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Save something for the weekend. | 0:00:31 | 0:00:33 | |
I can't get that last bit of push from them. | 0:00:33 | 0:00:36 | |
Any bigger and you'll have to get your work shirts tailored. | 0:00:36 | 0:00:38 | |
Again. | 0:00:38 | 0:00:40 | |
It'll be worth it. | 0:00:40 | 0:00:41 | |
Maybe. | 0:00:41 | 0:00:42 | |
So are you going for a spray tan before the party | 0:00:44 | 0:00:46 | |
or am I on polishing duty? | 0:00:46 | 0:00:48 | |
Like I'd deny you a huff and a buff. | 0:00:48 | 0:00:50 | |
Come on - home, change, then doctor's. | 0:00:50 | 0:00:52 | |
What do you mean? I'm going like this. | 0:00:52 | 0:00:54 | |
-Really? -Yeah. | 0:00:56 | 0:00:57 | |
Take a seat. | 0:01:03 | 0:01:04 | |
So, any plans for your afternoon off? | 0:01:06 | 0:01:08 | |
Two-for-one jelly shots, sky diving? | 0:01:08 | 0:01:11 | |
Shoe shopping. | 0:01:11 | 0:01:12 | |
I haven't got anything, you know, pretty, summery, | 0:01:12 | 0:01:15 | |
just practical stuff. So I thought I'd treat myself. | 0:01:15 | 0:01:18 | |
Right, well, Jolly Polly's has got 50% off on the high street at the moment. | 0:01:18 | 0:01:21 | |
Oh, brilliant. | 0:01:21 | 0:01:22 | |
Oh, actually, I ordered a pair of shoes from there last week. | 0:01:22 | 0:01:25 | |
Could you see if they've... | 0:01:25 | 0:01:26 | |
they've arrived? | 0:01:26 | 0:01:27 | |
-Oh, hi, Trudi. -Hi, Val. Hi, Ayesha. | 0:01:29 | 0:01:32 | |
Hey. | 0:01:32 | 0:01:33 | |
Can I help? | 0:01:36 | 0:01:37 | |
Yeah, I'd... | 0:01:37 | 0:01:39 | |
Oh, this is Liam, my life partner. I wasn't sure - have you met? | 0:01:39 | 0:01:42 | |
I think I'd remember. | 0:01:42 | 0:01:44 | |
Definitely. | 0:01:44 | 0:01:45 | |
I know, he's a policeman to boot. | 0:01:45 | 0:01:47 | |
A man in uniform does something to you, right? | 0:01:47 | 0:01:49 | |
Yeah! | 0:01:49 | 0:01:50 | |
Mostly helps me across the road. | 0:01:50 | 0:01:53 | |
Sorry? | 0:01:53 | 0:01:54 | |
Lollipop man, near me. Sorry, that was a joke only I would understand. | 0:01:54 | 0:01:58 | |
Yeah. Anyway, he would like to see a doctor. | 0:01:58 | 0:02:00 | |
Yeah, if there's one free. | 0:02:00 | 0:02:02 | |
Yeah. Are you registered with us? | 0:02:02 | 0:02:03 | |
Yeah. Liam Adler. | 0:02:03 | 0:02:04 | |
VALERIE HUMS | 0:02:08 | 0:02:09 | |
Yeah, there you are. Got you. | 0:02:09 | 0:02:12 | |
And you've got me. | 0:02:12 | 0:02:13 | |
Always the bridesmaid. Come on through. | 0:02:13 | 0:02:16 | |
Won't be long. | 0:02:16 | 0:02:17 | |
Adonis! | 0:02:21 | 0:02:22 | |
Sorry? | 0:02:24 | 0:02:26 | |
Er... | 0:02:26 | 0:02:27 | |
-A-don't think it'll be long. -Oh. -Dr Vere. | 0:02:27 | 0:02:30 | |
That's who you're seeing. So take a seat. | 0:02:30 | 0:02:34 | |
I've spent the whole night rejecting ideas. | 0:02:39 | 0:02:41 | |
It shouldn't be this difficult. | 0:02:41 | 0:02:44 | |
I think she probably wants something quite modest. | 0:02:44 | 0:02:47 | |
I just want to do something big, demonstrative. | 0:02:47 | 0:02:50 | |
-Really? -Go on. | 0:02:50 | 0:02:52 | |
No, I'm not hiding the ring in the blancmange! | 0:02:52 | 0:02:54 | |
Really? | 0:02:54 | 0:02:55 | |
Too many horror stories from the operating theatre. | 0:02:55 | 0:02:58 | |
Yeah. That is a risk we can ill afford. | 0:02:58 | 0:03:00 | |
So we're not talking about just some coy suggestion across a restaurant table? | 0:03:00 | 0:03:05 | |
"We're not getting any younger, so how about it, darling?" | 0:03:05 | 0:03:07 | |
Definitely not. | 0:03:07 | 0:03:09 | |
Can you imagine? | 0:03:09 | 0:03:11 | |
I booked a table for two at Maison De Fous, | 0:03:11 | 0:03:13 | |
we go for a stroll in the park, | 0:03:13 | 0:03:15 | |
we swing by the Jewellery Quarter and she can pick her own ring. | 0:03:15 | 0:03:19 | |
-I see. -Simple, quiet, dignified. | 0:03:20 | 0:03:25 | |
RUHMA: I want to beat him at his own game. | 0:03:25 | 0:03:27 | |
So, his big passions are Shakespeare, Mozart, Hanif, of course. | 0:03:27 | 0:03:32 | |
With Hanif throwing serious shade on the other two. | 0:03:32 | 0:03:35 | |
Did I ever tell you, I really like the way you think? | 0:03:35 | 0:03:38 | |
Right, OK. So, the question is what and how? | 0:03:38 | 0:03:43 | |
But getting down on one knee is traditional. | 0:03:43 | 0:03:46 | |
It's a bit showy, isn't it? Less is more. | 0:03:46 | 0:03:50 | |
Really, Dr Carter? When has less is more | 0:03:50 | 0:03:54 | |
been the way you have lived your life? | 0:03:54 | 0:03:56 | |
Where is that exuberant man I once knew? | 0:03:56 | 0:03:59 | |
Treading through a minefield of commitment. | 0:03:59 | 0:04:01 | |
Well, you need to go back to your opera collection and get some passion into your heart. | 0:04:01 | 0:04:06 | |
Shouldn't be long now. | 0:04:10 | 0:04:11 | |
OK. | 0:04:13 | 0:04:14 | |
Dr Vere's very good. | 0:04:14 | 0:04:16 | |
All our doctors are. Actually, all my colleagues are. Oh! | 0:04:16 | 0:04:21 | |
Do you know Rob Hollins at the police station? | 0:04:21 | 0:04:23 | |
Sergeant Hollins? | 0:04:23 | 0:04:25 | |
Yeah! Yeah, his wife, Karen, is my co-worker. | 0:04:25 | 0:04:28 | |
-You may have met her. -Er... | 0:04:28 | 0:04:31 | |
You'd remember if you had - very chatty, everyone loves her. | 0:04:31 | 0:04:35 | |
And ironically, for a policeman's wife, she doesn't take any prisoners. | 0:04:35 | 0:04:40 | |
I'm sorry, I just realised | 0:04:40 | 0:04:41 | |
there's something I need to do at the station. | 0:04:41 | 0:04:44 | |
I'm going to have to see the doctor another time. | 0:04:44 | 0:04:46 | |
Well, I'm sure he'll only be another minute. | 0:04:46 | 0:04:49 | |
Listen, can you let Trudi know? | 0:04:49 | 0:04:51 | |
I mean, it's important, and it really can't wait. Thank you. | 0:04:51 | 0:04:54 | |
Right, so far, we have hiring a light opera company - impractical. | 0:05:01 | 0:05:06 | |
Quick trip to Venice. | 0:05:06 | 0:05:08 | |
Yeah, proposing on a gondola, | 0:05:08 | 0:05:09 | |
which I just don't think is going to happen by Friday. | 0:05:09 | 0:05:12 | |
Maybe we just have to accept that tomorrow is too soon. | 0:05:14 | 0:05:16 | |
No way! I refuse to admit defeat. | 0:05:16 | 0:05:19 | |
We are three bright, capable women, and this is not rocket science | 0:05:19 | 0:05:24 | |
although, if we put our minds to that, I'm sure we could ace it. | 0:05:24 | 0:05:27 | |
Before we go any further, | 0:05:27 | 0:05:29 | |
how is Heston going to feel about being proposed to? | 0:05:29 | 0:05:32 | |
Lucky? | 0:05:32 | 0:05:34 | |
Yeah, but, come on - he has pretty clear boundaries where men and women are concerned. | 0:05:34 | 0:05:38 | |
Yeah, traditional roles. | 0:05:38 | 0:05:40 | |
Old-fashioned. | 0:05:40 | 0:05:41 | |
Come on, he's hardly a dinosaur. Bow ties and lapsang souchong are a far cry from white van man. | 0:05:41 | 0:05:47 | |
Well, look, let's put it another way - | 0:05:47 | 0:05:49 | |
would Daniel feel emasculated if you proposed? | 0:05:49 | 0:05:52 | |
I refuse to answer that. Now let's go to the Icon. | 0:05:52 | 0:05:56 | |
Thanks, Ayesha. | 0:06:00 | 0:06:01 | |
Is he still with the doc? | 0:06:05 | 0:06:06 | |
Um... He had to leave. He told me to tell you that he's gone to the station. | 0:06:06 | 0:06:11 | |
Really? He's not doing a shift today. Did he get a call? | 0:06:11 | 0:06:14 | |
Not that I'm aware of. | 0:06:14 | 0:06:15 | |
Oh, well, he'll have his reasons. | 0:06:15 | 0:06:18 | |
-See you. -Take care. | 0:06:18 | 0:06:20 | |
PHONE RINGS | 0:06:26 | 0:06:33 | |
Hi, love. | 0:06:33 | 0:06:34 | |
'Hiya, just checking in, see how you're doing.' | 0:06:34 | 0:06:37 | |
Yeah, you know. Same old, same old. Like I've never been away. | 0:06:37 | 0:06:41 | |
You? | 0:06:41 | 0:06:42 | |
Yeah, all right. A bit lights are on, but the brain's not home. | 0:06:42 | 0:06:46 | |
Missing Marnie. | 0:06:48 | 0:06:49 | |
'Missing all the mess. It was part of her, wasn't it? | 0:06:50 | 0:06:55 | |
'Are you listening to me?' | 0:06:56 | 0:06:58 | |
You're welcome, yeah. | 0:06:58 | 0:06:59 | |
What? Anyway. | 0:07:01 | 0:07:03 | |
So, first day back at work. | 0:07:03 | 0:07:05 | |
'Do you want to meet up for lunch?' | 0:07:05 | 0:07:07 | |
Ah, well, the thing is, it's a bit of a tight squeeze, work-wise. | 0:07:07 | 0:07:10 | |
Oh. It's just I'm... I'm feeling rubbish, you know. | 0:07:10 | 0:07:14 | |
It's the worst part about fostering so far, I tell you. | 0:07:16 | 0:07:20 | |
I know, it's been tough. But, you know, at work, something else to think about. | 0:07:20 | 0:07:25 | |
'Back in the saddle and soldiering on.' | 0:07:25 | 0:07:27 | |
Pretty much. We will get through this, love. | 0:07:28 | 0:07:31 | |
'Yeah, see, this is why I was singing your praises yesterday. You're right, I know you are.' | 0:07:31 | 0:07:37 | |
But... Well, if you can't make lunch, how about we go out for our tea? | 0:07:37 | 0:07:42 | |
Karen... | 0:07:44 | 0:07:45 | |
'Nothing fancy, you know.' | 0:07:45 | 0:07:47 | |
Just not home. | 0:07:47 | 0:07:48 | |
The thing is, I've already said yes to a night out with the lads. | 0:07:50 | 0:07:55 | |
'You know, sort of a welcome back thing for me.' | 0:07:55 | 0:07:58 | |
Please, Rob. | 0:07:59 | 0:08:00 | |
Love, I've got to go. I'm up to my neck in it, but... | 0:08:02 | 0:08:05 | |
'I won't be late. | 0:08:05 | 0:08:07 | |
'And I'll see you soon. OK? | 0:08:07 | 0:08:09 | |
'OK, bye.' | 0:08:09 | 0:08:10 | |
Oh, still here? Obviously. | 0:08:24 | 0:08:27 | |
Is everything all right? | 0:08:30 | 0:08:31 | |
It's Liam. Something's wrong, I just know there is. | 0:08:33 | 0:08:40 | |
Well, it can't be too serious, | 0:08:40 | 0:08:41 | |
not if he changed his mind about seeing the doctor. | 0:08:41 | 0:08:43 | |
I know my man, Val. | 0:08:43 | 0:08:46 | |
Yeah, but, like you say, he's a man, isn't he? | 0:08:46 | 0:08:48 | |
Men do that - they back out of appointments cos they're afraid it's going to be bad news. | 0:08:48 | 0:08:52 | |
That was only for athlete's foot. | 0:08:52 | 0:08:53 | |
He's been distracted, secretive, you know, | 0:08:56 | 0:08:59 | |
and I thought that it might be his work, you know, | 0:08:59 | 0:09:02 | |
some undercover thing, but... | 0:09:02 | 0:09:04 | |
And now you think there's someone else? | 0:09:04 | 0:09:06 | |
Well, now I do, yeah! | 0:09:07 | 0:09:09 | |
Sorry, no, ignore me. | 0:09:09 | 0:09:11 | |
Why didn't I think of that? I mean, he's got the opportunities. | 0:09:11 | 0:09:14 | |
What, because of the uniform thing? | 0:09:14 | 0:09:16 | |
Because he sometimes does hen parties. | 0:09:16 | 0:09:19 | |
You know, like beefcake stuff. Not the full strip, just cheesy baby oil and loincloth. | 0:09:19 | 0:09:25 | |
Sitting on the bride's lap, you know, wiggling, flexing his glutes. | 0:09:25 | 0:09:29 | |
Oh. I can why he'd be popular. Yay, glutes! | 0:09:29 | 0:09:32 | |
I thought of it, encouraged it. | 0:09:34 | 0:09:36 | |
Do the police know? | 0:09:36 | 0:09:38 | |
No. It's not like he does it in uniform. | 0:09:38 | 0:09:42 | |
It's strictly on the down-low, you know, cash in hand. | 0:09:42 | 0:09:45 | |
Only pin money. It's just a bit of fun. | 0:09:45 | 0:09:48 | |
Oh. So he's with groups of women who admire him? | 0:09:48 | 0:09:53 | |
And why wouldn't they? You did...and Ayesha. | 0:09:53 | 0:09:56 | |
This is all my fault. | 0:09:58 | 0:10:00 | |
Well, it does rather sound like you've staked him out and rung the dinner bell. | 0:10:00 | 0:10:03 | |
So, what about you and Daniel, then? Has he ever proposed? | 0:10:06 | 0:10:09 | |
Well, he very nearly did once, | 0:10:10 | 0:10:12 | |
but I can assure you I nipped it in the bud. | 0:10:12 | 0:10:14 | |
Now he makes noises about it every so often, | 0:10:14 | 0:10:16 | |
but only for tax reasons. | 0:10:16 | 0:10:18 | |
Last of the great romantics. | 0:10:18 | 0:10:19 | |
Joe has started to ask questions, | 0:10:19 | 0:10:21 | |
but I just don't really see the point. | 0:10:21 | 0:10:23 | |
-Love? -Well, we have that. | 0:10:23 | 0:10:25 | |
We just don't need an outdated social convention to validate it. | 0:10:25 | 0:10:28 | |
I mean, the whole marriage thing is so passe to me. | 0:10:29 | 0:10:32 | |
But that won't get in the way of your career as a wedding planner. | 0:10:32 | 0:10:36 | |
Oh, well! Horses for courses, Ruhma! I do not mean you and Heston. | 0:10:37 | 0:10:43 | |
It's quite different for Daniel and myself. | 0:10:43 | 0:10:46 | |
Let's order. We'll "passe" on the alcohol, shall we? | 0:10:46 | 0:10:50 | |
So, what did you think was the problem if it wasn't cheating? | 0:10:56 | 0:10:59 | |
I did wonder if it was steroids. | 0:11:01 | 0:11:03 | |
He's been getting bigger lately. | 0:11:03 | 0:11:05 | |
He's got thighs you can ski down these days. | 0:11:05 | 0:11:08 | |
You know, and he's been...not there. | 0:11:08 | 0:11:12 | |
Remote? | 0:11:12 | 0:11:13 | |
Yeah. Not moody, just not himself. | 0:11:13 | 0:11:16 | |
Well, I'm no expert, but steroids can change someone's mood. | 0:11:16 | 0:11:20 | |
Has he... Sorry, I'm not normally this nosy, but how are things, bedroom-wise? | 0:11:21 | 0:11:27 | |
Well, a bit of a drought, to be frank, you know. | 0:11:30 | 0:11:34 | |
I mean, he's affectionate, cuddles and kisses, but no. | 0:11:34 | 0:11:37 | |
He's more interested in his own body than mine. | 0:11:39 | 0:11:42 | |
Well, steroids can do that. | 0:11:42 | 0:11:44 | |
Think about it - if he's in the police, he's hardly likely to be taking anything illegal, is he? | 0:11:44 | 0:11:48 | |
I can't stand this. | 0:11:49 | 0:11:50 | |
Hi, where did you dash off to in such a rush? | 0:11:54 | 0:11:57 | |
Hi, sorry. I had to check something at the station. | 0:11:58 | 0:12:01 | |
I had some paperwork due. | 0:12:01 | 0:12:02 | |
'Oh, right. Are you still there?' | 0:12:02 | 0:12:04 | |
No, I'm actually going to the gym. Look, | 0:12:04 | 0:12:07 | |
I'm sorry I bailed on the doctor's. You are OK getting home, right? | 0:12:07 | 0:12:11 | |
'Yeah, I suppose.' | 0:12:11 | 0:12:12 | |
Just don't be there all day. | 0:12:12 | 0:12:15 | |
I won't. Love you. | 0:12:16 | 0:12:17 | |
That settles it. | 0:12:19 | 0:12:21 | |
Oh, good. | 0:12:21 | 0:12:22 | |
I mean, he's definitely up to something - he's going to the gym. | 0:12:22 | 0:12:25 | |
-And that's bad? -We went this morning. | 0:12:25 | 0:12:28 | |
Why don't you just ask him? Put your mind at rest. | 0:12:28 | 0:12:31 | |
I suppose. | 0:12:33 | 0:12:34 | |
I just wish that there was some way that I could find out without him knowing. | 0:12:35 | 0:12:40 | |
Still, I'll just head home and wait for him. | 0:12:40 | 0:12:45 | |
I just feel so unsupported, you know, just like I'm facing my demons alone. | 0:12:45 | 0:12:50 | |
Trudi. | 0:12:53 | 0:12:54 | |
So, what does Heston really like? | 0:12:59 | 0:13:02 | |
What's at the heart of him? | 0:13:02 | 0:13:04 | |
Er... He likes good food, am-dram, champagne. | 0:13:04 | 0:13:09 | |
A questionable taste in neck attire. | 0:13:09 | 0:13:11 | |
What about a bow tie with a ring knotted into it? | 0:13:11 | 0:13:14 | |
No. I don't know why, that just makes me think of a bull with a ring through its nose. | 0:13:14 | 0:13:19 | |
All right. A bottle of champagne with a ring in it? | 0:13:20 | 0:13:22 | |
How are you going to get it inside? | 0:13:22 | 0:13:24 | |
I think we're missing a trick with the whole opera thing. | 0:13:24 | 0:13:27 | |
-Now, I know we talked about hiring a company... -Which was impractical. | 0:13:27 | 0:13:29 | |
Yeah, but there are some beautiful arias. | 0:13:29 | 0:13:31 | |
She's right. I mean, you know, opera is very over the top, | 0:13:31 | 0:13:35 | |
but then so is a wedding day. | 0:13:35 | 0:13:36 | |
I've got it. Madama Butterfly. | 0:13:38 | 0:13:41 | |
You dress up as a geisha. | 0:13:41 | 0:13:42 | |
Cultural appropriation. | 0:13:42 | 0:13:44 | |
No, I know it, I know it. "One day, my love will return." | 0:13:44 | 0:13:49 | |
Oh, that aria is beautiful, but she goes and kills herself in the end because he's met someone else. | 0:13:49 | 0:13:55 | |
Point taken. But to die for love... | 0:13:55 | 0:13:58 | |
Yeah, I'll stick to living for it, thank you very much. | 0:13:58 | 0:14:01 | |
That's his car, so he's definitely here. | 0:14:07 | 0:14:09 | |
Are you going to make sure? | 0:14:09 | 0:14:11 | |
He's where he said he'll be. | 0:14:11 | 0:14:13 | |
I think I'm just getting worked up with all the other stuff. | 0:14:13 | 0:14:15 | |
There's no real evidence, is there? | 0:14:15 | 0:14:18 | |
-There he is! -Don't let him see us! | 0:14:18 | 0:14:20 | |
Where's he going? | 0:14:25 | 0:14:27 | |
See, I knew something was up. | 0:14:27 | 0:14:28 | |
Hand me my sunglasses. They're in the glove compartment. | 0:14:30 | 0:14:33 | |
No, really, just take me home... | 0:14:33 | 0:14:34 | |
No, no, you stay right there. I am going in! | 0:14:34 | 0:14:37 | |
So? | 0:14:49 | 0:14:51 | |
My mind is as blank as that board. | 0:14:51 | 0:14:54 | |
Very well. | 0:14:56 | 0:14:57 | |
Which is all you need, apparently. | 0:15:02 | 0:15:05 | |
What is the stumbling block here? | 0:15:05 | 0:15:07 | |
I can't say with any confidence that I know what Ruhma wants. | 0:15:08 | 0:15:12 | |
This is the woman I want to marry. I don't even know if she wants a proposal. | 0:15:12 | 0:15:16 | |
Faint heart, Dr Carter. | 0:15:16 | 0:15:17 | |
This is not the time for cold feet. | 0:15:17 | 0:15:20 | |
We need a different approach. | 0:15:22 | 0:15:23 | |
Such as? | 0:15:23 | 0:15:25 | |
Looking at your fear of her reaction to your proposal. | 0:15:25 | 0:15:28 | |
Have you considered asking Shak? | 0:15:28 | 0:15:30 | |
Oh, I could ask his permission to marry his mother? | 0:15:30 | 0:15:33 | |
See what he thinks his mother might do. | 0:15:33 | 0:15:35 | |
He and Alia are in the middle of exams. | 0:15:36 | 0:15:38 | |
This is the last thing they need. | 0:15:38 | 0:15:40 | |
And you've brought some with you? | 0:15:44 | 0:15:46 | |
Yeah. | 0:15:46 | 0:15:48 | |
How long have you been... | 0:15:48 | 0:15:49 | |
A few months. | 0:15:50 | 0:15:52 | |
Just out of curiosity, how does it make you feel? | 0:15:52 | 0:15:57 | |
Different. I mean, it's not what I expected. | 0:15:57 | 0:16:01 | |
Do you feel changed? For the better? | 0:16:01 | 0:16:06 | |
Look, have you booked a room? | 0:16:06 | 0:16:07 | |
Yes. Shall we? | 0:16:07 | 0:16:10 | |
Er, payment. | 0:16:10 | 0:16:12 | |
I've left the cash up there. | 0:16:12 | 0:16:13 | |
Come on. | 0:16:15 | 0:16:16 | |
It's on the fourth floor. Stupid of me, | 0:16:23 | 0:16:26 | |
but I'm superstitious about odd numbers. | 0:16:26 | 0:16:28 | |
You don't look the superstitious type. | 0:16:28 | 0:16:30 | |
-Looks can be deceiving. -Yeah. | 0:16:30 | 0:16:32 | |
PLATES CLATTER | 0:16:46 | 0:16:47 | |
So? | 0:16:58 | 0:16:59 | |
Well, he met up with someone. | 0:16:59 | 0:17:01 | |
Some scrubber from the gym? | 0:17:01 | 0:17:02 | |
No, a man, a businessman. | 0:17:02 | 0:17:05 | |
It sounded like some kind of a deal. | 0:17:05 | 0:17:08 | |
Steroids? I knew it. How could he? | 0:17:08 | 0:17:12 | |
I don't know but, from what I overheard, Liam is selling, not buying. | 0:17:12 | 0:17:17 | |
Selling? What's he playing at? | 0:17:17 | 0:17:21 | |
Of all the stu... I mean, is he... | 0:17:21 | 0:17:22 | |
He's risking our whole future! | 0:17:22 | 0:17:25 | |
I know, but at least he's being cautious. | 0:17:26 | 0:17:29 | |
They're going to some room on the fourth floor. He's not doing it in the bar. | 0:17:29 | 0:17:32 | |
That doesn't matter, does it? I mean, if he's caught or if he's blackmailed, it's game over. | 0:17:32 | 0:17:37 | |
What room is he in? | 0:17:37 | 0:17:38 | |
I don't know. Are you sure you want to confront him like this? | 0:17:38 | 0:17:41 | |
I'm stopping this before it goes too far. | 0:17:41 | 0:17:43 | |
407. | 0:17:54 | 0:17:55 | |
Yes? | 0:18:00 | 0:18:02 | |
What the... | 0:18:02 | 0:18:04 | |
Trudi? | 0:18:04 | 0:18:05 | |
Holy Moley! | 0:18:05 | 0:18:07 | |
Oh, wow! This is not what it looks like. | 0:18:07 | 0:18:10 | |
All right. | 0:18:13 | 0:18:15 | |
We do not have any ideas, but we do have a venue. | 0:18:15 | 0:18:17 | |
-If we can just get some... -I have less than 24 hours. | 0:18:17 | 0:18:20 | |
If you can contrive a way of getting there before her, the early bird catches the worm. | 0:18:20 | 0:18:26 | |
I'm more like a permanently confused pigeon. | 0:18:26 | 0:18:28 | |
If it is a country hotel... | 0:18:28 | 0:18:29 | |
-Or an increasingly bewildered ostrich. -Dr Carter! | 0:18:29 | 0:18:32 | |
I'm sorry, Mrs Tembe. Thank you for your help. | 0:18:32 | 0:18:35 | |
But I have to prepare for afternoon surgery. Excuse me. | 0:18:35 | 0:18:38 | |
But... | 0:18:38 | 0:18:39 | |
Muscle worship? | 0:18:42 | 0:18:44 | |
I flex and pose, like a body-building contest. | 0:18:44 | 0:18:47 | |
For him? | 0:18:47 | 0:18:48 | |
Not just him. | 0:18:48 | 0:18:49 | |
This is my first time. | 0:18:49 | 0:18:51 | |
What for? If you're doing this, then... | 0:18:51 | 0:18:53 | |
For money. Why do you think? | 0:18:53 | 0:18:56 | |
So, how does this work? | 0:18:56 | 0:18:58 | |
OK, well, there are people... | 0:18:59 | 0:19:01 | |
-Men. -Men, who are willing to pay | 0:19:01 | 0:19:03 | |
to appreciate the work I've put into myself. | 0:19:03 | 0:19:06 | |
It's not sordid. | 0:19:06 | 0:19:08 | |
Then why come here? | 0:19:08 | 0:19:09 | |
Privacy. I don't feel so... | 0:19:09 | 0:19:12 | |
-On display? -Yeah. -Yeah, but you are, though, aren't you? | 0:19:12 | 0:19:15 | |
-Er... -See this definition? | 0:19:15 | 0:19:17 | |
How his traps and deltoids give his upper body that shape? | 0:19:19 | 0:19:24 | |
It's perfect. | 0:19:24 | 0:19:26 | |
Like a Michelangelo drawing brought to life. | 0:19:27 | 0:19:29 | |
Exactly. Do you see? | 0:19:29 | 0:19:33 | |
Yeah, I can - any time I go to the gym. | 0:19:33 | 0:19:35 | |
There's loads of blokes that look like this. | 0:19:35 | 0:19:38 | |
No, not to this level of perfection. | 0:19:38 | 0:19:41 | |
It's a combination of genetics and hard work. | 0:19:42 | 0:19:46 | |
Takes real discipline to get to this. | 0:19:46 | 0:19:49 | |
Only a few can. | 0:19:50 | 0:19:52 | |
Baby oil, too? | 0:19:52 | 0:19:53 | |
To show the definition. | 0:19:55 | 0:19:56 | |
This is all just too creepy. | 0:19:57 | 0:20:01 | |
Look, men like Brandon, they don't just pay up - they encourage me. | 0:20:01 | 0:20:06 | |
And they don't leer or grab or grope like the women at the hen parties. | 0:20:06 | 0:20:09 | |
That's just fun! | 0:20:09 | 0:20:11 | |
Well... Yeah, it can get a little bit...rugby scrum. | 0:20:11 | 0:20:15 | |
The minute the tequila gets passed round, | 0:20:15 | 0:20:17 | |
the fairy wings come off and it's open season. | 0:20:17 | 0:20:19 | |
See? I'm treated with dignity here. | 0:20:19 | 0:20:23 | |
And admiration for what he's achieved. | 0:20:23 | 0:20:25 | |
Thank you. | 0:20:25 | 0:20:27 | |
OK, some guys, they like to rub in the baby oil, OK? | 0:20:27 | 0:20:32 | |
I mean, just really rub it in to appreciate the muscle tone. | 0:20:32 | 0:20:35 | |
But that's it. | 0:20:35 | 0:20:36 | |
Nothing sexual at all? | 0:20:36 | 0:20:37 | |
Nope. | 0:20:37 | 0:20:38 | |
I can't believe you allow yourself to be ogled by another man. | 0:20:40 | 0:20:44 | |
Really? I mean, I get paid, like, four times the amount I would spending | 0:20:44 | 0:20:47 | |
-the night fighting off a bunch of drunk women. -Four times? | 0:20:47 | 0:20:51 | |
Top of his game. | 0:20:51 | 0:20:52 | |
Look, you said you wanted to visit your sister in America, right? | 0:20:54 | 0:21:01 | |
Well, soon, I'll have enough money to take you. | 0:21:01 | 0:21:03 | |
Just from standing there? Guns out? | 0:21:03 | 0:21:06 | |
Nothing more. | 0:21:06 | 0:21:07 | |
Right, I've decided - ultra-traditional. | 0:21:12 | 0:21:15 | |
-If it ain't broke... -Then there's traditional, and there's traditional. | 0:21:15 | 0:21:18 | |
-Meaning? -There's no reason not to embellish. | 0:21:18 | 0:21:20 | |
Give yourself a romantic setting, for starters. | 0:21:20 | 0:21:22 | |
What about a string quartet? | 0:21:22 | 0:21:23 | |
Or a country hotel? | 0:21:23 | 0:21:25 | |
I'm way ahead of you there. | 0:21:25 | 0:21:26 | |
I could go down on one knee. That would really throw him. | 0:21:26 | 0:21:29 | |
Can I... can we organise this by tomorrow? | 0:21:30 | 0:21:32 | |
Of course we can. | 0:21:32 | 0:21:33 | |
Just... I want to do it right, I don't want to rush. | 0:21:33 | 0:21:37 | |
Maybe I should just plan it for Heston's birthday. | 0:21:37 | 0:21:40 | |
No! No, no, no. With the three of us organising, we will definitely nail it for tomorrow. | 0:21:40 | 0:21:43 | |
OK, what about this? Haseldine Hall - perfect, yeah? | 0:21:43 | 0:21:45 | |
That is exactly what I had in mind. | 0:21:45 | 0:21:47 | |
Right, I'm going to phone the music department at the university. | 0:21:47 | 0:21:50 | |
Hello, yes. I wonder, do you have a table for two... | 0:21:50 | 0:21:52 | |
-That's for the string quartet? -For tomorrow? | 0:21:52 | 0:21:54 | |
-They could definitely point us in the right direction. -Jackpot! Hold on a moment. | 0:21:54 | 0:21:57 | |
They do have a table, and it's in a prime position - it's a cancellation. | 0:21:57 | 0:22:00 | |
-This is really happening. -Oh, hello, could I speak to your music faculty, please? | 0:22:00 | 0:22:03 | |
Yes, please, we would love to book that. It's in the name of Hanif. | 0:22:03 | 0:22:06 | |
Hey, hi. I'd really like to go somewhere nice for lunch tomorrow. | 0:22:08 | 0:22:12 | |
Yeah, I've booked us a table at Maison De Fous. | 0:22:12 | 0:22:15 | |
Luke's got some fantastic new Icelandic treats. | 0:22:15 | 0:22:18 | |
Well, no, I've booked somewhere, too. | 0:22:18 | 0:22:20 | |
-'Where?' -Hold on. | 0:22:20 | 0:22:22 | |
-It's a country hotel and... -Haseldine Hall. -Haseldine Hall. | 0:22:22 | 0:22:26 | |
Cos I didn't want to risk you forgetting. | 0:22:26 | 0:22:28 | |
Well, I didn't! I booked this a month ago. | 0:22:28 | 0:22:31 | |
'We've been there loads of times. | 0:22:31 | 0:22:32 | |
'And this is much better cos it's really, really special.' | 0:22:32 | 0:22:35 | |
And so, that's what we're going to do. | 0:22:35 | 0:22:37 | |
And I will speak to you later. Bye. | 0:22:37 | 0:22:39 | |
Bulldozed him! Hello, sorry to keep you waiting. | 0:22:39 | 0:22:41 | |
Did you need a credit card number? | 0:22:41 | 0:22:43 | |
Yeah, hello, we'd like to enquire | 0:22:43 | 0:22:45 | |
about hiring your string quartet, if possible. | 0:22:45 | 0:22:48 | |
-Yes. -Absolutely. Can you put candles on her table? | 0:22:48 | 0:22:51 | |
Well, probably for about 100. | 0:22:51 | 0:22:52 | |
And flowers. | 0:22:52 | 0:22:54 | |
I just wish you'd told me. I was imagining all sorts. | 0:22:54 | 0:22:58 | |
You're right, I should have told you. | 0:22:59 | 0:23:01 | |
I had thought about it. | 0:23:02 | 0:23:03 | |
And you're all right with all this? | 0:23:05 | 0:23:07 | |
I do get something out of posing. | 0:23:07 | 0:23:10 | |
I mean, you have a go at me for spending so much time at the gym, | 0:23:10 | 0:23:13 | |
but we both benefit. | 0:23:13 | 0:23:14 | |
I always did. You can pose for me any time. | 0:23:15 | 0:23:20 | |
-Private shows? -Yeah. -No gropings? | 0:23:22 | 0:23:26 | |
I tell you what. I'll give you mates rates. | 0:23:27 | 0:23:29 | |
But right now, Brandon's paying for my time, so... | 0:23:29 | 0:23:33 | |
-Yeah, right. Um, I'll get out of your way. -Yeah. | 0:23:33 | 0:23:35 | |
-See you later. -I'll see you later. | 0:23:38 | 0:23:40 | |
Well, nice to meet you. | 0:23:44 | 0:23:46 | |
Have fun or... Yeah. | 0:23:48 | 0:23:51 | |
Uh! I don't know. All that worrying for nothing. | 0:24:21 | 0:24:25 | |
What am I like, Val? | 0:24:25 | 0:24:26 | |
Well, it was a shock. | 0:24:27 | 0:24:28 | |
Oh, totally. But I should focus on the positive, right? | 0:24:28 | 0:24:33 | |
I should thank my lucky stars I have someone like him. | 0:24:35 | 0:24:38 | |
He's the real deal, you know? | 0:24:38 | 0:24:39 | |
He does seem to care about you. | 0:24:39 | 0:24:42 | |
And he's doing all that to give me a luxury holiday. | 0:24:42 | 0:24:44 | |
I should have more faith. | 0:24:46 | 0:24:48 | |
But it's made me think - maybe lay off the hen parties | 0:24:48 | 0:24:52 | |
cos, you know, I didn't realise. | 0:24:52 | 0:24:54 | |
He did seem unhappy, women treating him like that. | 0:24:54 | 0:24:58 | |
And it's funny because I'd see the way that guys look at him in the gym, you know, | 0:24:58 | 0:25:02 | |
and I'd put two and two together. | 0:25:02 | 0:25:04 | |
And he would never, ever seem to recognise. | 0:25:04 | 0:25:08 | |
Well, at least, I thought. | 0:25:08 | 0:25:10 | |
Actually... | 0:25:10 | 0:25:11 | |
..I promised Ayesha I'd pick up some shoes. | 0:25:15 | 0:25:17 | |
Ooh, shoe shopping? Let's go! | 0:25:17 | 0:25:19 | |
PHONE RINGS | 0:25:31 | 0:25:37 | |
I'd nearly given up hope. | 0:26:02 | 0:26:04 | |
Sorry, got side-tracked. | 0:26:04 | 0:26:06 | |
Oh, brilliant, thanks. I owe you. | 0:26:06 | 0:26:08 | |
Not a problem. | 0:26:08 | 0:26:09 | |
Are you OK? | 0:26:09 | 0:26:10 | |
I had a funny day. | 0:26:12 | 0:26:14 | |
I always thought honesty was the best policy, | 0:26:14 | 0:26:16 | |
even if you were saying something that no-one wanted to hear. | 0:26:16 | 0:26:19 | |
Something happened? | 0:26:19 | 0:26:20 | |
There was just more to it than they were both letting on. | 0:26:22 | 0:26:25 | |
'You could just tell.' | 0:26:26 | 0:26:28 | |
Same again. No - scotch, double. | 0:26:28 | 0:26:32 | |
'Something about the way Liam was behaving. | 0:26:32 | 0:26:35 | |
'And I don't know what good it would do to tell Trudi. | 0:26:35 | 0:26:38 | |
'She strikes me as a shoot-the-messenger type. | 0:26:38 | 0:26:41 | |
'Some things are difficult to hear and harder to say.' | 0:26:42 | 0:26:46 | |
MUSIC PLAYS | 0:26:57 | 0:27:05 | |
Mrs Tembe? We can relax. | 0:27:22 | 0:27:25 | |
I've just had my light bulb moment. | 0:27:25 | 0:27:27 | |
You can do it. | 0:27:34 | 0:27:35 | |
-HESTON: -It's a complete and unmitigated disaster! | 0:27:37 | 0:27:39 | |
I'm too old and unfit. | 0:27:39 | 0:27:41 | |
I don't know why I thought this was even possible, or both. | 0:27:41 | 0:27:44 | |
Your dress looks like someone has had an industrial accident | 0:27:44 | 0:27:46 | |
-in a paint factory! -I don't care! | 0:27:46 | 0:27:48 | |
I just want to wear something that makes me | 0:27:48 | 0:27:50 | |
look presentable and I want to be there on time. And that is all. | 0:27:50 | 0:27:53 |