Browse content similar to 01/04/2012. Check below for episodes and series from the same categories and more!
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Why's there a sleeping bag on the sofa? | 0:00:46 | 0:00:48 | |
Oh, Jay was up all night watching rubbish on TV. | 0:00:48 | 0:00:50 | |
-He couldn't sleep. -Where is he now? | 0:00:50 | 0:00:52 | |
Milk run. | 0:00:52 | 0:00:55 | |
Right, come on, Shirl. You gotta eat something. Here. | 0:00:55 | 0:00:58 | |
You OK? | 0:01:15 | 0:01:16 | |
-Hmmm? -Look, if there's anything I can do to... | 0:01:16 | 0:01:19 | |
< COMMOTION | 0:01:19 | 0:01:22 | |
Oh, don't look at me, I only work here! | 0:01:22 | 0:01:23 | |
Bianca! B! Save me a trip. | 0:01:23 | 0:01:26 | |
-About this month's rent... -You'll have to speak to Ricky. | 0:01:26 | 0:01:29 | |
-He deals with it. -No, I have done. He's a hundred shy. -Again?! -Yeah. | 0:01:29 | 0:01:33 | |
-I ain't got that sort of money, Billy! -I'll give you to | 0:01:33 | 0:01:35 | |
the end of the week, all right? You know what Janine's like. Sorry. | 0:01:35 | 0:01:38 | |
I just need a quote. I won't put your name in the paper. | 0:01:40 | 0:01:43 | |
-Don't really know too much about it. -Excuse me. | 0:01:43 | 0:01:47 | |
-The victim's injuries... -Her name's Heather. | 0:01:48 | 0:01:51 | |
The victim's injuries clearly indicate that she was struck. | 0:01:51 | 0:01:56 | |
I should...be waking up next to her about now. | 0:01:56 | 0:02:00 | |
Gutful of butterflies. | 0:02:02 | 0:02:04 | |
First day of our new life together. | 0:02:04 | 0:02:08 | |
The three of... | 0:02:08 | 0:02:11 | |
George... | 0:02:11 | 0:02:12 | |
He loves his eggy bread first thing. | 0:02:12 | 0:02:15 | |
Heather said he won't eat anything else for breakfast. | 0:02:15 | 0:02:18 | |
For the benefit of the tape, I'm showing Mr Cotton exhibit JRA07, | 0:02:18 | 0:02:21 | |
a scene photograph. | 0:02:21 | 0:02:23 | |
What did you hit her with, Andrew? | 0:02:25 | 0:02:28 | |
-Have you charged him or not yet?! -Shirley, leave it. Shirley! | 0:02:34 | 0:02:37 | |
No, no, you listen! She was my mate! My BEST mate! What are you doing?! | 0:02:37 | 0:02:41 | |
They've got their man! Give it time. Let them do their job. | 0:02:41 | 0:02:43 | |
They can't even find their own backsides! | 0:02:43 | 0:02:46 | |
-Give me five minutes with him and I'll rip his throat out! -Shirley, | 0:02:46 | 0:02:49 | |
-please, stop it. You're scaring Amy. -He knew. He knew that she was weak. | 0:02:49 | 0:02:53 | |
-He preyed on her. -Yes, I know. | 0:02:53 | 0:02:55 | |
And I should've tried harder. I should've made her see what type of man he REALLY is! | 0:02:55 | 0:02:59 | |
That was Heather, wasn't it? Always saw the best in people. | 0:02:59 | 0:03:02 | |
-It's all right. -Get your hands off me! -What?! | 0:03:02 | 0:03:07 | |
After what you did?! | 0:03:07 | 0:03:09 | |
-He might have forgiven you, but I've not. -Yeah, forgiven but not forgotten, OK? | 0:03:09 | 0:03:13 | |
Well, I can't. I ain't. And I WON'T! | 0:03:13 | 0:03:16 | |
I want you out of here. Get back to Ian's! | 0:03:16 | 0:03:20 | |
-You heard her. -Dad... But you said I wouldn't have to go back there. | 0:03:24 | 0:03:30 | |
Why isn't Andrew back yet? | 0:03:35 | 0:03:37 | |
-They can keep him for 60 hours if they want to. -You sure?! | 0:03:37 | 0:03:41 | |
Of course I'm sure. I've had enough practice. | 0:03:41 | 0:03:43 | |
I mean, my Nick made sure of that. | 0:03:43 | 0:03:46 | |
-Will you just phone Jack for me? -What on earth for? | 0:03:46 | 0:03:50 | |
I expect he's still got friends on the force. He can pull a few strings. | 0:03:50 | 0:03:54 | |
The longer they keep him, the more they're clutching at straws. | 0:03:54 | 0:03:59 | |
What you gotta do is just sit it out. | 0:03:59 | 0:04:03 | |
-Here?! -Shirley's in a state. So if it's all right with you... | 0:04:11 | 0:04:16 | |
-Not really, no. -Mandy! No, course. Always room for my little bro. | 0:04:16 | 0:04:20 | |
We haven't even moved any of your stuff from last time. | 0:04:20 | 0:04:23 | |
And I got your birthday present. I know it was yesterday. | 0:04:23 | 0:04:26 | |
-I don't accept bribes from grasses. -Ben, what else was I supposed to do? | 0:04:26 | 0:04:30 | |
Keep your mouth shut. Then maybe none of this would've happened. | 0:04:30 | 0:04:33 | |
-I thought you two were sorting things out? -Why don't you just take the present, yeah? | 0:04:33 | 0:04:38 | |
Wow! A smartphone. | 0:04:42 | 0:04:45 | |
16 is a milestone. One to remember. | 0:04:45 | 0:04:48 | |
Don't worry. I won't. | 0:04:48 | 0:04:50 | |
So, Ben, sweet 16? | 0:04:50 | 0:04:53 | |
That means you can, what, play the lottery... | 0:04:53 | 0:04:57 | |
you can leave home and there's nothing he can do about it. | 0:04:57 | 0:05:00 | |
-Or they can chuck me out. -No-one is chucking you out! | 0:05:00 | 0:05:03 | |
Right, what do you call this then? Second time in a couple of months. | 0:05:03 | 0:05:07 | |
-You promised I wouldn't have to come back here! -This was a bad idea. Come on. Let's go. | 0:05:07 | 0:05:10 | |
-D'you want me to open the caff up for you? -Why? | 0:05:10 | 0:05:13 | |
You don't want to lose any more trade to McKlunky's, do you? | 0:05:13 | 0:05:17 | |
You'll have to make do with what's in the till. | 0:05:17 | 0:05:21 | |
-I'll give you a hand if you want. -You?! You can't even butter toast! | 0:05:26 | 0:05:29 | |
You can be such a plonker sometimes, d'you know that?! | 0:05:31 | 0:05:35 | |
Where you going?! | 0:05:37 | 0:05:39 | |
Launderette. Them service washes won't do themselves. | 0:05:39 | 0:05:44 | |
Nobody expects you to go back to work. | 0:05:44 | 0:05:46 | |
Not unless they've got a heart of stone. | 0:05:46 | 0:05:49 | |
-SHE LAUGHS -You don't know Mr Opopopa. | 0:05:49 | 0:05:51 | |
No. And he hasn't made my acquaintance either. | 0:05:51 | 0:05:54 | |
I ought to let him know. I'll have to phone him. | 0:05:56 | 0:06:00 | |
You leave that to me. Is he in your address book? | 0:06:00 | 0:06:03 | |
Take your coat off, I'll make you a nice cup of tea. | 0:06:03 | 0:06:06 | |
Oh, don't touch that! | 0:06:06 | 0:06:08 | |
You're the boss. | 0:06:10 | 0:06:11 | |
While you're out there you can bring me a duster. | 0:06:15 | 0:06:18 | |
I'll make a start on the skirting. | 0:06:18 | 0:06:20 | |
-Haven't you heard a word I said?! -Ian can't take him this time. | 0:06:24 | 0:06:27 | |
-Then find some other rock he can crawl under! -I'll keep out your way, I promise. | 0:06:27 | 0:06:31 | |
How can you forgive him after the nightmare he put us through?! | 0:06:31 | 0:06:34 | |
Because he's still my son. KNOCKING | 0:06:34 | 0:06:36 | |
You get that, will you? | 0:06:36 | 0:06:37 | |
KNOCKING CONTINUES All right! All right! | 0:06:37 | 0:06:41 | |
I thought I saw your mug walking across the square. | 0:06:46 | 0:06:49 | |
-I ain't got time for this now. -What happened? Old Bill pull the plug? | 0:06:49 | 0:06:53 | |
Your little boy let the side down, did he? | 0:06:53 | 0:06:56 | |
He saw sense in the end, yeah. | 0:06:56 | 0:06:57 | |
Aw. That's nice. I like a happy ending, don't you? | 0:06:57 | 0:07:00 | |
Thing is, Phil, all this chopping and changing at the top, | 0:07:00 | 0:07:03 | |
it's bad for staff morale. | 0:07:03 | 0:07:05 | |
Continuity, that's the key. Strong leadership. | 0:07:05 | 0:07:07 | |
That way, everyone knows where they stand. | 0:07:07 | 0:07:10 | |
Don't you ever get tired of the sound of your own voice? | 0:07:10 | 0:07:12 | |
Me? Nah. I'm a people person. Take the other night for instance. | 0:07:12 | 0:07:18 | |
I took all the door staff out for a drink. | 0:07:18 | 0:07:20 | |
Got 'em mullered, actually. | 0:07:20 | 0:07:22 | |
Right load of old gossips when they get going! | 0:07:22 | 0:07:25 | |
Well, I don't care what they told you about me. | 0:07:25 | 0:07:27 | |
They're saying you're losing your touch. Dodgy ticker. | 0:07:27 | 0:07:31 | |
-Problems indoors. Taken your eye of the ball. -Is that right? | 0:07:31 | 0:07:34 | |
Yeah. But don't worry, I got your back. | 0:07:34 | 0:07:37 | |
I'll keep 'em in line. Quell any uprisings. | 0:07:37 | 0:07:41 | |
That way, you can take a load off. | 0:07:41 | 0:07:44 | |
Don't want you having another health scare, do we? | 0:07:44 | 0:07:47 | |
Whatever. | 0:07:48 | 0:07:50 | |
You all right? Is your dad in? | 0:07:57 | 0:08:00 | |
-Good luck. Gollum's his usual charming self(!) -Lucy! | 0:08:00 | 0:08:04 | |
You only turn 18 once. It's supposed to be a celebration. | 0:08:04 | 0:08:07 | |
Oh. So I suppose there's no party then? | 0:08:07 | 0:08:09 | |
No. "Ain't you heard, Lauren? There's a recession on." | 0:08:09 | 0:08:12 | |
Oh, well. Suppose we're all skint, ain't we? | 0:08:12 | 0:08:15 | |
-See you later. -Bye. | 0:08:15 | 0:08:17 | |
I'll get the money. | 0:08:17 | 0:08:19 | |
I'll just sell my body or something. | 0:08:19 | 0:08:21 | |
At least we'll have money for the bus fare home then. | 0:08:21 | 0:08:24 | |
-You definitely sure that was him? -Yes. | 0:08:34 | 0:08:37 | |
Like you can mistake Mr Potato Head. | 0:08:37 | 0:08:39 | |
You know what that means, don't you? I got Phil sent down. | 0:08:39 | 0:08:42 | |
He's going to be gunning for me after this! | 0:08:42 | 0:08:44 | |
-Phil ain't going to touch you, yeah. Unless he wants me to deal with. -Right. That's OK then. | 0:08:44 | 0:08:48 | |
-Patrick, you look terrible. -You always had a way with words, huh(?) | 0:08:49 | 0:08:54 | |
-No, I mean you shouldn't be here. -She meant so much to you. | 0:08:54 | 0:08:57 | |
-You was going to walk her down the aisle. -What can I get you, ladies? | 0:08:57 | 0:09:00 | |
-Two halves of lager, please. -Tragic. Hev had her whole life ahead of her. | 0:09:00 | 0:09:06 | |
Don't it make you think? You gotta live every day like it's your last. | 0:09:06 | 0:09:11 | |
Mmm. | 0:09:11 | 0:09:13 | |
-Mmm! Smells good. What is it? -Chicken and chorizo hotpot. | 0:09:15 | 0:09:19 | |
-Mmm! Tasty. -You read my mind. | 0:09:19 | 0:09:22 | |
SHE GIGGLES | 0:09:22 | 0:09:25 | |
Hey! Look who I found with a fistful of crisps. | 0:09:25 | 0:09:29 | |
-What you doing?! Sorry! You take your eyes off 'em for two minutes. -I know. No joy at the nursery then? | 0:09:29 | 0:09:34 | |
No. I didn't want to leave her today. D'you mind? | 0:09:34 | 0:09:37 | |
No, that's all right. Come on. | 0:09:37 | 0:09:39 | |
Come and show Uncle Alfie how we do a masterclass in finger painting. | 0:09:39 | 0:09:42 | |
Paddy, Paddy. Look out, mate. Look what you're doing! | 0:09:42 | 0:09:45 | |
-Oh, gosh, I'm so sorry. I'm sorry. -It's OK. Paddy, why don't you | 0:09:45 | 0:09:48 | |
-go home, mate? Go on. -And leave you in the lurch? -Never fear. | 0:09:48 | 0:09:50 | |
-The Fox is here. -Go on, mate. Take as much time as you want. | 0:09:50 | 0:09:53 | |
-Off you go. -Come on, Patrick. I'll get you a coffee. -Appreciate it, Kim. Thanks, darling. | 0:09:53 | 0:09:56 | |
It's all right, my love. | 0:09:56 | 0:09:58 | |
The pleasure's all mine. SHE LAUGHS MISCHIEVOUSLY | 0:10:00 | 0:10:03 | |
Cup of tea, please. What you doing working here? | 0:10:08 | 0:10:12 | |
-Just doing my bit, you know. Sharing the load. -Why didn't Phil ask me? | 0:10:12 | 0:10:16 | |
-Cos you're a moron? -Yeah, well, I couldn't have done it anyway. | 0:10:16 | 0:10:20 | |
I gotta keep myself available for the Old Bill. | 0:10:20 | 0:10:22 | |
-Oh, yeah? What for? -Key witness, I am. | 0:10:22 | 0:10:25 | |
I want to make sure that slime ball goes down for what he did. | 0:10:25 | 0:10:29 | |
-Let me get this for you. -Oh, thank you. | 0:10:30 | 0:10:33 | |
It's times like this you'll be realising how important it is | 0:10:35 | 0:10:40 | |
to have your family. | 0:10:40 | 0:10:42 | |
-Why don't you let me help you out at the laundrette a bit, Dot? -You? | 0:10:46 | 0:10:51 | |
Yeah. You can't cope on your own. Least till you find someone else. | 0:10:51 | 0:10:56 | |
Heather ain't someone else. She ain't an employee. | 0:10:56 | 0:11:01 | |
She's more like me... | 0:11:01 | 0:11:03 | |
Like a friend. | 0:11:04 | 0:11:06 | |
I'm just thinking of you. | 0:11:07 | 0:11:10 | |
Oh, I don't know. | 0:11:10 | 0:11:13 | |
The telly's bust. You'd be doing me a favour. | 0:11:13 | 0:11:15 | |
-The kids are doing my head in. -They ought to think themselves lucky. Poor little George... | 0:11:15 | 0:11:21 | |
Just let her help out, eh, Dot? Till the dust settles. | 0:11:21 | 0:11:26 | |
Oh, all right then. Here you are. | 0:11:26 | 0:11:29 | |
Here's my keys. | 0:11:29 | 0:11:31 | |
Thanks, Dot. Thanks, Cora. I'll be off. | 0:11:34 | 0:11:38 | |
-Who was that at the door? Oh, it's you. -I'm going now. See you later. | 0:11:38 | 0:11:42 | |
Dot told you. The longer, the better. | 0:11:42 | 0:11:45 | |
They better not be holding him in some cell. | 0:11:45 | 0:11:47 | |
Andrew's like me, he can't stand tight places. | 0:11:47 | 0:11:51 | |
I think he's got more to worry about than that, Rose. | 0:11:51 | 0:11:54 | |
I better go out. Get something for tonight. | 0:11:54 | 0:11:57 | |
I'll come with you. I could do with the fresh air. | 0:11:57 | 0:11:59 | |
I'll only be five minutes. Ain't worth you getting your coat on. | 0:11:59 | 0:12:03 | |
This homeless man you allege you met. What did you talk about? | 0:12:05 | 0:12:09 | |
-This and that. I'm really tired. -Answer the question. | 0:12:11 | 0:12:15 | |
-Don't tell me what to do! -Andrew... | 0:12:15 | 0:12:18 | |
I'm...I'm sorry. | 0:12:21 | 0:12:25 | |
You sounded like me mum, that's all. | 0:12:25 | 0:12:28 | |
She thinks the world of you. | 0:12:28 | 0:12:30 | |
How many mothers would try to pervert the course of justice? | 0:12:30 | 0:12:34 | |
Always was an interfering old bag. She's the reason we were eloping. | 0:12:34 | 0:12:39 | |
Trouble is, we only have your word for it. | 0:12:39 | 0:12:41 | |
Please. Look, talk to my Aunty Dot. Hev might have mentioned something. | 0:12:41 | 0:12:46 | |
-HE SIGHS -Interview suspended at 12:42pm. | 0:12:48 | 0:12:52 | |
-Time for your rest break, Mr Cotton. -When are you going to bail me? | 0:12:52 | 0:12:57 | |
We haven't finished with you yet. | 0:12:57 | 0:13:00 | |
DOORBELL RINGS | 0:13:03 | 0:13:05 | |
Fancy a shot? | 0:13:08 | 0:13:10 | |
-You're sick. -It's only a game, Jay. | 0:13:11 | 0:13:16 | |
Everything's a game to you, ain't it? | 0:13:16 | 0:13:19 | |
I'll give her a shout, Dot. | 0:13:19 | 0:13:21 | |
-Have you spoke to Andrew yet? -I'm afraid not. | 0:13:24 | 0:13:27 | |
-Have they charged him yet? -No. -No. Not yet. But they will. | 0:13:31 | 0:13:38 | |
I'm sure he'll be exonerated. | 0:13:38 | 0:13:41 | |
Andrew worshipped the ground that she walked on. | 0:13:41 | 0:13:45 | |
You know, I never had you down as stupid, Dot. | 0:13:45 | 0:13:47 | |
-Shirl! -It's staring her in the face and she can't even see it! | 0:13:47 | 0:13:51 | |
Come on, you two. Upstairs, yeah. | 0:13:51 | 0:13:53 | |
I know you're angry, Shirley. And I understand. | 0:13:57 | 0:13:59 | |
-But it's the grief what's talking. -You don't know how I feel. | 0:13:59 | 0:14:03 | |
You weren't the one that found her lying there. And her eyes! | 0:14:04 | 0:14:08 | |
No, don't touch me, Dot! | 0:14:08 | 0:14:10 | |
I feel like you do! I can't sleep at night. | 0:14:12 | 0:14:15 | |
I lie awake till the light comes in. | 0:14:15 | 0:14:18 | |
It takes all me strength just to say her name. | 0:14:18 | 0:14:21 | |
If you cared about her so much, why are you harbouring a murderer? | 0:14:23 | 0:14:28 | |
-The truth will come out. -The truth is, Dot, | 0:14:28 | 0:14:31 | |
your precious little nephew tried to punch my lights out the other night. | 0:14:31 | 0:14:35 | |
-When? -Hen night. | 0:14:35 | 0:14:38 | |
That's what you get when you front up to a man like that. | 0:14:38 | 0:14:40 | |
-But you provoked him, Shirley. -I was sticking up for her! | 0:14:40 | 0:14:45 | |
You should've seen the dent he left in the wall next to my head! | 0:14:45 | 0:14:47 | |
I think I've outstayed my welcome. This is for little George. | 0:14:49 | 0:14:56 | |
I hope he doesn't start on you, Dot. I really do. | 0:15:00 | 0:15:05 | |
I'd better go. Rose will be wondering where I am. | 0:15:06 | 0:15:11 | |
I'd appreciate if it you wouldn't tell her that I've been here. | 0:15:13 | 0:15:17 | |
Cheer up, mate. It might never happen. | 0:15:28 | 0:15:30 | |
-Who else is going to pay for your mistake? -Are you threatening me, Jay? | 0:15:30 | 0:15:35 | |
-Cos if you are, I'll be straight down the nick with your hoodie. -They won't believe you anyway. | 0:15:35 | 0:15:39 | |
They don't have to. It's covered with Hev's DNA. | 0:15:39 | 0:15:42 | |
Like I've really hid it in here! | 0:15:43 | 0:15:46 | |
There you go. | 0:15:55 | 0:15:57 | |
Urgh! Oh, you're kidding me! | 0:15:59 | 0:16:03 | |
-The wet look suits you, babe. -Oh, Ray, put her down! -Let me give you a hand. | 0:16:03 | 0:16:07 | |
I don't think so. This is the VIP area. | 0:16:07 | 0:16:10 | |
Well, let me in on the guest list! | 0:16:10 | 0:16:13 | |
Grandad, you got the key to the cellar? The cider's off. | 0:16:15 | 0:16:18 | |
-We're out, darling. -The dray came Friday... | 0:16:18 | 0:16:20 | |
I know, sweetheart. I messed up the order. | 0:16:20 | 0:16:23 | |
-Right, I'm going to go and check. -Roxy! No need to! | 0:16:23 | 0:16:25 | |
-Just give him a bottle on the house. -Do as the man says, eh? | 0:16:25 | 0:16:28 | |
-What you hanging round with Mr Fruit Loops for? -Oi, what'd you call me? | 0:16:28 | 0:16:32 | |
What did you call me, eh? | 0:16:32 | 0:16:34 | |
-Is that how you let your staff talk to people?! -Whoa, Derek, please! | 0:16:34 | 0:16:38 | |
-Calm down. She's winding you up. That's all. -Can't you bring a bit more attention to us, eh? | 0:16:38 | 0:16:42 | |
-We've got Old Bill crawling all over the square thanks to Nellie the Elephant. -Oi, d'you mind? | 0:16:42 | 0:16:47 | |
-Hev was a mate of mine. -And we've got five grand's worth of crooked gear in there. | 0:16:47 | 0:16:50 | |
Tell me about it! My cellar looks like the front window of Dixons. | 0:16:50 | 0:16:53 | |
That's pukka gear, mate. | 0:16:53 | 0:16:55 | |
I'll tell you something, it's lucky that I destroyed all them | 0:16:57 | 0:17:00 | |
CCTV tapes from the club before the Old Bill got their hands on them. | 0:17:00 | 0:17:05 | |
Don't want them getting more than they bargained for, do we? | 0:17:05 | 0:17:08 | |
It ain't the Old Bill I'm worried about. | 0:17:08 | 0:17:11 | |
Don't you worry about Phil. He's handed the reins over to someone with a bit more vision. | 0:17:11 | 0:17:14 | |
Yeah, only because he's got his hands full with Shirl. | 0:17:14 | 0:17:17 | |
Relax, Alfie, relax. I've landed bigger fish than him. | 0:17:17 | 0:17:20 | |
-Where are you going? -We're going to the mortuary. | 0:17:28 | 0:17:31 | |
You can't. | 0:17:31 | 0:17:33 | |
I don't want to remember her like that. | 0:17:36 | 0:17:38 | |
Shirl... Hev's dead. She's gone. | 0:17:38 | 0:17:45 | |
-It ain't her lying there any more. -I'm sorry. I need to. | 0:17:46 | 0:17:49 | |
I have to say goodbye. | 0:17:49 | 0:17:52 | |
I know you. I know what you're like. You won't be able to handle it. | 0:17:52 | 0:17:57 | |
It's a good job I'll have you there with me then, innit? | 0:17:59 | 0:18:03 | |
-I'll take that for you, yeah. -Oi! What you doing? | 0:18:35 | 0:18:38 | |
Hey! I hope you saved me some of that hotpot. | 0:18:40 | 0:18:42 | |
Ow! That really hurt, that one! | 0:18:42 | 0:18:45 | |
-Babe, put that in... Ow! -2-1! Come on, out the way, Kim. Kim, you're going to get hurt. | 0:18:45 | 0:18:51 | |
-Out the way, babe. -Oh, 2-1, 2-1, 2-1! -OK. OK. -3-1! | 0:18:51 | 0:18:57 | |
-OK, OK! That's not fair. I haven't put my guard up yet. -Go on then! | 0:18:57 | 0:19:01 | |
BUZZER DRONES | 0:19:01 | 0:19:04 | |
Can you stop doing that? | 0:19:06 | 0:19:08 | |
BUZZER DRONES Shirl, this ain't going to help. | 0:19:08 | 0:19:12 | |
-What took you so long? -I'm afraid it won't be possible to see Miss Trott. | 0:19:12 | 0:19:16 | |
-Why? Who says? -The pathologist hasn't performed the postmortem. | 0:19:16 | 0:19:19 | |
-Well, get him down here. -I'm sorry, there's nothing I can... -Shirl. | 0:19:19 | 0:19:22 | |
-I will call security if I have to! -Go on then! Flaming jobsworth, | 0:19:22 | 0:19:25 | |
you're all the same. Just want to make other people's lives a misery. | 0:19:25 | 0:19:28 | |
-I appreciate you're upset, but there's... -You have no idea how I feel! | 0:19:28 | 0:19:32 | |
Assaults on staff will be not tolerated. | 0:19:32 | 0:19:34 | |
What you going to do about it then?! Eh?! | 0:19:34 | 0:19:35 | |
Shirl, Shirl. Sorry, mate, we're going, it's OK... | 0:19:35 | 0:19:38 | |
-Finally found your tongue?! -What? -Why didn't you back me up then?! | 0:19:40 | 0:19:44 | |
You heard him. It's not just you. No-one's allowed in. | 0:19:44 | 0:19:47 | |
-That's not the point! You didn't even try! -I don't make the rules! | 0:19:47 | 0:19:50 | |
-I thought you were on my side! -I am on your side! -No, you're not. | 0:19:50 | 0:19:53 | |
You're not! Not when push comes to shove! | 0:19:53 | 0:19:56 | |
-Ben and Jay? Yeah! -Come on, Shirley, that ain't true! -Always last in the queue, ain't I? | 0:19:56 | 0:20:00 | |
That's not true. I love you, all right? Come on, | 0:20:00 | 0:20:04 | |
-I hate seeing you like this. -Who have I got, eh? Why...why?! -I know. | 0:20:04 | 0:20:09 | |
-SHE SOBS -I just want her back, Phil. | 0:20:09 | 0:20:11 | |
I know you do. I know. I'm sorry. I'm sorry, Shirl... | 0:20:11 | 0:20:17 | |
-Ah! You're late. -I turned up and it was shut! | 0:20:18 | 0:20:21 | |
-What are you doing here? -Phil asked me to keep an eye on things. | 0:20:21 | 0:20:24 | |
And I thought today was finally looking up. | 0:20:24 | 0:20:27 | |
If I was you, I'd get used to it. | 0:20:27 | 0:20:28 | |
-Please don't tell me you're buying this place back? -Just helping out. | 0:20:28 | 0:20:32 | |
Hiya. Can I have a coffee, please, | 0:20:34 | 0:20:37 | |
if it's not... I thought you said you didn't need any help. | 0:20:37 | 0:20:40 | |
I changed my mind. | 0:20:40 | 0:20:43 | |
What's got into you? | 0:20:43 | 0:20:45 | |
-Coffee? -OK, Ian. | 0:20:45 | 0:20:49 | |
Fine. If you want to play games, play 'em on your own. | 0:20:49 | 0:20:52 | |
Sorry to interrupt. You the proprietor? | 0:20:54 | 0:20:56 | |
Erm, yes, I am, in a manner of speaking. | 0:20:56 | 0:20:58 | |
Mind if I leave these appeal flyers? Might jog someone's memory. | 0:20:58 | 0:21:01 | |
Nah, that's fine. I thought you'd nicked Andrew Cotton for that. | 0:21:01 | 0:21:04 | |
I'm afraid I can't discuss the specifics. | 0:21:04 | 0:21:07 | |
I'd help you nail him, but I was at home all night. | 0:21:07 | 0:21:09 | |
And I was window shopping, sorry, hun. | 0:21:09 | 0:21:12 | |
Thought you said you'd gone for a drink with Kim? | 0:21:18 | 0:21:20 | |
So, what, I'm in the frame, now am I? | 0:21:20 | 0:21:23 | |
You can't be in two places at once. | 0:21:23 | 0:21:26 | |
Well...I had a drink with Kim when I got back, didn't I? | 0:21:26 | 0:21:30 | |
Happy now? | 0:21:30 | 0:21:32 | |
Have a seat. Rose is upstairs. I'll go and see if she's awake. | 0:21:37 | 0:21:42 | |
-Actually, it was you I was after. -Me? | 0:21:42 | 0:21:44 | |
Mr Cotton thinks you might be able to assist us in our inquiries. | 0:21:44 | 0:21:49 | |
-Oh. I see. -It won't take long. | 0:21:49 | 0:21:52 | |
-What are you doing? -Where's my hoodie? If it ain't at home, | 0:22:03 | 0:22:06 | |
-then where is it? -As if I'm telling you. | 0:22:06 | 0:22:09 | |
No! | 0:22:12 | 0:22:14 | |
-Don't. -Make me. Come on! | 0:22:15 | 0:22:19 | |
Just give it back. | 0:22:19 | 0:22:21 | |
Or what, eh? You going to run and tell Phil?! | 0:22:21 | 0:22:23 | |
Don't tell him. Please don't tell him, Jay. | 0:22:23 | 0:22:27 | |
Don't tell him what? | 0:22:27 | 0:22:29 | |
Did Heather talk much about the wedding plans? | 0:22:34 | 0:22:37 | |
Only morning, noon and night. | 0:22:38 | 0:22:40 | |
No sign of cold feet? No change of plan? | 0:22:40 | 0:22:43 | |
I know marriage is considered old-fashioned these days. | 0:22:45 | 0:22:48 | |
But Heather ain't like that. She's an old-fashioned sort of girl. | 0:22:48 | 0:22:53 | |
It's just that Mr Cotton insists that they had decided to elope. | 0:22:53 | 0:22:56 | |
I ain't interested in what my nephew's got to say. | 0:22:59 | 0:23:02 | |
Now if there is nothing else, I'll see you out. | 0:23:02 | 0:23:05 | |
Dad! You're hurting me. I wasn't going to do anything. I swear. | 0:23:10 | 0:23:14 | |
It was just to wind him up. Dad. | 0:23:14 | 0:23:16 | |
Don't put me in there. Dad, don't. Please. | 0:23:16 | 0:23:20 | |
-Get in the car. Get in the car. -Dad... | 0:23:20 | 0:23:23 | |
What did the policeman want? | 0:23:37 | 0:23:41 | |
Apparently Andrew keeps saying that him and Heather were going to elope. | 0:23:41 | 0:23:48 | |
-That don't sound like Heather to me. -No, it don't. | 0:23:48 | 0:23:52 | |
You know, every man, woman and child out there thinks it was him. | 0:23:52 | 0:23:57 | |
What are we going to tell Rose? | 0:23:57 | 0:23:59 | |
We can't keep the truth away from her. It's not going to do her any good. | 0:24:01 | 0:24:05 | |
-And it's not going to do me any good either. -What do you mean? | 0:24:05 | 0:24:09 | |
Sorry, Dot. I know he's your nephew but he's as guilty as sin. | 0:24:10 | 0:24:13 | |
But we don't know that. | 0:24:13 | 0:24:16 | |
I don't want to make things difficult. | 0:24:17 | 0:24:20 | |
-I think I'll have to pack my bags and go. All right? -No. | 0:24:20 | 0:24:24 | |
I'm not going to have you leaving. Finish your drink. | 0:24:24 | 0:24:31 | |
We'll make a toast. | 0:24:31 | 0:24:33 | |
To him what's guilty, may he get his just deserts. | 0:24:35 | 0:24:41 | |
-What are you doing? Dad, stop! -What am I doing?! -Stop! | 0:24:50 | 0:24:55 | |
-What do you think I'm doing, eh?! Idiot! -Don't hurt me. | 0:24:55 | 0:25:00 | |
-Don't hurt ya? -Don't hurt me! -Don't hurt ya?! | 0:25:00 | 0:25:02 | |
Ain't such a tough guy now, are you?! Not so tough now! | 0:25:02 | 0:25:04 | |
-I'm sorry, I'm sorry! -You're sorry! Get up. | 0:25:04 | 0:25:06 | |
-What are you going to do? -What you should have done in the first place! | 0:25:10 | 0:25:14 | |
Now don't you ever, ever threaten my family again! Do you hear me?! | 0:25:26 | 0:25:30 | |
-I'm your family. I'm a Mitchell! I proved it to you. -You what?! | 0:25:32 | 0:25:35 | |
-I could've got you sent down. I could've done it! -Oh, and that's | 0:25:35 | 0:25:38 | |
your idea of being a Mitchell, is it? Getting me sent down?! | 0:25:38 | 0:25:41 | |
-Just forget about it, it was a blip! -A blip?! Are you off your head or what! -One mistake! | 0:25:41 | 0:25:45 | |
-One mistake and you're never going to forgive me for that?! -So what was Heather? Eh? Or don't she count?! | 0:25:45 | 0:25:51 | |
Just face it, Dad, all right? My face don't fit. Whatever I do, you just push me away. | 0:25:51 | 0:25:55 | |
Jay? Jay's a different story though. I'll never measure up | 0:25:55 | 0:25:57 | |
-to be like him. -What are you talking about? You're my son. | 0:25:57 | 0:26:00 | |
-I've always been proud of you. -I embarrass you. Every chance you get, you push me away! | 0:26:00 | 0:26:04 | |
-It's all in your head! -You hate me! You hate the fact I'm gay! You hate everything about me! | 0:26:04 | 0:26:08 | |
-No, that ain't true. -D'you know what I wish? I wish I was on that slab instead. | 0:26:08 | 0:26:12 | |
I'm sorry. I'm sorry, all right? I didn't mean to hurt you. | 0:26:15 | 0:26:20 | |
I didn't mean to scare you. I just... Ben, you're my son. | 0:26:20 | 0:26:25 | |
You're a Mitchell and you always will be. | 0:26:25 | 0:26:28 | |
It don't matter what you do. So we will get through this together. | 0:26:28 | 0:26:32 | |
You and me. We'll get through this, all right? Come on. | 0:26:32 | 0:26:35 | |
I promise you. I promise you. | 0:26:35 | 0:26:38 | |
Come on. Please. I'm sorry. | 0:26:38 | 0:26:40 | |
Oi, look at this. | 0:26:46 | 0:26:49 | |
It says on the label "dry cleaning only" | 0:26:49 | 0:26:52 | |
and it had a bloke's number in the pocket. | 0:26:52 | 0:26:55 | |
You sure you want to come back here? | 0:26:55 | 0:26:57 | |
You're always welcome at ours. | 0:26:57 | 0:26:59 | |
Yeah, right. Anyway, cheers. | 0:26:59 | 0:27:01 | |
Ben. Listen, what I told the police... | 0:27:01 | 0:27:04 | |
Yeah, whatever. No worries. | 0:27:04 | 0:27:06 | |
-I'll be off, then, yeah. -Ben, you got any idea how this ended up in the wash? | 0:27:08 | 0:27:13 | |
Yeah, like I do the laundry(!) | 0:27:13 | 0:27:14 | |
Jay. Where are you...? Jay, wait up! | 0:27:16 | 0:27:20 | |
You want to go out? | 0:27:51 | 0:27:53 | |
Stay in? | 0:27:54 | 0:27:56 | |
Look, you do whatever you want to do, all right? | 0:27:57 | 0:28:02 | |
The Old Bill still got Andrew? | 0:28:07 | 0:28:09 | |
Yeah, Shirley made me call 'em first thing this morning. | 0:28:09 | 0:28:12 | |
Do you think he'll get charged? | 0:28:12 | 0:28:14 | |
Fingers crossed. | 0:28:16 | 0:28:17 | |
Oh, that's not fair. It says here they think Andrew did it, | 0:28:21 | 0:28:26 | |
and he's not even had a trial yet. | 0:28:26 | 0:28:29 | |
Come on, even Inspector Clouseau could work out who done that. Oh, look who it is! | 0:28:29 | 0:28:32 | |
You don't mind me coming in early, do you? No-one wants to talk to me at home. | 0:28:32 | 0:28:36 | |
No, no worries, sweetheart. Hello, you. | 0:28:36 | 0:28:39 | |
Shenice's got the day off school. | 0:28:39 | 0:28:40 | |
She started with one of those imaginary colds, | 0:28:40 | 0:28:43 | |
started giving me the old big watery eyes... | 0:28:43 | 0:28:45 | |
Such a softie! | 0:28:45 | 0:28:46 | |
Have you read this? Billy's been saying all sorts about Andrew. | 0:28:46 | 0:28:49 | |
Has he? Good for him, for once. | 0:28:49 | 0:28:52 | |
-Well, he's wrong. -What d'you mean? | 0:28:52 | 0:28:54 | |
They all are. Cos I saw him outside the tube station. | 0:28:54 | 0:28:57 | |
So? | 0:28:57 | 0:28:59 | |
-So, when he was round at Heather's supposedly... -Hmm. | 0:29:00 | 0:29:05 | |
-..I saw him outside the tube station. -No, you can't have done. | 0:29:05 | 0:29:07 | |
-Why can't I? -I tell you why, cos everyone knows he's a murdering so and so, that's why. | 0:29:07 | 0:29:12 | |
Well, I'm not so sure about that. | 0:29:12 | 0:29:14 | |
Jean, if I was you I would just keep this to myself, | 0:29:14 | 0:29:16 | |
because everyone's gung-ho out there. | 0:29:16 | 0:29:18 | |
The last thing they want to hear about is you defending that. | 0:29:18 | 0:29:21 | |
-But I... -Jean, sweetheart, listen, I love you to bits, darling, | 0:29:21 | 0:29:24 | |
but I think the Old Bill have got this one sewn up. | 0:29:24 | 0:29:26 | |
Come on. Shall we go and see Shenice? Come on, then. | 0:29:26 | 0:29:29 | |
-Go on, through you go. You want a cup of a tea, darling? -Yeah. | 0:29:29 | 0:29:33 | |
Hey, Jay? Seen my name in the paper? | 0:29:37 | 0:29:40 | |
Look. Where is it? | 0:29:40 | 0:29:43 | |
"Billy Mitchell, local businessman." | 0:29:43 | 0:29:45 | |
Told them I owned a few properties as well, you know, | 0:29:45 | 0:29:49 | |
give it a bit of credibility. | 0:29:49 | 0:29:51 | |
I thought about saying I was a doctor, but that might be pushing it. Oi, where you going? | 0:29:51 | 0:29:55 | |
You should be proud of me, I'm doing a public service here. | 0:29:55 | 0:29:59 | |
You want to see animals like that walking round on the street? I don't think so. | 0:29:59 | 0:30:02 | |
-You Andrew's friend now? -No. | 0:30:02 | 0:30:04 | |
This is about doing right for Heather. | 0:30:04 | 0:30:06 | |
Yeah. You tell him, Sy. | 0:30:06 | 0:30:07 | |
I know that. I just don't want to read about it in the paper, is that all right? | 0:30:07 | 0:30:12 | |
-Does he like Andrew or something? -He'll be the only one. | 0:30:12 | 0:30:15 | |
It's Andrew! He's home! | 0:30:36 | 0:30:38 | |
Rose, I'm sorry... | 0:30:38 | 0:30:39 | |
Where is he? Where's my son? | 0:30:40 | 0:30:43 | |
We have a warrant to search the premises, madam. | 0:30:43 | 0:30:46 | |
Where's my son? Where is he? | 0:30:46 | 0:30:48 | |
Dot? Dot! | 0:30:48 | 0:30:49 | |
Listen, I...I miss her too. | 0:30:51 | 0:30:55 | |
Thought you said she was an idiot. | 0:30:55 | 0:30:57 | |
Some idiots I like. | 0:30:59 | 0:31:00 | |
DOORBELL RINGS | 0:31:00 | 0:31:02 | |
Ben! Ben, get that, will you? | 0:31:02 | 0:31:04 | |
She was all right. She was. | 0:31:06 | 0:31:09 | |
Bit more than all right. | 0:31:10 | 0:31:12 | |
I don't know what you're making such a fuss about. | 0:31:25 | 0:31:28 | |
You've got another leg, hop on that one. | 0:31:28 | 0:31:30 | |
You shouldn't have been jumping off that wall in the first place. | 0:31:30 | 0:31:33 | |
And I should be at the caff, not making hot chocolate for you. | 0:31:33 | 0:31:36 | |
But I haven't done my homework. | 0:31:36 | 0:31:39 | |
Right. Now the truth comes out, doesn't it? | 0:31:41 | 0:31:43 | |
Now, I should report you to the school. I should. | 0:31:43 | 0:31:47 | |
I should report my own child for not doing his homework. | 0:31:47 | 0:31:50 | |
But you helped Ben out. | 0:31:50 | 0:31:52 | |
Come on. What homework we gotta do, then? | 0:31:54 | 0:31:57 | |
We tracked Darren Miller as far as India. | 0:31:57 | 0:32:00 | |
After that, we don't know where he went. | 0:32:00 | 0:32:03 | |
We made some phone calls and your name came up. | 0:32:03 | 0:32:06 | |
Does that mean I can keep him? | 0:32:06 | 0:32:08 | |
All the indications are that this would be the best place | 0:32:08 | 0:32:11 | |
for George at this moment in time. | 0:32:11 | 0:32:13 | |
Great. | 0:32:13 | 0:32:14 | |
We did some background checks, and because you're George's godmother... | 0:32:14 | 0:32:18 | |
As I said before. | 0:32:18 | 0:32:20 | |
..it's clear that George was happy and comfortable in your care. | 0:32:20 | 0:32:24 | |
Yeah, well, this was his home for quite a while. | 0:32:25 | 0:32:28 | |
I take it you want to take him, then? | 0:32:28 | 0:32:30 | |
There is another godparent, Patrick Trueman... | 0:32:32 | 0:32:35 | |
No. No, this is his home. What d'you reckon, George? | 0:32:35 | 0:32:40 | |
Do you like that, eh? | 0:32:40 | 0:32:42 | |
-Ben... -You see that? In his eyes? | 0:32:49 | 0:32:52 | |
-It's Heather, she's staring right at me. -Take it easy, right? | 0:32:52 | 0:32:55 | |
Take it easy? How... | 0:32:55 | 0:32:56 | |
You can do this, all right? You've got to. D'you hear me? You've got no choice. | 0:32:56 | 0:33:00 | |
Thank you. I'm sure George is going to be very comfortable here. | 0:33:00 | 0:33:05 | |
We'll call round every week. Any problems, please phone me. | 0:33:05 | 0:33:09 | |
I know it's been a difficult time. | 0:33:09 | 0:33:10 | |
We'll manage. | 0:33:10 | 0:33:12 | |
You having a laugh? We can't have George here. | 0:33:18 | 0:33:21 | |
It's happening. Get used to it. | 0:33:21 | 0:33:22 | |
-But this ain't a happy family home. -It could be. | 0:33:22 | 0:33:25 | |
The Old Bill are over at Dot's with a search warrant. | 0:33:25 | 0:33:28 | |
They're just about to try and nail Andrew. D'you hear that? | 0:33:28 | 0:33:30 | |
-Look, Jay... -Don't! All right? Just don't. | 0:33:32 | 0:33:36 | |
What are they doing rifling through my things? | 0:33:42 | 0:33:46 | |
And all that noise they're making, it's outrageous. | 0:33:46 | 0:33:49 | |
-What they looking for, anyway? -I don't know. | 0:33:49 | 0:33:52 | |
Sorry, ladies, I think it's all my fault. | 0:33:55 | 0:33:58 | |
-What? -I... | 0:33:58 | 0:34:01 | |
I found what was left of a burned sweatshirt at the allotment. | 0:34:02 | 0:34:06 | |
One of the ones that we all wore at the stag night. | 0:34:06 | 0:34:10 | |
-So? -Keep up, Rose. | 0:34:10 | 0:34:12 | |
If it's not here, that means Andrew must've burned his. | 0:34:12 | 0:34:17 | |
They don't honestly believe...? No. No, they can't. | 0:34:17 | 0:34:23 | |
He wouldn't... He'd never... | 0:34:25 | 0:34:28 | |
Dot, go up and tell 'em. | 0:34:28 | 0:34:30 | |
Go on, you tell 'em. | 0:34:30 | 0:34:33 | |
I'm sorry... | 0:34:33 | 0:34:34 | |
Well, they wouldn't be doing what they're doing | 0:34:36 | 0:34:40 | |
if they thought that Andrew were innocent. | 0:34:40 | 0:34:44 | |
But you think he's innocent. Don't you? | 0:34:44 | 0:34:46 | |
Don't you...? | 0:34:48 | 0:34:50 | |
-Do you like this one? -TV PLAYS | 0:34:54 | 0:34:58 | |
-'Ah, Upsy Daisy! -Upsy Daisy. Hello...' | 0:34:58 | 0:35:02 | |
All right, Abi. You about? | 0:35:23 | 0:35:25 | |
I just wanted to see you. Nothing's the matter, no. | 0:35:28 | 0:35:32 | |
Come back at lunchtime then, yeah? All right. Bye. | 0:35:34 | 0:35:39 | |
Just meeting Abi. | 0:35:39 | 0:35:41 | |
I didn't ask. | 0:35:41 | 0:35:43 | |
What do I do, Jay? | 0:35:45 | 0:35:47 | |
You're asking me? | 0:35:47 | 0:35:49 | |
What do I do to make it good for everyone? | 0:35:49 | 0:35:52 | |
-Does that include Andrew? -I'm talking about this family. | 0:35:52 | 0:35:55 | |
-What happens outside, that's for other people. -But Andrew... | 0:35:55 | 0:35:59 | |
He's on somebody else's list. | 0:35:59 | 0:36:01 | |
So I'm asking you, what the hell do I do? Eh? | 0:36:01 | 0:36:05 | |
Right, if we're going to do this, we're going to do it right, OK? | 0:36:07 | 0:36:11 | |
This is going to win prizes. They'll hang it on the school wall | 0:36:11 | 0:36:15 | |
like it's the Bayeux Tapestry. You know what that is, don't you? | 0:36:15 | 0:36:18 | |
-No. -No, neither do I, but I'm sure it's big. | 0:36:18 | 0:36:22 | |
Right, this isn't just going to be a family tree, OK? | 0:36:22 | 0:36:24 | |
This is going to be a dynasty. | 0:36:24 | 0:36:26 | |
When people see it they're going to gasp, I tell you. Right. | 0:36:26 | 0:36:30 | |
I think I should take the picture of me and put it in the middle. | 0:36:30 | 0:36:33 | |
And we'll work outwards from there. | 0:36:33 | 0:36:35 | |
It's all pointing to Andrew. | 0:36:37 | 0:36:40 | |
It only needs Shirley to say he almost hit her | 0:36:40 | 0:36:43 | |
and that'll be that. | 0:36:43 | 0:36:44 | |
Poor Rose. | 0:36:44 | 0:36:46 | |
I never dreamt Andrew could do a thing like this. | 0:36:46 | 0:36:49 | |
We'll have to prepare her, be there for her. | 0:36:49 | 0:36:53 | |
She won't listen. | 0:36:53 | 0:36:55 | |
Even if he confesses, she'll say that it was dragged out of him. | 0:36:55 | 0:37:00 | |
She don't believe there's any bad in him. | 0:37:00 | 0:37:03 | |
But I think that a mother always knows, | 0:37:03 | 0:37:06 | |
deep down, what she gave birth to. | 0:37:06 | 0:37:10 | |
-I sell a lot of hoodies. -We found one at the allotments. Someone had tried to burn it. | 0:37:18 | 0:37:22 | |
-So we'll need a sample from your stall, see if we can get a match. -Burn? | 0:37:22 | 0:37:25 | |
-Do you have one, Mr Masood? -Yeah, course. Do I get paid for it? | 0:37:25 | 0:37:29 | |
Here you go. Anything to help. | 0:37:31 | 0:37:33 | |
I'll need to speak to all the people who were meant to be at the stag do. | 0:37:33 | 0:37:36 | |
Ah, I see. This got something to do with Andrew, then? | 0:37:36 | 0:37:39 | |
Do you know where I can find Jay Mitchell? | 0:37:39 | 0:37:41 | |
The Arches? Maybe you could try his house. | 0:37:41 | 0:37:45 | |
-They didn't find it. -His hoodie could be somewhere else. | 0:37:51 | 0:37:56 | |
Well, it could! Well, somebody say something, please. | 0:37:56 | 0:38:02 | |
They wouldn't be able to find it if he'd burned it, would they? | 0:38:02 | 0:38:07 | |
Maybe because it had blood on it or something. | 0:38:07 | 0:38:12 | |
How dare you?! He never touched her! | 0:38:12 | 0:38:16 | |
-Rose, Rose, we're going to be there for you, OK? -He never touched her! | 0:38:16 | 0:38:19 | |
No, it's not OK! It's not OK! | 0:38:19 | 0:38:22 | |
And what's that still doing here? | 0:38:22 | 0:38:24 | |
You trying to make a point or something? | 0:38:24 | 0:38:26 | |
-You trying to make a point? -Leave that alone, you hear me? | 0:38:26 | 0:38:29 | |
-Put it back. Put it back! -Stop it! Stop it! The pair of you! | 0:38:29 | 0:38:34 | |
You should be ashamed of yourselves. | 0:38:34 | 0:38:37 | |
ROSE WEEPS | 0:38:37 | 0:38:39 | |
You got a minute? | 0:38:39 | 0:38:40 | |
I'm sorry. I'm so, so, sorry, Dot. Forgive me. | 0:38:45 | 0:38:50 | |
Come on, darling. | 0:39:10 | 0:39:12 | |
What if it's true? | 0:39:18 | 0:39:20 | |
I'm scared of what it'll do to her. | 0:39:22 | 0:39:25 | |
You'd be just as worried as me, Cora. | 0:39:25 | 0:39:28 | |
She's not as strong as you, Dot. | 0:39:28 | 0:39:30 | |
Strong? Me? | 0:39:30 | 0:39:32 | |
With what's happened to my lovely Heather Trott | 0:39:32 | 0:39:35 | |
and Andrew suspected of doing it... | 0:39:35 | 0:39:38 | |
I've had a double shock. | 0:39:38 | 0:39:41 | |
He's my nephew, and I've grown very fond of him. | 0:39:41 | 0:39:45 | |
And I want him to be my nephew, not some murderer. | 0:39:45 | 0:39:48 | |
It can't be. It can't be true. | 0:39:49 | 0:39:53 | |
For all our sakes. | 0:39:54 | 0:39:55 | |
Let's just keep our fingers crossed, eh? | 0:39:57 | 0:39:59 | |
See, no matter who you are, | 0:39:59 | 0:40:02 | |
when people start putting doubts in your head, they eat away at you. | 0:40:02 | 0:40:07 | |
Even if you don't want 'em to. | 0:40:07 | 0:40:10 | |
PHONE RINGS | 0:40:20 | 0:40:22 | |
George is getting restless. | 0:40:27 | 0:40:29 | |
Go down the shops and get him some books, toys, DVDs, whatever. | 0:40:29 | 0:40:33 | |
-Me? -Anyone else in the room? | 0:40:33 | 0:40:36 | |
I am. I don't mind. | 0:40:36 | 0:40:40 | |
Off you go, Jay. | 0:40:44 | 0:40:46 | |
Jay, just give me a call, will you? | 0:40:58 | 0:41:00 | |
-I don't suppose Jay's been in here, has he? -No, not seen him. | 0:41:00 | 0:41:04 | |
-Listen, how's Shirley? -Take a guess. | 0:41:04 | 0:41:07 | |
Yeah, our thoughts are with you both an' all that. | 0:41:07 | 0:41:10 | |
Phil, this is probably the wrong time, | 0:41:10 | 0:41:13 | |
but seeing as you're here, maybe we could have a chat, talk about the rent, maybe take it down a notch? | 0:41:13 | 0:41:20 | |
Never mind. I just thought, while you were here... | 0:41:20 | 0:41:23 | |
Really, really good timing(!) | 0:41:26 | 0:41:28 | |
You should see the state of my bank balance. | 0:41:28 | 0:41:30 | |
Listen, the police will want to see your hoodie. | 0:41:30 | 0:41:32 | |
No worries, be in my flat somewhere. At least it should be. | 0:41:32 | 0:41:35 | |
I was so blottoed on the night of the stag I can't remember what I did with it. | 0:41:35 | 0:41:38 | |
-And I lost one of my shoes. -I'd find it if I were you. | 0:41:38 | 0:41:40 | |
Oh, what, like I'm going to be a suspect? | 0:41:40 | 0:41:42 | |
You're not exactly a local businessman, are you? | 0:41:42 | 0:41:44 | |
What is it you actually do for a living, Mr Mitchell? | 0:41:44 | 0:41:47 | |
Hey, least I played my part in getting him banged up. | 0:41:47 | 0:41:49 | |
I didn't see any of you lot stepping forward. | 0:41:49 | 0:41:52 | |
-They'll do you for perjury. -What? | 0:41:52 | 0:41:55 | |
Jean, enough of that, yeah? | 0:41:55 | 0:41:56 | |
People are upset enough as it is, Jean. | 0:41:56 | 0:41:58 | |
I know what I saw and I know he's innocent. | 0:41:58 | 0:42:01 | |
-She talking about Andrew? -You didn't see him, you couldn't have. -She's confused. -I'm not. | 0:42:01 | 0:42:05 | |
He's bang to rights. You don't want to start interfering. | 0:42:05 | 0:42:08 | |
- The police are all over it. - Any chance of getting served here? | 0:42:08 | 0:42:11 | |
-Go and sort Phil out. Go, go. -I know what I saw. | 0:42:11 | 0:42:14 | |
When you're ready, please. | 0:42:14 | 0:42:15 | |
-Sorry. -No worries. | 0:42:17 | 0:42:19 | |
So, what was it you saw? | 0:42:19 | 0:42:22 | |
Well, he was out. | 0:42:23 | 0:42:24 | |
Jean, Jean, are you sure Phil's the right person to be telling, | 0:42:24 | 0:42:27 | |
considering who he lives with? | 0:42:27 | 0:42:29 | |
Roxy, don't worry about it, all right? | 0:42:29 | 0:42:31 | |
Jean said she saw something, I want to know what she saw. | 0:42:31 | 0:42:33 | |
We all do, right? Well? | 0:42:33 | 0:42:37 | |
You've put me on the spot now. | 0:42:39 | 0:42:42 | |
I'm not very good at being put on the spot. | 0:42:42 | 0:42:45 | |
-Well, he was near the tube station. -What time was this? | 0:42:45 | 0:42:48 | |
Um...not quite sure. But it was Andrew. I saw him. | 0:42:48 | 0:42:54 | |
Yeah, Jean, I don't think it's the right time now, sweetheart, eh? | 0:42:54 | 0:42:57 | |
-Do you remember what you were doing before that? -Or after? | 0:42:57 | 0:43:00 | |
-Umm... -Oh, nice one, Jean(!) | 0:43:00 | 0:43:01 | |
You don't want to start throwing comments about like that, all right? The police've got their man. | 0:43:01 | 0:43:06 | |
Jean, it might have been a different day, darling, yeah? | 0:43:06 | 0:43:08 | |
I'm sorry, I didn't mean... | 0:43:08 | 0:43:12 | |
You told the Old Bill about any of this? | 0:43:12 | 0:43:14 | |
No. Should I? | 0:43:14 | 0:43:16 | |
Well, you might have something, mightn't you? | 0:43:16 | 0:43:19 | |
Yes, but...I can't prove it. | 0:43:19 | 0:43:22 | |
You might be a key witness. | 0:43:22 | 0:43:25 | |
Me, a key witness? Imagine! | 0:43:25 | 0:43:28 | |
Long as, you know, you're of sound mind. | 0:43:28 | 0:43:31 | |
Yeah, but what if they look into things, though? About me? | 0:43:31 | 0:43:36 | |
What if they find out I haven't been all right before? | 0:43:36 | 0:43:40 | |
Like the benefit fraud? | 0:43:40 | 0:43:42 | |
Oh, I'd completely forgotten about that. I didn't do it. | 0:43:42 | 0:43:45 | |
They wouldn't bring that up, would they? | 0:43:45 | 0:43:47 | |
Well, the defence would. Course they would. They use anything. | 0:43:47 | 0:43:50 | |
It's what they do, in't it? And that'd be the medication, the fraud. | 0:43:50 | 0:43:55 | |
And the press. | 0:43:55 | 0:43:57 | |
-The press? -Yeah. We're talking about a killer on the loose. | 0:43:57 | 0:44:01 | |
-I don't want a killer wandering around my square. Do you? -No! | 0:44:01 | 0:44:05 | |
So...did you see him? | 0:44:05 | 0:44:09 | |
Umm, what was it you wanted to drink? | 0:44:09 | 0:44:13 | |
It's all right, I've just remembered I've gotta be somewhere else. | 0:44:13 | 0:44:18 | |
Jay. | 0:44:22 | 0:44:23 | |
You all right? | 0:44:28 | 0:44:30 | |
Yeah, I'm fine, yeah. | 0:44:30 | 0:44:33 | |
You been shopping? | 0:44:33 | 0:44:34 | |
Yeah, for George. The social brought him round. They can't trace Darren. | 0:44:34 | 0:44:37 | |
-I suppose it's the best place for him. -You reckon? | 0:44:37 | 0:44:41 | |
I was glad you called me. | 0:44:42 | 0:44:44 | |
I was glad that you came. | 0:44:44 | 0:44:46 | |
I bet it's tough round yours right now. | 0:44:49 | 0:44:51 | |
You should've seen what we were like when we thought Mum was... | 0:44:51 | 0:44:55 | |
Well, when we thought she might... But this... | 0:44:55 | 0:44:59 | |
this has happened, hasn't it? This has actually happened. | 0:44:59 | 0:45:01 | |
Mmm. They're all over Andrew. | 0:45:01 | 0:45:05 | |
Yeah, people at school were talking about him, asking if I know him. | 0:45:05 | 0:45:08 | |
I was like, "I sort of do, but I so wish I didn't." | 0:45:08 | 0:45:12 | |
Abi... What if it wasn't him? | 0:45:12 | 0:45:16 | |
-It's got to be, though. -But just say it wasn't. | 0:45:17 | 0:45:20 | |
-I don't want to. -Why not? -Well, it's like wishing it was someone else and it weren't. | 0:45:20 | 0:45:25 | |
-Well, you don't know that. -I do. | 0:45:25 | 0:45:27 | |
I was relying on you. | 0:45:30 | 0:45:31 | |
Well, what did you expect me to say? | 0:45:33 | 0:45:35 | |
-It's just... -What? | 0:45:36 | 0:45:39 | |
It's scary. | 0:45:43 | 0:45:44 | |
Well, I know it is, Jay. I do, I promise you. | 0:45:48 | 0:45:51 | |
And, look, maybe he didn't mean it, maybe it was half accident, | 0:45:51 | 0:45:55 | |
but it's done now, | 0:45:55 | 0:45:58 | |
and it's horrible and I don't even want to think about him ever again, really. | 0:45:58 | 0:46:01 | |
So I'm supposed to just let him rot? | 0:46:01 | 0:46:05 | |
There's, um...this thing they've got written on a school wall in the corridor. | 0:46:05 | 0:46:09 | |
It's like a saying. | 0:46:09 | 0:46:12 | |
"Evil only happens because good men do nothing." | 0:46:12 | 0:46:15 | |
-I don't get it. -Well, like, good men are going to lock Andrew up. They're doing something. | 0:46:18 | 0:46:25 | |
"Good men"? | 0:46:25 | 0:46:26 | |
Yeah, it's what they do. So don't worry about it, Jay. | 0:46:26 | 0:46:30 | |
It's all being taken care of. | 0:46:30 | 0:46:32 | |
Just because the hoodie's not here | 0:46:36 | 0:46:39 | |
doesn't mean it can't be somewhere else. | 0:46:39 | 0:46:41 | |
But there is nowhere else it could be. | 0:46:41 | 0:46:43 | |
We're not giving up, Patrick. | 0:46:43 | 0:46:45 | |
I'm sorry, ladies. I have had enough. | 0:46:45 | 0:46:50 | |
Come on, Rose. | 0:46:54 | 0:46:56 | |
He's your son. Where did he go before all this happened? | 0:46:56 | 0:47:00 | |
Who did he see, what did he do? | 0:47:00 | 0:47:02 | |
He didn't do much. He saw Heather, worked at the nightclub. | 0:47:02 | 0:47:08 | |
That's right. The nightclub. | 0:47:08 | 0:47:11 | |
That's a den of iniquity. | 0:47:11 | 0:47:13 | |
Bouncer, wasn't he? Probably had a locker of his own. | 0:47:13 | 0:47:16 | |
He did. At least I think he did. | 0:47:16 | 0:47:18 | |
Right. Now we're getting somewhere. | 0:47:18 | 0:47:22 | |
-They found Jay's hoodie. -What? | 0:47:23 | 0:47:25 | |
-If they find Andrew's it could let him off the hook. Somehow we've got to replace Jay's. -How comes? | 0:47:25 | 0:47:29 | |
They're asking everyone to produce theirs. | 0:47:29 | 0:47:32 | |
But Jay can't do that, and if Jay can't do that and they find Andrew's | 0:47:32 | 0:47:34 | |
then he's going to have to tell 'em why. | 0:47:34 | 0:47:36 | |
All right, take it easy, OK? Now, I've got an idea. It ain't a nice one, but it's all I've got. | 0:47:36 | 0:47:41 | |
We got the stuff for George. | 0:47:41 | 0:47:44 | |
What stuff? | 0:47:44 | 0:47:45 | |
Shirley sent me out. | 0:47:45 | 0:47:47 | |
There's loads there. | 0:47:47 | 0:47:48 | |
She's trying to keep him happy, in't she? | 0:47:48 | 0:47:50 | |
Ben, take it through, yeah? | 0:47:50 | 0:47:53 | |
Eh? No way. | 0:47:53 | 0:47:57 | |
You want to get in Shirley's good books, right? | 0:47:57 | 0:48:00 | |
Sorry, Abi, just give us a minute, will you? | 0:48:06 | 0:48:08 | |
-DOORBELL RINGS -I'll get it. And remember, good men, Jay. | 0:48:08 | 0:48:12 | |
See you later. | 0:48:12 | 0:48:14 | |
The Old Bill are looking for you. They want your hoodie. | 0:48:18 | 0:48:20 | |
-Well, you burned it! -I know. Take it easy, all right? | 0:48:20 | 0:48:23 | |
I've got an idea. | 0:48:23 | 0:48:25 | |
What am I going to do? How am I going to explain it? | 0:48:25 | 0:48:27 | |
Jay... | 0:48:28 | 0:48:30 | |
I'm not saying for sure it'll be at the club. | 0:48:37 | 0:48:39 | |
Which is why we're going to find out ourselves. | 0:48:39 | 0:48:41 | |
Go on, then, Alf. Give us another pint. | 0:48:41 | 0:48:44 | |
Hold on, I thought you were running a business? | 0:48:44 | 0:48:47 | |
One little white lie and now you're all having a go, in't you? | 0:48:47 | 0:48:51 | |
-Distract him. -Me? How? | 0:48:51 | 0:48:53 | |
Lift your top up or something. | 0:48:53 | 0:48:55 | |
Oh, Cora! | 0:48:55 | 0:48:56 | |
-All right? -Yeah... | 0:48:59 | 0:49:02 | |
Go on, then, you see if you can shoot. There we go. | 0:49:07 | 0:49:10 | |
Go on. | 0:49:10 | 0:49:12 | |
Police still here? | 0:49:13 | 0:49:15 | |
Look, George, it's Ben. | 0:49:15 | 0:49:18 | |
Why don't you have a little hold of him, Ben, whilst Shirley's upstairs? | 0:49:18 | 0:49:22 | |
-Nah, I don't want to. -Go on, he's gorgeous. | 0:49:22 | 0:49:25 | |
What d'you think the Old Bill want? | 0:49:25 | 0:49:28 | |
I dunno. I don't care, as long as they lock that creep up. | 0:49:28 | 0:49:32 | |
I liked Hev. It ain't right what happened to her. | 0:49:33 | 0:49:36 | |
Rox...I never meant to hurt her. Heather, I mean. | 0:49:38 | 0:49:42 | |
We know you were at the stag do. | 0:49:43 | 0:49:45 | |
-Yeah. That's correct. -So you would've had one of the hoodies? -That's right, yeah. | 0:49:45 | 0:49:49 | |
So where is it? | 0:49:49 | 0:49:51 | |
We need to see it, Jay. | 0:49:52 | 0:49:54 | |
-Well, how come? -Do you have yours or not? | 0:49:54 | 0:49:57 | |
You're going to hear it sooner or later, so you might as well hear it now. | 0:50:00 | 0:50:03 | |
Hear what? | 0:50:03 | 0:50:05 | |
I'm sorry, Rox. | 0:50:05 | 0:50:08 | |
I never meant it, I swear... I didn't. | 0:50:09 | 0:50:13 | |
You know, the... | 0:50:15 | 0:50:18 | |
the dating website and planting all those black envelopes. | 0:50:18 | 0:50:23 | |
-You do know about them, right? -Yeah. | 0:50:23 | 0:50:26 | |
-I still don't understand. -What's to understand? Simple question. Yes or no? | 0:50:28 | 0:50:32 | |
Do you have the hoodie? | 0:50:32 | 0:50:34 | |
Here. | 0:50:36 | 0:50:37 | |
We done? | 0:50:40 | 0:50:41 | |
Is this yours? | 0:50:41 | 0:50:42 | |
Yeah. Yeah, it's mine, yeah. | 0:50:43 | 0:50:47 | |
I can't believe this is you, Dot. | 0:50:52 | 0:50:54 | |
I never thought I'd see the day, | 0:50:54 | 0:50:56 | |
Dorothy Cotton breaking and entering. | 0:50:56 | 0:50:58 | |
I ain't Dorothy Cotton no more. I am Dorothy Branning. | 0:50:58 | 0:51:02 | |
I'm a different me. | 0:51:02 | 0:51:03 | |
I only hope that Jesus can forgive the both of us. | 0:51:03 | 0:51:07 | |
-Anyone fancy a drink while we're here? -What? -A drink! | 0:51:07 | 0:51:10 | |
Go on, hurry up. | 0:51:11 | 0:51:14 | |
Where'd you get the hoodie from? | 0:51:14 | 0:51:16 | |
Billy leaves a key by the front door, I slipped in and took his. | 0:51:16 | 0:51:20 | |
You nicked it? That's crazy. What if they blame Billy now, eh? You can't keep doing this. | 0:51:20 | 0:51:25 | |
You want to take Andrew's place? If he gets off, they'll come looking. | 0:51:25 | 0:51:28 | |
You don't know what you're trying to protect, do you? | 0:51:28 | 0:51:31 | |
Jay, it's done. All right? | 0:51:31 | 0:51:33 | |
There's no bringing Heather back, and we ain't about to lose anybody else. | 0:51:33 | 0:51:36 | |
-But Andrew didn't do anything. -It's collateral damage. | 0:51:36 | 0:51:39 | |
You expect me to just sit back and let all this happen? | 0:51:39 | 0:51:42 | |
Jay, we're all in this together, all right? | 0:51:42 | 0:51:44 | |
I can't do this. I've got... | 0:51:44 | 0:51:45 | |
Jay! Sit down. | 0:51:45 | 0:51:48 | |
Phil, please, all right? Andrew, he's lost everything. | 0:51:48 | 0:51:51 | |
Can you imagine what he's going through? | 0:51:51 | 0:51:53 | |
Please tell me you can. Please. | 0:51:53 | 0:51:54 | |
-Rose... -Now, that's a contender. You can get two blokes in there. | 0:52:01 | 0:52:05 | |
Smells of beer. But it's his! It's definitely his! | 0:52:07 | 0:52:11 | |
I knew it. I knew you lot was up to something! | 0:52:13 | 0:52:16 | |
All right, Abs? You know that thing you said about good men? | 0:52:18 | 0:52:22 | |
I think I get it now. | 0:52:24 | 0:52:25 | |
BABY GURGLES | 0:52:39 | 0:52:44 | |
That a smile? | 0:52:45 | 0:52:47 | |
-Mm, he sounds a lot happier. -Where's Jay? | 0:52:47 | 0:52:50 | |
No idea. | 0:52:51 | 0:52:53 | |
-Jay? -All right? | 0:53:03 | 0:53:05 | |
There's, uh, some stuff that I forgot to tell you. | 0:53:08 | 0:53:11 | |
-KNOCKING -Just sound deeply apologetic. You'll be fine. | 0:53:13 | 0:53:16 | |
I've got to go. All right, bye. | 0:53:16 | 0:53:18 | |
Oh, hello. | 0:53:21 | 0:53:22 | |
Oh, no, I wasn't expecting you till next week. | 0:53:22 | 0:53:25 | |
-I'll just make some room for you. The sofa's here. -Oh, yeah? | 0:53:25 | 0:53:28 | |
-D'you want me out the way? -No, I don't. I want you to help me with this lot. | 0:53:28 | 0:53:32 | |
Oh...and also, I found this the other day. | 0:53:32 | 0:53:37 | |
It's one of Vanessa's, right? | 0:53:37 | 0:53:40 | |
-I dunno. -Yes, you do. | 0:53:40 | 0:53:43 | |
And I was thinking, I know it's been a while | 0:53:43 | 0:53:46 | |
but I don't want any reminders of her. Not a single one. | 0:53:46 | 0:53:49 | |
So, why don't you take the afternoon off | 0:53:49 | 0:53:52 | |
and make me a very happy little wife? | 0:53:52 | 0:53:54 | |
-Is Abi about? -Abi? She'll be at school. Why? | 0:54:16 | 0:54:19 | |
Well, I saw her with Jay. That's who I'm looking for. | 0:54:19 | 0:54:21 | |
Well, maybe he's waiting by the school gate for her. | 0:54:21 | 0:54:24 | |
Wouldn't that be sweet? | 0:54:24 | 0:54:25 | |
Oh, any time(!) | 0:54:25 | 0:54:27 | |
No need to say thank you(!) | 0:54:27 | 0:54:30 | |
PHONE RINGS | 0:54:30 | 0:54:32 | |
Jay? | 0:54:39 | 0:54:42 | |
Yeah, sorry. | 0:54:42 | 0:54:43 | |
We just needed an adult here to keep it all legit. | 0:54:43 | 0:54:47 | |
Right. | 0:54:49 | 0:54:51 | |
So, what did you want to tell me? | 0:54:51 | 0:54:52 | |
JAY SIGHS | 0:54:52 | 0:54:54 | |
I was on the square... | 0:54:55 | 0:54:58 | |
the night that Heather got... You know. | 0:54:58 | 0:55:01 | |
And I was, erm... | 0:55:01 | 0:55:03 | |
well, I was just there, all right? | 0:55:03 | 0:55:05 | |
And I saw Andrew. | 0:55:07 | 0:55:09 | |
-Andrew Cotton? -Yeah. -Go on. | 0:55:10 | 0:55:13 | |
Well, I saw Andrew... | 0:55:14 | 0:55:16 | |
the same time that you had him down for Heather's murder. | 0:55:16 | 0:55:19 | |
-Can you corroborate this? -What? | 0:55:19 | 0:55:23 | |
It's important that you can, Jay. Otherwise it's just your word. | 0:55:23 | 0:55:26 | |
-But I saw him. -But did anyone see you? | 0:55:26 | 0:55:29 | |
I saw the curtains twitching. People have been talking. | 0:55:34 | 0:55:38 | |
"I saw Dot in a police car," they'll be saying. | 0:55:38 | 0:55:41 | |
Don't worry too much. | 0:55:41 | 0:55:43 | |
All right, ladies, we're willing to let this go, for now, | 0:55:43 | 0:55:46 | |
but any more burglaries, you'll be up in court. | 0:55:46 | 0:55:49 | |
And so will you, if you don't let my boy out. | 0:55:49 | 0:55:51 | |
You've got his hoodie, that's enough, innit? | 0:55:51 | 0:55:54 | |
-Crack open the sherry, Dot! -The sherry? | 0:55:56 | 0:55:59 | |
Are you forgetting Heather? | 0:55:59 | 0:56:01 | |
D'you think she'd want to be up there | 0:56:01 | 0:56:02 | |
-looking down seeing us celebrating? -Of course she would. | 0:56:02 | 0:56:05 | |
It puts Andrew in the clear, doesn't it? | 0:56:05 | 0:56:07 | |
Well, I wouldn't be too sure of that. | 0:56:07 | 0:56:09 | |
-They've got his hoodie, Dot! -Yes, but where is he? | 0:56:09 | 0:56:12 | |
Still locked up? I mean, the police don't seem sure. | 0:56:12 | 0:56:14 | |
I mean, otherwise he'd be here or that policeman, he would've said. | 0:56:14 | 0:56:19 | |
-You're unbelievable. -That girl was almost like a daughter to me. | 0:56:19 | 0:56:23 | |
I'd rather be thinking about her, if you don't mind. | 0:56:23 | 0:56:26 | |
He's coming home. He is! | 0:56:26 | 0:56:29 | |
-There. Right. -You ready? -Yes. | 0:56:32 | 0:56:35 | |
Ahh! | 0:56:36 | 0:56:38 | |
-Yeah. -Yeah? -Yeah, it's all right this. -See? I have got good taste. | 0:56:39 | 0:56:43 | |
What you doing home? | 0:56:44 | 0:56:46 | |
Erm, the teacher was ill and there was no replacement. | 0:56:46 | 0:56:49 | |
-Is this the new sofa? -Yeah. -Yeah, what do you think? | 0:56:49 | 0:56:52 | |
-You like? -Yeah? -Mm, it's comfy. | 0:56:53 | 0:56:56 | |
Yeah, and I'm not just stopping at a sofa. | 0:56:56 | 0:56:59 | |
-Tanya...? -Not one trace. | 0:57:00 | 0:57:04 | |
So, how come it's taken you this long to come forward?! | 0:57:04 | 0:57:08 | |
It's not in your earlier statement, there's no mention of it anywhere. | 0:57:08 | 0:57:12 | |
-That's because... -Yes? | 0:57:12 | 0:57:15 | |
Look, I was in shock about Heather, all right? | 0:57:16 | 0:57:18 | |
I liked her, everybody did. | 0:57:18 | 0:57:20 | |
But I was numb for a while... | 0:57:21 | 0:57:24 | |
in a daze, I was in a trance, you know? | 0:57:24 | 0:57:27 | |
-And then... -What? | 0:57:27 | 0:57:29 | |
Well, then my head cleared. | 0:57:30 | 0:57:32 | |
Listen, this is the God's honest truth, all right? | 0:57:33 | 0:57:37 | |
Andrew Cotton is innocent, all right? You've got the wrong man! | 0:57:37 | 0:57:41 | |
DOOR SLAMS | 0:57:41 | 0:57:44 | |
Look, Shirley just left me with him, all right? Just take him. | 0:57:44 | 0:57:48 | |
Right, so I've ordered the limousine and when we get to the club, | 0:57:55 | 0:57:58 | |
wall-to-wall celebs but we're going to split it, OK? | 0:57:58 | 0:58:01 | |
Oh, hear that, Whitney Dean? This is what I call an 18th. Yes! | 0:58:01 | 0:58:05 | |
I know. It's great, I can't wait. | 0:58:05 | 0:58:07 | |
-I will need some money for the deposit, though. -Ooh, how much? | 0:58:07 | 0:58:10 | |
-Cos I'm skint. -Well, you're not paying. | 0:58:10 | 0:58:12 | |
It's going to be mainly me and Whit and whoever else we can find. | 0:58:12 | 0:58:17 | |
Listen, I've got to get back to the nursery, | 0:58:17 | 0:58:20 | |
but I'll swing past the cashpoint on the way back. | 0:58:20 | 0:58:23 | |
-Yeah, OK, as long as you're quick. -Yeah, see you later. -Ah, I'm really excited now! | 0:58:23 | 0:58:27 | |
-Ray? -Yo. | 0:58:39 | 0:58:40 | |
That's my pot. I was just about to use it! | 0:58:40 | 0:58:42 | |
Yeah, well, it's full of my stuff now. | 0:58:42 | 0:58:44 | |
-Oi! -Not any more, it isn't. | 0:58:50 | 0:58:52 | |
There goes someone's lunch. What are you doing? | 0:58:52 | 0:58:54 | |
-What's wrong with you? -Jean?! | 0:58:54 | 0:58:56 | |
-It's my pot. -It's Alfie's pot! -Yeah, well, I washed it up. | 0:58:56 | 0:58:59 | |
Is she always like this? | 0:59:01 | 0:59:02 | |
Nah, sometimes she's difficult(!) | 0:59:02 | 0:59:05 | |
That's Michelle. She was really good, she was. She was a good mate. | 0:59:13 | 0:59:17 | |
There's my Auntie Pauline. | 0:59:18 | 0:59:21 | |
Sadly, she's no longer with us. She was a lovely lady. | 0:59:21 | 0:59:24 | |
And there's Uncle Arthur. | 0:59:24 | 0:59:25 | |
I tell you what, he was a fantastic gardener. | 0:59:25 | 0:59:27 | |
He loved that allotment. | 0:59:27 | 0:59:30 | |
And there... | 0:59:30 | 0:59:32 | |
there's my lovely mum. | 0:59:32 | 0:59:35 | |
So, why are all the good people bigger than the others? | 0:59:35 | 0:59:39 | |
-Erm, well, it's in order of importance. -It looks weird. | 0:59:39 | 0:59:44 | |
It's like we're GIANTS or something. | 0:59:44 | 0:59:46 | |
-All right, boys? What you doing? -All right? -Oh, family tree! | 0:59:46 | 0:59:50 | |
Where am I? | 0:59:52 | 0:59:53 | |
Well, it's a family tree. | 0:59:54 | 0:59:56 | |
Well, I should still be on it. | 0:59:56 | 0:59:58 | |
Yeah, but a family tree is about blood lines and marriage, | 0:59:58 | 1:00:01 | |
and you're... | 1:00:01 | 1:00:02 | |
Right, such a charmer(!) | 1:00:05 | 1:00:08 | |
I don't know how you got married once, let alone four times. | 1:00:10 | 1:00:12 | |
Ask this lot, they'll tell you why. | 1:00:12 | 1:00:15 | |
DOOR THUDS | 1:00:15 | 1:00:16 | |
So, where's Jay? | 1:00:19 | 1:00:20 | |
Well, I've looked all over, I've phoned, everything. | 1:00:20 | 1:00:24 | |
-All I can think is that he's gone to the police station. -What? | 1:00:24 | 1:00:29 | |
-You said you was handling it! -Yes, and I am. -How? | 1:00:29 | 1:00:32 | |
How exactly is this handling it? I bet he's spilling his guts now. | 1:00:32 | 1:00:34 | |
-Listen, he ain't going to grass you up, is he? -I grassed on you. | 1:00:34 | 1:00:37 | |
I mean, so what's that, it's game over? | 1:00:37 | 1:00:40 | |
-I bet they're coming after me now. -Listen, if he's gone to the police station, he's gone for Andrew. | 1:00:40 | 1:00:45 | |
I believed in you. I TRUSTED you! | 1:00:45 | 1:00:47 | |
He ain't going to dob you in it. He can't, can he? | 1:00:47 | 1:00:49 | |
He was there himself, he's an accessory, in't he? | 1:00:49 | 1:00:52 | |
I knew this would happen. I KNEW he'd crack. | 1:00:52 | 1:00:54 | |
Ben, there's nothing connecting you with Heather. Nothing. | 1:00:54 | 1:00:58 | |
Ben look at me, will you? LOOK at me! | 1:00:58 | 1:01:00 | |
Now, I've been running round everywhere for you, all right? | 1:01:01 | 1:01:05 | |
I've even got Shirley dancing along to cartoons. | 1:01:05 | 1:01:08 | |
Everywhere I've turned, I've hit a brick wall | 1:01:08 | 1:01:10 | |
but I keep going, I keep smashing through those walls. | 1:01:10 | 1:01:12 | |
So, if I can, so can you. | 1:01:12 | 1:01:13 | |
If I go down, right, if that happens, I won't survive, Dad. | 1:01:13 | 1:01:16 | |
I won't. I know I won't! | 1:01:16 | 1:01:18 | |
-I'll do something to myself. -Don't say stuff like that. | 1:01:18 | 1:01:21 | |
Well, that's what you're facing, Dad, I mean it. | 1:01:21 | 1:01:23 | |
-I did this, do you know that? Me? -I -did it. | 1:01:23 | 1:01:26 | |
Now, listen to me, all right? Now, there's no witnesses, OK? | 1:01:26 | 1:01:30 | |
I've replaced Jay's hoodie and you've dumped the frame. | 1:01:30 | 1:01:34 | |
Well, yeah, of course, it's in the canal. | 1:01:34 | 1:01:36 | |
So there's nothing that can give you away! | 1:01:36 | 1:01:39 | |
So, just sit tight and this'll blow over. Trust me. | 1:01:39 | 1:01:43 | |
They can't keep Andrew past 60 hours without going to court, | 1:01:47 | 1:01:50 | |
so he'll be back by seven. | 1:01:50 | 1:01:52 | |
I'm going to set this so we're all ready. | 1:01:52 | 1:01:55 | |
Ready and waiting to welcome him home. | 1:01:55 | 1:01:57 | |
-What are you doing with that? -If he comes, he comes. | 1:01:59 | 1:02:03 | |
We don't want to sit here watching the minutes tick by. | 1:02:03 | 1:02:06 | |
There's no "if" about it. | 1:02:06 | 1:02:07 | |
Girls, let's just sit tight, eh? | 1:02:07 | 1:02:11 | |
All I'm saying is we've got to be prepared. | 1:02:11 | 1:02:13 | |
We have to be prepared for everything. | 1:02:13 | 1:02:16 | |
You do realise that, don't you? | 1:02:16 | 1:02:18 | |
People are talking, they're talking about his temper. | 1:02:18 | 1:02:21 | |
Well, everyone's got a temper. | 1:02:21 | 1:02:23 | |
Hanged on hearsay, the way of the world. | 1:02:23 | 1:02:25 | |
Yes, but they'll have all his records, won't they? | 1:02:25 | 1:02:29 | |
They'll all be spread over the desk in front of them. | 1:02:29 | 1:02:32 | |
We found the hoodie! | 1:02:32 | 1:02:34 | |
But is it enough? That's all I'm saying. | 1:02:34 | 1:02:39 | |
Andrew loved Heather. He loved her to bits. | 1:02:39 | 1:02:43 | |
And that's the Andrew we all know. | 1:02:43 | 1:02:46 | |
And that's the Andrew who's coming home. | 1:02:46 | 1:02:48 | |
What's that doing there? | 1:02:53 | 1:02:55 | |
We're just having a little spring clean. | 1:02:55 | 1:02:57 | |
Hello! | 1:02:57 | 1:02:58 | |
-Yeah, your mum's gone revamp loco. -We're turning it into my own room! | 1:02:58 | 1:03:02 | |
Eh? We haven't decided that yet. | 1:03:02 | 1:03:03 | |
Oh. Oh, right, well, Whitney was just bringing Oscar back. | 1:03:03 | 1:03:07 | |
I don't mind having him for longer, it's all right. | 1:03:07 | 1:03:09 | |
No, that's all right. You can play upstairs, can't you? | 1:03:09 | 1:03:12 | |
Right. | 1:03:12 | 1:03:14 | |
-Yeah, cool. -Lauren, we're just moving a few things around. | 1:03:14 | 1:03:17 | |
-That's all. -Yeah, it's still your room, Lauren. -No. | 1:03:17 | 1:03:20 | |
No, don't be daft, Abi needs her own space, doesn't she? | 1:03:20 | 1:03:24 | |
Come on, Whit. | 1:03:24 | 1:03:26 | |
See you later. | 1:03:26 | 1:03:27 | |
What'd you go and say that for? | 1:03:29 | 1:03:31 | |
What? | 1:03:31 | 1:03:33 | |
No, I can't believe that! Erased without a word. | 1:03:33 | 1:03:36 | |
D'you know what? I'm going to get so smashed on my birthday. | 1:03:36 | 1:03:38 | |
Listen, listen, erm, about that. I don't think I can come. | 1:03:38 | 1:03:42 | |
-What?! -I just checked my balance, Lauren, I can't afford it. | 1:03:42 | 1:03:45 | |
Right, well, this is just turning out to be great, innit(?) | 1:03:47 | 1:03:50 | |
Brilliant(!) | 1:03:50 | 1:03:51 | |
That is your Grandad Pete. | 1:03:58 | 1:04:00 | |
Ahh, I remember him. | 1:04:00 | 1:04:03 | |
-What was he like? -He was MY dad, you should be asking me. | 1:04:03 | 1:04:07 | |
Yeah, he was a lovely man. | 1:04:07 | 1:04:09 | |
Really gentle. Very sweet. | 1:04:10 | 1:04:12 | |
Must have skipped a generation, eh? | 1:04:13 | 1:04:15 | |
So, who's he? | 1:04:16 | 1:04:18 | |
Oh, I dunno, darling. | 1:04:18 | 1:04:20 | |
It's Uncle... | 1:04:20 | 1:04:22 | |
-That's Uncle Harry. -Yeah, Harry. -Mine was loads better than this. | 1:04:22 | 1:04:26 | |
-You wrote "witch" under Mel's photo. -Yeah, well, truth's the truth. | 1:04:26 | 1:04:30 | |
So, where should we put you, then? | 1:04:30 | 1:04:33 | |
TELEVISION PLAYS | 1:04:40 | 1:04:42 | |
'So, while we're gluing... | 1:04:43 | 1:04:45 | |
'can you tell me what your favourite gadget is on this show, Rachel? | 1:04:45 | 1:04:49 | |
'Well, I'm wearing it now...' | 1:04:49 | 1:04:51 | |
-What you doing? -I was just going to take him for a bit. | 1:04:56 | 1:05:00 | |
No, leave him. | 1:05:00 | 1:05:02 | |
I was asked to look after him, and look after him I will. | 1:05:03 | 1:05:06 | |
Well, you can't get too attached, can you? I mean, Darren... | 1:05:06 | 1:05:09 | |
Darren's going to come back for him eventually. | 1:05:09 | 1:05:12 | |
Too attached? What are you saying? | 1:05:12 | 1:05:13 | |
Well, first you lose Heather and then they come and take George away. | 1:05:13 | 1:05:18 | |
-George ain't going nowhere. -Well, that's not your call, is it? | 1:05:18 | 1:05:22 | |
Look, George is staying here for as long as I want him to. | 1:05:22 | 1:05:25 | |
Someone's got to be around to tell him who Hev was. | 1:05:25 | 1:05:28 | |
-I don't want her forgotten. -Fair enough. | 1:05:29 | 1:05:32 | |
DOOR OPENS | 1:05:32 | 1:05:34 | |
Alfie, you can't do that, there's a regression on! | 1:05:51 | 1:05:54 | |
What are you talking about? It's only 10%. | 1:05:54 | 1:05:56 | |
Kim, sweetheart, I can't keep lying to Kat | 1:05:56 | 1:05:58 | |
and telling her everything's OK. | 1:05:58 | 1:06:00 | |
In case you forgot, I've got a little boy to feed when he gets home. | 1:06:00 | 1:06:03 | |
-Well, you need to make some serious cutbacks, then. -Amy and Shenice are settled. | 1:06:03 | 1:06:07 | |
Here, you got any money-making ideas? | 1:06:07 | 1:06:09 | |
Kim, that's my business, darling. | 1:06:09 | 1:06:10 | |
-Alfie here's going into the red. -Actually, I have got one. | 1:06:10 | 1:06:13 | |
They have literally given the whole bedroom to Abi. | 1:06:13 | 1:06:16 | |
I mean, I've barely been gone, like, five minutes. | 1:06:16 | 1:06:18 | |
What sort of people do that? | 1:06:18 | 1:06:19 | |
-Yeah, but come Friday, yeah? -I'm going to be here. | 1:06:19 | 1:06:21 | |
-What?! -Well, I can't not have Whit there, can I? | 1:06:21 | 1:06:25 | |
No! Listen, don't worry about me, OK? | 1:06:25 | 1:06:27 | |
No, you listen. What do I REALLY want? | 1:06:27 | 1:06:30 | |
I want to be with my best mates. | 1:06:30 | 1:06:32 | |
-Cos it's not about where you are, is it? It's about who you're with. -You sure? -Mm, yes. | 1:06:32 | 1:06:37 | |
Please just get some money fast, yeah? | 1:06:39 | 1:06:41 | |
I'm sorry, but I've been doing a load of planning. | 1:06:41 | 1:06:44 | |
-I can't. I can't get cash just like that. -No, and she doesn't need to. | 1:06:44 | 1:06:49 | |
Right, it's my birthday, we do what I want. | 1:06:49 | 1:06:51 | |
I am merely pointing out that she's not even a proper chef, yeah? | 1:06:51 | 1:06:54 | |
So what exactly is she doing? | 1:06:54 | 1:06:56 | |
Listen, you can't talk to her like that. She's part of the woodwork. | 1:06:56 | 1:06:59 | |
Yeah, too right. | 1:06:59 | 1:07:00 | |
Listen, you want to get rid of someone then it's got to be Ray. | 1:07:00 | 1:07:03 | |
Last dog in, first dog out. | 1:07:03 | 1:07:05 | |
And trust me, he's the dog to end all dogs. | 1:07:05 | 1:07:08 | |
Ben! Ben! Where the hell do you think you're going? | 1:07:10 | 1:07:13 | |
-You've got no cash, you won't last five seconds! -That's four more than I'll last here. | 1:07:13 | 1:07:17 | |
-I've explained it to you, all right? -No, it's not just that, all right? | 1:07:17 | 1:07:20 | |
The more I look at George, the more I see Heather. It's like she's haunting me. | 1:07:20 | 1:07:24 | |
-The social won't let Shirley keep him. -Don't matter. I'm going to quit school and call Gran. | 1:07:24 | 1:07:28 | |
Forget school. It means I can stick closer to you anyway. Now, you listen to me, | 1:07:28 | 1:07:31 | |
you are not going to get done for this, all right? | 1:07:31 | 1:07:34 | |
Because no-one is going to take you away from me. Do you understand? | 1:07:34 | 1:07:38 | |
No-one. | 1:07:38 | 1:07:39 | |
Well? | 1:07:41 | 1:07:43 | |
I preferred the other picture of me. | 1:07:45 | 1:07:48 | |
That's not what I meant. | 1:07:48 | 1:07:50 | |
Yeah, I know. Are you a part of this or not? | 1:07:50 | 1:07:54 | |
D'you want to be? | 1:07:56 | 1:07:58 | |
That's for you to answer. | 1:08:00 | 1:08:02 | |
I tell you, there's some real monsters on there. | 1:08:05 | 1:08:08 | |
DOOR OPENS | 1:08:14 | 1:08:16 | |
What'd you tell 'em? | 1:08:28 | 1:08:29 | |
What I had to. Couldn't let Andrew go down for it, you know that. | 1:08:29 | 1:08:33 | |
-And that's all? -Yeah. | 1:08:33 | 1:08:35 | |
Swear to you. | 1:08:35 | 1:08:38 | |
D'you know what I'd like to do right now? | 1:08:38 | 1:08:40 | |
Bet I can guess. | 1:08:40 | 1:08:42 | |
I'd like to go to bed, | 1:08:42 | 1:08:44 | |
I'd like to switch the light off and sleep for a week, or maybe two. | 1:08:44 | 1:08:48 | |
Never felt like that, just wanting to hide. | 1:08:51 | 1:08:54 | |
They'll never know it was Ben, will they? | 1:08:54 | 1:08:57 | |
I should be easing off. You know, looking back and thinking, "I've done all right for myself." | 1:08:57 | 1:09:02 | |
I've got a good woman, a...good family, of sorts... | 1:09:02 | 1:09:06 | |
a house, cash, businesses. | 1:09:06 | 1:09:08 | |
There's a...lot to be proud of. | 1:09:10 | 1:09:13 | |
At least, there was. | 1:09:14 | 1:09:16 | |
I know you're protecting him. | 1:09:17 | 1:09:19 | |
I mean, obviously you've got to do that, but... | 1:09:19 | 1:09:22 | |
I mean, you've got to ask yourself why. | 1:09:22 | 1:09:24 | |
Why you'd risk it all happening again. | 1:09:25 | 1:09:28 | |
I'm not saying it will, but... | 1:09:28 | 1:09:30 | |
I mean, if you wanted to, you could stop this, couldn't you? | 1:09:30 | 1:09:33 | |
-Here and now. -It is stopped. | 1:09:33 | 1:09:35 | |
Cos you and me, we can help him. | 1:09:35 | 1:09:38 | |
Watch him, you mean? I ain't a guard dog, Phil. | 1:09:38 | 1:09:41 | |
-Everyone gets tipped over the edge, don't they? -Not that far. | 1:09:41 | 1:09:44 | |
He's...innocent. | 1:09:47 | 1:09:48 | |
-What?! -He's innocent. | 1:09:50 | 1:09:53 | |
That's what we've got to tell ourselves. That he... | 1:09:53 | 1:09:56 | |
he didn't touch her. | 1:09:56 | 1:09:58 | |
Not the Ben that we know. | 1:09:59 | 1:10:01 | |
You're wrong, you know. | 1:10:10 | 1:10:12 | |
You'll end up apologising. | 1:10:12 | 1:10:14 | |
You will, you'll see. | 1:10:15 | 1:10:17 | |
I shall be wearing black again. | 1:10:19 | 1:10:21 | |
I shall be going to the wardrobe, picking out the same dress, the same hat. | 1:10:21 | 1:10:26 | |
Funerals, Rose, I'm sick of 'em. | 1:10:26 | 1:10:29 | |
Singing the same hymns with a lump in my throat, | 1:10:31 | 1:10:33 | |
looking round seeing people with their mascara running | 1:10:33 | 1:10:37 | |
and red, puffy eyes. | 1:10:37 | 1:10:39 | |
I've got too used to 'em lately. | 1:10:39 | 1:10:41 | |
In truth, I've stopped crying. | 1:10:41 | 1:10:44 | |
But I shall cry for Heather. | 1:10:45 | 1:10:47 | |
And you will too, when you've come to your senses. | 1:10:49 | 1:10:52 | |
Here's another one. | 1:10:55 | 1:10:57 | |
I'm just coming to get some of my stuff before you throw it away. | 1:11:00 | 1:11:04 | |
We're not doing that. | 1:11:04 | 1:11:05 | |
-No, course we ain't. No, I'd flog it on the internet first! -Behave. | 1:11:05 | 1:11:09 | |
Look, this is your home. Even if it all ends up upside down, this is where you belong. | 1:11:09 | 1:11:13 | |
Yeah, I know that, Mum. | 1:11:13 | 1:11:15 | |
And I didn't fight that disease just to watch you walk off into the sunset now, did I? | 1:11:15 | 1:11:19 | |
-Sorry. -Right. There's rooms to sort out and a birthday party to plan | 1:11:19 | 1:11:23 | |
so if you don't mind, we're very busy people. | 1:11:23 | 1:11:25 | |
Wait. What, you're throwing me a birthday party? | 1:11:25 | 1:11:28 | |
Just a little family thing. Emphasis being on the family. | 1:11:28 | 1:11:30 | |
That's before you go out with your mates. Is that all right? | 1:11:30 | 1:11:33 | |
-I thought that you wanted to get shot of me. -And we thought you'd had enough of us. | 1:11:33 | 1:11:37 | |
So what do any of us know? | 1:11:37 | 1:11:39 | |
Bless him. | 1:11:43 | 1:11:44 | |
His little leg hurts. | 1:11:44 | 1:11:46 | |
He can't have any more painkillers yet. | 1:11:46 | 1:11:49 | |
Look, Ian...I was thinking... | 1:11:50 | 1:11:53 | |
Well, this family tree stuff, I mean, stupid as it is... | 1:11:53 | 1:11:57 | |
..it kind of puts things into place, you know? | 1:11:58 | 1:12:02 | |
If I can't even earn a spot on that, really, what is the point? | 1:12:02 | 1:12:07 | |
SHE LAUGHS | 1:12:14 | 1:12:15 | |
Ian! | 1:12:16 | 1:12:18 | |
Look, doing that family tree, | 1:12:20 | 1:12:22 | |
it's made me realise how many mistakes I've made on the romance front. | 1:12:22 | 1:12:26 | |
Mandy, I don't want to make any more. | 1:12:26 | 1:12:28 | |
-OK, well, stop acting like an idiot, then. -All right. | 1:12:30 | 1:12:34 | |
You look after me, I'll look after you. | 1:12:36 | 1:12:39 | |
-Stop that. -I can't. | 1:12:49 | 1:12:52 | |
I don't like you crying. | 1:12:54 | 1:12:55 | |
Yeah, well, it scared me, what I did. | 1:12:55 | 1:12:58 | |
Listen, I just want my brother back. | 1:13:09 | 1:13:11 | |
Not that thing I saw. | 1:13:12 | 1:13:14 | |
I just want Ben back. | 1:13:16 | 1:13:17 | |
-I promise. -Forever? | 1:13:19 | 1:13:22 | |
Yeah, I'll do anything. I swear, I swear. | 1:13:22 | 1:13:26 | |
BEN SOBS | 1:13:28 | 1:13:30 | |
Cos if I see it again, I'll put you down myself. | 1:13:32 | 1:13:35 | |
That's a promise. | 1:13:41 | 1:13:42 | |
Right, there's no choice at all, yeah? | 1:13:47 | 1:13:49 | |
Thank you, Kim. Can you let me handle this, though, darling? | 1:13:49 | 1:13:53 | |
-Ray, could you come through, please, mate? -Yo. | 1:13:53 | 1:13:55 | |
Now, you've probably guessed that people aren't having a good time, monetary wise, right now. | 1:13:56 | 1:14:02 | |
-Taxi for Ray! -Why's she saying that? | 1:14:02 | 1:14:05 | |
What? And there's a recession, a big recession, really massive, right across the country. | 1:14:05 | 1:14:09 | |
Probably the biggest recession ever... | 1:14:09 | 1:14:11 | |
OK, fair enough, I see where you're heading with this. | 1:14:11 | 1:14:14 | |
Guys, you know, | 1:14:14 | 1:14:16 | |
I'd cut my arms off if it meant things would stay the same. | 1:14:16 | 1:14:19 | |
-Except you wouldn't be able to serve any pints. -Stop talking, you're always talking. | 1:14:19 | 1:14:24 | |
Anyway, the bottom line is, I've done some sums | 1:14:24 | 1:14:27 | |
and, well, things have to change. | 1:14:27 | 1:14:30 | |
Jean, will you please not do the big watery-eyes thing? | 1:14:32 | 1:14:35 | |
Listen, you know, | 1:14:35 | 1:14:38 | |
I'm not the drowning-puppies type of guy. I can't do this. No, I can't. | 1:14:38 | 1:14:42 | |
Alfie can't afford to pay you both. So one of you has got to go, OK? | 1:14:42 | 1:14:45 | |
So bye-bye, yeah? Don't forget to write. | 1:14:45 | 1:14:47 | |
Which one of us is going? | 1:14:50 | 1:14:51 | |
Listen, I'm going to do heads and tails, all right? Here we go. | 1:14:55 | 1:14:58 | |
What, flip a coin? I ain't having that. I'll take you to court! | 1:14:58 | 1:15:02 | |
No, Ray, calm down, calm down. | 1:15:02 | 1:15:03 | |
Please, OK... | 1:15:03 | 1:15:06 | |
the one who has to go is... | 1:15:06 | 1:15:08 | |
Yes? | 1:15:09 | 1:15:11 | |
Jean, it's you. | 1:15:13 | 1:15:15 | |
-Me? -Yeah, I'm sorry, sweetheart. I'm sorry. | 1:15:16 | 1:15:20 | |
-You're sacking ME? -No, hold on a minute. Alfie, what you doing? | 1:15:23 | 1:15:27 | |
-But I cook and clean and I do twice as much as... -Yes. | 1:15:27 | 1:15:29 | |
Jean, Jean, I know, sweetheart | 1:15:29 | 1:15:31 | |
but, you know, Ray, he's a qualified chef | 1:15:31 | 1:15:33 | |
and he brings, you know, he can bring his Michelin magic. | 1:15:33 | 1:15:36 | |
Now you're just sticking the boot in! | 1:15:36 | 1:15:38 | |
Jean, no! Jean, come on! | 1:15:38 | 1:15:42 | |
Jean, please. | 1:15:42 | 1:15:44 | |
You better cancel that taxi. | 1:15:44 | 1:15:46 | |
Do you want a story? | 1:15:50 | 1:15:52 | |
How about a film? | 1:15:54 | 1:15:55 | |
What d'you want then, eh? | 1:15:57 | 1:15:59 | |
Mummy. Mummy. | 1:16:00 | 1:16:03 | |
I want that, too. | 1:16:05 | 1:16:07 | |
You didn't really want me out of here, did you? | 1:16:11 | 1:16:14 | |
I so did, and I still do. | 1:16:14 | 1:16:16 | |
Seriously? You would seriously give all this up? | 1:16:16 | 1:16:19 | |
SHE LAUGHS | 1:16:19 | 1:16:21 | |
Yeah. You ain't as hot as you think, you know. | 1:16:23 | 1:16:26 | |
Not when I see you giving Roxy the chat and the charm. | 1:16:26 | 1:16:29 | |
-Ah, so I should've saved it all for you then, huh? -Baby, I don't care. | 1:16:29 | 1:16:32 | |
"Baby"?! I think you do. | 1:16:32 | 1:16:35 | |
Jean? I am so sorry. | 1:16:40 | 1:16:43 | |
No, it's all right, really, I understand. | 1:16:43 | 1:16:46 | |
I'm not wanted. Story of my life! I should've seen it coming, really. | 1:16:46 | 1:16:50 | |
No, no, you've misunderstood cos I've got plans for you... | 1:16:50 | 1:16:54 | |
big plans, all going round in my head. | 1:16:54 | 1:16:57 | |
Everyone knows you're a great chef but what I need, more than anything... | 1:16:57 | 1:17:01 | |
-is an events manager. -Since when? -Yes, and you're it. | 1:17:01 | 1:17:05 | |
You are it. You are going to be solely responsible | 1:17:05 | 1:17:07 | |
for putting the Queen Vic back on the map and bringing the punters in. | 1:17:07 | 1:17:12 | |
Starting now! That's it, come on, give me a big smile. That's a smile. | 1:17:12 | 1:17:16 | |
You start now. Good girl! Woo! Let's have it! Yes! | 1:17:16 | 1:17:18 | |
You are one soft and stupid man! | 1:17:25 | 1:17:29 | |
Thank you, Roxy. Well, wealth is about more than just profits. | 1:17:29 | 1:17:34 | |
Sometimes it's here, inside the heart. | 1:17:34 | 1:17:38 | |
-Thank you. Thank you. -HE LAUGHS | 1:17:38 | 1:17:40 | |
-Which is why I love you. -Thank you. | 1:17:40 | 1:17:42 | |
I'm going to give 'em a bell, see what's going on. | 1:17:56 | 1:17:59 | |
-Wait. -What? | 1:17:59 | 1:18:01 | |
There's someone coming up the path. | 1:18:01 | 1:18:03 | |
Ma. | 1:18:07 | 1:18:09 | |
Oh! | 1:18:09 | 1:18:11 | |
Ohh! | 1:18:11 | 1:18:12 | |
Andrew's out. He's been released. | 1:18:21 | 1:18:23 | |
All right, you two. The game's changed. | 1:18:27 | 1:18:29 | |
The Old Bill, they're going to be looking elsewhere, so don't... | 1:18:29 | 1:18:33 | |
do NOT give them a reason to come to my door. Do you understand? | 1:18:33 | 1:18:36 | |
-I ain't going to do nothing. -Jay, you got that? -Yeah, I got it. | 1:18:36 | 1:18:41 | |
You left these on the counter. | 1:19:56 | 1:19:58 | |
Dot'll kill me, you know! | 1:20:00 | 1:20:02 | |
What's that? | 1:20:02 | 1:20:04 | |
Oh, nothing. | 1:20:04 | 1:20:05 | |
Just a few words I was going to read at Heather's wedding. | 1:20:05 | 1:20:09 | |
Oh. Your father-of-the-bride speech. | 1:20:09 | 1:20:13 | |
Yeah. Poor girl, I mean... | 1:20:13 | 1:20:16 | |
she will never get to hear it. | 1:20:16 | 1:20:18 | |
Nobody will. | 1:20:19 | 1:20:21 | |
Well, read it to me. | 1:20:21 | 1:20:23 | |
No, no, no...I can't. | 1:20:25 | 1:20:28 | |
Come on. Zainab, she can spare me for half-an-hour. | 1:20:28 | 1:20:30 | |
I'll grab my coat, yeah? | 1:20:30 | 1:20:32 | |
My Andrew won't touch a sausage without a dollop of brown sauce. | 1:20:35 | 1:20:39 | |
Where's it gone? | 1:20:39 | 1:20:41 | |
Maybe the local police mislaid it when they was ransacking me abode. | 1:20:41 | 1:20:45 | |
-They shouldn't have done that. -There's some tea in the pot. | 1:20:45 | 1:20:49 | |
-I'm all right, thanks. -I'm making you a full English. | 1:20:49 | 1:20:52 | |
-I ain't hungry. -But you've been imprisoned. | 1:20:52 | 1:20:55 | |
You've had a traumatic experience. | 1:20:55 | 1:20:57 | |
It was Walford nick, not Alcatraz. | 1:20:57 | 1:21:00 | |
Yeah, well, whatever. At least now everyone knows he's innocent. | 1:21:00 | 1:21:05 | |
Don't they? | 1:21:05 | 1:21:06 | |
Well, the police know what they're doing. | 1:21:08 | 1:21:11 | |
I never done it. You... | 1:21:11 | 1:21:13 | |
You do know that, don't you? | 1:21:13 | 1:21:15 | |
You can't think I killed Heather? | 1:21:15 | 1:21:17 | |
That poor girl, she's laid in the mortuary. | 1:21:17 | 1:21:20 | |
I don't know what to think! | 1:21:20 | 1:21:21 | |
I see... | 1:21:21 | 1:21:23 | |
Tell him you believe him. | 1:21:23 | 1:21:25 | |
Mum, don't. I should go. | 1:21:25 | 1:21:27 | |
-Andrew! -I can't stay here. I can't stay. | 1:21:27 | 1:21:30 | |
If he's going, I'm going too! | 1:21:30 | 1:21:33 | |
There must be something we can do. | 1:21:33 | 1:21:35 | |
-They can't let scum like that walk the streets. -I told you, Andrew will get what's coming to him. | 1:21:35 | 1:21:40 | |
-Just... Just more cards, that's all. -Coming to the caff, yeah? -Yeah. | 1:21:40 | 1:21:44 | |
-Is he still not sleeping? -Well, not really. | 1:21:44 | 1:21:47 | |
Look, Shirl, maybe...maybe this ain't the right place for him. | 1:21:47 | 1:21:50 | |
He just needs a new bed. | 1:21:50 | 1:21:53 | |
The least we can do is give him somewhere half-decent to sleep. | 1:21:53 | 1:21:55 | |
Go get him one of them racing car beds, a red one with wheels on. | 1:21:55 | 1:22:00 | |
You'd like that wouldn't you, George? | 1:22:00 | 1:22:02 | |
Social services ain't going to let you keep him. He's got a dad. | 1:22:02 | 1:22:04 | |
Yeah, and I've told you, he's got me. | 1:22:04 | 1:22:08 | |
Do you know what? I don't think this place has had a proper clean since Shirley's had it. | 1:22:09 | 1:22:13 | |
There's just months of accumulated grease just festering in that equipment. | 1:22:13 | 1:22:18 | |
Er, you know what, Ian, let's forget about the bacon sandwich. | 1:22:18 | 1:22:20 | |
-I'll just go with the tea. -Yeah? -Yeah. | 1:22:20 | 1:22:23 | |
What time did you crawl out of bed this morning? | 1:22:24 | 1:22:26 | |
It was early. | 1:22:26 | 1:22:29 | |
Well, I had plans. | 1:22:29 | 1:22:30 | |
Yeah, well, I've got work. | 1:22:30 | 1:22:32 | |
Get off on being the Mitchells' skivvy, do you? | 1:22:32 | 1:22:34 | |
I assume they're paying you? | 1:22:34 | 1:22:37 | |
Don't let 'em take advantage, Ian. | 1:22:37 | 1:22:39 | |
I'm thinking scotch eggs, yeah? | 1:22:39 | 1:22:42 | |
Or Snog, Marry, Avoid? | 1:22:42 | 1:22:43 | |
I don't mind, Mum. | 1:22:43 | 1:22:45 | |
I'll just do a few picky bits then, eh? | 1:22:45 | 1:22:47 | |
And a cake, of course. Come round about one-ish? | 1:22:47 | 1:22:50 | |
-That goes for you an' all, Abs. -I do have school. | 1:22:50 | 1:22:52 | |
And a lunch break. Give you girls time to get ready for R and R, innit? | 1:22:52 | 1:22:57 | |
Good idea to line the stomach. | 1:22:57 | 1:22:59 | |
Oh, my little baby. Happy birthday! | 1:22:59 | 1:23:02 | |
-Give them whatever they want. I'll settle up later. See you. -See ya. | 1:23:02 | 1:23:05 | |
You know, as far as fake IDs go, this is pretty good. | 1:23:07 | 1:23:10 | |
So it'd be a shame to waste it... | 1:23:10 | 1:23:12 | |
Hey, Abi? | 1:23:13 | 1:23:14 | |
-Er, no. She stole my room. -You ready, yeah? You in the zone? | 1:23:14 | 1:23:18 | |
-Let's just get it over and done with. -All right, come on. | 1:23:18 | 1:23:21 | |
We've practised this, man. Get in the zone. All right, you ready? | 1:23:21 | 1:23:23 | |
What is going on?! | 1:23:23 | 1:23:26 | |
Yo, yo. | 1:23:26 | 1:23:27 | |
All right, here we go. | 1:23:27 | 1:23:28 | |
(RAPS) Here we go. Here we go. Hey, Lauren, luscious, it's your birthday today. | 1:23:28 | 1:23:32 | |
You're 18, and you can melt eas-ay. | 1:23:32 | 1:23:35 | |
You can do what you want, style your hair frizz-ay, get down and dance, | 1:23:35 | 1:23:38 | |
get a little dizzy. | 1:23:38 | 1:23:39 | |
Yo, Tamwar. Yo, yo. | 1:23:39 | 1:23:41 | |
-Yo, Tamwar. -Yeah, yeah. | 1:23:41 | 1:23:43 | |
-You're name is Lauren. -Lauren. -And it rhymes with sporran. -Sporran. | 1:23:43 | 1:23:46 | |
-And Sven Goran. -Goran. -Eriksson... | 1:23:46 | 1:23:48 | |
which is difficult to incorporate into a rap. | 1:23:48 | 1:23:50 | |
Bruv, we practised this. Happy Birthday, Lauren. | 1:23:50 | 1:23:53 | |
-Happy Birthday, darling. -Thank you. | 1:23:53 | 1:23:55 | |
I told them it's not a flash mob with two people. | 1:23:55 | 1:23:58 | |
It's just ritual humiliation. | 1:23:58 | 1:24:01 | |
I don't get what the big deal is. It's from Ritchie. | 1:24:01 | 1:24:03 | |
Well, just open it then. | 1:24:03 | 1:24:05 | |
Have you heard? The police let Andrew out! It's disgusting. | 1:24:05 | 1:24:08 | |
I know. I can't believe it either. | 1:24:08 | 1:24:09 | |
And he's staying at Grandma Dot's. | 1:24:09 | 1:24:12 | |
-Ta-ra. Oh, Abs. Um... -I've got to go. | 1:24:14 | 1:24:17 | |
-Who's fault is that, eh? -Just open the letter. | 1:24:17 | 1:24:20 | |
Gerbera. | 1:24:35 | 1:24:37 | |
Gerbera Jamesonii. | 1:24:37 | 1:24:39 | |
I was going to put them on Heather's shrine. | 1:24:42 | 1:24:44 | |
Pink was her favourite colour. | 1:24:44 | 1:24:47 | |
Well, that's good then. | 1:24:47 | 1:24:49 | |
If there's anything I can do... | 1:24:50 | 1:24:52 | |
No-one can do nothing. | 1:24:52 | 1:24:54 | |
Unless you can bring her back. | 1:24:55 | 1:24:57 | |
He'll find out. Ritchie tells him everything. | 1:25:01 | 1:25:04 | |
It ain't got nothing to do with him. It's my name on the letter. | 1:25:04 | 1:25:07 | |
-You're just going to make things worse. -How much worse can things get? | 1:25:07 | 1:25:10 | |
That poor, poor man. | 1:25:18 | 1:25:21 | |
No. Poor, poor Heather. You see, it just goes to show, you can't trust a man, can you? | 1:25:21 | 1:25:24 | |
-HE COUGHS -Present company excepted, thank you. | 1:25:24 | 1:25:28 | |
Alfie, am I still events manager? | 1:25:29 | 1:25:32 | |
Yes, course you are. It's your official title, isn't it? | 1:25:32 | 1:25:36 | |
Jean Slater... | 1:25:36 | 1:25:37 | |
Event-a-lator! | 1:25:37 | 1:25:39 | |
THEY CHUCKLE | 1:25:39 | 1:25:41 | |
And do you trust me... if I had an idea? | 1:25:42 | 1:25:45 | |
Yeah, yeah. Course, yeah. | 1:25:46 | 1:25:47 | |
I've got one. | 1:25:47 | 1:25:49 | |
-An idea. -Wow. OK. | 1:25:49 | 1:25:52 | |
The Queen Vic pays tribute to Heather Trott. | 1:25:52 | 1:25:54 | |
"When I walked you down that aisle... | 1:25:57 | 1:26:00 | |
"arm in arm... | 1:26:00 | 1:26:02 | |
"you made me the proudest man... | 1:26:02 | 1:26:05 | |
"in Walford." | 1:26:05 | 1:26:06 | |
It's OK. | 1:26:08 | 1:26:10 | |
"Just so you know... | 1:26:13 | 1:26:15 | |
"..I wouldn't be giving you away to just anyone. | 1:26:16 | 1:26:19 | |
"I know Andrew will look after you | 1:26:21 | 1:26:23 | |
"and make you and George happy | 1:26:23 | 1:26:26 | |
-"and he'll have me to answer to if he doesn't." -Look, I think | 1:26:26 | 1:26:29 | |
-you should be getting back to the shop. -Do you know what? | 1:26:29 | 1:26:32 | |
Why don't you just get away? | 1:26:32 | 1:26:35 | |
You could call Anthony. It would do you some good to spend some time with your son. | 1:26:35 | 1:26:38 | |
No, no, no, I'm all right, OK? | 1:26:38 | 1:26:40 | |
Maybe it'd be better if you weren't around right now. | 1:26:44 | 1:26:47 | |
Now that Phil Mitchell's back? | 1:26:47 | 1:26:49 | |
You're still getting over Pat and... | 1:26:49 | 1:26:52 | |
now Heather. | 1:26:52 | 1:26:53 | |
Well, Phil's not going to be doing anything. | 1:26:54 | 1:26:58 | |
Not even he's that stupid. Look, just promise me you'll call him? | 1:26:58 | 1:27:03 | |
It smells like someone's died, Tyler. | 1:27:06 | 1:27:08 | |
-I can't smell nothing! -What is it then? -Rats. | 1:27:08 | 1:27:10 | |
Or as I like to think of 'em, hamsters with attitude. | 1:27:10 | 1:27:13 | |
-Rats! -Look on the bright side, at least they're dead. | 1:27:13 | 1:27:16 | |
-How do you know? -Cos I put poison down, didn't I? All right? | 1:27:16 | 1:27:19 | |
This ain't just a pretty face. | 1:27:19 | 1:27:21 | |
Something just moved. | 1:27:23 | 1:27:25 | |
What are you...?! They're dead, you muppet! | 1:27:28 | 1:27:31 | |
What are those muppets doing up there? Didn't you hear that? | 1:27:31 | 1:27:35 | |
Oi. Accounts. | 1:27:35 | 1:27:37 | |
-Make a start on 'em. -"Please" would be nice. | 1:27:37 | 1:27:40 | |
You're the one with the mathematical brain, Michael. | 1:27:40 | 1:27:43 | |
Cloth ears, you're telling me you can't hear this?! | 1:27:43 | 1:27:46 | |
-What you done now? -Cos it's really me, Jack, cos I'm in league with the National Grid(!) | 1:27:46 | 1:27:50 | |
Give me the torch, will you? | 1:27:50 | 1:27:53 | |
So it starts at 2 o'clock... | 1:27:57 | 1:28:00 | |
and it's to remember Heather... | 1:28:00 | 1:28:03 | |
with joy and to raise money for her funeral. | 1:28:03 | 1:28:07 | |
And, well, I wondered if you'd like to be guest of honour. | 1:28:07 | 1:28:14 | |
-Guest of honour? -Yeah, that's right. | 1:28:14 | 1:28:17 | |
It's out of question. | 1:28:17 | 1:28:19 | |
Oh. | 1:28:20 | 1:28:22 | |
Oh...I know how close you both were. | 1:28:22 | 1:28:25 | |
Well... | 1:28:28 | 1:28:29 | |
..just in case you change your mind. | 1:28:31 | 1:28:34 | |
-I very much doubt it. -Give us one good reason then. | 1:28:34 | 1:28:37 | |
Well, you know I like to do my grieving in private, Patrick. | 1:28:37 | 1:28:40 | |
Shame. Heather enjoyed a good night out. | 1:28:40 | 1:28:44 | |
Besides, my best jacket is in... | 1:28:44 | 1:28:46 | |
It's in the launderette. | 1:28:46 | 1:28:48 | |
Then, um, maybe we can go and get it... | 1:28:49 | 1:28:52 | |
together. | 1:28:52 | 1:28:55 | |
It's time. | 1:28:55 | 1:28:57 | |
-Ben OK? -Yeah. Why? | 1:29:00 | 1:29:03 | |
Oh, I'm sorry, I thought you were mates. I must have been mistaken. | 1:29:03 | 1:29:07 | |
This looks like it could be a right laugh. | 1:29:07 | 1:29:10 | |
Don't tell me... | 1:29:10 | 1:29:12 | |
you're spending quality time with your deep fat fryer. | 1:29:12 | 1:29:16 | |
Come on, Ian, we haven't been out for ages! | 1:29:16 | 1:29:20 | |
Look, it's '80s. | 1:29:20 | 1:29:21 | |
Got to be right up your street. | 1:29:21 | 1:29:23 | |
Yeah, maybe I should show my face, shouldn't I? | 1:29:23 | 1:29:26 | |
Great. Right, I'm going to go and get my outfit sorted then. | 1:29:26 | 1:29:28 | |
Bananarama, eat your heart out. | 1:29:28 | 1:29:30 | |
Ignore 'em. | 1:29:44 | 1:29:45 | |
(SHOUTS) He's not done anything to be ashamed of! | 1:29:45 | 1:29:48 | |
-Mum, please, you're making it worse. -Well, how can it be my fault?! | 1:29:48 | 1:29:51 | |
Andrew! | 1:29:51 | 1:29:53 | |
Just leave me alone. | 1:29:53 | 1:29:54 | |
Is it me... | 1:29:59 | 1:30:00 | |
or is this shrine in front of the launderette thing... | 1:30:00 | 1:30:03 | |
it's a bit creepy? | 1:30:03 | 1:30:04 | |
Er, Phil wants to see you. | 1:30:06 | 1:30:08 | |
Ph...Phil Mitchell? | 1:30:09 | 1:30:11 | |
Wants to see me? | 1:30:11 | 1:30:12 | |
What have you done? | 1:30:12 | 1:30:15 | |
-Did you break it? -No, I've fixed it! | 1:30:18 | 1:30:21 | |
-Problem? -No. No problem. | 1:30:23 | 1:30:25 | |
-Your electrics playing up? -No. Why? -Well, ours are on the blink. | 1:30:27 | 1:30:30 | |
That's what happens when you don't pay your bills! | 1:30:30 | 1:30:33 | |
That's funny, innit? | 1:30:33 | 1:30:34 | |
Little bit strange though, the gym being so close to this place. | 1:30:34 | 1:30:37 | |
-What was all that banging? -Never heard no banging. -Me neither. | 1:30:37 | 1:30:41 | |
-No, nothing. -Oi! | 1:30:41 | 1:30:43 | |
Where you going? | 1:30:43 | 1:30:44 | |
To my other office. Let me know when the power's back on, yeah? | 1:30:44 | 1:30:47 | |
Jay said there was something you wanted to discuss, Mr Mitchell? | 1:30:52 | 1:30:55 | |
Yeah. | 1:30:55 | 1:30:56 | |
Darren, he's a mate of yours, right? | 1:30:58 | 1:31:00 | |
Yeah. Well, technically, I'm HIS wingman. | 1:31:00 | 1:31:02 | |
Well, tell him to come back here and get his son. | 1:31:02 | 1:31:06 | |
KNOCKING Yeah? | 1:31:06 | 1:31:10 | |
-Mr Mitchell, just asking if you know where little George is? -Get out of here. | 1:31:10 | 1:31:14 | |
-Have they taken him into care? -The pair of you, get out of here now! Out! | 1:31:14 | 1:31:17 | |
Oi. | 1:31:17 | 1:31:19 | |
Well, I dunno how you can live under the same roof as him. It's not safe. | 1:31:26 | 1:31:29 | |
Don't worry about me. I can take care of myself. | 1:31:29 | 1:31:32 | |
After what he did to Heather? | 1:31:32 | 1:31:34 | |
Calm down, he's moving out. | 1:31:34 | 1:31:37 | |
Cheers. What time did Lauren say she was turning up? I've got to be at a car auction in an hour. | 1:31:39 | 1:31:42 | |
Why don't you go down the Vic cos that's where she'll be, isn't it? | 1:31:42 | 1:31:46 | |
Nobody likes a grass, sweetheart. | 1:31:46 | 1:31:49 | |
-I'd rather be a grass than a drunk. -Oi! Don't start. | 1:31:49 | 1:31:52 | |
Drinks on her birthday ain't going to hurt. | 1:31:52 | 1:31:55 | |
Yeah, sure. OK. OK. | 1:32:10 | 1:32:13 | |
Oh! Bianca promised me that she'd look after the place. | 1:32:29 | 1:32:32 | |
I mean, woe betide if Mr Opodopo... you know, finds out. | 1:32:32 | 1:32:37 | |
I can't believe I'll never see her again. | 1:32:37 | 1:32:40 | |
Look at them table cloths from the Argee Bhajee. I told her to put them through twice. | 1:32:40 | 1:32:43 | |
You never saw such stains! | 1:32:47 | 1:32:49 | |
They say these things go in threes. | 1:32:58 | 1:33:01 | |
Dr Khan... | 1:33:01 | 1:33:03 | |
Pat... | 1:33:04 | 1:33:05 | |
..and now Heather. | 1:33:07 | 1:33:08 | |
Maybe we shall get a little peace for a while. | 1:33:08 | 1:33:12 | |
No. | 1:33:12 | 1:33:13 | |
No, Dot. I don't think I'll ever get peace around here, you know. | 1:33:13 | 1:33:18 | |
That is why I'm going to stay with Anthony for a while. | 1:33:18 | 1:33:21 | |
Oh. How nice. He's a lovely doctor. Give him my regards. | 1:33:21 | 1:33:25 | |
Does that mean that you'll be giving me notice? | 1:33:27 | 1:33:30 | |
I'm sorry. | 1:33:30 | 1:33:32 | |
When was you thinking of vacating your room? | 1:33:32 | 1:33:35 | |
-Today. -But... | 1:33:35 | 1:33:38 | |
..you'll miss her funeral. | 1:33:40 | 1:33:43 | |
I, um, I just don't think I have the strength to say another goodbye. | 1:33:43 | 1:33:48 | |
I heard he strangled her. Half the mums at the nursery didn't want to leave their kids there. | 1:34:11 | 1:34:15 | |
Don't worry, babe, no-one's going to touch you, all right? Except me. | 1:34:15 | 1:34:19 | |
Oi, Grandad! Are you really going to go through with this? | 1:34:19 | 1:34:22 | |
-Shirley is going to flip. It's morbid! -Don't worry! | 1:34:22 | 1:34:24 | |
-The Moonster has a plan, all right? -Whose genius idea was that? | 1:34:24 | 1:34:28 | |
Brilliant. Brilliant, innit? That's just what Walford needs - | 1:34:30 | 1:34:33 | |
-something to vent its communal grief(!) Well done, Jean. -Yeah, you reckon, do you? | 1:34:33 | 1:34:36 | |
Sadly we're going to have to cancel karaoke, | 1:34:36 | 1:34:39 | |
-cos the machine's packed up, -What? -Yeah, sorry, darling. | 1:34:39 | 1:34:41 | |
This is your lucky day, Jean. I know a geezer, knows a geezer, | 1:34:41 | 1:34:44 | |
who knows a geezer. He'll sort you out. | 1:34:44 | 1:34:46 | |
You'd do that? Just for me? | 1:34:46 | 1:34:49 | |
-No. No, for Heather. -Oh, yeah. | 1:34:49 | 1:34:51 | |
Step into my office. | 1:34:51 | 1:34:53 | |
Yeah, all right. Wait for me. Hold on, hold on. Sorry, darling. | 1:34:53 | 1:34:56 | |
Yeah. | 1:34:56 | 1:34:57 | |
-CREAKING -Cora, is that you? | 1:35:09 | 1:35:14 | |
So, it's any song from the list! | 1:35:28 | 1:35:31 | |
And then you just write down your name and the song title. | 1:35:31 | 1:35:34 | |
Right, I'd better get to this birthday thing cos my mum's going to kill me. | 1:35:38 | 1:35:42 | |
I'm sorry, have you forgotten it's the biggest day of your life, | 1:35:42 | 1:35:46 | |
and you're going to, what, run out on us for a date with a mini-quiche? | 1:35:46 | 1:35:50 | |
All right, well, if you put it like that... | 1:35:50 | 1:35:53 | |
So, you and Mitchell? Talk to me, bruv. Did he want to do business with you? | 1:35:53 | 1:35:56 | |
Not exactly, no. | 1:35:56 | 1:35:58 | |
-So wagwan, bruv? How did it go down? -Go down? You know...it went down. | 1:35:58 | 1:36:02 | |
-We talked in his office. -He thinks he's going to kill him. | 1:36:02 | 1:36:07 | |
Ooh, incoming Branning. | 1:36:10 | 1:36:13 | |
Happy Birthday, Lauren. | 1:36:13 | 1:36:15 | |
-Thank you. -Did you get your electrics sorted? -No. | 1:36:15 | 1:36:18 | |
But if it's got anything to do with you two banging about in your junk shop, you'll pay, all right? | 1:36:18 | 1:36:23 | |
-Cos I'm losing business. -We didn't do nothing. -We're on a different phase to you. -You what? | 1:36:23 | 1:36:28 | |
Our emporium's got nothing to do with your supply. | 1:36:28 | 1:36:30 | |
And you have got your RCDs connected to your circuit breaks, yeah? | 1:36:30 | 1:36:33 | |
-Yeah, yeah. Course I have. -Good. | 1:36:33 | 1:36:36 | |
-Was that for real? -Maybe, maybe not. | 1:36:36 | 1:36:40 | |
-Here he is, I knew he'd turn up! -It's my era! -You're not going to start body-popping, are you? | 1:36:40 | 1:36:45 | |
-Not unless you ask him really nicely. -No, you're all right! -Bit of cheesy music, eh? | 1:36:45 | 1:36:48 | |
Shoulder pads. What more could a girl want? | 1:36:48 | 1:36:51 | |
We are going to have a good time tonight, whether you like it or not. | 1:36:51 | 1:36:55 | |
-Hey, Mandy, you work that outfit, baby! -Oh, thank you, darling. | 1:36:55 | 1:36:58 | |
You work it! | 1:36:58 | 1:36:59 | |
Surely there must be a law against that outfit. | 1:36:59 | 1:37:01 | |
And if not, why not? | 1:37:01 | 1:37:04 | |
Lauren, you're spending all the cash. We're meant go over to the club. | 1:37:05 | 1:37:09 | |
Lauren, listen, just take it easy, yeah? | 1:37:09 | 1:37:13 | |
Uncle Jack, always so caring(!) | 1:37:13 | 1:37:15 | |
No, listen, I don't suppose you could lend us a few quid. | 1:37:15 | 1:37:19 | |
You suppose right, don't you? | 1:37:19 | 1:37:21 | |
See, and that's why you'll always be the tightest Branning brother. | 1:37:21 | 1:37:25 | |
-Don't look at me. -Oh! Well, I forgot - | 1:37:27 | 1:37:29 | |
Janine's the one with all the money anyway, in't she? | 1:37:29 | 1:37:32 | |
Look what I found? | 1:37:32 | 1:37:34 | |
Oh, yes. See, look... | 1:37:34 | 1:37:36 | |
we don't even need your money. | 1:37:36 | 1:37:38 | |
Roxy, can we have two double vodkas, please? | 1:37:38 | 1:37:40 | |
-Yeah. -Lauren... -What? | 1:37:40 | 1:37:43 | |
I am 18. I do not need your permission, Uncle Jack. | 1:37:43 | 1:37:46 | |
Just like I do not need this - my fake ID. I don't need it. | 1:37:46 | 1:37:50 | |
-All right? -All right. | 1:37:50 | 1:37:51 | |
-Thank you. -Roxy, please, can I have a drink, please? Come on. | 1:37:51 | 1:37:54 | |
Don't even think about it. | 1:37:54 | 1:37:57 | |
Nan! | 1:37:59 | 1:38:00 | |
You're mother's pulled out all the stops. | 1:38:00 | 1:38:03 | |
Her vol-au-vents are on the turn. | 1:38:03 | 1:38:05 | |
I think it's time you made a quick exit. | 1:38:05 | 1:38:08 | |
-Lauren... -Shut it, blondie. | 1:38:08 | 1:38:11 | |
Nan! She is my mate, you know! | 1:38:11 | 1:38:13 | |
Yeah, I know. And your mum's had cancer. | 1:38:15 | 1:38:19 | |
-She's only just got her life back. -Yeah, well... | 1:38:19 | 1:38:23 | |
Nan, I can't just leave 'em! | 1:38:23 | 1:38:26 | |
That's the downside of growing up, darling. | 1:38:26 | 1:38:28 | |
Choices. Too many of them. | 1:38:28 | 1:38:31 | |
You're never sure which is the right one. | 1:38:31 | 1:38:34 | |
Let me give you a little clue, yeah? | 1:38:34 | 1:38:38 | |
It starts with that door. | 1:38:38 | 1:38:40 | |
One lousy thing I ask you to do. Just get the bed. | 1:38:45 | 1:38:47 | |
I'll get it tomorrow. Where are you going? | 1:38:47 | 1:38:49 | |
To get George his dinner. | 1:38:49 | 1:38:51 | |
Don't suppose you thought about that either. | 1:38:51 | 1:38:54 | |
-Forget that. Phil said we're not meant to talk to anyone. -It's not about Heather. | 1:38:57 | 1:39:01 | |
Look, if I talk to the CPS about Stella, right, | 1:39:01 | 1:39:04 | |
say that she abused me, they might drop the charges, Jay. | 1:39:04 | 1:39:07 | |
If you tell them you're screwed up, | 1:39:07 | 1:39:09 | |
they're going to think you're a nutter. | 1:39:09 | 1:39:11 | |
They're going to start wondering what else you might have done. | 1:39:11 | 1:39:14 | |
-Have a look at that. -I was going to tell you. | 1:39:16 | 1:39:19 | |
It's from Ritchie. I've got to have a psychiatric interview. | 1:39:19 | 1:39:23 | |
It might help with my case | 1:39:23 | 1:39:24 | |
and get me off the hook about lying to the police. | 1:39:24 | 1:39:26 | |
You don't need a psychiatrist. | 1:39:26 | 1:39:28 | |
D'you reckon? | 1:39:28 | 1:39:31 | |
Dad! | 1:39:31 | 1:39:33 | |
-STEREO: -# Happy birthday to you... | 1:39:37 | 1:39:39 | |
# Happy birthday... # | 1:39:39 | 1:39:40 | |
How much have you had? | 1:39:40 | 1:39:42 | |
-Um... -Why did you bother turning up, Lauren? | 1:39:42 | 1:39:44 | |
Blame the Wicked Nan of the West. | 1:39:44 | 1:39:47 | |
So, um, where's this... | 1:39:49 | 1:39:51 | |
Where's this brilliant cake, then? | 1:39:51 | 1:39:54 | |
Oh! | 1:39:57 | 1:39:58 | |
You had more sense when you were that age, you know that? | 1:40:02 | 1:40:06 | |
SHE RETCHES | 1:40:07 | 1:40:10 | |
Lauren! | 1:40:10 | 1:40:11 | |
Oh! | 1:40:22 | 1:40:24 | |
-The Banned. -Yeah, you said. What was it called? | 1:40:24 | 1:40:27 | |
No, that's what it was called - Banned. B-A-N-N-E-D. | 1:40:27 | 1:40:31 | |
-Inspired(!) -Yeah, it was like a new romantic/pop hybrid. | 1:40:31 | 1:40:35 | |
If I remember, it sounded more like caterwauling. | 1:40:35 | 1:40:39 | |
-Dorothy, good to see you, sweetheart. What can I get you? -Well, I know I shouldn't really. | 1:40:39 | 1:40:43 | |
-But I'll have a small sweet sherry. -All right, darling. | 1:40:43 | 1:40:46 | |
I mean, this isn't really, you know, my sort of to-do, | 1:40:46 | 1:40:49 | |
but I'm here for Heather. | 1:40:49 | 1:40:52 | |
Seeing as I am, you know, in loco parentis, as it were. | 1:40:52 | 1:40:56 | |
Of course he did it. | 1:40:56 | 1:40:58 | |
-He's got the look. -What you talking about? What look? | 1:40:58 | 1:41:00 | |
Murderer look. | 1:41:00 | 1:41:01 | |
Andrew Cotton is grieving for the love of his life. | 1:41:01 | 1:41:04 | |
He's lost in a endless sea of whirling emptiness. | 1:41:05 | 1:41:10 | |
Innocent until proven guilty. | 1:41:11 | 1:41:13 | |
Isn't that right, Mrs Branning? | 1:41:13 | 1:41:16 | |
I went through all this 20 years ago with her mother. | 1:41:19 | 1:41:21 | |
Yeah, thanks, Mum. Do you want to go and check on Oscar? | 1:41:21 | 1:41:25 | |
I never meant for this to happen... | 1:41:25 | 1:41:28 | |
-Yeah, well, it's a bit late for all that, in't it? -Oh, Max, stop it! | 1:41:28 | 1:41:31 | |
-She's said she's sorry. -She's got to take responsibility. She's 18. -Yeah. What if I can't? | 1:41:31 | 1:41:36 | |
-What? -Be in control, have everything sorted. | 1:41:36 | 1:41:38 | |
Oh, you're right, Dad, I'm a mess! | 1:41:38 | 1:41:41 | |
No. No, you're not. Now, you listen to me. Listen. | 1:41:41 | 1:41:45 | |
I couldn't have got through this past year without you. | 1:41:45 | 1:41:49 | |
You, Lauren, are one of the strongest people I know. | 1:41:49 | 1:41:52 | |
You can do anything. Anything. | 1:41:52 | 1:41:54 | |
I just wish things could be how they used to be. | 1:41:56 | 1:42:00 | |
Yeah, well, some things never change, do they, eh? | 1:42:02 | 1:42:05 | |
You will always be my beautiful baby girl. | 1:42:05 | 1:42:09 | |
LAUREN RETCHES No matter what. | 1:42:09 | 1:42:12 | |
-I love you, Mum. -Yeah, I know. | 1:42:12 | 1:42:15 | |
-# Please believe us... # -I'm telling you, everything was better in the '80s. | 1:42:30 | 1:42:35 | |
The clothing, the music... everything. | 1:42:35 | 1:42:37 | |
-Excuse me, you hadn't met me then! -I was never happier. | 1:42:37 | 1:42:41 | |
How can you be rolling any deeper than the way you're rolling now? | 1:42:41 | 1:42:44 | |
MUSIC STOPS I was enjoying that! | 1:42:44 | 1:42:46 | |
-Who's idea was this? -Shirley, it was mine. | 1:42:46 | 1:42:49 | |
I thought, you know, great for Hev. | 1:42:49 | 1:42:52 | |
Raise some money and just give her a good send-off, that's all. | 1:42:52 | 1:42:54 | |
-Rox, do you want to give Phil a call? -Yeah, yeah. | 1:42:56 | 1:42:59 | |
Shirl, why don't you come upstairs with me? | 1:42:59 | 1:43:01 | |
You bunch of vultures. | 1:43:01 | 1:43:02 | |
You're dancing on her grave! | 1:43:02 | 1:43:04 | |
No, we ain't. | 1:43:04 | 1:43:05 | |
She ain't even in it yet. That T-shirt... | 1:43:05 | 1:43:09 | |
"Choose life" - is that supposed to be some kind of joke?! | 1:43:09 | 1:43:12 | |
I'm sorry. | 1:43:12 | 1:43:13 | |
Don't apologise, you've got nothing to be sorry for. | 1:43:13 | 1:43:16 | |
You always were a weaselly man. | 1:43:16 | 1:43:17 | |
-Don't talk to him like that. -Mand, Mand, just leave it. | 1:43:17 | 1:43:20 | |
No. Look, we're just here trying... Trying to celebrate Heather's life. | 1:43:20 | 1:43:24 | |
Celebrate her life?! You didn't even know her! | 1:43:24 | 1:43:28 | |
None of you did! | 1:43:28 | 1:43:30 | |
And what's this, eh? | 1:43:30 | 1:43:32 | |
Supposed to make you feel better about all the "Fat Hev" jokes? | 1:43:32 | 1:43:35 | |
Cos she knew. | 1:43:35 | 1:43:36 | |
She knew what you all thought of her. | 1:43:36 | 1:43:38 | |
Shirley, we're just paying our respects, that's all. | 1:43:38 | 1:43:40 | |
Yeah, with a little bit of music. | 1:43:40 | 1:43:42 | |
-You touch that thing and it'll be the last thing you do! -Yeah? | 1:43:42 | 1:43:45 | |
Shirley, please, darling. Come on... | 1:43:45 | 1:43:47 | |
Stop this, please! We're here for our friend. | 1:43:47 | 1:43:50 | |
You're not her friend, Dot. I thought you were... | 1:43:50 | 1:43:54 | |
What are you doing here, anyway? They're all laughing at her! | 1:43:54 | 1:43:57 | |
Don't come any closer. | 1:43:57 | 1:43:58 | |
I'm not frightened of you, Shirley Carter. | 1:43:58 | 1:44:01 | |
-Dot, let's get you home. -No, she can scream like a banshee. | 1:44:01 | 1:44:04 | |
Something's got to be done, Jack. It ain't right. | 1:44:04 | 1:44:06 | |
Heather wouldn't want this. | 1:44:06 | 1:44:08 | |
Yeah, well said, Dot. | 1:44:08 | 1:44:10 | |
-You evil little cow! -Oi, oi! Ian, do you want to get...? | 1:44:10 | 1:44:13 | |
Ian, are you going to let her talk to me like that?! | 1:44:13 | 1:44:15 | |
You ain't the only one what loved her! | 1:44:15 | 1:44:17 | |
Have some dignity. | 1:44:17 | 1:44:19 | |
Yeah. Heather would've hated this. | 1:44:19 | 1:44:23 | |
-You... -I don't want no trouble, Shirley. -Murderer! | 1:44:23 | 1:44:26 | |
-Shirl! -I never did nothing! | 1:44:26 | 1:44:29 | |
See, I told you, didn't I? | 1:44:29 | 1:44:31 | |
I told you what he was like. | 1:44:31 | 1:44:33 | |
Is that what you did to Hev? | 1:44:33 | 1:44:35 | |
Cos she wouldn't stop talking? | 1:44:35 | 1:44:37 | |
Wouldn't stop playing her Club Tropicana records. | 1:44:37 | 1:44:39 | |
Wound you up, did it?! | 1:44:39 | 1:44:42 | |
Come on, let's go, mate. | 1:44:42 | 1:44:43 | |
-Come on, please... -I loved her! -Go. Go, go... | 1:44:43 | 1:44:45 | |
Come on. Cheers, Jack. | 1:44:45 | 1:44:47 | |
You killed her! | 1:44:47 | 1:44:49 | |
Do yourself a favour, all right? You disappear. | 1:44:52 | 1:44:56 | |
No. This is where Heather lived, I'm staying here. | 1:44:56 | 1:45:00 | |
And you can tell that lot in there as well. | 1:45:00 | 1:45:03 | |
I ain't going nowhere. | 1:45:03 | 1:45:05 | |
It's been an utter disaster. | 1:45:10 | 1:45:12 | |
No, no, no. You were good today, Jean. | 1:45:12 | 1:45:14 | |
You should be proud of yourself. It was nice. | 1:45:14 | 1:45:17 | |
Come here, Dot, let's get you home. | 1:45:17 | 1:45:20 | |
Jean... Look, it was Mandy's fault, she provoked her. | 1:45:20 | 1:45:23 | |
She shouldn't have done. I'm sorry. | 1:45:23 | 1:45:25 | |
It ain't entirely Mandy's fault, Ian. | 1:45:25 | 1:45:27 | |
-My fault? -You're back? | 1:45:31 | 1:45:33 | |
Is that all you've got to say? | 1:45:33 | 1:45:36 | |
Oh, how about... congratulations on your performance? | 1:45:36 | 1:45:39 | |
I was sticking up for you. | 1:45:39 | 1:45:42 | |
What, so I could be the latest in a long line of blokes? | 1:45:42 | 1:45:45 | |
-Your mum told me what you're like. -Lorraine? | 1:45:45 | 1:45:47 | |
You line 'em up, rip 'em off, then run away with the engagement ring. | 1:45:47 | 1:45:50 | |
Oh, right. No, no, I get it. | 1:45:50 | 1:45:53 | |
This is what all that's about - you acting weird. | 1:45:53 | 1:45:55 | |
Ian, my mum is a lying, scheming, jealous, manipulative... | 1:45:55 | 1:46:00 | |
-Oh, what? Like mother like daughter? -Ian... | 1:46:00 | 1:46:03 | |
Look, I'm no angel. We both know that. | 1:46:03 | 1:46:06 | |
I thought things were different this time. | 1:46:06 | 1:46:08 | |
How many times have you used that line? | 1:46:08 | 1:46:10 | |
Ian, mate, seriously. Come on... | 1:46:10 | 1:46:12 | |
No, no, Alfie. It's OK. | 1:46:12 | 1:46:14 | |
You've made yourself perfectly clear. | 1:46:14 | 1:46:17 | |
And I ain't sticking around for this. Move. | 1:46:17 | 1:46:20 | |
Ian, what are you doing? | 1:46:22 | 1:46:24 | |
-You can't just let her go out like that. -Probably just go back to her lap dancing club. | 1:46:24 | 1:46:28 | |
Yeah, serves you right if she did. | 1:46:28 | 1:46:29 | |
I thought you two were going to make a go of it? | 1:46:29 | 1:46:31 | |
You know what you are? You're a grade A prize pillock. | 1:46:31 | 1:46:35 | |
That girl was defending you, mate. | 1:46:35 | 1:46:37 | |
When was the last time anyone did that for you, eh? | 1:46:37 | 1:46:39 | |
Well done(!) | 1:46:39 | 1:46:41 | |
What, do you want me to kill him? Get banged up? | 1:46:46 | 1:46:48 | |
Is that it, yeah? | 1:46:48 | 1:46:50 | |
If that's what it takes, yeah. But you... | 1:46:50 | 1:46:52 | |
You couldn't even throw him out of your own pub! | 1:46:52 | 1:46:54 | |
You should've seen 'em all. | 1:46:54 | 1:46:56 | |
Singing and laughing like Hev was nothing, that she didn't matter to anyone. | 1:46:56 | 1:47:00 | |
Shirl, she does. | 1:47:00 | 1:47:01 | |
She does. | 1:47:03 | 1:47:04 | |
She mattered to me, anyway. | 1:47:04 | 1:47:05 | |
Mandy? I'm sorry, OK? | 1:47:14 | 1:47:17 | |
Look, you know I didn't mean it. | 1:47:17 | 1:47:20 | |
It was just banter and... | 1:47:21 | 1:47:23 | |
Look, just come back and I promise I'll make it up to you. | 1:47:25 | 1:47:28 | |
Subtitles by Red Bee Media Ltd | 1:48:19 | 1:48:21 |