Browse content similar to 14/04/2012. Check below for episodes and series from the same categories and more!
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CHURCH BELLS RING | 0:00:27 | 0:00:30 | |
I'm off to church, Easter service. | 0:00:40 | 0:00:44 | |
Would you like to come with me? | 0:00:44 | 0:00:47 | |
I'm ever so sorry I doubted you, | 0:00:51 | 0:00:52 | |
it's just I couldn't help meself. | 0:00:52 | 0:00:54 | |
You see, I was a doting mother with my son. | 0:00:54 | 0:00:58 | |
I believed every word he said and look where that got me. | 0:00:58 | 0:01:03 | |
Oh, I'm so sorry. Do forgive me. | 0:01:03 | 0:01:06 | |
It's all right, Auntie Dot, I don't blame you. | 0:01:08 | 0:01:11 | |
'The truth is bound to come out, Andrew. | 0:01:17 | 0:01:21 | |
'I mean, look at Jesus. | 0:01:21 | 0:01:23 | |
'He was wrongly accused of rebelling against Caesar, | 0:01:23 | 0:01:26 | |
'but like he said, "My kingdom is not of this world." | 0:01:26 | 0:01:31 | |
'That's John 18:36. | 0:01:31 | 0:01:35 | |
'And that is why we celebrate Easter Sunday. | 0:01:35 | 0:01:38 | |
'It's the triumph of good over evil. | 0:01:38 | 0:01:42 | |
'Life over death. | 0:01:42 | 0:01:44 | |
'I know it's hard for you to think at the moment, | 0:01:44 | 0:01:48 | |
'but the darkness will lift. | 0:01:48 | 0:01:51 | |
'You've got to believe that. | 0:01:51 | 0:01:53 | |
'Otherwise, weren't no point in Jesus dying and rising again, | 0:01:53 | 0:01:58 | |
'was there? | 0:01:58 | 0:01:59 | |
'First the darkness and then the light.' | 0:01:59 | 0:02:03 | |
-TELEVISION: -Two, three... | 0:02:04 | 0:02:06 | |
four. | 0:02:06 | 0:02:08 | |
This ain't benefiting anybody. | 0:02:10 | 0:02:12 | |
This constant noise, you know, | 0:02:18 | 0:02:20 | |
and talking to George about Heather all the time... | 0:02:20 | 0:02:22 | |
Oh, well, I'm sorry if me being upset has put dampener on your day | 0:02:22 | 0:02:25 | |
but in case you'd forgotten, my best mate's just been murdered. | 0:02:25 | 0:02:29 | |
Darren's on his way back. | 0:02:32 | 0:02:34 | |
So you won't have to put up with this for much longer. | 0:02:35 | 0:02:38 | |
-COT MOBILE LULLABY PLAYS -That's quite cute. | 0:02:43 | 0:02:45 | |
Blimey, keeps on coming, don't it? | 0:02:45 | 0:02:49 | |
We have got a whole room to kit out. Don't you approve? | 0:02:49 | 0:02:51 | |
I don't approve of the price. | 0:02:51 | 0:02:53 | |
You pay more for ONE of your shirts. | 0:02:53 | 0:02:57 | |
Anyway, listen, we've got a whole wedding to sort out. | 0:02:57 | 0:03:00 | |
-SHE CLEARS THROAT -Prenup. | 0:03:00 | 0:03:03 | |
A girl has got to protect her assets. | 0:03:03 | 0:03:05 | |
So, we need to talk about venue, theme. | 0:03:05 | 0:03:08 | |
Theme? | 0:03:08 | 0:03:10 | |
Yeah, well, we don't want it to look like we've just walked in off the streets, do we? | 0:03:10 | 0:03:13 | |
We haven't even set a date yet. Let's talk about it later. | 0:03:13 | 0:03:16 | |
No, no, let's talk about this now. | 0:03:16 | 0:03:17 | |
No, let's talk about it later, cos I'm going down the gym. | 0:03:17 | 0:03:20 | |
There's a problem that needs sorting. | 0:03:20 | 0:03:22 | |
Which is obviously far more important than what is supposed to be the best day of our lives! | 0:03:22 | 0:03:26 | |
So, what does that mean, then, when they take the tape away? | 0:03:26 | 0:03:29 | |
Oh, it means the flat ain't a crime scene anymore. | 0:03:29 | 0:03:32 | |
Old Bill got all they need. | 0:03:32 | 0:03:33 | |
Oh, so what now? | 0:03:33 | 0:03:35 | |
Dunno, have to wait and see if they get any more evidence on Andrew. | 0:03:35 | 0:03:38 | |
How do you think he does it - I mean, look so normal after what he did? | 0:03:38 | 0:03:42 | |
Don't ask me. | 0:03:42 | 0:03:43 | |
Some people ain't got a conscience, have they? | 0:03:43 | 0:03:46 | |
Oi... | 0:03:46 | 0:03:47 | |
What do you reckon? | 0:03:47 | 0:03:48 | |
It's well nice. I won't ask where it you got it from, though. | 0:03:48 | 0:03:51 | |
No, don't, cos that would just be plain rude, wouldn't it? | 0:03:51 | 0:03:54 | |
I need to speak to Alfie about Hev's wake. | 0:03:56 | 0:03:59 | |
-Before we go, there's something I need to talk to you about. -Ben! | 0:03:59 | 0:04:02 | |
The caff. | 0:04:02 | 0:04:04 | |
What about it? | 0:04:04 | 0:04:05 | |
Well, Ian mentioned that he might be interested in buying it. | 0:04:05 | 0:04:07 | |
Hope you bit his hand off. | 0:04:07 | 0:04:09 | |
Well, we've agreed a price. | 0:04:09 | 0:04:11 | |
Well, I hope you take him for everything he's got. | 0:04:11 | 0:04:14 | |
I've got to give up the job, anyway. I need to focus on what's best for George. | 0:04:14 | 0:04:17 | |
What's best for George is being with his dad. | 0:04:17 | 0:04:19 | |
Darren's on his way back, ain't he? | 0:04:19 | 0:04:21 | |
Darren is no more than a kid himself. | 0:04:21 | 0:04:23 | |
-He's still his father. -Yeah, in name only. | 0:04:23 | 0:04:26 | |
He's already done a runner once, | 0:04:26 | 0:04:27 | |
-what makes you think he won't do that again? -He's grown up a bit since then. | 0:04:27 | 0:04:31 | |
You bung him a couple of grand and he'll be on his way, I guarantee it. | 0:04:31 | 0:04:35 | |
See, this is what George needs... | 0:04:37 | 0:04:40 | |
security. | 0:04:40 | 0:04:42 | |
People that he can rely on, and we've got that in bucket loads. | 0:04:42 | 0:04:46 | |
Darren hasn't. | 0:04:46 | 0:04:47 | |
Now, this one's from Kat, this one's from Mo, | 0:04:52 | 0:04:54 | |
and, young lady, you are under strict instructions to eat these instead of lunch, OK? | 0:04:54 | 0:04:58 | |
-Thanks, Alfie. -You're welcome. Make sure you save some for me. | 0:04:58 | 0:05:01 | |
Good girl. I'll be up shortly. | 0:05:01 | 0:05:02 | |
Grandad, how's Kat getting on looking after Charlie? | 0:05:02 | 0:05:05 | |
Poor Charlie. I mean, Kat's no Florence Nightingale. | 0:05:05 | 0:05:08 | |
You can imagine, can't you? "Eat now! Drink now! Sleep now!" | 0:05:08 | 0:05:11 | |
Did she like the dress? | 0:05:11 | 0:05:13 | |
The dress I tried on? | 0:05:13 | 0:05:15 | |
Does it look as good on her as it did on me? | 0:05:15 | 0:05:17 | |
She reckons I know as much about fashion as she does about football. | 0:05:17 | 0:05:21 | |
She thought Papa Bouba Diop was a rap singer. | 0:05:21 | 0:05:24 | |
Thanks for helping out, you're a life-saver. | 0:05:24 | 0:05:26 | |
Happy Easter, guys. Usual? Trace, do you want to sort out Phil? | 0:05:26 | 0:05:29 | |
-Yeah, cheers. Alf? -Yeah. | 0:05:29 | 0:05:30 | |
Shirley wants to have a word with you about numbers for the buffet. | 0:05:30 | 0:05:33 | |
All right, mate, chat later, yeah? | 0:05:33 | 0:05:35 | |
-Alfie! -What? | 0:05:36 | 0:05:38 | |
(Yeah, listen...) | 0:05:41 | 0:05:42 | |
That's your share from the sale of the booze. | 0:05:42 | 0:05:44 | |
-Yay-hey! -Not in 'ere! Don't want Phil clocking it, do you? | 0:05:44 | 0:05:48 | |
-Or even worse, Derek. Stick it away. -All right, all right, see you later. | 0:05:48 | 0:05:53 | |
Phil. | 0:05:55 | 0:05:56 | |
Shirl. | 0:05:56 | 0:05:57 | |
Listen, I know you got a lot on your plate at the moment, | 0:05:57 | 0:06:00 | |
but, well, if you need any help with the funeral arrangements, | 0:06:00 | 0:06:03 | |
-just give us a shout, eh? -You know what, Billy, I was thinking - | 0:06:03 | 0:06:06 | |
Hev, she wouldn't want everyone in black and miserable, | 0:06:06 | 0:06:09 | |
so I think we should all dress up in '80s gear as a kind of tribute. | 0:06:09 | 0:06:12 | |
'80s? | 0:06:12 | 0:06:13 | |
Yeah! You know, mullet wigs, Frankie Says t-shirts. | 0:06:13 | 0:06:17 | |
Just spread the word, Billy, tell them to use their imagination. | 0:06:17 | 0:06:20 | |
Imagination. Right. | 0:06:20 | 0:06:24 | |
I ain't going to let anyone forget her, Phil. | 0:06:30 | 0:06:33 | |
So, I'm dying to know what was so important that it took priority | 0:06:39 | 0:06:43 | |
-over our nuptials? -Air-con. | 0:06:43 | 0:06:45 | |
-That better be a joke. -It's not a joke. | 0:06:45 | 0:06:47 | |
If I don't sort it, I'll have a load of grunts in there, complaining they can't breathe. | 0:06:47 | 0:06:51 | |
Well, we just couldn't have that, could we(?) | 0:06:51 | 0:06:55 | |
That's weird. Must've left my key fob inside. | 0:06:58 | 0:07:00 | |
Michael, come on, it'll keep. We've got things to discuss! | 0:07:00 | 0:07:03 | |
I will buy you another one. | 0:07:03 | 0:07:04 | |
I don't want you to buy me a new one, I want to find the one I've lost! | 0:07:04 | 0:07:07 | |
So we've got our future to sort out | 0:07:07 | 0:07:10 | |
and you would rather look for a key ring? | 0:07:10 | 0:07:13 | |
It's really nice to know that you've got your priorities sorted. | 0:07:13 | 0:07:16 | |
You look like you could do with a bit of help. | 0:07:21 | 0:07:24 | |
Aww, this is so lovely. The baby isn't even here yet and it's already getting spoilt! | 0:07:26 | 0:07:30 | |
You'll be used to all this, I suppose, eh, boys? | 0:07:30 | 0:07:32 | |
George's stuff's taken over the house. | 0:07:32 | 0:07:35 | |
COT MOBILE LULLABY PLAYS | 0:07:35 | 0:07:38 | |
Oi, you know she's been seen? Heather. | 0:07:39 | 0:07:42 | |
Near the chippy, the Minute Mart. | 0:07:42 | 0:07:45 | |
Just hovering round the crisps. | 0:07:45 | 0:07:47 | |
Do you think that's funny? | 0:07:47 | 0:07:49 | |
Nicking bars of chocolate, cans of cola just floating through the air. | 0:07:49 | 0:07:53 | |
Lola, stop it! I thought you'd have more respect! | 0:07:53 | 0:07:55 | |
-Wind your neck in, Grandma. -A little boy's lost his mum and all you can do is joke! | 0:07:55 | 0:07:59 | |
I was only having a laugh. | 0:07:59 | 0:08:00 | |
-It's not a laughing matter, growing up without a mum. -Jay, leave it out. | 0:08:00 | 0:08:03 | |
You lost your mum, didn't you, Ben? Thought you'd back me up there. | 0:08:03 | 0:08:06 | |
I lost my dad, you know. | 0:08:06 | 0:08:07 | |
And the last thing that makes you want to do is laugh. | 0:08:07 | 0:08:11 | |
Yeah, I get it! I lost my dad too, didn't I? | 0:08:11 | 0:08:14 | |
Look, Abs, Abs, just... | 0:08:14 | 0:08:17 | |
Just leave him. | 0:08:17 | 0:08:19 | |
Some people, eh? Just can't take a joke. | 0:08:19 | 0:08:21 | |
You shouldn't let her talk to you like that. | 0:08:28 | 0:08:31 | |
Is it the fob with the St Christopher on it? | 0:08:35 | 0:08:37 | |
I'm good, Jean, here. If you need to be somewhere else, I'm fine. | 0:08:38 | 0:08:41 | |
Oh, no, I'm happy! | 0:08:41 | 0:08:44 | |
You rescued me, so I'll rescue you. | 0:08:46 | 0:08:49 | |
One good turn deserves another, that's what they say, isn't it? | 0:08:49 | 0:08:54 | |
Was it very expensive? | 0:08:56 | 0:08:58 | |
No, no, no, it was a gift from my mother, Jean. | 0:08:58 | 0:09:01 | |
Oh! | 0:09:01 | 0:09:02 | |
Oh, sentimental value! | 0:09:02 | 0:09:04 | |
I've got lots of things of sentimental value. | 0:09:04 | 0:09:07 | |
I keep them in a box. | 0:09:07 | 0:09:08 | |
They're all worthless, well, in monetary terms. | 0:09:08 | 0:09:11 | |
You know, you've probably tucked it away somewhere safe. | 0:09:13 | 0:09:18 | |
You just have to remember where you put it. | 0:09:18 | 0:09:21 | |
Yeah, that's genius. Well done. | 0:09:22 | 0:09:24 | |
You know, um... | 0:09:29 | 0:09:30 | |
..your mum would be very proud of you. | 0:09:32 | 0:09:36 | |
All that you've achieved. | 0:09:36 | 0:09:39 | |
Yeah, yeah, she'd be delighted. | 0:09:39 | 0:09:41 | |
Yeah, with the marriage, the baby, everything. | 0:09:41 | 0:09:43 | |
You'll be a good dad. Just like your dad. | 0:09:43 | 0:09:46 | |
Oh, I know things aren't as they could be with Tommy, | 0:09:48 | 0:09:52 | |
but Alfie is a great dad and you'll be a great dad. Better, even! | 0:09:52 | 0:09:56 | |
And I've said too much, haven't I? I've got no off switch. | 0:09:56 | 0:09:59 | |
No, you're all right, Jean. I need to get in there. | 0:10:01 | 0:10:05 | |
HE GROANS Come on! | 0:10:11 | 0:10:14 | |
SHE GASPS | 0:10:25 | 0:10:27 | |
How significant is that?! | 0:10:27 | 0:10:30 | |
Yes, yes! | 0:10:30 | 0:10:32 | |
Ah, thank you, Jean! | 0:10:33 | 0:10:35 | |
Jay, in the next few days George will be gone, you know, | 0:10:36 | 0:10:39 | |
and then we can get back to being normal. | 0:10:39 | 0:10:42 | |
Normal? | 0:10:43 | 0:10:44 | |
Looking at you, you'd think there was nothing wrong. | 0:10:47 | 0:10:52 | |
You get up in the morning, you eat your bit of breakfast, you even play with the boy. | 0:10:52 | 0:10:56 | |
How do you do that? | 0:10:58 | 0:11:01 | |
Maybe I got a bit more of the old man in me than I thought. | 0:11:02 | 0:11:05 | |
TV PLAYS EASTER SERMON MUSIC | 0:11:07 | 0:11:09 | |
Nice sermon? | 0:11:11 | 0:11:13 | |
Yes. It was all about the Resurrection, you know. | 0:11:13 | 0:11:17 | |
The power of life over death. | 0:11:17 | 0:11:19 | |
Rebirth. New beginning. | 0:11:21 | 0:11:23 | |
Anything about Doubting Thomas there? | 0:11:23 | 0:11:26 | |
No, Rose. No, that'll be next week. | 0:11:26 | 0:11:28 | |
And I have apologised, haven't I, Andrew? | 0:11:28 | 0:11:31 | |
Too little, too late. | 0:11:31 | 0:11:32 | |
And I accepted. It ain't been easy for any of us, Mum. | 0:11:32 | 0:11:35 | |
Is that for little George? | 0:11:37 | 0:11:39 | |
Yeah. | 0:11:41 | 0:11:43 | |
Why don't we all go over the Vic together? | 0:11:44 | 0:11:47 | |
The Vic? | 0:11:47 | 0:11:49 | |
Why not? We've none of us got anything on our consciences. | 0:11:49 | 0:11:53 | |
Certainly not with regard to the passing of dear Heather. | 0:11:53 | 0:11:57 | |
Yeah, but... | 0:11:57 | 0:11:59 | |
do you think that's how they'll see it? | 0:11:59 | 0:12:01 | |
-How's it looking? -Done. Done. | 0:12:04 | 0:12:06 | |
-Does it look all right? -Yeah. -OK. Are we ready? Right, boys and girls, | 0:12:06 | 0:12:09 | |
mums and dads, are we ready for our great Easter egg hunt?! | 0:12:09 | 0:12:12 | |
-CHILDREN CHEER -I can't hear you. Are you ready? | 0:12:12 | 0:12:15 | |
OK, Auntie Jean, after three. All together, one, two, three... | 0:12:15 | 0:12:21 | |
THEY CHEER | 0:12:21 | 0:12:23 | |
That's it, through you go. | 0:12:23 | 0:12:25 | |
Oh, you're lukewarm there. Oh, you're cold! | 0:12:25 | 0:12:27 | |
Not ice-cold, but... | 0:12:27 | 0:12:29 | |
Well, if it was a colour, it would be blue. Cobalt blue. | 0:12:29 | 0:12:31 | |
-Jean! Jean, just point her in the right direction! -That would give her an unfair advantage! | 0:12:31 | 0:12:35 | |
The other kids might need a bit of help as well. | 0:12:35 | 0:12:37 | |
Jean, when we said we'd hide the Easter eggs, we meant under the tables, | 0:12:37 | 0:12:41 | |
not in another borough. Listen boys and girls, up here! | 0:12:41 | 0:12:44 | |
There might be some up here! | 0:12:44 | 0:12:45 | |
Yeah, come on, come on. Amy, come on! | 0:12:45 | 0:12:47 | |
Let's see if I can find some behind the bar. | 0:12:47 | 0:12:49 | |
Parents, I hope you're not hiding Easter eggs! | 0:12:49 | 0:12:52 | |
Oh, look what I found! Who wants an egg?! | 0:12:52 | 0:12:55 | |
CHILDREN SHOUT | 0:12:55 | 0:12:57 | |
I can't hear you, who wants an egg?! OK, put one in there. | 0:12:57 | 0:13:00 | |
I've found another one. What colour is that? What colour is it? | 0:13:00 | 0:13:03 | |
-CHILD: -Yellow! -Yellow, OK. What about the mums and dads? | 0:13:03 | 0:13:06 | |
I think I've found some more, here, as well. | 0:13:06 | 0:13:09 | |
OK, who wants an Easter egg? | 0:13:09 | 0:13:11 | |
-CHILDREN: -Me-e-e! | 0:13:11 | 0:13:13 | |
-Could I have your attention, please? -SHE BANGS BAR-TOP | 0:13:15 | 0:13:18 | |
I just want to say something. | 0:13:18 | 0:13:20 | |
I didn't want to, but I had me doubts about Andrew, | 0:13:20 | 0:13:24 | |
like a lot of people in this pub. | 0:13:24 | 0:13:26 | |
But Easter is about a new beginning... | 0:13:26 | 0:13:29 | |
-I don't believe this! -..so what I want to say... | 0:13:29 | 0:13:31 | |
Jean, could you put George in the buggy? | 0:13:31 | 0:13:33 | |
..if you could find it in your heart to start afresh. | 0:13:33 | 0:13:36 | |
I mean, innocent until proved guilty. | 0:13:36 | 0:13:38 | |
I mean, that's always been good enough for you in the past, Phil. | 0:13:38 | 0:13:41 | |
Andrew's heart is broken. He could never have hurt her. | 0:13:41 | 0:13:43 | |
-No, he couldn't. -No. He asked me to give you this. It'll be track ten that you're looking for. | 0:13:43 | 0:13:47 | |
And this is from Andrew. He wanted to give it to George himself, | 0:13:47 | 0:13:51 | |
but he knew he wouldn't be welcome. | 0:13:51 | 0:13:54 | |
-Give it a rest, yeah? -I'm only trying to help you. -I don't need your help. | 0:13:56 | 0:13:59 | |
Shirl. Shirley! Come on. | 0:13:59 | 0:14:02 | |
Phil, seriously, I don't know how much longer I can keep this up now. | 0:14:02 | 0:14:07 | |
Just go home, yeah? It'll be all right. | 0:14:07 | 0:14:09 | |
Dad, he's not good. He nearly lost it with Lola. | 0:14:14 | 0:14:16 | |
Just leave it with me. I'll deal with it. | 0:14:17 | 0:14:21 | |
Peace offering. | 0:14:34 | 0:14:35 | |
There you go. | 0:14:36 | 0:14:37 | |
You've got to feel for Ben and Jay. Heather was like family. | 0:14:38 | 0:14:41 | |
You don't have to rub it in. I did say I'm sorry. | 0:14:41 | 0:14:44 | |
Lola? | 0:14:44 | 0:14:45 | |
I asked you not to be flashing this stuff around, didn't I? | 0:14:47 | 0:14:51 | |
You look terrified. Sorry, are we expecting company? | 0:14:51 | 0:14:54 | |
Are the police going to come flying through the window any second now? | 0:14:54 | 0:14:57 | |
-What? -All this hooky gear you got coming in. -Yeah, yeah. | 0:14:57 | 0:14:59 | |
Just pack it in, eh? Joke's a joke! | 0:14:59 | 0:15:01 | |
KNOCK ON DOOR | 0:15:01 | 0:15:04 | |
If Derek finds out you've been splashing the cash on this stuff | 0:15:04 | 0:15:08 | |
and finds out you've been ripping him off, it's bye-bye, your kneecaps. | 0:15:08 | 0:15:11 | |
It ain't Derek that bothers me. | 0:15:11 | 0:15:13 | |
-Least not about this. -Well, who is it then? | 0:15:13 | 0:15:15 | |
George went out like a light. | 0:15:24 | 0:15:27 | |
It ain't doing anyone any good, Shirl. | 0:15:27 | 0:15:29 | |
All this grief. | 0:15:29 | 0:15:31 | |
Darren'll be here in a few days and George'll be on his way. | 0:15:34 | 0:15:36 | |
Why don't you have a good time with the boy while you can? | 0:15:36 | 0:15:39 | |
-You know it's the right thing to do. -Oh, is that right? | 0:15:39 | 0:15:41 | |
Darren ain't equipped to look after a kid! | 0:15:41 | 0:15:43 | |
He's his dad. He should be with his dad. | 0:15:43 | 0:15:45 | |
Oh, and you're the expert on that, are you? | 0:15:45 | 0:15:47 | |
A boy needs his dad. | 0:15:47 | 0:15:49 | |
And he needs his mum, too. | 0:15:50 | 0:15:51 | |
And if I could bring her back then God knows I would. | 0:15:51 | 0:15:54 | |
And if I could do anything to stop you hurting... | 0:15:56 | 0:16:00 | |
I'd do that too. | 0:16:00 | 0:16:02 | |
Anything. | 0:16:02 | 0:16:03 | |
Then marry me. | 0:16:06 | 0:16:08 | |
Well, the police have left, | 0:16:11 | 0:16:12 | |
so the sooner we can get Heather's stuff out, the better, really. | 0:16:12 | 0:16:15 | |
-Absolutely, I'll make sure that Shirley's told. -Oh! | 0:16:15 | 0:16:18 | |
-What? -That's weird, I've just had exactly the same bag delivered. | 0:16:18 | 0:16:22 | |
-Yeah, it was a present off... -Yeah, from my Aunt Maisie, in Maidenhead. | 0:16:22 | 0:16:25 | |
-Loaded. -Oh, she needs to be, the price of it. | 0:16:25 | 0:16:29 | |
It didn't all come from her, did it, Pops? | 0:16:29 | 0:16:31 | |
Some of it came from a little closer to home. | 0:16:31 | 0:16:34 | |
-Janine, did you want to come see what I got the baby? -No, no, no! | 0:16:34 | 0:16:37 | |
Janine ain't got time to look at all that tat from the market. | 0:16:37 | 0:16:40 | |
She's a businesswoman - time's money for her. | 0:16:40 | 0:16:42 | |
Well, the longer the flat's vacant, the more money I'm losing. That's not me being cold, | 0:16:42 | 0:16:46 | |
just pragmatic. | 0:16:46 | 0:16:48 | |
Once we've had it, er, fumigated, then we can get a new tenant in. | 0:16:48 | 0:16:52 | |
Was never really the most hygienic of people was she? | 0:16:52 | 0:16:54 | |
-Oh, Janine, that ain't... -Spirits can't rest, can they? When someone's been murdered. | 0:16:54 | 0:16:58 | |
Exorcised and fumigated. | 0:16:58 | 0:17:00 | |
I might just get a vicar in to do the job lot! | 0:17:00 | 0:17:02 | |
Yeah, and they can marry you and Michael while they're at it! | 0:17:02 | 0:17:06 | |
THEY LAUGH | 0:17:06 | 0:17:08 | |
I'd love to marry you, Shirl, | 0:17:14 | 0:17:16 | |
but you ain't asking for the right reason. | 0:17:16 | 0:17:17 | |
All you've talked about is George, not about us. | 0:17:17 | 0:17:20 | |
-And we can't give the kid what he needs. -Yes, we can! | 0:17:20 | 0:17:23 | |
This is killing you, Shirley! | 0:17:24 | 0:17:26 | |
You know, you're not sleeping, you're not eating right, | 0:17:26 | 0:17:28 | |
you're not thinking straight. | 0:17:28 | 0:17:30 | |
-And I'm worried. I'm really worried. -There's nothing to worry about. | 0:17:30 | 0:17:34 | |
She's gone, Shirl. | 0:17:34 | 0:17:35 | |
You're burying her this week and George, he's got another life now. | 0:17:36 | 0:17:39 | |
Just let him go. | 0:17:40 | 0:17:42 | |
I can't. | 0:17:42 | 0:17:44 | |
You've got to! | 0:17:44 | 0:17:45 | |
-Not yet. I owe her. -Look at us, Shirl, yeah? | 0:17:45 | 0:17:48 | |
I'm worried about everyone - I'm worried about you, | 0:17:48 | 0:17:51 | |
I'm worried about Ben and I'm worried about Jay. | 0:17:51 | 0:17:53 | |
What have we got to offer the kid, hm? | 0:17:53 | 0:17:56 | |
-I owe Hev. -Yeah, but that doesn't make you a good mum, does it? | 0:17:56 | 0:18:00 | |
Or me a good dad. Just let him go. Let 'em... | 0:18:00 | 0:18:04 | |
Let 'em both go. | 0:18:04 | 0:18:05 | |
I've just seen Billy going round to Heather's. | 0:18:08 | 0:18:10 | |
Janine wants it cleared as soon as possible. | 0:18:10 | 0:18:12 | |
I've got these hot cross buns left over from Good Friday | 0:18:19 | 0:18:23 | |
-and they've got real butter on them, not margarine. -No, thanks, Auntie Dot. -Oh. | 0:18:23 | 0:18:27 | |
-You haven't eaten anything all day. -Not as if I'm wasting away, is it? | 0:18:27 | 0:18:32 | |
Think I'll lie down. See if I can get rid of this headache. | 0:18:32 | 0:18:35 | |
-Andrew... -No, Rose. | 0:18:35 | 0:18:36 | |
He's full of heartache. | 0:18:37 | 0:18:39 | |
He's got to find his own way through it. | 0:18:39 | 0:18:41 | |
-I can't bear seeing him like this. -I know, but we have got a dark day ahead of us, | 0:18:41 | 0:18:45 | |
and we've got to conserve our strength. | 0:18:45 | 0:18:48 | |
-Got to get a grip. -Yes. You know, so as we can deal with it. -OK. | 0:18:48 | 0:18:51 | |
Go on, have a bun. | 0:18:51 | 0:18:52 | |
Billy! | 0:19:02 | 0:19:03 | |
-What? -Billy, give me the keys. -Eh? | 0:19:03 | 0:19:06 | |
You sure you're ready for this? | 0:19:13 | 0:19:16 | |
No. | 0:19:17 | 0:19:19 | |
(Come here.) | 0:19:20 | 0:19:21 | |
GEORGE CRYING | 0:19:27 | 0:19:29 | |
ROCK MUSIC PLAYING | 0:19:32 | 0:19:34 | |
You do realise he's crying up there? | 0:19:48 | 0:19:51 | |
It's all right, George. I'm coming, mate. You're safe. | 0:19:54 | 0:19:56 | |
You're safe. | 0:19:56 | 0:19:57 | |
It's like she's still here. | 0:20:56 | 0:20:57 | |
I can feel her. | 0:21:00 | 0:21:01 | |
Keep thinking she's going to walk through that door | 0:21:05 | 0:21:07 | |
with a couple of Woo Woos and a big fat smile on her face. | 0:21:07 | 0:21:11 | |
I'm a... | 0:21:22 | 0:21:23 | |
..bit worried about Jay, he's on his own with George. | 0:21:25 | 0:21:29 | |
Then you go. | 0:21:32 | 0:21:33 | |
I'll be fine. | 0:21:37 | 0:21:38 | |
MUSIC: "Wake Me Up Before You Go-Go" by Wham! | 0:22:05 | 0:22:08 | |
SHIRLEY CHUCKLES | 0:22:08 | 0:22:10 | |
Ah! | 0:22:19 | 0:22:20 | |
SHIRLEY SOBS | 0:22:25 | 0:22:27 | |
My name's Maria De Costa, from Social Services. | 0:22:40 | 0:22:43 | |
This is Anthony Patrick. | 0:22:43 | 0:22:45 | |
All right? | 0:22:58 | 0:22:59 | |
Can't've been easy. | 0:23:02 | 0:23:04 | |
If there's anything you want me to keep, | 0:23:04 | 0:23:05 | |
you know, when I'm clearing the place? | 0:23:05 | 0:23:07 | |
No, you don't touch a thing in there, d'you hear me? | 0:23:07 | 0:23:10 | |
-No, Janine, she wants... -I'm telling you not to! Understand? | 0:23:10 | 0:23:12 | |
-Just doing my job, Shirl. -Then don't! | 0:23:12 | 0:23:15 | |
PHONE RINGS | 0:23:15 | 0:23:16 | |
Yep? | 0:23:18 | 0:23:20 | |
Oh, G...! | 0:23:22 | 0:23:23 | |
You've done a fantastic job looking after George. | 0:23:51 | 0:23:53 | |
-He seems a very happy little boy. -KNOCK ON DOOR | 0:23:53 | 0:23:56 | |
Especially under the circumstances. | 0:23:58 | 0:24:00 | |
-I can't imagine how difficult it's been for you. -Look... | 0:24:00 | 0:24:03 | |
I'm really sorry, but I don't understand what's going on. | 0:24:03 | 0:24:06 | |
Since when do you guys work on a Sunday? | 0:24:06 | 0:24:08 | |
I've just come to see how you are, Shirley, | 0:24:08 | 0:24:11 | |
-cos I know that you've been... -I can't say goodbye to him! | 0:24:11 | 0:24:14 | |
Not yet. I'm not ready. | 0:24:14 | 0:24:16 | |
You're not taking George? | 0:24:16 | 0:24:18 | |
Not now? | 0:24:18 | 0:24:20 | |
Oh, you couldn't wait, could you, Dot? | 0:24:21 | 0:24:24 | |
You call yourself a Christian woman?! Some kind of DO-GOODER | 0:24:24 | 0:24:26 | |
-and you pull a stunt like this! -Like what? -Get out of my house. | 0:24:26 | 0:24:29 | |
Get out of my house, you interfering old cow! | 0:24:29 | 0:24:32 | |
You couldn't resist, could you?! Were you on the blower to the Social the MINUTE we left the pub? | 0:24:32 | 0:24:37 | |
robbing me of what little time I've got left with him! | 0:24:37 | 0:24:39 | |
It wasn't Dot. It was me. | 0:24:39 | 0:24:40 | |
I did what I thought was for the best. | 0:24:42 | 0:24:44 | |
-For the best? -Please, I'm sorry, all right? just... | 0:24:48 | 0:24:51 | |
It was killing us, Shirl. All of us. | 0:24:51 | 0:24:53 | |
George included. | 0:24:53 | 0:24:55 | |
And I didn't want to watch you being torn apart any more. | 0:24:56 | 0:24:59 | |
Now you can still see him, can't you? | 0:24:59 | 0:25:01 | |
You can stay in touch. | 0:25:01 | 0:25:03 | |
I know this is hard, but George's place is with his dad. | 0:25:04 | 0:25:08 | |
Next time he sees me, he won't know who I am. | 0:25:08 | 0:25:12 | |
He won't know that me and his mum had the best time ever. | 0:25:13 | 0:25:17 | |
That I loved her like a sister and she died! | 0:25:17 | 0:25:20 | |
She died not knowing she was the best thing that ever happened to me! | 0:25:21 | 0:25:24 | |
She did know, Shirley. We all knew. | 0:25:24 | 0:25:27 | |
All right, big man? | 0:25:34 | 0:25:36 | |
You've got it all ahead of you, ain't ya? | 0:25:45 | 0:25:47 | |
GEORGE CHUCKLES | 0:25:47 | 0:25:49 | |
You be a good boy for Daddy. | 0:25:49 | 0:25:51 | |
Ben? | 0:25:56 | 0:25:57 | |
You make Mummy proud, yeah? | 0:26:00 | 0:26:02 | |
Not Mummy. | 0:26:02 | 0:26:04 | |
Mummy'll be watching you all the time. | 0:26:05 | 0:26:07 | |
Not Mummy! | 0:26:07 | 0:26:09 | |
-Not Mummy. -OK. | 0:26:09 | 0:26:11 | |
GEORGE CHUCKLES | 0:26:15 | 0:26:16 | |
Bye, George Michael Trott. | 0:26:17 | 0:26:19 | |
I think I can see you! | 0:26:24 | 0:26:26 | |
SHIRLEY SOBS | 0:26:42 | 0:26:44 | |
Hello, miss. Would you like to save 20 percent on your major bills? | 0:27:09 | 0:27:12 | |
Hello, sir. Who is your energy provider? | 0:27:14 | 0:27:17 | |
Hey, sir. Would you like to...? What's going on, Jay? You all right? | 0:27:17 | 0:27:21 | |
Since when you started all this? | 0:27:21 | 0:27:22 | |
Since about 15 minutes ago. Feels like 15 hours, though. | 0:27:22 | 0:27:25 | |
But you've got to do what you've got to do. | 0:27:25 | 0:27:27 | |
And this is the only thing going. | 0:27:27 | 0:27:28 | |
-Well, good luck. -Oh, thanks. Thanks very much(!) | 0:27:28 | 0:27:31 | |
Hey, Bianca! | 0:27:31 | 0:27:33 | |
Listen, I can save you some money, you know. 20 percent. | 0:27:33 | 0:27:37 | |
Now, what you got to remember? | 0:27:37 | 0:27:40 | |
This perverting the course of justice malarkey, | 0:27:40 | 0:27:42 | |
it's not the same as the other thing, all right? | 0:27:42 | 0:27:46 | |
-I know. -It's got nothing to do with it. -Where's my list? | 0:27:46 | 0:27:49 | |
-What list? -The funeral list. | 0:27:49 | 0:27:52 | |
What's it doing there? | 0:27:53 | 0:27:55 | |
You know, you wouldn't have to be doing all this | 0:27:55 | 0:27:57 | |
if you'd let Dot stay involved. | 0:27:57 | 0:27:59 | |
What have I got to say to this psychiatric bloke? | 0:27:59 | 0:28:01 | |
Tell him you're nuts. That'll always work. | 0:28:01 | 0:28:04 | |
Pretend to be, is what she's trying to say. | 0:28:04 | 0:28:05 | |
-Right, and how do I go about that? -Act normal. | 0:28:05 | 0:28:08 | |
-PHIL SIGHS -I'm trying to give him support here. | 0:28:09 | 0:28:12 | |
And what happened to my support when you let the Social take George away? | 0:28:12 | 0:28:15 | |
-We've been through all this. -D'you know where I'm going later? | 0:28:15 | 0:28:18 | |
Round Heather's to sort her stuff out. How will that make me feel? | 0:28:18 | 0:28:21 | |
Why do you have to go round Heather's? | 0:28:21 | 0:28:23 | |
Sort out the funeral music. | 0:28:23 | 0:28:25 | |
Not George Michael? | 0:28:25 | 0:28:27 | |
Not your funeral, sadly. | 0:28:28 | 0:28:30 | |
All right then, what about Don't Let The Sun Go Down On Me? | 0:28:30 | 0:28:34 | |
I've put you and Jay down for a reading. Is that all right, Ben? | 0:28:34 | 0:28:37 | |
The best thing, as far as the shrink goes, | 0:28:40 | 0:28:43 | |
is to talk about your mum and stuff. | 0:28:43 | 0:28:45 | |
What? | 0:28:45 | 0:28:47 | |
About her dying when she did. | 0:28:47 | 0:28:49 | |
They'll lap that up, won't they? | 0:28:49 | 0:28:52 | |
I can't say anything this morning, can I? | 0:28:54 | 0:28:57 | |
You don't even have the right to MENTION her name! | 0:28:57 | 0:29:00 | |
I don't think I did, did I? | 0:29:00 | 0:29:01 | |
Ian's told me about you and her. You can stuff your head doctor! | 0:29:01 | 0:29:05 | |
HE SIGHS | 0:29:10 | 0:29:11 | |
MUSIC: "Don't Stop" by Fleetwood Mac | 0:29:11 | 0:29:15 | |
What do you think? | 0:29:15 | 0:29:18 | |
Sorry? | 0:29:18 | 0:29:20 | |
Thursday will be my third funeral in nine months. | 0:29:20 | 0:29:23 | |
Can I get away with this again? | 0:29:23 | 0:29:25 | |
It's actually a bit of a squeeze. | 0:29:25 | 0:29:28 | |
Then again, it's only Heather. | 0:29:28 | 0:29:30 | |
But I do feel so incredibly sexy. | 0:29:30 | 0:29:33 | |
Huh? | 0:29:33 | 0:29:34 | |
And what's a girl to do about that? | 0:29:34 | 0:29:36 | |
Do we have any bacon? | 0:29:36 | 0:29:39 | |
Michael, this is important. | 0:29:39 | 0:29:42 | |
Yeah, I'm sure you'll sort it out. | 0:29:42 | 0:29:45 | |
I'm going to get some bacon. | 0:29:45 | 0:29:46 | |
SHE SIGHS | 0:29:46 | 0:29:48 | |
There was me thinking you might be overwhelmed with desire. | 0:29:48 | 0:29:51 | |
I don't like the sound of the direct debit, though. | 0:29:55 | 0:29:58 | |
But you like the sound of 20 percent off your lecky bill, though? | 0:29:58 | 0:30:00 | |
-I don't know. -It's gas as well. | 0:30:00 | 0:30:02 | |
Is he hassling you? | 0:30:02 | 0:30:03 | |
No, he's just told me I can get 20 percent off my electric. | 0:30:03 | 0:30:06 | |
20 percent? You scam artist. | 0:30:06 | 0:30:07 | |
-It's not a scam! -Go on, jog on. -What are you talking about, bruv? | 0:30:07 | 0:30:10 | |
-I said jog on! -Easy! Easy! | 0:30:10 | 0:30:12 | |
20 percent? How d'you like the sound of 100 percent, hmm? | 0:30:13 | 0:30:17 | |
Think of what you could do with all that extra cash. | 0:30:17 | 0:30:21 | |
Why can't I be Merlin? | 0:30:23 | 0:30:24 | |
Because I'm Sir Lancelot, and Sir Lancelot has to have a horse. | 0:30:24 | 0:30:28 | |
MORGAN MOANS | 0:30:28 | 0:30:30 | |
So... | 0:30:30 | 0:30:31 | |
ride on, Dobbin! | 0:30:31 | 0:30:34 | |
-Woo! -Na-hey! | 0:30:34 | 0:30:36 | |
Hey, you all right? | 0:30:36 | 0:30:38 | |
-What? What's the matter? -Nothing. | 0:30:39 | 0:30:42 | |
What's the matter? What are you doing? | 0:30:42 | 0:30:44 | |
Who normally does these for you? | 0:30:46 | 0:30:49 | |
Jean does them at the end of the month. | 0:30:49 | 0:30:51 | |
-And you pay her for that? -ALFIE SIGHS | 0:30:51 | 0:30:53 | |
-We spoke about it a few weeks ago. -She's living here rent-free! | 0:30:53 | 0:30:56 | |
Yes, cos she's family. | 0:30:56 | 0:30:57 | |
If Jean wants a job, she should get a job. | 0:30:57 | 0:30:59 | |
-HE SIGHS -I'm not sacking her. | 0:30:59 | 0:31:01 | |
Alfie, do the maths! Look, you're not running a charity here, OK? | 0:31:01 | 0:31:04 | |
She's still sitting on all that scratch card money. | 0:31:04 | 0:31:07 | |
She's not going to get thrown into poverty, is she? | 0:31:07 | 0:31:09 | |
Was just going to say the bathroom's free. | 0:31:12 | 0:31:14 | |
MUSIC: "We Are Family" by Sister Sledge | 0:31:14 | 0:31:16 | |
-TIFFANY: -Charge! | 0:31:27 | 0:31:30 | |
Jean? Hold on a minute. Please come back... | 0:31:30 | 0:31:32 | |
CRASHING | 0:31:32 | 0:31:33 | |
What are you two doing here? | 0:31:39 | 0:31:41 | |
Searching for the Holy Grail. | 0:31:41 | 0:31:43 | |
-Where's your dad? -Ow! | 0:31:43 | 0:31:45 | |
Is he now? Oh, IS he now? Right. | 0:31:45 | 0:31:47 | |
DOOR SLAMS | 0:31:51 | 0:31:52 | |
-Ray, since when have you been back at work? -Since today. | 0:31:56 | 0:31:59 | |
-Are you feeding those kids again? -There's two tons of sausages | 0:31:59 | 0:32:02 | |
nearly past their sell-by-date. What's the problem? | 0:32:02 | 0:32:05 | |
-They're not your sausages! -Look, tomorrow they'll be in the bin. | 0:32:05 | 0:32:07 | |
Shall I tell you what I told Alfie? This is not a charity, OK? | 0:32:07 | 0:32:10 | |
-How will you work with one hand? -Jean's helping me. | 0:32:10 | 0:32:12 | |
-What? -If you're going to be like this... | 0:32:12 | 0:32:14 | |
Ray, what you doing? | 0:32:14 | 0:32:16 | |
Ray?! Ray! Come on! | 0:32:16 | 0:32:19 | |
Ray, come back. Where you going? | 0:32:19 | 0:32:21 | |
Come here! Oi! | 0:32:21 | 0:32:23 | |
Come on, grab your coats. We'll do this at your mum's house. | 0:32:23 | 0:32:25 | |
Ray, you can't just walk out! We're open in two hours. | 0:32:25 | 0:32:28 | |
-Ray, Ray, what are you doing? -I'm sorry mate, it's done. | 0:32:28 | 0:32:31 | |
-It's lunchtime, what are you doing? -Done, done! -Ray! | 0:32:31 | 0:32:34 | |
-HE SIGHS -Brilliant. Well done, Rox(!) | 0:32:35 | 0:32:38 | |
Jean, what did Roxy actually say, then? | 0:32:44 | 0:32:48 | |
-Everything all right, Jean? -Yeah, were fine. | 0:32:48 | 0:32:51 | |
Apparently, I don't need a paid job | 0:32:54 | 0:32:57 | |
because I'm sitting on all that scratch card money, | 0:32:57 | 0:33:00 | |
which is actually for a rainy day. | 0:33:00 | 0:33:03 | |
What scratch card money? | 0:33:03 | 0:33:05 | |
Oh... | 0:33:06 | 0:33:09 | |
I won £8,000 on a scratch card last November. | 0:33:09 | 0:33:12 | |
Yeah? | 0:33:12 | 0:33:14 | |
Really? | 0:33:14 | 0:33:15 | |
And they say good things don't happen to nice people? | 0:33:15 | 0:33:18 | |
Tell you what. | 0:33:18 | 0:33:21 | |
If I sort out Roxy and Alfie for you, | 0:33:23 | 0:33:26 | |
will you do me a favour? | 0:33:26 | 0:33:28 | |
Will you sort out Janine for me? | 0:33:28 | 0:33:30 | |
I know, I know. | 0:33:31 | 0:33:34 | |
Have you ever heard of a prenuptial agreement? | 0:33:34 | 0:33:38 | |
Has Lola been in? Have you seen Lola? | 0:33:40 | 0:33:43 | |
KNOCK ON DOOR | 0:33:50 | 0:33:51 | |
I'm, uh... I'm sorry for what I said about your mum. | 0:33:55 | 0:33:59 | |
It's time to go. | 0:34:01 | 0:34:03 | |
We just need to hold it together for a few more days. | 0:34:07 | 0:34:10 | |
Once the funeral's over, things will start to quieten down, and then... | 0:34:10 | 0:34:15 | |
we can get on with our lives. | 0:34:15 | 0:34:17 | |
I've been thinking. | 0:34:19 | 0:34:20 | |
Yeah? | 0:34:20 | 0:34:23 | |
And I've made a decision. | 0:34:23 | 0:34:25 | |
Yeah? | 0:34:28 | 0:34:30 | |
I'm going to confess. | 0:34:30 | 0:34:32 | |
HE SIGHS | 0:34:34 | 0:34:36 | |
Two dozen Luscious Lash mascaras, | 0:34:40 | 0:34:43 | |
two dozen fruity lip glosses, | 0:34:43 | 0:34:45 | |
two dozen full spectrum eye-shadows, | 0:34:45 | 0:34:47 | |
two dozen make-up remover kits. | 0:34:47 | 0:34:50 | |
Cash on delivery, yeah? | 0:34:50 | 0:34:52 | |
And how long will I take to get it? | 0:34:52 | 0:34:54 | |
Brilliant. Thanks! Cheers. | 0:34:55 | 0:34:57 | |
What was that about? | 0:34:57 | 0:34:59 | |
Got a bit of spare cash, so I'm going into business. | 0:34:59 | 0:35:01 | |
I've been thinking about it for ages. | 0:35:01 | 0:35:03 | |
-Oh, yeah? What kind of business? -Door-to-door cosmetics. | 0:35:03 | 0:35:06 | |
-What's the windfall? -Derek's helping me, but you didn't hear me say that. | 0:35:06 | 0:35:09 | |
-You know, there is nothing worth eating in this freezer. -What? | 0:35:11 | 0:35:14 | |
-Do you know what chicken nuggets are made out of? -Morgan loves them. | 0:35:14 | 0:35:17 | |
HE LAUGHS | 0:35:17 | 0:35:18 | |
What about mechanically recovered meat? | 0:35:18 | 0:35:20 | |
-Erm, I don't really care. -You don't care about the kids' health? | 0:35:20 | 0:35:23 | |
We're talking 20 percent recovered chicken gloop, and 80 percent... | 0:35:23 | 0:35:27 | |
-La-la-la-la! -Right, you know what? | 0:35:27 | 0:35:30 | |
I'm going to give you a cooking lesson. | 0:35:30 | 0:35:32 | |
-What? -Wait there. Wait there. -I need some shopping. | 0:35:32 | 0:35:37 | |
Come on, Einstein. Where will we get a chef? | 0:35:37 | 0:35:39 | |
I'm sorry, Alfie, OK? I'm sorry. But it was stealing. | 0:35:39 | 0:35:42 | |
-Technically, it was... -Let's work this out, OK? | 0:35:42 | 0:35:44 | |
Four sausages. What's that? A quid, at the most. | 0:35:44 | 0:35:46 | |
An entire lunchtime trade down the Swanee. | 0:35:46 | 0:35:48 | |
200 quid. | 0:35:48 | 0:35:50 | |
You work out the maths! | 0:35:50 | 0:35:51 | |
As you said to me, what, 15 minutes... | 0:35:51 | 0:35:54 | |
-Hold on a minute. Hold on. Where are you going? -To beg. | 0:35:54 | 0:35:58 | |
SHE SIGHS | 0:35:58 | 0:35:59 | |
DOOR SLAMS | 0:35:59 | 0:36:01 | |
-Is this the best garlic you got, mate? -That's all I have. | 0:36:01 | 0:36:04 | |
-Can I have a word, mate? -Too late, Alfie mate, I'm sorry. | 0:36:04 | 0:36:07 | |
I know Roxy was operating above her pay grade, all right? | 0:36:07 | 0:36:09 | |
And you can give as many sausages to as many kids as you want. | 0:36:09 | 0:36:13 | |
Raymundo, come on, listen. Think about it, right, I need you. | 0:36:13 | 0:36:16 | |
-The Queen Vic needs you. -I've got other stuff on now, man. | 0:36:16 | 0:36:19 | |
I know what you're saying. To show there's no hard feeling, | 0:36:19 | 0:36:22 | |
I am prepared to give you time and a half. | 0:36:22 | 0:36:24 | |
You can't say fairer than that. | 0:36:24 | 0:36:26 | |
Where's your sense of loyalty? Sense of duty, eh? Come on! | 0:36:26 | 0:36:29 | |
Last time I checked, Roxy cooks a mean beans on toast. | 0:36:29 | 0:36:31 | |
Forget about it. | 0:36:31 | 0:36:34 | |
Alfie! I bet you'd like to save 20 percent on your... | 0:36:34 | 0:36:36 | |
Fats, later! | 0:36:36 | 0:36:37 | |
..utility bills. | 0:36:37 | 0:36:39 | |
Eh, you're wearing the same colour as my company. You could save... | 0:36:39 | 0:36:42 | |
Marriage is about love. It shouldn't have anything to do with money. | 0:36:42 | 0:36:46 | |
It's a beautiful sentiment. | 0:36:47 | 0:36:50 | |
But Janine's Janine. | 0:36:50 | 0:36:51 | |
Well, Cruella De Vil, surely. | 0:36:51 | 0:36:55 | |
Jean, light of my life. | 0:36:56 | 0:36:59 | |
Sausage queen extraordinaire. I need you, sweetheart. | 0:36:59 | 0:37:02 | |
Jean, come on! | 0:37:02 | 0:37:03 | |
Roxy was talking out of her backside, OK? | 0:37:03 | 0:37:06 | |
I'd sack her before I sacked you. | 0:37:06 | 0:37:07 | |
Please, come on. | 0:37:07 | 0:37:09 | |
What's brought this on? | 0:37:09 | 0:37:11 | |
If I'm being honest, takings are down. | 0:37:11 | 0:37:12 | |
I'll tell you why takings are down. | 0:37:12 | 0:37:14 | |
Cos Sausage Surprise isn't on the menu. | 0:37:14 | 0:37:16 | |
Come on, walk back in triumph. Please, I'm begging you. | 0:37:16 | 0:37:20 | |
-What's happened to Ray? -Who's Ray? See what I did there? | 0:37:20 | 0:37:23 | |
Come on, I need you, Jean. Please, darling. | 0:37:23 | 0:37:26 | |
Alfie, there's something you've failed to realise. | 0:37:26 | 0:37:30 | |
-Sausage Surprise is my signature dish. -Yes, I know. | 0:37:30 | 0:37:33 | |
I can't just magic it up! | 0:37:33 | 0:37:36 | |
D'you know how long it takes to chop eight pounds of onions? | 0:37:36 | 0:37:39 | |
-I cook. -Really? | 0:37:39 | 0:37:41 | |
Yeah, when the muse descends. What would it entail? | 0:37:41 | 0:37:45 | |
-Chopping onions, mainly. -I can do that. | 0:37:45 | 0:37:47 | |
Oh, Michael... I love you, Michael. Here you go. | 0:37:47 | 0:37:50 | |
£6 an hour, and all the Sausage Surprise you can eat, yeah? | 0:37:50 | 0:37:54 | |
-I don't want money. It's a favour for you, Jean. -Really? | 0:37:54 | 0:37:57 | |
Yeah. | 0:37:57 | 0:38:00 | |
Well, I'm not going to cramp your style. | 0:38:00 | 0:38:02 | |
You can't do that. It's got too much style to be cramped. | 0:38:02 | 0:38:04 | |
HE LAUGHS | 0:38:04 | 0:38:06 | |
Come on! Seize the moment, eh? Come on, darling. Chop chop! Get it? | 0:38:06 | 0:38:09 | |
See what I did there? Chop chop? Follow me. Come on, let's go. | 0:38:09 | 0:38:14 | |
Sausage Surprise back on the menu, folks. | 0:38:14 | 0:38:16 | |
(He always does this.) | 0:38:16 | 0:38:18 | |
How are you feeling now? | 0:38:28 | 0:38:29 | |
Will you stop asking me that? | 0:38:31 | 0:38:32 | |
I'm still a bit worried about what you're going to say | 0:38:32 | 0:38:35 | |
when you get in there. Just remember, all this is about. | 0:38:35 | 0:38:38 | |
Perverting the course of justice. I know. | 0:38:38 | 0:38:40 | |
-Say whatever you want about Stella, just don't mention... -I know, Dad. | 0:38:40 | 0:38:44 | |
However guilty you feel, | 0:38:44 | 0:38:46 | |
you don't want to spend the next 15 years in the nick, believe me. | 0:38:46 | 0:38:50 | |
Maybe I deserve it. | 0:38:50 | 0:38:51 | |
And you realise you'd drag Jay down with you, don't you? | 0:38:51 | 0:38:54 | |
Dad, I've said, so will you stop going on about it? | 0:38:54 | 0:38:56 | |
Listen. When they ask you about why you dobbed me in it... | 0:39:00 | 0:39:04 | |
..forget about your mother. Just blame me. | 0:39:06 | 0:39:09 | |
Seriously. We both know what I'm talking about. | 0:39:09 | 0:39:13 | |
Just say whatever you want. | 0:39:13 | 0:39:15 | |
Cos I don't want to lose you. | 0:39:19 | 0:39:20 | |
And I...I love you... | 0:39:25 | 0:39:29 | |
..son. | 0:39:31 | 0:39:33 | |
Ben? | 0:39:37 | 0:39:39 | |
Want to come through? | 0:39:39 | 0:39:41 | |
What about me? | 0:39:41 | 0:39:42 | |
The appointment is with Ben, by himself. | 0:39:42 | 0:39:44 | |
I don't make the rules, I'm afraid. | 0:39:44 | 0:39:46 | |
PHONE RINGS | 0:39:46 | 0:39:50 | |
Phil, it's me. Look, I need to speak to you. | 0:40:04 | 0:40:07 | |
So you call me as soon as you get this. Something's come up. | 0:40:07 | 0:40:10 | |
KNOCK AT DOOR | 0:40:10 | 0:40:12 | |
You wanted to see me, Ms Carter? | 0:40:12 | 0:40:15 | |
-I wouldn't feed that to my dog. -You haven't got a dog, Derek. | 0:40:20 | 0:40:24 | |
Billy, say "woof woof" to the nice lady. | 0:40:24 | 0:40:26 | |
-Roxy, you haven't seen Lola, have you? -What's the big deal? | 0:40:26 | 0:40:29 | |
-I take that as a no. -What do you need her for? | 0:40:29 | 0:40:31 | |
I don't NEED her for anything. | 0:40:31 | 0:40:32 | |
When she goes missing, | 0:40:32 | 0:40:34 | |
I start to worry. That's what grandparents do. | 0:40:34 | 0:40:36 | |
All right! Have you tried phoning her? | 0:40:36 | 0:40:39 | |
Bill! | 0:40:39 | 0:40:41 | |
Keep the fingers on your left hand bent. Prevents accidents. | 0:40:43 | 0:40:46 | |
You can talk(!) Now I know why I don't like doing this. | 0:40:46 | 0:40:50 | |
All right, some olive oil. | 0:40:50 | 0:40:53 | |
-How is that different to ordinary oil? -Because it's made of olives. | 0:40:53 | 0:40:57 | |
-I don't like olives. -Once it's cooked, you won't taste the olives. | 0:40:57 | 0:41:00 | |
So why use them, then? | 0:41:00 | 0:41:01 | |
Olive oil's at the basis of all Italian cookery. | 0:41:01 | 0:41:04 | |
So, it's five times the price, and in the end you can't even taste it? | 0:41:05 | 0:41:08 | |
You said you wanted to learn. | 0:41:08 | 0:41:10 | |
You said I OUGHT to learn because I'm a bad mother, apparently. | 0:41:10 | 0:41:13 | |
I never said you were a bad mother. | 0:41:13 | 0:41:14 | |
I just said the kids could have a better diet. | 0:41:14 | 0:41:16 | |
Ask Morgan what his favourite dinner is. He's in the front room. | 0:41:16 | 0:41:19 | |
What are you waiting for? | 0:41:19 | 0:41:20 | |
Are we doing this, or not? | 0:41:20 | 0:41:23 | |
I couldn't afford all this, even if I wanted to make it. | 0:41:23 | 0:41:26 | |
OK, now look, this is oregano. Smell. | 0:41:26 | 0:41:27 | |
Eugh. | 0:41:27 | 0:41:29 | |
We add this to the oil while it's heating, | 0:41:29 | 0:41:31 | |
so it absorbs the flavour. | 0:41:31 | 0:41:33 | |
Oh, the kids'll love that(!) Fried grass. | 0:41:33 | 0:41:35 | |
SHE LAUGHS | 0:41:35 | 0:41:36 | |
Plenty of crushed garlic. | 0:41:36 | 0:41:38 | |
-Guess what. -What? | 0:41:38 | 0:41:40 | |
You don't like garlic? | 0:41:40 | 0:41:42 | |
Have you been to France? I have. They stink of it. | 0:41:42 | 0:41:44 | |
You can't make spaghetti Bolognese without garlic. | 0:41:44 | 0:41:47 | |
I'll tell you how to make spaghetti bolognese, shall I? | 0:41:47 | 0:41:50 | |
Get it out the freezer, take the packaging off, give it a prong, | 0:41:50 | 0:41:53 | |
stick it in the microwave for three minutes, and, "Ding," it's done. | 0:41:53 | 0:41:56 | |
Anything worth doing is worth taking time over. | 0:41:56 | 0:41:59 | |
How long does your way take? | 0:41:59 | 0:42:01 | |
-I don't know. An hour, maybe. -An hour?! Are you mad? | 0:42:01 | 0:42:04 | |
Nothing that takes longer to cook than to wash up is worth having. | 0:42:04 | 0:42:07 | |
-It's like lovemaking. -What? | 0:42:07 | 0:42:09 | |
The longer it takes to cook, the bigger the explosion at the end. | 0:42:09 | 0:42:13 | |
It ain't the way I remember it. | 0:42:13 | 0:42:14 | |
I remember the packaging, little bit of fumbling about, | 0:42:14 | 0:42:17 | |
but I don't remember no "ding." | 0:42:17 | 0:42:20 | |
You acknowledge the accusations you made against your father were false? | 0:42:20 | 0:42:25 | |
What was going through your head at the time? | 0:42:27 | 0:42:30 | |
Ben, I'm not the police. | 0:42:31 | 0:42:34 | |
I'm not working for the prosecution, or the defence. | 0:42:34 | 0:42:37 | |
I'm answerable solely to the court. | 0:42:37 | 0:42:39 | |
Look, can't we just say I'm nuts, and leave it at that? | 0:42:41 | 0:42:44 | |
It's not a question of whether you're "nuts," or not. | 0:42:44 | 0:42:46 | |
Isn't that exactly what it's a question of? | 0:42:46 | 0:42:50 | |
We don't like calling people "nuts." | 0:42:50 | 0:42:53 | |
So, what would you call it, then? | 0:42:55 | 0:42:58 | |
What posh word have you got up your sleeve for it? | 0:42:58 | 0:43:00 | |
Did you feel "nuts" at the time? | 0:43:00 | 0:43:04 | |
Is it nuts to want to get your own back? | 0:43:07 | 0:43:11 | |
And why would you want to do that? | 0:43:11 | 0:43:13 | |
I don't want any tissues. | 0:43:17 | 0:43:20 | |
I was just wondering if you'd seen her at all. | 0:43:30 | 0:43:32 | |
When I got up this morning, she wasn't here. | 0:43:32 | 0:43:35 | |
It's not like her to get up early when she don't have to. | 0:43:35 | 0:43:37 | |
(You all right? I'm putting the kettle on. D'you want one?) | 0:43:37 | 0:43:40 | |
Scrub that, Ab. Sorry to bother you. | 0:43:40 | 0:43:42 | |
Where the hell have you been? | 0:43:42 | 0:43:44 | |
What's the problem? | 0:43:44 | 0:43:45 | |
What's the problem?! You don't answer your phone. No-one's seen you. | 0:43:45 | 0:43:49 | |
You're six months pregnant, and you ask me what the problem is?! | 0:43:49 | 0:43:51 | |
You can't keep your phone on in the scanning room. | 0:43:51 | 0:43:54 | |
Why d'you need a scan? | 0:43:54 | 0:43:55 | |
I didn't, but I woke this morning, and couldn't bear not knowing. | 0:43:55 | 0:43:59 | |
Not knowing what? | 0:43:59 | 0:44:00 | |
-I went to the hospital. I told them I was spotting. -No! | 0:44:00 | 0:44:03 | |
No, no, it's all right, I'm not. | 0:44:03 | 0:44:05 | |
But with a bit of sweet talk, I managed to get an emergency scan. | 0:44:05 | 0:44:08 | |
What?! | 0:44:08 | 0:44:10 | |
-Don't you want to know the answer? -Answer to what? | 0:44:10 | 0:44:12 | |
Whether it's a boy or girl. | 0:44:12 | 0:44:15 | |
And? | 0:44:15 | 0:44:16 | |
So, did you want tea or coffee? | 0:44:16 | 0:44:19 | |
Lola! Tell me! | 0:44:19 | 0:44:21 | |
What would you like it to be? Hmm? | 0:44:22 | 0:44:25 | |
OMG! | 0:44:29 | 0:44:31 | |
Roxy told me, but I didn't know whether to believe it or not. | 0:44:31 | 0:44:35 | |
Check you out, my fiance, the skivvy. | 0:44:35 | 0:44:38 | |
-I've so got to get a picture. -No, you haven't! -Say, "Sausages." | 0:44:38 | 0:44:41 | |
No, you haven't. We're busy. Seriously. | 0:44:41 | 0:44:45 | |
OK, well, I'll see at home later. You're cooking. | 0:44:45 | 0:44:50 | |
I read an article in a magazine once about those prenuptial thingies. | 0:44:59 | 0:45:03 | |
Yeah? | 0:45:05 | 0:45:06 | |
Apparently, if it's all about one person giving all the money | 0:45:06 | 0:45:10 | |
to the other person, then it doesn't stand up in court. | 0:45:10 | 0:45:13 | |
The judge just throws it out. | 0:45:13 | 0:45:17 | |
Does he really? | 0:45:17 | 0:45:18 | |
It's all hypothetical though, Jean. | 0:45:20 | 0:45:22 | |
Who gets married planning a divorce? | 0:45:22 | 0:45:25 | |
Janine, apparently. | 0:45:25 | 0:45:28 | |
See, Janine, she thinks money makes you happy. | 0:45:28 | 0:45:32 | |
(But we know different.) | 0:45:35 | 0:45:36 | |
Don't we? | 0:45:38 | 0:45:39 | |
You'd spent a lot of time preparing this car, yes? | 0:45:43 | 0:45:47 | |
-I wanted him to be proud of me. -But then? | 0:45:47 | 0:45:50 | |
I stalled it. In front of everyone. | 0:45:52 | 0:45:55 | |
And he just ripped the... | 0:45:57 | 0:45:58 | |
Yeah, well, you know. | 0:46:01 | 0:46:02 | |
And that's when you went to speak to DCI Marsden? | 0:46:04 | 0:46:07 | |
Yeah, it was like... | 0:46:10 | 0:46:11 | |
..I don't know what you call it. | 0:46:13 | 0:46:16 | |
-The final straw? -Yeah. | 0:46:16 | 0:46:19 | |
It would be fair to say | 0:46:21 | 0:46:23 | |
you have a difficult relationship with your father? | 0:46:23 | 0:46:26 | |
And yet, he's driven you here today. | 0:46:28 | 0:46:32 | |
-Only so I'd keep my mouth shut. -About what? | 0:46:32 | 0:46:34 | |
Ben? | 0:46:36 | 0:46:37 | |
He thinks I'm going to slag him off, that's all. | 0:46:39 | 0:46:42 | |
Is that what you want to do? | 0:46:42 | 0:46:44 | |
Half the time, I hate him. | 0:46:46 | 0:46:48 | |
And the other half? | 0:46:48 | 0:46:50 | |
Is it hard to admit you might love him too? | 0:46:52 | 0:46:56 | |
What about him? Does he care about you? | 0:46:58 | 0:47:01 | |
Look, maybe it's me. | 0:47:06 | 0:47:09 | |
Maybe I'm just evil. | 0:47:11 | 0:47:12 | |
I don't think for a moment you really believe that. | 0:47:14 | 0:47:16 | |
You don't know the half of it. | 0:47:17 | 0:47:20 | |
What are you writing down now? | 0:47:28 | 0:47:30 | |
I think we'll leave it there for the time being. | 0:47:31 | 0:47:35 | |
Everything all right, mate? | 0:47:39 | 0:47:41 | |
You'd be better off calling it "Sausage Nasty Surprise." | 0:47:41 | 0:47:45 | |
Rox, it's a nightmare. How many of these have we sold? | 0:47:45 | 0:47:48 | |
I don't know. Maybe six. | 0:47:48 | 0:47:50 | |
What? Six all afternoon? | 0:47:50 | 0:47:52 | |
-How many times must I say I'm sorry? -You know what you have to do? | 0:47:52 | 0:47:55 | |
No, come on, I don't want to. Don't make me. | 0:47:55 | 0:47:57 | |
You made him go. You bring him back. Yes, yes! | 0:47:57 | 0:47:59 | |
All right, Billy? | 0:48:00 | 0:48:02 | |
Yeah, yeah. Give us a large one, and whatever you're having. | 0:48:02 | 0:48:04 | |
What about your bird? What's the celebration, then? | 0:48:04 | 0:48:08 | |
I'm going to be having a great-granddaughter. How great is that? | 0:48:08 | 0:48:12 | |
Sounds double great to me. Good on you. | 0:48:12 | 0:48:14 | |
Celebrating? | 0:48:14 | 0:48:15 | |
Yeah, yeah. Just a bit. | 0:48:15 | 0:48:17 | |
My granddaughter's going to be having a little girl. | 0:48:17 | 0:48:20 | |
I got a picture of the scan there. Look. | 0:48:20 | 0:48:22 | |
My word. So different from other pictures of babies in the womb(!) | 0:48:22 | 0:48:26 | |
Nice teddy bear(!) | 0:48:26 | 0:48:27 | |
Yeah, only the best for my little girl. | 0:48:27 | 0:48:30 | |
-Like the world needs another Mitchell(!) -Eh? | 0:48:30 | 0:48:33 | |
-Be going to Heather Trott's funeral tomorrow? -Yeah, 'course I am. | 0:48:33 | 0:48:36 | |
-Alfie mate, sorry, I've only got 50s. -Billy, can I have a word, mate? | 0:48:36 | 0:48:40 | |
(Have you not heard of the word "discreet"?) | 0:48:40 | 0:48:43 | |
Only 50s? | 0:48:43 | 0:48:45 | |
Someone's in the money. | 0:48:45 | 0:48:46 | |
HE MOUTHS | 0:48:50 | 0:48:52 | |
So this is the key, right? | 0:48:52 | 0:48:53 | |
Stick it in the meter, and Bob's your uncle. | 0:48:53 | 0:48:56 | |
Give it a go. Go on. | 0:48:56 | 0:48:57 | |
I never have to pay for electric again? | 0:48:57 | 0:48:59 | |
Obviously, you got to pay something, | 0:48:59 | 0:49:01 | |
or they'll smell a rat. Stick your own key in, now and again. | 0:49:01 | 0:49:04 | |
My mum'll do her nut if she finds out. | 0:49:04 | 0:49:06 | |
So don't you tell her. | 0:49:06 | 0:49:09 | |
That's it, put it in there. | 0:49:09 | 0:49:10 | |
-Hello! -Here she comes, here she comes!! | 0:49:10 | 0:49:13 | |
What are you two doing under there? | 0:49:13 | 0:49:15 | |
-I've just found a spider. Want a look? -No, you're all right. | 0:49:15 | 0:49:18 | |
-It's a lovely spider, look. -Get out, Derek! | 0:49:18 | 0:49:20 | |
SHE LAUGHS | 0:49:20 | 0:49:22 | |
-Get out, Derek! -I know you like spiders(!) | 0:49:22 | 0:49:24 | |
-Derek! -See you later, girls! -Thank you, Uncle Derek. | 0:49:24 | 0:49:26 | |
Nicely done, kids. | 0:49:29 | 0:49:31 | |
Right, how are we getting on in here, then? | 0:49:31 | 0:49:34 | |
I still prefer chicken nuggets. | 0:49:36 | 0:49:38 | |
What about you, Tiff? | 0:49:38 | 0:49:40 | |
I prefer chicken nuggets, too. | 0:49:40 | 0:49:41 | |
Now I know how Jamie Oliver felt. | 0:49:46 | 0:49:49 | |
See you later. | 0:49:49 | 0:49:51 | |
DOOR BANGS | 0:49:51 | 0:49:52 | |
How about we have toffee doughnuts for afters? | 0:49:54 | 0:49:56 | |
BOTH: Yeah! | 0:49:56 | 0:49:57 | |
About this morning... | 0:49:57 | 0:49:59 | |
-Oh, yeah? -I'm sorry, OK? You caught me at a bad moment. -So? | 0:49:59 | 0:50:04 | |
So... | 0:50:04 | 0:50:08 | |
I'd be really grateful if you could see your way clear | 0:50:08 | 0:50:11 | |
to coming back to work this afternoon. | 0:50:11 | 0:50:14 | |
Oh, come on, Ray, don't make me beg! | 0:50:14 | 0:50:18 | |
-Actually, I'd quite like that. -SHE LAUGHS | 0:50:18 | 0:50:20 | |
-Evil? What did you tell him that for? -To wind him up. | 0:50:22 | 0:50:25 | |
You were supposed to make them think your nuts, | 0:50:25 | 0:50:27 | |
not a flaming psycho. | 0:50:27 | 0:50:29 | |
Why don't you listen, eh? | 0:50:29 | 0:50:31 | |
Mr Mitchell? | 0:50:35 | 0:50:37 | |
Sir. | 0:50:37 | 0:50:38 | |
Would you like to save 20 percent | 0:50:38 | 0:50:40 | |
on your gas and electric bills? | 0:50:40 | 0:50:42 | |
This is just wrong. I've had enough of this rubbish. | 0:50:44 | 0:50:47 | |
Get off me. | 0:50:49 | 0:50:51 | |
-Where you been? Shirley's doing her nut. -What's the problem? | 0:50:53 | 0:50:56 | |
-She's left you 15 messages. -My phone's switched off. | 0:50:56 | 0:50:58 | |
She wants us over at Heather's. Like, now. | 0:50:58 | 0:51:02 | |
DOOR SLAMS | 0:51:06 | 0:51:09 | |
So the scullion returns! | 0:51:09 | 0:51:11 | |
Funny(!) Did you get a funeral frock? | 0:51:11 | 0:51:13 | |
No. Didn't in the end, because the only thing that fit me | 0:51:13 | 0:51:16 | |
was like a tent, and I've got no intention | 0:51:16 | 0:51:18 | |
of being this size the next time somebody snuffs it. | 0:51:18 | 0:51:22 | |
That's a shame. I quite fancy a tubby Janine. | 0:51:22 | 0:51:25 | |
Watch it! | 0:51:25 | 0:51:26 | |
And don't you dare even think of inflicting | 0:51:26 | 0:51:29 | |
Jean's "Sausage Surprise" on me. Bleugh.... | 0:51:29 | 0:51:32 | |
She just got herself into a flap, that's all. | 0:51:32 | 0:51:35 | |
Alfie roped me in. It's no biggie, it's all right. | 0:51:35 | 0:51:38 | |
Really? Shame. Cos you two just look so sweet together(!) | 0:51:38 | 0:51:41 | |
-You should be grateful to her. -Why should I be grateful to her? | 0:51:41 | 0:51:44 | |
Because she elucidated a few things for me. | 0:51:44 | 0:51:46 | |
Like what? | 0:51:46 | 0:51:47 | |
Like, if I'm marrying you, I'm marrying you because I love you. | 0:51:47 | 0:51:50 | |
It's nothing to do with your money. | 0:51:50 | 0:51:53 | |
And if you want me to sign one of these things, then I'll do it. | 0:51:53 | 0:51:56 | |
-Really? -Yeah, really. | 0:51:56 | 0:51:58 | |
Right, just face that way a minute. | 0:52:02 | 0:52:04 | |
What are you doing? | 0:52:06 | 0:52:08 | |
I told you. I like a fat bird. | 0:52:08 | 0:52:11 | |
-The picture! -What picture? | 0:52:14 | 0:52:17 | |
The Best Friends picture that I gave her on her hen night. | 0:52:17 | 0:52:19 | |
-What about it? -Well, I came round here to pick it up, | 0:52:19 | 0:52:22 | |
cos I wanted to put it on top of the coffin tomorrow and it's not here. | 0:52:22 | 0:52:26 | |
Shirl, there's other pictures, ain't there? | 0:52:26 | 0:52:28 | |
No, you're not getting it, Phil. It was a big heavy metal frame, | 0:52:28 | 0:52:31 | |
and it's gone. | 0:52:31 | 0:52:34 | |
So? | 0:52:34 | 0:52:35 | |
So I called the police, and they come round straightaway. | 0:52:35 | 0:52:38 | |
About a picture frame? | 0:52:38 | 0:52:39 | |
You're not listening! It's what he would've used! | 0:52:39 | 0:52:42 | |
-Who will have done? -Andrew! | 0:52:42 | 0:52:44 | |
To bash her brains in! | 0:52:46 | 0:52:48 | |
We find that, and we've nailed him! | 0:52:51 | 0:52:54 | |
MUSIC: "You Have Been Loved" by George Michael | 0:53:06 | 0:53:11 | |
# She takes the back road and the lane | 0:54:03 | 0:54:07 | |
# Past the school that has not changed | 0:54:07 | 0:54:10 | |
# In all this time... # | 0:54:10 | 0:54:14 | |
MUSIC CONTINUES OUTSIDE | 0:54:16 | 0:54:20 | |
BREATHES SHAKILY | 0:55:42 | 0:55:45 | |
"Take care my love, she said." DOOR SLAMS | 0:55:45 | 0:55:48 | |
"Don't think that God is dead. | 0:55:48 | 0:55:50 | |
"Take care my love, she said. | 0:55:51 | 0:55:55 | |
"You have been loved." | 0:55:55 | 0:55:56 | |
-What's your problem? -You. You're doing my head in. | 0:55:56 | 0:55:59 | |
-Give it back, you little psycho. -What you say?! Say it again! | 0:55:59 | 0:56:02 | |
Give it back, you little psycho! | 0:56:02 | 0:56:04 | |
Oi, oi, oi. | 0:56:04 | 0:56:06 | |
We got to hold it together for one more day, | 0:56:08 | 0:56:10 | |
then we can put this all behind us. | 0:56:10 | 0:56:13 | |
You can do that, can't ya? | 0:56:13 | 0:56:15 | |
"We're going to get through today." Say it. Go on. | 0:56:15 | 0:56:18 | |
-We're going to get through today. -Say it. | 0:56:18 | 0:56:20 | |
We're going to get through today. | 0:56:20 | 0:56:22 | |
It's time. | 0:56:27 | 0:56:28 | |
The funeral car's out there. | 0:56:43 | 0:56:45 | |
Do you think they had to reinforce her coffin? | 0:56:45 | 0:56:47 | |
Put it down over there. | 0:56:47 | 0:56:49 | |
I bet you they did. | 0:56:49 | 0:56:51 | |
She was a big girl. | 0:56:51 | 0:56:52 | |
Thank you. | 0:56:53 | 0:56:54 | |
SHE GIGGLES That's my glitter cannon. | 0:56:56 | 0:56:59 | |
Ridiculous, I know, all right? But then I can afford ridiculous. | 0:56:59 | 0:57:03 | |
Why don't you open one? | 0:57:04 | 0:57:05 | |
-No, thank you. -Humour me, please. | 0:57:05 | 0:57:09 | |
I had the solicitor draw it up. | 0:57:16 | 0:57:17 | |
Mm. | 0:57:20 | 0:57:21 | |
Yes, you did. | 0:57:23 | 0:57:24 | |
35 pages. Pretty extensive. | 0:57:24 | 0:57:26 | |
Well, I had a few extra clauses put in there. | 0:57:26 | 0:57:29 | |
We can go and sign this afternoon. | 0:57:29 | 0:57:31 | |
I may need to consult my brief first. | 0:57:31 | 0:57:33 | |
You're stalling. | 0:57:33 | 0:57:35 | |
Definitely stalling. | 0:57:38 | 0:57:39 | |
What's up with them lot? | 0:57:39 | 0:57:41 | |
Keeping up a presence, ain't they? Reassurance. | 0:57:42 | 0:57:46 | |
She's dead, Pops. Ain't much reassurance in that, is there? | 0:57:46 | 0:57:49 | |
-All right mate. -Mr Mitchell. | 0:57:51 | 0:57:53 | |
What? He's a nice fella. | 0:57:54 | 0:57:57 | |
For a copper. | 0:57:58 | 0:58:00 | |
Boys, just one more day, all right? | 0:58:21 | 0:58:24 | |
Hey, they're beautiful flowers, Shirl. She'd have loved 'em. | 0:58:24 | 0:58:28 | |
Shirl? Um... | 0:58:38 | 0:58:40 | |
Heather's things from her locker. I didn't know what to do with 'em. | 0:58:40 | 0:58:44 | |
Billy, not now, eh? | 0:58:44 | 0:58:46 | |
No. Thanks, Billy. | 0:58:46 | 0:58:48 | |
Stop the car. | 0:59:12 | 0:59:14 | |
Stop the car! | 0:59:15 | 0:59:17 | |
STOP THE CAR! | 0:59:18 | 0:59:21 | |
You! | 0:59:25 | 0:59:26 | |
-Shirl, don't. Come on. -You murdering scum! | 0:59:26 | 0:59:29 | |
You stay away from her. You stay away! | 0:59:29 | 0:59:31 | |
I want to say goodbye to my girl. | 0:59:31 | 0:59:33 | |
-She ain't your girl! -He's got the right. | 0:59:33 | 0:59:36 | |
-He ain't got no rights. -And you do? | 0:59:36 | 0:59:38 | |
Kept her down so you could feel better about yourself. | 0:59:38 | 0:59:40 | |
She couldn't wait to get rid of you, you know that? | 0:59:40 | 0:59:43 | |
You're a liar! Stay away from the church! | 0:59:43 | 0:59:45 | |
Only way she could see to be happy was to run away with me! | 0:59:45 | 0:59:48 | |
You step one foot inside that church, | 0:59:48 | 0:59:50 | |
and I swear to God I will KILL YOU! | 0:59:50 | 0:59:52 | |
But we're her friends, Shirley. We're her friends. | 0:59:52 | 0:59:55 | |
You lost your right to say goodbye when you done her in. | 0:59:55 | 0:59:57 | |
-That's enough from you, Billy. -Come on. | 0:59:57 | 0:59:59 | |
D'you know what you done, Billy? | 0:59:59 | 1:00:01 | |
Do you? Mouthing off about stuff you don't know? | 1:00:01 | 1:00:04 | |
-You ruined my life, d'you know that? -You have some respect, eh? | 1:00:04 | 1:00:07 | |
You ruined my life! | 1:00:07 | 1:00:09 | |
Shirl, Shirl. Come on... | 1:00:09 | 1:00:11 | |
Respect. What do the Mitchells know about respect? | 1:00:17 | 1:00:22 | |
Let me make you a little sandwich, darling, eh? | 1:00:22 | 1:00:25 | |
Shirley Carter needn't think that she can stop us from saying goodbye. | 1:00:25 | 1:00:30 | |
BELL TOLLS | 1:00:32 | 1:00:39 | |
-Jay, we got to stick together... -Don't even talk to me, all right? | 1:00:57 | 1:01:00 | |
They're ready. | 1:01:07 | 1:01:08 | |
Not one other person. | 1:01:11 | 1:01:13 | |
Not even Queenie could be bothered to turn up. | 1:01:15 | 1:01:18 | |
It's not right. | 1:01:19 | 1:01:21 | |
She deserves better. | 1:01:21 | 1:01:23 | |
Ben? | 1:01:26 | 1:01:27 | |
MUSIC: "Careless Whisper" by George Michael | 1:01:51 | 1:01:57 | |
Darren sends his love. | 1:02:00 | 1:02:02 | |
# Oh-whoa, oh-oh | 1:02:05 | 1:02:08 | |
# I feel so unsure | 1:02:17 | 1:02:21 | |
# As I take your hand... # | 1:02:22 | 1:02:24 | |
It's for Hev, innit. | 1:02:24 | 1:02:26 | |
Patrick said, "Keep smiling." | 1:02:26 | 1:02:29 | |
God bless, sweet dreams. | 1:02:30 | 1:02:33 | |
Yeah. Too good for this place, sweetheart. | 1:02:33 | 1:02:35 | |
# Calls to mind the silver screen | 1:02:35 | 1:02:38 | |
# And all its sad goodbyes | 1:02:38 | 1:02:42 | |
# I'm never gonna dance again | 1:02:42 | 1:02:45 | |
# Guilty feet have got no rhythm | 1:02:45 | 1:02:48 | |
# Though it's easy to pretend | 1:02:48 | 1:02:51 | |
# I know you're not a fool | 1:02:51 | 1:02:54 | |
# Should've known better than to cheat a friend | 1:02:54 | 1:02:57 | |
# And waste the chance that I've been given | 1:02:57 | 1:03:01 | |
# So I'm never gonna dance again | 1:03:01 | 1:03:03 | |
# The way I danced with you | 1:03:03 | 1:03:07 | |
# Oh-oh... # | 1:03:09 | 1:03:12 | |
Let us pray. | 1:03:13 | 1:03:14 | |
God of hope, we come to you in shock and grief | 1:03:16 | 1:03:22 | |
and confusion of the heart. | 1:03:22 | 1:03:25 | |
Dear Father, we know that you will give your peace to us, your well-loved children, | 1:03:25 | 1:03:30 | |
and your light to guide us through our darkness | 1:03:30 | 1:03:34 | |
as we say goodbye to our beloved Heather Trott, | 1:03:34 | 1:03:39 | |
friend and fiancee to Andrew. | 1:03:39 | 1:03:43 | |
In the name of Jesus, our beloved Lord, thank you, Father. Amen. | 1:03:44 | 1:03:51 | |
-Amen. -Amen. -Amen. | 1:03:51 | 1:03:54 | |
I'm not very good at speaking. | 1:03:59 | 1:04:03 | |
And I'm not very good at writing either. | 1:04:04 | 1:04:07 | |
So I've written a list... | 1:04:08 | 1:04:10 | |
..of all the things I'm going to miss about Hev. | 1:04:12 | 1:04:15 | |
Number one. | 1:04:19 | 1:04:20 | |
Well, it has to be number one, really. | 1:04:21 | 1:04:24 | |
It's the way that she was George Michael's biggest fan. | 1:04:24 | 1:04:28 | |
And I never thought I'd hear myself say this, | 1:04:28 | 1:04:31 | |
but I'll miss the way she played his records on a loop. | 1:04:31 | 1:04:34 | |
It was... | 1:04:35 | 1:04:37 | |
..Edge Of Heaven... | 1:04:39 | 1:04:40 | |
..when she was happy. | 1:04:42 | 1:04:43 | |
And it was Careless Whisper when she was sad. | 1:04:43 | 1:04:47 | |
Number two. | 1:04:49 | 1:04:50 | |
Her style. | 1:04:51 | 1:04:53 | |
The bright colours, the legwarmers and those headbands. | 1:04:53 | 1:05:00 | |
And I know she'd be really impressed | 1:05:00 | 1:05:02 | |
if she could see the effort that you lot have made today. | 1:05:02 | 1:05:05 | |
Number three. | 1:05:09 | 1:05:10 | |
I'm going to miss that I just can't... | 1:05:12 | 1:05:15 | |
pop over for a chat... | 1:05:15 | 1:05:17 | |
..at whatever time, it be day or night. | 1:05:18 | 1:05:22 | |
I'm going to miss that she was... | 1:05:22 | 1:05:25 | |
..such a good mum. | 1:05:26 | 1:05:28 | |
He's an amazing little boy, and that's all down to you. | 1:05:29 | 1:05:32 | |
I'm going to miss that she knew me... | 1:05:40 | 1:05:42 | |
..better than anybody. | 1:05:44 | 1:05:45 | |
Even when I was a cow, for some reason, she still loved me. | 1:05:48 | 1:05:52 | |
I'm going to miss you every day, Hev. | 1:05:58 | 1:06:01 | |
I'm going to miss your smiles. | 1:06:05 | 1:06:07 | |
I'm going to miss your cuddles. | 1:06:08 | 1:06:11 | |
But most of all, I'm going to miss my best friend. | 1:06:15 | 1:06:18 | |
Stupid hormones. | 1:06:25 | 1:06:26 | |
Yeah. Stupid hormones. | 1:06:26 | 1:06:30 | |
-Don't ever die. -SHE SNIFFS | 1:06:30 | 1:06:32 | |
Come here. | 1:06:32 | 1:06:33 | |
Don't worry. | 1:06:35 | 1:06:36 | |
Weren't planning on going anywhere just yet. | 1:06:38 | 1:06:40 | |
This was one of Heather's favourite songs. | 1:06:48 | 1:06:52 | |
Take care my love, she said. | 1:07:02 | 1:07:04 | |
Don't think that God is dead. | 1:07:07 | 1:07:09 | |
Take care my love, she said. | 1:07:11 | 1:07:14 | |
You have been loved. | 1:07:16 | 1:07:17 | |
If I was weak, forgive me. | 1:07:21 | 1:07:24 | |
But I was terrified. | 1:07:25 | 1:07:27 | |
You brushed your... | 1:07:28 | 1:07:30 | |
my eyes with angels wings, full of love. | 1:07:30 | 1:07:33 | |
The kind that makes devil... | 1:07:35 | 1:07:36 | |
The kind that make devils cry... | 1:07:39 | 1:07:42 | |
I'm sorry. I'm sorry. | 1:07:47 | 1:07:49 | |
-Ben... -Jay. I've got to say it. She didn't deserve any of this. | 1:07:49 | 1:07:52 | |
-Let's sit down... -She didn't deserve this! | 1:07:52 | 1:07:54 | |
She was always kind to everybody. She was kind to me. | 1:07:54 | 1:07:56 | |
She was always so nice to everybody, even when... | 1:07:56 | 1:07:59 | |
even when I was horrible to her. | 1:07:59 | 1:08:01 | |
It shouldn't have happened. Not to her. | 1:08:01 | 1:08:03 | |
Not to her! It's not fair! | 1:08:03 | 1:08:05 | |
Sorry. | 1:08:09 | 1:08:10 | |
I'm sorry. | 1:08:12 | 1:08:14 | |
Sorry I ruined the reading. | 1:08:22 | 1:08:23 | |
You don't find many good people in the world. | 1:08:47 | 1:08:50 | |
Truly good, I mean. | 1:08:50 | 1:08:51 | |
You know, like people who'd give you their last ha'penny | 1:08:51 | 1:08:55 | |
or do anything for you. | 1:08:55 | 1:08:57 | |
But she was one of those. | 1:08:57 | 1:08:59 | |
My sweet Heather Trott. | 1:09:00 | 1:09:01 | |
D'you want to say something, Andrew? | 1:09:05 | 1:09:07 | |
She... | 1:09:07 | 1:09:08 | |
She was my life. | 1:09:10 | 1:09:11 | |
I didn't really appreciate her. I should've done. | 1:09:15 | 1:09:19 | |
Andrew... | 1:09:27 | 1:09:29 | |
Leave him be. | 1:09:29 | 1:09:30 | |
DOOR CLOSES | 1:09:34 | 1:09:37 | |
Poor boy. | 1:09:37 | 1:09:39 | |
I will get him. | 1:09:50 | 1:09:52 | |
And he'll suffer. | 1:09:55 | 1:09:56 | |
He'll suffer the way you suffered. | 1:09:58 | 1:10:00 | |
I promise you that. | 1:10:02 | 1:10:04 | |
Walk out that door, Hev. | 1:10:18 | 1:10:20 | |
Just walk out that door. | 1:10:21 | 1:10:23 | |
# And suddenly my heart goes boom | 1:10:30 | 1:10:35 | |
# It's an orchestra of angels | 1:10:35 | 1:10:40 | |
# And they're playing with my heart, yeah... # | 1:10:40 | 1:10:44 | |
D'you want to get caught? | 1:10:44 | 1:10:46 | |
-I'm going to get caught anyway. -You what? -I said... | 1:10:46 | 1:10:48 | |
Shut up! All right? Ben, this ain't about you any more. All right? | 1:10:48 | 1:10:52 | |
It's about Jay, me, Shirley, Amy... | 1:10:52 | 1:10:54 | |
If the truth comes out, | 1:10:54 | 1:10:56 | |
it will destroy each and every single one of us. | 1:10:56 | 1:10:59 | |
Do you understand? | 1:10:59 | 1:11:00 | |
Now, you pull yourself together and you be quiet. | 1:11:00 | 1:11:03 | |
Or I'll make you be quiet. | 1:11:03 | 1:11:06 | |
There was no such thing as pre-nups when I got married. | 1:11:13 | 1:11:15 | |
No big, fancy weddings either. | 1:11:15 | 1:11:18 | |
I blame it on the celebrities, with their ridiculous frocks and tiaras | 1:11:18 | 1:11:22 | |
and just general all-round stupidity... | 1:11:22 | 1:11:26 | |
-Taking advice from your brief? -Funny(!) | 1:11:26 | 1:11:28 | |
Oi, Jean, you got any George Michael? | 1:11:28 | 1:11:30 | |
I swear, if I hear that name one more time, | 1:11:30 | 1:11:33 | |
I won't be held responsible for my actions. | 1:11:33 | 1:11:35 | |
Of course we've got George Michael. | 1:11:35 | 1:11:37 | |
Oh. SHE CLEARS HER THROAT | 1:11:37 | 1:11:40 | |
Make sure that you initial every page. | 1:11:40 | 1:11:44 | |
-Hey, you seen Shirley? -No, I ain't. No. | 1:11:49 | 1:11:51 | |
Go and find her, yeah? I don't want any more problems. | 1:11:51 | 1:11:55 | |
MUSIC: "Wake Me Up Before You Go-Go" by Wham! | 1:11:57 | 1:12:00 | |
-Ben, that was a very moving speech. -Thanks. | 1:12:00 | 1:12:04 | |
-Come on, Ben. Fancy a boogie? -I've gotta go. | 1:12:04 | 1:12:07 | |
Come out and face me, you coward! Andrew! | 1:12:20 | 1:12:22 | |
Shirl, everyone's been asking where you've got to. | 1:12:22 | 1:12:25 | |
Why couldn't I cry, eh, Jay? | 1:12:25 | 1:12:27 | |
I mean, everybody else was crying - | 1:12:27 | 1:12:29 | |
people that didn't know her as well as I did... | 1:12:29 | 1:12:32 | |
You know, the one thing that was never mentioned throughout that service... | 1:12:32 | 1:12:36 | |
is that Hev was murdered. | 1:12:36 | 1:12:38 | |
Cos I still can't believe it. | 1:12:39 | 1:12:42 | |
How stupid is that? I found her body. | 1:12:42 | 1:12:46 | |
And I still think she's going to come back any minute. | 1:12:46 | 1:12:49 | |
DOOR OPENS | 1:12:49 | 1:12:50 | |
He ain't here. Take a look for yourself. | 1:12:50 | 1:12:53 | |
-What you playing at? -Eh? Nothing. | 1:13:06 | 1:13:09 | |
You seen Shirley? | 1:13:09 | 1:13:11 | |
-No. -Come on. | 1:13:11 | 1:13:13 | |
Mitchell's back. He's at the wake. I'm going to need uniform back-up. | 1:13:18 | 1:13:23 | |
Like I say, he ain't here. | 1:13:25 | 1:13:28 | |
It's hard to believe that you can still go on... | 1:13:35 | 1:13:38 | |
..when you lose someone you love. | 1:13:40 | 1:13:42 | |
I didn't lose her. | 1:13:42 | 1:13:44 | |
She was murdered. | 1:13:45 | 1:13:47 | |
I know you're angry. | 1:13:47 | 1:13:50 | |
But lashing out at everyone ain't the answer. | 1:13:50 | 1:13:52 | |
You know, I had a best friend... | 1:13:54 | 1:13:57 | |
so very like your Heather. | 1:13:57 | 1:13:59 | |
She was flighty and silly. | 1:13:59 | 1:14:02 | |
And she'd drive me to distraction sometimes. | 1:14:02 | 1:14:05 | |
But I would've done anything for that dear girl. | 1:14:05 | 1:14:09 | |
Ethel only had to ask. | 1:14:13 | 1:14:14 | |
Because when you're close as that, close as blood, | 1:14:15 | 1:14:20 | |
that's what you do, isn't it? | 1:14:20 | 1:14:23 | |
But, Shirley, Heather wouldn't want you to hurt Andrew. | 1:14:24 | 1:14:29 | |
You know she wouldn't. | 1:14:29 | 1:14:31 | |
When I lost Ethel, she took my heart with her. | 1:14:31 | 1:14:35 | |
But I still see her face. | 1:14:36 | 1:14:40 | |
I still talk to her. I hear her voice. | 1:14:40 | 1:14:43 | |
And I feel that she's all around. | 1:14:43 | 1:14:46 | |
But Hev's not around. | 1:14:48 | 1:14:51 | |
I know that. | 1:14:51 | 1:14:52 | |
And I talk to her every day. | 1:14:53 | 1:14:55 | |
Just asking her for a sign to let me know that she's at peace. | 1:14:56 | 1:15:00 | |
But there's no sign. | 1:15:02 | 1:15:04 | |
And there's no peace. | 1:15:06 | 1:15:07 | |
Because he took her. | 1:15:09 | 1:15:10 | |
DOOR CLOSES | 1:15:21 | 1:15:22 | |
There's a bit here about pets. You haven't got any pets. | 1:15:22 | 1:15:25 | |
Still going to sign it, though. I was always going to. | 1:15:25 | 1:15:28 | |
Really? I'm confused... | 1:15:28 | 1:15:31 | |
As your magazine consistently points out, it works both ways, don't it? | 1:15:31 | 1:15:34 | |
What protects her, protects me. So, document this picky, Jean... | 1:15:34 | 1:15:41 | |
..gets thrown out by the judge! | 1:15:41 | 1:15:43 | |
-Michael Moon, you are naughty! -SHE LAUGHS | 1:15:43 | 1:15:47 | |
Make sure you sign it, nice and clear. | 1:15:47 | 1:15:50 | |
How much longer? | 1:15:57 | 1:15:58 | |
As long as it takes. | 1:15:58 | 1:16:00 | |
Remember that woman? She come from Turpin Road. | 1:16:00 | 1:16:03 | |
She came in the shop, she used to talk and talk... | 1:16:03 | 1:16:05 | |
..and talk and talk. Tell you, we paid her no mind. | 1:16:05 | 1:16:08 | |
-But Heather... -She was too polite, that girl. | 1:16:08 | 1:16:11 | |
"Yes, Mrs Patel. No, Mrs Patel." | 1:16:11 | 1:16:12 | |
-Heather could talk to her for hours. -Too kind by half. | 1:16:12 | 1:16:16 | |
Silly girl. | 1:16:16 | 1:16:17 | |
Quiet, please, everybody! | 1:16:17 | 1:16:19 | |
Quiet, just for a second. | 1:16:19 | 1:16:22 | |
Thank you, just be a second. | 1:16:22 | 1:16:24 | |
Just want to make a little toast. | 1:16:24 | 1:16:27 | |
-We all know Heather was a lovely girl. -Hear, hear. | 1:16:29 | 1:16:33 | |
-Granted, she was a bit on the plump side... -Billy! | 1:16:33 | 1:16:36 | |
But she was, wasn't she? And she wasn't the brightest spark... | 1:16:36 | 1:16:40 | |
You can talk, Bill. | 1:16:40 | 1:16:41 | |
Yeah, I know. | 1:16:41 | 1:16:43 | |
But, come to think of it, | 1:16:43 | 1:16:45 | |
she weren't the luckiest girl in the world neither. | 1:16:45 | 1:16:48 | |
-Is this going anywhere? -Yes, it is. | 1:16:48 | 1:16:50 | |
Because at the end of the day, right, | 1:16:50 | 1:16:55 | |
no-one could ever say a bad word about her. Hmm? | 1:16:55 | 1:16:59 | |
I mean, how many of you would like that? | 1:16:59 | 1:17:02 | |
If I was remembered like that, well, I'd be a happy man. | 1:17:03 | 1:17:07 | |
So let's all hope that Andrew Cotton gets what he deserves. | 1:17:07 | 1:17:13 | |
And that Hev's up there, eating cheese with the big guy. | 1:17:14 | 1:17:17 | |
Who, Phil? | 1:17:17 | 1:17:19 | |
No, what's-his... | 1:17:19 | 1:17:21 | |
Where was I? | 1:17:21 | 1:17:23 | |
-ALFIE: -To Hev! | 1:17:23 | 1:17:24 | |
-ALL: -To Heather. | 1:17:24 | 1:17:26 | |
To Heather. | 1:17:26 | 1:17:27 | |
To Heather. | 1:17:29 | 1:17:31 | |
MUSIC: "Come On Eileen" by Dexys Midnight Runners | 1:17:31 | 1:17:34 | |
SHE SIGHS | 1:17:46 | 1:17:47 | |
I've had my fill of funerals this year. | 1:17:47 | 1:17:50 | |
Yeah. | 1:17:52 | 1:17:54 | |
There you go. Let's do it. | 1:17:54 | 1:17:57 | |
What made you change your mind? | 1:17:57 | 1:17:58 | |
If this is what it takes for you to trust me, | 1:18:00 | 1:18:03 | |
then that's what I'm going to do. All right? | 1:18:03 | 1:18:07 | |
You were stalling. | 1:18:07 | 1:18:08 | |
Yeah. | 1:18:08 | 1:18:10 | |
-You know what we need to do? -What? -We need to celebrate. | 1:18:15 | 1:18:18 | |
How? | 1:18:18 | 1:18:19 | |
THEY LAUGH | 1:18:22 | 1:18:23 | |
No name, no label... | 1:18:25 | 1:18:27 | |
Just check, there might be a wallet. Let's have a look. | 1:18:27 | 1:18:30 | |
No, no, that's mine. I left it in the gardens. | 1:18:30 | 1:18:33 | |
There you go, young man. See? All's well that ends well. | 1:18:33 | 1:18:35 | |
-You want to put a label on that - save us a lot of trouble. -Yeah, all right. Calm down. | 1:18:35 | 1:18:41 | |
Come on. | 1:18:43 | 1:18:45 | |
-JANINE GIGGLES -Here. | 1:18:48 | 1:18:50 | |
Oh! | 1:18:50 | 1:18:51 | |
-ZAINAB: -Come on, you. | 1:18:51 | 1:18:53 | |
I love you, Z. You know that, don't you? | 1:18:54 | 1:18:57 | |
Are you drunk? | 1:18:57 | 1:18:58 | |
A teeny bit. But you never tell people. And I don't... | 1:18:59 | 1:19:04 | |
-You're my best friend. -OK. No. No, no... -Yes. And I love you. | 1:19:07 | 1:19:10 | |
Mmmmmwah! | 1:19:10 | 1:19:12 | |
I love you, too. | 1:19:12 | 1:19:14 | |
-What? -I didn't say anything. | 1:19:14 | 1:19:15 | |
I heard you! | 1:19:15 | 1:19:17 | |
I never said it. | 1:19:17 | 1:19:19 | |
Yes, you did. | 1:19:19 | 1:19:21 | |
Red light. That's it. | 1:19:21 | 1:19:23 | |
MUSIC: "Edge Of Heaven" by Wham! | 1:19:23 | 1:19:26 | |
It's your happy music, Hev. | 1:19:30 | 1:19:31 | |
-Oh! -Oh! -THEY BOTH LAUGH | 1:19:34 | 1:19:36 | |
-Oh, that was brilliant! -Yeah. | 1:19:37 | 1:19:39 | |
You daft mare. | 1:19:39 | 1:19:41 | |
Andrew. | 1:19:50 | 1:19:52 | |
Andrew! | 1:19:52 | 1:19:53 | |
Whatever you're going to do, just do it. I'm tired of all this... | 1:19:54 | 1:20:00 | |
It wasn't you, was it? | 1:20:01 | 1:20:03 | |
You were telling the truth. | 1:20:03 | 1:20:05 | |
I found the tickets. | 1:20:05 | 1:20:08 | |
They were for the day she died. And you were going to meet her. | 1:20:09 | 1:20:12 | |
She was going to leave with you. | 1:20:13 | 1:20:15 | |
She was going to leave me. | 1:20:20 | 1:20:21 | |
I just... I just want her back! | 1:20:24 | 1:20:26 | |
SHE SOBS | 1:20:26 | 1:20:28 | |
I want her back, Andrew. I want her back! | 1:20:28 | 1:20:31 | |
I just want my Hev back! | 1:20:33 | 1:20:36 | |
-I want her back. -It's all right. | 1:20:39 | 1:20:41 | |
SHE CRIES | 1:20:43 | 1:20:45 | |
Quiet, please. Can I have a bit of shush? Everyone, please. | 1:20:45 | 1:20:49 | |
-Just like to say a few words. -Billy, you've already said a few words... | 1:20:49 | 1:20:54 | |
Bill, come on, leave it, yeah? Sit down. | 1:20:54 | 1:20:56 | |
No-one had a bad word to say about Heather. | 1:20:56 | 1:20:58 | |
Yeah, Bill, you've already said that, bruv. | 1:20:58 | 1:21:01 | |
-Have I? -Yeah. | 1:21:01 | 1:21:02 | |
Heather wasn't the brightest spark in the box... | 1:21:02 | 1:21:05 | |
-I haven't said that, have I? -Pretty much. Sit down! | 1:21:05 | 1:21:08 | |
-Have I? -Mr Mitchell... | 1:21:08 | 1:21:10 | |
What? | 1:21:10 | 1:21:12 | |
Can I have a quiet word with you outside, please? | 1:21:12 | 1:21:15 | |
Yes. Be with you in a minute, mate. OK? To Hev. | 1:21:15 | 1:21:18 | |
-ALL: -To Hev. | 1:21:18 | 1:21:19 | |
We need to ask you where you were the night Heather Trott was murdered. | 1:21:19 | 1:21:22 | |
I dunno. Can't remember, can I? Can I finish my drink now? | 1:21:22 | 1:21:26 | |
It's important you tell us what you were doing when she died. | 1:21:26 | 1:21:29 | |
I don't know. | 1:21:29 | 1:21:30 | |
Why you asking me now? We only just buried her. What's wrong with you? | 1:21:30 | 1:21:34 | |
-We didn't have to do it like this. -Like what? Hey! | 1:21:34 | 1:21:37 | |
William Mitchell, I'm arresting you on suspicion of the murder of Heather Trott. | 1:21:37 | 1:21:40 | |
You do not have to say anything, but it may harm your defence... | 1:21:40 | 1:21:43 | |
I didn't kill her! | 1:21:43 | 1:21:45 | |
Honest, I didn't kill her! Lola! Phil! | 1:21:45 | 1:21:48 | |
Phil! | 1:21:48 | 1:21:49 | |
< I didn't kill Heather. Lo! Phil! | 1:21:53 | 1:21:55 | |
Get your hands off of me! | 1:22:12 | 1:22:14 | |
You can't do this to people, you know. I haven't done anything wrong! | 1:22:14 | 1:22:18 | |
I want your name. I want your name for when I start suing people. | 1:22:18 | 1:22:21 | |
Do you understand? | 1:22:21 | 1:22:22 | |
Take a seat. | 1:22:22 | 1:22:23 | |
-We know Billy didn't do it. -No, you don't, and nor do I. -Billy? | 1:22:37 | 1:22:41 | |
He couldn't punch out of a wet paper bag. | 1:22:41 | 1:22:43 | |
I'm paying for Ritchie, I've taken Lola in. | 1:22:43 | 1:22:45 | |
-What more do you want me to do? -Find the person that killed Heather! -If I could, I would, | 1:22:45 | 1:22:49 | |
-but I weren't there so I don't know who did it, do I? -Yeah, and that's what hurts so much, | 1:22:49 | 1:22:53 | |
cos the killer's out there and the police still don't have a clue. | 1:22:53 | 1:22:55 | |
Shirley, I promise you it'll be all right. | 1:22:55 | 1:22:58 | |
You going to make yourself useful and put the kettle on? | 1:23:03 | 1:23:05 | |
No, I've got to get Amy to nursery, I've got an early start at the Vic. | 1:23:05 | 1:23:09 | |
All right? You going running? | 1:23:09 | 1:23:12 | |
Yeah, I couldn't sleep. | 1:23:12 | 1:23:14 | |
If there's anything I can do, yeah? | 1:23:15 | 1:23:17 | |
Listen, it's important not to let things get to you. All right? | 1:23:22 | 1:23:25 | |
Well, Billy's on a murder charge right now. | 1:23:25 | 1:23:28 | |
-I'm sorry if I'm feeling a bit tense(!) -Would you prefer it to be one of us? | 1:23:28 | 1:23:31 | |
What if they charge him and he goes down for life? | 1:23:31 | 1:23:34 | |
-It won't come to that, not if we stay calm. -Oh, yeah, like Ben, | 1:23:34 | 1:23:36 | |
upstairs asleep, not a care in the world? | 1:23:36 | 1:23:38 | |
Come on, you. | 1:23:48 | 1:23:50 | |
It's half past seven, time to wake up. | 1:23:50 | 1:23:53 | |
A cup of tea. | 1:23:53 | 1:23:55 | |
Mmmm! Come on, up you get. | 1:23:55 | 1:23:57 | |
You avoiding me? | 1:24:00 | 1:24:02 | |
Look, last week was... | 1:24:02 | 1:24:04 | |
That was humiliating enough without you sleeping down here. | 1:24:04 | 1:24:07 | |
It was a one-off, all right? It was stress, that's it. | 1:24:07 | 1:24:10 | |
No, I am not avoiding you. | 1:24:10 | 1:24:11 | |
Just fell asleep in front of the telly, babe, that's all. | 1:24:11 | 1:24:15 | |
Come on, get yourself up. | 1:24:15 | 1:24:16 | |
She sleep here? | 1:24:17 | 1:24:19 | |
Yeah, and you promised me you'd cover me on the stall today as well. | 1:24:19 | 1:24:22 | |
-I'll do it. -Yeah? Both of you together, that'd be good. | 1:24:22 | 1:24:26 | |
-Paid? -Doesn't anyone do anything for love around here? | 1:24:26 | 1:24:29 | |
Is there any news about Billy? Anything in that paper? | 1:24:29 | 1:24:34 | |
Billy is hardly going to make national press. | 1:24:34 | 1:24:36 | |
-I just can't believe the police have kept him in. -Have they? | 1:24:36 | 1:24:39 | |
What's it to you? | 1:24:39 | 1:24:41 | |
I just thought someone would have come forward by now | 1:24:41 | 1:24:44 | |
and said that Billy was somewhere else. | 1:24:44 | 1:24:46 | |
If he's got an alibi, why's he still locked up? | 1:24:46 | 1:24:49 | |
-URGENT KNOCKING ON DOOR -All right! Rox, what you...? | 1:24:56 | 1:24:58 | |
The kids are asleep. What's the matter with you?! | 1:24:58 | 1:25:00 | |
-Rox, keep the nois... -Quick! | 1:25:00 | 1:25:02 | |
I need you to get dressed. I've got a little job for you. | 1:25:02 | 1:25:05 | |
-What sort of job? -We can't trust Billy to keep his mouth shut about our business, can we? | 1:25:05 | 1:25:09 | |
No, Billy ain't going to say nothing, Derek. | 1:25:09 | 1:25:11 | |
Come off it, Alfie! Ten minutes with the Old Bill, he'll be holding his hands up to the Great Train Robbery! | 1:25:11 | 1:25:16 | |
-No, we need to strike first. -We?! | 1:25:16 | 1:25:17 | |
Well, not...you. | 1:25:17 | 1:25:20 | |
I need you to get into them Arches | 1:25:20 | 1:25:21 | |
-and plant some crooked electrical gear. -Why? | 1:25:21 | 1:25:24 | |
If Billy decides to shoot his mouth off, | 1:25:24 | 1:25:26 | |
I want it to look like he's covering for Phil. | 1:25:26 | 1:25:28 | |
No, hold on a sec, Derek. | 1:25:28 | 1:25:30 | |
All this planting evidence, right, it's not... You'd be better at it. | 1:25:30 | 1:25:33 | |
I'm out on licence, Alfie, and I can't afford any slip-ups. | 1:25:33 | 1:25:37 | |
No, I need you to get into them Arches before they open. | 1:25:37 | 1:25:39 | |
I reckon you got about 20 minutes. | 1:25:39 | 1:25:41 | |
Yeah, the place is locked up, you can't get in there. | 1:25:41 | 1:25:43 | |
Well, then it's lucky that I kept my set of keys, innit? | 1:25:43 | 1:25:46 | |
Here you are. OK? | 1:25:46 | 1:25:48 | |
All right? | 1:25:48 | 1:25:50 | |
-I don't have to talk to them. -Yes, you do. | 1:26:09 | 1:26:12 | |
-Unless you think it will incriminate you? -I didn't do anything! | 1:26:12 | 1:26:15 | |
Good. | 1:26:15 | 1:26:17 | |
-So you were at home at the time of the murder? -Yeah. | 1:26:23 | 1:26:28 | |
And then you went around to Phil's, | 1:26:28 | 1:26:30 | |
and then you left to pick up a curry? | 1:26:30 | 1:26:32 | |
There's nothing else you haven't told me? Not hiding anything? | 1:26:32 | 1:26:35 | |
No. | 1:26:37 | 1:26:39 | |
This interview is being tape-recorded. | 1:26:54 | 1:26:57 | |
I am DS Luke Crisp and DC Damian McKenzie is also present. I am interviewing... | 1:26:57 | 1:27:01 | |
-Can you please say your name? -Billy Mitchell. | 1:27:01 | 1:27:04 | |
And also in the room is... | 1:27:04 | 1:27:05 | |
Richmal Scott, Mr Mitchell's solicitor. | 1:27:05 | 1:27:07 | |
It's the 13th April, 2012, | 1:27:07 | 1:27:09 | |
and the time, by my watch, is 7.45am. | 1:27:09 | 1:27:13 | |
-You understand, Mr Mitchell, you are still under caution? -Yes. | 1:27:13 | 1:27:16 | |
So three weeks ago you killed Heather Trott. | 1:27:16 | 1:27:21 | |
-I had nothing to do with Hev's death! -Really? | 1:27:21 | 1:27:23 | |
It wasn't me! | 1:27:23 | 1:27:25 | |
You've read the papers, ain't you? | 1:27:25 | 1:27:27 | |
-It was... -I've read the articles in which you describe yourself as a local businessman, | 1:27:27 | 1:27:31 | |
but we have your job description as cleaner. | 1:27:31 | 1:27:34 | |
I'm management! | 1:27:34 | 1:27:35 | |
So where were you the night she was murdered? | 1:27:35 | 1:27:37 | |
I was at home. | 1:27:37 | 1:27:39 | |
Can anyone else confirm this? | 1:27:39 | 1:27:41 | |
No. | 1:27:42 | 1:27:43 | |
We have a witness who says you had a violent argument with Heather. | 1:27:43 | 1:27:46 | |
-What? -You were seen threatening her. | 1:27:46 | 1:27:48 | |
No! Never. | 1:27:48 | 1:27:49 | |
Do you deny arguing with her? | 1:27:49 | 1:27:51 | |
-We might have had words. -About money? | 1:27:52 | 1:27:55 | |
I can't remember. Look, I would never hurt Hev. | 1:27:55 | 1:27:58 | |
Where did you get this money from? | 1:27:58 | 1:28:00 | |
I'm showing Mr Mitchell exhibit BM12. | 1:28:00 | 1:28:03 | |
I hope it was good. | 1:28:17 | 1:28:19 | |
A proper church service? | 1:28:19 | 1:28:21 | |
Don't suppose a sorry's going to cut it? | 1:28:23 | 1:28:26 | |
I mean, I would get on the floor and grovel, but my jean's are clean on. | 1:28:26 | 1:28:29 | |
This floor is mopped every day. | 1:28:29 | 1:28:31 | |
Yeah, course it is. | 1:28:31 | 1:28:32 | |
You weren't the only one to love Heather. | 1:28:32 | 1:28:35 | |
-You were a good friend to her, Dot. -And Andrew, he loved her. DOOR OPENS | 1:28:36 | 1:28:41 | |
I told her it weren't convenient... | 1:28:42 | 1:28:43 | |
I should never have stopped you both from going to the funeral. | 1:28:43 | 1:28:47 | |
And I'm sorry. | 1:28:48 | 1:28:49 | |
So now one of yours has been nicked, | 1:28:50 | 1:28:52 | |
-I'm supposed to just forgive and forget? -Billy didn't do it. | 1:28:52 | 1:28:55 | |
So you thought it must be me? | 1:28:55 | 1:28:58 | |
I guess... | 1:28:58 | 1:29:00 | |
I guess I wanted it to be you... | 1:29:00 | 1:29:02 | |
..because I was jealous. | 1:29:03 | 1:29:05 | |
I thought I was the only person she ever loved | 1:29:05 | 1:29:07 | |
and I should have been there for her. | 1:29:07 | 1:29:09 | |
Some evil you can't protect against, Shirley. | 1:29:09 | 1:29:13 | |
People always let Heather down... | 1:29:13 | 1:29:16 | |
but she just took it. | 1:29:16 | 1:29:17 | |
She never complained... | 1:29:19 | 1:29:22 | |
she never got a break. | 1:29:22 | 1:29:24 | |
Yes, she did. | 1:29:24 | 1:29:25 | |
She got you. | 1:29:27 | 1:29:28 | |
Phil! | 1:29:33 | 1:29:34 | |
-What's happened? -Is it my pops? | 1:29:35 | 1:29:37 | |
No, a problem at the Arches with a customer. | 1:29:37 | 1:29:40 | |
-Ben, why don't you take Lola out for some breakfast? -Nah, I don't want to go out. | 1:29:42 | 1:29:45 | |
There's no need to hide, you ain't done anything wrong. | 1:29:45 | 1:29:48 | |
-Neither's Billy. -I ain't hiding. | 1:29:48 | 1:29:49 | |
-Do me a favour, bring back some milk, yeah? -Come on, we'll go to the cafe. | 1:29:49 | 1:29:53 | |
I don't care, go where you like. | 1:29:53 | 1:29:55 | |
-Just seen Alfie coming out the Arches. -What? -Alfie coming out of the Arches. | 1:29:59 | 1:30:03 | |
-Well, how'd he get in? -He had keys. | 1:30:03 | 1:30:06 | |
Do you reckon he knows something or what? | 1:30:06 | 1:30:07 | |
Who gave him the keys, eh? | 1:30:07 | 1:30:09 | |
Come on. | 1:30:11 | 1:30:12 | |
£800 in cash? | 1:30:12 | 1:30:14 | |
-You and Heather have a little scam going at work? Little cash on the side? -No. | 1:30:14 | 1:30:19 | |
Decide you didn't want to share it? | 1:30:19 | 1:30:21 | |
I never stole anything from work. | 1:30:21 | 1:30:23 | |
What happened to your hoodie? | 1:30:23 | 1:30:26 | |
-My hoodie? -From Andrew's stag night. | 1:30:26 | 1:30:28 | |
-I lost it. -Really? Didn't burn it? | 1:30:29 | 1:30:32 | |
No! | 1:30:32 | 1:30:33 | |
-Well, I'm sure we'll find it for you. -Thanks. | 1:30:34 | 1:30:38 | |
Tell me about Phil Mitchell. Do much for him? | 1:30:38 | 1:30:41 | |
-Help him out now and then. -So you're part of Mitchell's inner circle? | 1:30:43 | 1:30:46 | |
-Suppose. -Like a foot soldier, or more of a sergeant, lieutenant? | 1:30:46 | 1:30:51 | |
Where would you be in the Mitchell gang? | 1:30:51 | 1:30:53 | |
I don't know, I suppose I'd be like... | 1:30:53 | 1:30:54 | |
What gang? There ain't a Mitchell gang. | 1:30:56 | 1:30:59 | |
But if he wanted something important doing, something really big, | 1:30:59 | 1:31:02 | |
you'd be his go-to guy, yeah? | 1:31:02 | 1:31:04 | |
That'd depend on what it was, wouldn't it? | 1:31:04 | 1:31:06 | |
Stealing a grand from his missus' best mate? | 1:31:06 | 1:31:08 | |
I never took Heather's money and I never killed her! | 1:31:08 | 1:31:11 | |
You've got no alibi and £800 you can't account for. | 1:31:11 | 1:31:14 | |
Mr Mitchell has answered all your questions fully and honestly. | 1:31:14 | 1:31:18 | |
POLICE WOMAN WHISPERS | 1:31:22 | 1:31:25 | |
Going to take a short break. | 1:31:26 | 1:31:27 | |
Interview suspended at 8.20. | 1:31:27 | 1:31:30 | |
New information. | 1:31:33 | 1:31:34 | |
You just don't kill someone in the heat of the moment. | 1:31:42 | 1:31:44 | |
Yeah, well, things do happen, people do lose control. | 1:31:44 | 1:31:47 | |
Pops? My pops? No, no, no, he wouldn't hurt a fly. | 1:31:47 | 1:31:50 | |
I'm not saying he would, all right? But, you know, things do happen. | 1:31:50 | 1:31:53 | |
-Do you know what? I thought you were supposed to be my mate! -Lola. Lola! | 1:31:53 | 1:31:57 | |
What you staring at, eh? > | 1:32:00 | 1:32:01 | |
Go on! Mind your own business, the lot of you! | 1:32:01 | 1:32:04 | |
-Lola? Lola, you all right, love? -What's it to you? | 1:32:04 | 1:32:07 | |
I just want to make sure you're OK. | 1:32:07 | 1:32:09 | |
-Since when have you ever cared about Billy, eh? When has anyone? -I've always liked Billy. | 1:32:09 | 1:32:14 | |
You know what, he's the first one to help anyone else around here. | 1:32:14 | 1:32:17 | |
When he's in trouble, no-one cares, they all think about themselves. | 1:32:17 | 1:32:20 | |
Look, I'm sure he will be home in no time, | 1:32:20 | 1:32:22 | |
it's probably just a big mistake. | 1:32:22 | 1:32:24 | |
-Yeah, well... -I can look after my cousin, thank you. | 1:32:24 | 1:32:28 | |
-And he definitely had nothing on him? -No. | 1:32:28 | 1:32:30 | |
Phil. | 1:32:33 | 1:32:34 | |
Why would Alfie hide all this here? | 1:32:38 | 1:32:41 | |
It's nicked, innit? It's hot. | 1:32:41 | 1:32:42 | |
-It's nothing to do with Heather, is it? -I don't know. | 1:32:42 | 1:32:45 | |
-Just get rid of it, yeah? Get it out of here. -Where you going? | 1:32:45 | 1:32:49 | |
Have a quiet word with my mate Alfie. | 1:32:49 | 1:32:51 | |
There you go, darling. There you go. | 1:32:58 | 1:33:01 | |
-I bet all those old gossips are crucifying Billy today. -Good. | 1:33:01 | 1:33:04 | |
Nothing like a nice murder to bring the community together. | 1:33:04 | 1:33:08 | |
JANINE LAUGHS | 1:33:08 | 1:33:09 | |
HER STOMACH GURGLES | 1:33:09 | 1:33:11 | |
Is that you? | 1:33:11 | 1:33:12 | |
I need pork scratchings. | 1:33:14 | 1:33:15 | |
What? | 1:33:15 | 1:33:16 | |
Oh! I need pork scratchings. | 1:33:16 | 1:33:18 | |
Oh, what is happening to me? I'm getting cravings! | 1:33:18 | 1:33:20 | |
-What happened to that packet of marshmallows I got you? -They were too sweet. | 1:33:20 | 1:33:24 | |
Were they? | 1:33:26 | 1:33:28 | |
I couldn't waste them, could I? | 1:33:28 | 1:33:30 | |
Here you are. | 1:33:30 | 1:33:32 | |
And get whatever you want. | 1:33:32 | 1:33:35 | |
-What you doing? -Just get yourself something, please, cos I'm not sharing. -I don't need your money. | 1:33:35 | 1:33:40 | |
Well, I wasn't sure if you had any cash on you. | 1:33:40 | 1:33:42 | |
-I think can afford a packet of pork scratchings, Janine. -I want...two. | 1:33:42 | 1:33:46 | |
And if you see any marshmallows on your way out... | 1:33:49 | 1:33:53 | |
SHE WHIMPERS | 1:33:53 | 1:33:55 | |
They must have something on him, they've kept him in all night. | 1:33:56 | 1:33:59 | |
-Probably letting him sleep it off - he hit the free bar last night. -KNOCK ON DOOR | 1:33:59 | 1:34:03 | |
Morning! What can we do for you? | 1:34:14 | 1:34:18 | |
You can make yourself scarce. | 1:34:18 | 1:34:20 | |
All right, Phil? This is an unexpected pleasure, eh? | 1:34:20 | 1:34:24 | |
-Take Happy upstairs, will you? -Why, what's happened? | 1:34:24 | 1:34:27 | |
-I need some private time with Alfie. -Phil, what's going on? | 1:34:28 | 1:34:32 | |
Girls, go on. Go and have a break, yeah? | 1:34:33 | 1:34:35 | |
OK. Come on, Jean. | 1:34:38 | 1:34:39 | |
Don't mind me. | 1:34:41 | 1:34:42 | |
-You better start talking. -About what? | 1:34:50 | 1:34:52 | |
About your little gift this morning. | 1:34:52 | 1:34:54 | |
Jay saw you. Now, why would you try and fit me up, eh? | 1:34:55 | 1:34:58 | |
-No. I just thought you might want a bit a free gear. -Oh, yeah, yeah. | 1:35:00 | 1:35:03 | |
Pull the other one, it's got Derek hanging by the throat. | 1:35:03 | 1:35:06 | |
-Derek? -Yeah. | 1:35:06 | 1:35:08 | |
Yeah, someone let you in | 1:35:08 | 1:35:10 | |
and the only other person that's had a set of keys is Derek. | 1:35:10 | 1:35:13 | |
OK. See, me, Derek and Billy, we had this plan to nick some booze | 1:35:15 | 1:35:20 | |
and, then, at the last minute, me and Billy, | 1:35:20 | 1:35:22 | |
well, we decided to cut him out the loop. | 1:35:22 | 1:35:25 | |
That'd be like getting robbed by the Chuckle Brothers. | 1:35:25 | 1:35:28 | |
So why hide the gear in the Arches? | 1:35:28 | 1:35:30 | |
You think Billy's going to grass you up. | 1:35:34 | 1:35:36 | |
So you thought you'd plant the gear on me. | 1:35:36 | 1:35:39 | |
-Well, come on? Or have you got a thing for hospital food, eh? -No. | 1:35:39 | 1:35:44 | |
Derek was convinced it was you that nicked the booze | 1:35:44 | 1:35:47 | |
and the thing is, Phil, I didn't put him right. | 1:35:47 | 1:35:50 | |
-So you're more scared of him than me? -No, it's just... | 1:35:50 | 1:35:54 | |
I can reason with you, it's like we're mates, | 1:35:54 | 1:35:57 | |
and, you know, he's just a bit of a nutter. | 1:35:57 | 1:35:59 | |
Yeah, so, what, I'm Mr Nice Guy now, am I? | 1:35:59 | 1:36:01 | |
No, no. | 1:36:01 | 1:36:03 | |
OK, listen, whatever you've got to do, you do it to me. | 1:36:03 | 1:36:05 | |
Just leave my family out of it, yeah? | 1:36:05 | 1:36:07 | |
You want to keep that thick head of yours in one piece, | 1:36:10 | 1:36:12 | |
you remember you owe me now. | 1:36:12 | 1:36:14 | |
From now on, you're on my side of the street. | 1:36:14 | 1:36:18 | |
-(Right.) -If I whistle, you come running. | 1:36:18 | 1:36:22 | |
All right. | 1:36:22 | 1:36:24 | |
He's in trouble and we both know he didn't do it. | 1:36:30 | 1:36:33 | |
We saw him unloading them boxes. | 1:36:35 | 1:36:38 | |
Alex? | 1:36:40 | 1:36:42 | |
Yeah, but if you go to the police, it'll be a lot easier. | 1:36:43 | 1:36:46 | |
Cos I can't get involved! | 1:36:47 | 1:36:49 | |
Yeah, I know I said that, but... | 1:36:51 | 1:36:53 | |
Hello? | 1:36:55 | 1:36:56 | |
Hell...? | 1:36:56 | 1:36:58 | |
Who you talking to? | 1:36:58 | 1:36:59 | |
Dad? | 1:37:01 | 1:37:02 | |
-Yeah. -Everything OK with you two lovebirds? | 1:37:02 | 1:37:04 | |
Why wouldn't it be? | 1:37:04 | 1:37:06 | |
Well, I know how difficult Dad can be. | 1:37:06 | 1:37:09 | |
His business obsessions, his ambitions... | 1:37:09 | 1:37:13 | |
his jealousy. | 1:37:13 | 1:37:14 | |
See, I like an ambitious, driven man... | 1:37:14 | 1:37:17 | |
..and he's got nothing to be jealous of. | 1:37:18 | 1:37:20 | |
Your flat is full of brand-new baby stuff - | 1:37:23 | 1:37:26 | |
pram, crib, toys. Expensive. | 1:37:26 | 1:37:29 | |
Especially for someone on your income. | 1:37:30 | 1:37:33 | |
-Janine Butcher paid for it. -Really? | 1:37:33 | 1:37:36 | |
From the little I know of Ms Butcher, that seems very out of character. | 1:37:36 | 1:37:39 | |
I ordered the nursery stuff on her credit card. | 1:37:41 | 1:37:44 | |
RITCHIE WHISPERS | 1:37:44 | 1:37:46 | |
She let me use her card and I'm going to pay her back. | 1:37:47 | 1:37:50 | |
The point is... | 1:37:51 | 1:37:53 | |
..the nursery stuff was delivered the night Hev died. | 1:37:54 | 1:37:58 | |
Why didn't you tell us this before? | 1:37:58 | 1:38:00 | |
Because Janine didn't know about it. | 1:38:01 | 1:38:03 | |
Well, that's theft. | 1:38:05 | 1:38:08 | |
I'll have to arrest you for it. | 1:38:08 | 1:38:10 | |
What else have you been lying about, Billy? | 1:38:10 | 1:38:13 | |
-Everything all right? -Yeah, just nipped back to use the loo. | 1:38:19 | 1:38:24 | |
-What you all dolled up for? -Me? I had...erm... | 1:38:24 | 1:38:26 | |
I just had a business thing, nothing important. | 1:38:26 | 1:38:29 | |
Listen, I was thinking, | 1:38:31 | 1:38:33 | |
maybe later we could do something. You know, just the two of us? | 1:38:33 | 1:38:38 | |
Really? Yeah, if you want to. | 1:38:38 | 1:38:41 | |
We are OK, aren't we? | 1:38:41 | 1:38:42 | |
I mean, look, I know things have been weird between us lately but... | 1:38:42 | 1:38:46 | |
..we can make this work, can't we? | 1:38:47 | 1:38:49 | |
How about, OK, we both take the rest of the day off? | 1:38:49 | 1:38:53 | |
We can get some lunch, we can go into town, we can do whatever. | 1:38:53 | 1:38:56 | |
What about Bobby and Lucy? | 1:38:56 | 1:38:57 | |
Forget about everyone else, all right? | 1:38:57 | 1:39:00 | |
Let's just think about ourselves for a change, yeah? | 1:39:00 | 1:39:02 | |
-Can anyone else back up this story about the nursery equipment? -Only... | 1:39:05 | 1:39:08 | |
Go on. | 1:39:08 | 1:39:09 | |
Hev. | 1:39:09 | 1:39:11 | |
Heather Trott knew you were stealing from Ms Butcher? | 1:39:11 | 1:39:14 | |
-What did Heather think about you stealing from your boss? -She didn't like it. | 1:39:14 | 1:39:17 | |
If Ms Butcher found out you'd fiddled the order, you'd lose your job. | 1:39:17 | 1:39:20 | |
-Or worse. -Yeah, I suppose. | 1:39:20 | 1:39:22 | |
-So it was important that Heather kept her mouth shut? -No! | 1:39:22 | 1:39:24 | |
No, you've got it all wrong, it wasn't like that. | 1:39:26 | 1:39:28 | |
Heather wasn't like that. | 1:39:28 | 1:39:30 | |
I wasn't worried about her saying anything. | 1:39:30 | 1:39:33 | |
Must have been a shock when you found out your granddaughter was pregnant? | 1:39:33 | 1:39:36 | |
Sorry, what has this got to do with anything? | 1:39:36 | 1:39:39 | |
Do you know who the father is? | 1:39:39 | 1:39:40 | |
-No. -She wouldn't tell you? | 1:39:40 | 1:39:42 | |
No, she said she don't know. | 1:39:42 | 1:39:44 | |
Some dirty little toe rag ruining her life. | 1:39:44 | 1:39:47 | |
What would you do to him, eh, Billy? | 1:39:47 | 1:39:49 | |
-If you could just get your hands on him. -I'd want to talk to him. | 1:39:49 | 1:39:52 | |
I'd want to make him see his responsibility. | 1:39:52 | 1:39:54 | |
-And if he won't, he's going to get a slap, isn't he? Who'd blame you? -No. No, I'm not like that! | 1:39:54 | 1:39:58 | |
Life can just dump on you too many times, can't it, Billy? | 1:39:58 | 1:40:01 | |
Sometimes you just want to hit back, | 1:40:01 | 1:40:03 | |
let all that disappointment out - smash something, kill someone. | 1:40:03 | 1:40:07 | |
But sometimes the wrong person gets killed. | 1:40:07 | 1:40:09 | |
Did you kill the wrong person, Billy? | 1:40:09 | 1:40:11 | |
No! I didn't kill the wrong person because I didn't kill anyone. | 1:40:11 | 1:40:15 | |
-Where's the picture frame, Billy? -What picture frame? | 1:40:15 | 1:40:18 | |
-You cracked her over the head with it. -No, I never. | 1:40:18 | 1:40:21 | |
I don't know what you're talking about! | 1:40:21 | 1:40:24 | |
And there's still this issue of the money. | 1:40:24 | 1:40:27 | |
In light of the extra charge against Mr Mitchell, I think we should all take a short break. | 1:40:27 | 1:40:31 | |
Interview suspended at 10.05. | 1:40:31 | 1:40:33 | |
-How are you? -All right. Pork scratchings. | 1:40:47 | 1:40:51 | |
Janine's got cravings, apparently. | 1:40:57 | 1:41:00 | |
Dot was just telling me that Andrew has finally got proof of his innocence. | 1:41:00 | 1:41:04 | |
Really? How interesting. You better give me all of those. | 1:41:04 | 1:41:07 | |
(Right.) | 1:41:07 | 1:41:08 | |
Just keep the change. | 1:41:12 | 1:41:13 | |
-Can't believe it was Billy, though. -Why? | 1:41:15 | 1:41:17 | |
Well, Billy and I have known each other years. We... | 1:41:17 | 1:41:20 | |
Well, we just know each other. | 1:41:20 | 1:41:23 | |
So sad, Michael, it's so sad. | 1:41:23 | 1:41:26 | |
Yeah, tragic. | 1:41:26 | 1:41:27 | |
He was found with money on him. Money that apparently was Heather's. | 1:41:27 | 1:41:31 | |
-Perfect motive for murder. -Really? | 1:41:31 | 1:41:34 | |
Not love? | 1:41:34 | 1:41:36 | |
Not love. You want to watch it, good-looking woman like you, | 1:41:38 | 1:41:42 | |
loads of Lottery money banging about - could be a target. | 1:41:42 | 1:41:45 | |
SHE LAUGHS | 1:41:45 | 1:41:47 | |
-Better get it spent, then. -Or invest it. -Yeah? What in? | 1:41:47 | 1:41:50 | |
Sports and leisure. SHE LAUGHS | 1:41:50 | 1:41:52 | |
Don't laugh, it's the future. | 1:41:52 | 1:41:55 | |
-Really? -Yeah. | 1:41:55 | 1:41:56 | |
What are you two talking about? | 1:41:56 | 1:41:57 | |
The future. | 1:42:02 | 1:42:03 | |
You're absolutely sure it was Billy? | 1:42:04 | 1:42:06 | |
-Yes. -Carrying boxes into his flat? | 1:42:06 | 1:42:09 | |
-Yeah. -How long were you in the street before you moved on? | 1:42:09 | 1:42:12 | |
I don't know, a couple of minutes. | 1:42:12 | 1:42:14 | |
-So not long? -No, but when I came back later | 1:42:14 | 1:42:17 | |
he was throwing out all the empty boxes. | 1:42:17 | 1:42:19 | |
And this Alex Foster, he can confirm this? | 1:42:19 | 1:42:22 | |
-Yeah. -OK. | 1:42:24 | 1:42:26 | |
Read it, then sign it. | 1:42:26 | 1:42:28 | |
-You will keep my name out of this, won't you? -I can't promise that. | 1:42:29 | 1:42:32 | |
She said you would! | 1:42:32 | 1:42:34 | |
We'll have to check your story with Mr Foster and possibly Mr Beale. | 1:42:34 | 1:42:38 | |
Thank you, Miss Salter. | 1:42:47 | 1:42:49 | |
I heard your half-wit relative got himself arrested for murder. | 1:43:02 | 1:43:06 | |
That's very unfortunate. | 1:43:06 | 1:43:08 | |
And I heard you're in the market for some free booze? | 1:43:09 | 1:43:11 | |
I don't like anyone messing with my business, Phil. | 1:43:14 | 1:43:16 | |
Well, you need to look a bit closer to home. | 1:43:16 | 1:43:19 | |
Inside job. | 1:43:22 | 1:43:23 | |
Done a right little number on you, didn't they, eh? | 1:43:23 | 1:43:26 | |
You want to do anything in Walford, | 1:43:28 | 1:43:30 | |
you make sure you run it by me first. | 1:43:30 | 1:43:33 | |
This is my firm, and my manor. | 1:43:34 | 1:43:37 | |
Oh, and Alfie tells me everything. | 1:43:37 | 1:43:40 | |
You're making this personal... | 1:43:45 | 1:43:48 | |
-and that never ends well. -PHONE RINGS | 1:43:48 | 1:43:50 | |
Well, you know where to find me, don't you? | 1:43:50 | 1:43:52 | |
Hello? | 1:43:52 | 1:43:54 | |
I gave Billy a grand? You must be joking. | 1:44:00 | 1:44:03 | |
I know where he got it from. | 1:44:03 | 1:44:05 | |
Yeah, all right. Forget that. | 1:44:05 | 1:44:06 | |
Look, if we tell them he borrowed the money off you, it would be a big help. | 1:44:06 | 1:44:10 | |
All right, all right. | 1:44:10 | 1:44:13 | |
Tell the Old Bill that I gave Billy the money, yeah? | 1:44:13 | 1:44:16 | |
For Lola. | 1:44:16 | 1:44:17 | |
Kat, yes, everything's fine, darling. | 1:44:23 | 1:44:25 | |
Yes, Shenice is fine. What? | 1:44:25 | 1:44:27 | |
No, she does have a clean uniform every day, you cheeky mare! | 1:44:27 | 1:44:30 | |
I'll call you back a bit later, all right, darling? | 1:44:30 | 1:44:33 | |
Yeah, all right. Love you too, bye. | 1:44:33 | 1:44:35 | |
Do you know the one thing I can't stand? | 1:44:35 | 1:44:39 | |
It's a wise guy. | 1:44:41 | 1:44:44 | |
Derek, listen, Phil caught me bang to rights, OK? | 1:44:46 | 1:44:49 | |
Would it help if I said I was sorry? | 1:44:52 | 1:44:54 | |
It wouldn't even touch the sides. | 1:45:07 | 1:45:10 | |
So you borrowed the money from Phil Mitchell? | 1:45:15 | 1:45:18 | |
And on the night Hev died, I was at home, setting up the nursery. | 1:45:18 | 1:45:23 | |
It wasn't Hev's money, so you've got the wrong man! | 1:45:23 | 1:45:26 | |
You've been lying all day. Why should I believe you? | 1:45:26 | 1:45:29 | |
What happened with Heather, Billy?! | 1:45:29 | 1:45:30 | |
-How many more times? I didn't kill her! -Sit down! | 1:45:30 | 1:45:34 | |
I've been in the gutter all my life, | 1:45:37 | 1:45:40 | |
looking up at people who look down on me. | 1:45:40 | 1:45:43 | |
And there's been plenty of times, all right, | 1:45:43 | 1:45:45 | |
plenty of times I wanted to hit someone, strike out. | 1:45:45 | 1:45:49 | |
But Hev? | 1:45:49 | 1:45:51 | |
No way. | 1:45:52 | 1:45:54 | |
She was the nicest, sweetest person. | 1:45:56 | 1:45:58 | |
I wouldn't hurt her. | 1:46:02 | 1:46:04 | |
You can go. | 1:46:08 | 1:46:09 | |
But I'm not done with you, Billy. | 1:46:11 | 1:46:12 | |
You tick every box on the loser's profile. | 1:46:13 | 1:46:17 | |
Prison written all over you. | 1:46:17 | 1:46:19 | |
FRONT DOOR SHUTS | 1:46:41 | 1:46:43 | |
Michael? | 1:46:43 | 1:46:45 | |
I've just had a call from the police telling me that Lola has got the second-best nursery in town, | 1:46:46 | 1:46:52 | |
-all bought for by Billy on my credit card. -Unbelievable. | 1:46:52 | 1:46:56 | |
-I'm not going to press charges, though, cos I actually quite like him. -That's quite good of you. | 1:46:56 | 1:47:00 | |
-I'm just going to sack him instead. -Yeah. That's my girl. | 1:47:00 | 1:47:04 | |
Here we go, as specified. | 1:47:05 | 1:47:08 | |
And... | 1:47:10 | 1:47:12 | |
-SHE GASPS -Oh, my God! | 1:47:12 | 1:47:15 | |
Fill your boots, girl. | 1:47:15 | 1:47:18 | |
You are like a dream. | 1:47:18 | 1:47:19 | |
-All right, Lola? -Where have you been? I've been up all night waiting for you! | 1:47:23 | 1:47:27 | |
-Where have you been? -Hey, hey, stop it, all right? | 1:47:27 | 1:47:29 | |
Just had to answer a few questions, that's all. | 1:47:29 | 1:47:33 | |
Come on, I need to see Phil. | 1:47:37 | 1:47:39 | |
Billy? | 1:47:45 | 1:47:46 | |
Come here, you. | 1:47:48 | 1:47:50 | |
Shouldn't we get some champagne? | 1:47:59 | 1:48:01 | |
Least make it look like we're pleased to see him out. | 1:48:01 | 1:48:03 | |
-We are pleased. -Now the Old Bill are going to be all over us. | 1:48:03 | 1:48:06 | |
All we've got to do is hold it together. Keep it tight, yeah? | 1:48:06 | 1:48:08 | |
Do what I say and no-one is going to get banged up. | 1:48:08 | 1:48:10 | |
-< Hiya. -Do you understand? | 1:48:10 | 1:48:13 | |
Hey! Here he is. | 1:48:14 | 1:48:17 | |
How you doing, eh? | 1:48:17 | 1:48:18 | |
-They give you a tough time? -No, no, it was all right. | 1:48:18 | 1:48:22 | |
He's on bail. | 1:48:22 | 1:48:23 | |
I kept thinking I was never getting out of there. | 1:48:23 | 1:48:27 | |
I was thinking, "That's it. This is my life for now on." | 1:48:27 | 1:48:29 | |
-But you kept it together, all right? -Yeah. | 1:48:29 | 1:48:32 | |
But they said I was still part of their inquiries. | 1:48:32 | 1:48:35 | |
Well, head up in front Lo, yeah? | 1:48:35 | 1:48:36 | |
-You don't want to let anyone see it's getting to you. -Yeah, OK. | 1:48:36 | 1:48:40 | |
Cos everything is going to be all right. | 1:48:40 | 1:48:43 | |
Come on, Jay, get this man a beer, or do you want a cup a tea instead? | 1:48:43 | 1:48:46 | |
No, no, no, beer'll be fine, Jay. | 1:48:46 | 1:48:48 | |
FRONT DOOR SHUTS | 1:48:48 | 1:48:50 | |
-What's he doing here? -What you doing? -Good to have you back, Billy. | 1:48:53 | 1:48:56 | |
-How was it? -All right. | 1:48:56 | 1:48:59 | |
-Except they still think it's him, you know. -Then it's down to us to prove them wrong, innit? | 1:48:59 | 1:49:04 | |
-But we know who it was. -It wasn't me. -And he can prove it. | 1:49:04 | 1:49:08 | |
So we need to find out who did. | 1:49:09 | 1:49:12 | |
Us? | 1:49:12 | 1:49:14 | |
What is wrong with you lot? | 1:49:14 | 1:49:16 | |
We owe it to Hev! We don't stop until we find him. | 1:49:16 | 1:49:19 | |
Someone's got to get Pops off the hook | 1:49:19 | 1:49:21 | |
cos he ain't going to do it himself. | 1:49:21 | 1:49:23 | |
I'm in. | 1:49:23 | 1:49:25 | |
Yeah, me an' all. | 1:49:30 | 1:49:32 | |
Am I talking to the Mitchell men here | 1:49:36 | 1:49:38 | |
or a bunch of scared schoolboys? | 1:49:38 | 1:49:40 | |
If the killer knew Hev, they'd know she's friends with the Mitchells. | 1:49:42 | 1:49:45 | |
-They'd be expecting us to go after them. -Yeah, but the police... | 1:49:45 | 1:49:48 | |
We ain't the police, we don't follow the rules. | 1:49:48 | 1:49:50 | |
If we can't protect any of our own, we might as well just give in. | 1:49:50 | 1:49:54 | |
I don't believe this. What is your problem? | 1:49:55 | 1:49:59 | |
All right. | 1:50:01 | 1:50:02 | |
You want to nail someone for this, then we'll find out who did it. | 1:50:04 | 1:50:07 | |
And we'll make sure they go down for it an' all. | 1:50:08 | 1:50:11 | |
Subtitles by Red Bee Media Ltd | 1:50:34 | 1:50:37 |