Browse content similar to The Fiddle. Check below for episodes and series from the same categories and more!
Line | From | To | |
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MAN TUTS | 0:00:37 | 0:00:38 | |
HE SIGHS | 0:00:40 | 0:00:42 | |
Oh... Oh! | 0:00:49 | 0:00:52 | |
If you're going to treat this place like a hotel, | 0:00:52 | 0:00:55 | |
then I'll have to start charging you. | 0:00:55 | 0:00:58 | |
Heaven knows how I managed to sleep with all this going on. | 0:00:58 | 0:01:02 | |
From being dosed up with this wretched cold, one supposes. | 0:01:02 | 0:01:06 | |
Oh, look at you. Don't lecture me. | 0:01:06 | 0:01:09 | |
Oh, please. | 0:01:09 | 0:01:10 | |
If there's one thing I know, it's not to waste my breath there. | 0:01:10 | 0:01:13 | |
No. If I am to get through to you, I imagine it'll be financially. | 0:01:13 | 0:01:18 | |
You'll miss that pocket money, won't you? | 0:01:22 | 0:01:24 | |
Look, I'm sorry. It won't happen again. | 0:01:24 | 0:01:27 | |
Aren't you the least bit ashamed of yourself? | 0:01:27 | 0:01:30 | |
Shouldn't you be in work? | 0:01:43 | 0:01:45 | |
I'm ill. What's your excuse, I wonder? | 0:01:45 | 0:01:48 | |
Fine. I'm off. | 0:01:52 | 0:01:54 | |
FOOTSTEPS TIPTOE | 0:02:01 | 0:02:04 | |
Busted. | 0:02:12 | 0:02:13 | |
I didn't wake you, did I? | 0:02:16 | 0:02:17 | |
You almost made it. | 0:02:19 | 0:02:20 | |
Just thought I should get out. Saves you any awkward questions. | 0:02:22 | 0:02:25 | |
Jimmi, it's fine. | 0:02:25 | 0:02:26 | |
No, you know, I enjoyed it... | 0:02:26 | 0:02:29 | |
It's fine, Jimmi. | 0:02:29 | 0:02:30 | |
No. I meant it was...nice. | 0:02:30 | 0:02:32 | |
Oh, well, that's reassuring. | 0:02:32 | 0:02:34 | |
To talk, to connect? It was nice as well as having... | 0:02:36 | 0:02:40 | |
The other kind of...? Yeah. | 0:02:40 | 0:02:42 | |
Yeah. | 0:02:42 | 0:02:44 | |
Well, I'm glad we both enjoyed ourselves. | 0:02:44 | 0:02:47 | |
But...our secret, yeah? | 0:02:47 | 0:02:50 | |
Yeah, of course. | 0:02:50 | 0:02:51 | |
LOUD MUSIC STARTS TO PLAY | 0:02:51 | 0:02:53 | |
Hang on! | 0:02:53 | 0:02:54 | |
Listen. That'll be Sid. | 0:02:55 | 0:02:58 | |
He'll be in the bathroom for at least five minutes. | 0:02:58 | 0:03:00 | |
Give you a chance to escape. | 0:03:00 | 0:03:01 | |
Morning. You gonna be much longer? | 0:03:20 | 0:03:22 | |
What? | 0:03:25 | 0:03:26 | |
HE MUMBLES | 0:03:26 | 0:03:28 | |
KEYS JANGLE IN HIS HAND | 0:03:40 | 0:03:42 | |
HE UNLOCKS DOOR | 0:03:46 | 0:03:49 | |
KNOCK ON DOOR | 0:04:24 | 0:04:26 | |
SHE KNOCKS LOUDLY | 0:04:27 | 0:04:29 | |
Ah! There you are. | 0:04:29 | 0:04:30 | |
Yes. Hello? | 0:04:30 | 0:04:31 | |
May I come in? | 0:04:31 | 0:04:33 | |
Yeah...oh...er... | 0:04:33 | 0:04:36 | |
One moment, please! | 0:04:36 | 0:04:38 | |
HE CLEARS HIS THROAT | 0:04:44 | 0:04:45 | |
Wonderful. I was worried you might be closed today. Well...we... | 0:04:48 | 0:04:52 | |
I'm so glad you're here. | 0:04:52 | 0:04:54 | |
I've left it terribly late, I know. | 0:04:54 | 0:04:57 | |
Oh, I do hope you can help me. | 0:04:57 | 0:04:58 | |
With...? Here we are. | 0:04:58 | 0:05:00 | |
Antique, so I'm told. | 0:05:02 | 0:05:04 | |
Might be worth something. | 0:05:04 | 0:05:06 | |
Don't suppose you're in the market, are you? | 0:05:08 | 0:05:10 | |
So you didn't enjoy it at all? | 0:05:12 | 0:05:14 | |
I was just exhausted by the end of it. | 0:05:14 | 0:05:16 | |
Couldn't go on as long as you. | 0:05:16 | 0:05:18 | |
You know what they say - "Go big, or go home." | 0:05:18 | 0:05:20 | |
You had a good time? Yeah. Loved it. | 0:05:20 | 0:05:22 | |
Took me a while to get into it. The longer you do it, | 0:05:22 | 0:05:25 | |
the better you get. If I had hands like yours... | 0:05:25 | 0:05:27 | |
Don't be hard on yourself cos when you doubled-down, I went bust... | 0:05:27 | 0:05:30 | |
HE COUGHS | 0:05:30 | 0:05:32 | |
You should see a doctor about that. | 0:05:32 | 0:05:33 | |
Anyway, no-one's a natural. You have to work at it. | 0:05:33 | 0:05:36 | |
Morning. | 0:05:40 | 0:05:42 | |
Morning. Sleep all right? | 0:05:42 | 0:05:44 | |
Yeah, I must have done. I didn't hear a thing! | 0:05:44 | 0:05:47 | |
Sorry? | 0:05:48 | 0:05:50 | |
Oh. I don't mean to gossip or anything. | 0:05:50 | 0:05:53 | |
I saw Jimmi on his way out this morning. Ah. | 0:05:53 | 0:05:57 | |
And I know it's totally none of my business and I'm just happy | 0:05:57 | 0:06:01 | |
everyone's enjoying themselves. | 0:06:01 | 0:06:02 | |
Right. | 0:06:02 | 0:06:04 | |
Sounded like he had a good time anyway. Tea? | 0:06:04 | 0:06:08 | |
Yes, please. | 0:06:08 | 0:06:10 | |
Not bad, eh? | 0:06:12 | 0:06:14 | |
Hello. | 0:06:16 | 0:06:17 | |
Wow, this is a really cool shop. | 0:06:17 | 0:06:20 | |
Thank you. I'm sorry, we're not really open. | 0:06:20 | 0:06:23 | |
Oh... | 0:06:23 | 0:06:24 | |
What are you after, dear? | 0:06:24 | 0:06:26 | |
I was looking for one of those fancy, writing, fountain pen things. | 0:06:26 | 0:06:30 | |
I think I saw some over there. Oh, OK. | 0:06:30 | 0:06:33 | |
Never mind what he's doing. | 0:06:34 | 0:06:36 | |
I'm in a bit of a rush, so if you could just... | 0:06:36 | 0:06:39 | |
Sorry, of course, madam. | 0:06:39 | 0:06:41 | |
Well, if you'd like a complete valuation, | 0:06:41 | 0:06:43 | |
I should really get this under a... | 0:06:43 | 0:06:45 | |
..a UV spectrum carbon light. | 0:06:46 | 0:06:47 | |
Would you mind terribly if I took the item out back? | 0:06:47 | 0:06:49 | |
Whatever you need to do. | 0:06:49 | 0:06:51 | |
It's Mr Harvey. | 0:06:59 | 0:07:01 | |
The Mr Harvey? Yeah. | 0:07:01 | 0:07:02 | |
He's a lot younger than I expected. | 0:07:04 | 0:07:07 | |
He's a business prodigy. Self-made. | 0:07:07 | 0:07:09 | |
So stylish. | 0:07:09 | 0:07:11 | |
So stylish... | 0:07:11 | 0:07:13 | |
Good body language, too. Very confident. | 0:07:14 | 0:07:16 | |
Very. | 0:07:16 | 0:07:18 | |
He's quite handsome, too. | 0:07:18 | 0:07:19 | |
Yes, I suppose. | 0:07:22 | 0:07:23 | |
I should go and say hello. | 0:07:23 | 0:07:25 | |
Well, um... before you do, I need you to dig out the files for | 0:07:25 | 0:07:29 | |
Dr Shevchuk again. | 0:07:29 | 0:07:30 | |
THEY CONVERSE | 0:07:30 | 0:07:34 | |
Fancy a coffee? Oh, if you're buying... | 0:07:36 | 0:07:40 | |
How are we getting on in there? | 0:07:51 | 0:07:53 | |
Please, madam. It's a very delicate task. | 0:07:53 | 0:07:56 | |
All in good time, I assure you. | 0:07:56 | 0:07:58 | |
Will you be much longer, do you think? | 0:08:05 | 0:08:07 | |
Sorry to keep you waiting. | 0:08:07 | 0:08:10 | |
Oh, going somewhere nice? I'm sorry? | 0:08:10 | 0:08:13 | |
You're travelling aren't you? Excuse me. What did you find out | 0:08:13 | 0:08:16 | |
about the violin? Well... | 0:08:16 | 0:08:17 | |
you're right, it is an antique, but, sadly, not a particularly rare one. | 0:08:17 | 0:08:21 | |
There is a definite market for sale, | 0:08:21 | 0:08:23 | |
so we'd be more than happy to take it off your hands. | 0:08:23 | 0:08:26 | |
This particular model... I'd say ?700. | 0:08:26 | 0:08:30 | |
No, no, no. It's worth a lot more than that. | 0:08:30 | 0:08:32 | |
You're free to seek another appraisal, | 0:08:32 | 0:08:34 | |
if you have the time, of course. Sorry to interrupt... | 0:08:34 | 0:08:37 | |
It's worth ?1,000 at least, I know that much. | 0:08:37 | 0:08:39 | |
Possibly. But that would be at auction and I have to cover | 0:08:39 | 0:08:42 | |
my own percentages and commission. | 0:08:42 | 0:08:44 | |
?750. This box doesn't have a price on it. | 0:08:44 | 0:08:47 | |
900. 750 is my best offer. Sorry. | 0:08:47 | 0:08:51 | |
750. 800 is my lowest. My absolute lowest. | 0:08:51 | 0:08:54 | |
800 it is. | 0:08:54 | 0:08:56 | |
How much for these comics...? OK! Yes! ?15, will ?15 do? | 0:08:56 | 0:09:00 | |
Say again? 1-5, 15? 1-5 pound sterling for the Omega League? | 0:09:00 | 0:09:04 | |
Yes, please. | 0:09:04 | 0:09:06 | |
800? | 0:09:08 | 0:09:10 | |
In cash. Please. | 0:09:14 | 0:09:17 | |
So, I'm due to run the men's sexual health clinic at the campus | 0:09:17 | 0:09:20 | |
next week, and Mrs Tembe says you ran one a few months ago. | 0:09:20 | 0:09:22 | |
I was wondering if you had any notes, or leaflets, | 0:09:22 | 0:09:24 | |
that sort of thing? Yeah. Probably. Let me have a look. | 0:09:24 | 0:09:26 | |
Just be prepared for time-wasters, though. | 0:09:26 | 0:09:28 | |
KNOCK ON DOOR | 0:09:28 | 0:09:29 | |
Yes? | 0:09:29 | 0:09:30 | |
There you go. | 0:09:31 | 0:09:32 | |
Thank you. | 0:09:32 | 0:09:34 | |
Catch you later, yeah? Yeah. | 0:09:34 | 0:09:37 | |
Hello. Hi. Are you all right? I'm fine. | 0:09:37 | 0:09:41 | |
Late night? | 0:09:47 | 0:09:48 | |
Not as young as I used to be. | 0:09:48 | 0:09:50 | |
I'm sure that's not a problem for some people. Hm? | 0:09:50 | 0:09:53 | |
Look, if you find anything, just let me know, yeah? Cheers. | 0:09:53 | 0:09:57 | |
Unfortunately, there's not as much petty cash as I calculated. | 0:10:00 | 0:10:03 | |
This always happens when my dotty father's in charge of banking. | 0:10:03 | 0:10:06 | |
Yes, yes, but what does that mean? I'm going to have to close up | 0:10:06 | 0:10:09 | |
the premises and get some funds released from my accountant. | 0:10:09 | 0:10:11 | |
Shouldn't be more than an hour, really. | 0:10:11 | 0:10:13 | |
You're joking? I'm afraid not. | 0:10:13 | 0:10:15 | |
On top of all the time I've wasted in here already? | 0:10:15 | 0:10:18 | |
I can only apologise. I appreciate your need to make a speedy sale. | 0:10:18 | 0:10:21 | |
One hour? I promise. | 0:10:21 | 0:10:23 | |
Fine. I've got some errands to run anyway. | 0:10:23 | 0:10:26 | |
I won't keep you waiting. | 0:10:26 | 0:10:27 | |
Yes, Valerie? St Phil's A | 0:10:34 | 0:10:36 | |
they're looking for a new recommendation. | 0:10:36 | 0:10:39 | |
They didn't exactly say why, but they've had Dr Shevchuk | 0:10:39 | 0:10:43 | |
for three days now and I don't think it's working out for them. | 0:10:43 | 0:10:46 | |
I can't help thinking it's a language issue. | 0:10:46 | 0:10:49 | |
I don't know... I couldn't find his PLAB. | 0:10:49 | 0:10:52 | |
I think I did mention it earlier. Perhaps I wasn't being clear... | 0:10:52 | 0:10:55 | |
No, I just... You just like questioning instructions? | 0:10:55 | 0:10:58 | |
No, no... Dr Shevchuk has passed his PLAB, he's fit for the task. | 0:10:58 | 0:11:02 | |
Send him again. | 0:11:02 | 0:11:04 | |
Stop fussing about such silly little details. | 0:11:04 | 0:11:07 | |
If you think his CV is lacking, then spruce it up. | 0:11:07 | 0:11:09 | |
It's what we all do. | 0:11:09 | 0:11:11 | |
Would that really be fair on anyone? | 0:11:11 | 0:11:13 | |
Yes. The hospital gets a doctor. | 0:11:13 | 0:11:15 | |
The doctor gets work. And we all get paid. | 0:11:15 | 0:11:18 | |
And whatever concerns you may have... | 0:11:22 | 0:11:24 | |
you need to address them now. | 0:11:24 | 0:11:26 | |
If this isn't the position for you, | 0:11:26 | 0:11:27 | |
then you need to be upfront about it. | 0:11:27 | 0:11:30 | |
There are other candidates who are eager to fill the role. | 0:11:30 | 0:11:33 | |
No, no. I can do it. | 0:11:33 | 0:11:34 | |
Good. See, I know you're a team player, Val. | 0:11:35 | 0:11:39 | |
I know that there's nothing to worry about. | 0:11:40 | 0:11:42 | |
Here's all the stuff on sexual health. Thanks. | 0:11:50 | 0:11:53 | |
Sure you don't want to hold on to one of these? What? | 0:11:53 | 0:11:56 | |
Nothing. I just thought you and me were mates, that's all. | 0:11:56 | 0:11:59 | |
You've lost me. | 0:12:00 | 0:12:02 | |
I wasn't going to say anything, but you are being really weird about it. | 0:12:02 | 0:12:05 | |
What? Weird about what? | 0:12:05 | 0:12:07 | |
I saw you leaving this morning, Jimmi. I know you stayed the night. | 0:12:07 | 0:12:10 | |
OK. No. I slept on the couch. | 0:12:10 | 0:12:13 | |
Upstairs? Come on. | 0:12:13 | 0:12:16 | |
Yeah, you've got the wrong end of this. And I've got to work, so... | 0:12:16 | 0:12:18 | |
Look, I get it. You're trying to protect my feelings. | 0:12:18 | 0:12:22 | |
What happened with me and her was ages ago, and, anyway, | 0:12:22 | 0:12:24 | |
I'm not going to get all upset just cos you and her | 0:12:24 | 0:12:27 | |
decide to get together... What? | 0:12:27 | 0:12:29 | |
But sneaking around is patronising. OK? | 0:12:29 | 0:12:31 | |
I'm not a child, and I'd appreciate it if you didn't treat me like one. | 0:12:31 | 0:12:33 | |
I thought you were off...? | 0:12:42 | 0:12:44 | |
I need surgical gloves, tweezers and a clean environment, stat! | 0:12:44 | 0:12:47 | |
Don't ask me. | 0:12:50 | 0:12:51 | |
Nothing surprises me about this place any more. | 0:12:51 | 0:12:54 | |
KNOCK ON DOOR | 0:13:00 | 0:13:02 | |
You OK? | 0:13:05 | 0:13:06 | |
Jimmi, I am magnificent. You need to see this. | 0:13:06 | 0:13:10 | |
This is a complete run of the Omega League. | 0:13:10 | 0:13:13 | |
This is the Holy Grail for the comic book collectors. | 0:13:13 | 0:13:17 | |
Comic books? | 0:13:17 | 0:13:18 | |
Yeah, never reprinted comic books. | 0:13:18 | 0:13:21 | |
Guess how much I just paid for this lot. Go on, guess. | 0:13:21 | 0:13:24 | |
15 quid. 15 British quid! | 0:13:24 | 0:13:27 | |
Shouldn't it be hundreds, or something? | 0:13:27 | 0:13:29 | |
Yeah, hundreds or thousands for a complete, mint set. | 0:13:29 | 0:13:32 | |
Mate, this is the most extraordinary thing you'll ever see. | 0:13:32 | 0:13:35 | |
For example, issue 12, Armageddon Be Thy Name. | 0:13:35 | 0:13:40 | |
It's like the Citizen Kane of comic books. | 0:13:40 | 0:13:43 | |
Issue 24. | 0:13:44 | 0:13:46 | |
The Android's Lament. | 0:13:46 | 0:13:47 | |
This will break your heart into 1,000 pieces. | 0:13:47 | 0:13:51 | |
And the piece de resistance... | 0:13:51 | 0:13:52 | |
issue 55, Herald Of The Cosmobius. | 0:13:52 | 0:13:57 | |
52, 53, 54, 56.... | 0:13:57 | 0:14:02 | |
No, no, hang on. Come on. Easy. | 0:14:03 | 0:14:06 | |
No. There's no easy about it. Where is it? Where's 55? | 0:14:06 | 0:14:10 | |
Oh, come on! | 0:14:10 | 0:14:13 | |
Al, easy. You've got 60-odd at 15 quid. Let's take a break, | 0:14:13 | 0:14:15 | |
go for lunch or something. No. I want them all. No lunch. | 0:14:15 | 0:14:18 | |
OK, I need to secure this room. Come on, on you go, | 0:14:18 | 0:14:20 | |
I need to find that other one. Really? | 0:14:20 | 0:14:22 | |
Out! Come on! | 0:14:22 | 0:14:24 | |
I'm not messing about. | 0:14:24 | 0:14:26 | |
I was thinking of taking drama classes. | 0:14:30 | 0:14:33 | |
Drama classes? | 0:14:33 | 0:14:35 | |
Yeah! You're always on at me to have ambitions and, well, | 0:14:35 | 0:14:39 | |
it's something I'm good at. | 0:14:39 | 0:14:41 | |
Really? I'm not bad. And I'd much rather do that | 0:14:41 | 0:14:44 | |
than spend my time surrounded by old relics. | 0:14:44 | 0:14:46 | |
I should really open the shop up. No, you should rest. | 0:14:46 | 0:14:49 | |
Look, let me make you a tea. | 0:14:49 | 0:14:51 | |
I'm sorry I made such a mess of things last night. | 0:14:52 | 0:14:54 | |
I'm bored of that crowd now anyway. | 0:14:54 | 0:14:57 | |
Sounds an awful lot like you trying to talk me into another hand-out. | 0:14:57 | 0:15:01 | |
Well, yeah, there's enrolment fees and I should probably get | 0:15:01 | 0:15:03 | |
a haircut and some headshots done, but it's an investment, right? | 0:15:03 | 0:15:06 | |
This isn't money in my pocket, this is money in my future. | 0:15:06 | 0:15:10 | |
That was dreadful. | 0:15:10 | 0:15:12 | |
Perhaps you should take writing classes instead. | 0:15:12 | 0:15:15 | |
Please. | 0:15:15 | 0:15:16 | |
I feel good about this. | 0:15:17 | 0:15:19 | |
A Tale of Two Cities. | 0:15:21 | 0:15:24 | |
What? | 0:15:24 | 0:15:25 | |
Page 67. | 0:15:29 | 0:15:31 | |
It pays to read more than just text messages. | 0:15:34 | 0:15:38 | |
Thanks. | 0:15:39 | 0:15:41 | |
I want to see a serious improvement to your lifestyle, now. | 0:15:41 | 0:15:43 | |
You understand? Oh, don't worry, you will. | 0:15:43 | 0:15:46 | |
I've had this for a while... | 0:15:50 | 0:15:52 | |
All right. Start from the top. What am I meant to have done? | 0:15:54 | 0:15:57 | |
This is silly now. Just stop it. | 0:15:57 | 0:15:59 | |
You know exactly what's going on, just admit it. Admit what? | 0:15:59 | 0:16:02 | |
Sid, if you don't start giving me some answers, | 0:16:02 | 0:16:05 | |
I'm going to go home and throw Super Ted in the bin. | 0:16:05 | 0:16:07 | |
You wouldn't. Might rip his head off first. | 0:16:07 | 0:16:10 | |
This is just stupid. You know exactly what's going on. | 0:16:10 | 0:16:12 | |
WHAT?! That you slept with Jimmi! | 0:16:12 | 0:16:14 | |
Jimmi? Are you mad? | 0:16:16 | 0:16:18 | |
So sorry to keep you waiting. | 0:16:18 | 0:16:20 | |
You are cutting it very fine, young man. | 0:16:20 | 0:16:23 | |
Excuse me, sir! A word, if I may. Oh, for crying out loud. | 0:16:23 | 0:16:25 | |
We're only opening for a private sale, sir. | 0:16:25 | 0:16:27 | |
You'll have to come back tomorrow. It's not going to happen - | 0:16:27 | 0:16:30 | |
the item said that it was a complete set. I'm sorry? | 0:16:30 | 0:16:32 | |
It's not a complete set. There's an edition missing, | 0:16:32 | 0:16:35 | |
ergo, you mis-sold me the item. There's nothing I can | 0:16:35 | 0:16:37 | |
do about it today, I'm afraid, so please come back tomorrow. | 0:16:37 | 0:16:39 | |
No, that's not good enough. I'm not going to let you | 0:16:39 | 0:16:42 | |
swindle me like this. I'd like to speak to Stoker Sr. | 0:16:42 | 0:16:44 | |
He's not in. Is that his number? | 0:16:44 | 0:16:46 | |
Please! I really haven't got time for this. OK! Fine. Everybody in. | 0:16:46 | 0:16:49 | |
Everybody in, it's OK. Finally. | 0:16:49 | 0:16:52 | |
Valerie, isn't it? Oh! Hello! | 0:16:59 | 0:17:01 | |
Hello, yourself. Dylan Harvey. | 0:17:01 | 0:17:04 | |
How do you do? Very well. So, how do you like it here? | 0:17:04 | 0:17:08 | |
Well, it's good to be busy. | 0:17:08 | 0:17:09 | |
Isn't it just? Where were you before now? | 0:17:09 | 0:17:12 | |
The Mill Health Centre. Ah. Very impressive. | 0:17:12 | 0:17:16 | |
So... | 0:17:16 | 0:17:17 | |
..how's this compare? | 0:17:18 | 0:17:21 | |
Well, there are far fewer people sneezing and throwing up here. | 0:17:21 | 0:17:24 | |
Wonderful. I can see, with sharp minds like you on the team, | 0:17:24 | 0:17:27 | |
we can really go places. Fantastic. | 0:17:27 | 0:17:30 | |
It's a comic book. | 0:17:38 | 0:17:39 | |
Golden space-man on the front cover, and he's gesturing like this. | 0:17:39 | 0:17:43 | |
Does this look familiar? It's all fore-shortened perspective. | 0:17:43 | 0:17:45 | |
I'm sorry, sir. What you see is what we have. | 0:17:45 | 0:17:48 | |
OK, so it was 700 we agreed, wasn't it? 800. | 0:17:49 | 0:17:53 | |
Ah. OK. Apologies, sorry. Erm... | 0:17:53 | 0:17:56 | |
Sorry. Let me start again. | 0:17:56 | 0:17:58 | |
Oh, look, 700's fine. | 0:17:59 | 0:18:01 | |
If you're sure. Yeah. Of course, I'll need to see the item again. | 0:18:01 | 0:18:04 | |
PHONE RINGS | 0:18:10 | 0:18:12 | |
I'm so sorry. I don't know... I'll just be right back. | 0:18:12 | 0:18:15 | |
I'm sorry, I don't know what that was. Wrong number, or something. | 0:18:28 | 0:18:30 | |
Anyway, where were we? | 0:18:30 | 0:18:32 | |
Uh, why is Sid saying you and me slept together? | 0:18:36 | 0:18:39 | |
Stop. What now? | 0:18:41 | 0:18:43 | |
She's scamming you. | 0:18:43 | 0:18:45 | |
Please, just clear off. Seriously. | 0:18:45 | 0:18:46 | |
You are bold, lady. This is a con. | 0:18:46 | 0:18:49 | |
Listen, you've been in my face all day | 0:18:49 | 0:18:52 | |
and I'm sure a saddo like you really has nothing better to do | 0:18:52 | 0:18:56 | |
than dig around for comics in a junk shop, | 0:18:56 | 0:18:59 | |
but the rest of us have actual lives to get on with. | 0:18:59 | 0:19:02 | |
OK? Do the world a favour and shut up and go away! Go! | 0:19:02 | 0:19:07 | |
Enjoy your flight! | 0:19:09 | 0:19:10 | |
Cheers. | 0:19:10 | 0:19:11 | |
You mind telling me what the devil is going on? | 0:19:18 | 0:19:20 | |
What are you even talking about? So, where did you sleep,then? | 0:19:22 | 0:19:25 | |
I was on the sofa! I only went upstairs to... To what? | 0:19:25 | 0:19:28 | |
I was in the bathroom, so it couldn't have been that? | 0:19:28 | 0:19:30 | |
Well, it wasn't to sleep with me so you can forget about that! | 0:19:30 | 0:19:33 | |
Just own up to it, you two! It's getting embarrassing now! | 0:19:33 | 0:19:35 | |
We're not sleeping together! There is nothing going on! | 0:19:35 | 0:19:38 | |
So, what were you doing up there then? He was with me. | 0:19:38 | 0:19:41 | |
Did you get that, Karen? | 0:19:44 | 0:19:46 | |
'It was meant to be a surprise.' | 0:19:50 | 0:19:52 | |
My first day on the job and I net you | 0:19:52 | 0:19:55 | |
a profit of thousands and thousands of pounds! | 0:19:55 | 0:19:58 | |
Thousands and thousands? My, my... She had no idea. | 0:19:58 | 0:20:03 | |
More like you had no idea. OK. Why are you still even here? | 0:20:03 | 0:20:06 | |
I didn't want to miss this. | 0:20:06 | 0:20:07 | |
Miss what? You nearly blew the whole thing, with your gob. | 0:20:07 | 0:20:10 | |
I did try and warn him. Warn me? | 0:20:10 | 0:20:12 | |
Yeah, the violin's a fake. | 0:20:12 | 0:20:14 | |
No, it's genuine. I examined it. I looked them up. Trust me. | 0:20:14 | 0:20:18 | |
These things go for tens of thousands at auction. | 0:20:18 | 0:20:20 | |
It's got the maker's mark on it and everything. Look! | 0:20:20 | 0:20:24 | |
What a sad, strange man you are. | 0:20:24 | 0:20:26 | |
Thank you. | 0:20:26 | 0:20:27 | |
Made In China. Is that the maker's mark you saw? | 0:20:32 | 0:20:36 | |
I don't... | 0:20:36 | 0:20:37 | |
I don't understand... | 0:20:40 | 0:20:41 | |
Well, it's yours now. You might as well keep it. | 0:20:41 | 0:20:44 | |
I'll give you the violin and... let's say...ten seconds. | 0:20:44 | 0:20:47 | |
Ten seconds? To get out of my shop, before I call the police. | 0:20:47 | 0:20:51 | |
Nine... | 0:20:52 | 0:20:54 | |
Bye! | 0:20:55 | 0:20:57 | |
To bounce back from that so resolutely, it's incredible. | 0:21:00 | 0:21:04 | |
And, can I just say, you are the picture of health today, | 0:21:05 | 0:21:09 | |
you really are. | 0:21:09 | 0:21:10 | |
I wouldn't have believed it, | 0:21:10 | 0:21:12 | |
if you didn't talk about your experiences with such passion. | 0:21:12 | 0:21:15 | |
Enough about me. | 0:21:16 | 0:21:18 | |
How are you finding your visit? | 0:21:18 | 0:21:20 | |
Is this what you wanted for your little empire? | 0:21:20 | 0:21:23 | |
I'm impressed. | 0:21:23 | 0:21:24 | |
Everyone seems on board with the central manifesto. | 0:21:24 | 0:21:27 | |
We're all earning, enjoying the success of it. | 0:21:27 | 0:21:30 | |
It's certainly busy. | 0:21:30 | 0:21:31 | |
And that's great news. | 0:21:31 | 0:21:33 | |
Of course, we want to keep that to ourselves. | 0:21:33 | 0:21:37 | |
Don't want Mr Taxman poking his trotters in. | 0:21:37 | 0:21:40 | |
I mean, you're the one doing all the hard work, aren't you? | 0:21:41 | 0:21:44 | |
No reason why the commission shouldn't reflect that. | 0:21:44 | 0:21:47 | |
It's how business works, all across the country, right across the globe. | 0:21:47 | 0:21:52 | |
We're not the only ones - if we're not doing it, someone else will. | 0:21:52 | 0:21:57 | |
Right. The real exploiters. | 0:21:57 | 0:21:58 | |
I'm not saying we're humanitarians or anything. | 0:21:58 | 0:22:01 | |
I mean, it's not a charity, but we get people in the country | 0:22:01 | 0:22:05 | |
and working, which is all they're after, and the rest of us, well... | 0:22:05 | 0:22:10 | |
we get a little reward for helping speed things along. | 0:22:10 | 0:22:13 | |
It's a win-win. | 0:22:13 | 0:22:14 | |
SHE SNEEZES Bless you. | 0:22:14 | 0:22:17 | |
What they don't know can't hurt them, I suppose? | 0:22:17 | 0:22:20 | |
Exactly! Nobody needs to know the percentages. | 0:22:20 | 0:22:23 | |
I have been doctoring a few people's CVs. | 0:22:23 | 0:22:27 | |
But, honestly, hands up who hasn't spruced up their own resume. | 0:22:27 | 0:22:31 | |
Not you, of course. | 0:22:31 | 0:22:33 | |
But, between you and me, I only actually got C- in RE. | 0:22:33 | 0:22:36 | |
"Doctoring CVs." I like what you did there! You're clever, Val. | 0:22:36 | 0:22:41 | |
I like that. | 0:22:41 | 0:22:42 | |
All that matters is we're cutting through the red-tape, | 0:22:44 | 0:22:47 | |
getting rid of all those boring, unnecessary regulations, | 0:22:47 | 0:22:51 | |
and getting to the quick, sharp end of the business. | 0:22:51 | 0:22:54 | |
Supply and demand. That's all that matters. | 0:22:54 | 0:22:56 | |
I could talk to you about business all day. | 0:22:56 | 0:22:59 | |
You've got such a wonderful...enthusiasm. Ha! | 0:22:59 | 0:23:03 | |
Now, don't get me started. | 0:23:03 | 0:23:04 | |
There we are. | 0:23:09 | 0:23:11 | |
I was reading it myself. Wonderfully psychedelic. | 0:23:13 | 0:23:17 | |
The Herald Of Cosmobius. So Pop Art. | 0:23:17 | 0:23:20 | |
Not something that idiot boy would see any worth in at all. | 0:23:22 | 0:23:25 | |
Yeah. So, is that it, then? | 0:23:25 | 0:23:27 | |
You're going to cut him off, forever? | 0:23:27 | 0:23:29 | |
Oh, yes. High time, really. | 0:23:29 | 0:23:32 | |
You'll have to change the name of your shop, won't you? | 0:23:32 | 0:23:35 | |
You can't have Stoker and Son without no son. | 0:23:35 | 0:23:37 | |
He isn't my son, dear boy! Heavens no. | 0:23:37 | 0:23:41 | |
He's my lover. Well, no... | 0:23:41 | 0:23:43 | |
was my lover... | 0:23:43 | 0:23:45 | |
Dear me, no. I'm the son in question. | 0:23:45 | 0:23:47 | |
And...not really much chance of me siring anyone else | 0:23:47 | 0:23:51 | |
to follow in the trade. Yeah. | 0:23:51 | 0:23:54 | |
Can I have my comic book, please? | 0:23:54 | 0:23:56 | |
Oh! Good one, isn't it? | 0:23:56 | 0:24:00 | |
Don't make them like that any more? | 0:24:00 | 0:24:02 | |
No, they don't. | 0:24:02 | 0:24:03 | |
How's 20 sound? | 0:24:03 | 0:24:06 | |
There you go. Thank you. | 0:24:12 | 0:24:14 | |
'I'm sorry about all that.' | 0:24:16 | 0:24:18 | |
And thank you for trying to protect my reputation. | 0:24:18 | 0:24:21 | |
I hope I haven't damaged yours too much. | 0:24:21 | 0:24:24 | |
Well, Karen keeps winking at me, but I'm sure I'll survive. | 0:24:24 | 0:24:26 | |
And Sid? Ah! Sid's hiding. Either from you, or me or Ayesha. | 0:24:26 | 0:24:29 | |
Or all three of us. | 0:24:29 | 0:24:31 | |
Well, it's certainly put the cat among the pigeons, hasn't it? | 0:24:31 | 0:24:33 | |
It was a one-off thing. | 0:24:36 | 0:24:38 | |
Yeah. I mean, you know, no regrets. | 0:24:38 | 0:24:42 | |
It's just that it's not likely to happen again, is it? | 0:24:43 | 0:24:45 | |
It shouldn't be weird, though, should it? No. | 0:24:47 | 0:24:49 | |
It wasn't weird. It was natural. | 0:24:49 | 0:24:53 | |
And I don't have anything against one-night stands, personally. | 0:24:53 | 0:24:56 | |
Good. | 0:24:56 | 0:24:57 | |
Well, you're welcome to join me tonight. | 0:24:57 | 0:25:00 | |
At the casino, I mean. | 0:25:01 | 0:25:03 | |
Thanks. I'll pass. | 0:25:03 | 0:25:05 | |
Right. Well, you're always welcome. | 0:25:05 | 0:25:06 | |
Jimmi, Come quick. | 0:25:06 | 0:25:09 | |
Right, I'll see you later. | 0:25:09 | 0:25:10 | |
Yep. Have fun. Al. | 0:25:10 | 0:25:13 | |
Emma. | 0:25:13 | 0:25:14 | |
Come on, what are you waiting for? | 0:25:14 | 0:25:16 | |
Come on through. | 0:25:19 | 0:25:20 | |
You've got it? | 0:25:22 | 0:25:22 | |
Behold! So you're rich now? | 0:25:24 | 0:25:26 | |
No, I'm not selling them. I'm keeping them! They are mine. | 0:25:26 | 0:25:28 | |
I've been due some good luck for some time, I can tell you. | 0:25:28 | 0:25:31 | |
And cos you're my best friend... | 0:25:31 | 0:25:34 | |
You want me to open it? | 0:25:36 | 0:25:37 | |
I want you to have this special moment. | 0:25:37 | 0:25:39 | |
For your soul is about to awaken to the possibility | 0:25:39 | 0:25:43 | |
of comic books as a true art form. | 0:25:43 | 0:25:45 | |
This bad boy, right here, it's the Mona Lisa. | 0:25:45 | 0:25:48 | |
Oh... | 0:25:59 | 0:26:00 | |
What?! | 0:26:02 | 0:26:03 | |
It's ruined... | 0:26:04 | 0:26:06 | |
Same thing? Yes. The same thing. | 0:26:08 | 0:26:11 | |
They're all ruined. | 0:26:14 | 0:26:16 | |
It's like everything else in my poxy life. Ruined! Come on. | 0:26:16 | 0:26:20 | |
What's that supposed to mean? Your life's not that poxy, is it? | 0:26:20 | 0:26:23 | |
It's been a long day. | 0:26:23 | 0:26:24 | |
Why don't we go to Tandoori Village or something? My treat. | 0:26:24 | 0:26:27 | |
No, thank you. What's up, Al? | 0:26:28 | 0:26:31 | |
Nothing's up. | 0:26:33 | 0:26:34 | |
'We get a little reward for helping speed things along. | 0:26:35 | 0:26:38 | |
'It's a win-win.' | 0:26:38 | 0:26:40 | |
SHE SNEEZES 'Bless you.' | 0:26:40 | 0:26:41 | |
'What they don't know can't hurt them, I suppose?' | 0:26:43 | 0:26:45 | |
'Exactly! Nobody needs to know the percentages.' | 0:26:45 | 0:26:49 | |
'I have been doctoring...' | 0:26:49 | 0:26:51 | |
Valerie. Oh... | 0:26:51 | 0:26:53 | |
Sorry. Didn't mean to startle you. | 0:26:53 | 0:26:55 | |
I just wanted to say thanks for being so wonderfully insightful. | 0:26:55 | 0:26:59 | |
I hope our paths cross again soon. | 0:26:59 | 0:27:01 | |
Oh. You're quite welcome. | 0:27:01 | 0:27:03 | |
Ciao, for now. | 0:27:03 | 0:27:04 | |
Yes. Arrivederci! | 0:27:04 | 0:27:07 | |
CAMERA SHUTTER | 0:27:14 | 0:27:16 | |
MRS TEMBE: Ooh! | 0:27:31 | 0:27:32 | |
Oh, no... | 0:27:34 | 0:27:36 | |
What's with the Thelma and Louise? | 0:27:36 | 0:27:39 | |
I've asked you here today because I need some advice. | 0:27:39 | 0:27:42 | |
I don't suppose you own a white van, by any chance? | 0:27:42 | 0:27:45 | |
Me? Nah, love. Mine's the Bentley. | 0:27:45 | 0:27:48 | |
Ah! A comedian. | 0:27:48 | 0:27:50 |