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Al? | 0:00:32 | 0:00:33 | |
Oh, no! Is that today? | 0:00:34 | 0:00:37 | |
-You're just in time. -Oh... | 0:00:37 | 0:00:40 | |
-Al? -I, er... I left my bag at that house call. | 0:00:40 | 0:00:43 | |
Isn't THAT your bag? | 0:00:44 | 0:00:45 | |
Er...maybe. | 0:00:45 | 0:00:47 | |
Would you believe I'm not actually Al? I'm his doppelganger, Gunther. | 0:00:47 | 0:00:52 | |
Guten Tag. Ich heisse Gunther. | 0:00:52 | 0:00:55 | |
It's fine - you can do team building with Mrs Tembe. | 0:00:55 | 0:00:58 | |
I mean, she's taking the second group. | 0:00:58 | 0:00:59 | |
-It might not be as much fun as what I had planned, but... -OK, Ben, | 0:00:59 | 0:01:03 | |
I'm going to let you into a little secret. | 0:01:03 | 0:01:05 | |
As far as this establishment is concerned, team building exercises - | 0:01:05 | 0:01:09 | |
they be cursed. | 0:01:09 | 0:01:11 | |
We get along fine, don't we? | 0:01:11 | 0:01:13 | |
Until somebody suggests we need to bond - and then next thing you know, | 0:01:13 | 0:01:15 | |
it's winter, we're in the middle of a forest, | 0:01:15 | 0:01:18 | |
semi-naked building a sweat lodge. | 0:01:18 | 0:01:21 | |
-It wasn't that bad. -Or we decide to put on a nice Christmas show and | 0:01:21 | 0:01:24 | |
before you know it, Heston is using it as an excuse to unleash | 0:01:24 | 0:01:27 | |
-his inner Stalin. -This won't be like that. | 0:01:27 | 0:01:29 | |
-I promise. -Yeah, Heston's not coming. | 0:01:29 | 0:01:31 | |
-Is it outdoors? -No. | 0:01:33 | 0:01:34 | |
Well, that's something. | 0:01:35 | 0:01:37 | |
Shotgun! | 0:01:40 | 0:01:42 | |
-Heston, I seem to have misplaced some of my team. -Er... | 0:01:49 | 0:01:53 | |
All right, all right, I'm coming. | 0:01:53 | 0:01:55 | |
Ayesha, relax. I don't want you to feel pressurised | 0:01:55 | 0:01:58 | |
-into doing something you don't want to do. -So I don't have to go? | 0:01:58 | 0:02:01 | |
-I -would like you to. | 0:02:01 | 0:02:03 | |
And so would Mrs Tembe. | 0:02:03 | 0:02:05 | |
-Right. -Right, let's get this over with, shall we? | 0:02:05 | 0:02:08 | |
Who chose the teams? | 0:02:08 | 0:02:09 | |
-I did. Why? -Just don't expect miracles, yeah? | 0:02:09 | 0:02:12 | |
Ignore her - I do. | 0:02:15 | 0:02:16 | |
-Where are we going? -It's a surprise. | 0:02:16 | 0:02:19 | |
Have you seen Zara? | 0:02:19 | 0:02:21 | |
No. Probably hiding somewhere. | 0:02:21 | 0:02:23 | |
I think she's snowed under with the QOF paperwork. | 0:02:23 | 0:02:25 | |
See you all on the bus. | 0:02:27 | 0:02:28 | |
If Zara's not keen, I don't mind swapping. | 0:02:28 | 0:02:31 | |
Thanks, Heston, but we need someone experienced to hold the fort. | 0:02:31 | 0:02:33 | |
And from what I hear, you're the most experienced we have. | 0:02:33 | 0:02:36 | |
KNOCK AT DOOR | 0:02:40 | 0:02:42 | |
I'm not coming. | 0:02:42 | 0:02:44 | |
It's just a couple of hours. | 0:02:44 | 0:02:46 | |
This exercise worked wonders with my last team. | 0:02:46 | 0:02:48 | |
I'm sure it went down fabulously with your cashiers | 0:02:48 | 0:02:51 | |
and shelf stackers but we are medical professionals | 0:02:51 | 0:02:54 | |
and these things are hardly transferable. | 0:02:54 | 0:02:56 | |
I think you'll be surprised. | 0:02:56 | 0:02:57 | |
SHE SIGHS | 0:02:57 | 0:02:59 | |
What is it? | 0:02:59 | 0:03:01 | |
Come and find out for yourself. | 0:03:01 | 0:03:03 | |
No, sorry. I've got far better things to do | 0:03:03 | 0:03:05 | |
than play zombies or whatever other horrors you have planned. | 0:03:05 | 0:03:08 | |
-Everyone else is on the bus. -Then you won't miss me, will you? | 0:03:08 | 0:03:11 | |
Zara... | 0:03:13 | 0:03:14 | |
..I particularly wanted you to be there today. | 0:03:15 | 0:03:17 | |
Honestly, you're right, you probably do have better things to do. | 0:03:19 | 0:03:23 | |
But the rest of us can learn from you. | 0:03:23 | 0:03:25 | |
-I know I want to. -Oh, please! | 0:03:25 | 0:03:28 | |
I mean it. You're right - | 0:03:28 | 0:03:30 | |
my leadership skills were developed in a different environment. | 0:03:30 | 0:03:34 | |
And you've been a partner here for how long? | 0:03:34 | 0:03:36 | |
-Seven years. -That's why I want you on my team. | 0:03:36 | 0:03:39 | |
Mrs Tembe has had many opportunities to see you at work. | 0:03:39 | 0:03:42 | |
This is my chance. | 0:03:42 | 0:03:44 | |
You are relentless. | 0:03:44 | 0:03:47 | |
Here we are. | 0:03:48 | 0:03:49 | |
Oh, it's freezing in here. | 0:03:52 | 0:03:55 | |
This is not getting out of the office. | 0:03:56 | 0:04:00 | |
-It's a dump. -Clearly somebody's been murdered. | 0:04:00 | 0:04:03 | |
No. I mean, yes. | 0:04:03 | 0:04:05 | |
-It's a game. -Oh, yes, baby. -An escape room. | 0:04:05 | 0:04:08 | |
In order to leave the room, you must solve a series of puzzles. | 0:04:08 | 0:04:11 | |
-Can't we just go out through that door? -No. You'll love it. | 0:04:11 | 0:04:14 | |
My last team got so much out of it. | 0:04:14 | 0:04:16 | |
-As long as you all throw yourselves into it. -Like into a volcano? | 0:04:16 | 0:04:19 | |
-So, how does it work, then? -You're police officers. | 0:04:20 | 0:04:23 | |
You're investigating the murder of a private detective. | 0:04:23 | 0:04:26 | |
You've become locked in his office and you need to escape before | 0:04:26 | 0:04:29 | |
the killer returns. Anything can happen. | 0:04:29 | 0:04:33 | |
-Nothing is what it seems. -It seems like a waste of time. | 0:04:33 | 0:04:37 | |
I think we should give it a go. | 0:04:37 | 0:04:39 | |
-Thanks, Al. -You've changed your tune. | 0:04:39 | 0:04:42 | |
Finally, a team building exercise which isn't completely pointless. | 0:04:42 | 0:04:46 | |
To be fair, they do say that a stopped clock is right twice a day. | 0:04:46 | 0:04:49 | |
Unless it's digital and it's not plugged in. | 0:04:49 | 0:04:51 | |
-Oh, that's a good point. -It's true. | 0:04:51 | 0:04:54 | |
Thing is, Ben, I'm not that good at these kind of things. | 0:04:54 | 0:04:57 | |
OK, team, I've got this. | 0:04:57 | 0:05:00 | |
This is the kind of thing I fantasise about when I've got a boring patient. | 0:05:00 | 0:05:04 | |
You listen to me and do as you're told | 0:05:04 | 0:05:05 | |
and we'll be out of here in 30 minutes flat, 40 minutes top. | 0:05:05 | 0:05:10 | |
One more thing - no-one else needs to die today. Columbo. | 0:05:10 | 0:05:14 | |
OK, good luck. I'll be watching from the control room. | 0:05:15 | 0:05:18 | |
-What? No, no, no, wait. -One hour. | 0:05:18 | 0:05:21 | |
OK, let's synchronise our clocks on my mark. | 0:05:21 | 0:05:24 | |
-Mark. -Well, what about that clock? | 0:05:24 | 0:05:26 | |
N-n-n-no, we trust nothing. | 0:05:26 | 0:05:29 | |
Some of these puzzles will be there to help us, and some of these things | 0:05:29 | 0:05:33 | |
will have been designed to deliberately waste our time. | 0:05:33 | 0:05:35 | |
SOME things? | 0:05:35 | 0:05:37 | |
So what are we looking for - a key or something? | 0:05:37 | 0:05:39 | |
Probably more than one key. | 0:05:39 | 0:05:41 | |
Let's be careful what we touch. | 0:05:41 | 0:05:42 | |
We don't want to contaminate any of the precious evidence | 0:05:42 | 0:05:45 | |
with our dirty fingers. | 0:05:45 | 0:05:46 | |
Like a crime scene? | 0:05:46 | 0:05:48 | |
Exactly like a crime scene, Lieutenant Detective Clay. | 0:05:48 | 0:05:51 | |
That's the kind of mind-set I need from you right now. | 0:05:51 | 0:05:54 | |
That's the mind-set I'll give you all day long. How many times have you done this escape room thing, Al? | 0:05:54 | 0:05:58 | |
None. I'm, like, 125 beats a minute pumped for this. | 0:05:58 | 0:06:03 | |
I was just waiting for the perfect team. | 0:06:03 | 0:06:05 | |
Guess who's the perfect team - you are! | 0:06:05 | 0:06:08 | |
Meaning he couldn't find anyone else to go with. | 0:06:08 | 0:06:10 | |
I had options. Right. I'm going in. | 0:06:10 | 0:06:12 | |
Whoa-ho-ho-ho-ho! | 0:06:15 | 0:06:18 | |
So, this private investigator did kids' parties on the side? | 0:06:18 | 0:06:21 | |
No, I am not good with clowns. | 0:06:21 | 0:06:23 | |
I suggest we pair up, | 0:06:23 | 0:06:25 | |
divide the room into sections and search it that way, yeah? | 0:06:25 | 0:06:29 | |
I'm going nowhere near that cupboard. | 0:06:29 | 0:06:31 | |
I'm on Zara's team, and we are going to watch. | 0:06:31 | 0:06:34 | |
-Or not watch. -Come on, dudes! | 0:06:34 | 0:06:37 | |
Sorry, Al. It all seems a bit pointless. | 0:06:37 | 0:06:40 | |
If this is the kind of thing you enjoy, then knock yourself out. | 0:06:40 | 0:06:42 | |
I won't stop you. | 0:06:42 | 0:06:44 | |
-You're Chris, right? -Yeah. | 0:06:47 | 0:06:49 | |
Hi. I'm Ben, with The Mill Health Centre. | 0:06:49 | 0:06:51 | |
Dave said it would be all right if I sat in here. | 0:06:51 | 0:06:54 | |
-Yeah, sure. -Yeah. Thanks. | 0:06:54 | 0:06:56 | |
You are not really taking this seriously? | 0:07:09 | 0:07:12 | |
It's one hour. | 0:07:12 | 0:07:13 | |
Can't you just join in? | 0:07:13 | 0:07:15 | |
You're doing perfectly fine without me. | 0:07:15 | 0:07:17 | |
MICROPHONE FEEDBACK | 0:07:17 | 0:07:19 | |
Sorry, I pressed the wrong switch. | 0:07:19 | 0:07:22 | |
-How are you all getting on? -Yeah, excellent. | 0:07:22 | 0:07:24 | |
Just assessing groundwork, following up leads. | 0:07:24 | 0:07:27 | |
-They're stuck. -Maybe if they had some help, Zara? | 0:07:27 | 0:07:31 | |
Spillage in aisle five. | 0:07:31 | 0:07:32 | |
-What was that, Zara? -I was just wondering if you ever did | 0:07:32 | 0:07:35 | |
the announcements at the supermarket. | 0:07:35 | 0:07:37 | |
You're awfully good at it. | 0:07:37 | 0:07:39 | |
Thank you, Zara. That's very kind of you to say. | 0:07:39 | 0:07:41 | |
So, what do you reckon? | 0:07:41 | 0:07:43 | |
Without a body, it's hard to say. But, er... | 0:07:44 | 0:07:47 | |
..there's no blood spillage, no shell casings, no bullet holes. | 0:07:47 | 0:07:50 | |
The victim's got both arms, both legs, so... | 0:07:50 | 0:07:52 | |
-Can I ask you something? -Mm. | 0:07:54 | 0:07:56 | |
Do you think it's possible that someone here | 0:07:56 | 0:07:59 | |
is taking all this a little too seriously? | 0:07:59 | 0:08:02 | |
No, I don't think so. | 0:08:04 | 0:08:06 | |
You're wearing forensic gloves. | 0:08:06 | 0:08:08 | |
They were in my pocket, so I just thought I'd... All right, fine. | 0:08:08 | 0:08:11 | |
-Sorry. -It's fine. -I know it's a bit of fun. | 0:08:11 | 0:08:14 | |
If it helps, Jimmi, there's still a clown suit in the cupboard. | 0:08:14 | 0:08:18 | |
Sorry. Big Brother is watching you. | 0:08:18 | 0:08:21 | |
Ayesha, what are you sitting on? | 0:08:22 | 0:08:24 | |
A desk. | 0:08:24 | 0:08:26 | |
This might be important. | 0:08:26 | 0:08:27 | |
It's a game. | 0:08:27 | 0:08:28 | |
-Why did you even bother coming? -I didn't have a choice, did I? | 0:08:29 | 0:08:32 | |
-Stop fighting. Let me see that. -There's nothing in it. | 0:08:32 | 0:08:35 | |
Let me see. New evidence? | 0:08:35 | 0:08:37 | |
"Nothing in it"! | 0:08:39 | 0:08:41 | |
-Touchstone? -Touchstone. | 0:08:51 | 0:08:53 | |
-What does that mean? -No idea. | 0:08:53 | 0:08:55 | |
-No fish. -And the water level's lower than it's supposed to be. | 0:09:01 | 0:09:05 | |
-Do you think that's important? -It is if you're a fish. | 0:09:05 | 0:09:08 | |
Touchstone. Wasn't that the name of the bad guys in The Bourne Identity? | 0:09:10 | 0:09:14 | |
Tread. Incorrect and unhelpful. | 0:09:14 | 0:09:17 | |
But Touchstone is the name of the clown in As You Like It | 0:09:19 | 0:09:24 | |
by William Shakespeare, 1599. Clowns! | 0:09:24 | 0:09:27 | |
That's not your colour, Haskey. | 0:09:32 | 0:09:34 | |
Don't you dare! | 0:09:34 | 0:09:36 | |
Dr Vere, examine the nose! | 0:09:36 | 0:09:37 | |
And what do we have here? | 0:09:38 | 0:09:42 | |
-What is it? -That is an ice pick. | 0:09:42 | 0:09:46 | |
Leon Trotsky was killed by one in 1940. | 0:09:46 | 0:09:49 | |
No More Heroes by The Stranglers. Is that relevant? | 0:09:49 | 0:09:52 | |
Er...no, I don't think so. | 0:09:52 | 0:09:53 | |
Only 42 minutes more and then we're going to be out of here. | 0:09:53 | 0:09:57 | |
Hello, Zara? | 0:09:57 | 0:09:58 | |
It's the voice of God, telling us that cold meats are on special. | 0:09:58 | 0:10:02 | |
Actually, Zara, I just wanted to tell you to relax. | 0:10:02 | 0:10:05 | |
Relax? I haven't done anything. | 0:10:05 | 0:10:07 | |
Even so, why don't you try and relax, kick back a little? | 0:10:07 | 0:10:11 | |
Do you think that's a clue? | 0:10:11 | 0:10:13 | |
-Maybe. -Why does SHE get a clue? | 0:10:13 | 0:10:16 | |
Anyone can use it. | 0:10:16 | 0:10:18 | |
No, no, no. You gave that clue to Zara. | 0:10:18 | 0:10:21 | |
Why does she get special treatment? | 0:10:21 | 0:10:23 | |
There's no special treatment. | 0:10:23 | 0:10:25 | |
-This is a team exercise - you need to all be working together. -Hmm. | 0:10:25 | 0:10:29 | |
Er, er, er... I've got something. | 0:10:29 | 0:10:32 | |
What are you doing? | 0:10:32 | 0:10:33 | |
There is a number on the ceiling, there. | 0:10:33 | 0:10:36 | |
Oh, clever, clever, tricksy, tricksy. We were all looking down. | 0:10:36 | 0:10:40 | |
-Should have been looking up. -3-7-1-4. | 0:10:40 | 0:10:43 | |
-Do you think it could be a combination? -Let's try it. | 0:10:43 | 0:10:45 | |
3-7-1-4. | 0:10:45 | 0:10:48 | |
OK, 3... | 0:10:48 | 0:10:50 | |
-7-1-4. -7... | 0:10:50 | 0:10:52 | |
-1-4. -1... -Jimmi... | 0:10:52 | 0:10:55 | |
-ALL: -4! | 0:10:55 | 0:10:56 | |
Yes! THEY CHEER | 0:10:58 | 0:11:01 | |
OK, no, no. This is still locked. | 0:11:01 | 0:11:02 | |
-But there is... -Of course it is. -..a comic book. | 0:11:02 | 0:11:07 | |
Ooh! | 0:11:07 | 0:11:09 | |
Leave this with me. | 0:11:09 | 0:11:10 | |
RATTLING | 0:11:10 | 0:11:12 | |
Sh! | 0:11:12 | 0:11:13 | |
Nothing. | 0:11:18 | 0:11:20 | |
Hang on. There's an ice box. | 0:11:21 | 0:11:24 | |
-Ice? Hang on. Didn't Al find an ice pick? -Well spotted, Sid. | 0:11:24 | 0:11:28 | |
Right. | 0:11:28 | 0:11:29 | |
Look - ice lollies. | 0:11:31 | 0:11:32 | |
Ooh! There's something in this one. | 0:11:34 | 0:11:37 | |
Let me. | 0:11:37 | 0:11:38 | |
Good technique there from Jimmi. Clearly he's done this... | 0:11:45 | 0:11:48 | |
Is that a key? Yes, it is! | 0:11:48 | 0:11:51 | |
And it's another key! | 0:11:56 | 0:11:58 | |
Where does this one go? | 0:11:58 | 0:11:59 | |
Jealous, Al? Don't you think you'd better let Sid have a look at that? | 0:11:59 | 0:12:03 | |
Far from it, thank you. I've almost worked it out. | 0:12:03 | 0:12:06 | |
The key is actually Touchstone. | 0:12:06 | 0:12:09 | |
Really? | 0:12:09 | 0:12:11 | |
That clown suit is a red herring if ever I saw one. | 0:12:11 | 0:12:14 | |
Shakespeare's clowns - they didn't dress like that. | 0:12:14 | 0:12:17 | |
Are you sure? | 0:12:17 | 0:12:19 | |
Why else would this comic book have been in that safe? | 0:12:19 | 0:12:21 | |
It's classic spy behaviour, isn't it? | 0:12:21 | 0:12:24 | |
Touchstone is a cipher. | 0:12:24 | 0:12:26 | |
Each letter represents a number, which in turn represents a page, | 0:12:26 | 0:12:29 | |
panel and word in this comic book. | 0:12:29 | 0:12:31 | |
All I've got to do now is put them together. I'm almost there, thank you very much. | 0:12:31 | 0:12:35 | |
Hey! Over here. | 0:12:35 | 0:12:38 | |
-Ooh! -Wow. Can't we just do paintballing next time? | 0:12:38 | 0:12:43 | |
Al, you know how you said everything was important...? | 0:12:43 | 0:12:45 | |
Don't waste my time with your red herrings. | 0:12:45 | 0:12:47 | |
We were busy. I'm sorry. | 0:12:50 | 0:12:52 | |
Meanwhile, I'm back there twiddling my thumbs. | 0:12:52 | 0:12:55 | |
I've said I'm sorry. | 0:12:55 | 0:12:57 | |
-Problem? -Oh... We had a... | 0:12:57 | 0:12:59 | |
Heston had a couple of cancellations. | 0:12:59 | 0:13:01 | |
The system went down, I couldn't tell him. | 0:13:01 | 0:13:03 | |
Is he in a mood or is it just me? | 0:13:04 | 0:13:06 | |
Hang on. Hang on. | 0:13:11 | 0:13:13 | |
There we are! | 0:13:14 | 0:13:16 | |
-Another key. -Whoa! What made you think of that? | 0:13:16 | 0:13:19 | |
Sid noticed that the mark was high and the water was low. | 0:13:19 | 0:13:23 | |
So we thought, "How do we raise the water?" | 0:13:23 | 0:13:27 | |
It fits. | 0:13:27 | 0:13:28 | |
-Yay! -We are free! | 0:13:28 | 0:13:31 | |
-Hallelujah! -Yes! | 0:13:31 | 0:13:33 | |
Well done, team. I knew you had it in you. | 0:13:33 | 0:13:35 | |
Never mind, Al, we got there in the end. | 0:13:35 | 0:13:38 | |
So, what did your message say? | 0:13:38 | 0:13:40 | |
-Nothing. It doesn't matter. -Let's have a look. | 0:13:40 | 0:13:42 | |
-It doesn't matter. -Haskey! | 0:13:42 | 0:13:43 | |
Dead men kiss no womble? | 0:13:47 | 0:13:52 | |
Very funny. Least I tried. | 0:13:52 | 0:13:54 | |
Whatever. I'm just so glad to be out of here! | 0:13:54 | 0:13:58 | |
-Oh! -No! | 0:13:58 | 0:14:01 | |
Why is she saying "no"? | 0:14:01 | 0:14:03 | |
Hello, everyone. Well done on escaping the first room. | 0:14:05 | 0:14:08 | |
You just wait until I get out of here. | 0:14:08 | 0:14:12 | |
Right. Well, you've got 40 minutes for this room. | 0:14:12 | 0:14:14 | |
-Good luck. -OK. | 0:14:14 | 0:14:16 | |
People, what happened in there, that was a dry run. | 0:14:16 | 0:14:19 | |
I'm about to show you how this kind of thing is done. | 0:14:19 | 0:14:22 | |
What makes you imagine that you're still in charge? | 0:14:22 | 0:14:25 | |
Do I need to give another amazing inspirational speech? | 0:14:25 | 0:14:28 | |
I've got five words for you - dead men kiss no womble. | 0:14:28 | 0:14:31 | |
THEY CHUCKLE | 0:14:31 | 0:14:33 | |
Fine. What do you suggest? | 0:14:33 | 0:14:34 | |
I'm not suggesting anything. | 0:14:34 | 0:14:36 | |
-I'm taking charge. -I think Sid should be in charge. | 0:14:36 | 0:14:38 | |
He's the one who's solved the most puzzles so far. | 0:14:38 | 0:14:40 | |
-I don't know about that. -Beginner's luck. -Yeah. | 0:14:40 | 0:14:43 | |
-Tell you what - let's put it to a vote. -Democracy manifest. | 0:14:43 | 0:14:48 | |
All those in favour of Zara, raise your hand. | 0:14:48 | 0:14:51 | |
Thanks, Emma. | 0:14:51 | 0:14:53 | |
All those in favour of Sid. | 0:14:53 | 0:14:54 | |
And Haskey. | 0:14:55 | 0:14:57 | |
Sid, why didn't you vote for yourself? | 0:14:58 | 0:15:01 | |
-It's a draw. -I propose a coalition, myself in charge, | 0:15:02 | 0:15:06 | |
with Sid as my deputy. Everyone agree? | 0:15:06 | 0:15:08 | |
Outstanding! Sid, what do you suggest we do first? | 0:15:08 | 0:15:11 | |
Er, I... I don't know. | 0:15:11 | 0:15:13 | |
Maybe take a look in the cupboard? | 0:15:13 | 0:15:15 | |
Ooh, the cupboard! | 0:15:15 | 0:15:17 | |
OK. What does the cupboard have in store? | 0:15:20 | 0:15:23 | |
LOUD BANG THEY YELL | 0:15:23 | 0:15:25 | |
-What just happened? -I think it means you've just been shot. | 0:15:26 | 0:15:29 | |
THEY CHUCKLE BEN: She's right. | 0:15:29 | 0:15:32 | |
I'm sorry, Al. You're dead. | 0:15:32 | 0:15:34 | |
It's a bit of a strange choice, | 0:15:34 | 0:15:36 | |
splitting the team for a team-building event. | 0:15:36 | 0:15:38 | |
I know what you mean. Are you disappointed not going? | 0:15:38 | 0:15:42 | |
It's hard to be disappointed | 0:15:42 | 0:15:43 | |
-when Ben hasn't told anyone what it is. -True. | 0:15:43 | 0:15:46 | |
Are you all right? You just... You bit Karen's head off earlier. | 0:15:48 | 0:15:51 | |
I know. I'll apologise. | 0:15:51 | 0:15:53 | |
Is everything OK? | 0:15:54 | 0:15:57 | |
I didn't sleep very well. | 0:15:57 | 0:15:59 | |
-Something on your mind? -Not really. | 0:15:59 | 0:16:00 | |
I'm fine. | 0:16:02 | 0:16:03 | |
It's just, Heston, I'm your wife and you can talk to me, you know. | 0:16:05 | 0:16:08 | |
Some people would say it's compulsory. | 0:16:08 | 0:16:11 | |
Is this to do with the wedding photo reshoot? | 0:16:11 | 0:16:13 | |
Why don't you tell me what happened yesterday at the detention centre? | 0:16:15 | 0:16:18 | |
No. | 0:16:18 | 0:16:19 | |
It's not just me. Other people have noticed. | 0:16:19 | 0:16:22 | |
Why? What are they saying? | 0:16:22 | 0:16:23 | |
So there is something? | 0:16:23 | 0:16:25 | |
Whoa, whoa, whoa. This is a whole bunch of nonsense. | 0:16:26 | 0:16:29 | |
I cannot be dead. Excuse me. | 0:16:29 | 0:16:32 | |
There must be some way to bring me back. | 0:16:32 | 0:16:34 | |
-I'm sorry, Al. -Is there a first-aid kit? | 0:16:34 | 0:16:37 | |
Cos we've got a crack team of GPs right here. | 0:16:37 | 0:16:40 | |
You're definitely dead. So no helping. | 0:16:40 | 0:16:42 | |
How is this helping? | 0:16:42 | 0:16:43 | |
You know what? There is no chance that you're going to | 0:16:43 | 0:16:46 | |
escape this room without me. So I'm just going to haunt you. | 0:16:46 | 0:16:49 | |
I'm sorry, did someone say something? | 0:16:49 | 0:16:52 | |
Right, now, I really am taking charge. | 0:16:52 | 0:16:54 | |
Let's get some light on this situation. | 0:16:54 | 0:16:58 | |
This is basically the same room. | 0:16:58 | 0:17:00 | |
So we need to open the safe, open the desk and find the damn keys. | 0:17:00 | 0:17:03 | |
The safe is already open. | 0:17:03 | 0:17:05 | |
And it's empty. And this is just an ordinary rubber snake. | 0:17:05 | 0:17:08 | |
PHONE RINGS | 0:17:08 | 0:17:10 | |
Hello? Yes? No, I'm sorry, there's nobody called Kenny here. Would...? | 0:17:12 | 0:17:15 | |
DISCONNECTION TONE | 0:17:15 | 0:17:17 | |
What is that - some kind of wrong number? | 0:17:17 | 0:17:19 | |
JIMMI: Look. | 0:17:21 | 0:17:22 | |
"One of you is a mole." | 0:17:25 | 0:17:27 | |
Well, it wasn't me. | 0:17:27 | 0:17:29 | |
Anyone think it might have been Al? | 0:17:29 | 0:17:31 | |
SO funny. | 0:17:31 | 0:17:33 | |
I think it's Ayesha. | 0:17:33 | 0:17:35 | |
-Well, you've hardly been helping, have you? -Yeah, it's me. | 0:17:35 | 0:17:38 | |
Can I go now? | 0:17:38 | 0:17:39 | |
-ZARA: -What about Sid? | 0:17:41 | 0:17:42 | |
YOU'RE the one who told Al to open the cupboard. | 0:17:42 | 0:17:45 | |
Did you know what was going to happen? | 0:17:47 | 0:17:49 | |
-No! -You are SUCH a bad liar. | 0:17:49 | 0:17:52 | |
No, I-I didn't. I-I was the one that got the first clue, remember? | 0:17:52 | 0:17:56 | |
That was just to gain our trust. | 0:17:56 | 0:17:57 | |
-Did you know there was going to be a second room? -No. I didn't. | 0:17:57 | 0:18:00 | |
Put him in the chair. | 0:18:02 | 0:18:03 | |
HE LAUGHS NERVOUSLY What are you doing? It's not me. | 0:18:03 | 0:18:07 | |
I'm not the spy! What are you...? Emma, I'm not the spy! | 0:18:07 | 0:18:10 | |
So, there it is. | 0:18:13 | 0:18:14 | |
-Silly, really. -Yeah. | 0:18:16 | 0:18:18 | |
Daniel and Zara, they're supposed to be partners. | 0:18:18 | 0:18:20 | |
-It's not just them. -So don't pay any attention. | 0:18:20 | 0:18:23 | |
-They're my colleagues. -And they should've known better. | 0:18:23 | 0:18:26 | |
It's just silly, ignorant ageism. | 0:18:26 | 0:18:29 | |
That's what it is. | 0:18:29 | 0:18:30 | |
-I wish. -It is. | 0:18:30 | 0:18:32 | |
Look, wait till they've been in the job a few more years. | 0:18:33 | 0:18:36 | |
No. The thing is, they have a point. | 0:18:36 | 0:18:37 | |
-Heston... -I'm not the man I used to be. | 0:18:37 | 0:18:40 | |
They're right. | 0:18:40 | 0:18:41 | |
Hey, look at these. | 0:18:47 | 0:18:49 | |
What? Where did they get that from? | 0:18:50 | 0:18:54 | |
That is weird. | 0:18:54 | 0:18:55 | |
Why would they do that? | 0:18:55 | 0:18:57 | |
It's well creepy. | 0:18:57 | 0:18:58 | |
-Sid! -I wanted to see. | 0:18:58 | 0:18:59 | |
-Someone's just going to have to cuff him to the chair. -What? | 0:18:59 | 0:19:02 | |
Ben, can you explain these photos? | 0:19:02 | 0:19:05 | |
When you book, you can choose to personalise the experience. | 0:19:06 | 0:19:09 | |
-Do you like it? -Not much. | 0:19:09 | 0:19:11 | |
It's fine. The people who run this place are friends of mine, actually. | 0:19:11 | 0:19:14 | |
That is not very reassuring. | 0:19:14 | 0:19:16 | |
Jimmi, what are you doing? They're probably not even real... | 0:19:16 | 0:19:19 | |
Guys, I think this is the guy from the cupboard. | 0:19:22 | 0:19:24 | |
-Same jacket, trilby... -Hang on. Let's have a look? | 0:19:24 | 0:19:28 | |
Obviously means something. I think we have to go in there. | 0:19:28 | 0:19:31 | |
How do you work that out? Ugh! | 0:19:31 | 0:19:32 | |
Why else put a bloke with a gun in an otherwise empty cupboard!? | 0:19:32 | 0:19:37 | |
-Stop it! -What? No, no, no, I'm dead. | 0:19:37 | 0:19:40 | |
I'm not here. I am the former Dr Haskey. | 0:19:40 | 0:19:43 | |
-He's right, though. -PHONE RINGS | 0:19:43 | 0:19:47 | |
Hello? No, there is no Kenny here. You have the wrong number. | 0:19:47 | 0:19:53 | |
I'm surprised that phone's even connected. | 0:19:53 | 0:19:55 | |
What about the gunman in the cupboard? How do we get in without being shot? | 0:19:55 | 0:19:58 | |
It's probably just another red herring. | 0:19:58 | 0:20:00 | |
Or we missed something in the other room. | 0:20:00 | 0:20:02 | |
ZARA GRUNTS EMMA SIGHS | 0:20:02 | 0:20:05 | |
Maybe I have lost my hunger for the job. | 0:20:12 | 0:20:15 | |
When I left surgery, it was for a change of pace. | 0:20:15 | 0:20:17 | |
And that was the right choice. | 0:20:17 | 0:20:19 | |
Yes. But I've been a GP for a while now | 0:20:19 | 0:20:21 | |
and I've settled into a routine. | 0:20:21 | 0:20:23 | |
So shake it up. | 0:20:23 | 0:20:25 | |
Do a course, you know, a new specialism. | 0:20:25 | 0:20:28 | |
If I thought that would help, I would. | 0:20:28 | 0:20:29 | |
But part of it, ironically... | 0:20:32 | 0:20:33 | |
..is to do with being married. | 0:20:34 | 0:20:37 | |
I'm happy - | 0:20:39 | 0:20:41 | |
the happiest I've ever been - but...it's softened me. | 0:20:41 | 0:20:44 | |
It's calmed me down. | 0:20:45 | 0:20:46 | |
And maybe I have lost my professional edge. | 0:20:46 | 0:20:51 | |
So you're saying being happy has made you unhappy? | 0:20:51 | 0:20:55 | |
-Do you know how bonkers that sounds? -I do. | 0:20:57 | 0:21:00 | |
Heston, you are a great doctor. | 0:21:01 | 0:21:05 | |
You improve people's lives every day | 0:21:05 | 0:21:08 | |
and you've got every right to be happy personally. | 0:21:08 | 0:21:11 | |
Surely that makes you a better doctor, | 0:21:11 | 0:21:13 | |
because you've got some balance in your life? | 0:21:13 | 0:21:16 | |
Everything you say makes sense... | 0:21:16 | 0:21:17 | |
..but there are still these doubts, crowding in like shadows. | 0:21:18 | 0:21:24 | |
And yesterday and today... | 0:21:24 | 0:21:26 | |
..I can feel it coming back. | 0:21:27 | 0:21:29 | |
Feel what coming back? | 0:21:29 | 0:21:31 | |
My depression. | 0:21:32 | 0:21:34 | |
FOOTSTEPS APPROACH DOOR OPENS | 0:21:39 | 0:21:41 | |
So? | 0:21:44 | 0:21:45 | |
Did you find anything? | 0:21:46 | 0:21:48 | |
I'll take that as a "no", then, shall I? | 0:21:50 | 0:21:53 | |
OK. Er... | 0:21:56 | 0:21:57 | |
What if there is some truth | 0:21:58 | 0:22:00 | |
in what you heard our wonderful colleagues say? | 0:22:00 | 0:22:03 | |
Just... Just bear with me. | 0:22:03 | 0:22:05 | |
You're getting closer to retirement, as we all are, | 0:22:05 | 0:22:08 | |
but you're just a bit nearer, aren't you? | 0:22:08 | 0:22:10 | |
Is this supposed to help? | 0:22:10 | 0:22:11 | |
OK, so you don't feel the burn of ambition professionally, | 0:22:11 | 0:22:15 | |
so perhaps you need to find it somewhere else. | 0:22:15 | 0:22:17 | |
You're... OK, what are you going to do once you retire? | 0:22:17 | 0:22:21 | |
You're just going to lounge around on the couch watching Columbo? | 0:22:21 | 0:22:24 | |
-No. -So, what are you going to do? | 0:22:24 | 0:22:25 | |
-I'd like to travel. -That's good. Good. | 0:22:27 | 0:22:30 | |
And go to more theatre, music. | 0:22:30 | 0:22:33 | |
Go to some festivals. | 0:22:34 | 0:22:36 | |
Arts festivals, not Glastonbury. | 0:22:36 | 0:22:39 | |
-That's a relief. -What I do now, but more so. | 0:22:39 | 0:22:42 | |
OK, so would you spend more time in Italy? | 0:22:42 | 0:22:45 | |
Well, not just Italy - somewhere more challenging. | 0:22:45 | 0:22:48 | |
-South America, perhaps. -I've always wanted to go to Peru. | 0:22:48 | 0:22:53 | |
-Have you? -Yeah, so... | 0:22:53 | 0:22:54 | |
So let's do it. It's exciting, it's, er... | 0:22:56 | 0:22:59 | |
It's different. If that's not a challenge, I don't know what is. | 0:22:59 | 0:23:02 | |
-You're right. -Yeah. You see? | 0:23:04 | 0:23:06 | |
So, you're not stagnating. | 0:23:06 | 0:23:07 | |
The challenges are changing, so you should pursue your passion. | 0:23:07 | 0:23:12 | |
Thank you. | 0:23:14 | 0:23:15 | |
-Three minutes! -Honestly, that Geordie guy just won't take a hint. | 0:23:17 | 0:23:21 | |
What did he say, exactly? | 0:23:21 | 0:23:23 | |
He just keeps asking to speak to Kenny. | 0:23:23 | 0:23:26 | |
Do you think it's a clue? | 0:23:26 | 0:23:28 | |
He keeps saying, "Is Kenny there, pet?" | 0:23:28 | 0:23:31 | |
The same thing each time? | 0:23:31 | 0:23:33 | |
-Yeah. -Is Kenny there, pet? It's an anagram. | 0:23:33 | 0:23:35 | |
Is...Kenny...there... | 0:23:35 | 0:23:41 | |
-..pet? -We've got, like, one minute left. Is this worth it? | 0:23:42 | 0:23:46 | |
Key. Key... Tin? | 0:23:46 | 0:23:48 | |
I-N. In. The. T-H-E. The. | 0:23:48 | 0:23:52 | |
Pr... Pr... Hmm, no. | 0:23:53 | 0:23:56 | |
-Serpent! Key in the serpent! Where's the snake? -Here, here! | 0:23:57 | 0:24:01 | |
-There's something inside. -No, no, no, I've checked it. | 0:24:03 | 0:24:06 | |
Not well enough. | 0:24:06 | 0:24:07 | |
THEY GASP AND SQUEAL | 0:24:07 | 0:24:09 | |
Let's go! | 0:24:09 | 0:24:10 | |
-Let's go! -Out, out! Come on, come on, come on. | 0:24:10 | 0:24:14 | |
Well done. But to win the game, everyone needs to leave. | 0:24:14 | 0:24:17 | |
Hello! | 0:24:17 | 0:24:19 | |
-Al, Al, Al... -Get him out! | 0:24:19 | 0:24:21 | |
Al, please, I'm so sorry for being such a moany cow. | 0:24:21 | 0:24:24 | |
I'm kind of dead at the moment. | 0:24:24 | 0:24:27 | |
Dead men don't walk. | 0:24:27 | 0:24:29 | |
-Come on! -Let's go! -Dead men don't walk. | 0:24:29 | 0:24:32 | |
Out, out, out! | 0:24:32 | 0:24:33 | |
Let's all get together so we can get some pictures. Come on. Pose, guys. | 0:24:35 | 0:24:38 | |
There we are, brilliant! | 0:24:38 | 0:24:39 | |
There we are. Brilliant! | 0:24:41 | 0:24:42 | |
There we are. | 0:24:46 | 0:24:48 | |
SHE CHUCKLES It's going to be OK. | 0:24:49 | 0:24:51 | |
No. It's going to be better than OK. | 0:24:51 | 0:24:55 | |
-OK? -Thanks. | 0:24:55 | 0:24:57 | |
What would I do without you? | 0:24:57 | 0:24:59 | |
Right. If you want, we can look at some travel sites tonight, | 0:24:59 | 0:25:03 | |
-see what they've got. -Sounds wonderful. | 0:25:03 | 0:25:06 | |
Yeah. Right, go on. You go and get 'em, cowboy! | 0:25:06 | 0:25:10 | |
You know, I thought that was going to be really awful. | 0:25:18 | 0:25:21 | |
But I actually enjoyed it. | 0:25:21 | 0:25:23 | |
-Thank you. -Thank you. | 0:25:23 | 0:25:25 | |
-You still sulking about being a dead body? -No. This is a whole new sulk. | 0:25:25 | 0:25:29 | |
-Thanks, Ben. -You're welcome. | 0:25:30 | 0:25:34 | |
-Whoa! -Chris has been looking for that everywhere. | 0:25:36 | 0:25:39 | |
-I was still looking for clues. -Al! | 0:25:39 | 0:25:42 | |
So, you were pretty good at this. | 0:25:42 | 0:25:44 | |
Yeah, er, don't tell anyone, but, er, | 0:25:44 | 0:25:47 | |
I've actually been here before. | 0:25:47 | 0:25:49 | |
-What? -Last month with a few mates. That's how I knew all the answers. | 0:25:49 | 0:25:52 | |
-So why didn't you say anything? -At first I didn't want to spoil it, | 0:25:52 | 0:25:54 | |
then I was quite enjoying watching Al suffer, to be honest. | 0:25:54 | 0:25:57 | |
You wound him up good and proper. | 0:25:57 | 0:25:59 | |
I know. Cheers, Ben. | 0:25:59 | 0:26:01 | |
You're welcome. | 0:26:01 | 0:26:03 | |
It could have been worse. | 0:26:03 | 0:26:04 | |
Please! I'll get emotional. | 0:26:04 | 0:26:05 | |
Sidney wasn't the mole, was he? | 0:26:06 | 0:26:09 | |
Let it go, Haskey. It's over. | 0:26:10 | 0:26:12 | |
No, there you were, acting like you weren't interested, | 0:26:12 | 0:26:15 | |
but who was it hiding the clues, eh? | 0:26:15 | 0:26:18 | |
Who was it trying to frame Sid? | 0:26:18 | 0:26:19 | |
It was you, Carmichael, and I am onto you. | 0:26:19 | 0:26:22 | |
You're just jealous because I was in charge when we won. | 0:26:22 | 0:26:24 | |
Should have kept the shoes. | 0:26:28 | 0:26:30 | |
-Still think it's cursed? -Either it is or I am. Shotgun! | 0:26:31 | 0:26:35 | |
Well played. | 0:26:36 | 0:26:37 | |
-I don't know what you mean. -Did you find it useful? | 0:26:37 | 0:26:41 | |
Do you think the team found it useful? | 0:26:41 | 0:26:43 | |
I think the team enjoyed themselves | 0:26:44 | 0:26:47 | |
but I still think it was irrelevant and silly, and we could have been | 0:26:47 | 0:26:50 | |
-doing something much better with our time. -Oh. OK. | 0:26:50 | 0:26:53 | |
-But it was better than zombies. -Sorry? | 0:26:53 | 0:26:56 | |
You heard. | 0:26:57 | 0:26:58 | |
He's scared - that's all. | 0:27:06 | 0:27:07 | |
-Scared of what? -He's terrified he's not man enough to finish me off. | 0:27:07 | 0:27:11 | |
Have you eaten anything unusual today? | 0:27:11 | 0:27:14 | |
Where's the witch? | 0:27:14 | 0:27:16 | |
I told you, love, there's no witch. | 0:27:16 | 0:27:20 | |
He's just there every day, watching him, like some...predator. | 0:27:20 | 0:27:23 | |
Heston, you need to stop telling me how to do my job. | 0:27:23 | 0:27:27 |