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So just try to focus on your breathing. Slow and steady. | 0:00:25 | 0:00:28 | |
In and out. Good, keep going. | 0:00:28 | 0:00:31 | |
Oh, I need to go and pack my stuff. | 0:00:31 | 0:00:33 | |
-All right. Well, just move slowly and steadily. -OK. | 0:00:33 | 0:00:37 | |
-Karen. -Come on, give me those hands. Ooh, let's get you sorted. | 0:00:37 | 0:00:40 | |
Don't worry. They'll be here any minute. | 0:00:45 | 0:00:47 | |
It's just... I don't think I'm ready. You know... | 0:00:47 | 0:00:51 | |
What's going to happen? | 0:00:51 | 0:00:52 | |
OK. Would you like me to run you through it? | 0:00:52 | 0:00:55 | |
So, when they get Lily to St Phil's, | 0:00:57 | 0:00:59 | |
they will start monitoring her immediately. | 0:00:59 | 0:01:01 | |
They will take her blood pressure and some urine samples. And then | 0:01:01 | 0:01:04 | |
they'll check the heart rate, | 0:01:04 | 0:01:05 | |
to check that the flow of blood and oxygen to the baby is OK. | 0:01:05 | 0:01:08 | |
How do they get oxygen to the baby? | 0:01:08 | 0:01:10 | |
Well, the baby's already getting it, via the placenta. | 0:01:10 | 0:01:13 | |
Inside Lily? | 0:01:15 | 0:01:17 | |
Right. | 0:01:17 | 0:01:18 | |
-And they'll keep checking the heart rate. -Lily's? -No, the baby's. | 0:01:18 | 0:01:23 | |
And they may give some medication to Lily to help bring her | 0:01:23 | 0:01:26 | |
blood pressure down, but that's probably about it, initially. | 0:01:26 | 0:01:30 | |
Look, it's a lot to take in, | 0:01:30 | 0:01:32 | |
but the important thing is that you're there for both of them. | 0:01:32 | 0:01:35 | |
Thank you. | 0:01:35 | 0:01:37 | |
Argh! | 0:01:37 | 0:01:39 | |
-Argh! -Zara! | 0:01:42 | 0:01:45 | |
-The pain just hit her. -Where exactly does it hurt? -Here. | 0:01:45 | 0:01:49 | |
Right. OK, can you finish packing that bag, please? | 0:01:49 | 0:01:52 | |
Because we need to be right ready to go. | 0:01:52 | 0:01:54 | |
Oh! I feel sick! | 0:01:54 | 0:01:56 | |
-My head hurts. -What's happening to her? | 0:01:56 | 0:01:58 | |
I'm not sure. Why don't you go and wait outside | 0:01:58 | 0:02:00 | |
and keep an eye out for the ambulance? It should be very near. | 0:02:00 | 0:02:03 | |
All right, Lily. Can you phone Ruhma again? Let her know the situation. | 0:02:03 | 0:02:07 | |
-Oh! -It's all right, Lily. Everything is going to be fine. | 0:02:07 | 0:02:10 | |
-Take some breaths for me, please, darling. -Oh! -Breathe in. And out. | 0:02:10 | 0:02:13 | |
-Hey. -Oh, hi. | 0:02:40 | 0:02:42 | |
Had such a good night. | 0:02:42 | 0:02:44 | |
Yeah, me too. | 0:02:44 | 0:02:46 | |
It's like our old clubbing days in Manchester. | 0:02:46 | 0:02:49 | |
I didn't realise how much I'd missed you. | 0:02:50 | 0:02:52 | |
Why did we split up again? | 0:02:53 | 0:02:56 | |
-Yeah, I had a really good time. But I've got to go now. -What? | 0:02:56 | 0:02:59 | |
Why? | 0:02:59 | 0:03:02 | |
-Do you know what the time is? -What does that matter? | 0:03:02 | 0:03:05 | |
Look, I'm already so late, it's hardly worth me going in. | 0:03:05 | 0:03:09 | |
Then don't. | 0:03:09 | 0:03:11 | |
Look, people will still buy insurance without you being there. | 0:03:11 | 0:03:15 | |
I'll phone in sick for you. Even better, I'll hand in your notice. | 0:03:15 | 0:03:18 | |
I'll tell them you got back together with your ex-husband | 0:03:18 | 0:03:20 | |
and you're pursuing a singing career. | 0:03:20 | 0:03:22 | |
-What singing career? -The one you should never have given up on. | 0:03:22 | 0:03:26 | |
Not with your voice. I mean, look at me. | 0:03:26 | 0:03:29 | |
I've done every dead-end job going, but I kept gigging. | 0:03:29 | 0:03:32 | |
And now things are really picking up. | 0:03:32 | 0:03:34 | |
You know, I'm producing, DJing live sets. It's going really well. | 0:03:34 | 0:03:38 | |
And I'm really happy for you, Ben. | 0:03:38 | 0:03:40 | |
-But I should go to work. -No, you should be in here. | 0:03:40 | 0:03:44 | |
With me. | 0:03:46 | 0:03:48 | |
Ooh, that's not your happy face. | 0:03:57 | 0:03:58 | |
Yeah, that journalist is posting the article online this afternoon. | 0:04:01 | 0:04:05 | |
Wow, another step in your bid for worldwide media domination. | 0:04:05 | 0:04:08 | |
Do you remember that idea you suggested, that I feed him | 0:04:08 | 0:04:11 | |
a lie during the interview, to test out his intentions? | 0:04:11 | 0:04:14 | |
Yeah, course I do. The legend of Sidney Vere. | 0:04:14 | 0:04:17 | |
How he grew up on the poverty-stricken mean streets, | 0:04:17 | 0:04:20 | |
facial racial prejudice at every corner. | 0:04:20 | 0:04:22 | |
And then one day, he became the medicinal behemoth we see before us. | 0:04:22 | 0:04:27 | |
Yeah, OK, it's not funny. | 0:04:27 | 0:04:29 | |
So I did make some stuff up, but I told him it was a wind-up. | 0:04:29 | 0:04:32 | |
Ah, good for you. | 0:04:32 | 0:04:34 | |
Not so good for me cos he said he's going to print it anyway. | 0:04:34 | 0:04:37 | |
Let him print it, who's going to care? | 0:04:37 | 0:04:40 | |
Ayesha might, for one. | 0:04:40 | 0:04:42 | |
I kind of stole her life story, escaping the Churchill... | 0:04:43 | 0:04:48 | |
-mum an addict, dad never around. -You did what?! | 0:04:48 | 0:04:51 | |
What are you talking about? | 0:04:53 | 0:04:55 | |
The... The interview with the journalist. He was... | 0:04:55 | 0:04:58 | |
He was pushing this whole struggling racial minority angle and he | 0:04:58 | 0:05:02 | |
obviously thought that my upbringing wasn't much of a story, so... | 0:05:02 | 0:05:04 | |
So you thought it was OK to exploit mine? | 0:05:04 | 0:05:06 | |
Since when was having a rubbish start in life some | 0:05:06 | 0:05:08 | |
-kind of badge of honour? -Look, you don't understand, | 0:05:08 | 0:05:10 | |
he'd already decided what kind of story he was going to write. | 0:05:10 | 0:05:13 | |
I was trying to push the point that it's just as prejudiced to assume | 0:05:13 | 0:05:16 | |
-that every black or mixed race... -No! That is so out of line! | 0:05:16 | 0:05:18 | |
I know, and I'm sorry. Look, it was meant to be a wind-up. | 0:05:18 | 0:05:21 | |
Well, I'm pretty wound up now! So job done! | 0:05:21 | 0:05:23 | |
Why do I ever listen to you? | 0:05:24 | 0:05:26 | |
Mm, I do feel somewhat responsible for that. But she'll calm down. | 0:05:26 | 0:05:31 | |
Look, even if he does print it, | 0:05:31 | 0:05:33 | |
no-one reads anything on the internet any more. | 0:05:33 | 0:05:35 | |
There are more important pressing issues | 0:05:35 | 0:05:37 | |
going on in the world, like the way they're making GPs work more hours. | 0:05:37 | 0:05:40 | |
Let's get that on the internet! | 0:05:40 | 0:05:42 | |
-Can you come with me, please? -Yes, of course. -I'm scared. -Don't worry. | 0:05:45 | 0:05:48 | |
-You are not going to be on your own. -I'll be there too. Promise. | 0:05:48 | 0:05:52 | |
OK, I'm going to need you to follow up behind with Austin. | 0:05:52 | 0:05:55 | |
-OK, catch you up, Lily. Don't worry. -I'll see you at St Phil's. | 0:05:55 | 0:05:57 | |
-It's all happening so fast. -Yeah, come on. Get in the car. | 0:05:57 | 0:06:00 | |
Remember your breathing. Steady breathing. | 0:06:02 | 0:06:05 | |
In through your nose. And out through your mouth. | 0:06:06 | 0:06:09 | |
-MOBILE RINGS -OK. Take care of yourself, Mr Hardy. -Thank you. | 0:06:11 | 0:06:16 | |
SWITCHES OFF | 0:06:16 | 0:06:19 | |
Jo! Hi! | 0:06:22 | 0:06:23 | |
How are you? I haven't seen you for ages. | 0:06:23 | 0:06:26 | |
Yeah, I'm good. | 0:06:26 | 0:06:28 | |
Well, actually, I'm stuck. | 0:06:28 | 0:06:30 | |
Um, I was at the bus stop round the corner | 0:06:30 | 0:06:33 | |
and I realised I hadn't got my purse. | 0:06:33 | 0:06:36 | |
-Oh, no! One of those days! -Kind of. | 0:06:36 | 0:06:39 | |
-Anyway, I remembered you worked here. -Do you still temp at the CCG? | 0:06:39 | 0:06:42 | |
Oh, no. I left soon after you. | 0:06:42 | 0:06:45 | |
I'm full-time at Holton Insurance. | 0:06:45 | 0:06:47 | |
Well, I can lend you some money, if you need. No problem. | 0:06:47 | 0:06:50 | |
Thank you. | 0:06:50 | 0:06:52 | |
I'd be really grateful. | 0:06:52 | 0:06:53 | |
Hey, it's OK. | 0:06:53 | 0:06:55 | |
I'm in a real mess. | 0:06:57 | 0:06:59 | |
-Last night... -Listen, whatever it is, we can sort you out. | 0:06:59 | 0:07:03 | |
Come on. | 0:07:03 | 0:07:04 | |
You should not put yourself down, Dr Vere. | 0:07:05 | 0:07:08 | |
I am very much looking forward to reading the article. | 0:07:08 | 0:07:12 | |
Honestly, I wouldn't bother. | 0:07:12 | 0:07:13 | |
I mean, I'm not even sure the journalist was listening. | 0:07:13 | 0:07:16 | |
But you have such a fresh voice. And your views are very passionate. | 0:07:16 | 0:07:20 | |
No, I have absolutely no doubt that you will shine through. | 0:07:20 | 0:07:24 | |
Perhaps we can use an extract for the new practice | 0:07:24 | 0:07:27 | |
-information material. -Hm-mm! | 0:07:27 | 0:07:29 | |
Look, I know that this whole process has not been easy for you. | 0:07:34 | 0:07:38 | |
And you've put a lot of thought and effort into it | 0:07:38 | 0:07:41 | |
and you deserve more recognition for all your hard work. | 0:07:41 | 0:07:44 | |
Thank you, Mrs Tembe, but I'm sorry, I've got to go and do the... Er... | 0:07:44 | 0:07:48 | |
I'm so sorry, Valerie. I bet you wish you'd never asked me in. | 0:07:53 | 0:07:56 | |
-Oh, no. Absolutely not. A friend in need. -I just don't know what to do. | 0:07:56 | 0:07:59 | |
I don't want to hurt Phil. | 0:07:59 | 0:08:01 | |
-How long have you been seeing him? -About a year now. | 0:08:01 | 0:08:05 | |
He's my office manager. | 0:08:05 | 0:08:08 | |
You know when you meet someone and you just trust them. | 0:08:08 | 0:08:11 | |
He's like a rock. | 0:08:11 | 0:08:12 | |
But...? | 0:08:12 | 0:08:14 | |
-But then there's Ben. He's the polar opposite. -He's your ex? | 0:08:14 | 0:08:19 | |
Yeah. Completely unpredictable. Always chasing the next best thing. | 0:08:19 | 0:08:23 | |
And then I went for a drink with the girls last night | 0:08:23 | 0:08:26 | |
and I bumped into him. | 0:08:26 | 0:08:28 | |
We started chatting and we just clicked instantly. | 0:08:28 | 0:08:32 | |
-So, Phil doesn't know about last night? -No. | 0:08:32 | 0:08:34 | |
He wanted me to move in months ago, but I stayed in my flat, | 0:08:35 | 0:08:40 | |
-so he'll never know that I didn't go home. -Oh, right. -MESSAGE ALERT | 0:08:40 | 0:08:44 | |
Oh! He's wondering why I'm not at work. Oh, God! I feel terrible. | 0:08:47 | 0:08:53 | |
-I've got this horrible hangover. -Ah, flat pop and a slice of pizza. | 0:08:53 | 0:08:57 | |
-MOBILE RINGS -God, it's Phil. -What are you going to do? | 0:08:57 | 0:09:01 | |
Hi, Phil. Yeah, no, I'm so sorry. | 0:09:03 | 0:09:07 | |
I missed all your calls, I've just seen them. | 0:09:07 | 0:09:10 | |
Yeah. No, um... | 0:09:10 | 0:09:12 | |
It was a tummy upset overnight. No, no, no. I'm fine. | 0:09:12 | 0:09:16 | |
Yeah, OK. I will. | 0:09:16 | 0:09:19 | |
I'll call you. | 0:09:19 | 0:09:21 | |
Yeah, me too. | 0:09:21 | 0:09:22 | |
Bye. | 0:09:22 | 0:09:25 | |
-Oh, no! -What? | 0:09:25 | 0:09:27 | |
I just remembered something awful that I did last night. | 0:09:27 | 0:09:30 | |
What, worse than sleeping with Ben and cheating on Phil? | 0:09:30 | 0:09:33 | |
SHE RETCHES | 0:09:35 | 0:09:38 | |
So, what was this terrible thing you did? | 0:09:54 | 0:09:56 | |
I called Phil in the middle of the night. I was so drunk. | 0:09:56 | 0:10:01 | |
-But luckily, he didn't wake up. -Well, no harm done, then. | 0:10:01 | 0:10:04 | |
-I think I left a message. -What message? | 0:10:04 | 0:10:07 | |
Oh, I don't know. It's too blurry. | 0:10:07 | 0:10:10 | |
Come on, you must remember. | 0:10:10 | 0:10:11 | |
But he can't have heard it, could he? | 0:10:13 | 0:10:16 | |
Because he would have said something, | 0:10:16 | 0:10:17 | |
especially if it had been bad. | 0:10:17 | 0:10:20 | |
Oh, Jo. | 0:10:20 | 0:10:22 | |
-What a mess! -I know. | 0:10:22 | 0:10:24 | |
So, what are you going to do? | 0:10:24 | 0:10:26 | |
Oh, I don't know. | 0:10:27 | 0:10:29 | |
Being with Ben was the best time I've had in ages. | 0:10:29 | 0:10:33 | |
-Actually, I meant, what are you going to do about the message? -Oh. | 0:10:34 | 0:10:38 | |
Well, Phil will still be at work. | 0:10:41 | 0:10:44 | |
Have you got a car? | 0:10:45 | 0:10:48 | |
-Thank you. -OK. | 0:10:48 | 0:10:50 | |
Thank you. | 0:10:50 | 0:10:52 | |
I don't understand. Isn't it too early? | 0:10:54 | 0:10:56 | |
The risk is outweighed by the danger of waiting. | 0:10:57 | 0:11:00 | |
An early delivery will hopefully be best for both of you. | 0:11:00 | 0:11:03 | |
So, is my baby going to be OK? | 0:11:04 | 0:11:06 | |
They'll do everything they can, Lily. | 0:11:06 | 0:11:09 | |
Please! | 0:11:09 | 0:11:12 | |
-Please! I can't lose it! -Hey, Lily. You just try not to worry, yeah? | 0:11:12 | 0:11:17 | |
OK, you know, you are in the best hands here. | 0:11:18 | 0:11:21 | |
So let's try and get you ready now. Thanks, Kevin. | 0:11:23 | 0:11:26 | |
OK? | 0:11:26 | 0:11:28 | |
Right, OK. | 0:11:31 | 0:11:32 | |
Yeah, I'll get on it. | 0:11:32 | 0:11:35 | |
Right, listen up. | 0:11:35 | 0:11:37 | |
I've just had a report of a serious attack on our witness, | 0:11:37 | 0:11:40 | |
Latoya Bartley. | 0:11:40 | 0:11:41 | |
There's no indication yet as to whether Dr Carmichael will be | 0:11:41 | 0:11:44 | |
similarly at risk, but we can't afford to be complacent. | 0:11:44 | 0:11:48 | |
I want everyone to be on standby in the event the situation escalates. | 0:11:48 | 0:11:52 | |
This case is now a top priority. | 0:11:52 | 0:11:53 | |
That's all for now. Let's get to it. | 0:11:55 | 0:11:58 | |
So I've got Phil's spare key. I won't be long. | 0:12:02 | 0:12:05 | |
Are you sure about this? | 0:12:05 | 0:12:07 | |
-Yeah, he'll never know. -Look, it's none of my business, | 0:12:07 | 0:12:10 | |
but wouldn't it be better just to come clean with Phil? | 0:12:10 | 0:12:13 | |
-Face the music? -Why? | 0:12:13 | 0:12:16 | |
I speak from bitter experience. You tell one tiny little white lie now and the next minute, | 0:12:16 | 0:12:21 | |
you're standing at the altar about to tell a great big whopping one. | 0:12:21 | 0:12:24 | |
But I'm not going to marry Phil. | 0:12:24 | 0:12:27 | |
So you don't love Phil? | 0:12:27 | 0:12:29 | |
Is that why you slept with Ben? | 0:12:29 | 0:12:31 | |
Look, I don't know. I just... | 0:12:31 | 0:12:35 | |
I really don't want him hearing this message. | 0:12:35 | 0:12:38 | |
So, have you remembered what you said? | 0:12:38 | 0:12:40 | |
-Yeah. I think I said I slept with Ben. -Ooh... | 0:12:41 | 0:12:45 | |
-SHE GASPS -What? | 0:12:45 | 0:12:47 | |
What is he doing here?! | 0:12:47 | 0:12:49 | |
OK, OK. I'll divert him. | 0:12:49 | 0:12:51 | |
Phone's in the hall, delete the message, and then go. | 0:12:51 | 0:12:53 | |
No, no, Jo. I can't. I've got to get back for afternoon surgery. | 0:12:53 | 0:12:56 | |
Oh, please, Valerie! I'm begging you! | 0:12:56 | 0:12:59 | |
-Phil? -Jo! What are you doing here? | 0:13:04 | 0:13:07 | |
I thought you might pop back for lunch. I really wanted to see you. | 0:13:07 | 0:13:10 | |
I've missed you. | 0:13:12 | 0:13:14 | |
-Oh, you're feeling better, then? I was worried. -Sorry. | 0:13:14 | 0:13:16 | |
If I'd have known, I'd have taken the day off, looked after you. | 0:13:16 | 0:13:20 | |
You're so sweet. | 0:13:20 | 0:13:23 | |
I love you. | 0:13:23 | 0:13:25 | |
-Shall we go in? -Do you know what? I'm starving. | 0:13:25 | 0:13:28 | |
-Do you mind if we go and get something to eat? -Um, no. Let's go. | 0:13:28 | 0:13:32 | |
Hop in. | 0:13:32 | 0:13:34 | |
Ayesh. | 0:13:48 | 0:13:51 | |
Look, I'm not making excuses. I know what I did was unforgivable, | 0:13:51 | 0:13:53 | |
but in my defence, Al was seriously egging me on and then the journalist just | 0:13:53 | 0:13:57 | |
-played me to get the story that he wanted. -You still gave it him. | 0:13:57 | 0:13:59 | |
And I clearly told him at the end of the interview that it was a joke. | 0:13:59 | 0:14:02 | |
Great, so now my life's a joke(!) | 0:14:02 | 0:14:04 | |
No, I didn't mean... Look, I'm sorry, Ayesh. | 0:14:04 | 0:14:07 | |
Is that stuff actually going to make it to the article? | 0:14:07 | 0:14:10 | |
-I told him not to use any of it, categorically. -Yeah. | 0:14:10 | 0:14:13 | |
-Well, let's hope he doesn't. -Are we OK, then? | 0:14:13 | 0:14:16 | |
Thank you. | 0:14:20 | 0:14:21 | |
You owe me. | 0:14:21 | 0:14:23 | |
-ALARM SOUNDS -Ooh! No! No! | 0:14:32 | 0:14:35 | |
Sh! Sh! Stop! | 0:14:35 | 0:14:38 | |
Oh! | 0:14:38 | 0:14:39 | |
It's a code. | 0:14:41 | 0:14:43 | |
Ah! | 0:14:43 | 0:14:45 | |
ALARM STOPS | 0:14:50 | 0:14:52 | |
So, come on. Tell me the truth about last night. | 0:15:00 | 0:15:05 | |
You had one too many with the girls, didn't you? | 0:15:05 | 0:15:09 | |
-Sorry, I was just embarrassed. -I knew it! | 0:15:09 | 0:15:13 | |
-You should have called me. -Trust me, you dodged a bullet. | 0:15:13 | 0:15:16 | |
It wasn't pretty. And some things, you shouldn't have to see. | 0:15:16 | 0:15:21 | |
I don't mind. | 0:15:21 | 0:15:23 | |
You can see it all when you move in. | 0:15:23 | 0:15:25 | |
Just think, you and me, in the morning, together. Waking up. | 0:15:29 | 0:15:33 | |
Sounds lovely. | 0:15:35 | 0:15:37 | |
Wakey-wakey. One-two, hello, Icon Bar! | 0:15:37 | 0:15:40 | |
I'm DJ Ben-E and welcome to the... '90s Revival Roadshow. | 0:15:40 | 0:15:45 | |
So, sit back, sip your drinks, | 0:15:45 | 0:15:47 | |
and get ready for some classic "where were you?" moments. | 0:15:47 | 0:15:50 | |
Shall we get a drink? | 0:15:50 | 0:15:52 | |
Strong black coffee? | 0:15:52 | 0:15:54 | |
Yes, please. | 0:15:54 | 0:15:56 | |
MUSIC STARTS | 0:15:57 | 0:16:01 | |
Are you stalking me? | 0:16:05 | 0:16:07 | |
Ah, what's going on? Nobody knows anything. | 0:16:16 | 0:16:19 | |
-I'm sorry, it's just, it's been a bit fraught. -Is Lily OK? | 0:16:19 | 0:16:22 | |
Yeah, she's seeing the consultant | 0:16:22 | 0:16:24 | |
and he's advised she has an emergency C section. | 0:16:24 | 0:16:27 | |
Right now? | 0:16:27 | 0:16:28 | |
Yeah, so we should get some news soon. | 0:16:28 | 0:16:31 | |
There's lots of positives, Austin, because she's very healthy and | 0:16:31 | 0:16:35 | |
she's very young and we have got one of the best teams here, you know? | 0:16:35 | 0:16:38 | |
-What about the baby? -Well, I've seen a lot of premature births. | 0:16:38 | 0:16:41 | |
The babies always go on to do really well. | 0:16:41 | 0:16:44 | |
I had an extremely difficult birth with my son, Joe, | 0:16:44 | 0:16:46 | |
there were lots of complications. It was touch-and-go for a bit. | 0:16:46 | 0:16:49 | |
But he turned out fine, didn't he? | 0:16:49 | 0:16:51 | |
He's a happy, healthy, fit little boy. | 0:16:51 | 0:16:53 | |
I should be in there with her. | 0:16:54 | 0:16:56 | |
-Hey, try not to worry. -You need to conserve your energy. | 0:16:56 | 0:16:58 | |
Lily's going to need you when all this is over. | 0:16:58 | 0:17:01 | |
The baby's going to need its daddy. | 0:17:01 | 0:17:02 | |
So, Austin, is now the time to call your mum? | 0:17:04 | 0:17:08 | |
You left this at the hotel. | 0:17:12 | 0:17:14 | |
I saw the photo inside. | 0:17:14 | 0:17:17 | |
You should have been straight with me. | 0:17:17 | 0:17:19 | |
Look, I'm sorry. But you were pretty full of it. | 0:17:19 | 0:17:22 | |
What, club DJ, producing...?! Really?! | 0:17:22 | 0:17:24 | |
Yeah, all right. So I might have bigged it up to impress you. | 0:17:26 | 0:17:29 | |
-Or lied to get me into bed. -That's low. | 0:17:29 | 0:17:32 | |
Look, what were the chances of us meeting again last night? | 0:17:32 | 0:17:36 | |
I can't stop thinking about you, Jo! | 0:17:36 | 0:17:38 | |
Admit it, you feel the same. | 0:17:38 | 0:17:41 | |
Ben, this is such a mess. | 0:17:41 | 0:17:44 | |
I'd better get back to the decks. Look, please, don't go. | 0:17:44 | 0:17:47 | |
Just try and get rid of him and we'll talk later, yeah? | 0:17:47 | 0:17:50 | |
-MOBILE RINGS -I'll catch you in a bit. | 0:17:50 | 0:17:52 | |
-Hello. -Hi. | 0:17:54 | 0:17:56 | |
Jo, it's me. How's it going? | 0:17:56 | 0:17:58 | |
Oh, Valerie. I came to the Icon Bar with Phil, and Ben turns up here. | 0:17:59 | 0:18:03 | |
Today can't get any worse. | 0:18:03 | 0:18:05 | |
-Ah, well, actually... -Did you delete the message? | 0:18:05 | 0:18:09 | |
-Can you really not remember what you said? -No. | 0:18:09 | 0:18:13 | |
I think you should hear it. | 0:18:13 | 0:18:15 | |
Phil, it's me. Um, I needed to talk to you. | 0:18:18 | 0:18:22 | |
I've done something really, really bad. | 0:18:22 | 0:18:26 | |
I've slept with someone else. The point is, | 0:18:26 | 0:18:30 | |
it's really made me realise that I really, really like you. | 0:18:30 | 0:18:35 | |
but I don't love you. I know you're going to hate me now, | 0:18:35 | 0:18:39 | |
but I just didn't want to hurt you any more. I'm sorry. | 0:18:39 | 0:18:43 | |
END OF MESSAGE BEEP | 0:18:43 | 0:18:45 | |
Oh! What am I going to do, Valerie? | 0:18:45 | 0:18:48 | |
The thing is, there was another message, from Phil's mum. | 0:18:48 | 0:18:52 | |
Listen, I've got to go. | 0:18:52 | 0:18:53 | |
Jo? | 0:18:53 | 0:18:56 | |
Jo? | 0:18:56 | 0:18:57 | |
ANSWER MACHINE: Messages deleted. | 0:19:02 | 0:19:04 | |
Have you read it? | 0:19:06 | 0:19:08 | |
Er, yes. | 0:19:08 | 0:19:10 | |
I thought I'd clicked on the wrong article. | 0:19:11 | 0:19:13 | |
Look, I am so sorry. | 0:19:13 | 0:19:16 | |
It is such a shame that they did not focus more on your contribution. | 0:19:16 | 0:19:20 | |
That's an understatement. A massive understatement. | 0:19:20 | 0:19:22 | |
You'd need a microscope to see my tiny bit. | 0:19:22 | 0:19:25 | |
-And the other doctor... -Yes, Benedict Adimbola. | 0:19:25 | 0:19:28 | |
He had a story that the journalist wanted to tell. | 0:19:28 | 0:19:32 | |
I mean, don't get me wrong. | 0:19:32 | 0:19:34 | |
His childhood in Africa, his travels, | 0:19:34 | 0:19:36 | |
his battles against his prejudiced medical school... | 0:19:36 | 0:19:39 | |
I mean, it is all very compelling stuff. | 0:19:39 | 0:19:41 | |
I just read the article. Oh, my goodness! I've got a new hero! | 0:19:41 | 0:19:44 | |
Benedict Adimbola. What a guy! | 0:19:44 | 0:19:47 | |
Sorry, Sidney. It stings, but they went with someone else. | 0:19:47 | 0:19:51 | |
I'm just disappointed not to get my views on immigration across. | 0:19:51 | 0:19:55 | |
I can't say I blame them | 0:19:55 | 0:19:56 | |
because, I mean, this guy is a credit to our profession. | 0:19:56 | 0:19:59 | |
-Mrs Tembe, you're a psychic. -This is for Dr Vere. | 0:19:59 | 0:20:03 | |
You know, what I find more disappointing is that unless your | 0:20:03 | 0:20:06 | |
personal history fits some narrow prejudiced expectation of the media, you're not even going to get | 0:20:06 | 0:20:10 | |
-a word in print, no matter how important your views are. -Look, I share your disappointment... | 0:20:10 | 0:20:14 | |
All that journalist wanted was a sob story about all the imaginary | 0:20:14 | 0:20:17 | |
obstacles I've overcome because of the colour of my skin. | 0:20:17 | 0:20:20 | |
I mean, no concern for the truth, no integrity! | 0:20:20 | 0:20:22 | |
I'm sure your insight was most interesting! | 0:20:22 | 0:20:25 | |
Unlike your REAL life story! | 0:20:25 | 0:20:28 | |
To be honest, this whole thing has been a total waste of my time. | 0:20:28 | 0:20:32 | |
-I just feel completely manipulated. -Oh, Dr Vere... -No. | 0:20:32 | 0:20:36 | |
I was pushed in to doing it in the first place and then, | 0:20:36 | 0:20:38 | |
I was pushed in to saying things I didn't even want to say. | 0:20:38 | 0:20:41 | |
And all that attention, you just hated that, didn't you, champ? | 0:20:41 | 0:20:43 | |
Yeah, I did. And you know that. Do you know what? | 0:20:43 | 0:20:46 | |
I've had it with all of this. | 0:20:46 | 0:20:48 | |
Stuff it! Stuff the article! Stuff the lot of you! | 0:20:48 | 0:20:50 | |
You OK? | 0:20:53 | 0:20:54 | |
Oh, sorry. Um, just last night catching up with me a bit. | 0:20:54 | 0:20:58 | |
Do you want me to take you home? | 0:20:58 | 0:21:00 | |
You are such a lovely, lovely man, Phil. | 0:21:00 | 0:21:03 | |
You're so thoughtful. I'm just really glad I met you. | 0:21:03 | 0:21:07 | |
-Took me a while to convince you of that. -Yeah. Well, more fool me. | 0:21:07 | 0:21:11 | |
Look, I need to talk to you. | 0:21:11 | 0:21:16 | |
-I need to ask you a question first. -OK. | 0:21:16 | 0:21:18 | |
MUSIC VOLUME INCREASES | 0:21:18 | 0:21:21 | |
I've been trying to find the right moment for a while. | 0:21:21 | 0:21:24 | |
LOUD SQUELCHING ON TRACK What's that idiot doing?! | 0:21:24 | 0:21:28 | |
Anyway, now seems as good a time as any. | 0:21:28 | 0:21:32 | |
So, Jo Boydon, | 0:21:32 | 0:21:35 | |
will you marry me? | 0:21:35 | 0:21:37 | |
-Austin! What's happened? Are you hurt? -I'm OK. | 0:21:46 | 0:21:49 | |
What's going on? | 0:21:49 | 0:21:52 | |
Why did you call me? | 0:21:54 | 0:21:57 | |
Lily's having a baby. | 0:21:57 | 0:21:59 | |
My baby. | 0:21:59 | 0:22:01 | |
What? | 0:22:01 | 0:22:04 | |
Are you serious?! | 0:22:04 | 0:22:05 | |
She's in there now. | 0:22:05 | 0:22:08 | |
No, this isn't happening. | 0:22:08 | 0:22:10 | |
How could you? | 0:22:10 | 0:22:12 | |
I was going to tell you sooner, but... | 0:22:12 | 0:22:14 | |
How long have you known about this? | 0:22:14 | 0:22:16 | |
How stupid are you?! | 0:22:17 | 0:22:20 | |
-I told you about using protection! I made you promise! -I know! I'm sorry! | 0:22:20 | 0:22:23 | |
It's too bloody late now! You've gone and done it! | 0:22:23 | 0:22:26 | |
You've wrecked both your lives! | 0:22:26 | 0:22:28 | |
-I'm sorry. -You really will be. | 0:22:28 | 0:22:31 | |
How long have you known? | 0:22:31 | 0:22:33 | |
Why didn't you come to me when I could have done something about it? | 0:22:33 | 0:22:37 | |
-What the hell are you going to do?! -I think I can be a good dad. | 0:22:37 | 0:22:40 | |
-You can barely look after yourself! -I swear, Mum! | 0:22:40 | 0:22:43 | |
-If this baby makes it... -If? What do you mean "if"? | 0:22:43 | 0:22:45 | |
Someone better tell me exactly what's going on. | 0:22:49 | 0:22:52 | |
Right now! | 0:22:52 | 0:22:54 | |
Lily developed pre-eclampsia. | 0:22:54 | 0:22:56 | |
She's in theatre now, having an emergency C section. | 0:22:56 | 0:22:59 | |
I don't understand. | 0:23:06 | 0:23:09 | |
One minute, everything's perfect. The next, it's over. | 0:23:09 | 0:23:12 | |
What's changed? | 0:23:12 | 0:23:16 | |
You are the nicest bloke that I have ever met. Honestly. | 0:23:16 | 0:23:21 | |
You should be everything that I've ever wanted. | 0:23:21 | 0:23:23 | |
-But you're just... -Not. | 0:23:25 | 0:23:28 | |
I'm really sorry, Phil. | 0:23:29 | 0:23:32 | |
Find yourself someone who deserves you more than me. | 0:23:32 | 0:23:35 | |
Are you sure you've thought this through? | 0:23:37 | 0:23:39 | |
-I mean, maybe... -I'm sure. | 0:23:39 | 0:23:41 | |
Right. | 0:23:45 | 0:23:46 | |
Bye, then, Jo. | 0:23:54 | 0:23:55 | |
Right. Apologies for keeping you all hanging. | 0:24:05 | 0:24:08 | |
I was waiting on a green light from the DCI. | 0:24:08 | 0:24:11 | |
Each team knows their brief, should be a simple in and out job. | 0:24:11 | 0:24:14 | |
Any questions? Great. Let's roll. Sergeant. | 0:24:14 | 0:24:17 | |
Congratulations. You are officially a dad. | 0:24:28 | 0:24:32 | |
You've got a very beautiful, healthy baby girl. | 0:24:32 | 0:24:34 | |
I'm so pleased for you. | 0:24:37 | 0:24:38 | |
-Is Lily OK? -Yeah, yeah. She's fine. She's coming out of the anaesthetic. | 0:24:38 | 0:24:43 | |
-Well, can we go in? -Er, no, not yet. | 0:24:43 | 0:24:45 | |
They've put Baby in an incubator, just to warm her up, | 0:24:45 | 0:24:48 | |
and they're going to do some checks, but shouldn't be long. | 0:24:48 | 0:24:51 | |
Why don't we go and get a coffee to celebrate, yes? | 0:24:51 | 0:24:54 | |
I'm buying. | 0:24:54 | 0:24:56 | |
Are you OK? | 0:24:59 | 0:25:01 | |
I don't know. | 0:25:01 | 0:25:03 | |
You will be. | 0:25:03 | 0:25:05 | |
Back in a sec. | 0:25:10 | 0:25:12 | |
Valerie. | 0:25:14 | 0:25:16 | |
Just thought I should come and check you're OK. Did Phil propose? | 0:25:16 | 0:25:20 | |
Yes. How did you know? | 0:25:20 | 0:25:21 | |
There was another message, from his mum. | 0:25:21 | 0:25:24 | |
No prizes for guessing what you said. | 0:25:24 | 0:25:27 | |
-I'm sure you've made the right choice. -Thank you. | 0:25:27 | 0:25:31 | |
-What for? -For being a good friend. | 0:25:31 | 0:25:34 | |
-And giving great advice. -This one's for you, Jo! | 0:25:34 | 0:25:37 | |
So, you're going to be OK? | 0:25:40 | 0:25:42 | |
Yeah. I am actually. | 0:25:42 | 0:25:44 | |
Come and say hello to your little girl. | 0:26:06 | 0:26:08 | |
Look. | 0:26:11 | 0:26:12 | |
-Be gentle. -Do you want to hold her head? | 0:26:13 | 0:26:16 | |
She's beautiful, isn't she? | 0:26:18 | 0:26:20 | |
She's your daughter. | 0:26:24 | 0:26:27 | |
I'm DC Kelly. Dr Zara Carmichael, I need you to come with us. | 0:26:27 | 0:26:30 | |
Take care of yourself and I'll see you in a couple of weeks. | 0:26:34 | 0:26:37 | |
-Dr Daniel Granger? -Yes. | 0:26:38 | 0:26:41 | |
-Dr Granger...? -Don't worry. | 0:26:41 | 0:26:42 | |
-The police are taking extra-special care of us. -Keeping us safe? | 0:27:05 | 0:27:09 | |
Yes. | 0:27:09 | 0:27:12 | |
Your mum suggested marriage counselling. | 0:27:12 | 0:27:16 | |
You might say that brought things to a head. | 0:27:16 | 0:27:18 | |
-You've been for counselling? -Far lot of good it did us. | 0:27:18 | 0:27:21 | |
This is a hell of YOUR making! Don't ever forget that! | 0:27:21 | 0:27:25 |