | 0:17:01 | |
Ooh. Well, I have seen them for ages. What's the problem? | 0:17:01 | 0:17:04 | |
Well, the gas was left on in Jenna's kitchen this morning, | 0:17:04 | 0:17:06 | |
then when she got to Campus, it looked like her brakes had been cut. | 0:17:06 | 0:17:10 | |
-Did she call the police? -No, that's the thing. | 0:17:10 | 0:17:12 | |
I think she's trying to protect her sister. | 0:17:12 | 0:17:14 | |
Cally was disfigured in a car accident about a year ago | 0:17:14 | 0:17:17 | |
and Jenna was driving. | 0:17:17 | 0:17:19 | |
Cally hasn't left the house since | 0:17:19 | 0:17:20 | |
and I'm just wondering if she's starting to take her anger out on... | 0:17:20 | 0:17:23 | |
Sorry, hang on. Cally Keaton? | 0:17:23 | 0:17:26 | |
Yeah. | 0:17:26 | 0:17:28 | |
I think you better sit down. | 0:17:28 | 0:17:29 | |
How did you get to these figures so quickly? | 0:17:35 | 0:17:38 | |
It's really easy. I did a sample reading. | 0:17:38 | 0:17:40 | |
80%? That cannot be right. | 0:17:41 | 0:17:44 | |
Look, it's there on the screen. 80% of our patients left feedback | 0:17:44 | 0:17:47 | |
and they love it. | 0:17:47 | 0:17:49 | |
Right, take a look at this. | 0:17:49 | 0:17:50 | |
Most are satisfied or very satisfied. | 0:17:53 | 0:17:57 | |
Well, that is very... | 0:17:57 | 0:17:59 | |
Satisfying? | 0:17:59 | 0:18:01 | |
Gratifying. | 0:18:01 | 0:18:03 | |
Although I am a little concerned about the accuracy - | 0:18:03 | 0:18:06 | |
given the enthusiasm from some of the patients, | 0:18:06 | 0:18:09 | |
and nearly all of the staff. | 0:18:09 | 0:18:11 | |
No, no, there's an algorithm that takes that into account. | 0:18:11 | 0:18:13 | |
Come on, we're onto a winner here, aren't we? | 0:18:13 | 0:18:16 | |
-And you'll get rid of those ridiculous noises? -Hmm... | 0:18:17 | 0:18:20 | |
Yeah. I promise I will. Cub's honour. | 0:18:20 | 0:18:23 | |
Hmm. Then we will see. | 0:18:24 | 0:18:28 | |
Before you go, can you just check the computer? | 0:18:28 | 0:18:31 | |
No, it's fine. Look, the network's back on. | 0:18:31 | 0:18:33 | |
I know but it is running very slow. | 0:18:33 | 0:18:35 | |
All right, well, can I do it after my lunch? | 0:18:35 | 0:18:38 | |
Yes, of course. Thank you, Dr Haskey. | 0:18:38 | 0:18:42 | |
Cally? | 0:18:43 | 0:18:45 | |
MUSIC: Bad Blood by Taylor Swift | 0:18:45 | 0:18:48 | |
FYI, dirty clothes go in the flaming laundry basket. | 0:18:49 | 0:18:54 | |
I'm not your maid! | 0:18:54 | 0:18:56 | |
Come on, Cally. | 0:18:59 | 0:19:01 | |
We can't go on like this. | 0:19:03 | 0:19:05 | |
Please, talk to me. | 0:19:07 | 0:19:09 | |
Cally! | 0:19:11 | 0:19:13 | |
-Come to have another go? -No. No, I haven't. | 0:19:25 | 0:19:29 | |
What do you want, then? | 0:19:30 | 0:19:32 | |
OK, look, maybe I was a bit judgmental. | 0:19:32 | 0:19:35 | |
-A bit? -Daniel, you're snapping the olive branch here. | 0:19:35 | 0:19:39 | |
OK, sorry. | 0:19:39 | 0:19:41 | |
Look, just do your research and get the facts right, OK? | 0:19:41 | 0:19:45 | |
Of course. | 0:19:45 | 0:19:46 | |
But to know that you would be there if I had any more questions? | 0:19:46 | 0:19:50 | |
Yeah. OK. | 0:19:50 | 0:19:51 | |
Thank you. | 0:19:53 | 0:19:55 | |
You're welcome. | 0:19:55 | 0:19:56 | |
MUSIC: Bad Blood by Taylor Swift | 0:20:03 | 0:20:06 | |
There you go, and that empties the cache. | 0:20:22 | 0:20:24 | |
That is working much faster. Thank you. | 0:20:24 | 0:20:28 | |
Good. Er... | 0:20:28 | 0:20:29 | |
What is it? | 0:20:32 | 0:20:33 | |
Your last order for supplies, right... | 0:20:35 | 0:20:38 | |
I think that, there, you meant 30, not 3,000. | 0:20:40 | 0:20:45 | |
-And then there's, er... -HE LAUGHS | 0:20:45 | 0:20:47 | |
-There's that, there. -Oh, my... | 0:20:47 | 0:20:49 | |
Hey, look. Let's look on the bright side, yeah? | 0:20:52 | 0:20:54 | |
We're going to be wading through paper towels and rubber gloves for the rest of our careers! | 0:20:54 | 0:20:58 | |
I will deal with it. | 0:20:58 | 0:21:00 | |
I will call them and cancel and resubmit. | 0:21:01 | 0:21:04 | |
Thank you for...for bringing it to my attention. | 0:21:07 | 0:21:10 | |
It's no big deal. | 0:21:11 | 0:21:13 | |
MUSIC: Bad Blood by Taylor Swift | 0:21:19 | 0:21:23 | |
DOORBELL RINGS | 0:21:27 | 0:21:31 | |
Ah! | 0:21:33 | 0:21:35 | |
Cally, for God's sake! | 0:21:35 | 0:21:37 | |
Jenna! | 0:21:40 | 0:21:41 | |
All right, OK, you need to get that hand under the cold water. | 0:21:51 | 0:21:55 | |
What happened? | 0:21:58 | 0:21:59 | |
Jenna. | 0:22:01 | 0:22:02 | |
She's trying to kill me. | 0:22:02 | 0:22:04 | |
She blames me for what happened and now she's trying to kill me. | 0:22:05 | 0:22:09 | |
Cally? | 0:22:09 | 0:22:11 | |
The gas...the brakes. There's been other stuff. | 0:22:11 | 0:22:15 | |
She says it wasn't her but, then, who else could it be? | 0:22:15 | 0:22:17 | |
I want to help her, but I'm scared. | 0:22:20 | 0:22:22 | |
I'm actually scared of my own sister. | 0:22:24 | 0:22:27 | |
Where is she now? | 0:22:28 | 0:22:29 | |
Upstairs. In her room. | 0:22:30 | 0:22:32 | |
Keep that under the water. | 0:22:35 | 0:22:37 | |
What are you going to do? | 0:22:37 | 0:22:38 | |
I want you to try and tell me what happened. | 0:23:44 | 0:23:46 | |
-The accident. -What? | 0:23:46 | 0:23:49 | |
Why? | 0:23:49 | 0:23:50 | |
Nothing bad's going to happen, I promise. Just try to remember. | 0:23:50 | 0:23:54 | |
-Please, Jenna, it's important. -ECHOING LAUGHTER | 0:23:54 | 0:23:57 | |
I know it's hard and you don't want to go back there, but it'll help. | 0:23:57 | 0:24:00 | |
-If you can just... -She was messing about. | 0:24:00 | 0:24:02 | |
Hey! | 0:24:02 | 0:24:04 | |
Winding me up, teasing. | 0:24:04 | 0:24:07 | |
Spoilsport. | 0:24:07 | 0:24:08 | |
She was good at it. | 0:24:08 | 0:24:10 | |
So, are you coming tonight or what? | 0:24:10 | 0:24:12 | |
Coming? | 0:24:12 | 0:24:14 | |
Indoor skydiving. | 0:24:14 | 0:24:16 | |
You're kidding! | 0:24:16 | 0:24:18 | |
Are you chicken? | 0:24:18 | 0:24:19 | |
30 feet in the air, held up by a giant electric fan - | 0:24:19 | 0:24:23 | |
not my idea of fun, that's all. | 0:24:23 | 0:24:25 | |
CLUCKS LIKE A CHICKEN | 0:24:25 | 0:24:27 | |
Shut up. Shut up! THEY LAUGH | 0:24:27 | 0:24:32 | |
You were driving? | 0:24:32 | 0:24:33 | |
She didn't mean to distract me, she was just ... | 0:24:35 | 0:24:38 | |
She took her seatbelt off. | 0:24:43 | 0:24:46 | |
She was messing around. | 0:24:46 | 0:24:48 | |
MUSIC: Bad Blood by Taylor Swift | 0:24:48 | 0:24:51 | |
WHEELS SCREECH Oh, God. | 0:24:51 | 0:24:54 | |
She took her seatbelt off! | 0:24:56 | 0:24:58 | |
Cally! | 0:25:05 | 0:25:06 | |
# Band-aids don't fix bullet holes You say sorry just for show... # | 0:25:06 | 0:25:09 | |
I'll get help. I'll get... | 0:25:09 | 0:25:11 | |
You'll be all right. | 0:25:11 | 0:25:13 | |
# Band-aids don't fix bullet holes You say sorry just for show | 0:25:16 | 0:25:21 | |
# If you live like that You live with ghosts. # | 0:25:21 | 0:25:25 | |
Come on, we need to get you to hospital, get that hand sorted. | 0:25:26 | 0:25:30 | |
I don't understand. | 0:25:33 | 0:25:34 | |
She was here. | 0:25:37 | 0:25:39 | |
Don't worry about that now. | 0:25:39 | 0:25:41 | |
But she was. | 0:25:43 | 0:25:44 | |
She was here. | 0:25:47 | 0:25:49 | |
She was my little sister. | 0:25:53 | 0:25:55 | |
I was supposed to take care of her. | 0:25:58 | 0:26:00 | |
Jenna, it'll be OK, I promise. | 0:26:03 | 0:26:06 | |
Come on, let's go. | 0:26:06 | 0:26:08 | |
MACHINE BLOWS RASPBERRIES | 0:26:26 | 0:26:28 | |
Haskey! | 0:26:31 | 0:26:33 | |
Who else do you discriminate against? | 0:26:37 | 0:26:39 | |
Smokers, drinkers... you treat them? | 0:26:39 | 0:26:41 | |
Yes. Yes, we do. | 0:26:41 | 0:26:43 | |
People who make themselves ill! | 0:26:43 | 0:26:45 | |
If you can't stand the heat, | 0:26:45 | 0:26:46 | |
you're in the wrong room, buddy boy. | 0:26:46 | 0:26:48 | |
That's hers and I'm not your "buddy boy". | 0:26:48 | 0:26:51 | |
What's the reason? I want to know. What's your argument? | 0:26:51 | 0:26:55 | |
You lied to us. Why? | 0:26:55 | 0:26:56 |