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You liar! Calm down! Lilia! | 0:00:29 | 0:00:31 | |
I go! He does not say these things! | 0:00:31 | 0:00:33 | |
Don't be stupid! Where are you going to go?! | 0:00:33 | 0:00:35 | |
Not here! Not with him in this house! | 0:00:35 | 0:00:37 | |
SLAP! Argh! Lilia?! | 0:00:37 | 0:00:39 | |
You never see me! No more! | 0:00:40 | 0:00:42 | |
Wait! | 0:00:45 | 0:00:47 | |
Oh, let her go, the stupid cow! | 0:00:47 | 0:00:50 | |
She's not going anywhere, is she? She's got no money, no passport. | 0:00:50 | 0:00:53 | |
But she'll freeze. She didn't have to run off! | 0:00:53 | 0:00:56 | |
I'm going to bed. | 0:00:57 | 0:00:59 | |
Morning! Morning. | 0:00:59 | 0:01:01 | |
Tea, anyone? | 0:01:03 | 0:01:04 | |
I'm going to call him. No. Today. No. | 0:01:09 | 0:01:13 | |
Uncle Zaroon can pass on a message. | 0:01:13 | 0:01:15 | |
He's my dad! | 0:01:15 | 0:01:17 | |
Our dad! | 0:01:17 | 0:01:19 | |
And I said no! | 0:01:19 | 0:01:21 | |
He's going back to Pakistan. If we don't meet him now... | 0:01:21 | 0:01:24 | |
Look, I'm 16, you can't stop me! | 0:01:26 | 0:01:28 | |
Did you hear anything I said last night...? | 0:01:28 | 0:01:30 | |
Thank you, Shak, | 0:01:30 | 0:01:32 | |
for that information. It's good to share. | 0:01:32 | 0:01:34 | |
Do you think you could give your mum a bit of time | 0:01:34 | 0:01:37 | |
to process this new development? | 0:01:37 | 0:01:40 | |
Maybe we could all have a chat later. | 0:01:40 | 0:01:42 | |
Sure. | 0:01:44 | 0:01:46 | |
Thank you, Heston. | 0:01:46 | 0:01:48 | |
My pleasure. | 0:01:48 | 0:01:49 | |
How dare you speak to my children on my behalf? | 0:01:58 | 0:02:02 | |
Can't we send her back? What...? | 0:02:05 | 0:02:07 | |
She's the worst temp in the history...! | 0:02:07 | 0:02:10 | |
Mrs Hollins, can I ask you not to creep up on me in my office? | 0:02:10 | 0:02:13 | |
Darcey-Marie! | 0:02:13 | 0:02:15 | |
Miss Brinton is on a medium-term cover contract. | 0:02:15 | 0:02:19 | |
And even if she is incompetent, negligent or a criminal, | 0:02:19 | 0:02:22 | |
you will still have to put up with her. | 0:02:22 | 0:02:24 | |
How about annoying? MRS TEMBE SIGHS | 0:02:24 | 0:02:27 | |
I am sure that she will learn a great deal | 0:02:27 | 0:02:29 | |
from an experienced receptionist like yourself. | 0:02:29 | 0:02:32 | |
Can't we get Valerie back? | 0:02:32 | 0:02:33 | |
You know why we cannot! | 0:02:33 | 0:02:35 | |
Her agency rates were excessive and we cannot afford her. | 0:02:35 | 0:02:38 | |
We're forking out for Darcey-Marie! Because she is cheap! | 0:02:38 | 0:02:42 | |
Perhaps you could use your wisdom to educate and motivate her. | 0:02:45 | 0:02:51 | |
Teach her how to be less useless. | 0:02:51 | 0:02:54 | |
You want me to train her? | 0:02:54 | 0:02:56 | |
Well, I'm sure we could discuss that idea...over lunch, maybe? | 0:02:56 | 0:03:01 | |
On me. | 0:03:04 | 0:03:05 | |
Well, it's gone a nasty colour, but I think you'll survive. | 0:03:07 | 0:03:10 | |
Was it a slap or a punch? | 0:03:10 | 0:03:12 | |
OK, can you look up for me? | 0:03:16 | 0:03:18 | |
Oh. So you understand English. | 0:03:18 | 0:03:21 | |
Of course. Mm-hm. | 0:03:21 | 0:03:23 | |
Look right. | 0:03:25 | 0:03:27 | |
Do you have a name? Lilia. | 0:03:27 | 0:03:30 | |
And left. | 0:03:30 | 0:03:31 | |
I come from Russia. | 0:03:33 | 0:03:35 | |
Well, it's nice to meet you, Lilia. I'm Emma. | 0:03:37 | 0:03:39 | |
Anything else? | 0:03:41 | 0:03:42 | |
I've cleared out the bathroom. | 0:03:42 | 0:03:45 | |
I think that's everything. | 0:03:45 | 0:03:46 | |
I don't want a trace of that woman left in this house! I'm sorry! | 0:03:46 | 0:03:49 | |
Yeah, well, sorry doesn't quite cut it. What were you thinking? | 0:03:49 | 0:03:52 | |
SHE SIGHS | 0:03:54 | 0:03:55 | |
Is it safe to come in? Oh, go away, Heston. | 0:03:57 | 0:04:01 | |
Are you still upset? What do you think? | 0:04:01 | 0:04:03 | |
I don't understand. | 0:04:06 | 0:04:07 | |
Why does he want to have anything to do with someone who hurt him? | 0:04:07 | 0:04:10 | |
Well, um... | 0:04:10 | 0:04:12 | |
I suppose you see things in very black-and-white terms. | 0:04:15 | 0:04:18 | |
Aamir did bad things to you, worse to your kids, | 0:04:18 | 0:04:22 | |
but Shak doesn't see it that way. | 0:04:22 | 0:04:24 | |
He's got a huge father-shaped gap in his life | 0:04:24 | 0:04:28 | |
and now he thinks he's found a piece that fits. | 0:04:28 | 0:04:31 | |
A piece that fits? | 0:04:33 | 0:04:34 | |
Did someone ask for tea? | 0:04:36 | 0:04:38 | |
Oh, lovely. Thank you. | 0:04:38 | 0:04:39 | |
Very cosy. | 0:04:42 | 0:04:44 | |
We're just trying to help. | 0:04:44 | 0:04:46 | |
Because you admitted to stealing a sandwich, | 0:04:46 | 0:04:48 | |
I'm going to have to give you a warning - an official caution. | 0:04:48 | 0:04:51 | |
But, really, we just want to make sure you're OK. | 0:04:51 | 0:04:54 | |
No arresting? No charges at the moment, | 0:04:54 | 0:04:57 | |
but it would help if you gave us your full name and a few details. | 0:04:57 | 0:05:00 | |
My name is Lilia Butterworth. | 0:05:00 | 0:05:02 | |
I live...near here. I forget the direction. | 0:05:02 | 0:05:06 | |
Butterworth. Is that a traditional Russian surname? | 0:05:06 | 0:05:08 | |
My husband is English. | 0:05:08 | 0:05:10 | |
Of course. And where is he now? | 0:05:10 | 0:05:12 | |
Is your husband something to do with this? | 0:05:12 | 0:05:16 | |
Will he be worried about you? | 0:05:16 | 0:05:18 | |
My father, he wasn't exactly a model parent, | 0:05:18 | 0:05:22 | |
but I had to find that out for myself. | 0:05:22 | 0:05:25 | |
Your father was not Aamir. | 0:05:26 | 0:05:28 | |
I can't afford to let him find us! | 0:05:28 | 0:05:32 | |
You know...in his eyes, we belong to him. | 0:05:32 | 0:05:36 | |
When I... When I ran away, that was humiliation. | 0:05:39 | 0:05:43 | |
Humiliation and betrayal. | 0:05:43 | 0:05:45 | |
And if he finds us again, he won't hesitate to punish me. | 0:05:45 | 0:05:49 | |
And the best way to punish me... is to hurt my kids. | 0:05:49 | 0:05:54 | |
Do you really think he would? | 0:05:54 | 0:05:56 | |
That's what he does. | 0:05:56 | 0:05:58 | |
Shak's not going to give up. | 0:06:01 | 0:06:03 | |
So what do I do? | 0:06:04 | 0:06:05 | |
Speak to Rob. No. It doesn't have to be official. | 0:06:07 | 0:06:10 | |
Rob is very good at being unofficial. | 0:06:10 | 0:06:12 | |
If you don't deal with this, Shak will. | 0:06:12 | 0:06:15 | |
Is she all right? A cup of tea, Sergeant? | 0:06:19 | 0:06:22 | |
Coffee? | 0:06:22 | 0:06:24 | |
Er...no, thank you, Mr Butterworth. | 0:06:24 | 0:06:27 | |
It's funny, I didn't expect to find so many Butterworths in the area. | 0:06:29 | 0:06:32 | |
You're the fourth today. | 0:06:32 | 0:06:34 | |
So, you've found Lilia? | 0:06:35 | 0:06:37 | |
Well, let's just say that she came to our attention. | 0:06:38 | 0:06:41 | |
A difficult woman. | 0:06:41 | 0:06:43 | |
I think there might be psychological issues. | 0:06:43 | 0:06:45 | |
I mean, she's nice enough... She's very nice. | 0:06:45 | 0:06:47 | |
But not really up to the job. | 0:06:47 | 0:06:49 | |
What job's that? Cleaning. | 0:06:49 | 0:06:51 | |
I had to speak to her yesterday about, you know, standards. | 0:06:51 | 0:06:55 | |
There's no point employing a cleaner who can't clean. | 0:06:55 | 0:06:58 | |
And she lost it. | 0:06:58 | 0:07:00 | |
She lost the plot. | 0:07:00 | 0:07:02 | |
Started screaming at me and ran off. | 0:07:02 | 0:07:05 | |
Didn't even take her money. | 0:07:05 | 0:07:07 | |
Is she all right? | 0:07:09 | 0:07:11 | |
Yeah. More or less. | 0:07:12 | 0:07:14 | |
Ooo! Lovely! | 0:07:14 | 0:07:16 | |
Thank you. | 0:07:16 | 0:07:18 | |
So, your treat? | 0:07:18 | 0:07:20 | |
Yes, yes, my treat. | 0:07:20 | 0:07:22 | |
I am not so hungry myself. | 0:07:22 | 0:07:25 | |
Do you mind if I have a starter? I'm starving. | 0:07:25 | 0:07:27 | |
No. No, not at all. | 0:07:27 | 0:07:29 | |
So, how were things this morning with Miss Brinton? | 0:07:30 | 0:07:35 | |
Where would you like me to start? | 0:07:36 | 0:07:39 | |
Well...I have been considering the situation | 0:07:39 | 0:07:43 | |
and perhaps we need to look at it in a slightly different light. | 0:07:43 | 0:07:46 | |
Oh, I'm listening. | 0:07:46 | 0:07:48 | |
Would you consider being the Mill Health Centre's senior receptionist? | 0:07:49 | 0:07:56 | |
Bear with me. | 0:07:56 | 0:07:57 | |
I have a badge. | 0:08:00 | 0:08:03 | |
A badge! Oh! | 0:08:03 | 0:08:05 | |
How much do senior receptionists get paid? | 0:08:05 | 0:08:07 | |
Well, er... Well, it is, er...largely honorific. | 0:08:10 | 0:08:15 | |
Honorific? Well, it means... I know what it means. | 0:08:15 | 0:08:19 | |
And, do you know, I think I'm going to stick with the badge I've got, thanks very much. | 0:08:19 | 0:08:22 | |
(Right.) | 0:08:24 | 0:08:25 | |
There you go. | 0:08:34 | 0:08:36 | |
Has he hit you before? | 0:08:38 | 0:08:40 | |
How long have you been married? | 0:08:45 | 0:08:46 | |
Two weeks. | 0:08:48 | 0:08:50 | |
Not a very good start, is it? | 0:08:51 | 0:08:53 | |
That is not of your business. | 0:08:53 | 0:08:54 | |
If he smack me, that is between him and me. | 0:08:54 | 0:08:56 | |
If he hits you, it's against the law. | 0:08:56 | 0:08:58 | |
Can I leave here? Where will you go? | 0:08:58 | 0:09:01 | |
Right. When did you last see her? | 0:09:07 | 0:09:10 | |
Actually, Niall, there's nothing here I can't handle | 0:09:10 | 0:09:13 | |
and you've got that project to get finished. | 0:09:13 | 0:09:15 | |
Yeah. Yeah, I'd better be getting on with it. | 0:09:15 | 0:09:18 | |
I hope whatever it is, everything turns out OK. | 0:09:20 | 0:09:23 | |
If you don't mind, sir, please don't go too far. | 0:09:23 | 0:09:25 | |
I might need to speak to you later. | 0:09:25 | 0:09:27 | |
Thanks. | 0:09:29 | 0:09:30 | |
I'm really not sure there's much more to tell. | 0:09:34 | 0:09:37 | |
I don't know much about her, really. | 0:09:37 | 0:09:39 | |
I-I got her number from one of those postcards in the newsagent window. | 0:09:39 | 0:09:42 | |
I don't know where she lives, or anything about her personal circumstances. | 0:09:43 | 0:09:47 | |
She came here, she cleaned - not very well - and she left. | 0:09:47 | 0:09:51 | |
Mr Butterworth, you need to know | 0:09:53 | 0:09:56 | |
that she is claiming to be married to your son. | 0:09:56 | 0:09:59 | |
Niall?! Mm-hm. | 0:10:01 | 0:10:02 | |
What, like a secret love affair? A clandestine marriage? | 0:10:02 | 0:10:05 | |
I don't know about that. Are you saying it's not true? | 0:10:05 | 0:10:07 | |
It's unlikely. | 0:10:07 | 0:10:09 | |
Perhaps it's wishful thinking on her part. | 0:10:09 | 0:10:11 | |
A good-looking young man, | 0:10:11 | 0:10:12 | |
comfortable surroundings, a British passport. | 0:10:12 | 0:10:15 | |
Maybe you don't know Niall as well as you think you do | 0:10:15 | 0:10:18 | |
and he hasn't told you yet. She's an attractive woman. | 0:10:18 | 0:10:20 | |
And he did seem concerned about her. | 0:10:20 | 0:10:22 | |
He's a soft touch, I'll grant you that, but she's not really his type. | 0:10:22 | 0:10:26 | |
He's gay. Right. | 0:10:28 | 0:10:31 | |
Right. I don't want to seem harsh, | 0:10:32 | 0:10:34 | |
but I don't think I can be of any further help. | 0:10:34 | 0:10:37 | |
Perhaps you could pass this on to her. | 0:10:39 | 0:10:41 | |
Her final wages. | 0:10:44 | 0:10:47 | |
No hard feelings. | 0:10:48 | 0:10:49 | |
Hm. | 0:10:51 | 0:10:53 | |
I'm not blaming you, Mrs Tembe. You work with what you've got. | 0:10:53 | 0:10:56 | |
I mean, how can you provide a service for people who need help | 0:10:56 | 0:11:00 | |
if the people running the service haven't got enough money | 0:11:00 | 0:11:03 | |
to provide the service that they need? | 0:11:03 | 0:11:05 | |
You have summed up the situation in a nutshell. | 0:11:05 | 0:11:08 | |
I think that Valerie was lucky to get out when she did. | 0:11:08 | 0:11:10 | |
I would not go that far. Even working for a charity, | 0:11:10 | 0:11:13 | |
she's probably got better working conditions than us. | 0:11:13 | 0:11:16 | |
A nice office, computers that work, an ergonomic swivel chair... Oh! | 0:11:16 | 0:11:22 | |
Um...decent hours and colleagues who appreciate the work she does. | 0:11:22 | 0:11:27 | |
We have very nice colleagues, too. | 0:11:27 | 0:11:29 | |
You didn't spend the morning working with Darcey-Marie. | 0:11:29 | 0:11:32 | |
I am sure she has some redeeming qualities. | 0:11:32 | 0:11:34 | |
No. I don't want Valerie to come back. | 0:11:34 | 0:11:36 | |
That would be cruel to Valerie. | 0:11:36 | 0:11:38 | |
I think she's probably better off where she is. | 0:11:38 | 0:11:41 | |
Yes, well, I, er... I sincerely hope so. | 0:11:41 | 0:11:43 | |
Ooo! Lovely! Thank you. | 0:11:43 | 0:11:46 | |
Have you actually seen him? | 0:11:48 | 0:11:50 | |
No. I-I'm sorry. | 0:11:50 | 0:11:52 | |
Oh, I'm sorry for bothering you. | 0:11:52 | 0:11:54 | |
They said you were busy and I just thought I'd wait outside. | 0:11:54 | 0:11:56 | |
I shouldn't be troubling you with my domestic affairs. | 0:11:58 | 0:12:01 | |
No, wait. It's OK. Don't be silly. | 0:12:01 | 0:12:03 | |
People talk about domestic affairs | 0:12:03 | 0:12:05 | |
as if the law stops at their front door. It does not. | 0:12:05 | 0:12:08 | |
Has your ex been threatening you? | 0:12:10 | 0:12:11 | |
No. Not... Not exactly. | 0:12:11 | 0:12:13 | |
He... He doesn't know where we live. Not yet. | 0:12:13 | 0:12:16 | |
Right, OK. Good. | 0:12:16 | 0:12:17 | |
But Shak is determined to meet up with him? | 0:12:17 | 0:12:20 | |
Well, the first thing is, you can't ignore it, can you? | 0:12:20 | 0:12:22 | |
You can't pretend that it's not happening. | 0:12:22 | 0:12:25 | |
And if you try and put your foot down, you could make it worse. | 0:12:25 | 0:12:27 | |
I mean, would he do it anyway? | 0:12:27 | 0:12:30 | |
Yeah. Yeah, exactly. | 0:12:30 | 0:12:31 | |
So my advice would be that you have to accept it. | 0:12:31 | 0:12:34 | |
Give it your blessing, but control it. | 0:12:35 | 0:12:38 | |
You let them meet, but you lay down some rules. | 0:12:39 | 0:12:42 | |
You make sure that they meet in a public place, | 0:12:42 | 0:12:45 | |
you make sure that Shak does not pass on any personal details, | 0:12:45 | 0:12:49 | |
especially phone numbers and addresses. | 0:12:49 | 0:12:52 | |
If you have any problems at all, you give me a call. | 0:12:52 | 0:12:56 | |
Thanks, Rob. So let them meet up. | 0:12:57 | 0:13:00 | |
Your terms, remember. | 0:13:00 | 0:13:02 | |
My terms. | 0:13:02 | 0:13:04 | |
Mm. Good luck. | 0:13:04 | 0:13:06 | |
My terms. | 0:13:07 | 0:13:09 | |
I-I believe you said there had been some progress with your fostering application. | 0:13:09 | 0:13:13 | |
Oh, yeah, I hope so. | 0:13:13 | 0:13:15 | |
Um...I had a medical last week and I think it went all right, | 0:13:15 | 0:13:17 | |
so fingers crossed. | 0:13:17 | 0:13:19 | |
We've got a final panel meeting next week | 0:13:19 | 0:13:22 | |
and if we get approval then, you know, it's just about waiting. | 0:13:22 | 0:13:26 | |
It could be the next day, or it could be a few months. | 0:13:26 | 0:13:28 | |
Mrs Tembe? Oh, quick! Quick! Just hide! | 0:13:30 | 0:13:34 | |
She... She cannot know that we are here. | 0:13:34 | 0:13:36 | |
It is Miss Pitman! | 0:13:36 | 0:13:39 | |
It looks like she does not have a comfortable office job after all. | 0:13:39 | 0:13:42 | |
Oh, she's a chugger! Why are we hiding? | 0:13:43 | 0:13:46 | |
Because she might be a little embarrassed about... | 0:13:46 | 0:13:49 | |
Well, about her situation. | 0:13:49 | 0:13:51 | |
Oh! Too late for that now, she's seen us. | 0:13:51 | 0:13:54 | |
Are you sure? | 0:13:54 | 0:13:55 | |
Yeah, yeah. She's trying to hide behind a very small tree. | 0:13:55 | 0:13:59 | |
Lilia. Mrs Butterworth. | 0:13:59 | 0:14:02 | |
Yes, of course. | 0:14:03 | 0:14:05 | |
Mrs Butterworth, I've just been to see your husband, Mr Butterworth. | 0:14:09 | 0:14:14 | |
Although there is a suggestion that he's not your husband | 0:14:14 | 0:14:17 | |
and he is in fact gay. | 0:14:17 | 0:14:20 | |
That is stupid! He's my husband, he's not gay! | 0:14:20 | 0:14:22 | |
His father told me. His... His father is dead. | 0:14:22 | 0:14:27 | |
Niall Butterworth. Niall is his son. | 0:14:29 | 0:14:31 | |
He's gay. But there's nothing wrong with my man. | 0:14:31 | 0:14:35 | |
You're married to Jake Butterworth? | 0:14:37 | 0:14:39 | |
Is Jake Butterworth responsible for that on your face? | 0:14:41 | 0:14:45 | |
PHONE RINGS | 0:14:45 | 0:14:47 | |
Sergeant Hollins. | 0:14:50 | 0:14:51 | |
Sergeant Hollins, this is Jake Butterworth. | 0:14:55 | 0:14:57 | |
What can we do for you? | 0:14:57 | 0:14:58 | |
Yes, we can do that. Do you really need to see both of us? | 0:15:00 | 0:15:03 | |
Of course. We'll come straight down. | 0:15:05 | 0:15:07 | |
Not a problem. | 0:15:07 | 0:15:09 | |
Come here. | 0:15:14 | 0:15:16 | |
It'll be fine. | 0:15:16 | 0:15:17 | |
We'll get through this. | 0:15:17 | 0:15:19 | |
And when it's over, there'll be other opportunities. | 0:15:21 | 0:15:23 | |
And maybe next time, you won't mess it up. | 0:15:23 | 0:15:26 | |
The MacLachlan Trust. | 0:15:28 | 0:15:30 | |
I-I know this is a cancer charity you were very keen to work with. | 0:15:30 | 0:15:33 | |
Mm. The agency found me the job. | 0:15:33 | 0:15:35 | |
It was meant to be an office job, but it turns out they've got | 0:15:35 | 0:15:39 | |
plenty of people to work in the office. | 0:15:39 | 0:15:41 | |
And where we're really needed is out here, on the front line. | 0:15:41 | 0:15:45 | |
It must be hard work. | 0:15:45 | 0:15:46 | |
Yeah, it can be quite difficult. | 0:15:46 | 0:15:49 | |
My feet get very tired. | 0:15:49 | 0:15:50 | |
And some people can be very rude. | 0:15:50 | 0:15:54 | |
But it gets me out of the house. | 0:15:54 | 0:15:55 | |
Well, yes. | 0:15:55 | 0:15:57 | |
So, how is everyone at the Mill? | 0:16:00 | 0:16:03 | |
I hope you found someone lovely to replace me. | 0:16:03 | 0:16:05 | |
Lilia, I'm not a police officer, you know. | 0:16:07 | 0:16:11 | |
I work at the police station, but I'm a doctor. | 0:16:11 | 0:16:13 | |
I don't need your help. | 0:16:13 | 0:16:15 | |
No? | 0:16:15 | 0:16:16 | |
You think I'm a weak lady. | 0:16:16 | 0:16:18 | |
Victim, yes? | 0:16:18 | 0:16:20 | |
But I'm strong. | 0:16:20 | 0:16:22 | |
I come all the way from Russia. | 0:16:22 | 0:16:24 | |
I leave my family, my friends. That is not weak. | 0:16:24 | 0:16:27 | |
No. It's very brave. | 0:16:27 | 0:16:29 | |
But your marriage... I marry a stranger. | 0:16:32 | 0:16:35 | |
English stranger. | 0:16:35 | 0:16:36 | |
I am mail-order bride and I'm not ashamed. | 0:16:36 | 0:16:39 | |
My husband is Mr Jake Butterworth. | 0:16:40 | 0:16:43 | |
And he's a strong man. And he needs a strong woman. | 0:16:43 | 0:16:46 | |
And he needs more sons. Stronger sons than Niall. | 0:16:46 | 0:16:49 | |
Is that the basis for a marriage? | 0:16:51 | 0:16:53 | |
You and the policeman think I'm stupid. | 0:16:54 | 0:16:56 | |
I know about this marriage. | 0:16:56 | 0:16:59 | |
I will give Jake what a wife must give her husband | 0:16:59 | 0:17:01 | |
and he will look after me and he will protect me. | 0:17:01 | 0:17:05 | |
And he will love me. | 0:17:05 | 0:17:07 | |
You're not under caution or anything, | 0:17:08 | 0:17:10 | |
I just wanted to have a quick word. | 0:17:10 | 0:17:12 | |
Sort out a few misunderstandings. | 0:17:12 | 0:17:14 | |
Of course. | 0:17:14 | 0:17:16 | |
Like, Lilia Butterworth does not claim to be married to you, Niall. | 0:17:16 | 0:17:19 | |
That was a schoolboy error on my part. | 0:17:19 | 0:17:22 | |
I jumped to conclusions, considering your similar ages. | 0:17:22 | 0:17:25 | |
Perhaps I should explain a few things to you, Sergeant. | 0:17:25 | 0:17:27 | |
Perhaps you should. | 0:17:27 | 0:17:29 | |
Including how she came to get that bruise on her face. | 0:17:29 | 0:17:33 | |
An accident. A stupid scuffle. | 0:17:34 | 0:17:36 | |
Niall...he's not my son. | 0:17:37 | 0:17:39 | |
No. Niall is your partner. | 0:17:39 | 0:17:42 | |
Well done. | 0:17:42 | 0:17:43 | |
But what about Lilia? | 0:17:44 | 0:17:46 | |
You see, I'm struggling to see what her role is in all of this. | 0:17:46 | 0:17:50 | |
Well, she's not my cleaner. Funny, that(!) | 0:17:50 | 0:17:53 | |
What is she, then? | 0:17:55 | 0:17:57 | |
Technically, if you want to be literal about it...she's my wife. | 0:17:57 | 0:18:02 | |
In your marriage contract, Lilia, did he buy the right to hit you? | 0:18:02 | 0:18:06 | |
It was Niall's fault. | 0:18:06 | 0:18:08 | |
Niall hit you? | 0:18:10 | 0:18:11 | |
Why do you keep asking me these questions? | 0:18:11 | 0:18:14 | |
Because I'm trying to help. | 0:18:15 | 0:18:17 | |
Niall doesn't like me. He doesn't want his father to marry, to be happy. | 0:18:18 | 0:18:23 | |
Last night, he drink too much, he say things. | 0:18:24 | 0:18:26 | |
What things? | 0:18:26 | 0:18:28 | |
I...almost believe him, his lies. | 0:18:28 | 0:18:31 | |
My husband, he is angry. | 0:18:33 | 0:18:35 | |
And...? | 0:18:35 | 0:18:37 | |
Nothing. It's all a mistake. It's a mistake. | 0:18:37 | 0:18:41 | |
When everybody calm, everything's OK. | 0:18:41 | 0:18:43 | |
When I have baby, everything's OK. | 0:18:43 | 0:18:46 | |
Do you know how difficult it is for gay men to have a baby? | 0:18:50 | 0:18:53 | |
That's all we want. | 0:18:53 | 0:18:56 | |
Is there anything more natural than to want a child? | 0:18:56 | 0:18:58 | |
But we don't want some adopted stray. | 0:18:58 | 0:19:00 | |
I want a child that's mine biologically. | 0:19:00 | 0:19:02 | |
But you can't pay for surrogacy in this country. It's illegal. | 0:19:02 | 0:19:05 | |
Even if you do try. We did try. | 0:19:05 | 0:19:07 | |
We did. But that...woman messed us around. | 0:19:07 | 0:19:12 | |
So you go abroad and then you're at the mercy of some 16-year-old Romanian and her pimp of a father. | 0:19:12 | 0:19:16 | |
That's why Jake had to marry Lilia. | 0:19:16 | 0:19:19 | |
It's big business in Russia. | 0:19:19 | 0:19:21 | |
The girls are clean, even educated. | 0:19:21 | 0:19:23 | |
But the point is, there's a legal marriage contract. | 0:19:23 | 0:19:25 | |
Any children born are legally mine, and there's no adoption hassle, | 0:19:25 | 0:19:28 | |
and they're born in the UK. | 0:19:28 | 0:19:31 | |
She gets a chance in the West and I get a child that's mine. | 0:19:31 | 0:19:34 | |
A child that's ours. | 0:19:38 | 0:19:39 | |
It's a win-win situation. | 0:19:42 | 0:19:44 | |
I'm sorry. I'm sorry for being in lioness mode. | 0:19:47 | 0:19:51 | |
I could tell. | 0:19:53 | 0:19:55 | |
Rob had some very good advice. | 0:19:56 | 0:19:58 | |
I'm going to let Shak...well, them, see their dad. | 0:19:58 | 0:20:02 | |
OK. In town, public, so he can't try anything. | 0:20:02 | 0:20:06 | |
About this morning... You're allowed to do some roaring. | 0:20:09 | 0:20:13 | |
Thank you. | 0:20:14 | 0:20:16 | |
Do you think you can charge him? | 0:20:18 | 0:20:20 | |
Not without any evidence. | 0:20:20 | 0:20:22 | |
Has she said anything to you? No, nothing. | 0:20:22 | 0:20:25 | |
Is there any chance that she could be pregnant? | 0:20:27 | 0:20:29 | |
I don't know, I didn't ask. | 0:20:29 | 0:20:31 | |
She keeps talking about babies, but to be honest, | 0:20:33 | 0:20:35 | |
I don't think the marriage has been consummated. | 0:20:35 | 0:20:38 | |
Yeah, well, that sounds about right. | 0:20:38 | 0:20:39 | |
Do you think that she's being genuine? Yes, I do. | 0:20:39 | 0:20:42 | |
Although I think she's misguided. | 0:20:45 | 0:20:47 | |
She's protecting her so-called husband. | 0:20:48 | 0:20:51 | |
And, er...she thinks she has a proper marriage | 0:20:51 | 0:20:54 | |
and that she's going to live happily ever after. | 0:20:54 | 0:20:57 | |
I'd better, um... Mm-hm. | 0:20:57 | 0:20:59 | |
Please? No! I have already said no! | 0:21:03 | 0:21:07 | |
Why not? You know why not! | 0:21:07 | 0:21:10 | |
Pay the fee! How high can it be?! | 0:21:10 | 0:21:12 | |
It is exorbitant! | 0:21:12 | 0:21:14 | |
Oh! But she looked so miserable, | 0:21:14 | 0:21:16 | |
and Darcey-Marie is doing my head in! | 0:21:16 | 0:21:18 | |
There is nothing more to be said. | 0:21:18 | 0:21:20 | |
You will have to put up with it! | 0:21:20 | 0:21:22 | |
And so will Miss Pitman. | 0:21:23 | 0:21:25 | |
MRS TEMBE SIGHS | 0:21:25 | 0:21:27 | |
I think it's fair to say that you haven't been totally honest with your wife. | 0:21:33 | 0:21:38 | |
Are you totally honest with yours? | 0:21:38 | 0:21:40 | |
Lilia seems to think that you two are father and son. Why is that? | 0:21:50 | 0:21:54 | |
We were hardly going to tell her the truth now, were we? | 0:21:54 | 0:21:56 | |
Is that fair? | 0:21:56 | 0:21:57 | |
To lie to that extent? | 0:21:57 | 0:22:00 | |
To raise her hopes of a new life, a new family? | 0:22:00 | 0:22:02 | |
She was selling herself on the internet. | 0:22:02 | 0:22:05 | |
Do you think that's how she saw it? | 0:22:05 | 0:22:07 | |
I really don't care. | 0:22:07 | 0:22:09 | |
No, you don't, do you? | 0:22:09 | 0:22:11 | |
Is that how you saw it? | 0:22:13 | 0:22:15 | |
Leave him alone. Can't he speak for himself? | 0:22:15 | 0:22:17 | |
Does anyone get the chance to speak for themselves in your house, apart from you? | 0:22:17 | 0:22:21 | |
I told her! Niall! | 0:22:21 | 0:22:23 | |
I told her everything. That's why she ran. | 0:22:23 | 0:22:25 | |
She knows about us, she knows about everything. | 0:22:25 | 0:22:28 | |
And I think she's finding it hard to accept that anybody could be so heartless. | 0:22:28 | 0:22:33 | |
Name one law that we have broken. | 0:22:33 | 0:22:34 | |
Somebody gave her that bruise on her face. | 0:22:36 | 0:22:38 | |
There's loads of websites. | 0:22:38 | 0:22:40 | |
Russians, Ukrainians, Moldovans. | 0:22:40 | 0:22:42 | |
Don't say another word. Jake flew out to Russia to meet her. | 0:22:42 | 0:22:45 | |
Met her three times, then they got married. | 0:22:45 | 0:22:46 | |
It was a whirlwind romance. | 0:22:46 | 0:22:48 | |
She thought she was marrying a rich Westerner, but it was all a lie. | 0:22:48 | 0:22:52 | |
We told her I was Jake's son. We used her. | 0:22:52 | 0:22:55 | |
Jake used to call her The Womb. | 0:22:55 | 0:22:58 | |
Oh, that's nice(!) | 0:22:59 | 0:23:01 | |
And once The Womb had given birth...? | 0:23:01 | 0:23:03 | |
Not my concern. | 0:23:03 | 0:23:05 | |
There is a return ticket to Russia, if she wants it. | 0:23:05 | 0:23:08 | |
Do you know what my concern is? | 0:23:08 | 0:23:10 | |
My concern is what you were going to do if she wanted to keep the baby. | 0:23:10 | 0:23:15 | |
She knew none of this, obviously. | 0:23:15 | 0:23:16 | |
Not until you opened your big mouth. | 0:23:16 | 0:23:18 | |
She deserved to know! | 0:23:18 | 0:23:19 | |
She's a good person and I like her, and what we did was wrong! | 0:23:19 | 0:23:22 | |
I had a bit too much to drink last night. | 0:23:25 | 0:23:28 | |
I told Lilia everything. | 0:23:28 | 0:23:29 | |
She got very upset. | 0:23:29 | 0:23:31 | |
He slapped her. Hard. | 0:23:33 | 0:23:36 | |
And she ran away. | 0:23:36 | 0:23:38 | |
All I'm saying is, think about it. | 0:23:40 | 0:23:43 | |
Are you sure that it's wise to go back to him? | 0:23:43 | 0:23:46 | |
He is my husband. | 0:23:46 | 0:23:48 | |
Niall, wait! We can sort this. Please! Jake! | 0:23:51 | 0:23:55 | |
You've ruined everything, do you know that? I did nothing! | 0:23:55 | 0:23:59 | |
It's all your fault, you stupid...! Oi! | 0:23:59 | 0:24:01 | |
Where are you going to live now? | 0:24:01 | 0:24:04 | |
What? Do you think I wanted you for anything other than breeding? | 0:24:05 | 0:24:08 | |
Do you actually think I wanted to sleep with you? | 0:24:08 | 0:24:11 | |
It is true, what you said. | 0:24:12 | 0:24:14 | |
I'm sorry. You're pathetic! | 0:24:14 | 0:24:16 | |
He's honest. | 0:24:16 | 0:24:18 | |
Now I am honest. | 0:24:18 | 0:24:20 | |
I never love you. | 0:24:21 | 0:24:23 | |
It was contract. | 0:24:23 | 0:24:25 | |
Ticket to England. | 0:24:25 | 0:24:27 | |
Now I have a question for you. | 0:24:27 | 0:24:30 | |
Do you think I want to sleep with you? | 0:24:30 | 0:24:33 | |
No. Never! | 0:24:34 | 0:24:36 | |
You're old and you're ugly. | 0:24:36 | 0:24:39 | |
And you have an ugly heart! | 0:24:40 | 0:24:42 | |
This? He did this. | 0:24:45 | 0:24:48 | |
Make sure you tell Zaroon he's not to give your number to your dad, OK? | 0:24:52 | 0:24:55 | |
He's got to understand that. Yeah, yeah, you said. | 0:24:55 | 0:24:58 | |
Hello. Is that... Is that Zaroon? It's Shak. | 0:25:02 | 0:25:06 | |
Um...is my dad still here, in England? | 0:25:08 | 0:25:10 | |
If that's OK. Me and Alia. | 0:25:12 | 0:25:13 | |
Yeah, she's really excited, too. | 0:25:15 | 0:25:17 | |
No, it has to be in town. | 0:25:19 | 0:25:20 | |
Um...do you think my dad can make it tomorrow? | 0:25:20 | 0:25:23 | |
Great! Centenary Square. | 0:25:25 | 0:25:27 | |
That's easy to find, yeah. | 0:25:27 | 0:25:29 | |
Maybe 11:00. | 0:25:29 | 0:25:31 | |
OK. | 0:25:33 | 0:25:35 | |
That's cool. Tomorrow, 11:00. | 0:25:35 | 0:25:38 | |
Thanks. See ya. | 0:25:40 | 0:25:41 | |
Right. Have you got anywhere to stay? | 0:25:50 | 0:25:53 | |
No. Me neither. The house was Jake's. | 0:25:53 | 0:25:57 | |
He's not going to be needing it, is he? Well, not tonight, anyway. | 0:25:57 | 0:25:59 | |
I suppose so. I've still got the keys. | 0:25:59 | 0:26:03 | |
And Mrs Butterworth is his legal wife. This is true. | 0:26:03 | 0:26:07 | |
And what's his...is yours. | 0:26:07 | 0:26:10 | |
I don't understand. | 0:26:11 | 0:26:13 | |
The house is yours. | 0:26:13 | 0:26:15 | |
Do you want to stay in my house? | 0:26:19 | 0:26:21 | |
Thank you. | 0:26:23 | 0:26:25 | |
Excuse me, sir, have you got a moment to talk about cancer? | 0:26:25 | 0:26:28 | |
Hm. Oh! VALERIE CHUCKLES | 0:26:28 | 0:26:30 | |
Plenty more where he came from. Yes. Well, yes, I am sure. | 0:26:30 | 0:26:34 | |
Since we met earlier, I have been, er... Well, I have been thinking. | 0:26:35 | 0:26:39 | |
Really?! | 0:26:39 | 0:26:41 | |
Oh. Oh, no. I am so sorry! | 0:26:41 | 0:26:44 | |
Mrs Tembe? I... I really cannot give you your job back, Miss Pitman. | 0:26:44 | 0:26:49 | |
Oh! Right. | 0:26:49 | 0:26:51 | |
Well, that is why I returned, to apologise and, er... | 0:26:51 | 0:26:53 | |
Well, and try to explain. Oh, there's no need, really. | 0:26:53 | 0:26:57 | |
But I really think that I... | 0:26:57 | 0:26:58 | |
No, really, I really don't want to talk about it. | 0:26:58 | 0:27:01 | |
Right. | 0:27:01 | 0:27:03 | |
Well, er... Well, perhaps I, er... Well, I can make a donation. | 0:27:04 | 0:27:07 | |
Um...just, er...fill out the boxes. | 0:27:07 | 0:27:13 | |
You're very kind. | 0:27:14 | 0:27:16 | |
Ooo! Is that the reading list? Yes. Great. Oh, yeah, I baked a cake. | 0:27:20 | 0:27:24 | |
These will have to do. | 0:27:24 | 0:27:26 | |
Well, if the kids burst into La traviata, we're suitably equipped(!) | 0:27:26 | 0:27:29 | |
To people like that, I'm just a cleaner. | 0:27:29 | 0:27:32 | |
You're not just a cleaner. I am around here. | 0:27:32 | 0:27:35 | |
Shak's staying, but why is Alia following him?! I'll go. | 0:27:35 | 0:27:38 | |
Be quick, be quick! And don't let them see you! I'll be discreet! | 0:27:38 | 0:27:41 | |
..three, four... | 0:28:13 | 0:28:14 | |
One, two, three, four... | 0:28:14 | 0:28:16 | |
OK, my love, I'm going to tell you how to give him mouth to mouth, OK? | 0:28:16 | 0:28:20 | |
When resources stretch to breaking point, | 0:28:20 | 0:28:22 |