Browse content similar to 25/03/2012. Check below for episodes and series from the same categories and more!
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MUSIC: "Wake Me Up Before You Go-Go" by Wham! | 0:00:27 | 0:00:30 | |
Morning, Mrs Cotton. | 0:00:35 | 0:00:38 | |
I never thought it'd happen, you know. You choosing me over Shirl. | 0:01:08 | 0:01:13 | |
You think I should apologise? | 0:01:13 | 0:01:14 | |
You know your problem? You worry too much. | 0:01:14 | 0:01:18 | |
Ain't that right, George? | 0:01:18 | 0:01:20 | |
I still can't believe it. This time tomorrow, Heather. | 0:01:20 | 0:01:24 | |
You and... | 0:01:25 | 0:01:27 | |
-I thought you'd be happy? -I should be getting my nails done with Shirl now, shouldn't I? | 0:01:28 | 0:01:33 | |
I've been planning this day since Scott and Charlene. | 0:01:33 | 0:01:37 | |
Mummy giving me away and Shirl as my maid of honour. | 0:01:37 | 0:01:42 | |
It's just not going to be the same... | 0:01:42 | 0:01:45 | |
I'm just being stupid. | 0:01:45 | 0:01:47 | |
No, you ain't. | 0:01:47 | 0:01:49 | |
I just wanted the fairytale, you know, didn't I? | 0:01:49 | 0:01:52 | |
But now everyone's fighting. | 0:01:52 | 0:01:54 | |
It's supposed to be our day, Hev. | 0:01:54 | 0:01:56 | |
-Yeah, well, it doesn't feel like it. -Then... | 0:01:56 | 0:01:59 | |
let's get out of Walford. Do it by ourselves. | 0:01:59 | 0:02:02 | |
Think about it. No fuss, no stress, no more fights. | 0:02:04 | 0:02:09 | |
Just me, you and George. | 0:02:09 | 0:02:12 | |
Now, that's the fairytale, ain't it? | 0:02:16 | 0:02:18 | |
-What, you mean run off together? -What's keeping us here? | 0:02:18 | 0:02:23 | |
Nah. | 0:02:23 | 0:02:24 | |
We can't. Can we? | 0:02:26 | 0:02:29 | |
-I still can't believe anyone's marrying that hippo, you know. -Oi. Don't talk about her like that. | 0:02:29 | 0:02:34 | |
She's Ben's special "fwend", isn't she? | 0:02:34 | 0:02:37 | |
What's going on out there? | 0:02:37 | 0:02:40 | |
Ben Mitchell! | 0:02:42 | 0:02:43 | |
Happy birthday. | 0:02:44 | 0:02:46 | |
-It's a big day for your dad, innit? -You going to the hearing? -Shirl don't want us there, does she? | 0:02:54 | 0:02:59 | |
We'll go out, OK? After all this is done. | 0:03:00 | 0:03:02 | |
Brothers, yeah? | 0:03:04 | 0:03:05 | |
Yeah. | 0:03:08 | 0:03:09 | |
-What on earth possessed you? -I just got overcome with the emotion. | 0:03:12 | 0:03:16 | |
-Calling Dr Freud. -This is your daughter-in-law-to-be's wedding dress! | 0:03:16 | 0:03:20 | |
I can just imagine the shock that poor boy had | 0:03:20 | 0:03:22 | |
when he saw you prancing around you in it. | 0:03:22 | 0:03:24 | |
It sends shivers down my spine. | 0:03:24 | 0:03:26 | |
I just wanted that feeling again. Of being a bride. But this time all virginal in white. | 0:03:26 | 0:03:32 | |
You have slaughtered this dress! | 0:03:32 | 0:03:35 | |
Surely we can do something about it? I've never seen Andrew so cross. | 0:03:35 | 0:03:38 | |
-Mrs Olubunmi. -What about her? | 0:03:38 | 0:03:40 | |
-She borrowed my sewing machine, for that Pentecostal...jamboree. -Do you think there's time? | 0:03:40 | 0:03:45 | |
If The Lord can make the world in seven days, | 0:03:45 | 0:03:47 | |
-I'm sure we can make a wedding dress by tomorrow. -I don't fancy your chances. | 0:03:47 | 0:03:51 | |
Mandy Salter brought two wedding dresses in last month. | 0:03:51 | 0:03:55 | |
Classy. Nice cut. | 0:03:55 | 0:03:57 | |
We could use them to patch this up. | 0:03:57 | 0:03:59 | |
Then what are we waiting for? Patrick, collect the machine. | 0:03:59 | 0:04:02 | |
My fibrositis won't allow for heavy lifting. Where's my shoes? | 0:04:02 | 0:04:06 | |
What can I do? | 0:04:06 | 0:04:07 | |
You have done more than enough. | 0:04:08 | 0:04:10 | |
Should I give this money back to Mrs Branning? | 0:04:11 | 0:04:15 | |
You're family now, aren't you? So just enjoy it. | 0:04:15 | 0:04:17 | |
You ought to be careful, flashing that cash around. | 0:04:17 | 0:04:20 | |
Yeah. Look, will you take it for me? | 0:04:20 | 0:04:24 | |
-I'm a bit worried about carrying it round. -So have you decided what we're... -Shirl! Shirl. | 0:04:24 | 0:04:30 | |
I can't decide on my first dance. | 0:04:30 | 0:04:32 | |
I mean, I want Careless Whisper but Andrew, he wants Spandau Ballet... | 0:04:32 | 0:04:36 | |
I can't do this without you. | 0:04:38 | 0:04:40 | |
You've made your choice. | 0:04:40 | 0:04:42 | |
But what about us? | 0:04:42 | 0:04:43 | |
There is no us. | 0:04:43 | 0:04:44 | |
I'm done with looking out for you, Hev. | 0:04:44 | 0:04:47 | |
From now on, you're on your own. | 0:04:48 | 0:04:50 | |
Come on, Hev. Come on. | 0:04:57 | 0:04:59 | |
Ian? | 0:05:01 | 0:05:03 | |
You was up early this morning. | 0:05:04 | 0:05:05 | |
-Yeah, I had to go to the accountant's. -Oh. | 0:05:05 | 0:05:09 | |
Well, is everything all right? It's just, I've hardly seen you. | 0:05:09 | 0:05:14 | |
No. Everything's fine. | 0:05:14 | 0:05:17 | |
-How about we go to the supermarket for something for your birthday dinner. Yeah? -Yeah, all right. | 0:05:17 | 0:05:22 | |
Ben... | 0:05:22 | 0:05:23 | |
You do know I'm on your side, don't you? | 0:05:23 | 0:05:25 | |
I'll have half a dozen of them sticky buns, Marie. | 0:05:31 | 0:05:34 | |
Cos we've got a busy afternoon ahead of us. | 0:05:34 | 0:05:36 | |
Got over the shock yet? That's 20 years of therapy in one evening. | 0:05:36 | 0:05:42 | |
Oh Heather, I shall require you to cover my shift this morning. | 0:05:42 | 0:05:45 | |
-But Janine's asked me to clean Ian's. -Heather Trott, the number of times I've swapped with you. | 0:05:45 | 0:05:50 | |
-And at my own inconvenience, I might add. -Sorry, Mrs Branning. | 0:05:50 | 0:05:54 | |
I don't know what Mr Opodopolous is going to say when he discovers I've deserted my post. | 0:05:54 | 0:05:59 | |
-What was Mrs Cross talking about? -I wasn't going to say anything... | 0:06:03 | 0:06:07 | |
me and Mum had a bit of a bust-up the other night. | 0:06:07 | 0:06:10 | |
Is that all? | 0:06:10 | 0:06:12 | |
It's just that... your wedding dress... | 0:06:12 | 0:06:15 | |
it got in a bit of a mess, didn't it? | 0:06:17 | 0:06:19 | |
What sort of a mess? | 0:06:22 | 0:06:23 | |
Andrew, what's happened to my dress? | 0:06:24 | 0:06:27 | |
-It wasn't my fault. -But I gave it to Mrs Branning to look after. | 0:06:27 | 0:06:32 | |
Mum had a drink and... decided to stick it on. | 0:06:32 | 0:06:37 | |
What?! | 0:06:37 | 0:06:38 | |
Right, that's it... | 0:06:38 | 0:06:42 | |
-Where are you going? Heather, wait... -Mrs Cotton! | 0:06:42 | 0:06:45 | |
Oh, keep it down, Heather. I've got a splitting headache. | 0:06:45 | 0:06:48 | |
Listen, I've always tried to be your friend and what do you do? You go and spoil my dress. | 0:06:48 | 0:06:53 | |
It's all blown out of proportion. | 0:06:53 | 0:06:55 | |
Tomorrow I'm going to be a Cotton, whether you like it or not. You can either come and support us | 0:06:55 | 0:06:59 | |
or don't bother coming at all. | 0:06:59 | 0:07:02 | |
-You can't talk to me like that. -You should be grateful to Heather. | 0:07:02 | 0:07:05 | |
To be truthful, I don't even want you there. | 0:07:05 | 0:07:08 | |
You're always going to be second best, you know. | 0:07:08 | 0:07:11 | |
That scrag end she calls a best mate - she'll always come first. | 0:07:11 | 0:07:14 | |
And if he wants chicken, it's coming from my fridge, all right? | 0:07:14 | 0:07:18 | |
Come on, then. Let's do it. | 0:07:19 | 0:07:21 | |
Let's elope. Like Sammy Jo and Steven. | 0:07:21 | 0:07:24 | |
-Who? -Oh, don't worry. You'll find out soon enough. | 0:07:24 | 0:07:27 | |
Are you sure? | 0:07:27 | 0:07:29 | |
Yeah. Just me, my George and my Andrew. | 0:07:29 | 0:07:32 | |
SHE LAUGHS | 0:07:32 | 0:07:35 | |
They was here yesterday. | 0:07:38 | 0:07:39 | |
Excuse me. Is anybody serving? | 0:07:39 | 0:07:42 | |
Honestly. | 0:07:44 | 0:07:45 | |
Oh, they're not for me! | 0:07:45 | 0:07:48 | |
Shenice and Tiffany are besotted with Beauty And The Beast, and I said | 0:07:49 | 0:07:52 | |
I'd make them a dress like Belle's. | 0:07:52 | 0:07:54 | |
-Think a little bit of lace trim and some yellow dye and we'll be good to go. -I saw 'em first. | 0:07:54 | 0:07:59 | |
But I've been holding them for ten minutes. | 0:07:59 | 0:08:02 | |
Sorry, Dot. | 0:08:02 | 0:08:03 | |
Right... | 0:08:10 | 0:08:12 | |
-What are you doing? -Exercising my right as manageress to seize your goods. | 0:08:15 | 0:08:20 | |
But they're my dresses. | 0:08:20 | 0:08:21 | |
-Feel free to put in a written complaint, won't you? -Right. | 0:08:21 | 0:08:26 | |
And I thought you were a good Christian woman. | 0:08:29 | 0:08:32 | |
Dorothy Branning... | 0:08:32 | 0:08:34 | |
It's not too late. I can still speak to Ritchie. | 0:08:38 | 0:08:41 | |
We've been through all this. | 0:08:41 | 0:08:44 | |
So is that it, then? | 0:08:44 | 0:08:46 | |
You just going to roll up into a little ball and play dead? | 0:08:46 | 0:08:49 | |
You think I'll give Marsden the satisfaction of seeing me locked up for longer than I have to be, eh? | 0:08:49 | 0:08:54 | |
What about me, Phil? | 0:08:54 | 0:08:56 | |
-What am I supposed to do? -I'll see that you're all right, you know. | 0:08:56 | 0:08:59 | |
I'm not talking about the housekeeping. | 0:08:59 | 0:09:02 | |
You could go away for years. | 0:09:04 | 0:09:06 | |
What's going to happen to us? | 0:09:09 | 0:09:11 | |
You think I want to do this, eh? | 0:09:11 | 0:09:13 | |
To give up my family. Give up my home... | 0:09:13 | 0:09:15 | |
The only thing that's getting me through this | 0:09:15 | 0:09:18 | |
is what I'm going to do to that little grass when I get my hands on him. | 0:09:18 | 0:09:21 | |
I don't think I can do this on my own. | 0:09:25 | 0:09:28 | |
Get Heather in, then. That's what you've been angling for, ain't it? | 0:09:28 | 0:09:32 | |
I'd understand. If you didn't... | 0:09:35 | 0:09:37 | |
didn't want to stick around... | 0:09:37 | 0:09:39 | |
Where am I supposed to go? | 0:09:39 | 0:09:42 | |
Don't I get a kiss? | 0:09:45 | 0:09:47 | |
How about I see if I can find Max? | 0:10:04 | 0:10:06 | |
See if Abi wants to join us. | 0:10:06 | 0:10:08 | |
Unless you just want it to be the five of us. | 0:10:08 | 0:10:10 | |
Just stop, all right? | 0:10:10 | 0:10:12 | |
You have been off with me since last week. What's wrong? | 0:10:12 | 0:10:15 | |
Nothing. | 0:10:15 | 0:10:17 | |
Ian? | 0:10:17 | 0:10:19 | |
Have you got any idea how long I have waited for the police to catch up with your old man? | 0:10:19 | 0:10:24 | |
Why are you saying this? | 0:10:26 | 0:10:27 | |
Ben, I really couldn't care less what happens to him, but you're my little brother, OK? | 0:10:27 | 0:10:32 | |
Look, I know what I'm doing. | 0:10:32 | 0:10:34 | |
Have you any idea what they will do | 0:10:34 | 0:10:36 | |
-if they find out you lied about Stella? -Why do you keep dragging this up? | 0:10:36 | 0:10:40 | |
Because your dad will find a way to get out of this. | 0:10:40 | 0:10:42 | |
-He always does. -Not this time. | 0:10:42 | 0:10:46 | |
Look, just promise me you won't tell anyone. I mean it, Ian. | 0:10:46 | 0:10:50 | |
Just let me do it my way. | 0:10:52 | 0:10:53 | |
< GLASS SMASHES | 0:11:04 | 0:11:05 | |
Hev! How long have you been here for? | 0:11:12 | 0:11:15 | |
Oh. Will you tell Ian that I'll do the skirtings next week, yeah? | 0:11:15 | 0:11:19 | |
Hev! | 0:11:20 | 0:11:21 | |
Ben, I've gotta go and sort a few things out, OK? | 0:11:21 | 0:11:25 | |
Hold on. What did you hear? What did you hear us talking about? Heather! | 0:11:25 | 0:11:30 | |
-Mr Trueman... -Sorry, Heather, I can't stop. I'm under strict instructions. -Have I done something wrong? | 0:11:30 | 0:11:36 | |
I saw Mrs Branning earlier and she was ever so short with me. | 0:11:36 | 0:11:39 | |
It's bad enough falling out with Shirl. I couldn't stand it if you two hated me as well. | 0:11:39 | 0:11:43 | |
You couldn't be further away from the truth. | 0:11:43 | 0:11:46 | |
All I seem to be doing is upsetting people. | 0:11:46 | 0:11:48 | |
First Andrew, then Shirl. Who's going to be next, eh? | 0:11:48 | 0:11:51 | |
Do you know what Dorothy is doing right now? | 0:11:51 | 0:11:54 | |
Come and look for yourself. | 0:11:54 | 0:11:56 | |
-I can't. -Come on now, man. Come, look. | 0:11:56 | 0:12:00 | |
You think Dot would make you get married without a dress? | 0:12:16 | 0:12:20 | |
Hev. Wait up. | 0:12:21 | 0:12:24 | |
You make me proud tomorrow, you hear me? | 0:12:24 | 0:12:26 | |
Now, I've got a very important speech to write. | 0:12:26 | 0:12:30 | |
-What you just heard... -I never heard anything. | 0:12:36 | 0:12:40 | |
-Let me explain. -Ben, I've got to find Andrew. | 0:12:40 | 0:12:42 | |
But he's a bully, Heather. If he didn't kill Stella, it'd be someone else next, wouldn't it? | 0:12:42 | 0:12:46 | |
Could you really live with that on your conscience? | 0:12:46 | 0:12:51 | |
I don't understand. | 0:12:51 | 0:12:52 | |
Just forget I said anything. | 0:12:54 | 0:12:56 | |
Did you lie to the police? | 0:12:58 | 0:12:59 | |
Ben! Ben, I trusted you. | 0:13:02 | 0:13:04 | |
Just go and get married, all right? This conversation never happened. | 0:13:04 | 0:13:08 | |
-Why would you do that? -It's not important. -He's your dad! | 0:13:08 | 0:13:11 | |
Just forget about it. | 0:13:11 | 0:13:12 | |
-But you've said it now. -You don't understand what he'll do to me if he finds out. -But it's not right! | 0:13:12 | 0:13:17 | |
Please, Hev. | 0:13:17 | 0:13:18 | |
-Look, just say sorry to him. He'll understand. -He'll kill me! | 0:13:18 | 0:13:21 | |
Listen, I won't let him hurt you. I promise I won't. | 0:13:21 | 0:13:26 | |
Where are you going? | 0:13:29 | 0:13:31 | |
I need to speak to Andrew. | 0:13:31 | 0:13:32 | |
You can't just walk off. | 0:13:32 | 0:13:34 | |
I'll sort this, Ben, yeah? I'll sort it. | 0:13:36 | 0:13:39 | |
Hev! | 0:13:40 | 0:13:41 | |
Is that Reverend Stevens? It's Andrew Cotton here. | 0:13:43 | 0:13:47 | |
Sorry for the short notice, | 0:13:47 | 0:13:49 | |
but we've got to cancel the church for tomorrow. | 0:13:49 | 0:13:52 | |
No, everything's fine. It couldn't be better, in fact. | 0:13:53 | 0:13:57 | |
Yeah. Cheers, Rev. Thanks. | 0:13:57 | 0:14:00 | |
All right? I've got a mate in Wolverhampton. | 0:14:05 | 0:14:08 | |
I reckon he'll put us up for a few days whilst we sort ourself out. | 0:14:08 | 0:14:13 | |
If you pick up George from the nursery, I'll finish packing, yeah? | 0:14:13 | 0:14:16 | |
What if you found something out? Something that ain't right. | 0:14:16 | 0:14:20 | |
Stop worrying about other people and think about yourself for a change. | 0:14:20 | 0:14:24 | |
But he needs me. | 0:14:24 | 0:14:25 | |
Who needs you? | 0:14:27 | 0:14:28 | |
He made me promise not to say anything. | 0:14:28 | 0:14:30 | |
-You'd better tell me who he is, Heather. -Just forget it. | 0:14:30 | 0:14:35 | |
-Tell me. -It's just a friend, that's all. And he's in trouble. | 0:14:35 | 0:14:40 | |
-He's in big trouble. -There you go again, putting others first. -Well, he's not like us, Andrew. | 0:14:40 | 0:14:45 | |
He needs someone to take care of him, you know. | 0:14:45 | 0:14:48 | |
Me and George need you. | 0:14:48 | 0:14:50 | |
Do you know how long I've waited for a girl like you | 0:14:52 | 0:14:55 | |
to walk into my life? | 0:14:55 | 0:14:56 | |
We get married in Walford, | 0:14:58 | 0:15:01 | |
and I guarantee someone's going to spoil it for us. | 0:15:01 | 0:15:04 | |
But I can't go. Not until I've spoken to Shirl. | 0:15:04 | 0:15:08 | |
My mum was right, wasn't she? | 0:15:10 | 0:15:12 | |
I'm only ever going to come second best, ain't I? | 0:15:12 | 0:15:16 | |
Where are you going? | 0:15:20 | 0:15:21 | |
I've got a ticket for you and George there. | 0:15:27 | 0:15:30 | |
If you want to do this, I'll be in the Vic till six. | 0:15:30 | 0:15:34 | |
Then I'm gone. | 0:15:34 | 0:15:37 | |
Andrew says he doesn't want me to go to the wedding. | 0:15:44 | 0:15:47 | |
Sometimes he has that look in his eyes. It frightens me. | 0:15:47 | 0:15:52 | |
Andrew has got a very big heart. | 0:15:54 | 0:15:56 | |
And a very short fuse. | 0:15:56 | 0:15:58 | |
Leave him to calm down. He'll come to his senses. | 0:15:58 | 0:16:02 | |
Come on, Rose. | 0:16:02 | 0:16:03 | |
We've got our work cut out if we're going to finish this by the morning. | 0:16:03 | 0:16:07 | |
You know, my Auntie Gwen taught me to sew. | 0:16:07 | 0:16:09 | |
It was the war, you see. Make do and mend. | 0:16:09 | 0:16:12 | |
Aren't you supposed to be in court? | 0:16:29 | 0:16:31 | |
-Is everything all right? -We need to clarify a few points in your statement. | 0:16:34 | 0:16:38 | |
That's already been dealt with. I mean, Dad is pleading guilty. | 0:16:38 | 0:16:42 | |
New information has come to light, Mr Mitchell. | 0:16:42 | 0:16:46 | |
What new information? Who've you been talking to? | 0:16:46 | 0:16:48 | |
I'm sorry, but my hands are tied. | 0:16:48 | 0:16:52 | |
-I'll get one of my officers to find your brother, shall I? -No! No. | 0:16:52 | 0:16:55 | |
He's...he's away. On business. | 0:16:55 | 0:16:58 | |
Get Roxy to come down and meet us. | 0:16:59 | 0:17:02 | |
This ain't going to take long, is it? | 0:17:02 | 0:17:05 | |
That all depends on you, Mr Mitchell. | 0:17:05 | 0:17:09 | |
One last drink before the big day, eh? | 0:17:19 | 0:17:22 | |
Get us a pint, please. | 0:17:22 | 0:17:23 | |
Pre-wedding jitters, I bet. | 0:17:23 | 0:17:25 | |
I was the same before I married my Honey. | 0:17:25 | 0:17:27 | |
Giving up the bachelor lifestyle. All them nights out with the boys... | 0:17:27 | 0:17:31 | |
I felt like a man on death row. | 0:17:31 | 0:17:33 | |
Give it a rest, eh? | 0:17:33 | 0:17:35 | |
All you've got to do is think about tomorrow. | 0:17:35 | 0:17:37 | |
Seeing Hev in the church. | 0:17:37 | 0:17:39 | |
Then you'll know that all the stress was worth it. | 0:17:39 | 0:17:41 | |
-There ain't going to be any wedding, all right? -What? -You heard me. | 0:17:41 | 0:17:45 | |
-Stop banging on about it. You're giving me earache. -All right. | 0:17:45 | 0:17:48 | |
Give us another one, will you? | 0:18:02 | 0:18:04 | |
Shirl! Shirl, I need to tell you something. | 0:18:16 | 0:18:19 | |
It's Ben. | 0:18:19 | 0:18:21 | |
He never meant to hurt anyone. | 0:18:21 | 0:18:23 | |
Promise me you'll help him. | 0:18:23 | 0:18:24 | |
-Tell Phil it wasn't his fault, yeah? -Where do you get off Sticking your nose in? | 0:18:24 | 0:18:28 | |
Interfering with things that don't concern you. | 0:18:28 | 0:18:31 | |
But he's family. You all are. | 0:18:31 | 0:18:33 | |
You ain't family. You're just some stray I found outside the flat one night. One plate of food, | 0:18:33 | 0:18:38 | |
-and I was stuck with you. -You don't mean that. | 0:18:38 | 0:18:41 | |
What are you doing sticking up for that little runt anyway? | 0:18:41 | 0:18:44 | |
-He needs me! -That kid don't need anybody. | 0:18:44 | 0:18:46 | |
You don't understand. Underneath the front, he's just a frightened boy. | 0:18:46 | 0:18:50 | |
He laughs about you, do you know that? | 0:18:50 | 0:18:53 | |
In fact, we all laugh about you. | 0:18:53 | 0:18:56 | |
Sitting with your Smash Hit magazines, babbling about George Michael to anyone that'll listen. | 0:18:56 | 0:19:01 | |
You want to know something? I hate George Michael! I always have. | 0:19:01 | 0:19:06 | |
Pepsi and Shirlie should have drowned him when they had the chance in that swimming pool. | 0:19:06 | 0:19:11 | |
Stay away from Ben. He is not your concern. | 0:19:11 | 0:19:15 | |
Look, I don't understand why you've brought me here. | 0:19:30 | 0:19:33 | |
We can't start this interview until your cousin is present, Mr Mitchell. | 0:19:33 | 0:19:37 | |
You're supposed to help me, remember? | 0:19:37 | 0:19:40 | |
Right, is someone going to tell me what I'm doing here? | 0:19:42 | 0:19:46 | |
Marsden just wanted... | 0:19:46 | 0:19:47 | |
Detective Chief Inspector. | 0:19:47 | 0:19:49 | |
She just wants to go over my statement again. That's all. | 0:19:49 | 0:19:52 | |
Let's start with the morning of the wedding. | 0:19:56 | 0:19:58 | |
I don't understand why you're asking me all this. You were fine with it last week. | 0:19:58 | 0:20:03 | |
Someone's said something to you, ain't they? | 0:20:06 | 0:20:08 | |
-Ben, what are you talking about? -She's trying to stitch me up! | 0:20:08 | 0:20:11 | |
I need to know exactly what your father said to you. | 0:20:11 | 0:20:15 | |
Do you understand what he'd do to me if he gets out? | 0:20:15 | 0:20:18 | |
You said we were going to win this. | 0:20:18 | 0:20:21 | |
As I mentioned earlier, new information has come to light. | 0:20:21 | 0:20:25 | |
It's my job to ascertain the facts. | 0:20:26 | 0:20:28 | |
You want him banged up as much as I do. | 0:20:28 | 0:20:30 | |
So I gave you what you wanted. | 0:20:30 | 0:20:34 | |
Look...whatever you want me to say, I'll say it. | 0:20:37 | 0:20:41 | |
I'll do whatever it takes. | 0:20:41 | 0:20:43 | |
So you and Hev had another bust-up, have you? | 0:20:50 | 0:20:53 | |
Something like that. | 0:20:53 | 0:20:56 | |
You reckon you'll sort it out? | 0:20:56 | 0:20:58 | |
What is it with everyone round here? Poking their noses in. | 0:20:58 | 0:21:02 | |
Don't look at me. I couldn't give a monkey's. | 0:21:02 | 0:21:05 | |
Me and Heather never stood a chance, did we? | 0:21:05 | 0:21:08 | |
-You put him up to this, didn't you? -Oh, believe me. I'm as shocked as you are. | 0:21:08 | 0:21:12 | |
What about the Arches? He's always doing dodgy MOTS, cut and shut. | 0:21:12 | 0:21:15 | |
-Ben, what is the matter with you? -And there's drugs down the club. | 0:21:15 | 0:21:19 | |
-Everybody knows that. -Before you go any further, I have to caution you and say, Ben Mitchell, | 0:21:19 | 0:21:24 | |
I'm arresting you on suspicion of attempting | 0:21:24 | 0:21:26 | |
-to pervert the course of justice. -You can't do that. -You do not have to say anything... | 0:21:26 | 0:21:32 | |
-He's your dad! -..if you do not mention something you later rely on in court. | 0:21:32 | 0:21:36 | |
Anything you do say may be given in evidence. | 0:21:36 | 0:21:39 | |
I can't go back there. I can't go back. | 0:21:41 | 0:21:44 | |
Here, George, I had it all planned. | 0:21:44 | 0:21:48 | |
I was going to have this big wedding in this big castle in Italy. | 0:21:48 | 0:21:54 | |
And Bananarama - they were going to be my bridesmaids... | 0:21:54 | 0:21:58 | |
..and Nick Kamen, he was going to give me away. | 0:21:59 | 0:22:03 | |
And you should have heard Elton John's best man speech. | 0:22:04 | 0:22:09 | |
Oh, he had the place in stitches. Do you know what? | 0:22:11 | 0:22:16 | |
It never happened, though. | 0:22:16 | 0:22:19 | |
-Teddy! -Yeah, Teddy! You know why, George? Cos it ain't real. | 0:22:19 | 0:22:24 | |
None of it is. | 0:22:26 | 0:22:28 | |
All this time I was waiting for my George, | 0:22:31 | 0:22:34 | |
and I'd already found my Andrew. | 0:22:34 | 0:22:37 | |
And we're going to get married, George, | 0:22:40 | 0:22:45 | |
and we're going to be one big, happy family. | 0:22:45 | 0:22:49 | |
How's that sound? | 0:22:49 | 0:22:52 | |
Is that good? Yeah? | 0:22:52 | 0:22:55 | |
Do you know what? Just my two boys. | 0:22:55 | 0:22:59 | |
Just my two boys and my Andrew, yeah! That's all we need. | 0:22:59 | 0:23:04 | |
Where's he gone? | 0:23:04 | 0:23:05 | |
(Just wait there.) | 0:23:13 | 0:23:16 | |
MOBILE BUZZES | 0:23:25 | 0:23:27 | |
Where do you think he's going? | 0:23:27 | 0:23:28 | |
Probably off for another barney with poor Hev. | 0:23:28 | 0:23:31 | |
I've been looking all over for you. | 0:23:33 | 0:23:35 | |
-What are you doing here? -I'm staying at the B&B on George Street. | 0:23:36 | 0:23:39 | |
-I thought we could try that Indian later if you like. -No. | 0:23:39 | 0:23:43 | |
Pops. There's some bloke's outside, looking for you. | 0:23:44 | 0:23:48 | |
-What about you, Dorothy? Will Nick walk down the aisle? -Well, he has done, hasn't he? | 0:23:58 | 0:24:02 | |
'Cept he never invited me. | 0:24:02 | 0:24:05 | |
There's always Whitney. I hear she's going great guns with Tyler. | 0:24:05 | 0:24:10 | |
What about that Jack? If I were ten years younger, | 0:24:10 | 0:24:13 | |
he'd have to fight me off him. | 0:24:13 | 0:24:14 | |
But they ain't mine, are they? | 0:24:16 | 0:24:18 | |
I mean, Whitney - she's a lovely girl, but she's just one of me waifs and strays. | 0:24:18 | 0:24:24 | |
You know, I've waited for the day when I could walk out in that Square | 0:24:24 | 0:24:29 | |
and hold my head up high. | 0:24:29 | 0:24:31 | |
I know Heather ain't mine, but she's a blessing, Heather Trott. | 0:24:31 | 0:24:38 | |
You should be ashamed of yourself, Rose Elizabeth, | 0:24:38 | 0:24:42 | |
the way you've treated that girl. | 0:24:42 | 0:24:45 | |
Shhh. | 0:24:48 | 0:24:51 | |
Silly Mummy's got to try and find the tickets. | 0:24:53 | 0:24:56 | |
Oh, Andrew! You must be so excited about your big day tomorrow. | 0:25:28 | 0:25:33 | |
I love a wedding. | 0:25:33 | 0:25:34 | |
You going somewhere? | 0:25:35 | 0:25:37 | |
MOBILE BEEPS | 0:25:40 | 0:25:42 | |
-That's right. J Butcher. -You are going to pack your bags and get on that tube. | 0:25:51 | 0:25:55 | |
Mandy, listen to me... | 0:25:55 | 0:25:57 | |
MOBILE RINGS | 0:25:57 | 0:25:59 | |
Shhh. | 0:25:59 | 0:26:00 | |
Yeah? Ian... | 0:26:01 | 0:26:03 | |
Nah, I'm having a drink with Kim, aren't I? | 0:26:03 | 0:26:07 | |
Yeah. OK, hon, I'll see you later. Bye. | 0:26:08 | 0:26:12 | |
I'm not leaving without you, Mandy. Not again. | 0:26:12 | 0:26:15 | |
Alex, you've got a choice. | 0:26:15 | 0:26:18 | |
Either you clear off, or I'm going to tell the Old Bill | 0:26:18 | 0:26:21 | |
you tried to grope me round the back of the chippy. | 0:26:21 | 0:26:25 | |
Now, which is it? | 0:26:25 | 0:26:26 | |
-What's going to happen to Ben? -He'll be released pending a full investigation. | 0:26:29 | 0:26:33 | |
Forget about that little runt. What about Phil? | 0:26:33 | 0:26:36 | |
The CPS will have to decide if there's enough evidence to continue to trial. | 0:26:36 | 0:26:40 | |
But they know it's a pack of lies, right? | 0:26:40 | 0:26:42 | |
Which is why they have no grounds to retain him in custody. | 0:26:42 | 0:26:45 | |
He's coming out? | 0:26:47 | 0:26:49 | |
I'd say the decision is imminent. I'll call you later. | 0:26:49 | 0:26:54 | |
-Thank you. -Shirl, you hear that? | 0:26:54 | 0:26:57 | |
I've just got to see someone, yeah? I'll catch you up. | 0:26:57 | 0:27:00 | |
You know what this means, don't you? Hey? | 0:27:00 | 0:27:03 | |
This family...finally.... has something to celebrate. | 0:27:03 | 0:27:07 | |
Phil is going to kill you. Have you thought about that? | 0:27:15 | 0:27:18 | |
I'm talking to you. Ben? | 0:27:20 | 0:27:22 | |
Ben... Ben! | 0:27:23 | 0:27:26 | |
Shirl? | 0:27:27 | 0:27:28 | |
Look, I know you're still mad at me, but I just wanted to say that... | 0:27:28 | 0:27:33 | |
BANGING AT DOOR | 0:27:33 | 0:27:35 | |
Oh. That's Andrew. I'm not even ready yet. | 0:27:35 | 0:27:37 | |
Just give me a minute, yeah? Hold on. | 0:27:37 | 0:27:41 | |
-You couldn't keep that shut, could you? -Ow! | 0:27:41 | 0:27:44 | |
-You told her! -I didn't know what else to do. | 0:27:51 | 0:27:53 | |
-Do you have know what he'll do to me? -We'll make him understand. | 0:27:53 | 0:27:57 | |
You were supposed to be on my side, Hev! | 0:27:57 | 0:27:59 | |
Just calm down, yeah? | 0:27:59 | 0:28:00 | |
-I can't stay here. Not now. -I'm sorry about this, Heather. | 0:28:00 | 0:28:03 | |
You've got money. | 0:28:03 | 0:28:05 | |
Mandy said Dot gave you money for the wedding. | 0:28:05 | 0:28:08 | |
-No, it's not here. -I don't believe you. | 0:28:08 | 0:28:10 | |
-What's got into you? Sorry about this, Heather. Come on. -Get off me! Tell me where it is! | 0:28:10 | 0:28:15 | |
I haven't got it. I swear to you. | 0:28:15 | 0:28:18 | |
-No, Ben. You can't go in there. -Don't touch me! -Wait till I tell Shirley about this. Ben! -Get off me! -Ben! | 0:28:18 | 0:28:25 | |
RECORD PLAYER SKIPS | 0:28:25 | 0:28:28 | |
-Hev! -Hev! | 0:28:32 | 0:28:35 | |
RECORD SKIPPING REPEATEDLY | 0:28:56 | 0:28:58 | |
Dad. | 0:29:26 | 0:29:28 | |
What you doing here, eh? You hiding!? You think you can hide from me? | 0:29:29 | 0:29:32 | |
-Don't hurt me! -Why? Cos you're my son? | 0:29:32 | 0:29:35 | |
Jay...there's a boy I'd call mine. Because he knows family. But you? | 0:29:35 | 0:29:40 | |
-You're just a dirty little grass... who grassed his own dad! -No! No! | 0:29:40 | 0:29:45 | |
Help me. | 0:29:50 | 0:29:52 | |
She ain't breathing. Have you called an ambulance? | 0:29:56 | 0:29:59 | |
Didn't see much point. Hit her pretty hard. | 0:29:59 | 0:30:03 | |
She's dead. You did this?! | 0:30:07 | 0:30:10 | |
Don't say that. She grassed me up. | 0:30:10 | 0:30:12 | |
You would have done the same. You was going to kill me then! | 0:30:14 | 0:30:17 | |
-You'd have done the same. Say it! -I wasn't... I'd never do this. | 0:30:17 | 0:30:21 | |
But you was going to kill me! Say it! | 0:30:21 | 0:30:25 | |
-I'll call the Old Bill. -No! Don't! Please! Just make it go away. | 0:30:25 | 0:30:30 | |
This? This will never, never go away! | 0:30:30 | 0:30:34 | |
She...she told the police that I lied. She told on me. | 0:30:37 | 0:30:41 | |
You deserved it, didn't ya?! | 0:30:41 | 0:30:44 | |
Then, so did she. | 0:30:47 | 0:30:48 | |
No! I didn't mean that, I didn't mean that. | 0:30:48 | 0:30:55 | |
I can't help you. | 0:30:55 | 0:30:57 | |
You have to. | 0:30:57 | 0:30:58 | |
This is why you're here. You're my dad. | 0:30:58 | 0:31:03 | |
You're my dad. | 0:31:03 | 0:31:05 | |
-ROSE: -Heather? | 0:31:05 | 0:31:07 | |
Heather? | 0:31:09 | 0:31:10 | |
KNOCK AT DOOR | 0:31:13 | 0:31:14 | |
Heather? | 0:31:14 | 0:31:16 | |
Heather! It's me, Rose. | 0:31:20 | 0:31:23 | |
I'm sorry about our fight. | 0:31:23 | 0:31:26 | |
If you can hear me, love, come to Dot's! | 0:31:26 | 0:31:29 | |
We've got a surprise! | 0:31:29 | 0:31:32 | |
FRONT DOOR SHUTS | 0:31:39 | 0:31:42 | |
Why'd you do that? | 0:31:42 | 0:31:44 | |
Ain't you going to call the police? | 0:31:44 | 0:31:47 | |
Was it an accident? | 0:31:51 | 0:31:53 | |
She told the police that I lied to 'em. She even admitted it. | 0:31:55 | 0:31:59 | |
I had the photo... | 0:32:02 | 0:32:06 | |
She went down. I got this mad energy... | 0:32:06 | 0:32:10 | |
Did you have that with Stella? | 0:32:11 | 0:32:14 | |
MOBILE BLEEPS | 0:32:17 | 0:32:19 | |
Wedding? | 0:32:33 | 0:32:35 | |
Yeah. Heather and Andrew, they were getting married tomorrow. | 0:32:35 | 0:32:40 | |
Hev... | 0:32:44 | 0:32:46 | |
I'm so sorry. I'm so sorry. | 0:32:51 | 0:32:54 | |
Stop it! Why are you holding her hand? | 0:32:54 | 0:32:58 | |
Just the way I treated her. She just always took it. | 0:32:58 | 0:33:03 | |
You'll get life for this. | 0:33:06 | 0:33:08 | |
They can't. | 0:33:08 | 0:33:11 | |
I'm a juvenile. | 0:33:11 | 0:33:13 | |
But you ain't, are you? You're 16. | 0:33:13 | 0:33:16 | |
Today. | 0:33:18 | 0:33:20 | |
You ain't a kid anymore. | 0:33:20 | 0:33:21 | |
No, look, I'm sorry, all right? I'm really sorry. | 0:33:21 | 0:33:25 | |
I didn't mean to get so angry. | 0:33:25 | 0:33:28 | |
-Jay was here! -Jay? | 0:33:28 | 0:33:32 | |
Yeah. He just bolted. He deserted her. | 0:33:32 | 0:33:35 | |
We've got to find him. Now. | 0:33:35 | 0:33:37 | |
I've got to go back to Ian's, they're expecting me. Birthday meal. | 0:33:37 | 0:33:40 | |
You ain't going back to Ian's. Ever. | 0:33:40 | 0:33:43 | |
Hey. I got your message. | 0:33:50 | 0:33:52 | |
-He's out, then? -Calm down. I'm going to put her to bed. -Sorry. But he is coming home? | 0:33:52 | 0:33:56 | |
-Be back any minute. -We celebrating, then? | 0:33:56 | 0:33:59 | |
-Well, you got five minutes before I get him in that bedroom. -Right. | 0:33:59 | 0:34:03 | |
-I've ordered a curry. -D'you want me to go and pick it up? -Yeah, please. | 0:34:03 | 0:34:06 | |
-I'm going to put her to bed. -Right. Yeah, yeah. Anything to help. | 0:34:06 | 0:34:10 | |
-Shirl...only thing is... -In me pocket. | 0:34:10 | 0:34:13 | |
-Excuse me. -Thanks, Billy. -Right. | 0:34:13 | 0:34:16 | |
Shall we go to bed? Yeah, come on. | 0:34:21 | 0:34:23 | |
GLASS SHATTERS | 0:34:27 | 0:34:29 | |
George. | 0:34:52 | 0:34:55 | |
-I didn't know. I swear I didn't know he was here. -No, no, no... | 0:34:55 | 0:34:59 | |
-I didn't know he was in there! -Shut up a minute. | 0:34:59 | 0:35:01 | |
-But what if he gets out, comes in here? -He's asleep! Get that frame. | 0:35:01 | 0:35:05 | |
I didn't know he was in there. I wouldn't have done it otherwise, I promise. | 0:35:30 | 0:35:34 | |
Just get out in the hallway. Get in the hall. | 0:35:34 | 0:35:37 | |
Don't touch anything, we'll come back for him later. | 0:35:37 | 0:35:42 | |
Shove your hands in your pockets. And don't look back! | 0:36:17 | 0:36:21 | |
Jay, mate, it's Phil. Just... give me a call when you get this, OK? | 0:36:26 | 0:36:29 | |
Just...just give me a call. | 0:36:29 | 0:36:32 | |
Phil! Phil! You OK? | 0:36:32 | 0:36:35 | |
You all right? | 0:36:35 | 0:36:37 | |
What's this then? | 0:36:37 | 0:36:40 | |
Well, I'm out, ain't I? And he...he saw sense. | 0:36:40 | 0:36:45 | |
Right. Well, you're not going to forgive him, are you? | 0:36:45 | 0:36:48 | |
I'm going to hear him out. | 0:36:48 | 0:36:50 | |
Phil, Shirley's having a party and she is not going to have him in the house. | 0:36:50 | 0:36:54 | |
-We'll go to the Arches instead. Come on. -I didn't mean for it to get this far. I just got mad. | 0:36:54 | 0:36:59 | |
-I went down the nick. You lied to my face. -I just want things to go back to the way they were. | 0:36:59 | 0:37:04 | |
-What, like before, when you was part of this family? -We done here or what? | 0:37:04 | 0:37:09 | |
Wait. Wait. OK, look. You're out. And we... | 0:37:09 | 0:37:15 | |
we will sort the rest somehow, OK? | 0:37:15 | 0:37:20 | |
Deal? Come on. | 0:37:20 | 0:37:23 | |
SHE LAUGHS | 0:37:25 | 0:37:27 | |
-You don't do things by halves, do you? -Tell Shirley to start without us, yeah? -Yeah. | 0:37:27 | 0:37:33 | |
-Do you think she knew something was up? -I dunno. | 0:37:38 | 0:37:42 | |
Get that off. Get it off and dump it in that bin. | 0:37:47 | 0:37:50 | |
SHIVERING | 0:38:07 | 0:38:09 | |
Hello? | 0:38:13 | 0:38:15 | |
Hello? | 0:38:17 | 0:38:19 | |
Jay. Jay, mate, you must be freezing. You must be freezing. | 0:38:20 | 0:38:26 | |
Come on, come on. Get up, get up. Come on. Get up. | 0:38:26 | 0:38:31 | |
Let's get this on, yeah? There you go, mate. There you go. | 0:38:31 | 0:38:36 | |
All right? | 0:38:36 | 0:38:38 | |
She was just like Dad. Just really still. | 0:38:39 | 0:38:44 | |
No. No, no, no. Cos I was passing...yeah? | 0:38:44 | 0:38:49 | |
And I saw the lights on, and I found you...you and Ben... working on a car. | 0:38:49 | 0:38:56 | |
-DISTANT SIRENS Yeah? -Are the police here? | 0:38:56 | 0:38:59 | |
Forget them. Forget them. You've just been working on a car. All right? | 0:38:59 | 0:39:04 | |
I came in, I wanted to knock him out, but you said no, that we was family. | 0:39:04 | 0:39:07 | |
You wouldn't let me. That we don't fight, yeah? | 0:39:07 | 0:39:11 | |
No matter who's said what or done what, we stick together. Yeah? | 0:39:11 | 0:39:16 | |
I tried to stop him. | 0:39:17 | 0:39:19 | |
-You can shut up, you were there an' all! -Just get changed. All right? | 0:39:19 | 0:39:25 | |
Come on, son. Come on, son. Shut them thoughts out. | 0:39:25 | 0:39:30 | |
Yeah? Because you weren't there, all right? | 0:39:30 | 0:39:35 | |
OK? | 0:39:35 | 0:39:37 | |
Dump that in the canal. | 0:39:43 | 0:39:46 | |
Make sure no-one sees. | 0:39:48 | 0:39:50 | |
Listen, I need you to nod, OK? | 0:40:03 | 0:40:07 | |
So's I know you're with me. We've gotta go down this road because...the other one's bad. | 0:40:07 | 0:40:14 | |
All right? | 0:40:14 | 0:40:15 | |
-What about the police? -You've just been here. Just been here talking. | 0:40:18 | 0:40:22 | |
We've all been here talking. All right? And now we've got to go home. | 0:40:22 | 0:40:27 | |
Shirley's having a party, and we don't want to miss that, do we? | 0:40:27 | 0:40:30 | |
But I need you to nod. So's I know... OK? | 0:40:30 | 0:40:35 | |
Yeah? | 0:40:38 | 0:40:39 | |
Just nod. | 0:40:39 | 0:40:41 | |
Good man. Now, come on. Come on, let's get you washed. | 0:40:44 | 0:40:47 | |
Come on. | 0:40:49 | 0:40:51 | |
MOBILE BLEEPS | 0:41:30 | 0:41:34 | |
'You have one message. | 0:41:37 | 0:41:39 | |
'Shirl? Look, I know you're still mad at me, but I just wanted to say that... | 0:41:41 | 0:41:48 | |
'KNOCKING | 0:41:48 | 0:41:50 | |
'Oh, that's Andrew. I'm not even ready yet! Just give me a minute, yeah?' | 0:41:50 | 0:41:55 | |
Yeah, I'll wait while you answer the door, shall I? | 0:41:55 | 0:41:59 | |
-Took them ages to do this lot. -I think Phil's taking the scenic route anyway. | 0:41:59 | 0:42:03 | |
-Oh, right. -What's the matter with her? | 0:42:03 | 0:42:05 | |
-She's excited about seeing Phil. Ain't ya? -I've got nothing better to do. | 0:42:05 | 0:42:09 | |
-Oh. Here, change. -Ta. | 0:42:09 | 0:42:13 | |
I've just seen Phil. | 0:42:13 | 0:42:16 | |
With Ben. | 0:42:16 | 0:42:17 | |
DOOR OPENS | 0:42:29 | 0:42:33 | |
-You was quick. -Well, I weighed it down proper. | 0:42:33 | 0:42:37 | |
Right. What now? | 0:42:37 | 0:42:39 | |
Now we go home. | 0:42:42 | 0:42:44 | |
-First thing he does when he gets out is sees Ben? -It was weird. | 0:42:48 | 0:42:51 | |
We need to find them. Phil will do something stupid. | 0:42:51 | 0:42:54 | |
-He hasn't rang me. Hasn't texted me. -He said he wouldn't be long. | 0:42:54 | 0:42:56 | |
-Lola, please... -Er, my baby likes it? It's soothing. | 0:42:56 | 0:43:00 | |
-Bill, he just wanted to talk to him, honestly. -Well, Phil ain't much of a talker, is he? | 0:43:00 | 0:43:05 | |
I can't. I can't. They're going to know. | 0:43:10 | 0:43:15 | |
-George is on his own. -Yeah, cos you killed his mum! Cos of you! -Shut up, will you! Shut up! | 0:43:15 | 0:43:19 | |
We've got to go in there, act natural, all smiles, or we're done. | 0:43:19 | 0:43:23 | |
-It's impossible with him like that. -I'll tell you what's impossible. | 0:43:23 | 0:43:26 | |
Anyone finding out what happened tonight, that's what impossible. | 0:43:26 | 0:43:30 | |
Because that woman was loved, and not just by Shirley. | 0:43:30 | 0:43:33 | |
If anyone finds out what happened you're going to be thought of as monsters. | 0:43:33 | 0:43:37 | |
Do you hear me? Monsters. And you'll be hunted. | 0:43:37 | 0:43:41 | |
Well...we'd better pull it off, then. | 0:43:41 | 0:43:44 | |
Get in there. | 0:43:48 | 0:43:49 | |
Shirl, I'm just saying Phil can lose his head. | 0:43:53 | 0:43:56 | |
DOOR OPENS I'm back. | 0:43:56 | 0:43:59 | |
Well, don't all rush at once, will ya? | 0:44:03 | 0:44:05 | |
-Never thought I'd see you in here again. -Better get used to it. | 0:44:07 | 0:44:11 | |
Where's Ben? | 0:44:11 | 0:44:13 | |
He's here. And Jay. | 0:44:13 | 0:44:15 | |
Boys? Come in here. | 0:44:15 | 0:44:18 | |
Yeah, well, he's not staying. | 0:44:22 | 0:44:24 | |
Tonight's a celebration for your coming back. No dramas. | 0:44:24 | 0:44:27 | |
I've got to take responsibility. You know, I played my part in what he did as well. | 0:44:27 | 0:44:31 | |
There you are. See? That's good, innit, eh? | 0:44:31 | 0:44:36 | |
Welcome home, Phil. | 0:44:38 | 0:44:39 | |
Yeah. Yeah. Welcome home, Phil. | 0:44:39 | 0:44:41 | |
Another hug? Go on. | 0:44:41 | 0:44:44 | |
-All forgiven, is it? -No. No, it's not. But... | 0:44:44 | 0:44:48 | |
he's here, he's sorry and...I'm starving. | 0:44:48 | 0:44:52 | |
Yep, well, two months of porridge can do that to a man, can't they? | 0:44:52 | 0:44:56 | |
Check out that little feast there! Jay, do me a favour, mate? | 0:44:56 | 0:44:59 | |
Come give us a hand. | 0:44:59 | 0:45:01 | |
Come on. And you. Come on. | 0:45:01 | 0:45:04 | |
Thanks, Billy. | 0:45:04 | 0:45:05 | |
So that's the...the warm welcome over and done with, then? | 0:45:10 | 0:45:14 | |
Looking a bit pasty there, Jay. | 0:45:14 | 0:45:17 | |
He had something dodgy to eat at lunchtime. | 0:45:21 | 0:45:24 | |
This ain't going to improve things, is it?! | 0:45:24 | 0:45:27 | |
Where's Hev? Not like her to miss a free meal. | 0:45:27 | 0:45:30 | |
-Well, it ain't, is it? -She's not invited. | 0:45:32 | 0:45:35 | |
-Roxy, did you say anything to her? -No. | 0:45:35 | 0:45:38 | |
Only I got this voicemail from her. | 0:45:38 | 0:45:41 | |
Listen, I just got out the nick | 0:45:41 | 0:45:45 | |
and for some reason my missus still ain't given me a kiss. Come here. | 0:45:45 | 0:45:49 | |
That cell's done something funny to your head. | 0:45:49 | 0:45:52 | |
-Is that definitely Phil in there? -I'm still getting over the news that he ain't really a murderer. | 0:45:52 | 0:45:57 | |
You what? | 0:45:58 | 0:46:00 | |
You think that's funny, do you? Eh? | 0:46:01 | 0:46:05 | |
No, no, it was just a joke, wasn't it? | 0:46:05 | 0:46:09 | |
-Know what it's like, people looking at you like you're a murderer? -Stop it! | 0:46:09 | 0:46:12 | |
I'm sorry, OK? It wasn't funny. | 0:46:12 | 0:46:15 | |
Jay. Sit down. We're meant to be celebrating. | 0:46:17 | 0:46:23 | |
Before we get this party started, where's the naan bread? | 0:46:23 | 0:46:27 | |
In the oven. | 0:46:27 | 0:46:29 | |
I'll get it. | 0:46:29 | 0:46:32 | |
This is going to be fun, isn't it? | 0:46:32 | 0:46:34 | |
-CUTLERY CLATTERS -Oi, oi! Give me them, don't do that. I'll do it. | 0:46:34 | 0:46:40 | |
Don't, I'll do that. | 0:46:45 | 0:46:48 | |
'You have one message.' | 0:46:48 | 0:46:50 | |
Lola, a programme the other day was saying if you eat spicy food | 0:46:50 | 0:46:54 | |
when you're pregnant it sends your baby funny. | 0:46:54 | 0:46:56 | |
-Lola, he's having you on. -Brian Cox was on it. | 0:46:56 | 0:47:01 | |
TV DROWNS OUT CONVERSATION | 0:47:01 | 0:47:04 | |
Ow! Ow! Ow! Here you are. Dig in. While they're still hot. | 0:47:11 | 0:47:15 | |
-They're not going to go cold, are they, Bill? -No, they're not. | 0:47:15 | 0:47:17 | |
I don't care any more, I'm starving. | 0:47:17 | 0:47:20 | |
Oi, hold on a minute, manners! Wait till Phil sits down. | 0:47:22 | 0:47:25 | |
I'm celebrating an' all. It's my birthday, remember. | 0:47:25 | 0:47:28 | |
-You're an adult now. -It's amazing how fast they grow up. One minute you're changing nappies... | 0:47:28 | 0:47:32 | |
The next minute they're testifying against you in court. | 0:47:32 | 0:47:36 | |
-How long till they can walk? Babies. -Oh, yeah. About a year. | 0:47:44 | 0:47:47 | |
And by the time they're two they're like superheroes, | 0:47:47 | 0:47:50 | |
-they're running, jumping, walking, the lot. -George is three. | 0:47:50 | 0:47:53 | |
-Mine's going to be a right little ninja. -Lucky you got a grandmaster on hand, innit? | 0:47:53 | 0:47:58 | |
-It's hot in here. I've gotta get some air. -Sit down. | 0:47:58 | 0:48:02 | |
Jay...not eating? | 0:48:04 | 0:48:07 | |
-He looks green. -Jay, you all right, babe? | 0:48:07 | 0:48:10 | |
He's just looking forward to me moving back in, that's all. | 0:48:10 | 0:48:14 | |
Yeah, well, you're not moving back in. | 0:48:14 | 0:48:17 | |
-You can go stay at Ian's or Hev's. -I'm going to be sick. | 0:48:17 | 0:48:20 | |
-Jay? -Better not be catching. -Lola, you cannot catch food poisoning. | 0:48:20 | 0:48:25 | |
You're starting to sound like one of them mothers down the nursery. | 0:48:25 | 0:48:30 | |
-You'll start listening to whale music next. -No. Maybe a bit of dubstep though. -Yeah! | 0:48:30 | 0:48:34 | |
-I'm going to go and see if Jay's all right. -No. I'll go. | 0:48:34 | 0:48:36 | |
-No, no, Ben. Just enjoy your food, yeah? -He's just trying to get out of the wedding, I bet you. | 0:48:36 | 0:48:41 | |
Heather, she's going to be so pleased to see you there! | 0:48:41 | 0:48:45 | |
-We should keep it as a secret. -Yeah, don't tell her he's out, yeah? -Yeah, well, there's no danger of that. | 0:48:45 | 0:48:50 | |
-We're not speaking. -You've had a row? What about? | 0:48:50 | 0:48:55 | |
Does it matter? | 0:48:55 | 0:48:56 | |
I'm going to go check on Jay. | 0:48:58 | 0:49:00 | |
Yeah, Shirl, it does, if it's going to ruin her big day. | 0:49:00 | 0:49:03 | |
Oh, come on, give her a call. You know she's going to be sat at home all on her own | 0:49:03 | 0:49:08 | |
sobbing over her old copies of Smash Hits. | 0:49:08 | 0:49:11 | |
Can't have that, can we? SHE LAUGHS | 0:49:11 | 0:49:14 | |
Jay? | 0:49:18 | 0:49:20 | |
KNOCK AT DOOR | 0:49:23 | 0:49:27 | |
Bathroom's probably the best place if you want to have a puke. | 0:49:33 | 0:49:38 | |
JAY SOBS | 0:49:38 | 0:49:40 | |
Jay? | 0:49:41 | 0:49:43 | |
JAY SIGHS DEEPLY | 0:49:46 | 0:49:47 | |
Jay, what's that matter, mate? | 0:49:47 | 0:49:49 | |
She's not answering. Maybe I should go round there. | 0:49:54 | 0:49:57 | |
Yeah...yeah, maybe you should. | 0:49:57 | 0:50:00 | |
After everything that's happened, you get out and you see him first. | 0:50:01 | 0:50:05 | |
Who organised this? Who was the one waiting for you? | 0:50:05 | 0:50:10 | |
-Maybe we should go and let you sort this out. -No, he should go! | 0:50:10 | 0:50:13 | |
-Maybe you should! -Hey, hey, hey! Come on, stop, stop, please, stop. | 0:50:13 | 0:50:19 | |
You...are not going about this the right way. | 0:50:23 | 0:50:27 | |
Sit down. | 0:50:30 | 0:50:31 | |
Look, I know when you're with Phil you feel like you've got to act the big man all the time, don't ya? | 0:50:44 | 0:50:50 | |
It wears you down. Believe me, I've been there. | 0:50:51 | 0:50:55 | |
Sometimes you just want to let everything go... | 0:50:56 | 0:50:59 | |
Jay...you know he's not going back inside now, don't you? | 0:51:01 | 0:51:05 | |
He's out of trouble, if that's what you're worried about. | 0:51:06 | 0:51:10 | |
I can't believe he made it up with Ben. | 0:51:13 | 0:51:17 | |
He said we were family. | 0:51:17 | 0:51:19 | |
Oh(!) Family today, are we? | 0:51:19 | 0:51:22 | |
Phil...is ruthless, Jay. | 0:51:24 | 0:51:27 | |
Don't matter what he says, | 0:51:28 | 0:51:30 | |
don't matter how he tries to dress it up, all right? | 0:51:30 | 0:51:33 | |
So you...you just keep an eye on Ben, all right? | 0:51:35 | 0:51:40 | |
I'll give you some space. | 0:51:44 | 0:51:46 | |
-Bill. -What? | 0:51:47 | 0:51:50 | |
I've got you, though, ain't I? Whatever happens. | 0:51:51 | 0:51:54 | |
What's going on? | 0:51:55 | 0:51:57 | |
Course you've got me. | 0:52:00 | 0:52:03 | |
Soppy. You're like my boy, ain't ya? Eh? | 0:52:03 | 0:52:07 | |
You're only out cos he couldn't hack it. | 0:52:19 | 0:52:22 | |
You let him in and he'll know you're always going to take him back. | 0:52:22 | 0:52:25 | |
-He nearly sent you down for years and now he's in there, stuffing his face! -What can I do? Eh? | 0:52:25 | 0:52:31 | |
-You wanted to kill him this morning. Kick him out! -He's my son. | 0:52:31 | 0:52:34 | |
And I'm your partner. I don't want to sleep alone because of him. | 0:52:34 | 0:52:38 | |
You don't have to. | 0:52:38 | 0:52:39 | |
Two months! Two months. D'you know how cold that was? | 0:52:39 | 0:52:43 | |
I was even going to bed in jumpers. | 0:52:43 | 0:52:46 | |
Yeah, well...you don't have to wear anything tonight. | 0:52:48 | 0:52:52 | |
-Look, Roxy, I'm sorry I left Amy on her own that time. -Can we just forget that now, yeah? Thank you. | 0:53:10 | 0:53:16 | |
GLASS SHATTERS | 0:53:16 | 0:53:18 | |
No, no, no, stay, stay. | 0:53:18 | 0:53:20 | |
-I need to feel whatever's going on out there - here, in my own home - I'm OK. -You've got that. | 0:53:20 | 0:53:26 | |
-No, I ain't. Not with him here. He's wrong in the head. -You've got no idea. | 0:53:26 | 0:53:31 | |
Roxy got curry on it. I said I'd put it in the washing machine for her. | 0:53:33 | 0:53:37 | |
I, er...think I might go round and see Hev. See how she is. | 0:53:37 | 0:53:42 | |
-She ain't bitter like you. -And she ain't a snake like you! | 0:53:42 | 0:53:45 | |
-You two need to talk. -We've done our talking. | 0:53:47 | 0:53:49 | |
You need to talk, properly. | 0:53:49 | 0:53:52 | |
-I'm going to go get Hev. You know what you've got to do. -You can't. | 0:53:53 | 0:53:56 | |
-Do you want a home? -No, I don't mean that. | 0:53:56 | 0:53:59 | |
-You want to sleep in the Arches? -I don't...mean that. -Then what do you mean?! | 0:53:59 | 0:54:05 | |
I won't be long. | 0:54:09 | 0:54:11 | |
-I can't just let her go round there. -What, and you can let me go prison? | 0:54:17 | 0:54:20 | |
Well, Shirley's gone to Heather's. | 0:54:29 | 0:54:32 | |
Oh, right. We'll have to hold fire on the pudding, then. | 0:54:32 | 0:54:36 | |
Yeah. She won't want to miss that. | 0:54:36 | 0:54:38 | |
How could she stay angry with you, | 0:56:33 | 0:56:36 | |
when you've worked so hard to mend it? | 0:56:36 | 0:56:39 | |
-What's it like being inside? Bet you got stories. -Lola! He just got out. | 0:56:47 | 0:56:50 | |
So? | 0:56:50 | 0:56:52 | |
You wake up. You sit. You think. | 0:56:53 | 0:56:56 | |
You wash. You eat. You sleep. | 0:56:56 | 0:56:58 | |
Lights go on. Lights go off. It don't matter. | 0:56:58 | 0:57:02 | |
That what bedtime stories were like growing up, Ben? | 0:57:02 | 0:57:04 | |
Explains a lot, don't it. | 0:57:04 | 0:57:06 | |
At first, you're trapped inside a prison. | 0:57:06 | 0:57:09 | |
Then...then inside your cell. Them same walls. | 0:57:09 | 0:57:13 | |
In the end, you're trapped inside your own head. | 0:57:15 | 0:57:18 | |
Thoughts bouncing round your skull. Like echoes, on and on. | 0:57:18 | 0:57:23 | |
Well, you've got to give it to them Masoods. | 0:57:29 | 0:57:32 | |
-They make a lovely ruby. -I thought I was the one supposed to be pregnant. | 0:57:32 | 0:57:36 | |
I'm going to be giving birth to something else in the morning. | 0:57:36 | 0:57:39 | |
-I hope Shirley and Heather aren't rowing again. -They'll be all right. | 0:57:39 | 0:57:43 | |
-Chuck a couple of plates, make up. Standard. -I'm getting on to the tabloids. | 0:57:43 | 0:57:46 | |
Heather Trott Misses Dinner Shocker. | 0:57:46 | 0:57:49 | |
Will you stop it?! | 0:57:49 | 0:57:51 | |
You want to clear the table? | 0:57:53 | 0:57:55 | |
I was just having a laugh. | 0:57:55 | 0:57:58 | |
A laugh? | 0:57:58 | 0:57:59 | |
I think Heather will look beautiful in her wedding dress. | 0:57:59 | 0:58:02 | |
-LOLA: Yeah, squeezing down the aisle! -Hey! | 0:58:02 | 0:58:04 | |
She deserves every bit of happiness she can get, that girl. | 0:58:04 | 0:58:07 | |
Don't you think we should find out where they are? | 0:58:07 | 0:58:10 | |
I said clear the table, eh? | 0:58:10 | 0:58:12 | |
So what's for dessert, then? | 0:58:16 | 0:58:18 | |
Sticky toffee pudding! | 0:58:18 | 0:58:21 | |
Oh, no! The words every woman dreads. Where is it? | 0:58:21 | 0:58:26 | |
You trying to look suss or what, eh? | 0:58:32 | 0:58:34 | |
One minute you're giving me evils for laughing, the next you're telling me I'm looking suss. | 0:58:34 | 0:58:38 | |
What exactly do you want me to do? | 0:58:38 | 0:58:40 | |
We've got to get over to that flat. What if she's called the police? | 0:58:43 | 0:58:48 | |
-They'll know we were there! Our fingerprints... -All right, yeah? | 0:58:48 | 0:58:52 | |
DOOR OPENING | 0:58:52 | 0:58:54 | |
Sorry, er... | 0:58:56 | 0:58:59 | |
You don't mind us celebrating your release, do you? | 0:58:59 | 0:59:02 | |
Look, I know it can't be easy, | 0:59:02 | 0:59:06 | |
but it's good you're trying. | 0:59:06 | 0:59:10 | |
Right. | 0:59:10 | 0:59:11 | |
Now, we go over there when I say, all right? | 0:59:16 | 0:59:19 | |
Bubbly is up! | 0:59:26 | 0:59:28 | |
Oh, really? Look, we should wait for Shirley, surely. | 0:59:28 | 0:59:31 | |
BOTH: Shirley surely! | 0:59:31 | 0:59:33 | |
-I'll go and check on her. -There's another bottle in the fridge. | 0:59:33 | 0:59:36 | |
-Is there? Oh, go on, then! -This isn't fair. Wish I could have some. | 0:59:36 | 0:59:40 | |
Yeah, well, you do the crime, you serve the time. | 0:59:40 | 0:59:43 | |
Ha! | 0:59:43 | 0:59:45 | |
CORK POPPING | 0:59:45 | 0:59:47 | |
THEY CHEER | 0:59:47 | 0:59:48 | |
Shirl! Hey, what's going on? | 0:59:58 | 1:00:02 | |
-How long you been there? You gave me a fright. -You OK? | 1:00:02 | 1:00:05 | |
-Hello, Georgey. -Let me take him. | 1:00:05 | 1:00:08 | |
Shirley? | 1:00:08 | 1:00:11 | |
She's...she's got blood on her! | 1:00:12 | 1:00:14 | |
What? Shirl? Shirl? George? | 1:00:14 | 1:00:17 | |
-You tell me right now. Are you OK? -Shirley? Is he all right? | 1:00:17 | 1:00:22 | |
Phil... Heather. | 1:00:22 | 1:00:25 | |
You look after her, yeah? | 1:00:25 | 1:00:27 | |
-Lola, call an ambulance. -Boys. Boys! | 1:00:27 | 1:00:30 | |
Come on, what are we waiting for? Go! | 1:00:30 | 1:00:32 | |
Shirl? Shirl, let me take George. Let me take him. | 1:00:32 | 1:00:37 | |
Do you think they suspected anything? | 1:00:59 | 1:01:02 | |
It's like you've done this before. | 1:01:02 | 1:01:04 | |
-Don't be stupid, Jay. Look, come on. -I ain't going over there! | 1:01:04 | 1:01:07 | |
You've got to. How else are you going to explain the DNA? | 1:01:07 | 1:01:11 | |
I can't go over there. | 1:01:11 | 1:01:14 | |
We could get a car from the Arches, you know. Do a runner. | 1:01:14 | 1:01:17 | |
-They'll know it was us, then! -They'll know if we don't go to the flat. | 1:01:17 | 1:01:20 | |
Our DNA's all over it. | 1:01:20 | 1:01:22 | |
Will you stop saying DNA like this is a film? | 1:01:22 | 1:01:25 | |
I ain't going over there, yeah? There's police there, people there... | 1:01:25 | 1:01:29 | |
She's there. | 1:01:29 | 1:01:30 | |
Well, maybe it won't be that bad. | 1:01:32 | 1:01:34 | |
Do you know what you've done? Do you really know? | 1:01:34 | 1:01:38 | |
I've saved our family. Look, Dad's on his way there now. | 1:01:38 | 1:01:41 | |
He didn't have to do what he did. He's risking prison for this, Jay. | 1:01:41 | 1:01:46 | |
If we don't go there, he could get done himself! | 1:01:46 | 1:01:48 | |
Look. We'll do this together, all right? Like Dad said, | 1:01:50 | 1:01:54 | |
everything together from now on. | 1:01:54 | 1:01:56 | |
Look, you've just got to... | 1:01:56 | 1:01:59 | |
You've just got to block it out. | 1:01:59 | 1:02:03 | |
Come on. | 1:02:03 | 1:02:05 | |
This has been kicked in. | 1:02:22 | 1:02:24 | |
-Heather! -Where is she? | 1:02:28 | 1:02:31 | |
Hev! | 1:02:31 | 1:02:32 | |
Oh, no. | 1:02:32 | 1:02:34 | |
Phil, why's she laying down? | 1:02:36 | 1:02:38 | |
She's gone. | 1:02:38 | 1:02:39 | |
Don't say that. She can't be. She's getting married tomorrow! | 1:02:39 | 1:02:43 | |
Where is she? | 1:02:43 | 1:02:46 | |
-Ben, don't look. -What's happened? | 1:02:46 | 1:02:48 | |
-Jay, don't look. -Heather! Get up! | 1:02:48 | 1:02:51 | |
-Heather! -I mean, who...? | 1:02:53 | 1:02:57 | |
-Just call an ambulance. -Lola's calling one. | 1:02:57 | 1:03:00 | |
Yeah, well, make sure! | 1:03:00 | 1:03:02 | |
Jay, get some of George's things. Get his coat. | 1:03:02 | 1:03:07 | |
Ben, check the bedroom. | 1:03:07 | 1:03:09 | |
Ben! | 1:03:09 | 1:03:12 | |
Hello? Yeah, we need an ambulance. | 1:03:12 | 1:03:14 | |
We might have called one already. | 1:03:14 | 1:03:18 | |
57 Turpin Road. | 1:03:18 | 1:03:20 | |
We have? Right. | 1:03:20 | 1:03:22 | |
Heather Trott. | 1:03:25 | 1:03:28 | |
'So you went into the flat.' | 1:03:30 | 1:03:32 | |
And the door was off its hinges. So, I went in and... | 1:03:32 | 1:03:37 | |
And what, Shirl? | 1:03:37 | 1:03:39 | |
What? | 1:03:39 | 1:03:41 | |
-Hev... -It's OK. | 1:03:44 | 1:03:47 | |
-Hev! -Shirl! Wait! | 1:03:49 | 1:03:52 | |
Roxy, I'm scared. What's happened? | 1:03:52 | 1:03:55 | |
Yeah, man. I have it, I have it, I have it! | 1:03:57 | 1:04:00 | |
-Well, the beginning at least. -You work fast. | 1:04:00 | 1:04:03 | |
-Let's hear it, then. -No, no, no. It's a surprise. | 1:04:03 | 1:04:06 | |
Ladies and gentlemen? | 1:04:06 | 1:04:09 | |
You do realise the place is full of Mitchells. | 1:04:09 | 1:04:13 | |
Hey, this is my speech and I can say what I want! | 1:04:13 | 1:04:16 | |
I ain't laughing at your dress, am I? | 1:04:16 | 1:04:18 | |
Nothing to laugh at. It's a work of art. | 1:04:18 | 1:04:22 | |
Well, I hope she loves it, otherwise she's never going to forgive me. | 1:04:22 | 1:04:26 | |
Stop it! You're being melodramatic. She was probably out. | 1:04:26 | 1:04:29 | |
The light was on. I could tell there was someone there. | 1:04:29 | 1:04:31 | |
-You know what this reminds me of? -The war? | 1:04:31 | 1:04:34 | |
Of the '60s. | 1:04:34 | 1:04:38 | |
We always used to help each other out with the wedding dresses. | 1:04:38 | 1:04:42 | |
I remember one. | 1:04:42 | 1:04:44 | |
Mint green chiffon. Short. | 1:04:44 | 1:04:48 | |
Fake emeralds encrusted on the bodice. | 1:04:48 | 1:04:53 | |
We listened to a lot of rock and roll back then. | 1:04:53 | 1:04:56 | |
A wedding dresses should be white. | 1:04:56 | 1:04:58 | |
A bride should pretend to be pure. | 1:04:58 | 1:05:00 | |
Even with the complete absence of moral rectitude | 1:05:00 | 1:05:02 | |
that is usually the case these days. | 1:05:02 | 1:05:05 | |
Well, Heather's got a pure soul. | 1:05:05 | 1:05:08 | |
If you count having a child with a teenage used car salesman pure! | 1:05:08 | 1:05:11 | |
Well, your Andrew is a child born out of bigamy. | 1:05:11 | 1:05:15 | |
I mean, what young Darren did was the will of God. | 1:05:15 | 1:05:19 | |
He knew that Heather needed something to live for, you know. | 1:05:19 | 1:05:22 | |
-Something to bring light to her darkness... -Look now, man. | 1:05:22 | 1:05:26 | |
Andrew and Heather, were meant for each other. | 1:05:26 | 1:05:28 | |
-I wouldn't be giving her away if I thought not. -Well if they were, | 1:05:28 | 1:05:32 | |
she would know he needs his mum. | 1:05:32 | 1:05:33 | |
I'm not going to have her ignore me for ever. | 1:05:33 | 1:05:37 | |
AMBULANCE SIRENS | 1:05:37 | 1:05:41 | |
Listen, you don't need to be here. Just come outside. | 1:05:45 | 1:05:48 | |
I need to get her up. | 1:05:48 | 1:05:49 | |
She's getting married tomorrow. | 1:05:54 | 1:05:57 | |
I need to get her ready. | 1:06:00 | 1:06:01 | |
-She's there. -What happened? | 1:06:11 | 1:06:13 | |
I don't know. | 1:06:13 | 1:06:14 | |
HE MUTTERS | 1:06:25 | 1:06:27 | |
You all right? | 1:06:27 | 1:06:29 | |
Come on, mate. This is no place for a kip. | 1:06:29 | 1:06:32 | |
Get back. Stay back! | 1:06:32 | 1:06:34 | |
It'll look better than it did in the first place. | 1:06:39 | 1:06:41 | |
You do look pretty. | 1:06:41 | 1:06:43 | |
-Ooh, go on! -Pure as the driven snow. | 1:06:43 | 1:06:47 | |
Ooh, Mrs! Don't mock the afflicted. | 1:06:47 | 1:06:49 | |
-SIRENS WAILING -What's all that commotion? | 1:06:49 | 1:06:51 | |
Riots, take two. This time they've come back for the shoes | 1:06:51 | 1:06:55 | |
to go with the handbags. | 1:06:55 | 1:06:56 | |
Where's Andrew? | 1:06:56 | 1:06:58 | |
I hope he's not out with Heather the night before the wedding. | 1:06:58 | 1:07:01 | |
-Let it go! -Well, I think as we've nearly finished, | 1:07:01 | 1:07:05 | |
-we can give ourselves a little celebration. -Rum! | 1:07:05 | 1:07:09 | |
I said celebration, Patrick. Not debauchery. | 1:07:09 | 1:07:13 | |
Something elevated, refined. Like a bottle of sweet sherry. | 1:07:13 | 1:07:17 | |
Now, who's going down to the shop to get it? | 1:07:17 | 1:07:21 | |
-Of course! -I'll come, too. I'll help you with your speech. | 1:07:23 | 1:07:27 | |
Signs of burglary. | 1:07:31 | 1:07:33 | |
Can we get Homicide Assessment down here, ASAP? Over. | 1:07:33 | 1:07:35 | |
POLICE RADIO VOICES | 1:07:35 | 1:07:37 | |
I'm afraid I'm going to have to ask you to exit the premises. | 1:07:37 | 1:07:40 | |
Life extinct. 21:09 hours. | 1:07:40 | 1:07:43 | |
No-o-o! | 1:07:43 | 1:07:47 | |
SHE SOBS | 1:07:47 | 1:07:49 | |
Please. Please don't. | 1:07:52 | 1:07:55 | |
Who found the body? | 1:08:18 | 1:08:20 | |
We did. | 1:08:20 | 1:08:23 | |
I'm Detective Sergeant Crisp, Homicide Assessment Team. | 1:08:23 | 1:08:26 | |
Homicide? | 1:08:26 | 1:08:27 | |
We're going to need somewhere to talk to the witnesses. | 1:08:27 | 1:08:30 | |
Come on, mate. | 1:08:41 | 1:08:42 | |
Stay back! | 1:08:42 | 1:08:44 | |
I'm just trying to help you out. Come on, up you get. | 1:08:44 | 1:08:46 | |
-You can't sleep down here. It stinks. -What you got there? | 1:08:46 | 1:08:51 | |
VIDEO GAME SOUNDS ON PHONE | 1:08:51 | 1:08:53 | |
Will you stop that? | 1:08:53 | 1:08:56 | |
OK, I got to go and see what's going on. | 1:08:56 | 1:08:59 | |
-Where's my coat gone? -I don't know. | 1:09:01 | 1:09:04 | |
Roxy. Roxy, wait! | 1:09:06 | 1:09:08 | |
Look after the kids. They're asleep. They'll be no problem. | 1:09:08 | 1:09:12 | |
-Both of them?! -It'll be good practice. | 1:09:12 | 1:09:14 | |
-Yeah, if I have twins(!) -Yeah, yeah, yeah. | 1:09:14 | 1:09:16 | |
-No, Roxy! I can't... -DOOR SLAMMING SHUT | 1:09:16 | 1:09:18 | |
..do this. | 1:09:18 | 1:09:20 | |
Sorry, fellas. We're going to need this table, if you don't mind. | 1:09:32 | 1:09:36 | |
Thank you. | 1:09:36 | 1:09:37 | |
It's like ET. | 1:09:44 | 1:09:46 | |
I know it's not perfect, but this won't take long. | 1:09:48 | 1:09:50 | |
Just a few preliminary questions. Please. | 1:09:50 | 1:09:54 | |
Gentlemen? | 1:10:01 | 1:10:03 | |
May I? | 1:10:08 | 1:10:10 | |
If I could start with the deceased's name. | 1:10:12 | 1:10:15 | |
It was Heather Trott. | 1:10:15 | 1:10:18 | |
And what was your relationship to Miss Trott? | 1:10:18 | 1:10:21 | |
We were just friends. | 1:10:24 | 1:10:27 | |
-Did she live at the property? -Yeah. Yeah, she did. | 1:10:27 | 1:10:31 | |
-With anyone? -Yeah. | 1:10:31 | 1:10:35 | |
George. | 1:10:37 | 1:10:39 | |
Roxy's got him now. | 1:10:39 | 1:10:42 | |
That's her boy. He's two or three. | 1:10:42 | 1:10:45 | |
He was at the flat when Shirley got there. | 1:10:46 | 1:10:50 | |
So it was you who was first into the flat? | 1:10:50 | 1:10:54 | |
Yeah. | 1:10:54 | 1:10:56 | |
Yeah, it was. We... | 1:10:56 | 1:10:59 | |
Me, Billy and the boys. We were back at ours. | 1:10:59 | 1:11:03 | |
SIRENS WAILING | 1:11:16 | 1:11:19 | |
You don't get this many police cars for nothing. | 1:11:19 | 1:11:23 | |
Rose! | 1:11:23 | 1:11:24 | |
Have you seen all this? | 1:11:24 | 1:11:26 | |
-Rose, look... -What's wrong? | 1:11:26 | 1:11:29 | |
Shirl walked in with George. She didn't say anything, just... | 1:11:33 | 1:11:37 | |
Just stared. | 1:11:39 | 1:11:41 | |
That's when Lola noticed the blood and Dad ran straight out. | 1:11:41 | 1:11:45 | |
What made you think Miss Trott was in trouble? | 1:11:45 | 1:11:50 | |
It's not exactly a big leap, is it? | 1:11:50 | 1:11:51 | |
She's been round Heather's, she's got George and there's blood. | 1:11:51 | 1:11:54 | |
I'm just trying to build up a picture. | 1:11:54 | 1:11:56 | |
So you went to the flat, Mr Mitchell. | 1:11:56 | 1:11:59 | |
It was just you, Miss Carter and Billy who went into the property? | 1:11:59 | 1:12:04 | |
-And the boys. -Ben and Jay? | 1:12:04 | 1:12:07 | |
They were in there before we knew what was what. | 1:12:07 | 1:12:10 | |
It must have been a very difficult situation. | 1:12:10 | 1:12:12 | |
I had them getting George his coat. | 1:12:12 | 1:12:16 | |
It's funny what you think of. | 1:12:17 | 1:12:19 | |
It is. | 1:12:19 | 1:12:22 | |
Very easy to forget that people don't think like police officers. | 1:12:22 | 1:12:26 | |
-How's that? -Methodically. | 1:12:26 | 1:12:29 | |
Is there any next of kin other than George? | 1:12:31 | 1:12:35 | |
What about his dad? | 1:12:35 | 1:12:36 | |
Darren? | 1:12:36 | 1:12:38 | |
Nah, he's long gone. Her mum, Queenie. | 1:12:38 | 1:12:40 | |
She lives down the south coast, I think. | 1:12:40 | 1:12:44 | |
And there's Andrew. Her fiancee. | 1:12:44 | 1:12:48 | |
Do you know of his whereabouts? | 1:12:48 | 1:12:50 | |
The thing with women... | 1:13:15 | 1:13:18 | |
they want to know you're thinking about them the whole time. | 1:13:18 | 1:13:22 | |
That's why they make up all those rules. | 1:13:22 | 1:13:26 | |
Keeps them in mind. | 1:13:26 | 1:13:28 | |
I don't need rules. | 1:13:28 | 1:13:32 | |
I think about my girl all the time anyway. | 1:13:32 | 1:13:35 | |
What you doing here, then? | 1:13:35 | 1:13:38 | |
She don't think about me so much. | 1:13:38 | 1:13:42 | |
More bothered about her mates. | 1:13:42 | 1:13:44 | |
Ah. | 1:13:44 | 1:13:46 | |
Selfless, eh? | 1:13:46 | 1:13:49 | |
What made you enter the property? | 1:13:59 | 1:14:01 | |
Jay ran in there and I went in after him. | 1:14:01 | 1:14:05 | |
We didn't know what was what. | 1:14:13 | 1:14:14 | |
And once inside, did you touch anything? | 1:14:14 | 1:14:18 | |
Jay? | 1:14:18 | 1:14:19 | |
-He can't remember. -He can tell me that. | 1:14:26 | 1:14:30 | |
Don't know. Maybe the kitchen top? | 1:14:34 | 1:14:37 | |
Did you go into any other rooms? | 1:14:37 | 1:14:39 | |
Life extinct. | 1:14:45 | 1:14:47 | |
What happened to time of death? | 1:14:50 | 1:14:52 | |
It's changed. | 1:14:52 | 1:14:54 | |
HOW CAN YOU SAY THAT?! | 1:14:54 | 1:14:57 | |
Extinct? Like she's some kind of dinosaur! | 1:14:57 | 1:15:01 | |
Shirl, come on. It's all right. | 1:15:01 | 1:15:03 | |
Like a bag of old bones with long names | 1:15:03 | 1:15:07 | |
that everybody gawps at! | 1:15:07 | 1:15:09 | |
Well, she's not! She's my Hev! | 1:15:09 | 1:15:12 | |
I don't know who these people are! | 1:15:14 | 1:15:17 | |
And I don't want them touching my Hev! | 1:15:17 | 1:15:20 | |
-Get your hands off me! -Hey, I've got you. | 1:15:20 | 1:15:23 | |
-Come here, come here. -I don't know who they are. | 1:15:23 | 1:15:25 | |
SHE SOBS | 1:15:25 | 1:15:27 | |
If you touch her, I swear to God I'll put you down. Do you hear me? | 1:15:27 | 1:15:31 | |
Now, I'm taking her home. | 1:15:31 | 1:15:33 | |
-I need you all to come to the station. -Why? | 1:15:33 | 1:15:35 | |
DNA evidence. Rule you out of the enquiries. | 1:15:35 | 1:15:38 | |
She's just seen her best friend dead. | 1:15:38 | 1:15:41 | |
I'm sure she's going to want us | 1:15:41 | 1:15:43 | |
to do everything we can to catch the killer, won't she? | 1:15:43 | 1:15:48 | |
-That's Heather's flat. -What? Excuse me! Excuse me! | 1:16:12 | 1:16:16 | |
Phil? | 1:16:21 | 1:16:24 | |
-I thought he was locked... -Phil, they said there's a body. | 1:16:24 | 1:16:28 | |
Who? Who is it? | 1:16:28 | 1:16:31 | |
-Whose body did they find?! -For heaven's sake, would somebody tell me something? | 1:16:31 | 1:16:35 | |
Heather's dead, all right? | 1:16:35 | 1:16:37 | |
Huh? | 1:16:37 | 1:16:39 | |
I'm sorry. | 1:16:44 | 1:16:45 | |
They'll be fumbling by the bins if I know those two. | 1:16:51 | 1:16:53 | |
Cora, you'll be out on your ear again if you keep talking like that. | 1:16:53 | 1:16:58 | |
It's been lovely having Heather in the launderette. | 1:17:01 | 1:17:04 | |
She always keeps the place clean. She never uses up the tea bags. | 1:17:04 | 1:17:09 | |
Mind you, she's terrible about the machines. | 1:17:09 | 1:17:12 | |
-I've never known anyone so hopeless. -You worried she's going to leave? | 1:17:12 | 1:17:17 | |
Well, you want them to go, don't you? | 1:17:17 | 1:17:21 | |
I mean, you can't keep hold of them forever. | 1:17:21 | 1:17:24 | |
You want them to go off | 1:17:24 | 1:17:26 | |
and have a life of their own. | 1:17:26 | 1:17:30 | |
She's like a daughter to you, ain't she? | 1:17:30 | 1:17:34 | |
We'll get you changed into forensics suits first. | 1:17:40 | 1:17:43 | |
We have to do it for all significant witnesses. | 1:17:43 | 1:17:46 | |
-We just want to get out of here. -Of course. | 1:17:46 | 1:17:48 | |
Miss Carter, if you'd come with me, we'll get you changed. | 1:17:48 | 1:17:51 | |
If you'd follow me. | 1:17:58 | 1:18:00 | |
Come on, boys. it'll be all right. Come on. | 1:18:03 | 1:18:07 | |
No! No! No! | 1:18:16 | 1:18:22 | |
You're sure? | 1:18:54 | 1:18:55 | |
OK, that changes things. Thank you. 415, I need DS Crisp. Over. | 1:18:55 | 1:18:59 | |
Excuse me. Excuse me. | 1:19:04 | 1:19:07 | |
-Stay behind the cordon, please. -HEATHER!! What you doing in there? | 1:19:07 | 1:19:11 | |
My baby! | 1:19:11 | 1:19:13 | |
Mum, why are they in there? | 1:19:13 | 1:19:15 | |
Andrew... | 1:19:15 | 1:19:17 | |
Why are they in Heather's flat? | 1:19:17 | 1:19:18 | |
Andrew, please... | 1:19:18 | 1:19:21 | |
-No! What's happened! -Please, sir. | 1:19:21 | 1:19:23 | |
No! No! Get off me. | 1:19:26 | 1:19:30 | |
Heather! | 1:19:30 | 1:19:31 | |
Heather. | 1:19:31 | 1:19:34 | |
Heather, please. | 1:19:36 | 1:19:39 | |
Please don't leave me. | 1:19:39 | 1:19:42 | |
Heather, I love you. Please! Please! | 1:19:45 | 1:19:48 | |
What's this all about, eh? | 1:19:54 | 1:19:55 | |
Trying to make us feel like we've done something wrong! | 1:19:55 | 1:19:58 | |
-I'm sorry, Dad. -Not now, all right? | 1:20:03 | 1:20:05 | |
-Everything you've done, what's happened... -Not now! | 1:20:05 | 1:20:10 | |
This is the last thing you need | 1:20:14 | 1:20:16 | |
with your stomach, innit? | 1:20:16 | 1:20:19 | |
-Don't throw up over them, will ya? -They're Old Bill. Don't matter if he does. | 1:20:19 | 1:20:22 | |
-They think that... -What? | 1:20:37 | 1:20:40 | |
What do they think? | 1:20:40 | 1:20:41 | |
They think the burglary was a fake. | 1:20:43 | 1:20:46 | |
What? How can they know that? | 1:20:46 | 1:20:50 | |
Something to do with the way the drawers were tipped out. | 1:20:50 | 1:20:54 | |
What does that mean? | 1:20:54 | 1:20:55 | |
OK, we're ready. | 1:20:56 | 1:20:58 | |
-Jay, Ben, follow us. -I'll come with them. | 1:20:58 | 1:21:00 | |
I'm afraid as a fellow witness you can't. | 1:21:00 | 1:21:02 | |
It's just a statement, yeah? | 1:21:02 | 1:21:04 | |
It won't take long. I'll take Jay down to suite four, | 1:21:04 | 1:21:07 | |
you take Ben. | 1:21:07 | 1:21:10 | |
It's just routine, OK? | 1:21:13 | 1:21:15 | |
-I'll be right here. -Don't want to go in on my own. | 1:21:15 | 1:21:20 | |
Oi, you're not on your own. We're in this together, remember? | 1:21:21 | 1:21:25 | |
Till the end. | 1:21:25 | 1:21:27 | |
-OK. Jay, Ben, shall we? -Come on. | 1:21:32 | 1:21:35 | |
SHE SIGHS | 1:21:44 | 1:21:46 | |
How long does it take to get one bottle of sherry? | 1:21:46 | 1:21:49 | |
DOT CHUCKLES | 1:21:49 | 1:21:51 | |
Come on, let's get out there and see what all the fuss is about, eh? | 1:21:51 | 1:21:54 | |
Well, I suppose it is our civic duty. | 1:21:54 | 1:21:58 | |
What's the betting... it's something really grizzly? | 1:21:58 | 1:22:02 | |
Oh, Cora! | 1:22:02 | 1:22:04 | |
CORA LAUGHS | 1:22:05 | 1:22:07 | |
It was about six o'clock. | 1:22:07 | 1:22:10 | |
I came straight from here to find Jay, didn't I? | 1:22:10 | 1:22:12 | |
I left Shirley and went back to the Arches. | 1:22:12 | 1:22:15 | |
Jay was working on her motor. I had nothing better to do so I stayed and helped him. | 1:22:15 | 1:22:19 | |
It was the carburettor. | 1:22:19 | 1:22:21 | |
Er... Gearbox. | 1:22:21 | 1:22:24 | |
Ben held the light. | 1:22:24 | 1:22:28 | |
Don't let him near the engine. | 1:22:28 | 1:22:30 | |
When I say gearbox, it could be anything. | 1:22:30 | 1:22:34 | |
Cars ain't really my thing. | 1:22:34 | 1:22:36 | |
Course I was angry. | 1:22:36 | 1:22:37 | |
That boy got me arrested but we're family. We stick together. | 1:22:37 | 1:22:42 | |
What're they doing with him in there? | 1:22:45 | 1:22:47 | |
We just have a few questions we need to ask your son. | 1:22:47 | 1:22:50 | |
-He hasn't done anything. -It's standard procedure, Mrs Cotton. | 1:22:50 | 1:22:53 | |
But he was with me all afternoon. Playing Bridge. | 1:22:53 | 1:22:55 | |
We always play on Wednesdays. | 1:22:55 | 1:22:58 | |
415, I need DS Crisp. Over. | 1:23:05 | 1:23:07 | |
-Roxy left some clothes for you. -Any word from Ben and Jay? | 1:23:17 | 1:23:21 | |
Getting a proper grilling, by the sound of it. | 1:23:21 | 1:23:23 | |
-I better get out of these. -Yeah. | 1:23:23 | 1:23:26 | |
Miss Carter, we're ready for YOU now. | 1:23:26 | 1:23:29 | |
What about my two boys? | 1:23:29 | 1:23:30 | |
They're free to go, Mr Mitchell. They're just changing. | 1:23:30 | 1:23:34 | |
Should we wait for you here? | 1:23:35 | 1:23:37 | |
I was mugged once, outside the Co-op. | 1:23:44 | 1:23:47 | |
Oh, how terrible. | 1:23:47 | 1:23:49 | |
That kid needed 11 stitches in his head by the time I'd finished. | 1:23:51 | 1:23:55 | |
Guns. Happy flashing. It's a wonder anyone dare leave their own house. | 1:23:56 | 1:23:59 | |
I wouldn't be surprised if it's got something to do with that club. | 1:23:59 | 1:24:03 | |
Letting teenagers drink their own body weight? That's not right. | 1:24:03 | 1:24:08 | |
Anyone got any idea why there's all them police outside? | 1:24:08 | 1:24:12 | |
I'm going to get on to the Chief Constable as soon as I get home. | 1:24:12 | 1:24:15 | |
We are on speaking terms. | 1:24:15 | 1:24:16 | |
You know, ever since me and Ethel started the Neighbourhood Watch. | 1:24:16 | 1:24:19 | |
You'll never guess what I've just heard. | 1:24:19 | 1:24:22 | |
They've only gone and found a body. A woman, apparently. | 1:24:22 | 1:24:26 | |
-God rest her soul. -Is she local? -They wouldn't say. | 1:24:26 | 1:24:29 | |
Right, that's it. I'm going to take you girls home. Come on. | 1:24:29 | 1:24:33 | |
On our own doorstep. What's the world coming to? | 1:24:33 | 1:24:36 | |
You don't breathe a word of this to Beale, do you understand me? | 1:24:54 | 1:24:58 | |
One murder investigation wasn't enough for you, was it? | 1:24:58 | 1:25:01 | |
She a friend of yours? | 1:25:01 | 1:25:03 | |
Heather, she used to clean for us. | 1:25:03 | 1:25:06 | |
Sad business. Young mum. About to get married, I heard. | 1:25:07 | 1:25:11 | |
Still. Rest assured, we've got the best man for the job on it. | 1:25:13 | 1:25:17 | |
Has Ben told you his news? | 1:25:17 | 1:25:19 | |
It seems the CPS weren't too happy | 1:25:19 | 1:25:22 | |
about his recent memory lapse. | 1:25:22 | 1:25:24 | |
I'll be in touch shortly. | 1:25:25 | 1:25:27 | |
Shall I...get us a cab? | 1:25:32 | 1:25:34 | |
Come on, Jay. | 1:25:34 | 1:25:36 | |
Do you want me to wait for Shirl? | 1:25:37 | 1:25:39 | |
I don't want you... anywhere near her. | 1:25:40 | 1:25:43 | |
What was the first thing you noticed | 1:25:49 | 1:25:51 | |
-when you walked into Miss Trott's flat? -It's Hev. | 1:25:51 | 1:25:54 | |
-How many times do I have to say it? It's Hev! -Please, | 1:25:54 | 1:25:58 | |
Miss Carter. | 1:25:58 | 1:25:59 | |
The place was in a right state. | 1:26:01 | 1:26:03 | |
The drawers had been pulled out and there was papers everywhere. | 1:26:05 | 1:26:09 | |
That's when I first saw her. | 1:26:12 | 1:26:13 | |
I thought she was mucking about, didn't I? | 1:26:16 | 1:26:18 | |
So... | 1:26:19 | 1:26:21 | |
..I shook her a bit. | 1:26:22 | 1:26:24 | |
But she didn't move. | 1:26:27 | 1:26:28 | |
She just laid there. | 1:26:30 | 1:26:32 | |
I told her to get up. I said it wasn't funny any more. | 1:26:34 | 1:26:37 | |
Least she could do was make us a couple of WooWoos. | 1:26:39 | 1:26:42 | |
-VOICE CRACKS: -But she's gone, hasn't she? | 1:26:46 | 1:26:51 | |
My beautiful Hev, gone and left me on my own. | 1:26:51 | 1:26:55 | |
You don't reckon it was a break-in, do you? | 1:26:58 | 1:27:00 | |
We can't rule anything out. | 1:27:00 | 1:27:02 | |
But if it wasn't some thief, then who in the flat? | 1:27:02 | 1:27:04 | |
Who'd want to hurt my Hev? | 1:27:06 | 1:27:08 | |
That's what we intend to find out. | 1:27:08 | 1:27:10 | |
According to her phone log, Miss Trott called you | 1:27:12 | 1:27:15 | |
at 6:20 this evening. | 1:27:15 | 1:27:17 | |
Yeah, she left a message. | 1:27:17 | 1:27:19 | |
Can you recall what the message said? | 1:27:19 | 1:27:21 | |
Just banging on about some row we had. | 1:27:21 | 1:27:24 | |
Why're you asking ME all these questions? | 1:27:26 | 1:27:28 | |
You should be out there finding the scum that did it! | 1:27:30 | 1:27:33 | |
-I shan't get a wink of sleep. -Little nightcap will do the trick. | 1:27:38 | 1:27:41 | |
Well it might take the edge off the shock. | 1:27:41 | 1:27:44 | |
Rose Elizabeth! Whatever is it? | 1:27:47 | 1:27:51 | |
It's Heather. | 1:27:53 | 1:27:55 | |
What about her? | 1:27:56 | 1:27:57 | |
They, um... The police found her body earlier on this evening. | 1:28:01 | 1:28:05 | |
What happened? | 1:28:14 | 1:28:16 | |
They won't tell us anything at all. | 1:28:18 | 1:28:20 | |
Oh, Rose. I...I think probably we should head down | 1:28:23 | 1:28:27 | |
to the police station, huh? | 1:28:27 | 1:28:29 | |
See if they've finished with Andrew. | 1:28:29 | 1:28:30 | |
You two go. | 1:28:36 | 1:28:38 | |
I'll look after Dot. | 1:28:38 | 1:28:40 | |
Shirley. | 1:28:46 | 1:28:48 | |
-What's he doing here? -Mr Cotton's just helping us with our enquiries. | 1:28:53 | 1:28:56 | |
Why? | 1:28:58 | 1:29:00 | |
You think he's got something to do with it? | 1:29:00 | 1:29:02 | |
Mr Cotton's here for the same reason you are, Miss Carter. | 1:29:02 | 1:29:05 | |
Would you like an officer to drive you home? | 1:29:05 | 1:29:07 | |
You ain't going to get a minute's peace from me. | 1:29:07 | 1:29:10 | |
I'm going to be here every day until you catch the scum that did this! | 1:29:11 | 1:29:16 | |
I'm sorry to have to kept you waiting, Mr Cotton. | 1:29:28 | 1:29:31 | |
As I'm sure you can imagine, it's been a busy night. | 1:29:32 | 1:29:36 | |
First of all, can I offer condolences on behalf of my team. | 1:29:36 | 1:29:39 | |
Thank you. | 1:29:39 | 1:29:41 | |
How long have you known your fiancee? | 1:29:42 | 1:29:45 | |
Since last August. | 1:29:45 | 1:29:47 | |
And you lived together? | 1:29:47 | 1:29:49 | |
-I moved in a few weeks ago. -And you were due to get married tomorrow. Is that right? | 1:29:49 | 1:29:54 | |
Would you like us to continue with this in the morning? | 1:29:57 | 1:30:00 | |
No, I just want to get it over with. | 1:30:00 | 1:30:02 | |
When did you last see your fiancee? | 1:30:04 | 1:30:06 | |
About four o'clock this afternoon. | 1:30:06 | 1:30:09 | |
And how did she seem? | 1:30:09 | 1:30:12 | |
She was just, um... | 1:30:13 | 1:30:16 | |
Just Heather. | 1:30:16 | 1:30:18 | |
And did you part on good terms? | 1:30:18 | 1:30:20 | |
Mr Cotton? | 1:30:22 | 1:30:24 | |
I've got some ivory beads what I'd saved from an old dress... | 1:30:35 | 1:30:39 | |
I was going to make Dotty a little bag, | 1:30:39 | 1:30:42 | |
cos we've still got that hem to finish. | 1:30:42 | 1:30:44 | |
Yeah. Two pairs of hands are better than one. | 1:30:48 | 1:30:51 | |
Shirley, this is, um... | 1:31:01 | 1:31:03 | |
I'm Maria de Costa from Walford Children Services. | 1:31:03 | 1:31:07 | |
I'm so sorry to hear about your friend. | 1:31:09 | 1:31:11 | |
I need a drink. | 1:31:16 | 1:31:18 | |
I know it's been a difficult night for you, | 1:31:32 | 1:31:35 | |
but I'm afraid I do need to talk to you about George. | 1:31:35 | 1:31:37 | |
Provisions have been made to have him | 1:31:40 | 1:31:41 | |
-taken into temporary foster care... -You ain't taking him anywhere! | 1:31:41 | 1:31:45 | |
George's wellbeing is paramount to us. | 1:31:45 | 1:31:48 | |
-As I'm sure it is for you. -His mum is... | 1:31:48 | 1:31:51 | |
His mum was my best mate. I'm his godmother. | 1:31:53 | 1:31:57 | |
-You're also part of a murder investigation, Miss Carter. -Get her out of here! | 1:31:57 | 1:32:01 | |
Shirley, she's just trying to do her job. | 1:32:01 | 1:32:03 | |
You're all going to stand there and let them do this?! | 1:32:03 | 1:32:05 | |
What about you, Roxy? | 1:32:05 | 1:32:08 | |
Remember the grief they gave you over Amy? | 1:32:08 | 1:32:11 | |
Please, can you just give her a few more hours? | 1:32:14 | 1:32:17 | |
I'm sorry. We just want to get George settled for the night. | 1:32:17 | 1:32:20 | |
You can't just take him! Phil, do something! | 1:32:21 | 1:32:24 | |
-SHE SOBS: -He should be with his family! | 1:32:26 | 1:32:28 | |
Just let him go, Shirl. Let him go. | 1:32:28 | 1:32:31 | |
I really am sorry... | 1:32:31 | 1:32:33 | |
about your friend. | 1:32:33 | 1:32:35 | |
We'll put a plan of action together in the morning. | 1:32:37 | 1:32:40 | |
Sorry, I just can't do this. | 1:32:41 | 1:32:43 | |
You want me to go after him? | 1:32:46 | 1:32:49 | |
Yeah, just try and keep him calm, | 1:32:49 | 1:32:51 | |
yeah? | 1:32:51 | 1:32:52 | |
He's not as sussed as you are. | 1:32:52 | 1:32:55 | |
SHIRLEY SOBS | 1:32:58 | 1:33:00 | |
He should be with his dad. | 1:33:02 | 1:33:03 | |
He should be with Hev. | 1:33:03 | 1:33:05 | |
Phil! | 1:33:09 | 1:33:10 | |
Please stay with me. | 1:33:11 | 1:33:14 | |
DOOR OPENING | 1:33:47 | 1:33:48 | |
Dad's worried about you. | 1:33:54 | 1:33:56 | |
Look, if you carry on like this, | 1:33:58 | 1:34:00 | |
you'll mess it up for everyone, Jay. | 1:34:00 | 1:34:02 | |
-How can you act like nothing's happened? -Someone's got to. | 1:34:02 | 1:34:06 | |
-You killed her, Ben. -No, Jay. It was an accident. | 1:34:06 | 1:34:08 | |
I was there, remember? | 1:34:08 | 1:34:10 | |
Well, what do you want me to do?! | 1:34:10 | 1:34:13 | |
I mean, I can't change it now, can I? | 1:34:13 | 1:34:15 | |
Me and you. We're all right? | 1:34:19 | 1:34:22 | |
Brothers. | 1:34:23 | 1:34:24 | |
Yeah? | 1:34:27 | 1:34:28 | |
You ain't my brother! | 1:34:28 | 1:34:30 | |
-Don't say that. -Seeing your face. | 1:34:33 | 1:34:35 | |
That look in your eyes. | 1:34:37 | 1:34:39 | |
There's something not right with you, Ben. | 1:34:40 | 1:34:43 | |
Look, in the next couple of weeks, everything will have calmed down. | 1:34:43 | 1:34:46 | |
-This don't change anything. -It changes everything! | 1:34:46 | 1:34:49 | |
Nothing is ever going to be the same again. | 1:34:49 | 1:34:51 | |
We're in this together, remember! | 1:34:51 | 1:34:54 | |
-This is your mess and I want nothing to do with it. -Ain't you forgetting something? | 1:34:54 | 1:34:58 | |
I've got your back, Jay. | 1:35:01 | 1:35:02 | |
I'm going to look after you. | 1:35:05 | 1:35:07 | |
I've just spoken to a Reverend Stevens of St Cuthbert's. | 1:35:24 | 1:35:27 | |
He seems to be under the impression that you called this afternoon | 1:35:27 | 1:35:31 | |
-to cancel your booking for tomorrow. -That's right. | 1:35:31 | 1:35:34 | |
Did your fiancee know you were planning to call off the wedding? | 1:35:35 | 1:35:38 | |
We were, um... We were going to elope. | 1:35:38 | 1:35:42 | |
How romantic(!) | 1:35:42 | 1:35:44 | |
-Was anyone else aware of these plans? -No. | 1:35:44 | 1:35:48 | |
Just Heather. | 1:35:48 | 1:35:50 | |
Seems rather drastic, considering everyone's already made arrangements. | 1:35:51 | 1:35:55 | |
It was the stress, weren't it? | 1:35:56 | 1:35:57 | |
Trying to please everyone. | 1:35:58 | 1:36:00 | |
Tell me. Do you often get stressed, Mr Cotton? | 1:36:01 | 1:36:06 | |
You don't know my old dear. | 1:36:06 | 1:36:08 | |
That would be Rose Cotton, | 1:36:08 | 1:36:11 | |
25 Albert Square. | 1:36:11 | 1:36:12 | |
Your mother claims you were playing cards with her all afternoon. | 1:36:13 | 1:36:19 | |
Yet the barmaid of the Queen Victoria claims you were | 1:36:19 | 1:36:22 | |
drinking in the pub from four till gone six. | 1:36:22 | 1:36:25 | |
So which is it? | 1:36:25 | 1:36:27 | |
My mum was mistaken. | 1:36:27 | 1:36:28 | |
She seemed so certain at the time. | 1:36:28 | 1:36:31 | |
Tell me, Mr Cotton. | 1:36:32 | 1:36:33 | |
Does your mother make a habit of lying for you? | 1:36:33 | 1:36:36 | |
She was just mistaken. | 1:36:40 | 1:36:41 | |
'Tell me, Mr Mitchell,' | 1:36:43 | 1:36:44 | |
how well do you know Andrew Cotton? | 1:36:44 | 1:36:47 | |
I was drinking with him this afternoon, funnily enough. | 1:36:48 | 1:36:51 | |
And how did he seem to you? | 1:36:51 | 1:36:53 | |
I think he'd had a bit of a bust up with Hev. | 1:36:53 | 1:36:56 | |
He reckoned that the wedding was off. | 1:36:56 | 1:36:59 | |
Was he drinking much? | 1:36:59 | 1:37:00 | |
Three or four pints while I was with him. | 1:37:00 | 1:37:04 | |
-Sorry, why do you want to know this? -Roxy, just let him do his job! | 1:37:04 | 1:37:08 | |
Then he just stormed out. | 1:37:08 | 1:37:10 | |
Had a right face on him, he did. | 1:37:10 | 1:37:12 | |
I think, er...Hev mentioned something about it on her voicemail. | 1:37:12 | 1:37:16 | |
Shirl? Shirl, come in here a sec, will you? | 1:37:16 | 1:37:20 | |
That, er... | 1:37:22 | 1:37:25 | |
..that message from Hev. | 1:37:25 | 1:37:26 | |
She said something about Andrew, didn't she? | 1:37:27 | 1:37:30 | |
I can't remember, did she? | 1:37:32 | 1:37:34 | |
The message was deleted. Is that right, Miss Carter? | 1:37:34 | 1:37:38 | |
Well, I must have done it by accident. | 1:37:38 | 1:37:41 | |
But you can still retrieve it, can't you? | 1:37:41 | 1:37:43 | |
No, I'm afraid not. | 1:37:43 | 1:37:45 | |
Try and remember, yeah? It could be important. | 1:37:47 | 1:37:51 | |
She... She said that she had to go, didn't she? | 1:37:56 | 1:37:59 | |
Something about Andrew banging on the door and... | 1:38:01 | 1:38:03 | |
Do you...? | 1:38:05 | 1:38:07 | |
We've kept you up long enough. You've all been very helpful. | 1:38:07 | 1:38:10 | |
-You all right, love? -He's just a bit tired. Ain't you, mate? | 1:38:20 | 1:38:23 | |
Cast your mind back to Friday 16th March. | 1:38:35 | 1:38:38 | |
-It was your stag do, wasn't it? -If you could call it that. | 1:38:39 | 1:38:42 | |
Several eye witnesses tell me | 1:38:42 | 1:38:45 | |
there was a bit of bother at R&R. | 1:38:45 | 1:38:47 | |
Is that right? | 1:38:47 | 1:38:49 | |
Either you can tell me or I can get one my officers to check the CCTV. | 1:38:51 | 1:38:54 | |
It's entirely up to you, Mr Cotton. | 1:38:54 | 1:38:56 | |
I had a bust-up with the missus, didn't I? | 1:38:56 | 1:38:59 | |
Another one? What about this time? | 1:38:59 | 1:39:02 | |
-Something and nothing. -There was a stripper, wasn't there? | 1:39:04 | 1:39:07 | |
No man wants to walk in and find his wife writhing around with | 1:39:09 | 1:39:12 | |
-a half-naked stranger, does he? -Heather ain't like that. | 1:39:12 | 1:39:17 | |
The night culminated with you punching a wall. Is that right? | 1:39:17 | 1:39:21 | |
Hardly what you'd call something and nothing, is it? | 1:39:23 | 1:39:26 | |
Can you tell me who Ron Butler is? | 1:39:29 | 1:39:31 | |
-He's my Mum's ex. -Get on well, did you? | 1:39:35 | 1:39:39 | |
Not really. | 1:39:39 | 1:39:41 | |
You put him in hospital, didn't you? | 1:39:41 | 1:39:43 | |
Fractured his skull. | 1:39:43 | 1:39:45 | |
Ended up doing a stint at Her Majesty's pleasure. | 1:39:46 | 1:39:50 | |
-Isn't that right? -Yeah. | 1:39:50 | 1:39:52 | |
You got a bit of a temper, Mr Cotton? | 1:39:55 | 1:39:57 | |
-(When I'm provoked.) -Sorry? | 1:39:57 | 1:40:00 | |
I said, when I'm provoked. | 1:40:01 | 1:40:03 | |
What about earlier this evening, Mr Cotton? | 1:40:04 | 1:40:07 | |
Were you provoked then? | 1:40:08 | 1:40:10 | |
No... | 1:40:12 | 1:40:15 | |
Shirley, are you in there? | 1:40:18 | 1:40:21 | |
She won't talk to me. | 1:40:33 | 1:40:35 | |
Maybe you'll have more luck. | 1:40:36 | 1:40:38 | |
I'll put the kettle on. | 1:40:45 | 1:40:46 | |
Where's Ben? | 1:40:55 | 1:40:56 | |
-Phil, what've you done with him? -Ian? | 1:40:56 | 1:40:59 | |
-If he's hurt you... -I haven't touched him. | 1:40:59 | 1:41:03 | |
What... I... What's happened? | 1:41:03 | 1:41:06 | |
The Old Bill saw sense, didn't they? | 1:41:08 | 1:41:10 | |
Well I don't... I don't... | 1:41:10 | 1:41:12 | |
Ian, Dad knows. | 1:41:12 | 1:41:15 | |
It's all right. | 1:41:15 | 1:41:17 | |
And everything's OK between you two? | 1:41:18 | 1:41:21 | |
Look, Ben... | 1:41:25 | 1:41:28 | |
I did this for you. | 1:41:28 | 1:41:30 | |
I knew if it went to trial, it was going to be too late, so... | 1:41:30 | 1:41:33 | |
What're you talking about? | 1:41:35 | 1:41:38 | |
-Ian? -I told the police, OK? | 1:41:41 | 1:41:43 | |
I told them that you'd lied to them. | 1:41:43 | 1:41:46 | |
But Ben, I only did it to protect you, OK? | 1:41:46 | 1:41:48 | |
-You've got to believe me. -It was you? | 1:41:48 | 1:41:52 | |
Yeah. Well, it's all came good in the end, ain't it? | 1:41:55 | 1:41:57 | |
-Mrs B, why don't you give that a rest? -What are you doing here? | 1:42:06 | 1:42:09 | |
I've got a wedding dress to finish. All I want is a bit of peace. | 1:42:09 | 1:42:12 | |
-SHE SHOUTS: -Is that too much to ask? | 1:42:12 | 1:42:14 | |
Well, I ain't going nowhere. | 1:42:15 | 1:42:18 | |
I don't want you here. I don't want nobody here. | 1:42:18 | 1:42:21 | |
-Well, you know, I just want to help, Mrs B. -It ain't right! | 1:42:22 | 1:42:26 | |
A young boy spending his time with pensioners. | 1:42:26 | 1:42:29 | |
Well, I see you more as family. You're good company. | 1:42:29 | 1:42:31 | |
I am NOT good company! I ain't good company to no-one. | 1:42:31 | 1:42:35 | |
This used to be my house, you know. Before Jim, before the Jacksons. | 1:42:35 | 1:42:39 | |
And I took a young girl in, a troubled young girl. | 1:42:39 | 1:42:43 | |
And she died. She died right here in this room. | 1:42:43 | 1:42:46 | |
Poor, troubled Donna. With her whole life before her. | 1:42:46 | 1:42:49 | |
Every time I care for someone, | 1:42:49 | 1:42:52 | |
they get taken from me. | 1:42:52 | 1:42:54 | |
So you go! Get out! | 1:42:54 | 1:42:57 | |
-Before something happens to you. Go on! -No, Mrs... -No, get out! | 1:42:57 | 1:43:01 | |
-Mrs B... -Go! Will you go? Get out! | 1:43:01 | 1:43:04 | |
-Do you know a William Mitchell, Mr Cotton? -Yeah. | 1:43:24 | 1:43:28 | |
You were drinking with him in the Queen Victoria earlier today? | 1:43:28 | 1:43:32 | |
-Yeah. -He said you were rather down in the dumps. | 1:43:32 | 1:43:37 | |
Does that sound fair to you? | 1:43:37 | 1:43:38 | |
I told you. I'd had a bust-up with the missus, didn't I? | 1:43:38 | 1:43:41 | |
That would explain why you told him the wedding was off. | 1:43:41 | 1:43:44 | |
He said that you just downed your drink and then you upped and left. | 1:43:44 | 1:43:48 | |
Where were you going, Mr Cotton? | 1:43:48 | 1:43:50 | |
I thought Heather might be waiting for me at the station. | 1:43:52 | 1:43:54 | |
There's no evidence she packed a bag, let alone planned to elope. | 1:43:54 | 1:43:58 | |
What can you tell me about this envelope, Mr Cotton? | 1:44:00 | 1:44:03 | |
-It was the money for our wedding. -How much are we talking about? | 1:44:03 | 1:44:07 | |
A grand. | 1:44:07 | 1:44:08 | |
This was a gift for the two of you. Is that right? | 1:44:08 | 1:44:12 | |
Auntie Dot gave it to Heather. | 1:44:12 | 1:44:14 | |
So how did it end up in your possession? | 1:44:14 | 1:44:17 | |
Heather gave it to me to look after. | 1:44:17 | 1:44:19 | |
Did anyone witness this exchange? | 1:44:19 | 1:44:22 | |
No. | 1:44:24 | 1:44:25 | |
Tell me, Mr Cotton... | 1:44:25 | 1:44:27 | |
..where is the money now? | 1:44:28 | 1:44:30 | |
Some tramp went and nicked it. | 1:44:30 | 1:44:32 | |
How convenient for you(!) | 1:44:33 | 1:44:35 | |
I'll tell you what I think happened, shall I? | 1:44:36 | 1:44:38 | |
You left the pub before going back to the flat | 1:44:38 | 1:44:41 | |
with the sole intention of stealing this money. | 1:44:41 | 1:44:43 | |
-You make out it was a burglary... -I never went back there. | 1:44:43 | 1:44:47 | |
We have a witness who claims there was a voicemail from your fiancee | 1:44:47 | 1:44:50 | |
which states that you were at the door moments before her death. | 1:44:50 | 1:44:55 | |
I'd say that was more than just a coincidence, wouldn't you? | 1:44:55 | 1:44:58 | |
You got cold feet. | 1:44:58 | 1:45:00 | |
You made out that you were eloping, | 1:45:00 | 1:45:01 | |
whereas all along you were intending to do a runner. | 1:45:01 | 1:45:04 | |
-No. -Rather a high price to pay, don't you think? | 1:45:04 | 1:45:06 | |
A thousand pounds. | 1:45:06 | 1:45:09 | |
I loved her! | 1:45:12 | 1:45:14 | |
Andrew Cotton, I'm arresting you on suspicion | 1:45:14 | 1:45:17 | |
of the murder of Heather Trott. | 1:45:17 | 1:45:19 | |
You do not have to say anything, but it may harm your defence if you do not mention when questioned | 1:45:19 | 1:45:23 | |
something which you later rely on in court. | 1:45:23 | 1:45:25 | |
Anything you do say may be given in evidence. | 1:45:25 | 1:45:28 | |
You never said...how you got on at the station. | 1:45:33 | 1:45:36 | |
It's all a jumble. | 1:45:39 | 1:45:41 | |
Did they...ask about the boys? | 1:45:43 | 1:45:47 | |
Why would they? | 1:45:47 | 1:45:49 | |
I feel like I'm in a bad dream, Phil. | 1:45:54 | 1:45:56 | |
And all I want is someone to come along and wake me up. | 1:45:58 | 1:46:01 | |
KNOCKING ON DOOR | 1:46:51 | 1:46:54 | |
Phil, it's me! Open the door! | 1:46:54 | 1:46:57 | |
Billy, what're you doing, eh? | 1:46:59 | 1:47:01 | |
I've only just managed to get her to sleep. | 1:47:01 | 1:47:03 | |
I just thought Shirley might want to pay her respects. | 1:47:03 | 1:47:06 | |
They're moving Hev's body. | 1:47:08 | 1:47:10 | |
What're you all standing there for? | 1:47:13 | 1:47:15 | |
PHIL BREATHES HEAVILY | 1:49:05 | 1:49:06 | |
It's over. | 1:49:16 | 1:49:17 | |
Subtitles by Red Bee Media Ltd | 1:49:38 | 1:49:41 |