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What's Alia still doing in the bathroom?! | 0:00:33 | 0:00:36 | |
If she doesn't hurry up, we're going to be late! She won't be long. | 0:00:36 | 0:00:38 | |
What's she even doing?! She just wants to look her best. | 0:00:38 | 0:00:41 | |
What, and I don't? You look fine. | 0:00:41 | 0:00:44 | |
Wow! | 0:00:48 | 0:00:49 | |
Oh. So, she gets, "Wow" and I get, "Fine"? | 0:00:49 | 0:00:52 | |
My hair's terrible. It's not. | 0:00:52 | 0:00:54 | |
You both look great. | 0:00:55 | 0:00:58 | |
OK, this is the mobile I want you to use. | 0:00:58 | 0:00:59 | |
What's wrong with our own phones? | 0:00:59 | 0:01:01 | |
We were advised. No giving out your social media contacts | 0:01:01 | 0:01:04 | |
and no using your own phones to make calls. | 0:01:04 | 0:01:07 | |
Zaroon's already got my number. | 0:01:07 | 0:01:09 | |
We haven't got a number for Dad. | 0:01:09 | 0:01:11 | |
OK. I just want to emphasise... | 0:01:11 | 0:01:13 | |
Mum? We know. | 0:01:13 | 0:01:15 | |
We're not kids. | 0:01:15 | 0:01:17 | |
Do you think he'll recognise us? | 0:01:23 | 0:01:25 | |
I mean, town's going to be packed | 0:01:25 | 0:01:27 | |
and he hasn't seen us since we were little. | 0:01:27 | 0:01:30 | |
'Course he'll recognise you. | 0:01:31 | 0:01:33 | |
Come on, we're going to miss the bus. | 0:01:34 | 0:01:36 | |
You're the one who took ages in the bathroom! | 0:01:36 | 0:01:38 | |
You were in there for ages before me. Not as long as you! | 0:01:38 | 0:01:40 | |
How long does it take to slap on some eyeliner? | 0:01:40 | 0:01:43 | |
OK, bye, then. Bye! Bye! Take... | 0:01:43 | 0:01:46 | |
You all set? Yeah, yeah. | 0:01:52 | 0:01:55 | |
I'm just going to get changed, OK? | 0:01:56 | 0:01:58 | |
Can I help? Hiya, Karen! | 0:02:00 | 0:02:02 | |
Rita! What are you doing here? | 0:02:02 | 0:02:04 | |
Cath's off sick, said I'd cover. | 0:02:04 | 0:02:06 | |
Aw, that's nice. | 0:02:06 | 0:02:07 | |
Well, she covered for me for the last two Northern Roars. | 0:02:07 | 0:02:09 | |
The what? | 0:02:09 | 0:02:11 | |
Northern Roar. It's a bikers' meet-up in Cleethorpes. | 0:02:11 | 0:02:13 | |
Sorry, this is my Ken. | 0:02:13 | 0:02:16 | |
Ah, Ken! I've heard a lot about you. | 0:02:16 | 0:02:18 | |
Oh, yeah. Like what? Er...roadying, gigs, bikes. | 0:02:18 | 0:02:21 | |
Yeah, that's about me. | 0:02:21 | 0:02:23 | |
Right, I'd better get going. I've got a get-in to do for Ultrahell. | 0:02:23 | 0:02:26 | |
Who? | 0:02:26 | 0:02:29 | |
They're a death metal band from Finland. | 0:02:29 | 0:02:31 | |
Not quite my cup of tea, but they're not a bad bunch of kids when they're not singing about Satan. | 0:02:31 | 0:02:34 | |
Right, I'll pick you up later, babes. | 0:02:34 | 0:02:37 | |
Mmmmmmmmmmm...! Oh, hello! | 0:02:37 | 0:02:39 | |
See you later, Karen. Bye-bye. | 0:02:41 | 0:02:44 | |
Oh, I say, he's all man! | 0:02:45 | 0:02:46 | |
Oh, he's a big softie. Insisted on bringing me down. | 0:02:46 | 0:02:50 | |
But I was coming into the uni, anyway, to pick up my books. | 0:02:50 | 0:02:52 | |
Your books? For my course. | 0:02:52 | 0:02:55 | |
Part-time lifelong learning. I'm doing the Romantics. | 0:02:55 | 0:02:58 | |
Ooh, romantic what? Poets! Shelley, Coleridge, Byron. | 0:02:58 | 0:03:03 | |
You're into all that! | 0:03:03 | 0:03:05 | |
Well, I did the foundation course last year. | 0:03:05 | 0:03:07 | |
Oh, it was brilliant! The tutor's amazing! | 0:03:07 | 0:03:10 | |
Oh! Ooh, hello! | 0:03:12 | 0:03:15 | |
Oh! Professor Julian Darby! | 0:03:16 | 0:03:18 | |
I swear that Immie did some set-painting for him | 0:03:18 | 0:03:21 | |
for the amateur dramatics. | 0:03:21 | 0:03:23 | |
He gave us a talk on live performance. | 0:03:23 | 0:03:25 | |
Asked which was my most memorable. | 0:03:25 | 0:03:27 | |
So I said, "Sabbath in '86". | 0:03:27 | 0:03:29 | |
SHE LAUGHS | 0:03:29 | 0:03:31 | |
My binoculars are somewhere in the garage, so these will have to do. | 0:03:31 | 0:03:34 | |
Well, if the kids burst into La traviata, we're suitably equipped(!) | 0:03:34 | 0:03:38 | |
How are you feeling about seeing Aamir? | 0:03:40 | 0:03:42 | |
A bit weird about seeing him. | 0:03:42 | 0:03:43 | |
Frightened? Yeah. For me and the kids. | 0:03:45 | 0:03:48 | |
Oh, I don't know. It was a long time ago, wasn't it? | 0:03:48 | 0:03:51 | |
People change. Mm. | 0:03:53 | 0:03:55 | |
Is it right to follow them? | 0:03:56 | 0:03:58 | |
I mean, am I doing it for them, or to reassure me? | 0:03:58 | 0:04:02 | |
There's nothing wrong with reassurance. No, no. | 0:04:02 | 0:04:04 | |
And they've made the decision to see him, so... | 0:04:04 | 0:04:07 | |
And like you said, they're not kids, are they? | 0:04:07 | 0:04:11 | |
And they're not adults. | 0:04:11 | 0:04:12 | |
Right, come on, let's do it, let's do it, let's do it. Let's go, let's go! | 0:04:14 | 0:04:17 | |
Professor Darby? Ah, Rita. | 0:04:18 | 0:04:20 | |
I couldn't print out the reading list for the Romantics. Can I get one from you? | 0:04:20 | 0:04:24 | |
About that... It's our printer. | 0:04:24 | 0:04:26 | |
We call it the anti-Ozzy because it'll do any colour except for black! | 0:04:26 | 0:04:30 | |
Rita, the Romantics will be a challenging course. | 0:04:30 | 0:04:34 | |
I like a challenge. | 0:04:34 | 0:04:36 | |
And, unlike the foundation, | 0:04:36 | 0:04:37 | |
the texts will require considerable exegesis. | 0:04:37 | 0:04:40 | |
Critical analysis. Oh, I can be critical! | 0:04:43 | 0:04:46 | |
Ah... Julie, who does the halls of residence and the union, | 0:04:46 | 0:04:49 | |
she was only saying the other day how high my standards are. | 0:04:49 | 0:04:52 | |
Er... "You don't miss a thing", she said. | 0:04:52 | 0:04:54 | |
And I should miss some things. | 0:04:54 | 0:04:56 | |
The things they get up to in that kitchenette in Sociology! | 0:04:56 | 0:04:59 | |
Rita, I'm saying the course will be more exacting. | 0:04:59 | 0:05:03 | |
Well, if that's a cross between exciting and taxing, I'm up for it! | 0:05:03 | 0:05:08 | |
Ooh! Is that the reading list? Yes. | 0:05:08 | 0:05:10 | |
Great! Oh, yeah, I baked a cake! | 0:05:10 | 0:05:13 | |
I didn't know if you like marzipan, | 0:05:13 | 0:05:14 | |
so I erred on the side of caution and you've just got icing. Huh! | 0:05:14 | 0:05:19 | |
See you at the first seminar. | 0:05:19 | 0:05:21 | |
OPERA MUSIC | 0:05:24 | 0:05:26 | |
Think he might already be here? | 0:05:33 | 0:05:35 | |
Didn't you say 11:00? We're early. | 0:05:35 | 0:05:37 | |
Yeah, well, he could still be here. Let's sit down. | 0:05:37 | 0:05:40 | |
He might not be able to see us from here! | 0:05:40 | 0:05:42 | |
Yeah, well, he knows what he's looking for - a boy and a girl. | 0:05:42 | 0:05:46 | |
THEY SIGH | 0:05:52 | 0:05:53 | |
Hello! 10 minutes to make a change...? | 0:05:57 | 0:05:59 | |
Didn't think you could make a difference when you woke up this morning? Well...! | 0:06:00 | 0:06:04 | |
Come on, Pitman! | 0:06:06 | 0:06:08 | |
Faint heart never won fair...donations. | 0:06:08 | 0:06:12 | |
HELLO! Oh. Sorry! Sorry! | 0:06:14 | 0:06:17 | |
Probably too big an opening. | 0:06:18 | 0:06:20 | |
SHE SIGHS | 0:06:20 | 0:06:21 | |
OPERA MUSIC | 0:06:23 | 0:06:25 | |
I don't think you need those indoors. | 0:06:33 | 0:06:35 | |
I'm trying to look inconspicuous. | 0:06:35 | 0:06:38 | |
I think that's what the kids would term as an epic fail. | 0:06:38 | 0:06:41 | |
I've recced us a vantage point. OK. | 0:06:43 | 0:06:45 | |
This is a good spot. Yeah. | 0:06:45 | 0:06:47 | |
There they are! Oh, right. | 0:06:49 | 0:06:51 | |
I reread Day of the Jackal to tighten up on my surveillance techniques. | 0:06:52 | 0:06:55 | |
I'm not planning to assassinate him, you know. | 0:06:55 | 0:06:58 | |
No, but I've never surveilled anyone before. | 0:06:58 | 0:07:00 | |
Or even used the verb. | 0:07:00 | 0:07:02 | |
Do you think we should have a drink of tea? | 0:07:04 | 0:07:06 | |
Well, library rules do not allow refreshments. | 0:07:06 | 0:07:09 | |
Yeah, well, we can't pop down for one, can we? We might miss Aamir. | 0:07:09 | 0:07:12 | |
But rules would not stymie the Jackal. | 0:07:12 | 0:07:17 | |
Actually, I think you're more like Edward Woodward out of The Equalizer. | 0:07:19 | 0:07:22 | |
Really? Yeah. Either that or a flasher. | 0:07:22 | 0:07:26 | |
OPERA MUSIC | 0:07:26 | 0:07:27 | |
I'd like these, please. | 0:07:30 | 0:07:32 | |
All of them. | 0:07:36 | 0:07:37 | |
Tosca. You what? | 0:07:40 | 0:07:43 | |
Last time I used these. Touring production at The Hippodrome. | 0:07:43 | 0:07:47 | |
Very fine baritone playing Scarpia. | 0:07:47 | 0:07:51 | |
Always considered Grand-Guignol, though, even at the time. | 0:07:51 | 0:07:56 | |
Yeah, well, I prefer something a bit lighter. | 0:07:56 | 0:07:58 | |
That's why you prefer La boheme. | 0:07:58 | 0:08:00 | |
Mimi, tu piu non torni. | 0:08:00 | 0:08:03 | |
Doesn't Rodolfo encourage her | 0:08:03 | 0:08:05 | |
to leave their relationship, and find a better life? | 0:08:05 | 0:08:08 | |
Sorry, I didn't mean... | 0:08:10 | 0:08:11 | |
I wasn't drawing a comparison. | 0:08:11 | 0:08:13 | |
Oh, there's someone! | 0:08:14 | 0:08:16 | |
Do you know where Victoria Square is, mate? | 0:08:17 | 0:08:19 | |
SHAK SIGHS Oh, yeah. Um...just back down there, mate. | 0:08:19 | 0:08:22 | |
Directions. We can breathe again. | 0:08:25 | 0:08:27 | |
I was breathing...just. | 0:08:27 | 0:08:30 | |
OPERA MUSIC | 0:08:35 | 0:08:37 | |
Rita? Pretty much stripped the shelves. | 0:08:38 | 0:08:40 | |
Got the lot. Collected Coleridge, collected Wordsworth. | 0:08:40 | 0:08:42 | |
Rita, I think you should put your energies in another direction. | 0:08:42 | 0:08:46 | |
What do you mean? | 0:08:46 | 0:08:48 | |
I mean, I can't accept you on the course. | 0:08:48 | 0:08:50 | |
Why not? I don't think you are of the required standard. | 0:08:52 | 0:08:55 | |
But I did all right on the foundation. About that... | 0:08:55 | 0:08:58 | |
You said yourself, you said I tried really hard! I did, but... | 0:08:58 | 0:09:01 | |
But you didn't mean it? No, I did mean it! But I did OK! | 0:09:01 | 0:09:04 | |
I don't think you did enough to go to the next level. | 0:09:04 | 0:09:07 | |
As I was trying to tell you, the study will be more in-depth. | 0:09:07 | 0:09:10 | |
You're saying you don't want me to do it. | 0:09:10 | 0:09:12 | |
No, I'm just saying...! You've got no right! | 0:09:12 | 0:09:14 | |
Actually, as course tutor, I have every... | 0:09:14 | 0:09:17 | |
You've got no right! | 0:09:17 | 0:09:19 | |
No right to tell me I can't do it! | 0:09:19 | 0:09:21 | |
OPERA MUSIC CONTINUES | 0:09:21 | 0:09:23 | |
What if he's held up in traffic? | 0:09:32 | 0:09:35 | |
Might be. Or parking. | 0:09:35 | 0:09:37 | |
What if he can't find somewhere to park? | 0:09:37 | 0:09:39 | |
I mean, it's mad around here. | 0:09:39 | 0:09:41 | |
Are you sure he's even driving? Wouldn't you, if you had a car? | 0:09:41 | 0:09:44 | |
Maybe he's just late. | 0:09:47 | 0:09:49 | |
Aamir was never late. | 0:09:51 | 0:09:54 | |
Never? Never. | 0:09:54 | 0:09:56 | |
Well, people can change. | 0:09:56 | 0:09:59 | |
Punctuality is a habit. | 0:09:59 | 0:10:02 | |
Was he obsessive? | 0:10:03 | 0:10:05 | |
Yeah. He was a stickler for lots of things. | 0:10:05 | 0:10:09 | |
Punctuality, behaviour. | 0:10:09 | 0:10:11 | |
Your behaviour? | 0:10:12 | 0:10:13 | |
There were always boundaries. | 0:10:15 | 0:10:17 | |
Here you are. | 0:10:19 | 0:10:21 | |
It's funny, this morning, I thought how grown-up they looked, | 0:10:22 | 0:10:25 | |
but now, down there... | 0:10:25 | 0:10:27 | |
Maybe Aamir's got cold feet. | 0:10:27 | 0:10:29 | |
If he's said he's coming, he'll be here. | 0:10:30 | 0:10:33 | |
He always did what he said. | 0:10:34 | 0:10:36 | |
OPERA MUSIC | 0:10:36 | 0:10:38 | |
Rita! You've got some reading there! | 0:10:43 | 0:10:45 | |
He won't let me do the course! | 0:10:45 | 0:10:48 | |
Who?! Professor Darby. | 0:10:48 | 0:10:50 | |
He doesn't think I'm suitable. | 0:10:50 | 0:10:53 | |
Suitable? He says this course is much more intensive. | 0:10:53 | 0:10:57 | |
Well, you did all right on the course last time, didn't you? | 0:10:58 | 0:11:00 | |
I really think it's because my face doesn't fit. | 0:11:00 | 0:11:02 | |
How? Well, I'm not like the others, am I? | 0:11:02 | 0:11:05 | |
They're all ladies of leisure and yummy mummies. | 0:11:05 | 0:11:09 | |
Oh, I'm sure it's not that. Yes, it is. | 0:11:09 | 0:11:12 | |
To people like that, I'm just a cleaner. | 0:11:12 | 0:11:15 | |
You're not just a cleaner. I am around here. | 0:11:15 | 0:11:18 | |
I'd better get this lot back. It's no use to me now. | 0:11:21 | 0:11:24 | |
Aw! | 0:11:24 | 0:11:26 | |
You've... | 0:11:26 | 0:11:27 | |
SHE SIGHS | 0:11:30 | 0:11:32 | |
I had to leave. | 0:11:41 | 0:11:42 | |
I knew what it would mean, that it would be my fault. | 0:11:42 | 0:11:45 | |
I'd be the bad wife that left and ran. | 0:11:45 | 0:11:49 | |
The mother that ran for the sake of her children. | 0:11:49 | 0:11:53 | |
I didn't feel like I had a choice. | 0:11:54 | 0:11:56 | |
Aamir's family, they knew that he was an alcoholic, | 0:11:56 | 0:11:58 | |
they knew that he had a temper. | 0:11:58 | 0:12:00 | |
But they just ignored me. | 0:12:00 | 0:12:03 | |
And it was so hard to say anything in the first place. | 0:12:03 | 0:12:06 | |
It's hard to tell anyone about something like that. | 0:12:08 | 0:12:11 | |
I hate what Marina did to you. | 0:12:12 | 0:12:14 | |
Well, I hate that I allowed it. | 0:12:14 | 0:12:17 | |
I was silenced by my shame. | 0:12:18 | 0:12:20 | |
Yeah. But you did something. | 0:12:21 | 0:12:24 | |
You took Shak and Alia and made your life better. | 0:12:24 | 0:12:28 | |
Yeah, and now they're hanging on the clock, waiting for him. | 0:12:28 | 0:12:30 | |
I'm going to send them a text. | 0:12:34 | 0:12:36 | |
Well, make it something innocuous. | 0:12:36 | 0:12:39 | |
Like, "I can see you're feeling cold sitting on a bench"(?) | 0:12:39 | 0:12:41 | |
TEXT ALERT | 0:12:46 | 0:12:47 | |
Mum. | 0:12:51 | 0:12:53 | |
What's she saying? | 0:12:53 | 0:12:55 | |
Just asking if we're all right. | 0:12:55 | 0:12:56 | |
TEXT ALERT | 0:12:59 | 0:13:00 | |
"We're fine. We're waiting." | 0:13:01 | 0:13:03 | |
I think we should eat something. | 0:13:05 | 0:13:07 | |
You know, I thought I was going to be too nervous to be hungry. | 0:13:07 | 0:13:10 | |
Maybe that's a good sign. | 0:13:10 | 0:13:12 | |
What if he's got another family? | 0:13:13 | 0:13:14 | |
What? | 0:13:16 | 0:13:18 | |
He was still, I don't know, young when we went away. | 0:13:18 | 0:13:21 | |
Suppose. | 0:13:24 | 0:13:25 | |
Maybe he's got another family and doesn't want to mess it up. | 0:13:27 | 0:13:32 | |
How would it mess it up? | 0:13:33 | 0:13:35 | |
By them finding out about us. | 0:13:35 | 0:13:38 | |
Maybe...he hasn't told them. | 0:13:39 | 0:13:42 | |
I shouldn't laugh! Well, it is morbidly comic. | 0:13:45 | 0:13:49 | |
Lebkuchen and pepparkakor. | 0:13:49 | 0:13:51 | |
An insane argument over baking biscuits. | 0:13:51 | 0:13:54 | |
What a Christmas! Yeah. | 0:13:54 | 0:13:56 | |
And now you've got cheese and pickle. | 0:13:56 | 0:13:58 | |
I do! And I'm very grateful. | 0:13:58 | 0:14:00 | |
I sometimes used to wonder what it'd be like if I'd stayed with Aamir. | 0:14:02 | 0:14:06 | |
Really? | 0:14:06 | 0:14:07 | |
I was feeling so isolated. | 0:14:09 | 0:14:11 | |
And when you've got no money, no company | 0:14:11 | 0:14:13 | |
and you're thinking raising two kids on your own is impossible... | 0:14:13 | 0:14:16 | |
Did you think about going back? | 0:14:18 | 0:14:20 | |
It crossed my mind. | 0:14:20 | 0:14:22 | |
With Marina, at some level, I think I thought | 0:14:23 | 0:14:26 | |
being with her was better than being on my own. | 0:14:26 | 0:14:30 | |
But it wasn't. | 0:14:31 | 0:14:32 | |
No, it wasn't. | 0:14:33 | 0:14:35 | |
We've moved on. | 0:14:37 | 0:14:39 | |
We have. | 0:14:39 | 0:14:40 | |
KAREN KNOCKS ON DOOR Hello. | 0:14:45 | 0:14:48 | |
Hello. Er...Professor Darby? Mm-hm. | 0:14:48 | 0:14:51 | |
Ah, right. Well, you won't remember me because we've never actually met, | 0:14:51 | 0:14:55 | |
but I'm Imogen's mum, Imogen Hollins. | 0:14:55 | 0:14:57 | |
She used to help with the set-decorating on Letherbridge Amateur Dramatics. | 0:14:57 | 0:15:01 | |
The...punky-haired girl? | 0:15:01 | 0:15:04 | |
Yeah. Hair could be any colour, yes. | 0:15:04 | 0:15:06 | |
Yes. Well, she was a great help. | 0:15:06 | 0:15:07 | |
Especially when I was directing The Tempest. | 0:15:07 | 0:15:10 | |
She had a great sense of colour. | 0:15:10 | 0:15:12 | |
What's she up to now? Oh, she went to art school in London | 0:15:12 | 0:15:15 | |
and now she's working in one of those trendy galleries down there. | 0:15:15 | 0:15:18 | |
Earning a living until her undoubted talent breaks through. | 0:15:18 | 0:15:22 | |
So, how can I help? | 0:15:22 | 0:15:24 | |
Um...actually, I'm here about a friend, Rita Holdswell. | 0:15:24 | 0:15:28 | |
Ah. Rita. | 0:15:28 | 0:15:30 | |
Yeah. I've just seen her and she's, er...she's a bit upset. | 0:15:30 | 0:15:33 | |
Well, she's a lot upset. | 0:15:33 | 0:15:35 | |
It wasn't my intention to upset her. | 0:15:35 | 0:15:37 | |
No, but you did. | 0:15:37 | 0:15:38 | |
I don't know what she told you, but, really, the course isn't for her. | 0:15:38 | 0:15:42 | |
That she isn't suitable. | 0:15:42 | 0:15:45 | |
What do you mean by suitable? | 0:15:46 | 0:15:49 | |
Well, you tell me. | 0:15:49 | 0:15:50 | |
I won't be needing these after all. | 0:15:58 | 0:16:00 | |
It's not because she isn't a yummy-mummy or a lady who lunches. | 0:16:02 | 0:16:06 | |
No, she's a cleaner. I know. She told me. | 0:16:06 | 0:16:09 | |
She also told me about the early albums of Hawkwind | 0:16:10 | 0:16:12 | |
and the later albums of Black Sabbath, | 0:16:12 | 0:16:14 | |
or the time when Ken had to strip out a carburettor on the hard shoulder of the M6. | 0:16:14 | 0:16:19 | |
Yeah. She is chatty. | 0:16:19 | 0:16:21 | |
Which is delightful. | 0:16:21 | 0:16:24 | |
If not always germane to the subject under discussion. | 0:16:24 | 0:16:27 | |
She does have a habit of digressing completely, | 0:16:27 | 0:16:30 | |
which is a big distraction for everyone else. | 0:16:30 | 0:16:32 | |
But you did tell her that she did OK last year, so... | 0:16:32 | 0:16:35 | |
She tried, but she just wasn't up to the standard of the others on the course. | 0:16:35 | 0:16:39 | |
I was able to cover her a bit, move along to someone else in the discussion, | 0:16:39 | 0:16:43 | |
but that's going to be harder this year. | 0:16:43 | 0:16:45 | |
I don't want her to feel out of place, or even humiliated. | 0:16:45 | 0:16:49 | |
Right. Well, I'm very sorry to have interrupted, um... | 0:16:50 | 0:16:54 | |
I'll, um...I'll go. | 0:16:54 | 0:16:56 | |
Please give my regards to Imogen. | 0:16:56 | 0:16:59 | |
I look forward to seeing an exhibition of hers one day. Right. | 0:16:59 | 0:17:03 | |
Even if he does show up, we don't know what he looks like. He could be fat, bald. | 0:17:07 | 0:17:11 | |
He wasn't in the photo. | 0:17:11 | 0:17:12 | |
Yeah, but we don't know how recent that was. | 0:17:12 | 0:17:14 | |
Anyway, I don't think he's going to... | 0:17:14 | 0:17:17 | |
It's him! He's there! Are you sure? | 0:17:17 | 0:17:19 | |
I hope they're not giving him any details! | 0:17:19 | 0:17:22 | |
I'm sure they'll remember the advice. | 0:17:22 | 0:17:24 | |
Sami's Samosas? Just over there. Thanks. | 0:17:24 | 0:17:26 | |
I'm going to get some. | 0:17:29 | 0:17:30 | |
We've got snacks in the bag. | 0:17:30 | 0:17:32 | |
I need proper food. What if he turns up? | 0:17:32 | 0:17:34 | |
You'll be here. Want anything? | 0:17:34 | 0:17:36 | |
Why's Alia following him? | 0:17:38 | 0:17:40 | |
Shak's staying! Why's Alia following him?! | 0:17:40 | 0:17:42 | |
I'll go. Be quick! Be quick! Don't let them see you! | 0:17:42 | 0:17:44 | |
I'll be discreet! | 0:17:44 | 0:17:46 | |
Zaroon, it's Shak. What's my dad playing at? We've been waiting here for hours! | 0:17:46 | 0:17:49 | |
Tell him to call me back. | 0:17:49 | 0:17:51 | |
Karen, have you seen Rita? | 0:17:55 | 0:17:57 | |
Not since lunchtime. | 0:17:57 | 0:17:58 | |
I was supposed to pick her up at 2:00. I can't find her anywhere. | 0:17:58 | 0:18:02 | |
I'm worried something might have happened to her. | 0:18:02 | 0:18:04 | |
I don't know if this is my place. | 0:18:04 | 0:18:06 | |
Um...I think something might have happened. | 0:18:06 | 0:18:08 | |
What? It's her course. | 0:18:08 | 0:18:10 | |
What, her English course? | 0:18:10 | 0:18:12 | |
The tutor said she wasn't going to be able to do it. | 0:18:12 | 0:18:15 | |
Professor Darby? Yeah. | 0:18:15 | 0:18:17 | |
He said that she was out of her depth academically on the foundation, | 0:18:17 | 0:18:21 | |
so she couldn't do the Romantics course. She was ever so upset. | 0:18:21 | 0:18:24 | |
Does he know how hard she's worked on this? | 0:18:24 | 0:18:27 | |
No. He can't know how hard she's worked on it! Right! | 0:18:27 | 0:18:30 | |
Where you going, Ken? | 0:18:30 | 0:18:32 | |
I'm off to see Darby. | 0:18:32 | 0:18:33 | |
Nobody upsets my Rita! | 0:18:33 | 0:18:35 | |
No, no, I think there's a bit more to it, than... Ken! Ken! | 0:18:35 | 0:18:38 | |
Ken! Oh, blimey! | 0:18:39 | 0:18:40 | |
OPERA MUSIC | 0:18:40 | 0:18:42 | |
I called Zaroon. | 0:18:54 | 0:18:56 | |
What did he say? He didn't pick up. | 0:18:56 | 0:18:58 | |
Maybe he's hiding, like Dad. | 0:18:58 | 0:19:00 | |
I don't think Dad's hiding. | 0:19:00 | 0:19:01 | |
What's he doing, then?! | 0:19:01 | 0:19:03 | |
He isn't coming, Shak. | 0:19:03 | 0:19:05 | |
If he was going to, he'd be here. | 0:19:05 | 0:19:07 | |
He probably didn't want to come in the first place. | 0:19:07 | 0:19:09 | |
He said he would! | 0:19:09 | 0:19:10 | |
Why are you so surprised? | 0:19:10 | 0:19:12 | |
He hasn't seen us in all these years! | 0:19:12 | 0:19:15 | |
Exactly! He's not bothered, Shak, and this proves it! | 0:19:15 | 0:19:18 | |
But why? He's our dad! | 0:19:18 | 0:19:21 | |
We're his kids! | 0:19:21 | 0:19:23 | |
I don't know. | 0:19:23 | 0:19:24 | |
I've thought about him all my life! | 0:19:27 | 0:19:29 | |
I know. | 0:19:29 | 0:19:30 | |
You're tired. Let's go home. | 0:19:30 | 0:19:32 | |
You're just like Mum. | 0:19:36 | 0:19:38 | |
Oh! You, sir, that's a compassionate face. A face born of compassion. | 0:19:47 | 0:19:51 | |
Would you like to put that compassion to good use? | 0:19:51 | 0:19:54 | |
Oh! What about you, madam? | 0:19:54 | 0:19:56 | |
Ah! A visage sculpted of empathy! | 0:19:56 | 0:19:59 | |
And empathy is what we need...! | 0:19:59 | 0:20:00 | |
Empathy is what we need. | 0:20:02 | 0:20:05 | |
BREATHLESS: They're...! They're...! | 0:20:05 | 0:20:07 | |
They're leaving, I know. They just text. | 0:20:07 | 0:20:10 | |
I wouldn't put this past Aamir to do this deliberately to get at me. | 0:20:10 | 0:20:14 | |
We'd better get... Get going. | 0:20:14 | 0:20:16 | |
Yeah. Get home before they do. Here you are. Come on. | 0:20:16 | 0:20:19 | |
Ah! | 0:20:22 | 0:20:23 | |
The sequel's better. | 0:20:26 | 0:20:27 | |
Is this him? Will you just listen...?! Darby? | 0:20:29 | 0:20:32 | |
You've got no idea! No idea how much she's put into that course! | 0:20:32 | 0:20:36 | |
He's not knocking her efforts, he's saying that's she's... | 0:20:36 | 0:20:38 | |
She's thick! I wouldn't say that! | 0:20:38 | 0:20:40 | |
He didn't say that. No, I mean... I meant... | 0:20:40 | 0:20:42 | |
You mean she's just...! What's going on?! | 0:20:42 | 0:20:44 | |
Er...a slight difference of opinion. What about? | 0:20:44 | 0:20:46 | |
Your prof here says you're too thick to do his course! I didn't...! What?! | 0:20:46 | 0:20:50 | |
He didn't use that word! But that's what he meant. | 0:20:50 | 0:20:52 | |
Wrapping it all up in all his posho university talk! | 0:20:52 | 0:20:54 | |
No! I...! I think what he was saying is that the course is difficult. | 0:20:54 | 0:20:58 | |
Yes, difficult! You were saying she's stupid! No, I wouldn't...! | 0:20:58 | 0:21:01 | |
You were saying she's not good enough! That's not...! | 0:21:01 | 0:21:03 | |
I can't read! | 0:21:03 | 0:21:04 | |
Change the world? You, sir, with the handsomely piratical demeanour? | 0:21:11 | 0:21:15 | |
Ooo! How about you, sir, with the eyes of burning umber | 0:21:18 | 0:21:21 | |
and locks that would make Ross Poldark run to the barber? Huh-huh! | 0:21:21 | 0:21:24 | |
Do I really have eyes of burning umber? | 0:21:24 | 0:21:26 | |
Absolutely. Have you got a minute? Sure. | 0:21:26 | 0:21:30 | |
Oh, thank you! | 0:21:30 | 0:21:32 | |
So, what's your name? Patrick. | 0:21:32 | 0:21:34 | |
OK, lovely. Patrick. Right, first of all, | 0:21:34 | 0:21:37 | |
could I just give you an overall picture of what we do? | 0:21:37 | 0:21:40 | |
I'd always been able to hide it. | 0:21:42 | 0:21:44 | |
Bluffing, getting by. | 0:21:44 | 0:21:46 | |
Course, I picked up stuff, but it wasn't until I met Ken that... | 0:21:47 | 0:21:51 | |
..that I had someone to tell. | 0:21:52 | 0:21:54 | |
And he helped me manage bills and stuff like that. | 0:21:55 | 0:21:58 | |
Dyslexic. She's dyslexic. | 0:21:58 | 0:22:02 | |
I tried to get her some professional help, but... | 0:22:02 | 0:22:05 | |
I was ashamed. It's nothing to be ashamed of. | 0:22:05 | 0:22:07 | |
Well, that's what I've always said. | 0:22:10 | 0:22:12 | |
But you took the English foundation course? | 0:22:12 | 0:22:15 | |
Well, my usual gig is the library, cleaning it. | 0:22:15 | 0:22:19 | |
All those shelves, and... | 0:22:19 | 0:22:21 | |
..every day, I'd see them sat there. | 0:22:23 | 0:22:25 | |
Students reading, | 0:22:26 | 0:22:28 | |
professors reading. | 0:22:28 | 0:22:31 | |
And I thought, "I'd love that! | 0:22:31 | 0:22:33 | |
"I'd love to learn what's in them books." | 0:22:33 | 0:22:37 | |
And with the kids gone and the house empty and me getting on a bit... | 0:22:37 | 0:22:41 | |
..I needed to be good at something. | 0:22:44 | 0:22:46 | |
Sorry, Rita. | 0:22:47 | 0:22:49 | |
I marked all your work. How did you...? Ken. | 0:22:49 | 0:22:53 | |
Ken read the books to me. | 0:22:55 | 0:22:58 | |
The poems. | 0:22:58 | 0:23:00 | |
Recorded them and I listened to them over and over. | 0:23:00 | 0:23:04 | |
And then he helped me with the essays. | 0:23:04 | 0:23:06 | |
It was your ideas, wasn't it? I was just writing down what you were saying. | 0:23:06 | 0:23:10 | |
I wish some of my undergraduates made that kind of effort. | 0:23:10 | 0:23:14 | |
It's not much use now, though, is it? Why? | 0:23:14 | 0:23:17 | |
Well, now you know I can't read properly. | 0:23:17 | 0:23:19 | |
Well, that does explain why you found it hard in seminars | 0:23:19 | 0:23:22 | |
when you had to read and analyse. | 0:23:22 | 0:23:25 | |
And why you kept talking about anything but the text. | 0:23:25 | 0:23:27 | |
But we can deal with that. | 0:23:27 | 0:23:29 | |
How? A friend of mine, a colleague, | 0:23:31 | 0:23:33 | |
is an expert in working with dyslexia. | 0:23:33 | 0:23:34 | |
Achieves great results. And they'd help me? I'm sure. | 0:23:34 | 0:23:37 | |
But what about the course, the Romantics? | 0:23:37 | 0:23:40 | |
Actually, I think we would welcome your contribution. | 0:23:40 | 0:23:43 | |
Oh! | 0:23:45 | 0:23:47 | |
I'm, er...I'm sorry about the, er... | 0:23:47 | 0:23:49 | |
"So quick bright things come to confusion." | 0:23:51 | 0:23:54 | |
Shakespeare. THEY CHUCKLE | 0:23:54 | 0:23:57 | |
Anyone for cake? | 0:23:57 | 0:23:59 | |
THEY LAUGH | 0:23:59 | 0:24:01 | |
That's great, Patrick. Now all we need to do is get your bank details | 0:24:04 | 0:24:06 | |
and then we can set up a direct debit. | 0:24:06 | 0:24:08 | |
Actually, I can't. | 0:24:09 | 0:24:11 | |
But you liked what I was saying? | 0:24:11 | 0:24:13 | |
Just not the way you were saying it. | 0:24:13 | 0:24:15 | |
Sorry, I don't know what you mean. | 0:24:15 | 0:24:17 | |
I'm not a prospective punter, I'm from the agency. | 0:24:19 | 0:24:22 | |
I...I... | 0:24:23 | 0:24:24 | |
We've received some complaints from the charity about you. | 0:24:24 | 0:24:27 | |
What sort of complaints? | 0:24:27 | 0:24:29 | |
Sign-up rates. They're far too low. | 0:24:29 | 0:24:31 | |
I've been watching the way you approach people. | 0:24:31 | 0:24:34 | |
Well, I'm always very pleasant. | 0:24:35 | 0:24:36 | |
It's too much. Over the top, clownish. | 0:24:36 | 0:24:39 | |
Clownish? Yes! | 0:24:39 | 0:24:42 | |
I mean, it's about how you effectively engage with people. | 0:24:42 | 0:24:44 | |
You're not putting on some circus act! | 0:24:44 | 0:24:47 | |
I hate this job! | 0:24:49 | 0:24:51 | |
I hate it! | 0:24:51 | 0:24:53 | |
I've had cancer and I've got no money and I need it and I... | 0:24:53 | 0:24:57 | |
SHE SOBS | 0:24:58 | 0:25:00 | |
They're coming, they're coming! | 0:25:01 | 0:25:03 | |
Heston, come on, get rid of the bag! | 0:25:03 | 0:25:05 | |
DOOR CLOSES (OK.) | 0:25:06 | 0:25:08 | |
Hey. How'd it go? | 0:25:08 | 0:25:11 | |
He was a no-show. Oh, well. I'm sorry. | 0:25:14 | 0:25:18 | |
What's for tea? You've not long had samosas! | 0:25:18 | 0:25:21 | |
You've been having a go at me all the way home. It's not my fault he didn't turn up! | 0:25:21 | 0:25:25 | |
OK, please... Why don't we order pizza? | 0:25:25 | 0:25:27 | |
Mine's a margherita. I'll get changed. | 0:25:27 | 0:25:29 | |
Hey. I'm sorry. | 0:25:33 | 0:25:37 | |
What are YOU sorry for? | 0:25:37 | 0:25:39 | |
Because I know how much you wanted to see him. | 0:25:39 | 0:25:41 | |
Yeah, but he obviously didn't want to see us! | 0:25:41 | 0:25:43 | |
Well, maybe something happened. Yeah, right(!) | 0:25:43 | 0:25:46 | |
Perhaps there'll be another time. | 0:25:46 | 0:25:48 | |
No, Mum, forget it! This was it! | 0:25:48 | 0:25:52 | |
He's made his decision. | 0:25:52 | 0:25:54 | |
Well, stuff him! Hey. | 0:25:55 | 0:25:57 | |
And Zaroon! Shak? And the rest of them. | 0:25:57 | 0:26:00 | |
SHE SIGHS | 0:26:02 | 0:26:03 | |
I hate seeing him disappointed. | 0:26:05 | 0:26:07 | |
They had to try. Hm. | 0:26:08 | 0:26:11 | |
Perhaps I should be pleased. For what? | 0:26:11 | 0:26:13 | |
Aamir not showing means I don't have to face my past. | 0:26:13 | 0:26:17 | |
OK, Quattro formaggi, or fig and dolcelatte? | 0:26:19 | 0:26:23 | |
You decide. | 0:26:23 | 0:26:25 | |
It's clean. Thank you. | 0:26:33 | 0:26:35 | |
I'm sorry. Ooh, no. | 0:26:35 | 0:26:37 | |
No, it's your job. | 0:26:37 | 0:26:39 | |
And if I'm not performing, then... | 0:26:39 | 0:26:41 | |
I didn't know about the cancer. | 0:26:43 | 0:26:45 | |
Oh, well, it's gone now. | 0:26:45 | 0:26:47 | |
So, what were you doing before this? | 0:26:49 | 0:26:52 | |
Well, I've had lots of jobs. | 0:26:52 | 0:26:53 | |
Admin's my forte. | 0:26:54 | 0:26:56 | |
I was working at the Mill Health Centre. | 0:26:56 | 0:26:59 | |
I had quite a lot of responsibility there. | 0:26:59 | 0:27:01 | |
So, this isn't really your thing? No. Huh! | 0:27:01 | 0:27:04 | |
What if we can find you something back in the office? | 0:27:06 | 0:27:09 | |
Really?! Yeah. | 0:27:09 | 0:27:10 | |
We've taken on some extra contracts and we could do with the admin support. Oh, thank you! | 0:27:10 | 0:27:14 | |
You are my saviour! | 0:27:14 | 0:27:16 | |
Cometh the hour, cometh Valerie Pitman! | 0:27:23 | 0:27:26 | |
But the flipping Icon bar? Why on earth did I say that? | 0:27:26 | 0:27:29 | |
Well, you probably feel safer on home territory. | 0:27:29 | 0:27:32 | |
You want me to pay to upgrade my office skills just so I can apply for jobs? | 0:27:32 | 0:27:36 | |
Well, surely it will benefit you in the long run? | 0:27:36 | 0:27:38 | |
Weren't you listening? | 0:27:38 | 0:27:39 | |
No, I don't want to worry the kids. | 0:27:39 | 0:27:41 | |
Ruhma. | 0:27:43 | 0:27:45 |