Browse content similar to 09/06/2013. Check below for episodes and series from the same categories and more!
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-Dad. -Mm-hmm? | 0:00:24 | 0:00:26 | |
You know that pocket money I've been saving? | 0:00:26 | 0:00:28 | |
-What, you want to invest in a restaurant? -No. | 0:00:28 | 0:00:31 | |
-Smart lad. -I'm going to buy a... -Are you going to invite Peter? | 0:00:31 | 0:00:34 | |
-Peter? -Yeah. To the grand opening on Friday. | 0:00:34 | 0:00:37 | |
-It's a long way to come. He'll probably be busy anyway. -I've made breakfast! | 0:00:37 | 0:00:41 | |
-Where you going? -School. | 0:00:43 | 0:00:45 | |
-You're early. -Meeting a friend. | 0:00:45 | 0:00:46 | |
-I've made breakfast! -DOOR SLAMS | 0:00:46 | 0:00:48 | |
-So what's the plan for today, then? -What? -Scarlett. | 0:00:57 | 0:01:00 | |
-Where am I going to meet you? -I'm not sure if I can get away today. | 0:01:00 | 0:01:03 | |
-So when do I get to see her? -I don't know, maybe tomorrow. | 0:01:03 | 0:01:07 | |
Alice, let me walk you through this again. | 0:01:07 | 0:01:10 | |
The only way I get to see my daughter - the only way - | 0:01:10 | 0:01:13 | |
is if you help me. | 0:01:13 | 0:01:15 | |
Because of the way Janine is, | 0:01:16 | 0:01:18 | |
because she's so revolting and intransigent. | 0:01:18 | 0:01:21 | |
Do you think she's being fair, then? Do you think she's right? | 0:01:21 | 0:01:24 | |
-No, but she does love Scarlett. -Don't be obtuse. | 0:01:24 | 0:01:27 | |
She doesn't care about Scarlett, she's doing it to hurt me. | 0:01:27 | 0:01:30 | |
-So if I can find a way of getting through to her... -OK, OK. | 0:01:30 | 0:01:34 | |
-I'll try and get out today. -Try? | 0:01:34 | 0:01:36 | |
Yeah, I will. I will. | 0:01:36 | 0:01:38 | |
Good. | 0:01:38 | 0:01:40 | |
Half eleven then, the swings. | 0:01:42 | 0:01:44 | |
-OK. -OK. | 0:01:44 | 0:01:47 | |
Morning. | 0:01:51 | 0:01:53 | |
Right, I thought you could have your breakfast at the caff today. | 0:01:53 | 0:01:56 | |
Why? | 0:01:56 | 0:01:57 | |
Because today is apology day. | 0:01:57 | 0:01:59 | |
-I don't feel well. -Well, tough. | 0:02:01 | 0:02:04 | |
Look, Lucy didn't press charges and all she wants is an apology. | 0:02:04 | 0:02:07 | |
And I think she deserves one. | 0:02:07 | 0:02:09 | |
All right? Haven't seen the electrician, have you? | 0:02:17 | 0:02:20 | |
He's supposed to be doing the dimmers. | 0:02:20 | 0:02:22 | |
Yeah, came in about ten minutes ago and took his tools. | 0:02:22 | 0:02:25 | |
-He can't do that to me! -I think he has. | 0:02:25 | 0:02:28 | |
You see, if I'd been the main contractor | 0:02:28 | 0:02:30 | |
none of this would have happened. | 0:02:30 | 0:02:31 | |
I've got the press coming to take photos and everything. | 0:02:31 | 0:02:34 | |
He hasn't done the lights! | 0:02:34 | 0:02:37 | |
Yes, this is Ian Beale, soon as you get the message can you call me? | 0:02:37 | 0:02:41 | |
He's not answering his phone now. | 0:02:41 | 0:02:42 | |
Annoying when that happens. | 0:02:42 | 0:02:45 | |
-Forget the photographer. -I can't. | 0:02:45 | 0:02:47 | |
If I don't get the photos into the press, I open with no publicity. | 0:02:47 | 0:02:50 | |
Well, I suppose I could fix the lights for you. | 0:02:50 | 0:02:52 | |
Could you? Cheers, Sam! | 0:02:52 | 0:02:54 | |
You sure you want to use these? | 0:02:56 | 0:02:58 | |
Yeah, why not? | 0:02:59 | 0:03:00 | |
Nothing wrong with them, they're very serviceable, | 0:03:00 | 0:03:03 | |
-that's why they're so common. -Common?! | 0:03:03 | 0:03:05 | |
I know where you can get some very classy candelabras. | 0:03:05 | 0:03:09 | |
The light flickers. | 0:03:09 | 0:03:10 | |
Yeah, we'll stick with these, OK, | 0:03:10 | 0:03:12 | |
-and I'll work out how much I owe you later, yeah? -Cool. | 0:03:12 | 0:03:16 | |
-Where you going? -Breakfast. -Sam, we haven't got time! | 0:03:19 | 0:03:22 | |
It's all about pacing yourself. | 0:03:22 | 0:03:24 | |
Jay, he's good at all the fuel and the mechanics, | 0:03:28 | 0:03:30 | |
-but he don't get the electrics like me, I'm telling you. -That's great. | 0:03:30 | 0:03:34 | |
We put the car on the website, so we think by lunch time today | 0:03:34 | 0:03:36 | |
-we should have enough money to book our holiday. -Mmm-hmm. | 0:03:36 | 0:03:40 | |
And Jay and I thought that we'd go shoot hippo on the Zambezi(!) | 0:03:40 | 0:03:43 | |
-You'll probably like that. -Mum, are you even listening to what I'm saying? -Yes. | 0:03:43 | 0:03:47 | |
"Do up old banger, blow money on holiday and girls." | 0:03:47 | 0:03:51 | |
Hello. Sam? Are you around at lunch time? | 0:04:07 | 0:04:11 | |
Is my bag in... What are you doing? | 0:04:12 | 0:04:15 | |
Mrs Branning, what you doing? | 0:04:15 | 0:04:17 | |
Well, the vicar, he's coming round tomorrow to talk to me | 0:04:17 | 0:04:20 | |
about being a church warden. | 0:04:20 | 0:04:22 | |
And you know what they say, "Cleanliness is next to godliness." | 0:04:22 | 0:04:25 | |
And them curtains, they won't do. | 0:04:25 | 0:04:27 | |
OK, you're not going up on that ladder, | 0:04:27 | 0:04:29 | |
not after what happened to Patrick. | 0:04:29 | 0:04:31 | |
Yeah, but them curtains, they need washing. | 0:04:31 | 0:04:33 | |
OK, well, Fats can come over and take 'em down. | 0:04:33 | 0:04:35 | |
He'll bring them to the laundrette later, yeah? | 0:04:35 | 0:04:37 | |
Oh, all right. | 0:04:37 | 0:04:38 | |
You know, I've decided not to make the vicar a Battenberg, | 0:04:38 | 0:04:42 | |
I'm going to do Victoria Sponge. | 0:04:42 | 0:04:44 | |
Or maybe I'll branch out and make one of me lemon drizzles. | 0:04:44 | 0:04:49 | |
Hello, baby! | 0:04:51 | 0:04:53 | |
Yes, OK, I understand. | 0:04:53 | 0:04:55 | |
Take curtains to launderette, all right, cool, | 0:04:55 | 0:04:58 | |
give me about an hour. | 0:04:58 | 0:04:59 | |
Can you stick the keys underneath the mat for me? | 0:04:59 | 0:05:01 | |
OK, anything for my little sweetheart, yes... | 0:05:01 | 0:05:04 | |
Take him straight back and tell them you want your money back! | 0:05:04 | 0:05:07 | |
You all right, little man? Big sis getting on your case? | 0:05:07 | 0:05:11 | |
She won't let me keep Monty. | 0:05:11 | 0:05:12 | |
Who? | 0:05:12 | 0:05:13 | |
He's sleeping. | 0:05:15 | 0:05:16 | |
Wow. That is cool, man! | 0:05:16 | 0:05:20 | |
-Thanks. I just bought him off a friend. -Yeah. How much? | 0:05:20 | 0:05:23 | |
-£20. -£20?! | 0:05:23 | 0:05:25 | |
-Including some food and the vivarium. -The what? | 0:05:25 | 0:05:28 | |
It's what they call the cage. | 0:05:28 | 0:05:30 | |
Lucy said I can't keep him. | 0:05:30 | 0:05:33 | |
Don't suppose you could look after him, | 0:05:33 | 0:05:36 | |
just until I take him back tomorrow morning? | 0:05:36 | 0:05:38 | |
Oh, little man, what am I supposed to do with him? | 0:05:38 | 0:05:40 | |
He'll be all right in your room, he's got food and water, | 0:05:40 | 0:05:43 | |
just until the morning. Please? | 0:05:43 | 0:05:45 | |
All right, man, all right. OK. | 0:05:47 | 0:05:48 | |
Just make sure you're over there | 0:05:48 | 0:05:50 | |
first thing in the morning to pick him up. Yeah? OK. | 0:05:50 | 0:05:52 | |
-Hello. -Hiya. -Morning. | 0:06:08 | 0:06:11 | |
What's that? Oh, lovely. | 0:06:11 | 0:06:13 | |
Nice picture. | 0:06:13 | 0:06:15 | |
Yeah, my dad on his stall, mid '80s. I got a load of 'em done. | 0:06:15 | 0:06:18 | |
Yeah, it's lovely, darling, | 0:06:18 | 0:06:20 | |
but don't you think you should you get this place straight | 0:06:20 | 0:06:22 | |
before you start worrying about your pictures? | 0:06:22 | 0:06:24 | |
You know what he used to say, "Stick to what you know, | 0:06:24 | 0:06:27 | |
"do what you're good at. Keep your head down." | 0:06:27 | 0:06:29 | |
-Ian... -What? -You haven't sent out the opening invitations? | 0:06:32 | 0:06:36 | |
Yeah, it's all right, I need to prioritise. | 0:06:36 | 0:06:39 | |
Darling, you need to get them sent out, | 0:06:39 | 0:06:41 | |
or no-one's going to be here on Friday. | 0:06:41 | 0:06:43 | |
Do you want me to do 'em? I've got time, it's my day off. | 0:06:43 | 0:06:45 | |
No, it's fine, I'll do it, OK? I know who they've got to go to. | 0:06:45 | 0:06:48 | |
Yeah, but I can do the local ones for you, save you some stamp money. | 0:06:48 | 0:06:50 | |
No, I'm not inviting all them freeloading locals, OK? | 0:06:50 | 0:06:53 | |
These are for business customers. | 0:06:53 | 0:06:55 | |
Sorry, I thought that this place was for friends and family? | 0:06:55 | 0:06:58 | |
Yeah, and it will be. | 0:06:58 | 0:07:00 | |
Right, so you're going to want to send some out | 0:07:00 | 0:07:03 | |
to Bobby, Lucy, Peter - you know, people who matter. | 0:07:03 | 0:07:06 | |
No, because these are for business customers, OK? | 0:07:06 | 0:07:08 | |
Customers with money, that's what I need. | 0:07:08 | 0:07:10 | |
-I beg your pardon, didn't realise you didn't need the rest of us. -Well, I don't. | 0:07:10 | 0:07:14 | |
Right. That's just as well then, cos you're on your own. | 0:07:14 | 0:07:19 | |
Oh, Denise... | 0:07:19 | 0:07:21 | |
Morning. | 0:07:34 | 0:07:36 | |
-Hi. -Hi. | 0:07:36 | 0:07:39 | |
What's that? | 0:07:39 | 0:07:40 | |
-Michael's things. -Oh. -I'm just getting rid of them. | 0:07:40 | 0:07:44 | |
He might want them. | 0:07:44 | 0:07:47 | |
Well, then he can go and buy them back from the charity shop. | 0:07:47 | 0:07:50 | |
Scarlett's upstairs in her cot. | 0:07:50 | 0:07:52 | |
So, you're not at the restaurant today then? | 0:08:17 | 0:08:19 | |
Yeah, but I'm just finishing my breakfast. | 0:08:19 | 0:08:22 | |
Oh. How is it going over there? | 0:08:22 | 0:08:24 | |
Ah, not good. Ian's electrician's done a bunk, | 0:08:24 | 0:08:28 | |
half the furniture's missing, | 0:08:28 | 0:08:30 | |
and mine host looks like he's about to flip. | 0:08:30 | 0:08:33 | |
He's got the press coming to take photographs of the place today | 0:08:33 | 0:08:36 | |
and it's only me doing any work. | 0:08:36 | 0:08:38 | |
Yeah, rushed off your feet. Don't know how you cope(!) | 0:08:38 | 0:08:41 | |
It's not the hours you put in, it's the quality. | 0:08:41 | 0:08:44 | |
But you're going to be finished by Friday, aren't you? | 0:08:44 | 0:08:47 | |
Not a chance! | 0:08:47 | 0:08:50 | |
I've only got one pair of hands | 0:08:50 | 0:08:51 | |
and he's going to need a lot more if he wants to open on time. | 0:08:51 | 0:08:54 | |
What? I ain't got ketchup on my face, have I? | 0:08:57 | 0:09:01 | |
How about you doing something worthwhile today? | 0:09:01 | 0:09:06 | |
Morning, partner. | 0:09:09 | 0:09:11 | |
-Morning, what are you so happy about? -Payday, innit? | 0:09:11 | 0:09:13 | |
-You reckon the car's going to get sold? -I reckon the bidding should be in full flow by now. | 0:09:13 | 0:09:17 | |
-Why don't we check. -No point, there'll be loads of bids first thing, | 0:09:17 | 0:09:20 | |
-but later, the serious buyers get involved. -Really? | 0:09:20 | 0:09:23 | |
After lunch we'll have some idea of how much we'll make. I was thinking | 0:09:23 | 0:09:26 | |
we should save up some of this money after the holiday, get another car, and do it up. | 0:09:26 | 0:09:30 | |
-Can do. -Morning. -All right, cuz? | 0:09:30 | 0:09:32 | |
What you looking so pleased about? | 0:09:34 | 0:09:35 | |
Cos...we're selling the car today. | 0:09:35 | 0:09:37 | |
-So we really are going on holiday? -Yes. | 0:09:37 | 0:09:41 | |
Camping. Caravan site. Little hotel on the coast. | 0:09:41 | 0:09:44 | |
Yeah, that sounds good, but isn't that going to be expensive? | 0:09:44 | 0:09:47 | |
Told you, we're paying for it, so it's down to us. | 0:09:47 | 0:09:49 | |
You can count me in. See you later. | 0:09:49 | 0:09:51 | |
Have a nice day. Ta, babe. | 0:09:51 | 0:09:53 | |
By the end of the year we could be working for ourselves. | 0:09:53 | 0:09:55 | |
Thank you. | 0:09:56 | 0:09:58 | |
-Everything all right? -Yeah, man, very nice. | 0:09:58 | 0:10:01 | |
Hey, I hope the old man's new restaurant is just as good. | 0:10:02 | 0:10:05 | |
It will be, just not as cheap. | 0:10:05 | 0:10:07 | |
Can't believe I'm doing this. | 0:10:09 | 0:10:11 | |
Oh, come on, you're getting a free breakfast out of it, ain't you? | 0:10:11 | 0:10:14 | |
And what can we do for you? | 0:10:16 | 0:10:17 | |
I... | 0:10:17 | 0:10:18 | |
I came to, um... | 0:10:21 | 0:10:23 | |
You know... | 0:10:24 | 0:10:26 | |
No. I'm a mind-reader now? | 0:10:28 | 0:10:31 | |
I came to... make sure that we were OK. | 0:10:34 | 0:10:38 | |
Yeah, yeah, we are just great(!) | 0:10:41 | 0:10:45 | |
Ah, sleep, little Monty. | 0:11:00 | 0:11:04 | |
Sleep, yes, that's it. | 0:11:04 | 0:11:05 | |
She's fast asleep. | 0:11:12 | 0:11:14 | |
Good. I've got to go over to the office. | 0:11:14 | 0:11:17 | |
Billy has managed to crash the computer again. | 0:11:17 | 0:11:19 | |
Oh, OK. | 0:11:19 | 0:11:20 | |
-Don't know how long I'll be. See you. -Bye. | 0:11:20 | 0:11:25 | |
-I didn't hear you come in, Lauren. -I'm not stopping. | 0:11:57 | 0:12:00 | |
Hiding, are you? | 0:12:00 | 0:12:01 | |
Me? No. | 0:12:01 | 0:12:03 | |
-Really? -Maybe a little bit. | 0:12:03 | 0:12:06 | |
Well, hiding away, running away from things ain't no good. | 0:12:06 | 0:12:10 | |
I should know. | 0:12:10 | 0:12:12 | |
I've done something stupid again. | 0:12:12 | 0:12:15 | |
Well, they say that you learn from your mistakes, | 0:12:15 | 0:12:19 | |
so you must be the family genius of Walford. | 0:12:19 | 0:12:22 | |
My mum says I've got some apologising to do. | 0:12:24 | 0:12:26 | |
Oh, yes? | 0:12:26 | 0:12:27 | |
But what's the point if they're not going to accept your apology? | 0:12:27 | 0:12:32 | |
Yes, well, if you do the Christian thing | 0:12:32 | 0:12:35 | |
and offer the olive branch, it's up to them to accept it. | 0:12:35 | 0:12:38 | |
And if they don't, and if you meant it, | 0:12:38 | 0:12:41 | |
then you've done the right thing, ain't you? | 0:12:41 | 0:12:45 | |
All right, Mrs B? I've got your curtains here. | 0:12:48 | 0:12:51 | |
Oh, right. Put them down by that machine, will you? | 0:12:51 | 0:12:54 | |
Mind out, Lauren. Thank you. | 0:12:54 | 0:12:57 | |
-All right, Lauren? -Yeah, you? | 0:12:57 | 0:13:00 | |
-Yeah, cool. -Thank you, Arthur. | 0:13:00 | 0:13:02 | |
Cool. All right. Laters. | 0:13:03 | 0:13:05 | |
I am really sorry about taking your money. | 0:13:12 | 0:13:15 | |
I wanted it for a drink. | 0:13:15 | 0:13:18 | |
Another stupid thing that I like to do. | 0:13:18 | 0:13:22 | |
Well, that weren't so hard, was it? It's all right, Lauren. | 0:13:22 | 0:13:28 | |
It's all forgiven and forgotten. | 0:13:28 | 0:13:31 | |
Thank you. | 0:13:33 | 0:13:35 | |
We thought you could use some help. | 0:13:46 | 0:13:48 | |
What, you think I can't cope? | 0:13:48 | 0:13:50 | |
Of course you can, we're just here to lend a little support. | 0:13:50 | 0:13:53 | |
We ain't got anything better to do. | 0:13:53 | 0:13:55 | |
No, no, desperate to fill our hours, with worthwhile-ness. | 0:13:55 | 0:13:59 | |
Uh, Sam said that you've got a photographer coming? | 0:13:59 | 0:14:03 | |
Yeah, lunch time. But I don't think I'm going to be ready. | 0:14:03 | 0:14:05 | |
Sorry, what ain't ready? | 0:14:05 | 0:14:07 | |
Just have a look at the place? | 0:14:07 | 0:14:09 | |
The kitchen's not ready, the gents' loo doesn't flush, | 0:14:09 | 0:14:11 | |
and, oh, haven't got any table decorations. | 0:14:11 | 0:14:14 | |
But, Ian, what are you advertising? | 0:14:14 | 0:14:16 | |
Your kitchen, your toilet, or your restaurant? | 0:14:16 | 0:14:19 | |
All he needs to photograph is that corner over there. | 0:14:19 | 0:14:21 | |
You think if the B&B punters could see in my rooms they'd stay in my place? A slap of paint does wonders. | 0:14:21 | 0:14:26 | |
I've never said this before, you know, but Kim's right. | 0:14:26 | 0:14:29 | |
We get the front here looking good, who cares about the rest? | 0:14:29 | 0:14:31 | |
-It's called the art of advertising. -OK, Ian, three hours. | 0:14:31 | 0:14:35 | |
I'd appreciate your help. | 0:14:40 | 0:14:42 | |
You're welcome. | 0:14:42 | 0:14:44 | |
Alice! | 0:14:49 | 0:14:52 | |
Hey, where are you going? | 0:14:52 | 0:14:53 | |
Uh, to the...swings. | 0:14:53 | 0:14:56 | |
She's still asleep? | 0:14:56 | 0:14:57 | |
Oh, she's asleep again. What have you been doing with her, | 0:14:57 | 0:15:00 | |
staying up all night watching girlie movies?! | 0:15:00 | 0:15:03 | |
-Yeah, do you think Bridget Jones's Diary is just a little bit too old for her? -Yeah, probably. | 0:15:03 | 0:15:07 | |
I'm joking. Look, why don't I take her for a couple of hours? | 0:15:07 | 0:15:10 | |
I thought you had a meeting this afternoon. | 0:15:10 | 0:15:13 | |
I do, but I'd like to spend some time with her. | 0:15:13 | 0:15:16 | |
Plus, the client is a bit of a sucker for kids, | 0:15:16 | 0:15:18 | |
so Scarlett can distract him while I put his rents up. | 0:15:18 | 0:15:21 | |
-Really? -Yeah. It's about time she started earning her keep. | 0:15:21 | 0:15:26 | |
-I'll see you later. -OK. | 0:15:26 | 0:15:29 | |
I just want to say... | 0:15:40 | 0:15:42 | |
look, you don't have to accept my apology, | 0:15:42 | 0:15:45 | |
you don't have to forgive me, but... | 0:15:45 | 0:15:48 | |
I'm really, really sorry for my pathetic and childish behaviour. | 0:15:48 | 0:15:54 | |
I am. | 0:15:54 | 0:15:55 | |
Lucy, I am, I'm really, really sorry. | 0:15:56 | 0:15:59 | |
And I'll pay for any of the damage. | 0:15:59 | 0:16:04 | |
Forget it. We all do stupid things occasionally. | 0:16:07 | 0:16:14 | |
Thank you. | 0:16:15 | 0:16:17 | |
Of course I'm interested. | 0:16:22 | 0:16:24 | |
I'm just finishing off a big job on the Square. | 0:16:24 | 0:16:26 | |
I'll pop by and give you a price at about two? | 0:16:26 | 0:16:31 | |
OK? Good. | 0:16:31 | 0:16:34 | |
Hey. Walford's turning out to be real lucky for me. | 0:16:35 | 0:16:40 | |
What did you want to talk about? | 0:16:43 | 0:16:46 | |
The other day, when we kissed. | 0:16:46 | 0:16:48 | |
Big, big mistake. | 0:16:50 | 0:16:52 | |
Not for me. | 0:16:52 | 0:16:54 | |
I can't go backwards, Sam, this is a whole new life for me and Dexter. | 0:16:54 | 0:16:58 | |
You can't just expect to walk back into it like nothing's happened. | 0:16:58 | 0:17:01 | |
I've got to get back to work. | 0:17:01 | 0:17:04 | |
You'll always be a big part of my life. | 0:17:05 | 0:17:08 | |
I need you to stay out of mine. | 0:17:08 | 0:17:11 | |
BABY CRIES | 0:17:22 | 0:17:25 | |
PHONE RINGS | 0:17:42 | 0:17:45 | |
Oh, Alice! Couldn't give me a hand, could you? | 0:17:52 | 0:17:55 | |
Just want to shove 'em over here, darling. | 0:18:02 | 0:18:04 | |
That's really great, Lauren. Well done. | 0:18:04 | 0:18:07 | |
You all right, darling? You seem really fed up. | 0:18:07 | 0:18:11 | |
Do you want me to paint your nails for you, | 0:18:11 | 0:18:13 | |
make you feel a bit better? | 0:18:13 | 0:18:14 | |
Actually, we've got some great new glitter varnishes. Yeah? | 0:18:14 | 0:18:18 | |
-No, I'm all right, thanks. -You all right, Tan? | 0:18:18 | 0:18:20 | |
I'm fine, yeah. Really good, actually. Anyone want a coffee? | 0:18:20 | 0:18:24 | |
-Hot chocolate? -Nice. Alice? | 0:18:24 | 0:18:26 | |
-No, thanks. -Sure? | 0:18:26 | 0:18:29 | |
Yeah, these new varnishes, we've got a nice new pink range. | 0:18:29 | 0:18:32 | |
You can be my guinea pig. | 0:18:32 | 0:18:33 | |
Trouble is you can never find anything round here. | 0:18:33 | 0:18:36 | |
Tan, where are the new glitter varnishes? | 0:18:36 | 0:18:38 | |
Wherever you left them. | 0:18:38 | 0:18:40 | |
Oh, here they are! | 0:18:40 | 0:18:42 | |
Oh. We've got that brand. | 0:18:44 | 0:18:46 | |
It's good, innit? | 0:18:46 | 0:18:48 | |
That, um... That is yours. | 0:18:50 | 0:18:54 | |
-It's your conditioner. -What do you... | 0:18:54 | 0:18:56 | |
Oh, sorry, things keep falling off this shelf. | 0:18:56 | 0:19:00 | |
I keep saying, Tan, we need to move that display. | 0:19:00 | 0:19:03 | |
It's the way you stack it. | 0:19:03 | 0:19:05 | |
Could have been really embarrassing for Alice. | 0:19:05 | 0:19:07 | |
-Do you want to take a seat? -I have to go. -You sure you don't want... | 0:19:07 | 0:19:11 | |
Do you need a hand? | 0:19:22 | 0:19:24 | |
No. I don't need no help. Thanks. | 0:19:24 | 0:19:28 | |
I do. | 0:19:28 | 0:19:30 | |
I really need you to forgive me. | 0:19:31 | 0:19:33 | |
Because I'm really, really sorry, Whitney... | 0:19:33 | 0:19:35 | |
You're sorry? Sorry for what? | 0:19:35 | 0:19:39 | |
Which one is it - smashing the window, hitting Lucy, | 0:19:39 | 0:19:42 | |
or snogging my boyfriend? | 0:19:42 | 0:19:44 | |
I know I've been a really, really bad friend. | 0:19:44 | 0:19:47 | |
But I've been too scared to come and talk to you. | 0:19:47 | 0:19:50 | |
Cos if you don't forgive me, Whitney, I don't know what I'm going to do. | 0:19:50 | 0:19:55 | |
I really miss you. | 0:19:55 | 0:19:57 | |
-You - out. -Ian, I'm just apologising. | 0:19:58 | 0:20:00 | |
-I don't want any trouble. -She just came to say sorry. | 0:20:00 | 0:20:03 | |
It's one thing saying sorry, it's another thing proving it, isn't it? | 0:20:03 | 0:20:07 | |
You've got every right to be angry at me, | 0:20:07 | 0:20:09 | |
but I just want to prove that I can change. | 0:20:09 | 0:20:12 | |
-I just... I need a chance. -Forget it. | 0:20:12 | 0:20:14 | |
Ian, come on. Have you never done anything that you really regret? | 0:20:14 | 0:20:18 | |
That you're really, really sorry for? | 0:20:18 | 0:20:20 | |
This isn't about me, OK. It's about Lucy and the window. | 0:20:20 | 0:20:24 | |
Yeah, I've apologised to Lucy and I want to pay for any of the damage. | 0:20:24 | 0:20:27 | |
You said you need extra staff for the opening night. | 0:20:27 | 0:20:31 | |
Anyone can carry canapes, can't they? | 0:20:31 | 0:20:34 | |
Not for free. | 0:20:34 | 0:20:35 | |
All right. But it's your last chance. | 0:20:37 | 0:20:39 | |
So, hold on, by lunch time today we've been offered... | 0:20:52 | 0:20:55 | |
I don't even believe this, bruv - nothing! | 0:20:55 | 0:20:57 | |
-What?! I thought it would've sold. -It's has to, bruv, it's a great car. | 0:20:57 | 0:21:01 | |
-We've promised the girls now, what we going to do? -Do about what? | 0:21:01 | 0:21:04 | |
Uh, nothing. | 0:21:04 | 0:21:06 | |
Have you sold the car? | 0:21:08 | 0:21:09 | |
No. | 0:21:09 | 0:21:11 | |
That's because the buyers are still fighting over it. | 0:21:11 | 0:21:14 | |
OK. Well, I cannot wait to go away. | 0:21:14 | 0:21:17 | |
Do you want dinner at mine tonight to celebrate? | 0:21:17 | 0:21:21 | |
Yeah, sounds great. | 0:21:21 | 0:21:23 | |
-Yeah? OK. See you. -See you later. | 0:21:23 | 0:21:28 | |
Why?! Why did you let her think we sold that car? | 0:21:30 | 0:21:37 | |
Oh, look how happy she was! I can't spoil that, bruv. Do you want to spoil that? | 0:21:37 | 0:21:40 | |
Got to go a little bit more to the left... Yeah, like that. | 0:21:40 | 0:21:43 | |
I wonder what me old man would've made | 0:21:43 | 0:21:45 | |
of me having to start all over again? | 0:21:45 | 0:21:48 | |
I think he'd say he's very proud of his son for not giving up. | 0:21:48 | 0:21:53 | |
Come on, let's get going. | 0:21:56 | 0:21:57 | |
Dave, Dave Seymour, Walford gazette. | 0:21:57 | 0:21:59 | |
-You're early. -Yeah, I've got to get to an infant school sports day, | 0:21:59 | 0:22:03 | |
apparently they're going for the egg-and-spoon relay record. | 0:22:03 | 0:22:06 | |
You know, Olympic legacy and all that. | 0:22:06 | 0:22:08 | |
-I thought this was a "new opening" story? -It is... | 0:22:08 | 0:22:10 | |
Really? Looks a bit of a mess. | 0:22:10 | 0:22:11 | |
It's just, you know, we've got lots to do... Finishing touches. | 0:22:11 | 0:22:14 | |
Yeah. And a talented boy like you can make it look great, innit? | 0:22:14 | 0:22:18 | |
-With your big zoom and your... wide angles. -Well... | 0:22:18 | 0:22:20 | |
Bet there's all sorts of things you can do | 0:22:20 | 0:22:22 | |
-with this sort of equipment, eh? -It's all right, sis. I got it. | 0:22:22 | 0:22:26 | |
Older sister. So, you don't need to see the whole place, do you? | 0:22:26 | 0:22:29 | |
What am I shooting? You haven't even got any tables set up. | 0:22:29 | 0:22:32 | |
Don't you go anywhere. I'll grab a tablecloth from the market. | 0:22:32 | 0:22:35 | |
The camera doesn't lie, | 0:22:35 | 0:22:36 | |
but it's going to do a bit of fibbing today though, ain't it? | 0:22:36 | 0:22:39 | |
All right. Grab a couple of candles as well. | 0:22:39 | 0:22:41 | |
Right. Who's going to be your punters? | 0:22:41 | 0:22:43 | |
-Punters? -Oh! Me and Patrick. | 0:22:43 | 0:22:45 | |
-What?! -You need a couple of happy punters enjoying their food. | 0:22:45 | 0:22:48 | |
You know, it is a restaurant. | 0:22:48 | 0:22:50 | |
Who's the waiter? | 0:22:50 | 0:22:52 | |
Whitney. | 0:22:53 | 0:22:55 | |
Huh? | 0:22:55 | 0:22:56 | |
Oh, photos. No, no, you can do that, I'm not going to be in any picture. | 0:22:56 | 0:22:59 | |
Thank you. | 0:22:59 | 0:23:00 | |
Come on, Whit, it's easy. Plus, you're the head waitress. | 0:23:00 | 0:23:04 | |
-I haven't got any food to serve. -Anything will do. | 0:23:07 | 0:23:09 | |
-I can't just do "anything". -What about the cafe? | 0:23:09 | 0:23:11 | |
You can just knock something up there. | 0:23:11 | 0:23:13 | |
Patrick, this is a gourmet restaurant. We don't just "knock something up". | 0:23:13 | 0:23:17 | |
All right, I'll go to the cafe. Won't be long. | 0:23:17 | 0:23:20 | |
-I really don't have time for this. -Oh, yes, you do. | 0:23:20 | 0:23:23 | |
PHONE RINGS | 0:23:37 | 0:23:41 | |
-What you got there? -One special and a cheese salad. | 0:23:56 | 0:23:59 | |
-Right, that'll do. -What do you mean "that'll do"? -Thanks, love. -Dad, are you... | 0:23:59 | 0:24:02 | |
Damn it, Monty! Um... Monty? | 0:24:02 | 0:24:07 | |
Monty is, um...Bobby's pet...mouse. | 0:24:07 | 0:24:13 | |
Listen, don't worry about it, I'll come pick him up later, OK? | 0:24:13 | 0:24:17 | |
It's just a mouse. | 0:24:17 | 0:24:18 | |
Dot will be fine with it, I swear, it'll be fine. | 0:24:18 | 0:24:20 | |
I've got to get going. | 0:24:20 | 0:24:22 | |
No, no, it's fine. I'm here. I'm here. | 0:24:22 | 0:24:23 | |
Someone get me two plates and a couple of spoons, please. | 0:24:23 | 0:24:26 | |
Come on quickly, quickly. | 0:24:26 | 0:24:27 | |
-Here you go. -Stick that in two glasses, yeah? Go! | 0:24:30 | 0:24:33 | |
That looks really nice, actually. | 0:24:53 | 0:24:56 | |
Right. Pan-fried lamb. | 0:24:56 | 0:24:59 | |
Mustard mash with rocket. | 0:24:59 | 0:25:01 | |
Kind of good enough to eat. | 0:25:02 | 0:25:04 | |
Yeah, man, now you're talking. | 0:25:10 | 0:25:14 | |
OK, waitress, let's go. | 0:25:14 | 0:25:16 | |
OK, this is pan-fried lamb with honey and mustard mash. | 0:25:16 | 0:25:21 | |
Look at the food. | 0:25:22 | 0:25:24 | |
Fruit juice? You trying to kill me? | 0:25:25 | 0:25:28 | |
Look at the food. | 0:25:28 | 0:25:30 | |
Place it on the table again. | 0:25:30 | 0:25:33 | |
Heads up a bit heads up a bit, heads up a bit. Great. | 0:25:33 | 0:25:37 | |
Take the food away. Put it back in again. | 0:25:37 | 0:25:42 | |
Lovely. | 0:25:42 | 0:25:44 | |
-There you go. Looks all right, don't it? -Yeah. | 0:25:44 | 0:25:48 | |
Who are the couple, for the article? | 0:25:48 | 0:25:52 | |
It's Kimberley Fox and Patrick Trueman. | 0:25:52 | 0:25:55 | |
Are they local? | 0:25:55 | 0:25:56 | |
Yeah, yeah, they are. | 0:25:56 | 0:25:59 | |
Excuse me a minute. | 0:25:59 | 0:26:00 | |
I just want to say thank you for all your support. | 0:26:03 | 0:26:06 | |
You're welcome. | 0:26:06 | 0:26:08 | |
Can I ask you one more favour? | 0:26:08 | 0:26:10 | |
No, look, can you just hand these out for me? | 0:26:10 | 0:26:13 | |
Invitations? | 0:26:13 | 0:26:15 | |
Yes. For family and friends. | 0:26:15 | 0:26:17 | |
You might need a stamp for that one. | 0:26:17 | 0:26:19 | |
Just hope it's worth his while. | 0:26:19 | 0:26:22 | |
Well, why wouldn't it be? | 0:26:22 | 0:26:24 | |
Listen, it's going to be a great night. And a great restaurant. | 0:26:24 | 0:26:30 | |
Monty? Monty? | 0:26:37 | 0:26:39 | |
Oh, poor Bobby. | 0:26:59 | 0:27:02 | |
Oh, hello. | 0:27:07 | 0:27:10 | |
You're home early. | 0:27:10 | 0:27:12 | |
All my appointments aren't till later | 0:27:12 | 0:27:13 | |
so I thought I'd help you get ready for the vicar. | 0:27:13 | 0:27:15 | |
Oh, that's ever so kind of you. | 0:27:15 | 0:27:17 | |
You can scrub the front step. | 0:27:17 | 0:27:20 | |
Oh, and I've decided on a Victoria sponge. | 0:27:20 | 0:27:24 | |
Oh, lovely. | 0:27:24 | 0:27:26 | |
Off you go. | 0:27:26 | 0:27:27 | |
Oh, after you. | 0:27:27 | 0:27:28 | |
Right, well, I'll go and get the cleaning bits, then. | 0:27:32 | 0:27:35 | |
Where's the sponge? | 0:27:35 | 0:27:36 | |
Alice. Alice! What's happened? | 0:27:42 | 0:27:45 | |
-Janine turned up. -She wanted to be with Scarlett. | 0:27:45 | 0:27:47 | |
-Have you told her I've been seeing her? -No, of course I haven't. | 0:27:47 | 0:27:50 | |
-But you want to? -I can't do this any more. | 0:27:50 | 0:27:52 | |
-I can't do this to Janine... -Please, spare me the Good Samaritan! | 0:27:52 | 0:27:55 | |
You're worried about poor old Janine?! | 0:27:55 | 0:27:57 | |
She's a good person, she's a loving person. | 0:27:57 | 0:27:59 | |
No, she's not. She's beguiled you. Look at you! | 0:27:59 | 0:28:02 | |
Think about how she's treating me! She doesn't love anyone. | 0:28:02 | 0:28:05 | |
Then why does she keep looking at a picture of you, her and Scarlett? | 0:28:05 | 0:28:09 | |
Her family! She still loves you, Michael! | 0:28:09 | 0:28:11 | |
Normally I hate mice, but | 0:28:15 | 0:28:17 | |
Monty was such a cute little thing, you know. | 0:28:17 | 0:28:20 | |
Can't have been much more than a baby. | 0:28:20 | 0:28:22 | |
Don't upset yourself. | 0:28:22 | 0:28:23 | |
'And God shall wipe away all tears from their eyes | 0:28:23 | 0:28:27 | |
'and there shall be no more death, nor sorrow, nor crying.' | 0:28:27 | 0:28:31 | |
Now that is Revelations, Poppy, that is chapter twenty one, verse... | 0:28:31 | 0:28:36 | |
four. | 0:28:36 | 0:28:37 | |
TIMER RINGS | 0:28:37 | 0:28:39 | |
Ooh, me cake! | 0:28:39 | 0:28:41 | |
This is the vicar's favourite. I don't think she'll like it much. | 0:28:41 | 0:28:45 | |
Who won't? | 0:28:45 | 0:28:46 | |
Myra... Mandy... whatever her name is. | 0:28:46 | 0:28:49 | |
His curate. Little Miss Look-down-your-nose. | 0:28:49 | 0:28:53 | |
Thing is, Mrs Branning, I'm worried what I'm going to say to Bobby. | 0:28:53 | 0:28:58 | |
Perhaps we could have a little funeral. Huh? | 0:28:58 | 0:29:00 | |
You know, the vicar might bestow a blessing. Bobby'll like that. | 0:29:00 | 0:29:04 | |
The thing is, I've already thrown Monty in the dustbin. | 0:29:04 | 0:29:09 | |
Got any rubber gloves? | 0:29:09 | 0:29:11 | |
When did you last have it, Jenna? | 0:29:11 | 0:29:13 | |
I remember taking a call from a client in here about seven last night. | 0:29:13 | 0:29:17 | |
Well, let me phone your phone, yeah? What's the number? | 0:29:17 | 0:29:21 | |
Thing is I always switch it off at night to work on my dissertation. | 0:29:21 | 0:29:24 | |
-Oh! -I'm fully booked today but no phone means no more business, | 0:29:24 | 0:29:27 | |
-which would be a complete pain, you know. -Yeah. | 0:29:27 | 0:29:29 | |
-Well, if it shows up, I'll let you know. -Thanks Kim, you're a sweetie. | 0:29:29 | 0:29:33 | |
-S'all right. -I'll get that. -Thanks. | 0:29:33 | 0:29:35 | |
Kimmie, don't worry about her phone, where's my breakfast? | 0:29:35 | 0:29:39 | |
Oh, about that - there's a slight problem with the bacon. | 0:29:39 | 0:29:42 | |
-Not again, man? -I can pop over to the shops. | 0:29:42 | 0:29:44 | |
-No. That's going to take ages. -Where you going? | 0:29:44 | 0:29:47 | |
-I'm going to Baconland! All right? -Baconland? | 0:29:47 | 0:29:51 | |
-You all right, Abs? -Hiya. -Don't ask for bacon, babe. | 0:29:51 | 0:29:53 | |
Did you speak to your dad? | 0:29:56 | 0:29:58 | |
Yeah and...? | 0:29:58 | 0:30:01 | |
-He wants to take it for a test drive! -You're joking? | 0:30:01 | 0:30:05 | |
No, but it's got to be, like, now, cos he's busy later. | 0:30:05 | 0:30:07 | |
-Does Dexter know? -Not yet. But I've got to go. | 0:30:07 | 0:30:09 | |
-I'll be late for my chemistry exam. -Good luck. | 0:30:09 | 0:30:12 | |
Listen, I'll meet you in the cafe later, yeah? | 0:30:12 | 0:30:14 | |
Dexter's going to be well happy. Holiday here we come! | 0:30:14 | 0:30:16 | |
SHARON'S MOBILE RINGS | 0:30:19 | 0:30:21 | |
Janine, I'm having my breakfast. | 0:30:21 | 0:30:23 | |
I just wondered if you'd seen Phil's latest bright idea for the club? | 0:30:23 | 0:30:28 | |
Well, I've had a lot on my mind, sorry. | 0:30:28 | 0:30:31 | |
-It's nonsense. Trust me. -'So?' | 0:30:31 | 0:30:34 | |
So, I'm looking for allies. Impertinent question, I know... | 0:30:34 | 0:30:39 | |
..but how are you two getting on these days? | 0:30:39 | 0:30:42 | |
Hi Poppy. Fatboy told me he left Monty here. | 0:30:46 | 0:30:49 | |
Oh. Bobby. Um... I think you'd better come inside. | 0:30:49 | 0:30:55 | |
-Dad says I've got to take him back... -Yeah. | 0:30:55 | 0:31:01 | |
-It's not fair. -Oh, hello, Bobby. | 0:31:05 | 0:31:09 | |
Where's Monty? | 0:31:10 | 0:31:12 | |
I have your qualified approval? | 0:31:14 | 0:31:17 | |
-Janine? -Oh, he's here. Speak soon. | 0:31:17 | 0:31:20 | |
-Phillip! -You're sitting in my chair. | 0:31:20 | 0:31:23 | |
And you need some lessons in to how to be a gentleman! | 0:31:23 | 0:31:26 | |
So, what's this all about? | 0:31:26 | 0:31:28 | |
You're not serious about this, are you? | 0:31:30 | 0:31:32 | |
Does what it says on the tin. Blokes, booze and football. | 0:31:32 | 0:31:35 | |
What's not to like? | 0:31:35 | 0:31:37 | |
Let me count the ways. | 0:31:37 | 0:31:40 | |
You're allowed to cry, Bobby. | 0:31:40 | 0:31:42 | |
-It's not Monty I'm upset about. -No? | 0:31:42 | 0:31:45 | |
Won't get all me money back now, will I? | 0:31:45 | 0:31:47 | |
He's his father's son, all right. | 0:31:47 | 0:31:49 | |
Well, I don't suppose it was that expensive, eh? | 0:31:49 | 0:31:53 | |
What are you doing? | 0:31:53 | 0:31:54 | |
How about I give him some money... there you go. | 0:31:54 | 0:31:58 | |
-Yeah? -Three pounds? | 0:31:58 | 0:32:00 | |
I paid twenty quid for it and they're thirty quid in the shops. | 0:32:00 | 0:32:03 | |
And that's for a baby. | 0:32:03 | 0:32:05 | |
Thirty quid for a baby mouse? | 0:32:05 | 0:32:07 | |
-The mouse was its food. -'It'? What's 'it'? | 0:32:07 | 0:32:12 | |
-Monty's a snake. -Oh, my Godfathers! -He won't have gone far. | 0:32:12 | 0:32:16 | |
You mean it's here? In this house? A snake? In my house? | 0:32:16 | 0:32:19 | |
And with the vicar due in less than half an hour? | 0:32:19 | 0:32:21 | |
-Corn snake. Harmless. -I don't care what it's called! | 0:32:21 | 0:32:24 | |
Look, I'm not stopping here a minute longer. | 0:32:24 | 0:32:26 | |
Ooh, I shall have to cancel the vicar! | 0:32:26 | 0:32:28 | |
Oh, to think I changed me shift for this! | 0:32:28 | 0:32:31 | |
Let me know as soon as you've got rid of it. | 0:32:31 | 0:32:34 | |
-Oh, no, where are you going? -School. They go bonkers if you're late. | 0:32:34 | 0:32:37 | |
-No, you can't. No. -If it makes you any happier, | 0:32:37 | 0:32:40 | |
they like to hide in warm, dark places. | 0:32:40 | 0:32:42 | |
How is that supposed to make me happier? | 0:32:42 | 0:32:45 | |
I know the bloke that runs it. Guest speaker, few filthy jokes, | 0:32:46 | 0:32:49 | |
West Ham's greatest hits on the big screen - it's a money spinner. | 0:32:49 | 0:32:53 | |
So we're targeting the 'beer-bellied blokes getting bladdered' market? | 0:32:53 | 0:32:56 | |
-Are we? -Least I'm coming up with stuff! -Who said I wasn't? | 0:32:56 | 0:33:00 | |
Look, we need to spread our net a little bit wider. | 0:33:00 | 0:33:02 | |
-We agree on that. -Go on. | 0:33:02 | 0:33:04 | |
So, with that in mind, my counter proposal is... | 0:33:04 | 0:33:09 | |
Monday night is gay night... | 0:33:09 | 0:33:11 | |
-What...? -Tuesday - 'Lezbe friends'... Wednesday 'ManTran'. | 0:33:11 | 0:33:15 | |
-Mantran? What's 'ManTran'? -Male transvestites, Philip. | 0:33:15 | 0:33:17 | |
Come on, get in the 21st century! Thursday night... | 0:33:17 | 0:33:20 | |
-Nah, nah. Stop. Stop right there. -I haven't got to my Saturday yet! | 0:33:20 | 0:33:23 | |
-This ain't happening. -You're so predictable. | 0:33:23 | 0:33:26 | |
You need to shake off those caveman prejudices you've got. | 0:33:26 | 0:33:28 | |
-Not while I'm running this place. -Yeah, but you're not. Are you? | 0:33:28 | 0:33:32 | |
Well, not completely. | 0:33:32 | 0:33:35 | |
Right. Well, let's see what Sharon's got to say. | 0:33:35 | 0:33:39 | |
I'm going to call a shareholders meeting. Don't move. | 0:33:39 | 0:33:44 | |
SHARON'S MOBILE RINGS | 0:33:52 | 0:33:54 | |
-Hi? -Reaction exactly as anticipated | 0:33:54 | 0:33:57 | |
and he should be with you in about... two minutes? | 0:33:57 | 0:34:00 | |
You're a very wicked lady. | 0:34:00 | 0:34:03 | |
Well? | 0:34:13 | 0:34:15 | |
I don't know. There might be a mug somewhere who'd take it. | 0:34:15 | 0:34:18 | |
-I'll give you a monkey. -Five hundred quid? Are you nuts? | 0:34:18 | 0:34:21 | |
That's really good business etiquette, that is, Jay. | 0:34:21 | 0:34:24 | |
Calling your client 'nuts'. Really going to seal the deal, ain't it? | 0:34:24 | 0:34:27 | |
We spent more than that doing it up. Didn't we, Dex? | 0:34:27 | 0:34:29 | |
Sorry, can we have a minute please, Mr Branning? | 0:34:29 | 0:34:32 | |
What you doing? You can't exactly call him nuts? | 0:34:32 | 0:34:34 | |
-What about our holiday? -Least this way we cut our losses. | 0:34:34 | 0:34:37 | |
Are you going to tell Abi and Lola?... No. | 0:34:37 | 0:34:40 | |
Listen Max, we'll take a grand off you. | 0:34:40 | 0:34:42 | |
-But anything less is a joke really. -See you later. | 0:34:42 | 0:34:46 | |
Bruv, what are you doing? You give up too easy. | 0:34:49 | 0:34:52 | |
-Have you checked the website today? -Oh, it was a stupid idea anyway. | 0:34:52 | 0:34:55 | |
-You're just so negative all the time. -Guys! Guys! I need a brave man. | 0:34:55 | 0:34:58 | |
Like, now. | 0:34:58 | 0:35:00 | |
-Psst! Is she in? -No. Why? | 0:35:03 | 0:35:06 | |
-Good. We can have a little chat. -Michael! | 0:35:06 | 0:35:10 | |
If Janine catches you in here, I'm dead. Would you please leave? | 0:35:12 | 0:35:15 | |
-I won't be long - I'm not staying. -What're you doing? | 0:35:15 | 0:35:18 | |
Is that the picture? | 0:35:23 | 0:35:25 | |
Yeah. | 0:35:25 | 0:35:27 | |
This is good. This is really good. Cos what this says is - | 0:35:27 | 0:35:30 | |
she's vulnerable. | 0:35:30 | 0:35:31 | |
So this is what I want you to do. You go to see her. | 0:35:31 | 0:35:35 | |
You tell her you've seen me in the street. | 0:35:35 | 0:35:37 | |
I look like a little boy lost. I look really pathetic. | 0:35:37 | 0:35:39 | |
You feel really sorry for me. You're worried about me. | 0:35:39 | 0:35:42 | |
You've never seen me so low. | 0:35:42 | 0:35:43 | |
If only she'd give me a second chance, | 0:35:43 | 0:35:45 | |
cos I'm so desperate to prove my love to her. | 0:35:45 | 0:35:48 | |
That I still love her. | 0:35:48 | 0:35:50 | |
Any old cobblers'll do. | 0:35:50 | 0:35:53 | |
And then you report back to me. | 0:35:53 | 0:35:57 | |
All right? | 0:35:57 | 0:36:00 | |
-All right? -Yeah. -Yeah! | 0:36:00 | 0:36:04 | |
-Cheers! -Bruv! Hey! | 0:36:07 | 0:36:11 | |
You got back from Birmingham. | 0:36:11 | 0:36:13 | |
-Yeah, I caught the first train. -How's that nephew of mine? | 0:36:13 | 0:36:16 | |
Ooh, ooh, who you looking for? As if I didn't know. | 0:36:16 | 0:36:20 | |
-Is she all right? -Who? Carol? How would I know? | 0:36:20 | 0:36:23 | |
-Something's not right. -Like what? | 0:36:23 | 0:36:26 | |
Well, I keep phoning her mobile, it goes straight to voice mail. | 0:36:26 | 0:36:29 | |
I leave a message, she doesn't return my call. | 0:36:29 | 0:36:31 | |
So, why don't you go round there. What's stopping you? Ah! | 0:36:31 | 0:36:34 | |
Faint heart and fair lady and all that. Eh? | 0:36:34 | 0:36:38 | |
What happened to the legendary Masood charm | 0:36:38 | 0:36:42 | |
and charisma? Huh? Huh? | 0:36:42 | 0:36:46 | |
HE CHUCKLES | 0:36:46 | 0:36:48 | |
He ain't there! He must be on his way. | 0:36:50 | 0:36:53 | |
What am I going to do, Arthur? Here y'are. | 0:36:53 | 0:36:55 | |
-What kind of snake was it? -It was a snake! In my house! | 0:36:55 | 0:36:58 | |
Who cares what its name was? | 0:36:58 | 0:37:00 | |
Mrs B, this is all my fault. I'm so sorry. | 0:37:00 | 0:37:02 | |
When you've got a vicar visiting, | 0:37:02 | 0:37:04 | |
you do not want a viper in the vicinity. | 0:37:04 | 0:37:07 | |
-Ta. Hold on Marie... -No, no, no, Mrs B, Mrs B - this one's on me. | 0:37:07 | 0:37:10 | |
-Least I can do. -Yes, well, thank you very much, | 0:37:10 | 0:37:13 | |
but it don't address the serpent under the sideboard. | 0:37:13 | 0:37:17 | |
Listen, you wait here, all right. | 0:37:17 | 0:37:19 | |
I'm going to go get Kim to let you have your meeting over there. | 0:37:19 | 0:37:22 | |
What? In the B&B? | 0:37:22 | 0:37:23 | |
No, no, no! All right? | 0:37:23 | 0:37:25 | |
In Walford's number one, premier conference venue! All right? | 0:37:25 | 0:37:32 | |
So, I'll go and sort that, and then I'll go and sort the snake, | 0:37:32 | 0:37:35 | |
then I'll sort the vicar, and I'll sort everything else. | 0:37:35 | 0:37:38 | |
-You get yourself over there once you've finished your tea. -Tea! | 0:37:38 | 0:37:41 | |
I've left the vicar's Victoria sponge on the kitchen table! | 0:37:41 | 0:37:45 | |
Trust me. I've got you covered. OK. | 0:37:45 | 0:37:48 | |
You've left your paper. | 0:37:56 | 0:37:59 | |
-Oh, no, I'm done with that. You can have it. -Very kind, thank you. | 0:37:59 | 0:38:02 | |
If that's what she wants, why not go the whole hog? Scrub the R&R. Call it the P&P. | 0:38:07 | 0:38:11 | |
Perverts' Paradise. | 0:38:11 | 0:38:12 | |
-Only you're not allowed to use that word -any more. What? Paradise? Be more like hell, wouldn't it? | 0:38:12 | 0:38:17 | |
You sure she's not just winding you up? | 0:38:17 | 0:38:19 | |
This is Janine making her move. We've got to stop her. | 0:38:19 | 0:38:22 | |
We? I thought I wasn't trusted. | 0:38:22 | 0:38:24 | |
If we stick together, we can knock this on the head right now. | 0:38:24 | 0:38:28 | |
Sharon, I didn't give you that share in the club so Janine could flush it down the khazi. | 0:38:28 | 0:38:32 | |
Kimmie! Kim! | 0:38:32 | 0:38:35 | |
Hi. Have you seen Kim? | 0:38:35 | 0:38:36 | |
You all right? | 0:38:36 | 0:38:38 | |
Don't tell me - the cafe got no bacon as well? | 0:38:38 | 0:38:40 | |
It's not that, all right. I need a favour. But not for me. | 0:38:40 | 0:38:43 | |
For God! | 0:38:43 | 0:38:45 | |
What colour is it? | 0:38:50 | 0:38:51 | |
-Be snake-coloured, won't it? -So how big is it? | 0:38:51 | 0:38:55 | |
It's called Monty, but we're not talking python! | 0:38:55 | 0:38:57 | |
-What you scared of, then? -Who says I'm scared? I'm worried about leaving AJ on his own. | 0:38:57 | 0:39:01 | |
No way are you leaving me with a snake on my own, bruv. | 0:39:01 | 0:39:03 | |
SCREAMING | 0:39:03 | 0:39:05 | |
So...I went to get some tea bags from the bottom of the cupboard. | 0:39:05 | 0:39:08 | |
And it was there. By the biscuits. | 0:39:08 | 0:39:10 | |
I feel sick. | 0:39:11 | 0:39:13 | |
-Don't look at me. -You're the one with the tongs. -You're the one with the sweat on. | 0:39:14 | 0:39:17 | |
-And you're not scared? -I ain't scared. -Well, go on then. | 0:39:17 | 0:39:20 | |
-Will one of you just man up! -What happened to girl power?! | 0:39:20 | 0:39:24 | |
OK, well, here's some girl power. Do it! | 0:39:24 | 0:39:26 | |
-HE SIGHS -All right. | 0:39:31 | 0:39:34 | |
He's so brave. | 0:39:36 | 0:39:38 | |
Jay? | 0:39:54 | 0:39:55 | |
I can't. Sorry, I can't. | 0:39:59 | 0:40:02 | |
Your reverence, Sir... | 0:40:02 | 0:40:05 | |
Message from her Royal Dottiness. | 0:40:05 | 0:40:07 | |
Her house is a no-go zone right now, that's on account of - | 0:40:08 | 0:40:12 | |
that's on account of something - but the new sit-down is at the B&B. | 0:40:12 | 0:40:14 | |
That cool? | 0:40:14 | 0:40:16 | |
More than cool. Lead the way. | 0:40:16 | 0:40:18 | |
Arthur, isn't it? | 0:40:18 | 0:40:20 | |
Yes, sir, yes, sir. You good? | 0:40:20 | 0:40:22 | |
-Yeah. -Fats! Fats! | 0:40:22 | 0:40:24 | |
Hey, baby, I'm with his holiness right now. | 0:40:24 | 0:40:27 | |
Sorry. It's an emergency. I need you now. | 0:40:27 | 0:40:29 | |
I know what this is about. | 0:40:29 | 0:40:31 | |
You'd better go. | 0:40:31 | 0:40:32 | |
Yes, but one thing - this whole Church Warden thing is really important to Mrs B, all right. | 0:40:32 | 0:40:37 | |
So don't go letting her down. All right? The Lord is watching, remember. All right. | 0:40:37 | 0:40:42 | |
MASOOD ON ANSWERING MACHINE: ..so I am around now. | 0:40:42 | 0:40:44 | |
Give us a call when you get this and maybe we can - I dunno - catch up. | 0:40:44 | 0:40:48 | |
Hope you're well. Speak soon. | 0:40:49 | 0:40:53 | |
Why haven't you phoned him back? | 0:40:55 | 0:40:58 | |
You do like him, don't you? | 0:40:58 | 0:40:59 | |
Yes. Yes, I do. | 0:40:59 | 0:41:00 | |
And he obviously likes you. | 0:41:00 | 0:41:02 | |
KNOCK ON DOOR | 0:41:02 | 0:41:04 | |
I don't want to see anybody. | 0:41:04 | 0:41:06 | |
-It's him. -Oh, no! | 0:41:10 | 0:41:12 | |
I think he's seen me. I've got to let him in. | 0:41:12 | 0:41:15 | |
-No, just... Say I'm not here. -No, I'm not going to do that, Carol - that's not fair. | 0:41:15 | 0:41:19 | |
-All right... -Uh, yeah. Is, um....? -Yeah. She's through here. | 0:41:23 | 0:41:28 | |
I can't believe it. What you scared of, man? | 0:41:28 | 0:41:31 | |
-Least I went in. He didn't even do that. -It's in the kitchen. Bottom of the cupboard. OK. | 0:41:31 | 0:41:34 | |
-Here, you're going to need these. -I don't need that. I don't anything, OK baby. | 0:41:34 | 0:41:37 | |
All right. I can't believe you two, man. | 0:41:37 | 0:41:39 | |
You're supposed to be dench, bruv, what's the matter with you? Terrible. | 0:41:39 | 0:41:43 | |
There you are! Beautiful. | 0:41:43 | 0:41:44 | |
Oh, thank goodness. | 0:41:44 | 0:41:46 | |
-Fats, the snake? -Yeah, baby. Say hello to Monty! Oh, my... Fake snake, fake snake. | 0:41:48 | 0:41:54 | |
-What are you doing? Get it away! -It's just the skin, all right! | 0:41:54 | 0:41:57 | |
-What's that supposed to mean? -Means Monty is still on the loose. | 0:41:57 | 0:42:00 | |
Can you hold that? | 0:42:00 | 0:42:02 | |
Don't do that, man! That's not even funny! | 0:42:02 | 0:42:04 | |
I got to get this to the B&B, baby. | 0:42:04 | 0:42:06 | |
-No! -Baby, baby, I got to, it's Dot. It's Dot, baby. -Fats! | 0:42:06 | 0:42:09 | |
I'm worried about AJ - we've left him on his own. | 0:42:10 | 0:42:12 | |
-No, no, no, you can't go now, bruv. -I reckon I've done my bit. Sorry, Pops. | 0:42:12 | 0:42:17 | |
-Do you know what, I need to get back to work as well. -No, no, no! You're not going anywhere! | 0:42:17 | 0:42:21 | |
It's like they're a regular middle-class couple. | 0:42:24 | 0:42:28 | |
"Please take your shoes off at the door. | 0:42:28 | 0:42:31 | |
"Please put a coaster underneath that glass". It's funny. | 0:42:31 | 0:42:34 | |
Sorry - what is? | 0:42:37 | 0:42:38 | |
Syed and Christian. | 0:42:39 | 0:42:41 | |
Oh, right. | 0:42:41 | 0:42:44 | |
Is everything all right, Carol? | 0:42:45 | 0:42:48 | |
-Will you stop asking me that? -I wasn't aware I had. | 0:42:48 | 0:42:51 | |
Have I, um... Have I done something wrong? | 0:42:58 | 0:43:03 | |
I'm just not feeling quite myself. | 0:43:03 | 0:43:05 | |
Do you want me to go? | 0:43:07 | 0:43:11 | |
I'm sorry. It's not you. | 0:43:11 | 0:43:12 | |
OK. | 0:43:17 | 0:43:18 | |
I'll be in touch. | 0:43:25 | 0:43:27 | |
That was quick. What happened? | 0:43:34 | 0:43:36 | |
I'm getting too old for this. | 0:43:36 | 0:43:38 | |
I'm going to go upstairs and have a lie down. | 0:43:38 | 0:43:40 | |
Are you serious about these proposals? | 0:43:46 | 0:43:49 | |
Generic nightclubs are stone age. We need a brand. | 0:43:49 | 0:43:53 | |
Something that sets us apart. | 0:43:53 | 0:43:54 | |
And turning it into some sort of tacky sex club, that's going to do that, is it? | 0:43:54 | 0:43:58 | |
Who said anything about tacky? You not heard of the pink pound? | 0:43:58 | 0:44:01 | |
We're not having this conversation. Let's just vote on it. | 0:44:01 | 0:44:04 | |
Well, now we know what you think. What about you, Sharon? | 0:44:04 | 0:44:06 | |
You up for a little bit of metrosexual sophistication? | 0:44:06 | 0:44:09 | |
Or do you want a never ending chorus of "Here we go, here we go"? | 0:44:09 | 0:44:13 | |
Well, I think she's got a point. | 0:44:13 | 0:44:15 | |
Very kind of you to put yourself out like this, Miss Fox. | 0:44:18 | 0:44:22 | |
Oh, I'm just giving back to the community, you know. | 0:44:22 | 0:44:25 | |
It's always a privilege to help out Mrs Branning here, | 0:44:25 | 0:44:28 | |
one of Walford's most respectable and, indeed, respected citizens. | 0:44:28 | 0:44:33 | |
-Amen to that. -Amen, hallelujah. | 0:44:33 | 0:44:36 | |
-Well, if you need anything else, just ring the bell. -BELL PINGS | 0:44:37 | 0:44:41 | |
What a charming woman. | 0:44:48 | 0:44:50 | |
Slice of sponge cake, vicar? | 0:44:50 | 0:44:52 | |
You're spoiling me, Mrs Branning. | 0:44:52 | 0:44:54 | |
May I tempt you, Miss Quinn? | 0:44:55 | 0:44:57 | |
No, I'm fine, thanks. And it's "Ms", if that's all right with you. | 0:44:57 | 0:45:01 | |
Meuhz? How do you spell that? | 0:45:01 | 0:45:04 | |
-M-S. -That ain't a word, that's initials. | 0:45:04 | 0:45:07 | |
I mean of course, there's Mrs, that's initials, | 0:45:07 | 0:45:10 | |
but that stands for Mistress. | 0:45:10 | 0:45:12 | |
Eat up, Vicar. Do you want a fork? | 0:45:15 | 0:45:17 | |
When I told you about this before, you was dead against it, weren't ya? | 0:45:17 | 0:45:20 | |
I hadn't heard Janine's side of it. There's obviously a market for this sort of thing... | 0:45:20 | 0:45:24 | |
If you can do your night, I can do mine. | 0:45:24 | 0:45:27 | |
Or do we just cancel both of them? | 0:45:27 | 0:45:29 | |
Unbelievable. | 0:45:30 | 0:45:32 | |
Don't think I don't know what you're doing. | 0:45:32 | 0:45:34 | |
And you, you've fallen for it, ain't you? | 0:45:34 | 0:45:36 | |
I thought better of you. | 0:45:36 | 0:45:37 | |
-Did you see his face! -You were never going to do this, were you? -No! For now. | 0:45:41 | 0:45:45 | |
But I think we might have heard the last of "Gettin' 'Ammered". | 0:45:45 | 0:45:49 | |
Busy? | 0:45:53 | 0:45:54 | |
Only I hear you have a motor for sale. | 0:45:54 | 0:45:56 | |
And I know a guy who just might be interested. | 0:45:57 | 0:46:00 | |
If we're to push these changes through, | 0:46:01 | 0:46:04 | |
we all need to be singing from the same hymn sheet, so to speak. | 0:46:04 | 0:46:08 | |
But they ain't proper hymns, are they? | 0:46:08 | 0:46:10 | |
Not since the organ give up the ghost. That's what we ought to be doing, Vicar - | 0:46:10 | 0:46:14 | |
getting up a fund for the organ, so's we can have | 0:46:14 | 0:46:16 | |
proper hymns, not all these twanging banjos and rattling tambourines. | 0:46:16 | 0:46:21 | |
Next thing you know, we'll be having a knees-up. | 0:46:21 | 0:46:23 | |
Mrs Branning, that isn't really what... | 0:46:23 | 0:46:26 | |
Well, I liked it how it was. And I ain't the only one. | 0:46:26 | 0:46:28 | |
-Of course... -Yes, well, why all the changes then? | 0:46:28 | 0:46:32 | |
I mean, the organ's gone, why get rid of the pulpit? | 0:46:32 | 0:46:35 | |
Not literally. | 0:46:35 | 0:46:36 | |
Well, "Ms" here said | 0:46:36 | 0:46:38 | |
"Sermons will be shared from the body of the church." | 0:46:38 | 0:46:41 | |
But you don't share a sermon, I mean, the vicar, he gives a sermon. | 0:46:41 | 0:46:44 | |
What Miranda is saying, and I've come to agree with her, | 0:46:44 | 0:46:48 | |
is that pulpits, by their very nature, are hierarchical. | 0:46:48 | 0:46:52 | |
Hierar... Oh, you mean higher up the ladder? | 0:46:52 | 0:46:56 | |
It's a concept that's outlived its usefulness. | 0:46:56 | 0:46:59 | |
No it ain't. I mean, the vicar, he's higher up the ladder. | 0:46:59 | 0:47:04 | |
Because he is the teacher, he's like Jesus - you know, Jesus what | 0:47:04 | 0:47:08 | |
taught the multitudes - that is Matthew, chapter five, verse one. | 0:47:08 | 0:47:12 | |
So that is why a pulpit is higher up, so's we can look up to him. | 0:47:12 | 0:47:17 | |
Mrs Branning, while I respect your point of view, | 0:47:17 | 0:47:20 | |
-we're actually here to discuss the role of church warden... -That's by the by. | 0:47:20 | 0:47:24 | |
I mean, what we ought to be doing, Vicar, is reaching out to the young. | 0:47:24 | 0:47:28 | |
I mean, them poor souls who's never heard the words of Jesus? Not like we did. | 0:47:28 | 0:47:32 | |
We learned at school from scripture and prayers and Sunday school. | 0:47:32 | 0:47:36 | |
I mean, people say, they say, "Oh let them choose when they're older". | 0:47:36 | 0:47:40 | |
Well, how can they choose when they don't know nothing about it? | 0:47:40 | 0:47:44 | |
It's barmy. | 0:47:44 | 0:47:45 | |
-Are we OK for tea? -Quite OK, thank you. | 0:47:45 | 0:47:48 | |
While I'm here, can I give you a few of these? | 0:47:48 | 0:47:51 | |
You might want to pass it around your flock on Sunday. | 0:47:51 | 0:47:54 | |
No quicker route to spiritual peace than a full body massage. | 0:47:54 | 0:47:58 | |
And you'll notice there's a 20% discount for pensioners on a Thursday... | 0:47:58 | 0:48:01 | |
Thank you. Very kind. | 0:48:01 | 0:48:03 | |
-You're welcome. -DOORBELL RINGS | 0:48:03 | 0:48:05 | |
Oh, 'scuse me. | 0:48:05 | 0:48:06 | |
Are you all right, Miranda? | 0:48:07 | 0:48:09 | |
I don't know. I think I might be sitting on something. | 0:48:09 | 0:48:12 | |
If we switch it on, we might find out whose it is. | 0:48:15 | 0:48:17 | |
Oh - that's Jenna's. Thank you. | 0:48:17 | 0:48:20 | |
Yes, she was looking for that earlier. | 0:48:20 | 0:48:22 | |
Only she's got a client in at the moment. I'll just leave that there. | 0:48:22 | 0:48:26 | |
So are you sure there's nothing I can get you? | 0:48:26 | 0:48:28 | |
Quite sure, thank you. | 0:48:28 | 0:48:30 | |
Bless you. | 0:48:30 | 0:48:31 | |
You were saying, Mrs Branning? | 0:48:33 | 0:48:35 | |
Well, I think I'm wasting me time. | 0:48:35 | 0:48:37 | |
I mean, all them poor souls swimming in a sea of iniquity | 0:48:37 | 0:48:41 | |
and all you're worried about is getting "modern". "With it". | 0:48:41 | 0:48:44 | |
Mrs Branning, please don't go. We're here to listen. | 0:48:44 | 0:48:48 | |
Let's hear some of your ideas. Please. | 0:48:48 | 0:48:51 | |
But I don't thing I've got the right words, Vicar. | 0:48:51 | 0:48:54 | |
I mean, am I allowed, Ms, to say "Holy"? | 0:48:54 | 0:48:57 | |
Am I allowed to say "Sanctified"? "Morality"? | 0:48:57 | 0:49:00 | |
I mean, all you're thinking about is shifting the furniture. | 0:49:01 | 0:49:05 | |
Oh, Alice! You are a lovely person. | 0:49:08 | 0:49:12 | |
-I have had a WONDERFUL morning. -Really? -Yes, and I want to celebrate! | 0:49:14 | 0:49:17 | |
How can I do that when we don't have alcohol? Ah, yes! | 0:49:17 | 0:49:21 | |
Chocolate. How's the little one? | 0:49:21 | 0:49:24 | |
Yeah, she's good. I've just put her down. | 0:49:24 | 0:49:27 | |
Come on. Let's have a girly catch-up. | 0:49:27 | 0:49:29 | |
-Why are you so happy? -I'm always happy when I've triumphed. What have you been up to? | 0:49:29 | 0:49:34 | |
Not a lot. Um... I did bump into Michael earlier, though... | 0:49:34 | 0:49:38 | |
Oh, please. Stop right there. Don't even mention his name. | 0:49:38 | 0:49:42 | |
Don't ruin the moment. Have a chocolate. | 0:49:42 | 0:49:45 | |
Utterly delicious. | 0:49:46 | 0:49:50 | |
That's mine. | 0:49:51 | 0:49:52 | |
Honestly Ab, if there was any way I could've sold that motor on, | 0:49:52 | 0:49:55 | |
I would have made him a decent offer, but I'm running a business, not a charity. | 0:49:55 | 0:49:59 | |
Tell you what I'll do. If you get good results in your exams, | 0:49:59 | 0:50:01 | |
I might even pay for that holiday myself. | 0:50:01 | 0:50:04 | |
-Yeah? Happy? Sorted. I'll see you later. -See ya. | 0:50:04 | 0:50:08 | |
Have I done something? Has she met someone else? | 0:50:10 | 0:50:14 | |
-Have I turned into Godzilla? -Bruv... | 0:50:14 | 0:50:16 | |
-What? -One thing you're forgetting. -What's that? | 0:50:16 | 0:50:18 | |
-She's a woman. -Oh, that's it, is it? | 0:50:18 | 0:50:21 | |
It's like werewolves. Once a month they go mad. Simples. | 0:50:21 | 0:50:24 | |
All right? Saw your dad just now. | 0:50:27 | 0:50:30 | |
He told you, didn't he? | 0:50:30 | 0:50:33 | |
How did the exam go? | 0:50:35 | 0:50:37 | |
Fine. | 0:50:37 | 0:50:39 | |
You're disappointed about the holiday? | 0:50:39 | 0:50:41 | |
Don't be. | 0:50:45 | 0:50:46 | |
Cos I've only gone and sold the flamin' car, ain't I, eh! | 0:50:47 | 0:50:51 | |
But what you're failing to acknowledge, Mrs Branning, | 0:50:51 | 0:50:54 | |
is that the standards of morality evolve over time... | 0:50:54 | 0:50:58 | |
Yes, for the worse. | 0:50:58 | 0:50:59 | |
I mean, I take my morality from the Bible. | 0:50:59 | 0:51:02 | |
In there, there's right and there's wrong. | 0:51:02 | 0:51:04 | |
What you're saying is, "I know better than God." | 0:51:04 | 0:51:06 | |
-Not at all. -Perhaps if Mrs Branning could tell us | 0:51:06 | 0:51:10 | |
how she would exactly implement some of her ideas. | 0:51:10 | 0:51:13 | |
Well, for a start... | 0:51:13 | 0:51:15 | |
there's this here. Look. | 0:51:15 | 0:51:17 | |
Prostitutes. Thousands of 'em. | 0:51:17 | 0:51:20 | |
Openly advertising their wares in what was once a respectable newspaper. | 0:51:20 | 0:51:24 | |
This is hardly new. | 0:51:24 | 0:51:26 | |
They don't call it the oldest profession for nothing... | 0:51:26 | 0:51:28 | |
That's men for you, and you a man of the cloth. | 0:51:28 | 0:51:32 | |
We should be reaching out to these poor souls. | 0:51:32 | 0:51:34 | |
Bringing them to Jesus. For hope and salvation. | 0:51:34 | 0:51:38 | |
-All you're worried about is your pulpit. -Yes, but how to go about it... | 0:51:38 | 0:51:42 | |
Well, they've got their phone numbers here. | 0:51:42 | 0:51:45 | |
We could phone one of them? Give that here... | 0:51:45 | 0:51:47 | |
I'm not entirely sure that's such a good idea. | 0:51:47 | 0:51:50 | |
Men talk, women do. Give it here. | 0:51:50 | 0:51:52 | |
Ta. Cheers. | 0:51:52 | 0:51:54 | |
DIALS NUMBER | 0:51:54 | 0:51:56 | |
PHONE RINGS IN ROOM | 0:52:05 | 0:52:06 | |
Just thought you might like some sandwiches. | 0:52:12 | 0:52:14 | |
PHONE STILL RINGING | 0:52:14 | 0:52:16 | |
I did try. She just doesn't want your name mentioned in the house. | 0:52:26 | 0:52:31 | |
But she was buzzing, you say? | 0:52:31 | 0:52:33 | |
-Yeah, I've never seen her so hyper. -I have. These moods don't last. | 0:52:33 | 0:52:37 | |
She'll soon revert to her grotesque self. | 0:52:37 | 0:52:39 | |
-And that's when you try again. -Michael... | 0:52:39 | 0:52:41 | |
No. No arguments. We're in a good place now. | 0:52:41 | 0:52:45 | |
You get her to open up. See if she really likes me. | 0:52:45 | 0:52:49 | |
As God is my witness, I had no idea... | 0:52:54 | 0:52:57 | |
Let's not bring God into this. | 0:52:57 | 0:52:59 | |
Jenna! Get down here! | 0:53:00 | 0:53:02 | |
There has to be an explanation. | 0:53:02 | 0:53:03 | |
She told me she was a student. | 0:53:03 | 0:53:05 | |
She was studying for a PF...E... or something like that. | 0:53:05 | 0:53:08 | |
So when you say you offer a massage service, what you really mean is... | 0:53:08 | 0:53:11 | |
-She's running a brothel. That's what she's saying. -No! | 0:53:11 | 0:53:14 | |
I've never been so humiliated in my life. | 0:53:14 | 0:53:17 | |
-No, honestly. -I am not staying a minute longer. | 0:53:17 | 0:53:21 | |
I shall pay you for the tea and the phone call... | 0:53:21 | 0:53:25 | |
-But Mrs Branning... -No, I shall feel the taint. | 0:53:25 | 0:53:28 | |
You wanted something? | 0:53:28 | 0:53:30 | |
Jenna, what are you wearing? | 0:53:30 | 0:53:33 | |
OH!! | 0:53:33 | 0:53:34 | |
It's that snake! Bobby's snake! | 0:53:36 | 0:53:38 | |
Get rid of it! Get rid of it! | 0:53:39 | 0:53:41 | |
Why won't you tell me who you sold the car to? | 0:53:44 | 0:53:46 | |
Cos it's not important. | 0:53:46 | 0:53:47 | |
Jay, you're a useless liar. What aren't you telling me? | 0:53:47 | 0:53:51 | |
All right, but you must never, ever tell Dexter, all right? | 0:53:51 | 0:53:54 | |
-What? -Promise me? -I guess. | 0:53:54 | 0:53:57 | |
I sold the car to his dad. | 0:53:58 | 0:54:01 | |
I thought he hated his dad. | 0:54:04 | 0:54:05 | |
He does. Which is why you must never tell him. | 0:54:05 | 0:54:08 | |
Thing is, his dad is selling it on to a mate. Which is why Dexter'll never know. | 0:54:08 | 0:54:12 | |
-Jay! -Do you want to go on this holiday or not? | 0:54:12 | 0:54:15 | |
I just hate lying. | 0:54:16 | 0:54:17 | |
So pretend I never told you then, love. | 0:54:17 | 0:54:20 | |
-All right? How's the snake hunting going? -I can't find it. | 0:54:24 | 0:54:27 | |
Well, cheer up... cos I've only gone and sold the car, ain't I! | 0:54:27 | 0:54:33 | |
Punter came in, saw the ad and gave us cash. | 0:54:33 | 0:54:35 | |
-Wait, how much? -Only a grand. We're going on holiday! | 0:54:35 | 0:54:38 | |
Yes! Yes! | 0:54:40 | 0:54:42 | |
N reg, 120,000 on the clock. 950. | 0:55:03 | 0:55:06 | |
-Nah, there's no margins in that one. -Thought that money was for a holiday? | 0:55:06 | 0:55:09 | |
Yeah, it is, Mum, but we're on a roll. | 0:55:09 | 0:55:11 | |
I mean, selling that Beemer to that punter, that was just the start. | 0:55:11 | 0:55:13 | |
You'd better get to work or you'll need it to live on. | 0:55:13 | 0:55:16 | |
-Says my skiving Mum? -PHONE BEEPS | 0:55:16 | 0:55:17 | |
Er, I have been working all morning, thank you very much. | 0:55:17 | 0:55:21 | |
I got a tonne of reports to do this afternoon as well. | 0:55:21 | 0:55:23 | |
I believe you. Thousands wouldn't but, you know. Come on, partner! | 0:55:23 | 0:55:26 | |
Yeah, I'll catch you up. | 0:55:26 | 0:55:28 | |
I'm bursting. | 0:55:29 | 0:55:30 | |
I've got cover at the cafe so I can help you out today and tomorrow. | 0:55:30 | 0:55:33 | |
You sure? | 0:55:33 | 0:55:35 | |
No way am I missing your big day. | 0:55:35 | 0:55:36 | |
I don't like doing this. | 0:56:16 | 0:56:18 | |
I can't just force her to open up to me. | 0:56:18 | 0:56:21 | |
That's not fair, Michael! | 0:56:21 | 0:56:23 | |
Yeah, I know. | 0:56:24 | 0:56:26 | |
No... | 0:56:26 | 0:56:28 | |
I have to go. | 0:56:28 | 0:56:29 | |
Ugh! Have you seen my phone? | 0:56:30 | 0:56:33 | |
Yeah. | 0:56:33 | 0:56:34 | |
Thank you. | 0:56:36 | 0:56:37 | |
-Are you going back to the office this afternoon? -I'm already here! | 0:56:37 | 0:56:40 | |
-Are you joining me? -It was you, wasn't it? | 0:56:47 | 0:56:51 | |
If I'm supposed to confess to something, | 0:56:52 | 0:56:54 | |
-I might need a bit more to go on. -I saw you with Jay. | 0:56:54 | 0:56:57 | |
Yeah, I was just asking if he knew of any work going. | 0:56:59 | 0:57:02 | |
-You bought their car. -Is that right? -Don't. Just don't. | 0:57:02 | 0:57:05 | |
Cos if there's one thing I do know about you, it's when you're lying. | 0:57:05 | 0:57:09 | |
I tell you, if I find out who told the paper all this rubbish... | 0:57:10 | 0:57:14 | |
Maybe they hacked your phone? | 0:57:14 | 0:57:16 | |
And that snake, slithering around. | 0:57:16 | 0:57:18 | |
You're lucky Bobby caught that, I tell you. | 0:57:18 | 0:57:20 | |
Mind you, saying that, it would've kept the mice away, wouldn't it? | 0:57:20 | 0:57:23 | |
-We don't have mice. -Excuse me, love. | 0:57:23 | 0:57:25 | |
-What? -This place - is it, is it all a brothel or just some of it? | 0:57:25 | 0:57:29 | |
I don't know, mate. You need to ask Madam Kim, over there. | 0:57:29 | 0:57:32 | |
Right, thanks. By the way, I don't blame you women. | 0:57:32 | 0:57:34 | |
I mean, like me, you're just doing a job, ain't you? | 0:57:34 | 0:57:36 | |
Do you want a smack in the mouth? | 0:57:36 | 0:57:38 | |
Not really my thing, sweetheart. Thanks for the offer though, yeah. | 0:57:38 | 0:57:44 | |
-Excuse me. -Yes? -Phil Douglas, East London Star. | 0:57:44 | 0:57:47 | |
Look, if you've come to spread your lies, yeah, | 0:57:47 | 0:57:49 | |
-you can just sling your hook. -No, we're not like the Walford Gazette. | 0:57:49 | 0:57:52 | |
We just want the truth. I was hoping to get your side of the story. | 0:57:52 | 0:57:55 | |
-There IS no story. -I disagree. | 0:57:55 | 0:57:58 | |
Local businesswoman, diversifying to support the community. | 0:57:58 | 0:58:01 | |
It's entrepreneurial spirit, that. | 0:58:01 | 0:58:03 | |
Half an hour of your time. Put the record straight. | 0:58:03 | 0:58:06 | |
Let people know the truth. | 0:58:06 | 0:58:08 | |
-Does Dexter know? -Trust me, If he knew, we'd know about it. | 0:58:10 | 0:58:14 | |
What are you playing at? | 0:58:14 | 0:58:16 | |
The last thing that boy needs is you sneaking around, | 0:58:16 | 0:58:18 | |
-trying to buy your way back into his life. -That's not why I did it. | 0:58:18 | 0:58:21 | |
No, course not, cos you really needed a car. Oh, give me a break. | 0:58:21 | 0:58:25 | |
I was just trying to do something right. | 0:58:25 | 0:58:29 | |
Well, you left it a bit late for that, didn't you? | 0:58:30 | 0:58:33 | |
Don't you think I know I've got a lot of years to make up? | 0:58:35 | 0:58:38 | |
I just thought this was a way to make a start. | 0:58:38 | 0:58:41 | |
-By buying him? -Oh, come on! | 0:58:41 | 0:58:44 | |
If I wanted to buy him, why wouldn't I just walk in there, | 0:58:44 | 0:58:47 | |
waving the cash, "Daddy's here," huh? | 0:58:47 | 0:58:49 | |
I waited to make sure he wasn't about. | 0:58:49 | 0:58:52 | |
I dealt only with Jay. | 0:58:52 | 0:58:54 | |
-You went behind his back. -Exactly! | 0:58:54 | 0:58:56 | |
Because I don't want him to know it was me. That's the whole point. | 0:58:56 | 0:58:59 | |
All I wanted was to give him a boost, | 0:59:01 | 0:59:05 | |
support what he was trying to do and do it without him knowing. | 0:59:05 | 0:59:08 | |
Yeah? Because lying to him, | 0:59:08 | 0:59:10 | |
that's really worked a treat so far, hasn't it? | 0:59:10 | 0:59:13 | |
I know he's angry and maybe I acted without thinking it through | 0:59:17 | 0:59:21 | |
but it was meant to be a step in the right direction. | 0:59:21 | 0:59:25 | |
What do you think he's going to do when he finds out? | 0:59:25 | 0:59:27 | |
He doesn't have to. | 0:59:27 | 0:59:29 | |
I'm going to sell the car straight on. | 0:59:30 | 0:59:32 | |
Jay won't tell him, I certainly won't...and that only leaves you. | 0:59:32 | 0:59:37 | |
If he finds out it's me, he'll kick off. Nothing changes. | 0:59:39 | 0:59:43 | |
If we leave things as they are, he'll feel good about himself | 0:59:43 | 0:59:47 | |
and have a few quid in his pocket. | 0:59:47 | 0:59:49 | |
And you get to hang back in the shadows, playing Mr Bountiful? | 0:59:49 | 0:59:53 | |
If the boy feels good... | 0:59:53 | 0:59:54 | |
..then yeah... | 0:59:55 | 0:59:58 | |
maybe, yeah, at some point, the door might be a bit ajar for me. | 0:59:58 | 1:00:03 | |
Is that a bad thing? | 1:00:03 | 1:00:06 | |
But I swear it's not about some big gesture. | 1:00:06 | 1:00:08 | |
Please, let me just have this. A chance to do something right. | 1:00:10 | 1:00:14 | |
He doesn't need to know. | 1:00:16 | 1:00:18 | |
Oh, look at that! Look at the logo. | 1:00:26 | 1:00:28 | |
"Ian Beale@ Le Square." | 1:00:29 | 1:00:32 | |
They look fantastic. | 1:00:32 | 1:00:34 | |
Yeah. Yeah, nearly there. | 1:00:34 | 1:00:35 | |
Lucy, I couldn't have done this without you. Thank you. | 1:00:37 | 1:00:41 | |
What are you doing? | 1:00:47 | 1:00:48 | |
-Scarlett is just waking so I'm making a picnic. -On the floor? | 1:00:48 | 1:00:51 | |
Yeah. You seemed too busy to get away and Scarlett loves a picnic. | 1:00:51 | 1:00:55 | |
I know what my daughter likes. | 1:00:55 | 1:00:56 | |
So, I've got hummus, pitta bread, taramasalata... | 1:00:58 | 1:01:04 | |
and, of course, no picnic would be complete | 1:01:04 | 1:01:07 | |
without a selection of maize-based snacks | 1:01:07 | 1:01:09 | |
with extra additives and colourings. | 1:01:09 | 1:01:10 | |
THEY LAUGH | 1:01:10 | 1:01:13 | |
Ooh, Kim is going to love you for putting that out. | 1:01:16 | 1:01:18 | |
How about we write one of our own? | 1:01:18 | 1:01:20 | |
"Vicars and Tarts" - what do you think? | 1:01:20 | 1:01:22 | |
I just wish I could get my hands on the toe rags that gave it to them. | 1:01:22 | 1:01:25 | |
I mean, WHO would sell 'em a story like that? | 1:01:25 | 1:01:27 | |
Yeah, would you Adam and Eve it? | 1:01:27 | 1:01:30 | |
So you're saying, this Jenna Reagan, she basically hoodwinked you all? PHONE RINGING | 1:01:33 | 1:01:37 | |
Totally. Kim's Palace is a well-respected establishment. | 1:01:37 | 1:01:41 | |
Listen, our residents are working professionals, local people. | 1:01:41 | 1:01:45 | |
-And you're very much community focused, yep? -Well, personally, yeah. | 1:01:45 | 1:01:49 | |
Listen, I've always believed | 1:01:49 | 1:01:51 | |
that the community is the corner brick of any business. | 1:01:51 | 1:01:55 | |
I think you would be hard pressed to find anybody out there | 1:01:55 | 1:01:57 | |
that didn't say that Kim's Palace was an asset to the area. | 1:01:57 | 1:02:01 | |
"The serpent beguiled me and I did eat." | 1:02:02 | 1:02:04 | |
What? | 1:02:05 | 1:02:06 | |
Genesis, chapter three, verse 13 - Temptation. | 1:02:06 | 1:02:10 | |
The devil comes as a serpent. | 1:02:10 | 1:02:12 | |
I thought you run an honest house, Kim. | 1:02:12 | 1:02:15 | |
Dot, the only serpent was that Jenna and I kicked her out. | 1:02:15 | 1:02:18 | |
This has nothing to do with me. | 1:02:18 | 1:02:20 | |
She was paying you rent from her ill-gotten gains. | 1:02:20 | 1:02:22 | |
Yeah, but I didn't know that. | 1:02:22 | 1:02:24 | |
Yeah, and now look - named and shamed, ME and the Vicar. | 1:02:24 | 1:02:27 | |
Oh! What must he think of me? | 1:02:27 | 1:02:29 | |
And my chances of being a church warden gone down the drain. | 1:02:29 | 1:02:34 | |
-Finished. All cos of you. -No... | 1:02:34 | 1:02:36 | |
Sorry, you were hoping to become a church warden? | 1:02:36 | 1:02:38 | |
Yes, it's a very responsible post. | 1:02:38 | 1:02:40 | |
You know, you liaise with the Bishop, | 1:02:40 | 1:02:41 | |
you oversee the running of the church and now this! | 1:02:41 | 1:02:45 | |
I shall never dare show my face at that church again. | 1:02:45 | 1:02:48 | |
Listen, listen, this church warden...thing. | 1:02:48 | 1:02:52 | |
It's going to be all right. He's from the East London Star. | 1:02:52 | 1:02:55 | |
He's going to put everything straight. | 1:02:55 | 1:02:57 | |
Phil Douglas. | 1:02:57 | 1:02:58 | |
You're going to tell everybody the truth, innit? | 1:02:58 | 1:03:00 | |
-Yeah, of course. -See, it's all sorted. | 1:03:00 | 1:03:04 | |
-Look what I found at home. -You didn't have to bring it down. | 1:03:11 | 1:03:14 | |
-Yeah, well, I know how lost you are without it. -Thanks, Mum. | 1:03:14 | 1:03:17 | |
-It's not been picked up yet? -No, Jay's sorting that all out. | 1:03:17 | 1:03:21 | |
-So, who was the buyer? -I ain't got a clue. -Jay didn't say? | 1:03:21 | 1:03:24 | |
Some bloke who knew a good deal when he saw one, he said. | 1:03:24 | 1:03:26 | |
But it doesn't even matter because we've got the money up front. | 1:03:26 | 1:03:29 | |
Fair enough. | 1:03:29 | 1:03:30 | |
Why are you so interested? | 1:03:30 | 1:03:32 | |
I'm not. | 1:03:32 | 1:03:34 | |
Anyway, I better get back. Reports won't write themselves. | 1:03:34 | 1:03:37 | |
Ready...? Smiles! | 1:03:43 | 1:03:45 | |
Ah! One more. | 1:03:47 | 1:03:49 | |
Ah, you look so happy. | 1:03:49 | 1:03:51 | |
Let's have a look. | 1:03:51 | 1:03:52 | |
You should make that your cover photo. | 1:03:52 | 1:03:55 | |
You know, I never had many pictures with my mum. | 1:03:55 | 1:03:57 | |
I want to make sure that you... | 1:03:57 | 1:04:01 | |
have got lots of lovely memories, don't I? | 1:04:01 | 1:04:04 | |
Yes, I do. | 1:04:04 | 1:04:05 | |
He was putty in my hands. | 1:04:08 | 1:04:10 | |
Kim has saved the day yet again. | 1:04:10 | 1:04:13 | |
-Is that right? -When this evening's edition comes out, | 1:04:13 | 1:04:16 | |
the whole of Walford will know that Kimberly Fox | 1:04:16 | 1:04:19 | |
-is a great pillow of this community. -PHONE RINGING | 1:04:19 | 1:04:22 | |
-Why are you not answering the phone? -Maybe you should. | 1:04:24 | 1:04:28 | |
I heard it was ringing all morning. Lots of bookings, yeah? | 1:04:28 | 1:04:32 | |
Kim's Palace, rest your bones in comfort, how can I help you? | 1:04:32 | 1:04:36 | |
Oh, I hope you don't kiss your mum with that mouth! That's disgusting. | 1:04:39 | 1:04:43 | |
-Yes, well, all the calls have been like that. -Really?! | 1:04:43 | 1:04:46 | |
Every seedy loser in Walford must have read that article. | 1:04:46 | 1:04:49 | |
But it'll blow over though, won't it? | 1:04:49 | 1:04:51 | |
We've already had a couple leave. | 1:04:51 | 1:04:54 | |
What with these and that stuff in the newspaper. | 1:04:54 | 1:04:57 | |
I tell you something, if this escalates | 1:04:57 | 1:04:59 | |
it could really damage the business, you know. | 1:04:59 | 1:05:01 | |
PHONE RINGING | 1:05:01 | 1:05:03 | |
-Are you serious? -They look fine. -I can hardly walk in it, Ian. | 1:05:05 | 1:05:08 | |
-It's too late to change anything now. -Look, if I drop anything, | 1:05:08 | 1:05:11 | |
I ain't going to be able to bend over and pick it up. | 1:05:11 | 1:05:13 | |
Will you stop fussing, OK? | 1:05:13 | 1:05:15 | |
Now, we need to keep them clean. Go and get changed. | 1:05:15 | 1:05:17 | |
-What should I do with Lauren's? -Lauren's? | 1:05:17 | 1:05:20 | |
Yeah, Lauren's. | 1:05:21 | 1:05:22 | |
Just hang it up out the back. She can try it on another day. | 1:05:22 | 1:05:25 | |
-Come on, in the kitchen. -Look, I've got to get back to Booty. | 1:05:25 | 1:05:27 | |
-It won't take long. Come on, move it. -Dad, you've got Lauren working here? | 1:05:27 | 1:05:31 | |
Er, yeah, I was going to tell you. | 1:05:31 | 1:05:33 | |
-You really want her around? She'll mess things up, she always does. -She's going to work for free, OK? | 1:05:33 | 1:05:37 | |
It's going to be a trial period. She's really making an effort. | 1:05:37 | 1:05:42 | |
And I know how hard it is to try and turn things around | 1:05:42 | 1:05:44 | |
when everyone's already made up their mind about you. | 1:05:44 | 1:05:47 | |
She deserves a last chance, OK? | 1:05:47 | 1:05:49 | |
We could open a joint account. | 1:05:52 | 1:05:54 | |
Yeah, then we can just have a big gay wedding, innit? | 1:05:54 | 1:05:56 | |
I don't want to leave this type of money lying about. | 1:05:56 | 1:05:59 | |
There won't be much of it left after we pay for the holiday, will there? | 1:05:59 | 1:06:02 | |
Who was the buyer anyway? | 1:06:02 | 1:06:03 | |
-Oh, just some bloke. -You must have a name, though, for the reg docs? | 1:06:04 | 1:06:08 | |
Well, he filled all that in. | 1:06:08 | 1:06:10 | |
Have you still got our part to send off though, yeah? | 1:06:10 | 1:06:13 | |
-Well, yeah, they're here somewhere. -So when's he coming to collect it? | 1:06:13 | 1:06:16 | |
I don't know. | 1:06:16 | 1:06:17 | |
Look, did my mum buy the car, bruv? | 1:06:17 | 1:06:19 | |
-No. -Are you sure she didn't, bruv? Cos she came round here earlier on and she was sniffing about. | 1:06:21 | 1:06:25 | |
Listen, your mum did not buy that car, all right? | 1:06:25 | 1:06:27 | |
I'm telling you, if she did and the only muppet to buy our work is my mum, | 1:06:27 | 1:06:30 | |
-then you and me might as well get "Loser" tattooed on our foreheads, yeah? -Yeah, all right. | 1:06:30 | 1:06:34 | |
Whoa, whoa, where you going, we got this cambelt to replace first. | 1:06:37 | 1:06:40 | |
-Yeah, all right, I won't be long. -Oi, Jay! | 1:06:40 | 1:06:42 | |
Look what I just found. | 1:06:46 | 1:06:47 | |
-Ah. -That was me and my mum. | 1:06:50 | 1:06:52 | |
-You look just like Scarlett. -Not quite as pretty as her. | 1:06:52 | 1:06:56 | |
Do you know, I might not be the best mum in the world | 1:06:56 | 1:07:00 | |
but there is one thing that I know... | 1:07:00 | 1:07:02 | |
..I will never, EVER leave that little girl again. | 1:07:04 | 1:07:08 | |
Whitney. Cod? | 1:07:17 | 1:07:19 | |
Roasted cod... | 1:07:21 | 1:07:23 | |
No, line-caught cod, cooked with fennel, red onion and tomatoes. | 1:07:24 | 1:07:31 | |
-Balsamic. -Balsamic tomatoes. | 1:07:31 | 1:07:33 | |
Well done. | 1:07:33 | 1:07:35 | |
Lauren...chicken? | 1:07:35 | 1:07:37 | |
-Chicken... -Chicken saute... | 1:07:37 | 1:07:40 | |
-How can cod be roasted? -What? | 1:07:40 | 1:07:42 | |
Well, you fry it and grill it. How's it roasted? | 1:07:42 | 1:07:46 | |
In the oven. | 1:07:46 | 1:07:47 | |
-Lauren? -Chicken saute. That's with white wine.... | 1:07:49 | 1:07:54 | |
So it's baked. It's baked cod? | 1:07:54 | 1:07:56 | |
-No, it's roasted. -Don't you roast meat? Not fish. | 1:07:56 | 1:08:00 | |
It's roasted, OK? That's what it is. | 1:08:00 | 1:08:01 | |
That's what it says on the menu. It's ROASTED cod. | 1:08:01 | 1:08:05 | |
Lauren. | 1:08:05 | 1:08:06 | |
White wine, shallots and tarragon? | 1:08:06 | 1:08:10 | |
Well done. Right, Poppy. | 1:08:12 | 1:08:15 | |
The scallops. | 1:08:15 | 1:08:17 | |
Rosemary seared scallops with radicchio, pancetta | 1:08:17 | 1:08:19 | |
-and toasted hazelnuts. -Very good! | 1:08:19 | 1:08:21 | |
She has got a point about the cod, though. | 1:08:23 | 1:08:25 | |
Are you serious? | 1:08:30 | 1:08:31 | |
It's all right, love. I've got this. Thanks. Cheers. | 1:08:32 | 1:08:35 | |
Logo, on the napkins? | 1:08:37 | 1:08:39 | |
-Yeah. They look great, don't they? -They're for picking up gravy. | 1:08:39 | 1:08:42 | |
It's not gravy, it's jus. It's all about making an impact. | 1:08:42 | 1:08:46 | |
The first impressions. | 1:08:46 | 1:08:48 | |
Janine obviously has more money than sense. | 1:08:48 | 1:08:50 | |
Yeah, it's all covered, it's all covered. | 1:08:50 | 1:08:52 | |
That shelf - sorted. | 1:08:52 | 1:08:54 | |
-Fantastic! -I'll put everything together on one bill, yeah? | 1:08:54 | 1:08:57 | |
Yeah, yeah, thanks. | 1:08:57 | 1:08:59 | |
Erm, could you run through some service drills with Jean | 1:08:59 | 1:09:02 | |
and the girls in the kitchen? | 1:09:02 | 1:09:04 | |
Right, mate. Cheque OK, yeah? | 1:09:08 | 1:09:11 | |
'Can you settle Scarlett down? I need to get some invoices done.' | 1:09:26 | 1:09:29 | |
-Yeah, course. -PHONE RINGING | 1:09:29 | 1:09:31 | |
'I think she's got more lunch round her face than what she's eaten!' | 1:09:31 | 1:09:34 | |
'Hey, I've enjoyed today. | 1:09:36 | 1:09:39 | |
'If the weather's nice, maybe we should go to the park tomorrow?' | 1:09:39 | 1:09:42 | |
Do you want a coffee before I sort Scarlett out? | 1:09:50 | 1:09:53 | |
Yeah. Yeah, why not? | 1:09:56 | 1:10:00 | |
OK. | 1:10:02 | 1:10:03 | |
Are you going to need me tomorrow night? | 1:10:36 | 1:10:38 | |
Are you going to that restaurant opening? | 1:10:38 | 1:10:40 | |
Have you got something you need to tell me? | 1:10:43 | 1:10:47 | |
About what? | 1:10:47 | 1:10:48 | |
Cos the thing is, I'm not even that cross... | 1:10:51 | 1:10:54 | |
..I'm just disappointed. | 1:10:56 | 1:10:57 | |
I'm really disappointed that I've put all my trust into you, Alice, | 1:10:58 | 1:11:02 | |
and it means that LITTLE that you would steal from me. | 1:11:02 | 1:11:05 | |
Jay! | 1:11:11 | 1:11:12 | |
-I can't find them registration docs, man. -I just posted them, that's why. | 1:11:14 | 1:11:17 | |
-What?! -I've sent 'em off. -You said you didn't know where they was. -I found them. They was in my jacket. | 1:11:17 | 1:11:21 | |
-We'd better book this holiday, if we're going to go. -Tell me what the name was on it. | 1:11:21 | 1:11:24 | |
-I don't know. Some bloke. -Jay, man, just tell me. -What does it matter? We're going on holiday. | 1:11:24 | 1:11:29 | |
If you'd just asked me, Alice, then you could have had the damn things. | 1:11:32 | 1:11:36 | |
I mean, I don't even wear them anyway. | 1:11:36 | 1:11:37 | |
-But why? WHY would you do that? -I'm sorry. | 1:11:37 | 1:11:41 | |
Is it the first time or have you been nicking from me all along? | 1:11:41 | 1:11:45 | |
-No. -How do I know that? -I haven't. I promise. | 1:11:45 | 1:11:47 | |
You're in my house, looking after my baby | 1:11:47 | 1:11:51 | |
-and you're just a thief. -I'm not a thief. | 1:11:51 | 1:11:55 | |
-I'm going to have to call the police. -No, please, don't do that! | 1:11:55 | 1:11:58 | |
You've blown it, Alice. You've really blown it. | 1:11:58 | 1:12:00 | |
I didn't mean to take them. I've just been so stressed. | 1:12:00 | 1:12:04 | |
-About what? -Everything. | 1:12:04 | 1:12:06 | |
-What, working with me, or...? -No... | 1:12:06 | 1:12:09 | |
Yeah, sort of... | 1:12:09 | 1:12:11 | |
I thought you adored Scarlett?! | 1:12:11 | 1:12:13 | |
I do. I do. | 1:12:13 | 1:12:15 | |
Well, then what? | 1:12:15 | 1:12:16 | |
I mean, come on, what is making you so stressed | 1:12:16 | 1:12:18 | |
that you have to steal from me? | 1:12:18 | 1:12:20 | |
I've been... I've been taking her to see Michael. | 1:12:22 | 1:12:25 | |
'Hello, Mrs Branning, it's Reverend Stevens here. | 1:12:42 | 1:12:46 | |
'I've seen the paper and I, erm... | 1:12:46 | 1:12:49 | |
'Look, could you call me back? We should talk. | 1:12:49 | 1:12:53 | |
'Thanks.' | 1:12:53 | 1:12:55 | |
I've been feeling SO bad about lying. | 1:13:09 | 1:13:11 | |
And when... When was this? | 1:13:14 | 1:13:17 | |
Loads of times. | 1:13:18 | 1:13:19 | |
So you've been going behind my back? | 1:13:22 | 1:13:24 | |
I'm so sorry. | 1:13:24 | 1:13:27 | |
Just, Michael asked me once and then again... | 1:13:27 | 1:13:30 | |
He loves her so much, he just wanted to see her. | 1:13:30 | 1:13:33 | |
-And I thought you and me were going to be friends. -We ARE friends. | 1:13:33 | 1:13:36 | |
No. No, no, no, no. You work for me. | 1:13:36 | 1:13:39 | |
I entrust you with my daughter. | 1:13:39 | 1:13:41 | |
Entrust - can you hear that little word that's in there? TRUST. | 1:13:41 | 1:13:45 | |
Please... | 1:13:46 | 1:13:47 | |
I've been under so much pressure. Janine, I'm sorry... | 1:13:49 | 1:13:53 | |
I don't know why I'm even surprised. | 1:13:53 | 1:13:55 | |
I mean, you have been playing me all along. You and Michael? | 1:13:55 | 1:13:59 | |
-It's not like that. -At least now we all know, eh? | 1:13:59 | 1:14:02 | |
Janine, please, don't stop Michael from seeing her. | 1:14:04 | 1:14:08 | |
He is such a good dad. | 1:14:08 | 1:14:10 | |
Don't make Scarlett suffer because I've been stupid. | 1:14:11 | 1:14:15 | |
-She needs both of her parents. -Ugh. | 1:14:15 | 1:14:18 | |
Please... | 1:14:19 | 1:14:20 | |
You stay here. DON'T go anywhere. Stay here with Scarlett. | 1:14:23 | 1:14:28 | |
-What are you going to do? -I really don't know. | 1:14:28 | 1:14:31 | |
Look, why didn't you tell me, Mum? You should have told me. | 1:14:37 | 1:14:39 | |
-What? -About the car. Don't play me. I already know. | 1:14:39 | 1:14:42 | |
Jay's been giving me the run-around all day. "I don't know, some bloke." | 1:14:42 | 1:14:45 | |
-I wanted to tell you. -I just caught him sending off the documents. | 1:14:45 | 1:14:48 | |
It's not exactly Jay's fault, is it? | 1:14:48 | 1:14:50 | |
What I'm saying, that was a very good car. | 1:14:50 | 1:14:52 | |
Do you understand? I didn't need no bailing out. | 1:14:52 | 1:14:54 | |
I know. That is what I told your dad. | 1:14:54 | 1:14:56 | |
My dad? | 1:14:58 | 1:14:59 | |
Yeah...your dad bought the car. | 1:15:01 | 1:15:04 | |
You still waiting on deliveries? | 1:15:08 | 1:15:10 | |
Yeah, just the fresh stuff. Butchers this afternoon. | 1:15:10 | 1:15:13 | |
I've got to go pick the fish up and, well, fruit and veg is all sorted. | 1:15:13 | 1:15:16 | |
And that's all to be paid for? You can't have got credit. | 1:15:16 | 1:15:20 | |
Look, Lucy, once we've opened, everyone's going to be buzzing about this place, | 1:15:20 | 1:15:23 | |
we're going to have punters flowing in | 1:15:23 | 1:15:25 | |
and with that investor coming, right, if I can get him onboard, then everything changes. | 1:15:25 | 1:15:29 | |
No more cap in hand to anyone. | 1:15:29 | 1:15:30 | |
Yeah, but that's all "ifs". You're still spending. | 1:15:30 | 1:15:32 | |
Yeah, but we knew there'd be start-up costs. | 1:15:32 | 1:15:34 | |
Yeah, but you're not holding back - the menus, the napkins, the linen. | 1:15:34 | 1:15:38 | |
Lucy, this isn't the cafe, is it, OK? | 1:15:38 | 1:15:41 | |
It HAS to make its mark, | 1:15:41 | 1:15:42 | |
-otherwise it's just another run-of-the-mill place. -Yes, I get that. | 1:15:42 | 1:15:45 | |
I just don't get how you're doing this all on Janine's investment. | 1:15:45 | 1:15:49 | |
Dad? Where's the money coming from? | 1:15:51 | 1:15:55 | |
Right, I'm off. | 1:15:55 | 1:15:57 | |
-See you tomorrow for the big day, boss. -Be early! | 1:15:57 | 1:16:00 | |
He didn't want you to know! He was just trying to do something right. | 1:16:05 | 1:16:08 | |
-So you all set this up behind my back, yeah, Mum? -No! | 1:16:08 | 1:16:10 | |
No, I didn't know about it till today. | 1:16:10 | 1:16:12 | |
Where are you going? | 1:16:12 | 1:16:13 | |
-He shouldn't have done it, he was stupidly try... -Mum, get out my WAY! | 1:16:13 | 1:16:17 | |
Please, babe, just leave it. | 1:16:17 | 1:16:19 | |
It was a mistake. | 1:16:19 | 1:16:20 | |
I'm guessing it was Derek Branning's. | 1:16:35 | 1:16:37 | |
There was a few bits and pieces in there but there was a brown envelope. | 1:16:37 | 1:16:42 | |
It was stuffed full of cash and I mean FULL. | 1:16:42 | 1:16:46 | |
I mean, it was like he was hoarding it and never got back for it. | 1:16:46 | 1:16:49 | |
I was going to say something but it was like it was meant to be. | 1:16:49 | 1:16:53 | |
It was just there. You're not cross with me, are you? | 1:16:53 | 1:16:57 | |
-I know I should have said something. -How much? | 1:16:57 | 1:17:00 | |
-Ten grand. -Ten? | 1:17:00 | 1:17:02 | |
Yeah. I wanted to say something... | 1:17:02 | 1:17:05 | |
What about Joey and Alice? It's their dad's cash. | 1:17:05 | 1:17:07 | |
What about us? | 1:17:07 | 1:17:08 | |
What about all the things he did to you whilst I wasn't here? | 1:17:10 | 1:17:14 | |
Lucy, think about it, OK? It was meant to be. | 1:17:15 | 1:17:19 | |
-It was like payback. -Payback? | 1:17:19 | 1:17:22 | |
Yeah, payback. | 1:17:22 | 1:17:23 | |
Are you angry with me? | 1:17:28 | 1:17:29 | |
No, no, you did the right thing. | 1:17:32 | 1:17:35 | |
-I'm glad you know. It's been worrying me. -So all the cash is gone now? | 1:17:38 | 1:17:42 | |
Yeah. | 1:17:42 | 1:17:44 | |
-So how are you covering the bills? -Hopefully with the profits. | 1:17:45 | 1:17:49 | |
-Well, until then, until you get turnover? -Janine... | 1:17:49 | 1:17:52 | |
Janine's put some more money in. | 1:17:52 | 1:17:54 | |
-Janine? -Knows a good investment when she sees one. | 1:17:54 | 1:17:57 | |
How much? | 1:17:57 | 1:17:58 | |
Enough that this is going to be the best opening of a restaurant | 1:17:58 | 1:18:01 | |
Walford has ever seen, OK? | 1:18:01 | 1:18:04 | |
If I get Lister's investor bloke onboard, right, | 1:18:04 | 1:18:07 | |
I can use his money to buy Janine out | 1:18:07 | 1:18:09 | |
and then he'll help take us to the top. | 1:18:09 | 1:18:11 | |
Ian Beale @ Le Square, critics' choice. | 1:18:11 | 1:18:15 | |
Come on, look lively. We'll have punters coming through that door tomorrow | 1:18:15 | 1:18:18 | |
and we haven't got any linen on the tables or anything. | 1:18:18 | 1:18:20 | |
Is that the East London Star? | 1:18:36 | 1:18:38 | |
I've had Patrick on the phone. He's taken loads of calls. | 1:18:38 | 1:18:42 | |
-How many of those have you given out? -Lots. | 1:18:42 | 1:18:45 | |
And how many did you get back? | 1:18:45 | 1:18:47 | |
Is that it? | 1:18:48 | 1:18:49 | |
Oh great, heavy breathers on the phone for a month, then. | 1:18:50 | 1:18:53 | |
We're going to have to change the number. | 1:18:53 | 1:18:55 | |
You did the right thing telling me about Michael seeing Scarlett. | 1:19:07 | 1:19:12 | |
I only wanted what was best. I've been so stuck in the middle. | 1:19:12 | 1:19:15 | |
You should never have stolen from me | 1:19:15 | 1:19:17 | |
and it's going to take a really long time to trust you again. | 1:19:17 | 1:19:19 | |
Yeah, and I promise you, I'm going to make it up to you. | 1:19:19 | 1:19:23 | |
I AM also aware that you were in a difficult position... | 1:19:23 | 1:19:28 | |
..and what you said about...him deserving to see Scarlett, | 1:19:29 | 1:19:35 | |
and Scarlett needing both parents. | 1:19:35 | 1:19:37 | |
Well, you were right. | 1:19:37 | 1:19:38 | |
Really? So is it all OK? | 1:19:39 | 1:19:42 | |
Just don't, whatever you do, tell Michael what you told me, | 1:19:43 | 1:19:48 | |
because he will be ABSOLUTELY furious with you. | 1:19:48 | 1:19:50 | |
Just tell him that we'll see him tomorrow, | 1:19:52 | 1:19:55 | |
at the opening of the restaurant. | 1:19:55 | 1:19:58 | |
OK. | 1:19:58 | 1:19:59 | |
Dexter?! | 1:20:46 | 1:20:47 | |
Yeah, looking good. It'll come off nice and easily, won't it? Not going to snag or nothing? | 1:21:08 | 1:21:12 | |
I've got someone important coming to do this. | 1:21:12 | 1:21:15 | |
I now declare Ian Beale @ Le Square open. | 1:21:15 | 1:21:18 | |
Sorry. You get the idea, don't you? | 1:21:20 | 1:21:23 | |
-I've kept them all busy, Dad. -Good lad. Did you get the black pepper? | 1:21:28 | 1:21:31 | |
-Yeah, the receipt's by the till. -Steak knives? -Sorted. -Jean? -Flat out in the kitchen. | 1:21:31 | 1:21:35 | |
Right, come on people, let's keep busy. | 1:21:35 | 1:21:37 | |
So, what do you think? | 1:21:37 | 1:21:39 | |
-Looks good. -Is there anything else you need doing? | 1:21:39 | 1:21:42 | |
If there was, I think it's too late now, don't you? | 1:21:42 | 1:21:45 | |
Right in two hours we're going to have punters coming through the doors. | 1:21:45 | 1:21:48 | |
Let's make sure we're ready, OK? Come on, keep busy. | 1:21:48 | 1:21:50 | |
And you, this is your fault, you and your marker pen. | 1:21:50 | 1:21:52 | |
Toilet. | 1:21:52 | 1:21:54 | |
-Your dad's here. -You all right? | 1:22:05 | 1:22:07 | |
Well, I just wanted to pass by and wish you luck. | 1:22:07 | 1:22:10 | |
It's a waitress job, Dad. | 1:22:10 | 1:22:13 | |
Yeah well, you just do your best, don't you? | 1:22:13 | 1:22:15 | |
That's all anyone can ever ask of you. | 1:22:15 | 1:22:17 | |
I better not get sacked for being late, then. | 1:22:17 | 1:22:19 | |
Right, I'll see you down there later, yeah? | 1:22:19 | 1:22:21 | |
-What, you're coming? -Yeah. | 1:22:21 | 1:22:24 | |
With Kirsty? | 1:22:24 | 1:22:25 | |
No, no, she's got to work. | 1:22:25 | 1:22:27 | |
Why? Are you going? | 1:22:27 | 1:22:29 | |
Yeah, that was the plan. | 1:22:29 | 1:22:31 | |
We're really proud of you, you know. Aren't we? | 1:22:34 | 1:22:37 | |
Yeah. | 1:22:37 | 1:22:38 | |
End of the day, no-one can sort my life out except for me. | 1:22:38 | 1:22:42 | |
See you later. | 1:22:43 | 1:22:44 | |
See you later. | 1:22:44 | 1:22:45 | |
See you. | 1:22:45 | 1:22:47 | |
And she's definitely taking Scarlett, you say? | 1:22:51 | 1:22:53 | |
Yes, and she wants me to go with her as well. | 1:22:53 | 1:22:56 | |
-Why the change of heart? -I don't know. | 1:22:58 | 1:23:00 | |
She must have realised that she hasn't been fair to Scarlett. | 1:23:00 | 1:23:03 | |
It's what you wanted. | 1:23:03 | 1:23:05 | |
She just wants to make a go of things. | 1:23:06 | 1:23:09 | |
Why now, though? | 1:23:09 | 1:23:10 | |
Does it really matter why? She wants you there, | 1:23:11 | 1:23:14 | |
with her and Scarlett. That is what matters. | 1:23:14 | 1:23:18 | |
Balloons, branded napkins. You're really going for it. | 1:23:25 | 1:23:28 | |
It's a Beale opening, OK? No half measures. | 1:23:28 | 1:23:31 | |
Jean says lemons - segments or slices with the salmon? | 1:23:31 | 1:23:33 | |
Segments. | 1:23:33 | 1:23:35 | |
-Segments. -Thanks! > | 1:23:35 | 1:23:37 | |
I've got some mail here and a card. | 1:23:37 | 1:23:39 | |
Thanks. | 1:23:39 | 1:23:40 | |
Oh, must have picked this up by mistake. | 1:23:41 | 1:23:44 | |
-Where's Lauren - not turned up yet? -I told her to come in later. | 1:23:44 | 1:23:47 | |
Well she'd better be on time. | 1:23:49 | 1:23:51 | |
I'll take my chances. | 1:23:51 | 1:23:52 | |
Can you do me a favour? Can you help Denise with the champagne as people are arriving? Thanks, love. | 1:23:52 | 1:23:57 | |
Listen up, everyone, we've got 75 minutes | 1:23:57 | 1:23:59 | |
until the punters are coming through the doors, OK. | 1:23:59 | 1:24:01 | |
Clock's ticking. We can do this, all right? | 1:24:01 | 1:24:03 | |
What are you doing? | 1:24:15 | 1:24:16 | |
Behaving like a thug? I brought you up better than that. | 1:24:16 | 1:24:20 | |
Look, we know he is behaving like a complete idiot | 1:24:20 | 1:24:23 | |
but you are not a kid any more, having a big old tantrum over a car. | 1:24:23 | 1:24:26 | |
It's got nothing to do with the car. | 1:24:26 | 1:24:28 | |
-Look at you. You couldn't run back to him fast enough, could you? -What? | 1:24:28 | 1:24:31 | |
-Was it a coincidence you turned up at the same time? -I went to him cos I was worried about what you'd do. | 1:24:31 | 1:24:35 | |
Oh, whatever. It's not about you and him lying to me, is it? No. | 1:24:35 | 1:24:38 | |
I knew you were going to get upset, OK? I was trying to protect you. | 1:24:38 | 1:24:41 | |
Who you trying to convince? I don't give a monkey's about him. | 1:24:41 | 1:24:44 | |
Do you want to know why I'm angry? Do you want to know? It's you. | 1:24:44 | 1:24:46 | |
You're letting him get back in your head. | 1:24:46 | 1:24:49 | |
At least the door still works. | 1:24:58 | 1:24:59 | |
He really went for it, didn't he? | 1:25:04 | 1:25:05 | |
I don't know what I'll be able to do with the bodywork. | 1:25:07 | 1:25:10 | |
But we can sort something out about the money. | 1:25:10 | 1:25:12 | |
Yeah, we will. | 1:25:12 | 1:25:13 | |
I want it back, | 1:25:13 | 1:25:15 | |
all of it. | 1:25:15 | 1:25:17 | |
We were supposed to be going on holiday with that money. | 1:25:17 | 1:25:20 | |
That's not my problem. | 1:25:20 | 1:25:22 | |
I won't count it. | 1:25:36 | 1:25:37 | |
I said segments. | 1:25:42 | 1:25:44 | |
I've done segments. | 1:25:44 | 1:25:45 | |
No, they're wedges. | 1:25:45 | 1:25:46 | |
Right, fine, fine, I'll cut them all again then. | 1:25:46 | 1:25:49 | |
You don't need to cut them all again. Just cut them thinner like this. See? | 1:25:49 | 1:25:52 | |
Maximise your profit. | 1:25:52 | 1:25:54 | |
By cutting thinner lemons? | 1:25:54 | 1:25:56 | |
How do you think all these TV chefs make their millions? | 1:25:56 | 1:25:58 | |
Oh, and you should get them terrines in the fridge before they go off, yeah? | 1:25:58 | 1:26:02 | |
I was just about to do that. | 1:26:02 | 1:26:03 | |
I'LL go off in a minute. | 1:26:05 | 1:26:06 | |
-Ice cream. -Done. | 1:26:07 | 1:26:09 | |
Smart chic or smart chic? | 1:26:13 | 1:26:16 | |
Smart chic. | 1:26:16 | 1:26:17 | |
So, is Michael still coming tonight? | 1:26:18 | 1:26:20 | |
Yeah, he's really looking forward to it - said he can't wait to see Scarlett. | 1:26:20 | 1:26:24 | |
Oh, good. No, it should be fun. | 1:26:24 | 1:26:26 | |
I thought you could wear it for the restaurant opening. | 1:26:32 | 1:26:35 | |
Right. Yeah, thanks. | 1:26:35 | 1:26:36 | |
Well, the girl in the shop... | 1:26:36 | 1:26:38 | |
I mean, I don't know what you'd like but... | 1:26:38 | 1:26:40 | |
I hope I got it right. | 1:26:40 | 1:26:42 | |
That's really nice. Isn't it, Mum? | 1:26:42 | 1:26:44 | |
Yeah, it is. Thanks. | 1:26:44 | 1:26:46 | |
You seemed quite down the other day, and I thought I'd cheer you up. | 1:26:46 | 1:26:48 | |
Yeah, well thank you. | 1:26:48 | 1:26:50 | |
Anyway, I look forward to seeing you in it. | 1:26:50 | 1:26:53 | |
As soon as I saw it, I thought it would be perfect for you. | 1:26:53 | 1:26:55 | |
Thank you. | 1:26:55 | 1:26:57 | |
I'll see you in a bit. | 1:26:57 | 1:26:58 | |
Yeah. See ya. | 1:26:58 | 1:27:00 | |
That's really nice of him. | 1:27:00 | 1:27:02 | |
Here y'are, you finish it. | 1:27:20 | 1:27:23 | |
What d'you reckon? A hundred quid for scrap? He came and he took his money back. | 1:27:24 | 1:27:28 | |
You must have thought about that before you threw your toys out your pram, eh? | 1:27:28 | 1:27:32 | |
Ian. Violinist's here. | 1:27:37 | 1:27:39 | |
-You're late. -What did she say? | 1:27:39 | 1:27:41 | |
Last night's brainwave. | 1:27:41 | 1:27:42 | |
Right, the agency explained, yeah? | 1:27:42 | 1:27:44 | |
-Dad? -Poppy, do me a favour, can you show him where he can set up and put all his stuff, yeah? | 1:27:44 | 1:27:48 | |
Right, last couple of minutes. Let's give it a push. | 1:27:48 | 1:27:51 | |
That extra money from Janine was meant to be for tiding you over, | 1:27:51 | 1:27:53 | |
not to be blown on some man playing the fiddle. | 1:27:53 | 1:27:55 | |
Lucy, it adds a touch of class, makes it into an event, so people are talking about it. | 1:27:55 | 1:27:59 | |
Look, trust me, it'll pay for itself, OK? | 1:27:59 | 1:28:01 | |
Right, now, just keep it going. | 1:28:01 | 1:28:02 | |
We're not like a Justin Bieber concert - we open on time. | 1:28:02 | 1:28:06 | |
So what, you lied to me, yeah? You knew it was my old man and you didn't say nothing? | 1:28:11 | 1:28:15 | |
You ruined our car and you ruined our holiday. | 1:28:15 | 1:28:17 | |
Hold on, why did you even take his money? | 1:28:17 | 1:28:19 | |
Oh, let me think, because it was for sale? | 1:28:19 | 1:28:21 | |
-You knew it'd hack me off! -Why did you smash the car up? | 1:28:21 | 1:28:24 | |
Because I was angry. Having my dad turn up out the blue like that. | 1:28:24 | 1:28:26 | |
-Do me a favour. -My dad turns up like that, you think it won't do my head in? -At least you've GOT a dad! | 1:28:26 | 1:28:32 | |
TOOLS CLATTER | 1:28:32 | 1:28:33 | |
Hope this bloke Lister's bringing along realises what a goldmine this place could be. | 1:28:38 | 1:28:42 | |
Ian, it'll be fine. | 1:28:42 | 1:28:43 | |
OK, OK. | 1:28:43 | 1:28:45 | |
Ten minutes to go. There's got to be something I've forgotten. There's got to be. | 1:28:45 | 1:28:48 | |
Ian, look at me. | 1:28:48 | 1:28:50 | |
OK, OK. | 1:28:50 | 1:28:51 | |
You're there. Everything is ready. | 1:28:51 | 1:28:54 | |
OK. | 1:28:54 | 1:28:55 | |
Toilet rolls? | 1:28:55 | 1:28:57 | |
Even the toilet roll. | 1:28:57 | 1:28:59 | |
Come here. | 1:28:59 | 1:29:01 | |
Go get 'em. | 1:29:03 | 1:29:05 | |
TIMER BEEPS | 1:29:11 | 1:29:14 | |
Right, I think we're pretty much there. | 1:29:17 | 1:29:20 | |
This place, it looks great. | 1:29:22 | 1:29:25 | |
It looks ready. | 1:29:25 | 1:29:27 | |
And you all look ready. | 1:29:27 | 1:29:28 | |
This is the start of a new era not just for me and my family, | 1:29:30 | 1:29:34 | |
but for all of us, OK? | 1:29:34 | 1:29:36 | |
And we ALL deserve this to work. | 1:29:36 | 1:29:39 | |
Right, and it will, OK? | 1:29:39 | 1:29:40 | |
It will if you put everything into it. So, good luck. | 1:29:40 | 1:29:46 | |
Do I have to do this? | 1:29:51 | 1:29:53 | |
Yes, because you didn't tell me about the snake, did you? | 1:29:53 | 1:29:55 | |
Now get yourself outside and enjoy yourself. | 1:29:55 | 1:29:58 | |
There's no turning back now. | 1:29:59 | 1:30:02 | |
It's just a shame Peter's not here to see it and enjoy it. | 1:30:02 | 1:30:05 | |
Yeah, well, I'm sure he'll come and see it one day | 1:30:05 | 1:30:08 | |
and when he does, he'll be proud of you, as we all are. | 1:30:08 | 1:30:12 | |
OK? | 1:30:12 | 1:30:14 | |
Hope you've got a trader's licence for that. | 1:30:17 | 1:30:20 | |
Step inside. Fresh fruit and veg. | 1:30:20 | 1:30:23 | |
Locally... Locally produced. | 1:30:23 | 1:30:26 | |
That's the one, yeah. Fruit and veg, right, Bobby? | 1:30:26 | 1:30:28 | |
-You're not going to start singing Consider Yourself, are you? -No. | 1:30:28 | 1:30:31 | |
You look lovely. | 1:30:31 | 1:30:32 | |
Here we go. Councillor Byford from the planning office. | 1:30:35 | 1:30:38 | |
Welcome to Ian Beale @ Le Square. | 1:30:39 | 1:30:42 | |
Would you care for some free bubbly, sir? | 1:30:44 | 1:30:48 | |
Oh, and for madam? | 1:30:48 | 1:30:49 | |
Look at you. | 1:30:49 | 1:30:50 | |
Never thought I'd see this day. Ian Beale giving out free booze. | 1:30:50 | 1:30:54 | |
Lauren, champagne, please, for Councillor Byford and his guest. | 1:30:54 | 1:30:58 | |
Right, ladies and gentlemen, | 1:31:00 | 1:31:01 | |
if I could just have your attention for a moment. | 1:31:01 | 1:31:04 | |
Please make sure you sample all the food tonight. | 1:31:04 | 1:31:06 | |
It's a little taster of what's on our menu. | 1:31:06 | 1:31:09 | |
Your investor friend, the guest of honour, where is he? | 1:31:09 | 1:31:12 | |
-He's parking the car. -Right, when he gets here, tell me, yeah? Cheers. | 1:31:12 | 1:31:16 | |
-All right, sis? -Thank you. | 1:31:17 | 1:31:20 | |
You all right? | 1:31:20 | 1:31:22 | |
He's got a bit of front, ain't he? | 1:31:22 | 1:31:24 | |
He was Jenna's best customer. | 1:31:24 | 1:31:26 | |
OK. OK, don't go upsetting him - he's very, very important to Ian. | 1:31:26 | 1:31:30 | |
As long as he stands out of my way. | 1:31:30 | 1:31:31 | |
Whit. There you go, free grub, dig in. | 1:31:31 | 1:31:34 | |
Oh, hello. | 1:31:34 | 1:31:35 | |
Poppy! | 1:31:35 | 1:31:36 | |
Pop... | 1:31:36 | 1:31:39 | |
Just the one glass of champagne for my sister. | 1:31:39 | 1:31:41 | |
I want her staying sober, don't I? | 1:31:41 | 1:31:43 | |
Ian. | 1:31:44 | 1:31:45 | |
Let me introduce the man who's going to be pulling your cord, so to speak. | 1:31:45 | 1:31:49 | |
Oh right, is he here? | 1:31:49 | 1:31:51 | |
Ian. Danny, Danny Pennant. | 1:31:51 | 1:31:53 | |
Pleasure to meet you. | 1:31:53 | 1:31:55 | |
Likewise. | 1:31:55 | 1:31:57 | |
Best food in Walford. Every dish horsemeat-free. | 1:31:57 | 1:32:00 | |
Tough crowd. | 1:32:02 | 1:32:04 | |
Beef. Ones on the left, without horseradish. | 1:32:07 | 1:32:10 | |
-Right. -Left. -Right. | 1:32:10 | 1:32:12 | |
I don't think we've got any tables left. | 1:32:23 | 1:32:26 | |
Do you know, I hate to say it | 1:32:26 | 1:32:27 | |
but I really think your dad might be on to something. | 1:32:27 | 1:32:30 | |
Yeah, well, once word gets out, you'll get your original money back and the extra loan. | 1:32:30 | 1:32:34 | |
-What latest loan? -The extra money. | 1:32:34 | 1:32:37 | |
I might think he's on to a winner | 1:32:37 | 1:32:39 | |
but I don't think I'd have ploughed any more money in. | 1:32:39 | 1:32:42 | |
No, it's an honour to have you here. | 1:32:45 | 1:32:47 | |
And like Bob - Robert - said, there's a champagne dinner for two any time you want it. | 1:32:47 | 1:32:51 | |
That's very kind. | 1:32:51 | 1:32:52 | |
There you go, enjoy. My pleasure. | 1:32:52 | 1:32:54 | |
-Ian, thank you so much for doing this for her. -It's all right. Everyone deserves a second chance. | 1:32:57 | 1:33:01 | |
Mum, Mas is here. | 1:33:21 | 1:33:23 | |
Looks stupid, doesn't it? | 1:33:24 | 1:33:25 | |
No. | 1:33:25 | 1:33:27 | |
No, no, it's just a bit... | 1:33:27 | 1:33:29 | |
It's fine. | 1:33:29 | 1:33:30 | |
Yeah, yeah, yeah, if you're 21 and Asian. | 1:33:30 | 1:33:32 | |
-Dad. -Lucy, it's coming up to seven - we need to do the opening ceremony. | 1:34:09 | 1:34:12 | |
Can you make sure that everybody's got champagne? Thanks, love. | 1:34:12 | 1:34:15 | |
Look who's here. | 1:34:18 | 1:34:20 | |
Arranging to meet in public - is that to prevent any mess? | 1:34:20 | 1:34:24 | |
No, I just wanted you here. For Scarlett. | 1:34:24 | 1:34:26 | |
Why? | 1:34:26 | 1:34:28 | |
You'll see. | 1:34:28 | 1:34:30 | |
Say hello. | 1:34:30 | 1:34:31 | |
Ladies and gentlemen, | 1:34:41 | 1:34:42 | |
can I just have your attention for a couple of minutes, please. | 1:34:42 | 1:34:45 | |
I promise not to keep you from tasting the wonderful sample menu for too long, | 1:34:45 | 1:34:49 | |
cos that says far more about this place than any waffle from me. | 1:34:49 | 1:34:53 | |
Basically that just leaves us with a few thank yous. | 1:34:53 | 1:34:57 | |
A lot of people have helped get this place off the ground | 1:34:57 | 1:35:01 | |
and I'd like to say thank you to a certain few. | 1:35:01 | 1:35:05 | |
A special few. | 1:35:05 | 1:35:07 | |
To those who've backed us and invested in us, | 1:35:07 | 1:35:11 | |
both now and in the future, your trust and belief means everything. | 1:35:11 | 1:35:17 | |
To my waitresses - to Whitney, Poppy, Lauren. | 1:35:19 | 1:35:22 | |
You've been brilliant. | 1:35:22 | 1:35:24 | |
Thank you, thank you. | 1:35:24 | 1:35:25 | |
And to my family. | 1:35:25 | 1:35:27 | |
To Bobby. | 1:35:27 | 1:35:29 | |
To Lucy. | 1:35:29 | 1:35:31 | |
It's been... | 1:35:31 | 1:35:33 | |
It's been a long year. | 1:35:35 | 1:35:36 | |
But we're here now. | 1:35:36 | 1:35:38 | |
Now, my family's been associated with this part of London for a long time. | 1:35:39 | 1:35:45 | |
I mean, especially the market - my dad Pete, my grandparents Albert and Lou. | 1:35:45 | 1:35:49 | |
But this is a new chapter. So, thank you. | 1:35:49 | 1:35:55 | |
Oh, one last thing. | 1:35:57 | 1:35:58 | |
There's one person I nearly forgot to thank, actually. | 1:35:58 | 1:36:01 | |
Yeah, go on. | 1:36:02 | 1:36:04 | |
Without this person, none of this would have been possible. So... | 1:36:04 | 1:36:09 | |
Denise, | 1:36:09 | 1:36:11 | |
thank you for your support, you have been brilliant. | 1:36:11 | 1:36:15 | |
Here's a little token both for you and for Lucy. | 1:36:15 | 1:36:19 | |
Well done, mate. | 1:36:19 | 1:36:21 | |
Which basically only leaves one last thing to do, which is the opening ceremony. | 1:36:21 | 1:36:25 | |
Which Danny Pennant, a businessman of good standing in the City, | 1:36:25 | 1:36:28 | |
he's going to do for us | 1:36:28 | 1:36:30 | |
and officially open Ian Beale @ Le Square! | 1:36:30 | 1:36:33 | |
Thank you. | 1:36:33 | 1:36:34 | |
Danny, if you'd like to follow everybody outside. | 1:36:34 | 1:36:37 | |
TIMER BEEPS | 1:36:55 | 1:36:58 | |
Right, everyone's here. Danny? | 1:37:08 | 1:37:10 | |
Look at the size of that - what's that about? | 1:37:11 | 1:37:14 | |
Seriously. | 1:37:14 | 1:37:15 | |
Have to go to McKlunky's after this. | 1:37:15 | 1:37:18 | |
I'm sorry about... | 1:37:19 | 1:37:21 | |
You don't have to be. | 1:37:21 | 1:37:23 | |
I do. I was stupid. | 1:37:23 | 1:37:25 | |
Let's just leave it and have a nice time. OK? | 1:37:25 | 1:37:28 | |
OK. | 1:37:28 | 1:37:29 | |
Ready when you are, Ian. | 1:37:29 | 1:37:31 | |
Right, I promise not to keep you from the food any longer than I have to, | 1:37:31 | 1:37:36 | |
so I'll hand you over to the man of the moment - Mr Danny Pennant. | 1:37:36 | 1:37:38 | |
Ladies and gentlemen, | 1:37:40 | 1:37:42 | |
I'm very honoured to be asked to conduct this opening | 1:37:42 | 1:37:44 | |
of what promises to be a tremendous restaurant | 1:37:44 | 1:37:47 | |
and a real asset to this part of London. | 1:37:47 | 1:37:49 | |
So without further delay, I formally declare Ian Beale @ Le Square... | 1:37:49 | 1:37:53 | |
-..open. -CHEERS AND GASPS | 1:37:54 | 1:37:57 | |
You have made me look an idiot. | 1:38:45 | 1:38:47 | |
Oh, no, Ian, you do that all by yourself. | 1:38:47 | 1:38:50 | |
You're supposed to be a silent partner. | 1:38:50 | 1:38:51 | |
-I'm not very good at being quiet. -You can't do this. -I already have. | 1:38:51 | 1:38:54 | |
I'm taking it down. | 1:38:54 | 1:38:56 | |
You do that and I will recall every single penny of my money. | 1:38:56 | 1:38:59 | |
This is my restaurant. This is Ian Beale @ Le Square. Ian Beale. | 1:38:59 | 1:39:02 | |
Fine, if you don't want Scarlett's name up there, then you buy me out or you shut up. | 1:39:02 | 1:39:06 | |
That might be sooner that you think. | 1:39:06 | 1:39:08 | |
Whatever. | 1:39:08 | 1:39:09 | |
I've ordered re-branded linens and menus - | 1:39:09 | 1:39:11 | |
they should be with us in the next few days. | 1:39:11 | 1:39:13 | |
We're also going to change the uniforms - this is a restaurant and not a brothel. | 1:39:13 | 1:39:17 | |
Ian, the councillor bloke says there's someone he'd like you to meet. | 1:39:17 | 1:39:20 | |
Come on, partner, don't neglect the guests. | 1:39:20 | 1:39:22 | |
So you like the sign? | 1:39:30 | 1:39:32 | |
Yeah. Yeah, I did. Nice touch. | 1:39:32 | 1:39:34 | |
Why the truce? | 1:39:34 | 1:39:36 | |
Well, we both want what's best for Scarlett. | 1:39:36 | 1:39:39 | |
We do. | 1:39:41 | 1:39:42 | |
She is the most important thing in the world to me. | 1:39:42 | 1:39:45 | |
And I want everybody to know that. | 1:39:45 | 1:39:47 | |
And I want you to know that. | 1:39:47 | 1:39:49 | |
So, here's to Scarlett and our daughter's future. | 1:39:49 | 1:39:55 | |
Scarlett. | 1:39:55 | 1:39:56 | |
Excuse me. Sorry. | 1:40:02 | 1:40:03 | |
-What is she playing at? Did you know about this? -No, course I didn't. | 1:40:04 | 1:40:07 | |
Right, then, that's it. It's got to come down. | 1:40:07 | 1:40:09 | |
No. It can't. If that comes down, she'll pull her money out. | 1:40:09 | 1:40:12 | |
Until I've got Danny to invest, she's got me where she wants me and there is nothing I can do about it. | 1:40:12 | 1:40:17 | |
I hadn't realised that Ian's not the boss. Danny Pennant. | 1:40:27 | 1:40:31 | |
I'm in investments. I work for a City firm | 1:40:31 | 1:40:33 | |
but I also do a lot of consultancy work on the side. | 1:40:33 | 1:40:35 | |
Property mainly. | 1:40:35 | 1:40:36 | |
A few select clients, put them with the right buyers. | 1:40:36 | 1:40:39 | |
I'd be happy to do a portfolio review for you. | 1:40:39 | 1:40:41 | |
See where we can trim the fat and increase the lean. | 1:40:41 | 1:40:44 | |
Well, if I need anything trimming I'll let you know. | 1:40:45 | 1:40:50 | |
Mr Masood. | 1:40:54 | 1:40:55 | |
There's a face I wasn't expecting to see. | 1:40:55 | 1:40:58 | |
I don't know what rock you've crawled out from under | 1:40:58 | 1:41:00 | |
but you better get back there. | 1:41:00 | 1:41:03 | |
Good to see you too. | 1:41:03 | 1:41:05 | |
One more person to thank. | 1:41:09 | 1:41:12 | |
Just one more person. | 1:41:13 | 1:41:16 | |
There's some more glasses there. | 1:41:19 | 1:41:22 | |
No, not there. Put them in the washer. | 1:41:22 | 1:41:23 | |
I'm a waitress, not a washer-upper. | 1:41:23 | 1:41:26 | |
Jean. | 1:41:30 | 1:41:32 | |
Ian says, "How are you getting on with dessert?" | 1:41:32 | 1:41:34 | |
I'm going as fast as I can. | 1:41:34 | 1:41:37 | |
What are you doing? What are you playing at? | 1:41:37 | 1:41:39 | |
Perks of the job, Whitney. | 1:41:39 | 1:41:42 | |
-Ian has given you a second chance - you were going to blow it. -No, I'm not, Whitney, all right? | 1:41:42 | 1:41:45 | |
I'm doing my job. I'm serving Ian's very special guest. | 1:41:45 | 1:41:49 | |
I'm going to prove to him - I'm going to prove to all of you - | 1:41:49 | 1:41:53 | |
that I'm a very responsible person. | 1:41:53 | 1:41:55 | |
If you don't mind, I've got work to do. | 1:41:57 | 1:42:00 | |
One more person to thank. | 1:42:10 | 1:42:14 | |
Yeah I'd like to check my balance, please. | 1:42:19 | 1:42:21 | |
-Right, I'm going to make a move. -Are you going back to the house? | 1:42:21 | 1:42:24 | |
Well, no, I've got somewhere else to go on to. | 1:42:24 | 1:42:26 | |
-Right. -Excuse me, excuse me. | 1:42:28 | 1:42:30 | |
-Gin and tonic? -I ordered a vodka. | 1:42:33 | 1:42:35 | |
-Yeah, well, this is a gin. -Is there a problem? | 1:42:35 | 1:42:38 | |
Yes, Ian, this man obviously doesn't even know what he's ordered. | 1:42:38 | 1:42:41 | |
-He definitely ordered vodka. -It's fine. I'll have the gin. | 1:42:41 | 1:42:44 | |
No, it's not a problem. Lauren, could you please get me a vodka and tonic for Mr Pennant? Now. | 1:42:44 | 1:42:48 | |
-You do it. -What? | 1:42:48 | 1:42:50 | |
I have given him what he ordered. | 1:42:50 | 1:42:53 | |
Come here. Look, I'm... | 1:42:53 | 1:42:55 | |
-Max, would you get her out of here, please? -Lauren, come on. | 1:42:59 | 1:43:02 | |
I've got people to serve. | 1:43:02 | 1:43:03 | |
No, you're fired. Whitney, can you get me a vodka and tonic, please? | 1:43:03 | 1:43:07 | |
Joey, tell them, I'm not even drunk. | 1:43:07 | 1:43:09 | |
Lauren, out. Out. | 1:43:09 | 1:43:10 | |
What's the matter? Are you happy now, are you? | 1:43:12 | 1:43:14 | |
-It's nothing to do with me. -It's always something to do with you. | 1:43:14 | 1:43:17 | |
-We haven't been together for ages. -Well, keep it that way. | 1:43:17 | 1:43:20 | |
You think this is a one-off, do you, yeah? She's just got better at hiding it. | 1:43:20 | 1:43:23 | |
Thank you, Whitney. There you go, Mr Pennant. | 1:43:23 | 1:43:25 | |
Can you get me a bottle of champagne as well, please? | 1:43:25 | 1:43:28 | |
-Yes. -It's fine. | 1:43:28 | 1:43:29 | |
No, if there's any cleaning bills, anything like that, please send me the bills. | 1:43:29 | 1:43:33 | |
As you can see, this restaurant is a great investment. | 1:43:33 | 1:43:36 | |
And any investment in it will be a fantastic return. | 1:43:36 | 1:43:38 | |
No, I'm not looking to invest. | 1:43:38 | 1:43:40 | |
Yeah, but Robert said... | 1:43:40 | 1:43:43 | |
No, no, I help people invest. I'm not an investor myself. | 1:43:43 | 1:43:46 | |
Right, right, right. So you could help me find some investors? | 1:43:46 | 1:43:50 | |
-What, for this place? -Yeah. | 1:43:50 | 1:43:51 | |
I don't think so. | 1:43:51 | 1:43:54 | |
I'll take that, thank you. | 1:43:56 | 1:43:57 | |
Hang on, hang on. | 1:44:05 | 1:44:07 | |
-So we're cool, yeah? That means I can start seeing Scarlett? -Start? | 1:44:09 | 1:44:13 | |
Yes, start. So I can come over tomorrow? | 1:44:13 | 1:44:16 | |
That depends. | 1:44:16 | 1:44:18 | |
-On what? -On if I ever come back. Drive, please. | 1:44:18 | 1:44:21 | |
Thank you, Alice, for being so informative. | 1:44:21 | 1:44:25 | |
What have you done? | 1:44:28 | 1:44:29 | |
She said everything was OK. She said she wanted you to see Scarlett. | 1:44:30 | 1:44:33 | |
-What have you done? -I told her... | 1:44:33 | 1:44:36 | |
everything. But I... She said it was OK. | 1:44:36 | 1:44:38 | |
-She wanted you at the restaurant. -Where is she going? -I don't know. I swear I don't know. | 1:44:38 | 1:44:42 | |
If I don't see my daughter again, I will destroy you. | 1:44:47 | 1:44:51 | |
Glass of water there, Lauren. We'll talk about it in the morning, yeah? | 1:45:05 | 1:45:08 | |
I'm not even that drunk, Dad. | 1:45:08 | 1:45:11 | |
Can you get out now? | 1:45:13 | 1:45:14 | |
Can you get out now, Dad? | 1:45:17 | 1:45:19 | |
Dad, can you just get out my room? | 1:45:19 | 1:45:21 | |
GLASS CLINKS | 1:45:21 | 1:45:24 | |
Where's Jean? We really need to get these desserts out there. | 1:45:43 | 1:45:46 | |
She's out front. Some people wanted to thank her. | 1:45:47 | 1:45:50 | |
Oh, right. | 1:45:50 | 1:45:51 | |
I had a letter from the bank today. About my business account. | 1:45:54 | 1:45:56 | |
I'm going to go and find Jean, we need to get these out. | 1:45:56 | 1:45:59 | |
I phoned them. I didn't realise that the caff and the chippy | 1:45:59 | 1:46:02 | |
were buying quite so much stuff recently. | 1:46:02 | 1:46:05 | |
Designer cutlery, branded napkins, violinists. | 1:46:05 | 1:46:08 | |
-Lucy, please, I can explain. -You've been stealing from me. | 1:46:08 | 1:46:10 | |
-No, it's not like that. -And you know what? You must have forged my signature. | 1:46:10 | 1:46:15 | |
Because the bank said that cheques have been cashed. | 1:46:15 | 1:46:17 | |
Did you really think I wouldn't notice? | 1:46:17 | 1:46:19 | |
Love, I had to do something, OK. | 1:46:20 | 1:46:22 | |
I had to make sure that we got here. | 1:46:22 | 1:46:24 | |
-You wanted this to work. We both did. -You stole from me. | 1:46:24 | 1:46:27 | |
No, no, no. I didn't steal from you, OK? | 1:46:27 | 1:46:29 | |
I've borrowed it - that's all. | 1:46:29 | 1:46:31 | |
And I will pay you back from the profits from the restaurant | 1:46:31 | 1:46:34 | |
and I'll pay you back plenty on top, I promise. | 1:46:34 | 1:46:36 | |
You lied. And I actually thought I could trust you again. | 1:46:36 | 1:46:39 | |
You can trust me. | 1:46:39 | 1:46:41 | |
No, Dad. No, I can't. I can never, ever, trust you. | 1:46:41 | 1:46:45 | |
All that rubbish - the next chapter, a Beale empire, moving on. | 1:46:45 | 1:46:49 | |
Dad, you are never, ever, going to move on. You're going to keep going round in pathetic circles. | 1:46:49 | 1:46:53 | |
Is this a private fight or should I open the door so everyone can hear? | 1:46:53 | 1:46:56 | |
Peter! | 1:46:58 | 1:46:59 | |
Subtitles by Red Bee Media Ltd | 1:47:18 | 1:47:21 | |
Subtitles by Red Bee Media Ltd | 2:42:15 | 2:42:18 |